#<- not actually I like them in concept I just think s2 was bad and s2 being bad impacted them

[sandsoftide]

Haven’t seen enough people talking about why timebomb and specifically ekko also suffered from arcane s2 being bad. Spoilers and crit

I’ll say more in depth later when I have gone back and revisited it with a clearer head and let me make it entirely clear I LIKE timebomb in concept. Much like caitvi. Like I see the vision I just don’t like a lot of the creative choices

Ekko in s1 was a REVOLUTIONARY he built the firelights w his own two hands and was sort of a foil to jinx and silco, he hated them but he wasn’t going to roll over to piltover either. He wanted independence but not through exploitation. He was a leader and a caretaker and mature beyond his years bc he was forced to be. And he hates Jinx bc she reminds him of that trauma and he’s betrayed by what she became like there’s SO much there look at it

In s2 he goes “hm my tree is being weird” and then gets sucked into the timey wimey thing and disappears for a whole act and the firelights aren’t even MENTIONED (and ik he wasn’t a major character in s1 either but like, he was still important and relevant to the plot throughout bc of the firelights?)

Then he gets sucked into this au portal (cool concept and cool execution) and falls in love with powder or whatever. And she ISNT JINX. SHE IS NOT THE JINX WE KNOW BC JINX IN MAIN TIMELINE IS FULLY BUILT FROM HER EXPERIENCES AND TRAUMA AND MENTAL ILLNESS. Like what Jayce said to viktor that’s part of her whether it hurts her or not. Her trauma doesn’t define her but it’s a part of her! And then all of a sudden Ekko’s sad bc he misses jinx (who iirc last time he met they had the whole I hate you and I miss you talk and they fought and both thought the other dead or whatever?) and then he’s talking her off the ledge even though he has absolutely no reason to! Because he DOESNT KNOW HER he knows literally nothing she’s done since s1 finale!!! Even the “jinx as a symbol for revolution” stuff from act 1 that went nowhere he would know NOTHING ABOUT bc he basically immediately went to Jayce? And they never did the revolutionary jinx stuff that was implied w the flag waving either so there’s no connection there either

Like a full episode was spent developing timebomb and it was interesting but also contributed nothing bc that is not jinx. She just feels like a mpdg and he doesn’t feel like ekko bc he needs to be in love w her for the plot? So they do absolutely nothing interesting they could for timebomb and still make it the entirety of ekko’s plot while tossing out the firelights and the zaun v. Piltover plotline as a whole

i mean again its hard to say bc this is right. objectively. like the stuff w timebomb was objectively well written. i just feel like it doesnt give ekko the space to be his own character outside of the ship? my point isnt that the stuff was poorly written i actually enjoyed it a lot and i think they did a good job w it i just also feel like it does ekko a disservice to have that be his only plotline and how it doesnt feel like it connects to his character in s1

i feel similarly about other plots in s2, like mel's. like yes this is good stuff! i love seeing mel in the spotlight the black rose magic stuff is interesting in a vacuum but also its totally separate from the interesting thematic roles in s1 that dealt with AGAIN THE CLASS CONFLICT AND POLITICS and dropping that for something different feels. like its a disservice to the characters, i guess?

also by having the timebomb development take place primarily in an au with powder and NOT jinx we dont really get to see jinx's thoughts at all. it feels like a repeat of s1 where someone is trying to save POWDER and not jinx, they dont see her as who she is now but rather who she was or could have been. which couldve been interesting to explore but they clearly werent interested in that ANYWAYS

[pynkhues]

I thought that was so interesting/cute that Sam was like "not really" when they asked in that podcast if he was ready for the show to go on netflix and reach a wider audience. It kind of makes me happy because it makes me feel like either way, we're good. If the show blows up or just gets a significantly bigger audience, then great for the show. If it doesn't, Sam will be happy just making the show in his little bubble lol. Though it's interesting because the show has already grown in popularity/attention this year, but I guess the idea is this could be a bigger jump? The show getting a huge boost from netflix would make me feel more secure about future seasons, though it seems like amc is really committed to the show and happy with it regardless. And I loved what he said about it feeling like amc gave them a lot of money to make a fairly niche show -- so I think/hope that will continue regardless of how popular the show gets, that AMC clearly trusts Rolin's vision and wants him to execute it.

/random netflix day thoughts

Yeah, it's interesting! I think Sam's response there is pretty classy, and goes to that idea that fame and celebrity is often a side-effect of acting, and for many (if not most) not the objective. A lot of actors just love it as an artform, so the perks of getting bigger projects is ultimately about the roles it might open up for you as opposed to how identifiable you are as a name and a face.

I'm very curious to see how the audience grows with the Netflix drop - like you said, it's definitely felt bigger already with s2. A part of me really wonders if a part of that is that peak TV is over, and it feels like a prestige show in an era where even arguably 'good' shows (The Bear, House of the Dragon, Severance) aren't actually that good. Like the TV landscape is currently pretty desolate, and it feels like IWTV and Shogun are probably the only TV shows of the last little while to feel truly exceptional. It's definitely a complex show though and one that rewards attention and re-watching, which is not necessarily something broad audiences want, so who knows how it'll go on a platform like Netflix.

But yeah! I'm feeling quietly confident for a few more seasons. AMC said themselves, they don't want to make something for everyone, but rather shows that are everything for someone, and I think IWTV really hits that sweet spot for them.

