#7 wonders duel

[whovian223]

May 2024 Gaming

May 2024 Gaming #boardgames @BGStatsApp @real_QueenGames @wizkidsgames @_dailymagic_

May seemed like a really dead month for gaming. Hell, we missed out on two Sunday game days (Mother’s Day and a marathon the week before) so I thought it was going to be almost as bad as April. When I looked at my BG Stats app, though (and you should really get this app if you record your plays at all!), it turns out that I had 21 plays in May, as opposed to 10 in April. What the hell…

[virtual-board-game-room]

7 Wonders - Duel

7 Wonders: Duel is the two-player version of the well-known board game in which the aim is to construct 7 Wonders of the World by skillfully collecting, constructing and selling buildings and human achievements.

You can achieve victory in three different ways. In a military way, through scientific superiority or through a civilian victory. All three victory variants are well balanced and it is always very exciting to see who is striving for which victory.

The game is played over three ages during which the players take turns drawing building cards from a partially face-down pile and have to decide whether they want to build or sell. You should never lose sight of exactly which resources you need to build your wonders of the world and which properties can be combined to create powerful synergies.

At the end, guilds can once again turn the tension around and it is often open until the end which party can gain the upper hand.

Profile:

Game Typ: Economic development game

Player: 2

Age: 10+

Play Time: 30 min

Autor: Antoine Bauza & Bruno Cathala

Publisher: Repos Production

Find cheap physical versions of this game here. 

VBR on Patreon

[oatmealaddiction]

Okay but the weirdest thing about the whole "Brotherhood is better you should skip 03" discourse that's become commonplace now, it sort of forgets the world Brotherhood came out in and why you should watch the original Fullmetal Alchemist. When Brotherhood came out, the original Fullmetal Alchemist was one of the most beloved and most watched animes of all time. Brotherhood assumes you the audience have already seen it because of course you have, everyone has seen it, so it skips important information and speeds the story up because it doesn't want to bore you with things you already know. Have you ever wondered "hey why does the first episode of Brotherhood kind of suck, and why am I being introduced to like 50 new characters, and why are they acting like I know what the hell an alchemist is?" It's because Brotherhood thinks you've seen 03.

The first 7 or so episodes of Brotherhood constitute dozens of chapters in the manga, and the first 25 or so episodes of the original Fullmetal Alchemist. The Nina Tucker episode in Brotherhood, in FMA 03 takes up nearly three episodes. Yoki gets a backstory in 03 and it's genuinely one of the best episodes and taken directly from the manga and Brotherhood glosses over it because: duh, you've already seen it. And so if you skip the original you miss out on dozens of really great character building episodes like Ed and Al meeting Hughes for the first time and getting to spend a whole episode helping him free a train from terrorists, or Ed and Roy having a duel that expands on the relationship they have, or episodes where the brothers just help out random people in towns before the major story gets going.

The original also paces itself quite a bit better than Brotherhood and is more in line with the mangas storytelling. In the manga we don't find out about The Gate until nearly two dozen chapters in, and the same goes for the original anime. Like, that's a twist reveal in those stories, and it's weird that the most watched series is the one where they tell you all about The Gate in the first two episodes because they assume you've already seen the original show.

What's more, people don't know that Hiromu Arakawa helped write for the anime while she was still in the middle of writing the manga, and as a result was inspired to write scenes in Brotherhood that the anime did first. That scene of Edward getting impaled by a falling beam? Directly inspired by a similar scene in the original anime. There's a lot of little instances of that and they're great when you can recognize parallels and things in Brotherhood that are direct references to the original anime, but people don't notice any of that anymore. Because the original anime is just an automatic skip these days, and it's a bummer because people don't realize what a giant it was back before Brotherhood was released. They treat it as *bad,* not realizing it was one of the most beloved anime of its time and the problems people take issue with have a lot more to do with personal taste than any kind of actual flaw in the writing. Brotherhood was never meant to dethrone it, and the original anime was always supposed to be part of the viewing experience which is why those first few episodes of Brotherhood are so fast paced. So like, please stop telling people Fullmetal Alchemist 2003 is a skip, or it's bad, or you don't need it because Brotherhood is better. Regardless if you think Brotherhood is better or not, the original wrote Brotherhood's check. It was huge, it was beloved, and Brotherhood is *banking* on the knowledge you've seen all of it and loved it. And trust me when I say there is so much to love about the original series. It's still my favorite branch of the FMA franchise, and it's worth your time, I promise you.

[girls-and-honey]

the parasocial relationship between me and my opponent in every online two player game

[the20thangel]

The Dragon and Raven Masterlist

Note: Hello, wonderful people. I created a master list of my series, The Dragon and Raven. Linking the ongoing chapters will make it much easier for you all to follow and keep track of the story. I hope you enjoy it!

Story Summary: After the Battle of BurningMill, Samwell and Davos Blackwood are gone, leaving Davos' twin Benjicot, the new lord of House Blackwood. Queen Rhaenyra and her council decided to show sympathy and gratitude to House Blackwood for their stance on the Black Faction of the War. Crown Princess Aemma, Rhaenyra's oldest daughter and supposedly Ser Leanor's only child, volunteers to fly to Raventree Hall to show the Crown's Respect and Support to House Blackwood and their newly appointed Lord.

Tags: Fluff, Smut, and angst.

Chapter One: Aemma Velayron

Chapter Two: Benjicot Blackwood

Chapter 3: Raventree Hall to Harenhall

Chapter 4: The Duel

Chapter 5: The Dragon Princess and her Raven Lord

Chapter 6: The Wedding

Chapter 7: The Battle of Rook's Rest

Chapter 8: The Cursed Gift

Chapter 9: Seasmoke

Chapter 10: Dragon seeds

Chapter 11: The Dragon Prince

Chapter12: Funeral Pyre and New Beginnings

Chapter 13: The Dragon Princess

Chapter 14: Warging Lessons

Chapter 15: Luring the Beast

Chapter 16: The Vale (Current Chapter) (Newest Update)

One Shot: The Pearl of The Realm

[iamnmbr3]

in first book ollivander says you can't get a result with another wizard's wand as good as you get with yours

But harry gets with draco's wand even if he never disarmed him, wonder why....

Oh, got it.

