#Fandom Analysis

[watermelonsloth]

I think the reason why Naruto fans get so passionate and upset about the series is because of how real it can be. Naruto isn’t about paragon heroes outdoing dastardly villains. It’s about human beings fighting tooth and nail to survive in a world surrounded by death. It’s about broken systems made and perpetuated by broken people.

The Hyuga clan isn’t just antagonistic or pretentious, they practice slavery.

The Uchiha clan weren’t just killed by some raging psychopath, they were systematically massacred.

Itachi isn’t just cruel to Sasuke because he’s a bad brother, he’s cruel because he’d been told time and time again that you can only survive by being cruel and he wants nothing more than for Sasuke to survive.

Nagato isn’t trying to take over the world just for the sake of power, he’s trying to take over the world because it beat him down to the point of believing that the only chance at peace there is is the world being forced into compliance through fear.

Iruka isn’t hard on Naruto just because he’s a strict teacher, he’s hard on Naruto because he knows from experience how unforgiving the world is towards orphans.

Kakashi isn’t just some silly and slightly lazy teacher, he’s a contract killer still grieving his loved ones and struggling to do better without knowing how he’s supposed to.

Sakura isn’t just a fangirl, she’s a normal girl in a very dangerous and abnormal world constantly being made to choose between what she’s supposed to do and what she feels.

Sasuke isn’t just some edgelord, he’s a survivor who lost everything then gets repeatedly told that he has to choose between keeping what he’s gained and doing better than his brother.

Naruto isn’t just trying to be the best Hokage there ever was, he’s trying to prove his worth to a society that abandoned him just for existing and, in a way, confirm his worth to himself.

The Naruto story is about humans trying to force themselves into the role of weapons because that’s what they were told they had to be. It’s a story where everyone is a perpetrator but no one is trying to do wrong. It’s a story where everyone is a victim but no one is a perfect victim.

The world and the characters aren’t simple and trying to simplify them only takes away from them. So of course we get passionate about showing off all the reasons why they shouldn’t be simplified and all of the ways they’re complicated. Of course we get upset when we see others simplifying them or selling certain aspects of their characters short. Of course we get upset when the series itself simplifies them. Of course we get upset when the series chooses to abandon them. Because it not only feels like the characters are giving up, it feels like the series is betraying anyone who chose to get invested in its complexities.

[splatoonpolls]

a really long analysis about fanon Marina and the flanderization by fandom she has gotten

fanon marina (the version created by the fans) mainly focuses on two things, her being autistic coded and her being basically confirmed to be a lesbian. And I do think this has to do with her being VERY much like a typical splatoon fan in many people’s eyes. Her being a nerdy queer neurodivergent person. This is also why other parts, especially her relationship with her being an octoling gets often locked away. Subconsciously at least

if Marina was a book, several chapters would focus on her identity as a dome octoling. Her being autistic would probably pop up here and there, but it wouldn’t be a whole chapter. But her very much gay relationship with Pearl would definitely have a few chapters. But with people focusing on those few lines and chapters rather than the whole book. People would slowly ignore the other chapters, get shocked like Adam Sandler learning Pac-Man was the bad guy in the hit movie pixels.

the splatoon fandom’s western side is mainly white Americans and Europeans. Which is one reason why the fanon Marina doesn’t focus on her identity as an octoling, but also on how many details are not really told to the player. Marina barely shows her ears, which can both be read as her having sensory issues (which is a super valid headcanon(, but also her not feeling super comfortable with her body. With her ears being a reminder of her “you are with people who still think you are only going to steal stuff”. Her tentacles may be weird, she may lack the eyeliner an inkling has. But those things can simply be a stylistic choice. Her ears can’t be one. They are too different. I also know the DLCS focuses more on her identity as a dome octoling. However many can understand how her arc as a whole can be paralleled to the real life experiences of people belonging to marginalized ethnic communities. I also want to point, while writing this. I realized (which many people probably already did). Dome octolings you see outside of the domes (splatoon 2 octolings, Marina, Acht, Paul), are all refugees. They are all characters who grew up in a society that had been shunned for decades, even centuries. That society ended up being oppressive both due to external and internal issues. They know the society they’re living in is no longer a good place to live in. So they escape. Hoping to find a place that will take them on. For agent 8, Marina, and Paul. They found a safe place. Acht wasn’t super lucky however. They were told they could find a “promised land” only to be left in even more ruin before. So not only does Marina’s character arc focus on her being a part of an ethnic minority, but a refugee at that. so why does fanon marina usually avoid that part of her? Well as a mentioned before. Marina has three things that makes her very relatable. While the more backstory focused things are less relatable to a way smaller margin of the splatoon fandom. A way smaller part of the fandom are poc in a very white country. And a very small percentage are refugees.

if we removed Marina’s backstory. We would still be left with the fanon version. A nerdy autistic lesbian who deeply loves Pearl. I love how Nintendo got a game that also isn’t afraid to show a society that cares about queer people if not is queer centric itself. Which is probably why many people cling to that part of Marina. But if we removed that part. What would we be left with? Well, we would have an octoling refugee who is a trained soldier and can create weapons of destructions (and she would still be in love with Pearl, it is an important part of her backstory). im not saying the splatoon fandom’s openness to lgbtq and neurodivergent people is a bad thing just because they boil down one of the most plot heavy characters down to those things. It is actually a really great thing to have a fandom that is open to these marginalized groups.

i just want to say, due to this love for Marina being a character you can relate to. It feels like certain parts of Marina’s character (which can also be very relatable to some) is being drifted away to the more lore centric side of the fandom. Which will lead to a sort of fandom flandarization which is very unintentional and just done due to a love of Marina as a character.

If you’ve read this an disagreed, that is fine. Character writing is a very subjective thing

[random-dragon-exe]

Okay now, I'm wondering if Peri's baby wand was transformed into his current wand.

I mean I know that the current one is supposed to merely resemble it as a reference, but I kinda like the idea that Peri transformed it into the current one himself to reflect his growth and personality.

You know the idea of holding onto a childhood item because of its sentimental value?

I imagine Peri held onto it because it reminded him of his childhood and his time with Timmy; it was his way of keeping a piece of him with him.