[sandraharissa]

s2 intro was so fire. and I thought like s1 it showed/hinted at the things that would happen during this season. but most stuff didn't happen or it didn't live up to the imagery used in the intro

Vi smudging the VI tattoo. it implies that she would struggle with her identity and the name connected with it and the legacy connected with it, like Jinx did in s1. maybe this could even be her going so far as to reject the name itself, like denying that she's The Vi to keep a low profile. like how Jinx would insist that she's not Powder in s1. but none of that ever happened. Vi never struggles with 'being Vi' or what it means to her or with being Vander's prodigy even tho he's brought back from the dead.

this shot implying that this was gonna be a story about the sisters, but also that Jinx is Vi's burden or her shadow or a demon on her shoulder. but to explore Vi's feelings on her sister and what she's become they'd have to try to explore Vi at all

this shot which implies to me 'Jinx being Jinx' cos it's a callback to when she does the finger gun in s1, but even more so to when she does it as a kid in the Enemy MV. in the scene she, when she still went by Powder, aims a finger gun at enforcers and as she pretend fires at them it flashes to Jinx standing there. so a 'Jinx was always Jinx' message. but it also alludes to her having a target like the firelight in s1 or the enforcers in the MV, who she always hated.

the two times we see Ekko he reverses time, which ig he technically does but the meat of his story is him going to a parallel universe, not going back in time. idk ig I thought that time travel would be more relevant to Ekko's story than parallel universe travel. in the end time travel is only meaningfully used for the timebomb angst scene even tho it's not really necessary there. ig I thought the powers would be more relevant to Ekko's whole character and arc. in an Ekko lol short he reverses time to defeat the bad guy and when he finally succeeds it's at the cost of the destruction of the mural for dead kids, and so he goes back in time again. that's more meaningful than anything they did with firelights in s2 (and arguably more meaningful than the timebomb scene). why did they drop the sick tree plotline? the firelights? his past with Jinx? his involvement in the revolution? the past vs present and saving the things we love? I swear they were teasing me with an epic time travel episode but delivered a parallel universe (derogatory) episode.

this type of shots made me think that Cait would actually struggle internally to an extreme degree with her actions and how the power corrupts her etc. that she'd become horrified of what she's become. and how she'd hate and struggle with maintaining her appearances to the public.

the first shot made it seem like, just like Cait, Jayce would struggle with public attention and maybe scrutiny, considering he was the head of the council in s1. but then the first thing he does this season is resign and that's that for him being a public persona and struggling with his reputation even tho s1 and his lol lore focus on that. like that stuff's so juicy don't get rid of that.

the second shot hints to me at him discovering smth grand/important connected to the arcane, which ig kinda happened but what it ended up being is that Jayce got transported to a bad universe and learned that arcane bad. meanwhile this shot evokes to me smth more awe-inspiring, idk like smth mystical and magical, arcane, you could say. with white bright light often being used in media to communicate divinity. wild runes mumbo jumbo and Jayce being transported to a bad arcane universe seem so pedestrian compared to like, heavenly lights ig.

both concepts for Jayce's story that were introduced in the intro and the eps delivered on neither.

I don't remember the french revolution ending with the ppl teaming up with the royalty. I also don't get the impression that there are any french revolution stories out there with the hero thinking the revolution is an irritating nuisance. this parallel is so extremely unwarranted and borderline offensive.

Viktor did turn out to be evil and he did get a cult as this shot implied but the mask obvs references his lol mech suit that he never gets. there was no reason for him to be designed the way he was, as an arcane deity with specifically a mask, outside of for the purpose of having the faintest similarity to his lol design. the mask, the cult, all that third arm imagery in s1? it all references his lol lore, for nothing, cos they took his character in a drastically different direction. talk about blue balls. and same thing with the light as with Jayce, the light coming from the mask implies Revelations connected to the mask but also loss of identity/being consumed by it. maybe a glorious evolution? idk it again just feels like someone knew what the fans wanted but it wasn't the writers. but someone still put all this in the intro. teasing a better story that we'll never get to see.

there's also all the Black Rose imagery that seemed important even tho they weren't in the end. it being connected to Mel (politician) and Ambessa (politician/warrior) made me think that they would focus on the Black Rose being a political organization that wants smth connected to Piltover and the PnZ conflict, with all the imagery of holding the rose/squishing the rose/being the rose/picking up the rose alluding to the political scheming between Ambessa/Mel/the Black Rose. but they went the route of out of nowhere making Mel magic. imagine if in a random ep of s1 they made Silco magic.

why? why why why why why?

the intro did more for all the character arcs than the episodes themselves

[loycos]

my head's a bit clearer, some thoughts about act 3

-my biggest gripe is episode 7- cool idea, love the concept of peaking into a different universe and seeing what our characters couldve been under different circumstances, but a WHOLE episode. when you only had 9 episode in this season, that already feel like theyre moving at a neck's pace. for a universe that ultimately doesn't matter to the main universe where the story takes place. the fact it had timebomb made it feel extremely fan service-y.

-no emotional resolution to a lot of characters. viktor and jayce are the only ones i can think of that felt like they got the screen time and care for an actual emotional closure.

-isha wasn't even mentioned in this act. in general she was already a martyr for jinx's character development but guys can you make it less obvious.

-it started in act 2, hence why i was so jaded on it, but it continues here: just where the fuck the political drama between 2 cities go? the conflict between zaun and piltover took a back seat since episode 4 and never came back. the resolution to it isn't bad per say, but when u got so little focus on it in the finale it just feels rushed.