JK Rowling: I hate drarry with my whole heart and soul

Draco’s wand: … yeah sorry it’s canon. They’re soulmates in love.

no, but really I will never ever be over the wand plotline from book 7. Harry straight up took the wand out of Draco’s hand. They were both holding onto it at one point. Draco could’ve shot a spell at him, but he didn’t. He let him have it And we know Draco has good reflexes because he was almost as good a seeker as Harry and when they duel in book 6, he was actually able to hold his own against Harry longer than any other character ever except Snape and even fast enough to block a nonverbal spell from him. Harry got the wand because part of Draco wanted him to have it.

So that’s part of why it works so well for him but the other factor - which makes me even more unhinged with drarry feels - is their incredible compatibility. Even Hermione’s wand - willingly given to him and thus functional - does not work as well for Harry. It works because Hermione wants it to and because she and Harry are compatible and friends and care about each other. But it doesn’t work perfectly because they aren’t soulmates.

The way the wand feels friendly in his hand even though it’s canonically a particularly complex and difficult to master wand!!!! Ahhhhh!!! THE DRARRY OF IT ALL. We see it throughout the books - they just intuitively understand each other. And care about each other either when they shouldn’t. And the wand’s behavior reflects that. They’re soulmates your honor.

[cosmerelists]

How Kaladin Would Flirt With Other Cosmere Characters

As requested by @cam-ulu29 :)

Hot off the back of my post about other characters flirting with Kaladin, cam-ulu29 asked if I could also write about Kaladin being the big flirt with other characters. So let's just say that Kaladin had the ability & the desire to flirt...how might he do so?

1. Lyn

Kaladin: I'm glad that there are women Windrunners now. Lyn: Man, me too! Kaladin: And specifically I am glad that you. A woman. And a Windrunner. Are here. Lyn: Awww, thanks! Kaladin (visibly sweating): Yes you. As a woman. Who is a Windrunner. And is here. Lyn: Are you...are you having a stroke right now?

2. Renarin

Kaladin: Hey, Renarin...back when you first joined Bridge 4, did you have a crush on me? Renarin: ! Renarin: W-Was it obvious? Kaladin: N-No, not really! Syl told me. Later. That she thought you did. Renarin: Oh... Kaladin: ... Kaladin: Any chance you still do?

3. Leswhi

Kaladin: Hey, uh, Leshwi? I was wondering if you would be free for an honorable duel, maybe Tuesday night? Leshwi: Certainly. I will assemble the shanay-im. Kaladin: Oh, well, I was actually thinking of an honorable duel with just you and me, you know? Syl: And me! Kaladin: And also Syl. Leswhi: ... Leshwi: Tuesday you said? It's a date.

4. Rlain

Kaladin: Ugh, all these women keep coming to the clinic to flirt with me. Kaladin: I can't get any work done! Kaladin: I bet if they knew I was in a relationship already, they'd stop. Kaladin: Hey Rlain...do you want to hold hands? Rlain: ...Are you asking me to pretend to be your boyfriend? Kaladin: Pretend?

5. Laral

Kaladin: Crazy how we're both single now. Laral: ... Laral: You mean because you got dumped and my husband DIED? Kaladin: Uh... Laral: ... Kaladin: So...not the right moment to see if you want to get a drink and catch up? Laral: NOPE

6. Adolin

Kaladin: I think horses are mean and scary. Adolin: That's just 'cause you haven't been around them enough! I swear! They're cool and friendly! Kaladin (continuing as if Adolin said nothing): But I would accept being around horses. Lots of mean horses. Kaladin: If it meant. Kaladin: Being around you. Adolin: ...? Kaladin: ... Adolin: ... Adolin: Oh! Adolin: Nice.

7. Shallan

Kaladin: [sighing dramatically] Shallan: What's wrong? Kaladin: I want to flirt with someone, but she's much wittier than I am, so I don't know how to even start. Shallan: Oooh, that's exciting! Can I give you advice? Kaladin: I would LOVE advice. Shallan: Well, it depends on whether you can match her wit, or whether you think she's entirely too witty for that. Kaladin: I think I could. Sometimes. Probably not while also flirting, though. Shallan: Sure, sure. Well, you can always just enjoy her wit and let her enjoy how smart she is. Kaladin: Yeah? You think making her feel smart is a good tactic? Shallan: Well, it certainly can't hurt! Kaladin: [significant look] Shallan: ... Shallan: Oh! Shallan: Nice.

8. Moash:

Kaladin: You know...I bet I could swallow a WAY bigger sphere than you could... Moash: MY BED IS UPSTAIRS LET'S GO RIGHT NOW

9. Szeth

Kaladin: You know...I've been thinking that maybe this trip is a chance to find what I really need. Szeth: I feel the same way. Kaladin: You...you do? Szeth: I do. Nightblood: (Me too!) Kaladin: Well, good...because I think what I really need is... Kaladin: You... Szeth (simultaneously): Vengeance. Nightblood (simultaneously): The eradication of evil! Kaladin: ... Kaladin: I don't know what I expected.

10. Jasnah

Kaladin (talking to someone else): I mean...being partnered is fine, I guess, but the sex stuff I don't really get. Jasnah: ... [...] Kaladin (to someone else): Darkeyed Radiants is good and all but, I mean, we still have slavery. Anyone who really cared about social change would do somehing about that! Jasnah: ... [...] Kaladin: (to someone else): I like Wit, but storms can he be annoying sometimes. Small doses, you know? Jasnah: ... [...] Kaladin (talking to someone else): So then I convinced the ardents that locking up the insane in dark rooms was NOT a good thing--they're gonna change the treatment! Jasnah: ... Jasnah: Has Stormblessed always been so attractive?

[youngchronicpain]

We ended up having a really good night. We ate yummy food and I won at 7 Wonders: Duel. I felt a little bad because I kept talking about pain and not wanting to be in so much pain, but I think it was a really nice night nonetheless.

(I kind of forget that it is okay to be in a lot of pain. I am not annoying. I am hurting. It is okay to struggle with high pain levels. I don't have to act like I'm unaffected by my body feeling like it is in an electrical fire.)

Today is a really rough nerve pain day. My back keeps catching and is shooting lightning-like nerve pains down my bad leg. It is also causing patches of my skin on my leg to feel like I'm being stung over and over. I know I need to rest but I am so fucking tired of laying in bed. I want to clean, and make good food, and visit my garden and chickens, and play board games with my partner.

My partner is totally okay having a chill Sunday in bed instead of getting dinner and going to the game store to pick up a new board game to play. But. Ugh. I want to do things!!!

[sweetsaladpainterranch]

Challenges in Raising a 6 Month Old Demon

Daddy Duty (your p.o.v.)

...