Besides, if Jorgen can change his wand from a peace sign to a regular star-shaped wand for later:

Then I don't see why Peri could transform his wand too.

Maybe the regular wands we see are like the standard look, but fairies could alter/transform their wands as they please if they want to. (But most if not all, fairies choose the standard look).

[sagaduwyrm]

Something that interests me about Girl Genius is the way that the Heterodynes are consistently portrayed as the worst of the worst despite being pretty reasonable by Spark standards.

This is not to say that they are reasonable by normal people standards, or that they were anything approaching decent people. This is pointing out that compared to other sparks, who figured out they could conquer places and immediately started the Long War, the Heterodynes have had little to no large scale negative effect on the world.

Evidence: Zumzum

While in Zumzum Agatha finds out that the Heterodyne raids rolled through the town "every four years or so, sure as the moonrise" (Agatha H. and the Clockwork Princess). Despite this the town is, though small, prosperous. They have a fully staffed guard and enough spare income that the circus was initially planning to remain for three days.

Compare this to the numerous dead towns noted to be littering the wastelands. Sparks regularly render towns unlivable or dead. The Heterodynes, however traumatize them and steal their stuff, but still leave the towns they raid capable of functioning. From this we can assume that, despite what we are told, the Heterodynes are not only capable of self-restraint, they're good at it.

Evidence 2: Heterodyne Creations

The Heterodynes left an enduring legacy in the form of constructs, clanks, and the castle. Many of these are hundreds of years old and yet have little trouble functioning. This means that the Heterodynes not only build to last, but their descendants are willing to put in the time for upkeep rather than get distracted and focus on the next big thing.

The Heterodynes are the only sparks with so many creations still running around. Other sparks, like Van Rijn, do have some creations that have lasted the ages, but nothing compared to the sheer quantity of the Heterodynes.

Also, consider the jägerkin. The jägers are some of the most important Heterodyne constructs, and have acted as the core of their army and their honor guard for more than half a millennia. Despite this, they don't have levels of speed or strength much beyond average, at least as far as spark constructs go. Instead, they're noted for their remarkable survivability. This again suggests that Heterodynes prioritize longevity to a remarkable level for sparks.

Evidence the Last: Europa still Exists

I repeat myself, after two centuries of off and on spark warfare, significant amounts of Europa is unlivable. The Heterodynes had ten centuries and Europa was fine. Do the math.

However, despite this show of consistent reason, the Heterodynes are constantly described in story as evil incarnate. I'd like to posit that this suggests both that in-story lore should be taken as unreliable, but also that the most dangerous sparks aren't the flashy, fire and brimstone assholes. It's the consistent, intelligent ones who know when to back off and when to press that are the real danger, and it's for this reason that the continent fears Heterodynes. Not because they're uniquely capable of destruction, but because they know when not to destroy.

The Heterodynes are the oldest dynasty in Europa. To everyone with the slightest understanding of how sparks work, this is terrifying.

Also, here's a post that tries to answer why the Heterodynes are uniquely like this. You should read it. It partially inspired this.

[ao3demographicssurvey2024]

In the AO3 Demographics Survey 2024 - an unofficial demographics survey of 16,131 AO3 users - 44% of respondents used AO3 to consume art or comics, and 17% used the site to read essays or meta.

To see more analysis, including transcripts of all the data shown on the graphs, please view the full results on AO3.

[sneezypeasy]

This is why I prefer to let other people take the mic when it comes to fandom/moral critique. Even on my best day, I couldn't publish a fandom-critical take half as comprehensive and coherent as this one.

Reposted anonymously with permission from OP, who understandably does not want to deal with hate comments/hate asks for expressing these opinions.

(Hopefully the screenshots load properly on tumblr, I know the first one is incredibly long 😅)

[sundropcass]

my friend and i were talking about glimmer from she-ra and i mentioned how i love the season 4 parallel between glimmer and catra. it’s so intentional and all i could think about is how the entire fandom hated glimmer during that season. it’s probably the fandom’s most hated character arc. but it is SO CRUCIAL to who she is as a character. idk i think people who didn’t understand that glimmer arc just didn’t get her at all.

[necrotic-nephilim]

@profandomhopper i was going to reblog the original post this comment was left on but i felt it divorced itself from the original topic so much, you get your own post for giving me delightful permission to ramble about this. buckle in people this is long.

so, DC is a big fandom that expanses a lot of different types of content, and like anything, is subject to crossovers. the obvious ones like Marvel are for the reason of being a similar and equally popular superhero world, so it's easy to transpose the worlds onto each other and overlap the characters. both of these worlds deal with multiverses and endless, endless heroes. it makes sense and there's no real stretch to think Batman and Spider-Man could co-exist. i mean, there have been canon crossover comics. and even some more random crossovers like White Collar have pretty easy to trace origins, being an actor in WC was a popular Dick fancast back in the day so there was some bleeding over that led to a well-loved niche crossover space.

but Danny Phantom and Miraculous Ladybug are where it gets interesting. because at a surface, MLB sort of makes sense. it's a superhero world, you're following a teen girl superhero and sure the mechanics are pretty contained, but the crossover should make sense. but when you compare it to the crossover numbers of other superhero media like say My Hero Academia, Ladybug takes the *crown* with such a bizarre popularity. and of course, DP feels like it makes even less sense. sure, you *could* lump it into at the very least, superhero-adjacent media, but it's not a true hero world like MLB or DC is.

but, the thing to always understand about DC, *especially* the Batfamily (which is where the crossover content propagates the most) is this: a *very* good chunk of fans don't interact with the comics. i would venture to say even most Batfamily fans don't read the comics and actively talk about it. we've all read a very fandom big Batfam fanfic where the author's note mentions the writer has never touched a comic in their life. typically, these fans are either cobbling together their understanding from fandom content, or by frankensteining unrelated DC adaptations to understand each character. you take Bruce from Batman: TAS, you take Dick from the animated Young Justice, you take Jason from Batman: Under The Red Hood animated movie, you take Damian from the DCAMU Batman vs Robin, and you read some fandom metas to fill in the rest and well, you've got some sort of an understanding of these characters. read enough incorrect quotes, some genfic, a couple of character metas, and boom, you understand the Batfamily fandom enough to start creating your own content. and of course now. now you have Wayne Family Adventures so it's even *easier*. a pretty easy to pick up webtoon that's filling in all the gaps for you. but i've been in this fandom long enough to remember before we had WFA and even then, this was still a common, if not the most popular way, to ween yourself into the DC fandom space. you cherry-picked the canon you liked and then plunged into the depths of fanon.