-i loved the cait and jinx scene. but like, that was the resolution to it??? after act 1 thinking about it disappoints me. im not against a conversation being the climax to a story, but that is, and im not joking, the ONLY conversation these 2 have in the show one on one. in general the jinx\cait\vi arc ends with 1 conversation per duo (well caitvi got one fight and one very steamy sex scene but u won't catch me complaining). and after act 1, idk i think i wanted just a little bit more. im biased though- the jinx\vi\caitlyn dynamic is my favorite part about arcane. the teasers for s2 always had them front and center so i assumed it'll play a bigger part in the story???

-i felt like what the show was at its core, which is the conflict between the sisters and the cities, was completely sidelined this season. in general i can't really tell what the main theme of the show is anymore. but yeah look at the resolution to the jinx and vi story.did it feel like it had the emotional impact u expected? cause i felt like it was underwhelming.

-sevika?? didnt speak since episode 4???? huhh???

-maddie was pointless. why was she there?? i don't understand the point of that character. i dont understand her motives. she ended up not mattering at all to caitvi's story. the only thing i got from her inclusion is "caitlyn fucks" but is it that THAT important??? of a character trait??? to add to caitlyn of all people?? in THIS season??? this belongs in the realm of fanfiction.

-a lot here felt like fanfiction actually. every silco inclusion (except of him in the cell with jinx), the whole "nobody dies au" they threw in the middle, even the caitvi sex scene (IM NOT COMPLAINING THO). the caitvi scene at the end was dialog out of fanfiction, wtf was that.

-why did caitlyn lose her eye? im not like against the idea on a base level but losing an eye is very symbolic, and im not sure what its supposed to represent here. caitlyn is an observant person, its a big character trait for her. so youre basically saying she sees less now? that she's more laser focused? i sure hope not. wasnt her whole arc with giving up of revenge about seeing the "bigger picture"? her sacrifice didn't feel in character, because caitlyn is not really a "fight to the death" type of character like ambessa is. if she made that sacrifice for something like love, or for the betterment of other people, that would be more in line. idk, you couldve made me on board with it but im just very meh on it. also caitlyn only really emotes through her eyes, it sucks that we get even less of it now?? though i guess it doesnt matter at this point.

-what was the point of the enforcer that looked like vander?

-ambessa was so wasted in these last 2 acts its crazy. where's the "you have to be the fox and the wolf" mindset from her? she felt like she was wolfing only with no wit anymore by the 3rd act.

-mel????????????? it was. uhhh. maybe you shouldve saved it for another series, riot. but in this show, waste of time. the fight she had with caitlyn against ambessa was cool tho.

-i sound like im a hater but u have to understand. s1 of arcane was a political drama and a character study show. seeing all this discarded for magic and time travel shenanigans on like 4 different fronts was so jarring it took me out of the show multiple times.

-cant believe im saying that, but i wish they'd try to stick closer to the characters' current state in the source material (the cursed game). someof it felt out of left field and done for shock value, which isn't why we love the story or these characters to begin with.

good stuff:

-caitvi sex lmao ill take it babyyyyy

-jayce and viktor's scenes at the end were powerful.

-as usual, the visuals were phenomenal. the animation is gorgeous. fortiche u made this show what it is and youre still its saving grace.

-thank god they dropped the warwick\vander plot

-i liked the implication of the conclusion to jinx's story, even if it felt a little inconsistent with the character.

-the ending to jinx\vi\caitlyn was poetic and i did love it, even if it was rushed and didn't really hit the emotional highs i wanted it to.

[piratecaptainscaptainpirates]

I have a concept in my head of season 3 of OFMD being like...Ed needs to learn to be bad at things, and Stede needs to get used to being good at things.

It's going to be a huge adjustment for Ed, I think. He is so accustomed to this sort of massive success where he must be hyper-competent at absolutely everything that the learning curve is going to hit him hard. He's going to have crying breakdowns because he didn't manage to properly seal the roof on his first try. He's going to realize that it was maybe a bit ambitious to decide he wanted his first ever woodworking project to be intricately carving designs into the baseboard. He's going to have to learn that it's okay not to have an angle, and he's safe to just go out and fish not because he Needs that to be something he's Amazing at, literally life-or-death stakes, but just because it's something he enjoys.

And Stede. Oh boy. Stede is so used to being seen as a failure that it's integral to his self-perception, and at this point he's just accepted that Stede Bonnet Is A Failure. In some ways, this is actually going to help - Stede's used to trying, fucking up, and then trying again better. He's used to having to improvise and think on the go. In that way, he's a perfect fit for Ed's struggles, because he'll tackle all those little homemaking tasks with unfettered enthusiasm and a willingness to try and fail until he gets it right.

But because Stede is so convinced that he's a fuckup, he tends to just passively accept blame for everything. He won't even defend himself. Ed in s2 is already getting so much better about being able to put his fears and worries on the table, and if Stede is just blaming himself for everything, it's going to quickly become very one-sided. Ed's had a lot more growth here than Stede has, and getting feelings out of Stede will be like pulling teeth. I can easily see Ed starting to worry that Stede just isn't listening to him, and getting annoyed when Stede clearly doesn't like the furniture they picked for the living room even though he said it was fine. Stede's going to just roll over on most domestic squabbles and spats because he just assumes that Ed's right and he's wrong, and eventually Ed's going to catch on and worry that Stede just doesn't want to talk with him and compromise. When Stede just accepts full blame for things and assumes he's entirely at fault, it also means he's denying Ed needed explanations for why he did or said certain things.