It was 7:30 am in the lobby of the Hazbin Hotel and you were preparing to leave to accompany Charlie and Vaggie. to the Vee Tower in order to conduct a new interview with Katie Killjoy for the furtherment of the redemption project. However, this means that you must leave your husband alone with your fawn in the hotel for the entirety of the day for the first time since she was born. To say that you sensed some amount of trepidation from the buck was an understatement, but you knew he’d rather kiss Angel before he’d admit to any weakness. (Plus the spider demon promised to assist if needed.)

“Darling, you’ve absolutely nothing to worry about.”, he promised you again with a tense smile while you placed the latest report of redemption numbers and notices from Heaven into a travel case, “But are you quite sure that you are required for this venture with our fearless leader?”

You sighed and finished gathering your paperwork, “Alastor, you know how Charlie is with logistics documents. She doodles across all of them and no one can figure out what in the hot sauce is on them. Not even her!” You grimaced when you remembered the last meeting at the Heavenly Embassy when the princess passed out her crayon version of the documents to the awaiting angels. However, none could read them and she broke out in another duet with Emily. So, you, with an administrative background, took the role as logistics coordinator for the hotel and forbade her from touching any more paperwork.

“It’s just one afternoon, love.”, as you walked toward the entry doors and to the waiting car, “There are spare diapers and clothes in the nursery for Evangeline, but she shouldn’t wake until 9. I have every confidence in your abilities.”

You leaned in and whispered low in his ear, "Do NOT let me down, Alastor."

You didn't miss the strained grunt of static that echoed within his throat as you placed a tender kiss goodbye on your mate's blushing cheek.

...

They're fine. They're fine. They're probably fine... You chanted to yourself throughout the entirety of the interview. It went exactly as you thought it would.

Katie says something cutting to undermine the hotel

Charlie slowly loses her confidence and temper

Vaggie encourages Charlie (which leads to an upbeat, determined song about friendship)

By the 2nd chorus, you stood by the camera with raised cue cards, with the redemption numbers that you had prepared in case things got off track, and made eye contact with Vaggie to return to the matter at hand. She took a deep breath to calm herself and began to rein her girlfriend in with a gentle hand to the shoulder. The princess instantly relaxed and shot the small moth a grateful look full of love before continuing to list off the successes of her project on your cue card.

You knew that look well and sighed with relief that things would be fine (in spite of Tom Trench somehow spontaneously combusting and collapsing onto the floor).

But your mind continued to wonder back to Alastor and your daughter. She must have woke up by now and he must've gone to tend to her, but what if she didn't want to feed? What if you didn't leave the correct formula or what if they try to burn down the kitchen again and destroy the entire hotel??

You cringe as you remember the last sparing duel between the two deer demons (over who got the last cookie from Rosie's) that lead to an entire floor of guests being trapped in the shadow realm for a week...😑... The idiots loved each other fiercely as father and daughter ought to but they were far too much alike. Always ending up locking horns (or antlers) in, what you can only assume to be, a futile attempt at familial communication.

Your mind flooded itself with possible worse case scenarios involving the entire city falling prey to shadow nonsense.

No... they'll be fine. He knows how important this interview is and I've only been away for the afternoon. How much trouble could they possibly get into?

Fortunately you grounded yourself in Alastor's promise when you caught Charlie finishing up the interview with the video from Sir. Pentious in Heaven attesting to his new life. Emily had asked that he work with her on behalf of the Hell Embassy to properly integrate newly redeemed souls. You handed the disk to the tech director and smiled when the princess cocked her eyebrow at Killjoy in victory as the video proved her capabilities.

The loveable snake angel had just made his stuttered introduction when the large screen surged to show the city center. Katie shot up to cut off Vaggie and Charlie's protest with a middle finger in their faces, "We now interrupt this holy shit-fest with breaking news from the heart of our lovely city."

Everyone looked at the screen in confusion and, then, continued with a sneer, "It seems that our dear Princess's own hotel manager is currently tearing a war path through the city while holding a the famed pornstar, Angel Dust, hostage along with his daughter, Evangeline!" She noticed how your aura darkened considerably at the mention of your child and snickered the rest of her broadcast. "I guess the Radio Demon is teaching his spawn to torture the unsuspecting guests of Hazbin Hotel from a young age after all!" She casted a side eye to the dumbfounded Charlie, "Seems like such a good idea to check in, dear viewers...", sarcasm and venom dripped from her mouth.

Vaggie cursed in Spanish and rose from her seat with a spear as you could only stare in sheer disbelief (and raising anger) at what you were seeing.

Sure enough, it was indeed an airal shot of a large, black and red blur waving around tentacles through buildings as another, much smaller but still giant, blur hopped in-between the appendages with a flailing Angel Dust caught in one puggy hand.

You were gonna kill them!

...

Hey everyone, this is not my best work but I just needed to write something fun. I think I'm goin crazy with these babies in my house 😂😂

-SSPR

(Sorry, I didn't have time to edit it 😅)

[greenerteacups]

I wonder often why Deathly Hallows as a book is so fascinated with wandcraft and wandlore, especially after the series has spent six volumes being more or less disinterested in it (with the exception of the Twin Cores plot in Book 4). A weirdly high % of the plot depends on who owns whose wand and why: the wand mixup with the Snatchers, Harry's wand being broken, Draco's wand, Bellatrix's wand, and of course, the final rigmarole over who's the "rightful master" of the Elder Wand, which ends up being a weird combination of killing/disarming/fist-fight to disarm someone who... wasn't even wielding the Elder Wand at the time he was disarmed, which begs the question of what it counts to "disarm" someone of a weapon they're not technically wielding? Also, are we to assume that Dumbledore was not disarmed once in the N years since his fight with Grindlewald? Or — here's a harder one — that Draco wasn't disarmed once between Dumbledore's death and his fight with Harry? That's plausible, but it's kind of weird that I need to believe it for the rest of the plot to make sense.

And like, I can think of a few Doylist reasons for this to be the case. The first is that JKR wants Voldemort to kill Snape in the boathouse, which allows Harry to get Snape's memories and retroactively justify why Snape's acted this way since PoA (and explain where the sword comes from in the lake in DH, too). I can think of better, more character-driven reasons for him to kill Snape (just... blow Snape's cover? reveal him as a double agent? have him try to kill Nagini? idk), but let's suppose, for subtextual reasons, she wants Voldemort to think Snape was loyal to the end. Having him die by Nagini's hand muddies the already-opaque water of what constitutes "disarming," because Nagini is a living creature. What if I drop someone into a pool of piranhas? Do I get their wand? Yeah, Voldemort commands her, but then — okay, what if I Imperius someone and make them disarm someone else? I get that it's not like DH has time for Harry to sit down with Ollivander and go through all of the tiny procedural rules for wand usage, but also, are these not relevant questions? Is this not the central mechanic of the final battle, this one piece of magic? Am I not supposed to wonder how it works?