i'm not here to make in depth commentary on if i think this is a good or bad thing. trust me i have that commentary in my head, but that would need it's own post. i'm very split on it and my feelings are complicated. my feelings on WFA are even *more* complicated. because oftentimes, the attitude expressed by these fans who are frankensteining this version of the Batfamily/DC world they have in their head is they don't *want* to read the comics. the comics don't contain the content they're after. and to an extent, i understand that. if you're looking for light-hearted vibes of the Batfamily all getting along and having the occasional hurt/comfort moments but in the end, they hug and make up, you're right. largely, you won't find that in canon. of course there are so many comics to recommend for Batfamily interactions, but you have to get specific. you'll find them interacting in small groups, Tim and Dick bonding here, Duke and Cass bonding there, but largely, the comics don't care to balance the ridiculously large cast they've given themselves. but fandom does. it's easy to toss them all in a blender and ignore the parts you don't like. the default argument to ignoring the comics or writing something OOC is always "well the comics are OOC and inconsistent too" which, while a flawed argument that massively misunderstand how comics work as a medium, isn't an entirely incorrect one. you could serve on a silver platter to these fans, an easy and accessible way to get into comics and they wouldn't be interested. it's not what they're here for. fandom is always character-driven above all else. it's driven by character relationships and dynamics. if someone wants to consume content where Tim idolized and stalked Jason as 'his Robin' and now is trying to help him rehabilitate and they're super complicated but have this long epic forgiveness arc, why *would* they read the comics? because they're sure as shit not going to find that dynamic in the comics. it's laughably OOC and not canon at all, but that doesn't matter. what matters is the sandbox. most Batfamily fans care *far* more about the sandbox canon gives them than the actual canon itself. feel how you feel about that, this really isn't being negative toward that attitude, but it is a common attitude.

so, you have Batfamily fans playing in the sandbox and building their own narrative. common fandom headcanons are so common, you could practically write a guide on how the fanon Batfamily works with how consistent people are about it. or you could just read WFA, which is practically the new manifesto of it. even now, with this sudden spike in people talking about canon accuracy and "actually this happening in the comics", they don't actually care about the comics, just what they can cherry-pick for fodder. (even if they rob it of so much context they're just as OOC as they were before. see specifically: the recent phenomena with Tim Drake going from the woobified weakest member of the Batfam who everyone needs to save constantly and he's the smart boy but he's also the one with a sad tragic neglectful past who gets overlooked being the way Batfamily fandom played with Tim for years. but recently, people seem to be pushing this idea of a ridiculously badass Tim, Tim who *totally* has a kill count because of his actions in RR (2009) if you take them completely out of context, Tim who bested Ra's and is even more badass than Jason and he's the 17 yr old CEO of Wayne Industries being cool and flawless it becoming the new fandom zeitgeist. neither of these versions of Tim are canon, and the second fundamentally misunderstands his arc in RR (2009) but the shift has undeniably happened and it's been fascinating to watch. the same thing happened with people suddenly deciding Jason isn't the "angry violent Robin", he was a sunshine sweet boy who was perfect as Robin. neither of these are true, but the second feels more transgressive and new to fandom from cherry-picked panels.) the point is largely, Batfamily fans would rather build their own canon than play with the actual canon.

and then, you have Danny Phantom. i'm not into DP and have no interest to get into it, but what i know about it via fandom osmosis is this: DP fans sort of also don't give a fuck about canon. once again, the canon of DP is a sandbox, not a rulebook. the concepts and the characters are the draw, not the plot itself. i've seen DP posts explaining characters who are essentially OCs, but have become so dominant in the fandom via fandom osmosis. there are concepts and ideas about how Danny's powers work and potential concepts with his ghost nature that either aren't in canon or only happened once in canon and fans decided to expand on that and doesn't care about it's own in-universe logic. i've seen a lot of DP fans also express they haven't seen the show and they don't have plans to see the show. because the show is just some children's cartoon with some inconsistencies and a simple plot, as you'd expect from CN. the show isn't the point. no one cares about it's plot, they care about it's characters. they care about pushing the concept of half ghost boy to a logical extreme and seeing what you can get out of that. can you make it weird and fucked up. how much can you highlight on his trauma and body horror. what identity crisis can you give him and how can you build his interactions with other characters in his world around that and also make those characters fun and unique on their own. sure, the skeleton of canon is there, but the meat lies all in the fanon.

Miraculous Ladybug also exists in this similar vein. the characters, the concepts, those hold intrigue. and not even mentioning the fact the original concept for this show was supposed to be aimed to an older audience, so you can see the bones of something a bit more mature and nuanced under this typical, villain of the week magical girl transformation show. the show itself is a bit shallow and that's not a *bad* thing, it's just the medium it exists within being aimed towards children. but the concepts of a teen girl who's basically a sort of chosen one, a boy who doesn't know his father is the big bad of the show, and their weird identity porn love... square thing. those dynamics are *so* complicated and such a fun sandbox to play in with character-driven fandom.

so, at the core, you have three fandoms that care more about the culturally accepted fanon than the canon, with a good chunk of people often not even consuming the original canon content. and well, DC is an *easy* world to transpose just about anything onto. a boy who's half ghost and fighting supernatural threats? that makes sense, DC has ghost heroes like Deadman already. a girl who has this magical item that gives her animal themed superpowers? i mean that's practically the same thing as Vixen's Totem so that one makes sense too. they fit in pretty easy, no needing to change the world to accommodate them. and of course, if you're a fan of *one* fandom where you don't care for the canon content and only like the fandom sandbox, chances are, you'll get drawn in pretty easily to another fandom with similar mechanics. if you can teach yourself the DP fandom rules/concepts, you can teach yourself the Batfamily fandom rules/concepts. and well, since there's so much crossover in fandom members, why not write the fanfiction? crossover fics will always exist, but with such a shared member base, you have a really big boom.