I can so easily see the main challenge of the season being that Ed is ready to get married, he's excited to make this commitment, he knows they're it for each other and he wants this. Their wedding was super clearly foreshadowed, it's something Ed clearly wants very deeply. But Stede's first marriage was such a disaster, and he felt like a failure of a husband, and he's going to be terrified of that happening again. And that's just going to build and build until something gives and Stede realizes that he's hurting Ed by just assuming ahead of time that Stede is going to be a failure of a husband to him.

Just...Ed getting to learn that he's okay to not be perfect at everything he does, and the world won't fall apart around him. Stede slowly starting to see that he's genuinely not fundamentally a fuck-up, and he needs to have a little faith in himself for his relationship with Ed to be healthy. And both of them getting to be secure in knowing that they've got the other right there with them for support the whole way.

[yannaryartside]

A brief essay of Sydcarmy breaking the old curses in Carmy’s life

There is something so beautiful about Carmy falling for someone that is such a honest person (sometimes even to her own detriment) as Syd is.

Carmy grow up being gaslighted by his abusive mother and his emotionally absent brother (that despite everything is probably the closest thing Carmy actually had to a parent). Even really important things like why his father left of what is the source of income of the family are trapped on in mistery. The stories Michael repeated to serve (what he thought) was his function as the glue of the family (that were all some bullshit), failing to be up front about his addiction and asking for help. The toxicity, the pain, the problems. Nothing is ever addressed or called for what it really is. Avoidance was the way to cope. Lying to themselves was the way to cope.

You can see this still affects Carmy, how he jumps every time someone seems to give him passive aggressive hints (and it’s something that is happening, even Nat does it regularly). He seems to be very vigilant as a kid of what he could do to upset people (also because people around him were not honest about the actual issues, so he thought every time mommy was angry it had to be something about him) and that’s probably why he was so shy.

And then there is Syd, she was just so earnest and transparent even if the beef was not the ambience that supports or celebrates people like that. They still reject Pete, which is kinda the extreme of this concept. I think they even hightailed it by making Pete a lawyer (yk the representation of black and white the law should be).

This family tends to swipe things under the rug until there is an explosion.

(This is not me blaming them for Michael’s death, but his depression and addiction were festered in that house, in those dynamics)

That scene in fishes when he tried to convey to Michael that he felt ignored and abandoned by him and Michael just dismissed it? Carmy really doesn’t seem to be able to distinguish honesty from fakeness, maybe because he desperately wants it to be true.

This is also the reason why I think he hadn’t picked up on some of Claire’s toxic tactics where they were getting to know each other “you own me” “say that again” “I will let the Faks to beat you up”. I think Claire is putting a nice girl facade and he is eating it up (so is everyone else).

His anxiety on the other hand may be his instincts ticking up. If she is so much peace, why his anxiety seems to be around (and even created) in their most intimate moments (he remembering their love making scene, and when they were talking about traumatic experiences and Claire admitted to malpractice)?

This man really doesn’t have much self assurance or boundaries. I imagine he developed the anger outbursts despite himself as a way to defend himself (and mirroring the behaviors around him)

And then there is Syd, she says out loud what she wants or needs even if the environment around her may challenge her. She has not lied to Carmy or assumed anything of him even when at this point she had every reason to do so. She could have given up on him since s2, stop communicating all together and being passive aggressive as the rest of the crew in s3,

Idk, I even wonder if the reason he doesn’t admit he has feelings for her is because what he is feeling cannot be love, because, for him, love is supposed to be half good half bad, that you have to give parts of your dignity to be loved, that your loved ones may manipulate you or lie to you “because they love you so much”

But of course, Syd is not like that.

The scene of them in the back of the restaurant is so special for me because of this. They talked. They were honest. They made compromises and amendments. I don’t think he had much of this growing up

“I love you” was love but a knife at the same time, because it was used to paint over wounds that were still fresh, without ever addressing the issue that were causing it.

And I know in s3 Syd is at fault too, she really cannot stand in front of Carmy and put a stop on the madness yet and I wonder what may give her the courage to do so. While carmy was frozen, it felt like Syd was paddling desperately in dark waters and managing to sink deeper the more she fight it.

This was kinda the most intriguing element of Syd’s character for me recently, how she is super aware of what she wants and how she feels but seems equally incapable of going against whatever flow she is trapped in. She could have seen Sheridan Road was not stable. But she ran into it full speed until it burned. She could have left the beef at one sight of the toxicity. She had reasons to leave every season.

In that sense she also mirrors Carmy. The difference between these two is that carmy keeps doing the same thing hoping for a different result because he thinks the toxic way is the only way (of being a chef, to be the best). He sees toxic as good/professional/justifiable, even only subconsciously. While Syd is capable of seeing the toxicity for what it is. She knows what to do to fix it. Is lot like she id afraid to implement change it, that’s why she got here in the first place.

Idk what it is that terrifies her so much. Maybe she is subconsciously is afraid of her own truths? Maybe she is afraid of the person she will be in the other side of this equation. Is there something that happened in the past (maybe her mother’s death) that left her feeling like a broken doll, an incomplete equation, afraid of her own voice? Maybe she (subconsciously) doesn’t want to go full intent into the right direction just so she doesn’t have to find out if she really has what it takes to do this?