The other reason I can imagine is that Harry wins a duel against Voldemort 1v1, which is not terribly believable unless there's some kind of magical advantage working in his favor. We know the Elder Wand's failure to execute the Cruciatus means Harry can't be harmed by spells the Elder casts, because it's his "true master." This is a really weird quirk in wandlore — why does it work this way? Is it the only wand that works this way? By that logic, shouldn't everyone Harry disarms be incapable of casting spells on him? — that emerges in Book 7, apparently for the purpose of giving Harry a buff in the final duel. Functionally, that's weird, because on a technical level it works the same way as Lily's protection — it's a reason that Voldemort can't hurt him. So why get rid of Lily's protection at all? It's not like he duels Voldemort between Book 4 and Book 7. The graveyard scene artificially hikes the stakes for Harry by making him physically vulnerable, pretty much only so he can die at the end of DH... except again, not for real, because Voldemort only ends up killing the piece of Harry that's a horcrux, so it doesn't even count!

And then Harry replaces the wand in Dumbledore's tomb. Which would be a nice moment if the lore hadn't established that anyone who disarms Harry, ever, will become the master of the Elder Wand by default. Harry knows this. He also knows that this knowledge is out there in the world; sure, Grindlewald's dead now, but do we think that Grindlewald never told anyone else about the Elder Wand? And he learned about it from somewhere, didn't he? So Harry might naturally assume that someone else would eventually come looking, in which case Dumbledore's tomb is far from the safest place to put this equivalent of a wizarding nuke. (Not that it seems to be all that powerful anyway; the coolest thing it does is fix Harry's other wand, and we're left wondering why the Elder Wand is considered "unbeatable" when people who own it seem to be getting disarmed all over the fucking place.)

Also, in retrospect, this makes it incredibly odd that Dumbledore allows Draco to disarm him, because he's giving the Wizarding Nuke to a 16-year-old servant of Lord Voldemort. Suppose that he's trying to prevent Snape from getting the wand, because he doesn't want Snape to be a target: okay, fine, but does he know Draco's going to give Snape credit for the kill? What if Draco lies? What if LV just... accepts the fact that the wand recognizes Expelliarmus as a point of transfer, and either disarms or kills Draco? And in any case, no matter what the answers to these questions are, why didn't he just ask Harry to disarm him before he went to the lake?

I'm usually not one to be an asshole about plot holes — mostly because, taken by themselves, I don't find them that interesting — but they become interesting to me when I see several of them in the same vein, because they tell me that the author's trying to do something. And they want to do it so badly they're willing to strain other parts of the story to make it happen.

[whovian223]

Friday Night Shots - Drafting Games

Friday Night Shots - Drafting Games @iMandooGames @ReposProduction @ArtipiaGames @czechgames @RavensburgerNA @Capstone_Games

It’s been a week since my last post. And wow, what a week. Ok, it wasn’t that bad, but I just needed a bit of a recharge and decided not to think too much about writing this week. More stuff coming next week, definitely. I thought I would get back in the swing of things with another regularly-scheduled visit with you at the bar! It’s getting dark so early now, but that’s why I keep it so…

[avayarising]

Deaths of Cassandra Cain

Part of the Batfam Death Project.

Cass has two very definite deaths and one implied death. She also spent several days in the Spirit World. Total time dead: up to a couple of days, plus Spirit World time.

Verifiable deaths

1. Beaten in the chest by Lady Shiva (Batgirl 1:25, 2002)

Cass asked Lady Shiva (her mother, though at this point she didn’t know that) to train her because she was losing her ability to read body language. Shiva agreed, but in return asked for Cass to come back in a year and duel her to the death. Cass agreed to this. When the time came, they fought on a rooftop, and Shiva quickly killed Cass with what looks like a pre-cordial thump.

Cass was raised to life again by Lady Shiva some unspecified time later through some unspecified technique (though she did say she had prepared for years to be able to do it) involving punching her in the chest again.

Time dead: Unclear, but probably of the order of hours. Since the location where Cass was resurrected was not where she died, Shiva must have had to move her corpse, so probably at least a few hours, plus however long it took for Shiva to do whatever she did to resurrect Cass.

2. Took a sword for someone else (Batgirl 1:72–73, April 2006)

So before Cass was born. David Cain made other attempts at creating the Perfect Warrior, and he started out by taking existing children (from Ra’s Al Ghul) to train, rather than attempting to breed one. One of these became known as Mad Dog: very skilled but almost mindless and uncontrolled. In a forest in the middle of nowhere, he attempted to stab someone, Cass leapt in front, and:

Even though it looks from this picture like that big fat knife goes right through her ribcage, heart, and spine, she still managed to kick Mad Dog in the face before collapsing and dying.

After Cass died, she awoke being carried by Steph.

Steph told Cass something she couldn’t have known (that Blüdhaven had just been destroyed), indicating she was really present and not just a near-death hallucination.

Of course, it later turns out that Steph was never actually dead at all, but at this point in time she is dead, and her presence is meant to be an indicator that Cass is truly dead.

Lady Shiva raised her (again), this time via a Lazarus Pit. (At this point, Cass has only very recently found out that Shiva is her mother.)

Cass came out angry with Pit Madness, but Shiva trapped her in a net and coached her through it. Cass calmed down in a matter of minutes.

Time dead: between several hours and a couple of days (Shiva had to carry her out of a forest on foot and get to the Lazarus Pit before she could resurrect her).

Bonus extra deaths

(Implied, inferrable, ambiguous and arguable deaths)

1. Probably died in Death Metal along with everyone else (Death Metal 7, 2021)

Cass probably died in battle when the Dark Multiverse invaded and destroyed all the worlds of the multiverse. All the remaining heroes came together in a hopeless fight against an army of their worst nightmares, including an apparently never-ending swarm of groblins (mindless evil Jokerised Robins led by the Robin King, an evil child Bruce Robin).

Cass’s death isn’t shown on panel and neither is her dead body, but she is definitely in the group of Bats standing ready to fight (far right, in an oddly ill-fitting Orphan outfit):

And later Evil Child Bruce Robin tells Batman that everyone else is dead, so that seems like Cass is dead too.