it's why the characters you see DP interact with in DC are *always* characters who are far more driven by fanon than canon. Danny and John Constantine is a *massive* concept. for people who don't read Hellblazer comics. my poor partner, @divine-dominion has lamented to me pretty often about finding DP content in the Hellblazer tag that is essentially turning Constantine into an OC. because whatever version of Constantine is being written about isn't one bit comics accurate, and really, isn't trying to be. and the same thing happens with Shazam. you watch Young Justice and understand him well enough, you get drawn in by the character concept that you just run with it. people put their favorite blorbos in the same place because hey, wouldn't ghost boy be pretty cool in a city like *Gotham*. how would Batman even react to him. and then, the shipping. because ages for the Batfamily can be easily hand-waved and moved around based on where you plop Danny into the timeline, you have your pick of the litter with him, and same with Ladybug. of course there are the most popular ships but largely, the world is your oyster.

i don't think this is the worst thing in the world for either fandom. it's not hard to filter out the crossover tags and scroll past content i don't like. and sure, i see the appeal of making your blorbos from two different places meet. i've got my drafts *full* of DC/MHA crossover ideas because well, i like them both and think that would be cool. i think my only gripe with it is when DP or MLB crossover content seeps it's way into the wrong tags. using the above example, if you're writing about Danny and Constantine but there's zero content of the actual Hellblazer comics, i don't think you need the Hellblazer tag, just the Constantine character tag. tbh i wish this extended onto Ao3 and people utilized fandom tags better. if you're writing Batfamily fanfiction that is very clearly and obviously WFA driven in characterization and concepts, i would far prefer those fics be tagged with the WFA fandom tag rather than the Batman (comics) fandom tag. because well, you're not writing about the Batman comics. and there's nothing wrong with that, but it helps if you don't confuse yourself for content striving to interact with canon more. (this especially extends to Young Justice, by the way. if you're writing for the Young Justice tv show please, please stop using the Young Justice (comics) fandom tag. i'm at my wit's end- /lh)

the whole thing is fascinating. i've got zero interest in entering DP or MLB as fandoms because that's not my speed, but witnessing it as an outsider is my favorite pastime. i see a *lot* of posts going around the DC x DP space that are helping explain to people who's who, what's what, and understanding the canon/fanon of both of these properties so others can better enter the space. which is not something you'd need in a fandom driven only by it's canon content, but it is sweet watching others try to help newbies enter the space. it's a very inviting fandom space, i think, whether you lament it's existence or not. they're just sitting in their corner with their blorbos, and i gotta respect that. the posts explaining the Batfamily to DP fans are always fun for me to read, even if i disagree with some of the characterizations in them because it helps shine a light on what the fans of this crossover regard as "important" enough about each fandom to be worth including those sorts of primers. very fascinating stuff.

[whatsjulietslastname]

expending on the mlm pricefield thing (and i’m not talking about double exposure anymore), i think if pricefield had been one of the first mlm pairing to be openly queer in video games history, it would’ve been way more of a big deal back when the game was released and years later. i also think little to no people would be debating whether their relationship is platonic or not, and people would’ve been way faster at jumping to the conclusion that you were homophobic if you thought they were.

historically, the most popular mlm pairings (i’m thinking johnlock, kirk and spock from star trek, merlin and arthur, all the h*rry p*tter and marvel gay ships) have a way bigger fanbase and are way less denied than the wlw ones (i’m thinking supercop, emma swan and regina mills, betty and veronica from riverdale etc). (for the record, i looked up “queerbaiting” to make this post and have examples, and found like a dozens of mlm pairings and always the same few wlw ones…) AND it is way more socially acceptable to say “those two women have a platonic relationship” whereas, if you do the same with johnlock, for instance, you WILL get an angry twenty paragraphs long reply about how there was nothing platonic about it (even though John Watson married a woman).

my point is not “he married a woman so he wasn’t queer” my point is, whenever one part of a wlw pairing has a boyfriend, or a man who she shows a glimpse of interest in (*cough cough* Warren Graham *cough cough*), it is IMMEDIATELY used as ‘evidence’ that this character cannot be queer since she can be in a heterosexual relationship — which is an argument that, again, you will practically never find directed at a gay ship. and, again, the few people who do use this argument against mlm pairings are called ‘homophobic’.

AGAIN, i am not saying that you cannot ship Warren and Max or are homophobic if you do, i’m saying that if Chloe and Max had been two guys, people would’ve been so focused on them, on Max’s diary’s entries, and the two possible kisses they can share onscreen, and the flirting and implications in their relationship, and Chloe’s obvious attraction to Max, that grahamfield would’ve had a way smaller fanbase — or no fanbase at all. and people would’ve absolutely disregarded the fact that you can make Max romance Warren (who is a girl in this scenario). they would’ve seen Warren’s nearly one-sided flirting, and would’ve immediately gone “she (Warren) is in love with him (Max) and he doesn’t give a fuck” (and the kiss in the Two Whales would’ve been collectively ignored by the entire fandom, as is Mary Watson, or Pepper Potts, or Tonks, or Ginny Weasley).

but BECAUSE Max and Chloe are girls, people are still debating whether she is even queer or not by saying “if i make her romance Warren she experiences no attraction towards Chloe and therefore is straight” which is false, because the attraction is HERE. all you, as a player, get to decide is whether or not Max acts on it. and no matter how much evidence there is that Max is indeed romantically interested in Chloe, you will NEVER convince those people, because to them, the moment a woman and a guy interact in a non-platonic way, this woman has to end up with said guy, no matter how queer-coded her relationship with another woman is.

and now that pricefield is broken up, people who would’ve been rioting if it had been guys are calling people who are rightfully upset ‘dramatic’. just try and imagine the reaction of the Sherlock fandom if Sherlock was returning without Watson because “they argued off-screen and decided to stop seeing each other”. those guys aren’t childhood best friends, are never romantically involved, their fandom hasn’t been begging to have a glimpse of them together for ten years, and yet i can’t even imagine how angry people would be. all this fandom was asking was to at least not destroy Max and Chloe’s friendship, and look where we are now.

