#Essay plan

[greekmythcomix]

The essay question most likely to be asked on Odysseus is ‘how good a leader is Odysseus’ or ‘how responsible for his men is Odysseus’ and the answer, based on the text, is *always* ‘not very’

Here is a Basic Essay plan:

~FOR his being a good leader /responsible:

- tries to get them to leave Ismarus after attacking Cicones

- gets his men back from the Lotus-Eaters, using force in their best interests

- makes stops to take on food and water and ensures crews are well fed, so much so they vote him extra in thanks

- saves his remaining men from Polyphemus by clever thinking and action

- always shares food and loot equally with his men

- after several search parties come to sticky ends, he puts himself into the party and draws lots for fairness

- refuses to abandon his crew to Circe’s magic

- follows Hermes’ instructions to ensure his men are saved from being pigs (yes technically this means sleeping with Circe too)

- chooses not to tell his crew about the dangers of Scylla because he thinks it will cause unnecessary panic

- does tell them not to eat Hyperion’s cattle and tries to prevent them all from dying by begging help from the gods

- gives motivational speeches to try and improve morale (“my friends! We are utterly lost!” 😂)

- can carry *really* heavy stags on his own😉

- is such a responsible leader he attempts to stay awake for days on end to steer them home, and his men only make incredibly bad decisions (opening bag of winds, killing Hyperion’s cattle) when he’s not there to stop them

~AGAINST his being a good leader/being responsible:

- even though he tries to get his crews to leave Ismarus, they refuse, essentially mutinying, and he lets them = questionable authority

- puts his men unnecessarily in danger by insisting on exploring Polyphemus’ island even though they’ve already taken on food and water and even though he has ‘a bad feeling about it’, because their *might* be guest gifts, thus kudos, in it for him

- continues to put his crew in danger by revealing their location having escaped from blinded Polyphemus in order to claim kudos from having been the one to blind him

- continues to put his crews in danger by shouting out *again*, after they’ve narrowly escaped being sunk the first time, in order to further insult the cyclops, resulting in a curse that ends all their lives despite his men *begging* him to shut up

- puts his own life in danger by insisting on hearing the sirens, thus endangering his crew by removing their leader and putting them in the difficult position of refusing his orders (when he begs to be untied)

- doesn’t tell them what’s in the bag from Aeolus… although they should probably assume he’d share it with them if it was loot, because he has set a precedent for always doing that, by not telling them he creates confusion, leading to their mistake of opening it

- doesn’t stop the rest of the ships from entering the harbour at Telepylos, even though he moors outside = again questionable authority

- abandons 11 ships to the Laestrygonians because he cannot save them (ok he didn’t know they were monster cannibals but still, responsibility)

- chooses a more dangerous route when given a choice by Circe, because Jason’s already ‘done’ the Clashing Rocks and Scylla & Charybdis are unclaimed = more kudos for him again, adding to his personal kleos

- fails to prepare his crew for the dangers of Scylla & Charybdis instead choosing to sacrifice some of their lives for his and the rest of the crew’s (return to in Evaluation)

- absents himself at the crucial moment of their desperation in Hyperion’s island, ostensibly to pray for help, but knowing what Eurylochus is likely to do ie: go against his orders and kill the forbidden cattle

(If I’ve missed out some points I may add more later)

~EVALUATION

- although he can’t possibly be expected to know what’s coming (eg: Laestrygonians being monster cannibals), perhaps he should have taken more stock of the way things were going

- arguably, sacrificing some lives for the majority is one of those horribly difficult decisions of leadership, so this might even be admirable (?)

- he does question every decision he makes in order to choose what he considers to be the best course of action…

- …unless if it involves his own kudos, which is his priority

~CONCLUSION

- although he is not without leadership ability, Odysseus arguably makes too many decisions in his own favour, and is directly responsible for the loss of (12 ships x c.50crew each) c.600men, plus uncounted enslaved people from Troy

- and whereas some decisions made by his crew/men can be blamed for events (not leaving Ismarus, opening Aeolus’ bag, killing Hyperion’s cattle), that Odysseus doesn’t/can’t stop them suggests a lack of leadership on his part and/or a lack of trust in him from his men, and, on these events, we *only have Odysseus’s word for it*, as the sole survivor and narrator of these books, which are being narrated for the dual purpose of entertaining the Phaeacians and gaining sympathy from them so that they will help him get home and this is potentially an unreliable source that, like Odysseus himself*, simply cannot be trusted.

*due to his portrayal in every other literary text containing him as a character

I should end this by saying I LOVE Odysseus as a character. He is ‘meaty’, meaning there’s so much that can be discussed when it comes to him. If anything, he’s an annoyingly enjoyable antihero, like Milton’s Satan, or Shakespeare’s Richard III. Though he’s not a tragic hero and is only a ‘hero’ by Ancient Greek terms, *not* modern:

https://youtu.be/rXTecz3PN18

[haylouise]

Journaling, astonished time slips by.