Whatever it is, if she is the one that can see the toxicity and react to it, (because everyone else is still trapped in it) then I believe Syd completing her arc could be the catalyst for all the other elements of the story to fall in order, for better or worse.

[kerubimcrepin]

LIVEBLOG: Wakfu Season 4, Episode 4 [PART 2]

I wonder how long he's been standing there. Did he come an hour early? 20 minutes early? Just standing there, doing nothing...

Dios mio... la creatura!

Something very weird happened with the Eni queen/leader. In s2, her cape and hands were like this because she was sitting, in this season — it's just part of her design. Did nobody check this stuff? Am I going insane thinking this is an error? Did she look bad when her cape was down? What the fuck is happening?

Once again, something very silly is happening with Sufokia, if they have an empress and a king. My headcanon to fix it is "the king is a consort-king" or something.

(*sobs in Ankama, or, really, 89% of all media, not understanding that whoever marries the ruler of the nation is a [insert title]-consort, and does not have as much political power or the right of succession* *Hysterically convulses in "99% of all Queens were Queen-consorts, and the title itself, by default, usually means a consort. For this reason, female rulers (rare non-consort Queens who came to throne due to lack of male princes) typically named their husbands "Princes" and not "Kings", because the title king always implies a higher degree of power than a queen; therefore, it might be reasonable to assume, that in this fantasy setting, a Ruling Empress's husband might be called a king for this reason* *Foams at mouth because Ankama just forgot they mentioed Sufokia having a king and I'm trying to cope. badly*)

Also since I'm on this tangent already, YES, this means that Sadida rules of throne succession are:

1. extremely easy for outsiders to abuse (say what you will, but "the spouse inherits the throne" is a BADDD rule to combat conquest by foreign nations, there's a reason it was children or blood-relatives of the ruler, besides patriarchy/divine right of kings/whatever — the spouse is an outsider. All it takes is a princess, who is Wonderful at poisoning, being married off to a foreign nation and whoopsie-daisy, their country is now Her country, and therefore her Family's country),

2. it's unrealistic,

3. probably just bad writing for the sake of drama.

If you're curious why I know all this shit.......... I have a blorbo in a different fandom, and his entire thing is that he was married into a royal family and then tortured by his queen wife in a sort of gender-bent Henry VIII arrangement (except he was kept alive against his will and there was no divorce or church splits). God bless that blorbo for making me learn.

These Huppermages were repurposed from the movie concept art, btw.

I find it quite interesting, that Joris has the authority to be present here...

My personal theory/headcanon is that he is their mediator, and they just call him to their meetings so that, instead of yelling at each other and declaring wars, they can talk to him (and therefore, yell only at him and declare no wars).

Ugh, once again, I am not entirely fond of the English subs. First the translation error about the brotherhood of forgotten/tofu, and now they are making Joris say this spring chicken thing...

It doesn't fit his character and reads weird. Just leave it as "I'm not that young", like in the original. It's more fitting for Joris to speak in negative sentences ("I am not young") than in affirmative ones ("I am old") because he is not fond of stating direct facts about himself and his life... besides the fact that he's standing in front of multiple world leaders.

[kicks my legs cutely thinking about the fact that Joris, older than every king and queen in this place, and fully convinced of his excellence and wisdom and heroism, has been forced to bow down to them for his entire life despite hating at 90% of them for their political decision] I love his commitment to being the protagonist of an 18th century Russian novel about being doomed by the narrative.

Also, kinda wild. You'd think that during Ogrest's chaos they'd— actually I think everyone was too dead to hold meetings during that, nvm.

I wonder what they would do, if the maker of the eyes wouldn't reply. Just stand there? Or is this speech more of a formality — something he always says, in the lead-up to the meeting?

(I am once again reminding you, this blog is LITERALLY about overthinking crepinjurgen lore! Ankama gave no shit while writing this. I'm just doing this for fun.)

He's so unimpressed. Probably still trying to gauge what the fuck is going on.

THE LITTLE SMILE— he's trying to suppress it so hard in the first screenshot here. He's probably glad that Yugo seems to be in good spirits about what's happening, even if he himself is still quite worried.

His expression here is a beautiful mix of "PLEASE DON'T FUCK THIS UP" and "it is a canon event, I cannot intervene"

Literally, Joris's expressions at this moment should be analyzed frame by frame. You can feel the desperation. He now understands that there is a high possibility they are fucked. Because his bestie (who is always right) is an impulsive 20-something year old boy who knows nothing about politics or what people can do, and his mom is a god, and the leaders of the world aren't going to like whatever the fuck is going on, and he KNOWS what they might do, and what might happen, and oh god oh fuck oh god oh fuck—

"Yugo :) perhaps you shuoild :) um. :) ease them into it. :).... :("

He's trying to keep smiling, so hard. It's crazy.

Joris has lived through the huppermage genocide. He knows people don't need that much of a reason to begin killing. He understands precisely just how fragile the position that Yugo and his people are in. He understands his own place in the pecking order, too — he isn't going to act like Yugo's friend if these people are watching.

And neither Yugo, not any other Eliatrope is able to understand this. There are cruelties in this world that they are fundamentally unable to grasp without having truly been seeped in it before.

Like, what is he even to do here, to make Yugo understand how bad the situation is. All he can do is stand there looking haunted, while receiving unprecedented amounts of psychic damage.

If I was Joris at this point, I would simply pull out a flask of whiskey and a cigarette. The political situation has now gone completely unfixable. There is no going back, now that she has said these two lines.