[qtubbo]

There has been some talk (mainly on twitter but some here) about calling Em, Tubbo’s daughter. It comes off as so cold, and anti what qsmp family have been teaching, if you don’t agree with that dynamic being there that’s perfectly fine (you are allowed opinions funfact). The reason though is always upsetting, stating that Empanada has enough parents, that she’s perfectly happy without him, that any outsiders to her established family would be an intruder trying to take her away. Qsmp’s family’s are a village, what’s so disturbing about someone non official becoming an eggs parent that didn’t “join” the family.

Using Bad and Pomme as an example, Pomme has 4 other parents (in this case I guess it would be bad taking pomme from the french) that take good care of her. When Bad considers Pomme his daughter, it’s out of love, just because he wasn’t assigned doesn’t mean he can’t have parental love for her. Pomme would be fine without Bad being her dad, but Bad being her dad doesn’t Affect her negatively at all. Pomme still choses to wake up for her other parents, bad doesn’t have priority, and it’s ridiculous to assume that he took her from them. Pomme and Bad are not related by a family tree, they just love each other like father and daughter and so they became that.

It’s a bigger statement of the fandom as a whole and how we really push for familial ties forged by blood even in an adoption setting. For example no one had issue with the idea of Roier being Richas’s dad instead of his uncle because he had forged a literal connection to Cellbit. In the same vein people often depict Cellbit as Bobby’s dad in another life even though he never really got to take care of him. These were never considered taking Richas or Bobby from their parents because there was a marriage, Roier joined Cellbit’s family. The most I ever see going against this dynamic is people arguing Cellbit isn’t Jaiden’s family, which inherently pushes the point once again.

We are given examples of non traditional family relationships where everything is done by adoption and there is barely any blood relationships. Though as a fandom we still try to push things into a traditional box. Fit and Tubbo are not related, nor is Fit to any of Sunny’s parents, yet he still calls her his child. They love each other like father and daughter, so why should it be any different why should Fit be blocked from that because he’s not married to any of Sunny’s parents.

Why is seeing a familial relationship more similar to father and daughter between Empanada and Tubbo an issue. If you believe they love each other like that, shouldn’t that be enough. Why must we consider love like that to be certified, that anyone else getting involved is an invader that is just getting in the way of the old parents.

Every single egg was adopted none have parents that would be considered traditional, but yet we still push for the perfect traditional nuclear family were there is no village, there is no family outside the one given, and believing in anything else is disgusting.

[leikeliscomet]

“But We Love Martha Jones!” - The Doctor Who Fandom’s Selective Memory of Racism

Be aware that this article contains explicit examples of anti-black racism and misogynoir.

**Contents** Intro 1. Everybody Hates Martha 2. Utopia-ish 3. Martha vs Bill 4. Martha Triumphant?

Intro

To say being a Martha Jones fan from 2007-2017 was hard would be an understatement. The fandom claimed she was too clingy. Too jealous of Rose. Too bitter. Too bad a companion. For as long as I can remember, Martha Jones wasn’t just an unpopular companion - she was THE unpopular companion. So this recent increase in “my issues with [insert companion of colour here] isn’t about race. Everybody loved Martha Jones!” has me raising an eyebrow. Freema Agyeman as part of Ofcom’s Diversity In Broadcasting Event answered a question on her time as Doctor Who’s first Black companion. She describes her time as “good and bad”. She handled the criticism of Martha as a character “but the racism… yeah, yeah couldn’t rationalise that” as she pauses in the video. In the silence we get a clear answer - Freema Agyeman did not have an easy time as Doctor Who’s first Black companion. So when I see comments about how much she was loved, or how no one knew what Freema was going through when speaking out about the racism she experienced, or “My sus posts about Ryan & Yaz aren’t racist! I loved Martha!” I, and many other Black/mixed Black fans and other fans of colour have bad tastes in our mouths. We remember the real history of how Martha Jones was treated - and her history wasn’t a kind one.

Chapter 1 ->

[cooking-with-hailstones]

The Legend of Zelda: stats of the kingdom

A Statistical Analysis of Popular Fanfiction in the Legend of Zelda Fandom on AO3

I like numbers and stats and for some unfathomable reason I find it calming. So over the past couple weeks, I’ve been making this spreadsheet!

DISCLAIMER: This is not a judgement of the quality, value, or merits of any of the fics on this list. It's just me being curious about what's popular with the Legend of Zelda fandom on AO3.

Feel free to go explore the spreadsheet. My own observations and analysis under the cut.

TL:DR, Link has a lot of kinky sex. Sidlink and Zelink are vying for who’s the most popular ship. Also, this fandom has a shit ton of sub categories that are truly islands unto themselves and have their own conventions.

Methodology: I'm including all fics from the first page of AO3 results (20 fics per page) sorted by:

Hits

Kudos

Comments

Bookmarks

Anything tagged under the Legend of Zelda and Related Fandoms tag that was in the top 20 most hits, kudos, comments, or bookmarks made it into the spreadsheet. This ended up including 51 fics in total.

I put all the fics into one single spreadsheet in order to compare the differences between fics that are really high on the kudos count but not the hit count, or what has a lot of comments but fewer hits. Basically, I'm throwing a lot of things together to observe what gets engagement and looking at patterns that emerge!

Popular fandom subcategories:

Botw (41 fics tagged as such)

Linked Universe (9, including one mostly set in the world of BOTW)

OoT (2)

(I do wonder what it would be like to run these numbers on other fanfic sites, given the popularity boom of ao3 over the last 15 years or so. But also, Botw was an insanely popular game even by Zelda standards, so… who knows?)

Tags:

Character tags: Obviously, Link was by far the most popular character, but here are the characters that had a minimum of 3 appearances per category. Yay champions!

Zelda

Sidon

Mipha

Urbosa

Revali

Daruk

Story tags: Again, just going by sheer numbers, here are the story tags that appeared at least 3 times in every category:

Slowburn

AU – canon divergence

With honorable mentions to fluff, angst, double penetration, anal sex, amnesia/memory loss, and mute or selectively mute Link, who all cracked above 3 instances in 2 separate categories.

Relationships:

This was a tight race, but shoutout to Sidlink for eking out the win for the most highly rated ship in the Zelda fandom with 13 fics qualifying in my ranking. Zelink is close behind at 10 fics. (That being said, Zelink takes it by volume: 7,797 fics tagged as Zelink vs Sidlink’s 2,193)

Other popular ships:

Revalink (8) (this one surprised me! I didn’t realize my beloved birb was so popular)

Miphlink (3)

Link/Monsters (2)

Sidon/Reader (2)

Ganzelink, Ganlink, Malink, Miphzelink, and Miphzel all made single appearances.