[saturngalore]

afrofuturism🪐

☆ one ~ solange hair by darknightt (tsr warning) ☆ two ~ loretta hair by @simtric ☆ three ~ bahati braids by @sheabuttyr ☆ four ~ isonoe hair by octetsica ☆ five ~ binah braids by @sheabuttyr ☆ six ~ cornrows & curls hair by @leeleesims1 ☆ seven ~ indie hair by @sashima ☆ eight ~ loc petals by @shespeakssimlish ☆ nine ~ mnemosyne hair by octetsica ☆

mini dedication essay to black simmers and ts4 creators below! pls read if you have the chance! <3

this edit is a small homage to afrofuturism and the various unique black hairstyles (and especially the black creators of most of these hairs) that i have downloaded and admired over the years! some of these are old and some of these are new.

to me, afrofuturism means constantly honoring/reclaiming/challenging the past while constantly creating/dreaming of a better society/world/future. a society/world/future that embraces and empowers all of our differences, ingenuity, aspirations, and unique lived/cultural experiences. a society/world/future that does not limit us through the various systems of marginalization and oppression (racism, homophobia, transphobia, fatphobia, sexism, xenophobia, ableism, classism, colorism, etc.) that often affects how we, as black people, live today.

blackness is so diverse and intricate yet it's always been a struggle to find my culture within a game that's known for being so limiting, bland, and extremely eurocentric when it comes to hairstyles, clothing, food traditions/events, etc. black simmers have always had to figure out how to make this game more inclusive and make it resemble either more like how our ancestors lived, how our current lives are, or how we would want our lives (and even our children's lives) to look like in the future no matter how dystopian the real world look and feel now. fortunately, these hairs and their uniqueness bring a huge sense of culture and style to this game. they have always inspired me and made me feel extremely proud to a part of the lovely african diaspora (and the ever-growing black simmer community).

in a way, being a black simmer and cc creator usually means that we are often digitally creating our own worlds as afrofuturists to varying degrees (whether we know it or not) every time we open our game, make our sims, make houses, and/or make black cultural cc. also, now i know that cc making is not easy to do and is extremely time-consuming so this post is also just me giving all black cc creators especially those who create for free their well-deserved flowers! here are some other black cc creators who created cc that have greatly impacted my game since i first started playing sims 4: @/leeleesims1 @/simtric @/hi-land @/yuyulie @/sims4bradshaw @/ebonixsims @/xmiramira @/sheabuttyr @/qwertysims @/oplerims @/sleepingsims @/shespeakssimlish and so many more im forgetting probably (im too shy rn to tag ppl but i greatly appreciate y’all fr i hope y’all telepathically get this message somehow ���).

last but not least, i am hoping that this inspires somebody to keep creating or start creating regardless of what they think their skill level is! somebody will absolutely fall in love with your work and/or your art/work will 100% change someone's game forever <333

[sweetlullabyebye]

Charles' thing is that he wants to feel alive and that's part of the reason why he decided to never move on to the afterlife right? Meanwhile Edwin thinks Charles will move on and that he'll be alone again because 'he isn't good with people'.

But then when the Night Nurse shows up a second time Charles is ready to go wherever -including Hell- as long as Edwin shouldn't have to go back there, meanwhile Edwin refuses that they be split up, and both are okay with being sent together to the Lost and Found Department to be sorted out later as long as they're together-

[theribbonmarkedroom]

Post-Beyond the Spider-Verse comic I gave up on 🚶🏾‍♀️(for context, Miles is asking why Gwen didn’t tell him he wasn’t supposed to be Spider-Man)

[chronologically-challenged]

I think that the party's communication issues can be summed up as "man, is it awkward to tell someone that you want to spend the rest of your life with them if you've only know them for a few months? Probably."

[zoloteh-volossya]

Some Thoughts on Minthara

A repeating theme of all of the Origin companions is that what they think they want at the beginning of the game is a result of their fucked up pasts and is ultimately bad for them. Shadowheart wants to be a DJ, but that cuts her off from the potential to grow beyond Shar and loss. Lae'zel wants to Ascend, which would obliterate her in her entirety. Karlach would rather die than go back to hell, but dying cuts off the potential continued life she may find thanks to that Infernal Forge. Astarion wants to Ascend, which locks him into a cycle of violence, power, and fear. Gale has two failures of goals - first to kill himself for Mystra's forgiveness, then to Ascend (which hollows him out of all the originally noble intentions he had going into it). Wyll wants to serve, no matter what the cost to himself - which would lead him to stay pacted to Mizora when freedom beckons.