On the other hand, Evil Child Bruce Robin probably doesn’t know what’s going on away from his immediate vicinity, so it’s possible that Cass was drawn away during the battle earlier on and is still out there fighting in a different part of the field.

After this, Wonder Woman persuades the Creators to remake the world and everyone is fine again.

Time dead: unclear; might be up to an hour, or longer if it takes longer to remake the world.

2. Perhaps was shot by Lady Shiva at some point (Spirit World 3, 2023)

Thank you to @fantastic-nonsense for pointing this one out! During Cass’s trip to the Spirit World (see below) she was bitten by a fox spirit and regained the memory of a previous encounter in the Spirit World when she was dead. The flashback montage panel shows Shiva shooting Cass in the chest, followed by Cass’s revival in the Lazarus Pit in Batgirl 1:73 with its very distinctive hook and chain.

Although it’s most likely that this is just a conflation and reinterpretation of Cass’s previous two deaths and resurrections, the new method of death suggests that this could be an additional, off-panel, death and resurrection.

More details in @fantastic-nonsense’s original commentary here.

Afterlife visits

1. Pulled into the Spirit World (Lazarus Planet: Dark Fate, 2023; Spirit World, 2023)

When the Lazarus Volcano erupts and rains down Lazarus Water on the whole earth, it stirs up a lot of undead. In a graveyard in Gotham, Cass joins John Constantine and Xanthe Zhou (a ’spirit envoy’ who died as a child and was partially resurrected and is now both living and dead) in a fight against hopping vampires (jiang-shi) and a ‘ghost collective’ (a big ball of angry ghosts).

With Constantine’s and Cass’s help, Xanthe exorcises the collective, but on its way out the collective grabs Cass’s ankle and pulls her into the Spirit World with it.

In the Spirit World, she more or less gets adopted by Xanthe’s granny, who has also adopted another ghost, Bowen. (It’s not clear in this panel, but Po Po is tiny and only comes up to Cass’s waist.)

A spirit she meets there tells her they have met before, when she was dead, though she clearly doesn’t remember her time dead. (The spirit doesn’t clarify which of Cass’s deaths it is referring to, but since she was with Steph all through her second death, it is likely to be her first – but it might be a completely different one; see above.)

Of course, John and Xanthe go in after her and they eventually reunite. After a great quest, the freeing of the ghosts from their collective, and major reorganisation of the politics of the Spirit World, they all leave together through a portal.

Time in afterlife: several days.

Batfam Death Project Masterpost

[gegengestalt]

131 useless or often forgotten facts in The Brothers Karamazov!

This 27 of April is the second anniversary of the day I finished this book for the first time. To do something special, I reread it over the last 20 days and as I did it, I compiled little things that are easy to forget in these 1000 pages filled with food for thought. Let's go!

1. Mitya fought in a duel, though it's most likely that nobody died in it.

2. Ivan's journalist pseudonym is "Eyewitness".

3. Alyosha, in his own words, came back to Skotoprigonyevsk to visit his mother's grave.

4. Fyodor Pavlovich owns several taverns in the district.

5. Grigory was the one who gave Sofia Ivanovna a proper gravestone.

6. Alyosha is one deduction away from becoming a communist.

7. The Brothers Karamazov begins in late August.

8. Kalganov is supposedly Alyosha's friend. This is never mentioned ever again.

9. Kalganov gave one coin to some beggars and told them to divide it among themselves.

10. There is a rumour that the previous elder beat people with sticks. This is false.

11. Alyosha is the only person in the monastery who knows that Rakitin is an atheist, and keeps his secret.

12. Four years ago, Pyotr Miusov divulged a fake story about a saint making out with his own decapitated head. Fyodor never forgot.

13. Madame Khokhlakov is only 33 years old. She has been a widow for 5 years, meaning Lise lost her father at age 9.

14. Zosima's serenity in front of the woman who confesses to a murder may foreshadow his later recollection of having a murder confessed to before.

15. Zosima likes to make jokes.

16. Lise and Alyosha last saw each other two years before.

17. Reminder that Grushenka met Mitya because Fyodor wanted her help to throw Mitya into a debtors' prison.

18. Kuzma Samsonov is the mayor of Skotoprigonyevsk.

19. Ivan rambled to Dmitri and Katerina about how he thinks Rakitin will be a failed journalist turned landlord.

20. Fyodor Pavlovich's house is filled with rats.

21. The Miusov family had their own private theatre.

22. Lizaveta Smerdyashchaya was a bit over 142cm/4'7 tall.

23. In 1842 there was a runaway convict called Karp commiting crimes in Skotoprigonyevsk.

24. Marya Kondratievna's mother is missing a leg.

25. Mitya ghosted a girl in real life.

26. Katerina's mother died when she was young.

27. Mitya had a fever for two weeks once because of a spider bite.

28.Mitya thought Grushenka was "nothing striking" the first time he saw her.