(Pls don’t start ship war discourse in the notes kthanx)

All right, let’s deep dive into the numbers!

Fics in all 4 categories:

Interim - starkraving

Sands of time -tirsynni

Congrats you are officially the most popular Loz fics across all of ao3! at least according to my particular scope of analysis.

Fics in 3 categories:

Displaced - socksock

Drown In Me - bacchanalia

Alone We Fight - SilvermistAnimeLover

Blood Moon Rising - MarquesGillette

Popular authors (people who show up more than once in multiple categories sorry comments georg)

MarquesGillette

MaryDragon

SilvermistAnimeLover

ObakeAri

Hits:

Top 5 most popular fics by hit count:

Displaced - socksock

Interim - starkraving

To Save Hyrule - orphan_account

Sands of time - tirsynni

Drown In Me - bacchanalia

First page by hits:

Min: 117,917 – Sidon’s Epic Pining Adventure (ObakeAri)  

Max:  189,622 – Displaced (socksock)

Average: 145,385

Average wordcount for fics with the most hits:

140,909

Kudos:

Top 5 most popular fics by kudos count:

Excuse Me While I Kiss This Guy - Icka M Chif

Interim - starkraving

To My Dearest Friend - surveycorpsjean

26 Minutes and 42 Seconds - T_5Seconds

Blood Moon Rising - MarquesGillette

First page by kudos:

Min: 4917 – Finding Link (Umbreonix)

Max:  10321 – Excuse Me While I Kiss This Guy (Icka M Chif)

Average: 6981

Average wordcount for fics with the most kudos:

41,136

Comments:

Top 5 most popular fics by comment count:

Carlos from MarvelandZeldaFan's Children of the Heroes - KR5

This is an Adjuration - notfreyja

My Art - KR5

Sidon's Epic Pining Adventure - ObakeAri

Priestess of War - KR5

Woohoo! You all get to meet KR5 aka Comments Georg. Comments Georg has long conversations and RPs in the comments of their ao3 posts, which are usually fanart. TO BE CLEAR, THIS IS TOTALLY FINE AND COOL! I think it’s quite delightful! However, it does completely bork my ranking system because outside of comments, these posts do not have a lot of engagement (like, less than 100 hits and less than 20 kudos) and I don’t think they count towards my analysis of “what is popular in the Zelda fandom writ large”. But they qualified based on my criteria. Which I think speaks to the weakness of my criteria more than anything else tbh…

Anyways, shoutout to Comments Georg for truly showing off what it means to be a statistical outlier.

First page by comments:

Min: 1568 – The Quiet River Rages (MaryDragon)

Max:  43808 - Carlos from MarvelandZeldaFan's Children of the Heroes (KR5)

Average: 4131 (which goes down to 2042 if we exclude KR5’s impressive max, which is a full order of magnitude more than notfreyja in second place with 3470 comments. Very much demonstrating the power of a statistical outlier!)

Average wordcount for fics with the most comments:

275,593

Bookmarks:

Top 5 most popular fics by bookmarks count:

Interim - starkraving

Excuse Me While I Kiss This Guy - Icka M Chif

Sands of time - tirsynni

To My Dearest Friend - surveycorpsjean

Alone We Fight - SilvermistAnimeLover

First page by bookmarks:

Min: 973 – Expatriate (thehoyden)

Max:  2984 – Interim (starkraving)

Average: 1468

Average wordcount for fics with the most bookmarks:

70,027

Fic Ratings:

G: 3 (literally all fanart from KR5)

T: 22

M: 8

E: 17

Unrated: 1

Observations:

I ran this twice. Once including crossovers, and once excluding crossovers. This filtered out a lot of large drabbles and things like “flash fiction fuckings” which, no judgment, you do you, they just weren’t super relevant for what I was looking for. If you wanna see these stats including all the multifandom stuff that shows up, here’s the link for that:

https://docs.google.com/spreadsheets/d/1DXDKXutIzVC-Iac93fFSDohAkphrn67yV-DmRt9xXmU/edit?usp=sharing

(I’m going to break academic professional analysis here and get on my soapbox for a sec – please don’t post big multifandom one shots where you tag like 20 different fandoms and every single kink that gets written about across 103 different chapters. This is literally what series are for. These kinds of things just clog up the tags, and it also makes it harder for people to find the things you’ve written that they want to read! I know this was a convention on ff.net, but this is not ff.net! We can make authors' lives and readers' lives easier!)

There were 38,427 fics in the tag “Legend of Zelda and Related Fandoms” (including crossovers, that goes up to 41,634). I manually added one back in though because it was entirely a botw story, just loosely inspired by another game.

Linked Universe fans comment a LOT. Strong correlation between high comment and Linked Universe fandom subsection. Y’all are very involved and active, and you show support to your authors. I salute you!

Sidlinkers, y'all are horny and I respect it.

Zelinkers, dear god we do love a slowburn.

All the most highly kudos’d fics are very low in the comment count. It’s almost an inverse correlation.

Excluding crossovers increased the correlation between hits and kudos quite dramatically.

There were not very many au’s other than canon divergence. Only one modern au as far as I could tell from a cursory examination of tags.

Lots more clustering, far less disparity between min and max numbers than when I ran this with A:TLA numbers.

Far less consensus on a vibe. Way fewer big writers, but lots of little writers doing their own thing.

Truly a lot of E fics. We are horny bastards.

We need more stuff written for games other than BOTW!!

There aren’t as many fics that are like “oh everyone in the fandom has read these fics”. There are probably those fics in each subcategory of the fandom, or within the specific ships, but there aren’t as many general fics that have entire fandom-wide appeal.

Thank you for reading! This was a lot of fun, and I hope you found it interesting. Shoutout to the Hateno Hangout discord for helping me refine this mess :P

Further shoutout to my partner who helped with writing some SQL to help with tag analysis. Truly partner of the year.