All of these initial goals stem from the environments/abuses that the companions are coming from. And they're all understandable! But they're unhealthy and/or maladaptive, and so in order for every Origin companion to get to their best/happiest ending they need to change and grow away from what they initially thought they wanted due to the influence of their pasts and personal flaws.

Minthara, when we meet her under her own free will, has abandoned Lolth but not her attitudes. She seeks love, yes, but also seeks any sort of power she can get her hands on with a desperation borne of fear. She cares deeply for Karlach and Lae'zel and reluctantly for Astarion, Shart, and Gale, but is willing to enslave them all as she herself was enslaved if it makes her Top Dog. Her ideal ending is codependent evil power couple with you, controlling the brain - and I think that's her 'bad' ending, akin to Ascended Astarion or DJ Shart.

Basically, I think there’s two sides to her. There's the side that desires genuine connections and is willing to go to hell for Karlach even if unromanced... and the side that chases power even if it means doing things like enslaving Karlach. She wants purpose (per her dialogue upon leaving Moonrise), a home and friends (per her dialogue when leaving the party), and protection (per her dialogues with the player). I think if she was able to obtain those things through sources other than trying to conquer Menzoberranzan/the Sword Coast she might be able to express the former side of herself more.

We see a bit of that in her Karlach romance, where she throws aside all concerns of seeking power to go to hell for her girlfriend. She doesn't talk of conquering or ruling Avernus - her focus is purely on vengeance for Karlach. It's an interesting reevaluation of her priorities and also why I like her pairing with Karlach so much.

As a side character, she doesn't get a questline and arc like the Origin companions get. But I think that it is notable that her happiest ending seems to be staying in Baldur's Gate. In her epilogue dialogue with Origin!Lae'zel she confesses that she is not happy if she pursues reconquering Menzoberranzan, and harbors doubts about her ability to succeed.

Because ultimately - as Ascended Astarion shows - pursuing power and conquest does not actually make you happier or safer. It just means a life dominated by fear. Lolth's treatment of the drow - and thus the drow treatment of each other - has been compared by writers of canon D&D novels to an abusive relationship. And like so many other survivors of abuse, Minthy is out of the immediate situation but still carries that way of thinking worn into her psyche, like ruts in a road.

She’ll never be “nice” or even necessarily “good,” but I’d like to think that over time, in the right environment, she can leave behind most of the self destructive power seeking of the Lolthite mindset. Move on from the toxic patterns of her past, as the Origin companions get to do in game.

[dekariosclan]

Sneaky God Gale Still Loves You

I want to take a moment to offer some reassurance to any of my fellow Galemancers who got the worst Gale romance ending—the infamous ‘Sneaky God Gale.’ (credit to @airydandelion, who I believe first coined the term and who did a ton of valuable research as noted at the end of this post!)

This ending happens when you think you’ve convinced Gale not to ascend. You turned down his offer for godhood in the boat! You didn’t push him towards the crown at all (or so you thought)! And most importantly, he seemed convinced!!

Then you get to the ending on the docks and suddenly he’s all: “that crown tho…🥵” And he leaves.

Worst of all, he won’t even offer to ascend you at the epilogue party.

So what gives?!

Putting aside that this happens because 1. There are some extremely subtle and not-great dialogue options pushing him towards the crown which should’ve been better written/more obvious, and 2. Gale ‘I’m-many-things-but-not-coy’ Dekarios should have been clearly displaying his intentions towards the crown in order to give fair warning to the player, I do still think we can explain his behavior.

The most important thing to remember is that he is not gaslighting you! He’s not smooching you and giving you those big lovey cow eyes while smugly thinking about how he’s going to dump you.

When Gale offers you godhood in the boat, it’s literally called the ‘Be My God Proposal’ in the data files. It’s a proposal. And what a proposal! Because he’s not just offering you a marriage where it’s a short span of mortal years together until death. He’s offering you a literal eternity together.

…and you turned him down.

You did it for all the right reasons, your heart was in the right place, BUT…Gale is uncertain. He loves you, but do you really love him? Just him? He’s still not sure he’s enough for you. You weren’t vehemently against the crown, you seemed to waffle. And you turned down his proposal…an eternity with him was something you did not wish for…

So when he gets to the brain stem, and then the docks, and he still feels uncertainty in his heart, well—it makes him very easily swayed by the orb’s hunger for the crown.

But he still loves you.

When you get to the epilogue, he doesn’t offer you ascension for the simple reason that you already turned it down. He respects your choice, and he’s not going to try and coax you into it; your desires are different than his, and that makes a life together impossible.

But he still loves you.

Well, but, you argue, why can’t we be together as a mortal and a god? Like Gale was with Mystra?