29. Mitya was squatting in his neighbour's rented room.

30. Fyodor Pavlovich has a portrait of the former provincial governor in his house.

31. Fyodor Pavlovich goes to sleep at 3- 4AM, like Dostoyevsky himself.

32. Sofia Ivanovna was being courted by a rich man called Beliavsky while she was married.

33. Who was the woman coming from the alley that Mitya mistook for Grushenka? I still wonder.

34. A cheap glass jar was destroyed during Mitya's frenzied break- in.

35. Katerina sends two detailed reports a week to her surrogate mother figure who lives in Moscow.

36. Katerina has an aquarium.

37. Alyosha sleeps using his monk habit as a blanket.

38. Father Ferapont survives eating nothing more than 1,6kg of bread a week.

39. Ivan had told his father about his feelings for Katerina, for some reason.

40. When Alyosha kissed his father, he had the impression that Alyosha was thinking that it was their last conversation.

41. Madame Khokhlakova owns three houses as property.

42. Madame Khokhlakova and Katerina Ivanovna are supposedly great friends.

43. Ivan reads Schiller when nobody is looking.

44. One of Snegiryov's daughters, Varvara, is invested in feminism.

45. Captain Snegiryov's childhood friend is a lawyer.

46. Mitya spilled cognac over the table of the summerhouse.

47. Smerdyakov sings in falsetto.

48. Marya Kondratievna is the only one who ever calls Smerdyakov 'Pavel Fyodorovich'.

49. Ivan uses Smerdyakov as a messenger.

50. Dmitri and Katerina had been engaged for around six months.

51. Ivan's right shoulder looks lower than the left one when he walks.

52. Smerdyakov often moves the tip of his right foot from side to side when he stands (adorable).

53. Dmitri's favourite death threats are "pounding in a mortar" and "breaking legs".

54. Grigory suffers from paralysis three times a year.

55. The real name of 'Lyagavy' is Gorstkin.

56. Zosima's real name is "Zinovy".

57. There was actually another old German doctor before Herzenstube and he was named Eisenschmidt.

58. Zosima has known Brother Anfim for forty years.

59. The Bible is thrown once.

60. Madame Khokhlakova asked Rakitin to go to the funeral as her eye.

61. Alyosha was hiding behind the grave of starets Iov, who lived 105 years.

62. Zosima was harshly criticized for telling a monk hallucinating to take his meds if praying doesn't work.

63. Both Grushenka and Rakitin are children of deacons.

64. Samsonov is the only person that Grushenka seems to be completely and clearly sincere with.

65. Likewise, Samsonov only trusts her when it comes to counting money.

66. Samsonov has the entire first floor of his house for himself.

67. Mitya tells many of his secrets to his landlords, who are fond of him.

68. Alongside eggs and bread, Mitya grabbed and ate a piece of sausage that he "found".

69. Mitya and Perkhotin first met at the Metropolis tavern.

70. Mitya's dueling pistols are his "most prized possessions".

71. Madame Khokhlakova apparently borrows money from Miusov.

72. The brass pestle was 17 centimetres long.

73. Mitya spent exactly 300 rubles in food and alcohol in Mokroye, and it would have been 400 if Perkhotin didn't help.

74. Mitya gave a glass of champagne to a kid.

75. The owner of Plotnikov's shop is called Varvara Alexeievna.

76. Two thousand villagers live in Mokroye.

77. Trifon Borissovich makes his younger daughters clean up the messes of every guest of the inn.

78. Pan Wroblewski is 190cm / 6'2 tall.

79. Madame Khokhlakova gets a migraine whenever she has to talk to Mitya.

80. The ispravnik's elder granddaughter is called Olga, and the night of the murder was her birthday.

81. The prosecutor's wife seems very interested in sending for Mitya often, for reasons he doesn't know.

82. Mitya does not know that the epidermis is the outer layer of the skin.

83. Nikolay Parfenovich is the only person in the world who trusts Ippolit Kirillovich.

84. Mitya often dreams that a person that he fears is chasing him and searching for him.

85. Nikolay Parfenovich wears a smoky topaz ring on his middle finger.

86. Pan Wroblewski is a dentist without a license.

87. Kalganov had visited Grushenka once before, but she seemed to dislike him for some reason.

88. Kolya's father died when he was a little baby.

89. There was a plot going on in the background about the doctor's maid having a child out of wedlock.

90. Rakitin often talks with Kolya. Seems like the only person who takes his ideas seriously is a literal child.

91. Smerdyakov and Ilyusha met and talked to each other.

92. Alyosha rarely gets colds.

93. Katerina befriended Snegiryov's sick wife.

94. Kolya was taken to a judge for teaching a guy how to efficiently crack the neck of a goose.

95. Kolya is against women's rights.

96. Mitya and Grushenka spent five weeks secluded and away from each other after the arrest.

97. Grushenka went to see Grigory to try to convince him that the door wasn't open.

98. Rakitin made up in an article that Madame Khokhlakova offered Mitya 3k rubles to run away with her.

99. Madame Khokhlakova doesn't remember Rakitin's patronymic, and calls him "Ivanovich" instead of "Osipovich".

100. Madame Khokhlakova didn't know of the judicial system reform until two days before the trial.

101. Lise sent chocolates to Mitya in jail, even though there's no reference to them ever interacting before.

102. Alyosha has had the same dream about the devils that Lise has.

103. Alyosha is friends with the jail inspector, who often discusses the gospels with him.

104. Mitya spent two entire nights awake since he discovered ethics.

105. Ivan cleans his own room.

106. Smerdyakov shared a hospital room with an agonizing dropsy patient.

107. Mitya's letter had the bill on the other side.

108. Smerdyakov uses garters with his stockings.

109. There is an apple tree in Fyodor's garden.

110. One of Ivan's "most stupid" thoughts is being the fat wife of a merchant.

111. Ivan had a friend named Korovkin when he was 17, the one he told the story of the quadrillion kilometres to.

112. Ivan has another poem named Geological Cataclysm.

113. Alyosha was the first person the distraught Marya Kondratievna ran to.

114. Ivan is mistaken for "the eldest son" twice in the trial.

115. Grigory did not remember he was in 1866.

116. Rakitin knows "every detail" of the biography of Fyodor Pavlovich and all the Karamazovs.

117. Grushenka's surname, Svetlova, means "light".

118. Mitya once dropped 100 rubles while he was drunk.

119. Ivan saw not just the Devil, but people who had died while he walked in the street.

120. Ippolit Kirillovich died nine months after the trial, the first and last day he received applauses.

121. Marfa is dismissed as a suspect simply because they can't imagine her killing.

122. There is a partition wall in Mitya's lodgings.

123. Mitya mostly stopped staring at the floor during the prosecutor's speech whenever Grushenka was mentioned.

124. Fetyukovich bends forward in an unnerving manner when he speaks.

125. An 18 year old street vendor committed axe murder earlier that year.

126. The verdict was given past 1AM, making the trial last almost 16 hours.

127. Katerina kept the sick Ivan in her house knowing it could possibly be harmful to her reputation.

128. Rakitin tried to sneak in to see Mitya in the hospital twice.

129. Lise sent the flowers that adorn Ilyusha's coffin, and Katerina paid for the grave.

130. Snegiryov cries seeing his late son's little boots the same way one of the women at the monastery in the beginning of the book did.

131. At the end, Alyosha mentions "leaving the city for a long time" soon. Where to? We don't know.

If you read this far down, I hope you enjoyed it as much as I enjoyed writing all of these down.

[raven-at-the-writing-desk]

You wanna know what I just realized....You know how in chapters 1-4 MC/Yu kept asking Crowley to go home. But Once Chapter 5-7 they stopped asking to go home and gave up. Why? Did they just change their minds once they got friends or did they just give up on trying completely until Orthro put it back in their brain? Or Did they just gave up on asking adults period?