If you want more of this kind of egregious nerdiness, I did this with the top fics in the A:TLA fandom a couple weeks ago: https://www.tumblr.com/cooking-with-hailstones/751749202663669760/statistical-analysis-of-the-most-popular-atla

[candy-red-river]

NYONEKO ANALYSIS

JEEZ this month has been kinda HEAVY. Let's try to lighten up the mood with a Nyon analysis!!

Nyon himself is pretty quiet but there's actually a lot more info on him outside of the main comics!

What's obvious is that hes anxious, a masochist, likes bombs, tech and reading, is pretty quiet, and is loyal to luther but tends to avoid violence when he can. Pretty straightforward, but I DO think there's more to these facts than just surface level.

First off his anxiety and masochism kinda contradict each other at first glance, but I do have a theory that solves this contradiction

When nyon is being chased by ethereal q (who seemingly has a kissing addiction) he's clearly sweating and asks luther for help.

When randal is seemingly messing with him in the nyon log, nyon is simply nervous, same when he takes over the house. He's frightened by him but not too much.

When explicitly being attacked by the ratmen however, he's completely fine. As though he knows they aren't a threat.

I personally believe that nyon is neutral to or gets off to things he's familiar with like household members while only actually being scared of unpredictable things he comes across. Randal is slightly unpredictable but nyon lives with him and is heavily implied to even get along with him in the house like playing videogames so it makes sense that he's only slightly scared of him, same with nyen to a lesser degree.

As for why he's so anxious I think it has to do with his backstory!! He's been drawn in russian military clothes and a bit of his past was shown during the camping arc horror stories. Meaning to me he was either a drug dealer (one of my friends came up with this lol) or was a russian military vet. The later makes more sense personally since it would explain his interest in bombs and tech in general since both would be useful in that time ( I assume ww1 or 2).

It might also explain why he's so willing to help people but that's a guess.

Him joining the ivory household might've even been a break from the war. Sucks that he's too nervous to speak to Luther though. He might have a subordinate complex from the military, where he was too scared to speak with the general and that carried into the ivory house.

That's all I can think of for now, but please do add anything I miss in the comments!! I'd love to have a discussion about this silly boy

[charleslee-valentine]

Sinclair family name etymology:

The surname Sinclair means ‘renowned.’ Fair enough considering their small town fame, but it also speaks to how secretive they were with their abuse. Their name says basically not only that they were famed, they were also adored and loved. Either nobody had a clue how they treated their children or didn’t care.

As for Trudy, her name also means ‘beloved.’ The printed program for her funeral and the news articles may have been genuine in referring to the town’s adoration of her. However her name has dual meaning and can also mean ‘ruler of the spear.’ Essentially Trudy’s first name is representative of her two sided nature. Her children love her and crave her validation even after she has been dead for a decade, but she was abusive and her love was weaponized more than it was genuine. While she presented herself as this figure fitting of admiration, she was at the same time ruling her home with violence. Each of her children have individualized meanings as well based on how she saw them, showing her full influence.

Vincent means ‘victor’, as in the ‘one who conquers/conquerer’. Doctor Sinclair is named Victor. So he is named after his father and seen as the ‘winner’ of his parents’ affections. It’s likely Vincent was the only planned child, at least out of the twins. They announced using the newspapers that the couple were only expecting once child, and after the twins were born they treated Vincent as their only son worthy of their affection. Considering his name, it’s likely because he’s just an extension of his father’s success and family plans. Even his name isn’t unique.

As for Bo, which is short for Beauregard, he’s not loved the same way. His full name means ‘a beautiful look.’ Trudy saw her two babies and could only think about Bo having quote unquote -taken the beauty- from Vincent by means of their conjoinment. His name isn’t a family name, it’s referring to their situation and the fact that they immediately think his looks are the most important thing about him, even as a tiny child. That he should be grateful for being beautiful and unaffected physically by the separation surgery. (Though I personally think he should definitely have a scar on his neck.) All of this is likely why he shortens it and changes the spelling to Bo- instead of Beau. ‘Bo’ has a totally seperate meaning. This name instead means ‘house owner’ and ‘leader.’ He wants to reinvent his identity fully, from being named bitterly to being regarded for his actual abilities. Not just a boy who got lucky, but an actual strong head of the Sinclair family.

Always the forgotten brother, Lester, however, has a name with no meaning. The name originally referred to coming from a specific place in England, which the family likely did not, and that’s typically only as a surname anyhow. His name is also thus the only one without French origin (assuming that Trudy is short for Gertrude.) As a first name, there is just no meaning at all to the name Lester. After their experience with Bo, it’s likely he was an unplanned addition, who means nothing significant to Trudy or Victor. Unlike his brothers, he has less ties to the town and no newspaper clippings displayed in the museum about him. Even the high chair isn’t there, possibly not even getting his own. He has no name in Ambrose at all.

Not that these name choices necessarily were deliberate in universe, but I find it interesting to see where they could have come from for writing purposes.

[intothedysphoria]

Stranger Things has a serious problem with the way it portrays working class men.

In Eddie Munson’s first real introduction in the show, he is established as intense, cynical and somewhat of a societal dropout. None of these characteristics are particularly new in the world of Stranger Things but one thing Eddie says really sticks in my mind.

“Forced conformity. That’s what’s killing the kids.”

In the Duffers eyes I’m sure that’s just a way to establish Eddie as an outcast but what he ends up eluding to is an extremely depoliticised explanation of cultural hegemony. Established by Italian Marxist Antonio Gramsci, cultural hegemony is the ruling class dictating cultural ideology and behaviour via institutional and social messaging. (In this case, the media creating a Satanic Panic around Dungeons and Dragons and encouraging parents to force their children to conform.)

Ironic, seeing as the privately educated Duffer’s are dictating what they allow to be seen as working class culture but I digress.

The Duffer’s have an extremely rigid view of what a working class man acts like and despite a show that preaches about the right to be different, that right is ultimately only given to the middle class characters. Working class characters are always fulfilling some kind of classist stereotype.

Take four examples here. Billy, Eddie, Jonathan and Argyle. On the surface, four distinctive and different characters. But once you start noticing the similarities, it’s hard to stop.

All of them are either confirmed to be from an unconventional family unit or don’t have family at all. There’s nothing wrong with coming from a non nuclear family but the way the Duffers portray them, there is always something “wrong.”