He would never expose you to such risk, because he still loves you.

‘Ok fine,’ you say. ‘Sure, he’s still got his kind heart buried underneath the arrogance. But even so, he chose to leave. There’s no absolute, definitive proof that he still loves me!’

Sneaky God Gale absolutely, 100%, still loves you! So go do yourself (and him) a favor and fix that ending:

You can use this amazing, incredible, fantastic guide created by @airydandelion to ensure you pick the right dialogue choices to get the Gale ending you want!

If you are on a PC and do not want to go back many hours of gameplay to replay/redo the dialogue choices, you can use this mod to convince Gale to stay human with the dice roll at the brain stem.

If you’re on a PS5 (which does not currently have the above mod) my best suggestion is to use the cheaters ring. This is a PS5 mod that essentially lets you cheese all combat and speedrun the game, saving you a ton of time if you need to replay Act 3 in order to get your human Gale.

Whatever you decide to do, you can go forth secure in the knowledge that Gale was 100% truthful when he told you this:

(One final shoutout: credit to @galebrainrott for their post sharing Gale’s datamined files!)

[soleildiddle]

Mascot Horror-tober days 6-14

Part 1 | X

[castingpods]

Representation is so important bc im sitting here crying again to foolish from the bright sessions musical episode. I never DID dream I never DID hope I never did have the time!!!! I never dared I never tried to yearn for something that never could be mine!!!!!!!!!!!!!!!!!!!!!!!

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[sootsz]

the cwilbur moment of all time that i think about So Much is after the red festival, after tubbo was kapowed by techno, schlatt started threatening niki and That was the thing that made wilbur "i totally dont care who lives and dies today" soot reveal himself and run through the crowd to protect her and say "if youre going to kill anybody else, kill me", he offered his own life for hers and for everybody there and he was Desperate and techno came with him and blocked arrows with his shield and wilbur refused to leave until niki was running and safe and then he offered himself up Again as a distraction because he will always offer all of himself to others until theres nothing left of him oh i am unwell

[mylucayathoughts]

Alex on his way back from Paris is one of the most underrated Taylor scenes in Red White and Royal Blue and I think he did such a splendid job there. It's underrated in the sense that, it's not as talked about as his coming out to Henry scene or lake scene or Kensington palace confrontation scene, mostly possibly because it's so short (about 9 seconds). But it's one of my favorites and it owns my heart 🥺♥️. I even talked about it a bit in my little moments series part 1, but not nearly enough.

To me, this scene was incredibly beautifully acted. Taylor poured his heart and soul into it. I believe he discussed it with Matthew extensively and put a lot of thoughts on his approach to it. He knew, the focus would be on his face and he had to portray the many emotions of Alex perfectly and boy did he deliver!

Alex was seen to be so lost in thoughts on the plane, taking in all the new things that had happened, contemplating Henry and their situationship, navigating all the new feelings that were bubbling up within his chest.

He was thinking about Henry, who had become such a good friend to Alex in such a short amount of time, who listens to him, supports him, reassures him while having his own demons to deal with, his closetedness, unsympathetic grandparent. I'm sure Alex felt heard, connected, loved and at the same time feeling a new sense of responsibility towards Henry, to care for him, to protect him. He was falling so fast in love with Henry. This must have been overwhelming to him in the best possible way. And you can see it in the way he goes from pensive to taking in a deep breath. I love how it shows that he is relaxing and coming to terms with all these new feelings.

And he tears up a bit at the weight of them, the weight of all the good things, the prospect of something much bigger and more beautiful than a hook up. And he smiles, ever so softly, at how happy and at peace it made him feel.

I cropped the photo so that his teary eyes can be seen a little better. This 9 second scene is so important and sets the tone for the rest of the movie. Alex was clearly very serious after this about their relationship. His transition from showing just pure Physical want and devouring looks (at the polo match), and then just having a good time with Henry, discovering little things about each other (garden scene and Paris Cafe scene) to Paris hotel scene where they make love for the first time and him pouring his heart out to Henry, and seeing Henry say all the right things, respond in the most loving way, has been done so seamlessly and all of it culminate in this plane scene. And it's so apparent that Alex is grasping and accepting all of that. It's just amazing to see Taylor portray this with just facial expressions (and not through a convo with a friend like it's sometimes done in movies). Such a well scripted and well acted scene, it was so refreshing to watch 🥰

[oceans-beloved]

Meme dump yayyy🥳✨️

(off to make more now muhahaha >:3)

[sergle]

do any of the gay people following me have any reccs for good laptops that aren't the same price as a used car

[pianokantzart]

Hey, remember that time Mario flung himself out of a penthouse window because he knew full well his brother would catch him?