Someone native to the World of Twelve and old enough to understand politics would know how bad this sounds. But to her, these are good things. Of course they are, since she knows what is good and what isn't, and everyone in her world has always accepted those things as good.

Basically: the conflict between WoT and Eliatropes is that a nation of people from a world of teletubbies-level conflict, — with no bigotry or nations or poverty or hunger or theft or inequality, or ulterior motives, — has been added to a "game of thrones" type society with no explanation. And now they are all forced to try and understand one another.

If I was Joris at this moment, I would simply shoot myself in the temple with a gun. If things were bad before, they are horrible now. She is talking to world leaders as her children. It might have been alright even with Eliatropes, but these people aren't Eliatropes.

DO I EVEN NEED TO COMMENT ON HOW BAD THIS IS? IN A WORLD WHERE COLONIALISM, RACISM, SUBJUGATION, AND SLAVERY ARE REAL? IS SHE ON CRACK?

I would give anythign to see Joris's expressions as she's saying these things. I think he should be trembling. Staring vacantly into space.

To someone from a world of violence, a world with "no violence" seems like a world where violence is hidden, and enacted to stop them from voicing their disagreement with the status quo.

Tot has described this as a sort of conflict between the modern world approaches to society — and named China and America as examples of what he was inspired by, while writing Eliatrope.

I will not get into detail on my feelings on it (China is often extremely criticized in the west for things every country in the world does due to racism)

But this might point us towards the fact that the world of Eliatropes wasn't as free of conflict as the show portrays it to be, and it was, in fact, Just A Society, with all that entails. In which case, things get morally morally gray... might explain why, in the earlier drafts of the season, she was meant to be the main antagonist — and why it was decided against.

(Is that maybe why Qilby is so embittered — his experiences were silenced, and he was made to suck it up, only confiding in Shinonome? She does constantly shut up Yugo and Qilby, not letting them speak up about their grudges against each other to keep the peace— [I am quickly silenced by tangent police])

[beelzeballing]

actually i dont think ive posted my thoughts on ofmd s2 overall here yet have i?

ok here goes: i think it had incredibly high highs, and at some parts i genuinely enjoyed it more than i did the first season, episode 6 being peak imo. however, it had equally abysmal lows with some glaring writing-, tone- and pacing issues that all came to a head in the finale.

i once read someone say that, if you ever feel like a finale ruined the whole story, maybe you should take another look at the story. there were most likely cracks and problems all along, and the finale did nothing besides dashing the hope that these would perhaps be addressed later. very rarely do genuinely well written stories go completely off the rails in the finale and ruin the whole thing.

i think this is applicable here in some ways, SPECIFICALLY in regards to edward. good god edward was a MESS this season, and it's so sad because i loved the starting point! the kraken era was absolutely terrifying and iconic as FUCK but... they shouldn't have leaned so hard into the drama and trauma of it all. don't get me wrong, i loved that it did. it's one of my favorite parts of the season and i'm so glad we got it. but if they wanted this arc to work with the overarching plot as they wrote it, they would've had to lighten up the tone here CONSIDERABLY. had they played the kraken era for comedy then sure! edward's bad youtuber apology would've been funny. his fast redemption would've been less jarring. the lack of consequences less disturbing. but as it stands in the show, this arc is too dark to function with the later episodes.

i feel like they wanted to have their cake and eat it too here. they wanted the gritty drama of ed coming off the hinges entirely but also didn't want to deal with the aftermath of such a heavy arc in their silly pirate romcom. be that due to time constraints and budget cuts or because they were simply unwilling to, doesn't really matter in the end. the result is the same either way: a very tonally messy season with some accidentally troubling implications regarding abuse.

and mentioning troubling implications regarding abuse; izzy. my poor, poor izzy... his arc was absolutely glorious. i liked izzy the second he showed up in s1 and i was absolutely EATING this season up in that regard. and i think in this case, they genuinely did fuck it all up in the finale with that one stupid choice:

choosing to kill izzy was the DUMBEST thing they couldve done here.

ive talked about this over and over and over again. ive reblogged so many meta posts. and still i am left absolutely flabbergasted by how stupid of a decision this was. the fridging, playing at the fallen woman trope, killing the beating heart of the season and the character who delivers what is essentially a thesis statement, killing off the character whose arc is about coming to terms with his disability, having him die in edward's arms, comforting him and apologizing after an entire season of finding community and love outside of edward, the absolutely godawful pacing of it all, the extremely easy and obvious solution of just having IZZY become the new captain of the revenge to mirror s1 and hammer home how much he has developed since then in one go... i could go on. and i have. it was a stupid writing decision, completely fucked the tone and pacing of the finale and took away attention and time from things that really would've deserved a better wrap up (lucius and black pete deserved better)

now. the whole prince ricky & zheng plot line... yeah that shit sucked ass, sorry. they bit off more than they could chew here. i honestly think those are the arc words of this season:

✨️ bit off more than they could chew ✨️

right off the bat: i think he was good as a concept. bringing in a foil for stede who just doesn't Get It as stede does could've made for very good comedy and drama (and to be fair there is some of that). but that shit got away from them extremely quickly. nothing about how he's implemented past his first episode works, and i think this is very specifically because he's mostly played as the comic relief in his debut episode. making this completely bumbling fool, who gets his nose hacked off on his first job, the main villain of your entire season is... definitely a choice. idk. he didn't work for me at all.

ok wow mentioning shit getting away from the writers. this definitely got away from me. this was supposed to be a short lil post. well. i guess tl;dr i loved this season but jesus christ there was a lot wrong with it. if you want to hear more thoughts. ask box is open. be my guest. i have more to say so even if you dont ask i might add more to this at some point but im tired and have work tmrw.