Billy has an abusive father and his mother left him at a young age, Jonathan has an abusive father and his mother has mental health difficulties, Eddie is living with his uncle and it’s implied that his father is incarcerated, Argyles parents aren’t there at all. Notice how the middle class families rarely have this level of domestic discord (especially with the point the Duffers make about all working class fathers being shitty parents. The only exceptions seem to be Wayne and Hop and Hop REALLY has his moments.)

There’s also some stereotypical hegemonic working class male value that Billy, Eddie, Argyle and Jonathan hold that makes them either antagonist (either in the narrative or in the fandom) or isn’t a good trait to have. Billy is aggressive, all of them are addicts (which is also racist stereotyping in Argyles case), Jonathan and Billy are sexually deviant (never mind the distinction that Jonathan committed a sex crime and Billy was just groomed, the Duffers certainly don’t.)

It’s also important to note the distinct lack of working class male characters who aren’t white at this point, this show has zero understanding of intersectionality.

In some areas I’m almost glad the Duffers at least understand that working class men have a culture, because all of the working class women on the show have no real attempts to be assigned any working class female attributes. On the other hand, I already know it would just be fucking misogyny yet again.

Just like the shows blatant misogyny, racism, homophobia, xenophobia, ableism, abuse apologia and holocaust denialism, the Duffers show no real care about the discriminatory nature of the way they portray the working class. Or the classism that the wider fandom regularly espouses against working class people and culture.

If Billy, Eddie, Jonathan and Argyle had been from a show created by working class writers, I probably would have significantly less problems with the way their characters are handled. Both because the clunky, stereotypical characterisation would have been erased and also because it would have been portrayals of a real life working class experience. Abuse, addiction, racism and violence are all real problems in working class communities.

But the Duffers don’t give a shit about that. All they do is create an upper middle class view of working class values.

There’s obviously something deeper lurking under what is seemingly just a nostalgia bait sci fi show, something that speaks to the way the media industry as a whole reinforces these attitudes towards marginalised and lower class communities, but that’s a conversation that I don’t yet feel qualified enough to initiate. So, I’ll leave it at this for now.

The Duffer Brothers are absolute fucking wankers.

[aspiring-creative-person]

Ok but I was just thinking

Jooster is kind of the only actual solid relationship in Jeeves and Wooster?? Like platonic or romantic, let me explain

Like obviously it’s the focus, but like. Listen.

Everyone else hops from girl to girl, or guy to guy, and each one is filled with turmoil. This is just talking about Bertie’s friends, right?

But also, as friends, they really suck. They constantly get him to do things for them and do nothing in return.

Even the aunts and uncles don’t usually have spouses that are actually on screen!! Who knows if there were divorces or something?? Like people’s parents are hardly ever present it’s always some rich aunt or uncle, with Bertie yes but even with all his friends 😅😂

Everyone in that show is just so… detached from each other. There’s a particular moment where Bertie is driving Bingo and Tuppy home, and they’re just ranting about their women to each other and not listening to the other, and Bertie is just so done with it. I think that illustrates this point pretty well.

Anyway, Jeeves and Bertie are so not that. There’s another post somewhere on Tumblr talking about how Bertie always replies to Jeeves’ subtext and they pick up on each others moods essentially, which I think is a great point. And generally they just really like each other. Just read any of the books to see how much Bertie admires Jeeves, and read “Mr. Wooster Changes His Mind,” which is from Jeeves’ perspective, and you can see how he cares a lot for Bertie as well.

And like. They have their own language. Bertie is used to Jeeves materializing into rooms (this generally freaks out other people), he is now comfortable with it. Also he knows that whenever Jeeves is cold to him it’s almost always about his fashion choices, and that is a constant theme of how they interact. They have their quips about music sometimes. Jeeves always helps solve Bertie’s (and friends’) problems, and even when Bertie gets the short end of the stick, if it’s Jeeves’ plan he immediately is satisfied with the conclusion.

The biggest thing, though, is probably their brief break-up. Like. They had a disagreement and broke up, and then missed each other. There weren’t even any hard feelings, just longing tbh. And at the end they got back together, and stayed together, and were happy to see each other again. They clearly enjoy each others’ company. And Jeeves seemed to think that the other candidates for his employer did not even compare to Bertie.

Name another couple in this show who is as devoted as they are

Half of the women go for men for their status, the other half at whims

All of the men go for women on whims, and half of them find another girl when they have some sort of disagreement with the previous one

And even if they get back with a previous partner, there’s no guarantee that they will stay together

But Jooster is in for the long haul. The most consistent relationship, the most caring relationship, the most in-tune relationship, the most long-term relationship.

Oh yeah also with familial relations and all that. Aunt Agatha has been quoted to say she thinks Bertie should probably be put in some home. Like, that’s pretty rude and everything. She also tries to get him to marry all the time, she doesn’t care about him in a way that is healthy at least, only so much as he can be out of the way and out of trouble. Even Aunt Dahlia, who says he is her favorite nephew, and who takes advantage of his nature to get him to do things for her, insults him and throws things at him sometimes. His cousin Gussy, when he gets drunk, insults him in front of a crowd, going so far as to say he hates him. Claude and Eustice put him into the soup without a care for how mad Aunt Agatha will be at him.

Jeeves never insults him, or not his character at least. Yes, they have their disagreements about fashion and music. But Jeeves never insults his intelligence. He never calls him clumsy. He never underestimates him. Yes, he is his employee, but I have a feeling that it doesn’t have to do with that. Even when he was split up, like I mentioned, he came back and said the other employers weren’t up to snuff compared to Bertie.

Omg and then there’s all the women who think Bertie loves them/who want to marry Bertie. Of course, they all have delusions about him, because if they knew him at all they would know he is not in love with them. They would know that he’s too much of a pushover to say no to them. But they don’t. Which just shows further the disconnect everyone has in this show.

Ok referencing one more post because I like the point they have. It was something about how the actors keep changing for the side characters, unintentionally showing how Jeeves is really the only constant in Bertie’s life. Again showing the difference in their relationship vs his disconnected everyone else is. While I’m sure it’s not an intentional choice in that regard, it certainly is an interesting connection.

Anyway like I said at the beginning of this, you can interpret their relationship as romantic or platonic or somewhere in between, but it’s definitely the only solid one in the series.