Oooh, interesting topic 🤔 I went back in each book to see when instances of Yuu asking about going home were brought up and (shockingly) this actually happens very little, maybe a few times max in the main story (not counting the prologue):

***Main story spoilers (INCLUDING book 7) below the cut!!***

In 1-19, Yuu does NOT ask Crowley; Crowley is the one who brings the topic up. He claims he is in the library to research a way to send Yuu home, and definitely is not reading the latest edition to a new novel before anyone else (which, come on, we all know Crowley is just giving a convenient excuse for himself). Crowley's presence here is then used to inform us of a way to dethrone Riddle via duel.

In 2-4, Yuu DOES ask Crowley when summoned to his office. Crowly then says he is busy preparing for an inter-dorm Magift/Spelldrive tournament, so he hasn't made any progress for Yuu. In 2-14, Yuu also wonders about when they will be able to go home while talking around the campus at night, but does not discuss it further with others.

In 3-6, Yuu does NOT ask Crowley; again, Crowley is the one to bring up the topic when trying to get Yuu to convince Azul to stop his shady dealings. He uses their rising food bills and all that "effort" he's putting into researching as a means to guilt trip Yuu into agreeing.

In 4-2, Yuu DOES ask Crowley if he's actually researching. This occurs because Crowley is all decked out for vacationing in a tropical destination, so Yuu of course questions whether he's doing any real work. Crowley defends himself by saying "When in Rome, do as the Romans do!" and that he's broadening his knowledge base by researching in a southern region.

After book 4, there are no new explicit or even implied scenes of Yuu asking Crowley anything about home. However, 5-33 does feature a flashback to the prologue in which Crowley is struggling to find Yuu's home on a map.

There isn't really a strong mention of Yuu going home in book 6, unless you want to count Yuu talking to Mickey through the mirror and wondering what's on the other side.

7-10 and 7-11 has Ortho to concluding that the mirror with Mickey could be a "connection" to Yuu's original world, and can thus serve as a route home.

Most discussion of Yuu going home is concentrated in the prologue (as it is an important piece of the set-up and explanation for Yuu's presence in Twisted Wonderland), as well as book 7, when the issue becomes very relevant again. There is the occasional instance of Crowley using "oh, there might be information here about a potential way home" as an excuse to rope Yuu into an event's story (ie Glorious Masquerade), but nothing meaningful ever comes from it. These are just contrivances to bring Yuu and Grim along for a more immersive self-insert experience.

If you want a boring answer as to why Yuu asks/seems to care so little about going home and stops completely by the start of book 5, I would wager it's the metacontext. Even in books 1 through 4, Yuu going home is mentioned like maybe once and then is dismissed for the rest of the book. You’ll also notice that in these instances where Yuu going home is mentioned, they are almost immediately then used as a springboard to propel the problem of the week onto them to resolve. Yuu going home isn’t a plot point for most of the main story, it’s a plot device to force Yuu into an OB boy’s path.

There is very little urgency granted to finding a way home because you, the player, WANTS to be in this magical world even if Yuu, the actual in-game character, may be uneasy being away from their friends, family, and home world. Yuu's unease is most likely not depicted or not frequently brought up because it would interfere with the player's enjoyment of the escapism to another world. These desires very obviously clash with one another. However, because the game itself is trying to tell you its story, it has to provide a reason (no matter how nonsensical it is) for there to be no progress made in the search (thus keeping Yuu in Twisted Wonderland), and that reason often happens to be Crowley's incompetence. This is not true of all iterations of Yuu (as the light novel has a strong focus on Yuuya’s anxieties about being in a new world), but it must be this way specifically for in-game Yuu since they are the most easy one for players to project into.

If you're looking for a meatier answer, consider this: book 5 is the turning point in the main story. Before book 5, Yuu seems to defer to Crowley for finding a way home. They don't really wonder or investigate into this area on their own. By the start of VDC/SDC training, it's mid to late winter, or about halfway through the year. Given that Yuu is incentivized by the promise of renovations to let the NRC Tribe boys use Ramshackle as their base of operations, I get the impression that maybe Yuu thinks they'll be stuck in Twisted Wonderland for longer than initially anticipated. Rather than an "I give up", it feels like a "boy, this is taking a while so might as well upgrade the accommodations and make myself as comfy as possible while I wait it out" This thought is helped by the fact that book 5 is also the first time when both Yuu and Crowley don't mention them going home, but also nothing disparaging or hopeless is referenced. As I've said before, we still get a flashback from Yuu which is centered on them going home, so it's clearly still a topic on their mind. It's just not consistently shown to us so as to not interfere with players self-inserting or to avoid making the gaming experience not fun by focusing on Yuu's distress or worries.

Many other significant things happen in book 5 which makes it the "turning point": Malleus reveals his true identity to Yuu, Grim finally going a little feral from the blot stones, and Yuu seeing and speaking with Mickey clearly. From there, Yuu starts thinking about the mirror and how it could lead into another world. They begin to take more agency in their own return, later confiding in their friends about Mickey and what he means for them.

Book 6 mostly glosses over Yuu going home because... well, let's be honest, there's a lot more immediately at stake with six students being kidnapped and experimented on. Yuu's focus and concern is on getting them (and especially Grim) back safely. They weren't thinking about themselves or their own situation back then, they were thinking of others.

Going home returns in book 7 because it has story significance once again. Yuu going back to their own world adds to the growing dread and sense of loneliness that our OB boy for the evening, Malleus, feels over Lilia's departure. It helps to push him closer to the brink of snapping. What's more, this contributes to the overall themes and questions that book 7 poses: those of farewells, change, and leaving friends behind. These are sentiments that Ace, Deuce, and Grim discuss in 7-17, and they parallel Malleus's own anxious thoughts. In all previous books, Yuu's own quest to get home is not closely tied to the themes of a particular book, or it simply was not relevant to mention (it would disrupt the ongoing conflict or pacing).

Finally, to more address each of the specific things asked by the asker (since I know the information in this post is sort of all over the place and might be hard to match up to each question):

[Yuu] stopped asking to go home and gave up. Why?

Yuu did not frequently ask about going home to begin with. (Again, likely because on a metatextual level, the story needs an excuse for Yuu, ie the player, being present in Twisted Wonderland and experiencing its happenings.)

At that point, it comes down to individual interpretation as to why, but personally I believe Yuu realized that the solution was more complicated than just poofing up a portal home, so they decided to make themselves comfortable while they waited for updates rather than keep asking only to be constantly disappointed. Later on, events going on around Yuu become too hectic for them to focus on their own wants.

Did [Yuu] just change their mind once they got friends?