[sympathytea]

[ID in alt] Zam! The Prince in Yellow himself! This is mainly a design I mocked up to make writing him easier on my brain since having a physical image for me to reference and describe is significantly easier on my brain than not having one. Uh reason he doesn't have the trident this fic is (so far) taking place inbetween ep 4 and 5 rather than like. post finale ok? ok. more fun stuff under the cut (maskless included, along with other details on the fic that i'm writing!!!)

[ID in alt] Kept seeing everyone draw him half blind? Love that for him. I'm assuming that's a reference to his LifeSteal designs either way i think the concept is sick and wanted to work with a character that has that detail worked into the fic as something they need to work with/around since this is a combat heavy series which I'd imagine wouldn't be easy to do with one eye, but not impossible. girlboss is gonna have it rough in the fic though tried to make the scar more obviously trident-shaped? since that's where I'd imagine he'd get it assuming he was sent to the sword civilization against his will? rather than to actually retrieve the eternal sword on his own accord like Tabi was. idk hopefully s2 don't fuck me up some expression testing + additional notes on behavior

(excuse him he's been shaved for this, also IDs in alt) disclaimer uh. very minimal research was done for his behaviors. i'm not a medical professional but i did find a giant thread full of folks who had half-blindness who did mention the head tilt thing as a thing that they did, facial paralysis is from the injury assuming the trident went deep enough to do nerve damage thus the whole 'one side moves other side doesn't' my apolocheese for inaccuracy I'm sure that the tilt thing and the facial paralysis thing are probably a bit too extreme to some folks but due to my artstyle being very exaggerated, this too had to be exaggerated for it to be something noticeable, otherwise its completely hidden despite me being mostly focused towards expressions i have made a decision that might seem jarring to some to..limit the faces of characters in my fic. mainly because all of them are hiding or masking something underneath, it just suits them well to have this be a trait that everyone in pvp civilization shares in various ways Characters like Evbo, Julie, Tabi and Parrot are more obvious masking via emotional repression rather than a physical mask that they wear Wemmbu, Ferre, The Guard Friend and Zam mask due to wearing some form of face covering but once that face covering comes off then they start to be a bit more honest, not having anywhere to hide MinuteTech masks via..other means. More on him specifically later when i get around to designing him. he's fascinating is all im gonna say There are of course other characters in this fic, Marty and Ellie are two iron-sword level specific OCs I made for the sole purpose of being evil, and they are shockingly the only two people in the fic that are full on honest with themselves and others. They have their shit figured out (so I wont feel bad killing them off hehe) PVP Language guy and the similar Wooden Plank guy are the two non-main characters turned major characters that due to their species, literally don't have a face nor a proper voice for others to understand what they are thinking, but if you give them a way to talk, then they will! This project be warned: gonna take a long time. I'm notoriously slow at pumping good quality stuff out. I'm working on like 4? other character refs at the time of writing this and I am nowhere near finished with any of them. Dear god.

Thats all for now, though. Until I post again!

[the-glorious-evolution-fanart]

Was watching schnee's video essay on why arcane's characters are lonely from around 2 years ago and at the 1:17 timemark we see a scene from s1 where Heimerdinger praises Stanwick Pididly to Jayce. I was like why does he sound familiar? Then went yooooo it's that bitch who stole credit for making Blitzcrank from League Viktor!!!!!!

Damn, Viktor really is the opposite of a creator's pet.

Got a complete revamp instead of just getting an Arcane skin like the other champions that were in Arcane, was written in a very ableist way in both seasons, doesn't have his disability or terminal illness named even though it's a big part of his character, lost his agency for most of season 2, got confirmed as ace after the show ended because one of the showrunners hated jayvik, didn't form any meaningful relationships in the show outside of Jayce, isn't properly credited for making the Hexgates in the show, had actually cool concept art for his transformations into the Machine Herald just to have it scrapped and now the guy who wronged Viktor the most in his lore and is the actual reason why he started to self-harm as well as the main reason he completely embraced "Glorious Evolution" is treated like an outstanding dude 🙃

Plus it's not just Viktor. They deleted Jinx's schizophrenia in season 2 and screwed over any complexity Vi had in order to get her back together with Cait by act 3.

Yeah, Stanwick Pididly was an NPC in old league lore who not only stole the credit for creating Blitzcrank from his doctoral students, he also stole Viktor's earlier research and designs for prosthetics and used those in the process of revival and reconstruction of Urgot in the collaboration with Noxus's Bleak Academy, of course presenting those as his own. He also went to Piltover to advertise "bringing Urf back from the dead" while Piltovians were mourning Urf's passing. Unsurprisingly, he was kicked out. He later became a councilor on Zaun's Board of Directors. An absolutely deplorable person.

And what did Arcane do? It turned him into a hero, a founder of Piltover way back in history and Heimerdinger's friend.

One could argue that a viewer would have to think about worldbuilding to come to conclusion that whoever was involved with Piltover was directly involved in creating and perpetuating suffering in Zaun, thus Pididly is portrayed as a villain... and that theory could hold water, if literally any Piltovian was actually fully held accountable by the narrative for what they did to Zaun. Yet none of them, other than Marcus (whose crime was also hating Caitlyn!) was. Heimerdinger is a silly little goofball who might have been too serious earlier and "stuck in his old ways", but he felt sad when he went to Zaun (once? For the first time since Piltover started oppressing Zaun?) and narrative instantly treats him as fully redeemed. Jayce's moral dilemma disappears in S2. Caitlyn is not held accountable.