Wouldn’t this imply that Yuu didn’t consider Adeuce and Grim “real” friends until the start of book 5??? I just don’t think that’s true; they were friends way before this point, not hanging out with each other for convenience’s sake. Why would they sit together at lunch every day? Why would Yuu try to help Ace make amends with Riddle? And why would Ace defend Yuu when Riddle insults their upbringing? Why would Yuu try to free the idiots of their anemones at the risk of going homeless themselves? Why would Adeuce use public transportation to go all the way from the Queendom of Roses to Sage’s Island because of a SOS text from Yuu? The same logic goes for the Ramshackle Ghosts, who are very friendly with Yuu and Grim. They play games with them, tell them about the school, and even do Yuu’s chores for them while they’re held hostage in Scarabia.

I also think gaining friends isn’t necessarily a strong enough reason for Yuu to renounce their old life and suddenly be committed to staying. Yes, it can be said that this could change depending on individual interpretation of Yuu—but assuming a very basic backstory, a regular person would not be so quick to forgo their old friends, family, etc. I don’t think new friendships are a significant motivator for Yuu no longer asking about home.

Or did they just give up on trying completely until Orthro put it back in their brain?

Yuu didn’t stop thinking about going home just because they stopped asking about it. Post book 4, they are shown to have flashbacks to earlier discussions of going home. Yuu hardly ever expresses thoughts about their original world or wanting to go back (most likely to not break the self-insert immersion of their character), so it’s easy to perceive this as “Yuu gave up completely/Yuu forgot about it until book 7”.

Or did they just gave up on asking adults period?

I believe Crowley is the only adult Yuu really asks about finding a way back. I doubt Yuu actually thinks all adults are as useless in this endeavor as Crowley is, but we aren’t ever shown Yuu communicating in this manner to other adults. Crowley is the only “required” adult to interact with on account of being the headmaster typically forcing you into the plot anyway. In conclusion (I know I keep bringing this point up, but it’s because I truly believe in it), this is all probably done for convenience and/or to allow the player to fantasize and imagine themselves or their own Yuusonas navigating these circumstances. They don't want to constantly keep the story gloomy by having Yuu angst about how they miss home or how badly they want to go back. They want you, the player, to enjoy the world and the people of Twisted Wonderland and never want to leave, even if it may be contradictory to what Yuu themselves fails to express in the narrative. This is 100% intentional, and it's made clear because it ties in very deeply with the themes in book 7, which is when the idea of Yuu going home becomes extremely relevant again. Book 7 creates an analogy between a digital pet that Malleus owns and how sad he is that its lifespan has to end, that the digital pet is just "fiction designed to amuse". This is also true of what Twisted Wonderland (the game) is. The player is in the same circumstances as Malleus, who is too attached to his fiction and doesn't want to let it go.

As much as the game's structure encourages self-inserting, it cannot be denied that, ultimately, the perspective of the player ≠ the perspective of Yuu. The player does not actually have to worry about never returning home or being stuck in a foreign world, at the mercy of strangers (which, if not for entertainment purposes, would be something truly terrifying to deal with). The player is glimpsing into this other world for fun and can step away whenever they want. Yuu can't.

askhdvasoydvuealalf I know this was a lot, but I hope it made sense and properly communicated my thoughts ^^

[feligamifebruary]

Parisiens, Parisiennes, dragons and birds of all horizons,

Once again, Feligami February is just around the corner, and you may already be thinking of the wonderful creations you will bestow upon us throughout the month. It will be our pleasure to archive them on this blog, in case our timeline gets erased, and to answer your most burning questions below.

1. Tell me about the event!

As I’m sure you’ve guessed, Feligami February is a month-long fandom event dedicated to our favourite lovebirds. The principle is simple: to tickle your brains (and hearts!) with our prompts, so you are inspired to create the content you want to see on Tumblr on AO3.

When the time comes, simply upload your creation(s) to the #feligami february and #feligami february 2025 tags, and make sure to tag this blog: it will ensure we spot your work, as easily as Felix spotted the Peacock Miraculous under Gabriel’s tie.

2. What kinds of content/themes are welcome?

Any and all creative media are welcome: art, fics, AMVs, playlists, cosplays, moodboards, web weaves… as long as you do the creating yourself, and not through AI. The only thing we’ll be stealing this month is cursed jewellery.

While you are welcome to explore the themes of your choice, we reserve the right not to interact with smut and potentially triggering content based on our own comfort levels. Please make sure to tag your pieces appropriately to ensure the event remains fun and safe for everyone.

Poly ships are welcome, as long as they include Feligami of course!

3. I’m not sure I can cover all prompts/post on time. Can I still participate?

Of course! The entire point of this event is to have fun. Don’t overwork yourself.

4. I have an idea, but it doesn’t align with any of the prompts. Can I still post it?

Please do! The prompts are here for inspiration, not to suffocate you. Break your chains.

5. The creative process can be a bit lonely. Where can I meet other cool, motivated, brilliant Feligami creators like myself?

We have a Discord server, where you can hang out with fellow Feligami fans, share your ideas, and take a peek at the amazing content coming your way! Think of it as our own little window, on which we all draw hearts for each other.

If you’d like to join, please follow this link to the art room, where you will not be subjected to a creepy hallucination-based play.

Without further ado, we wish you all a lot of fun, inspiration, and bone-chilling musical numbers! 🎶

Full prompt list below! 🦚🐉

Week 1: Tropes 🪶

1. Once upon a time

2. Duel

3. Anti-hero

4. You & Me Against The World

5. Alternate Universe

6. Monster

7. Home

Week 2: Celebration 💎🌹

8. Diamonds

9. Flowers

10. First kiss

11. Reunion

12. Birthday

13. Family

14. Valentines

Week 3: Freedom 💍

15. FREE

16. Amok

17. Miraculous

18. Emotion

19. Pretension

20. Disobedience

21. Waltz

Week 4: Art 🎨

22. Watercolour

23. Stage fright

24. Representation

25. Journaling

26. Re-creation

27. A new world

28. Happy ending

[iamnmbr3]

i wonder what draco would say if he found out harry spent half of book 7 pitying and worrying about him. during book 7 he must think surely harry truly hates him now. after the astronomy tower. even if harry probably didn't really mean to hurt him like that during the duel in sixth year he must surely want to now. and draco can't help but agree he deserves it. he would never imagine anything else. picture his shock when harry pulls him out of the fire and at the trial when harry comes to testify not against him - but on his behalf.