Arcane does a very poor job of actually following through with its portrayal of brutality Piltover enacts on Zaun which was shown through enforcers in Season 1. It is shown, yes, but the narrative doesn't always frame it as bad. Oftentimes it behaves like it's the case of "it is what it is". Which means there's no strong basis to say that Stanwick Pididly was portrayed as anything other than a hero.

~

For the rest of your points, I have nothing to add because they're all true, other than the ace argument - bear with me - if you view it through the lens of "it's a tool to deny jayvik", it may seem to you as something bad. But ace people are real, one of my best friends is ace and as an orientation it's not good or bad, it just is. It really shouldn't be used as a negative in ship wars.

[aceingonthecake]

I'm Back

(I actually never left, just wanted to make an entrance into 2025)

I want my first post of this year to be about...Good Omens! Is anyone surprised? No? That's fair.

So, I read a lot of fanfics and I'm soo happy that there are so many for the GO fandom. However, in the summaries of some fics (luckily not a lot) following canon events, I found certain elements which upset me a bit.

I've noticed that these fics start at the end of s2 and describe a hypothetical s3 and are summarised more or less like this: poor baby Crowley abandoned by the mean bad angel is sad and alone on Earth. There, they learn to live for themself and are supported by their human friends. Meanwhile, Azirawho is in Heaven wasting their time and is fairly suffering because they made a mistake "rejecting" the most perfect being in all the universe.

And hey, of course everyone is free to write whatever they feel like writing, but I'm also free to say that, for me, this is a liiitle too much. I mean, really? I get that Crowley is probably sad (nobody can know for sure until we see s3), but are we really pretending that Aziraphale isn't in the same state, if not worse? Are we really saying that Aziraphale abandoned Crowley, but omitting that then Crowley abandoned Aziraphale the exact same way? I'm not trying to minimise Crowley's pain, I'm just saying that ignoring Aziraphale's is unfair.

This concept of Crowley reorganizing their life without Aziraphale like they were in some kind of toxic relationship where Aziraphale stopped them from really living is absurd to me. Did we even watch the same show?

I can't be the only one reading this kind of summary and thinking "Okay so Crowley has a support system and is on the planet they love and have always lived in. Aziraphale is in Heaven alone, after a bad split up with the being they love the most and trying to change a toxic system surrounded by other beings who have always treated them wrong. Mh. Yes, Crowley is clearly The Victim here."

And I'm not saying they are not a victim, I'm saying that, if we want to see things like this, then Aziraphale is also one. Ignoring or minimising Azi's pain just because you don't understand it (even if I find it kind of weird if you don't) is not the way to go. They can both be suffering. You don't need to put someone down to bring someone else up. That's just mean.

And if you want to write a fic more focused on Crowley's pain that's totally fine. Just don't bring Aziraphale's pain down or portray it as fair. I personally think they both suffered enough and not because of each other, but because of the system they're in. They survived for each other and because of each other. Literally.

Also, I'm saying all this as a person who actually shares a lot more traits with Crowley than with Aziraphale, so I'm not even particularly biased. Or maybe I am? I mean, Crowley is Aziraphale's first defender so...

Important Disclaimer: I am NOT referring to any specific fanfiction and this is NOT a personal attack on anyone, just something I noticed a couple of times and personally don't like. Don't come at me with flaming swords and cars' parts, thank you.

[noneorother]

The grand unified theory of Good Omens S2 hangs on - you guessed it - a double meaning (and art). *Part 3*

Part 1 l Part 2 l Part 3 l Part 4 l Part 5 l The End? This is major spoilers for season 3 territory. You have been warned. I'm also going to split this into parts because wow, I have so many ✨Clues✨! My peeps, before I show you the prestige, we need to discuss Maggie. Maggie is SO WEIRD.

Right up top we get her telling us this. Who loves something since they were a baby? Since you were a kid sure, but how can you remember loving something since you were a baby?

This one's fun. The double meaning here is 1) I was a huge uptight nerd so I never went to parties and/or 2) I wasn't a human teenager so I never got to go to your earth parties. But check out when Nina and Maggie *first* meet in her coffee shop. We spend a lot of time in this scene, because it's framed as a meet cute, but it's also full of weird dialogue.

So i'm not a writer, someone feel free to tell me I'm wrong, but Maggie is remembered by Nina AS A COFFEE. She IS a skinny latte. This works on two levels again. 1) You're not important enough to me to remember you as a person, just as an order. 2) You do not fit into my memory of people I know, but subconsciously I remember you as NOT a regular human.

And then again when she leaves the shop, Nina isn't paying attention and just sort of subconsciously replies:

Again, two meanings. Maggie is unimportant to her, Maggie is also a *coffee*.

Which is weird, because as far as I can tell Maggie never drinks a coffee, or anything for that matter. Sure she orders stuff in the shop, and is offered food and alcohol, but we never see her actually drink or eat any of it. She stirs the tea but never takes a sip.

So what IS Maggie then? Many people have pointed out that Maggie and Nina are a coffeeshop AU of our heroes. Their visual presentation seems to be screaming Nina = Crowley! and Maggie = Aziraphale! And they *work* on opposite sides of the street and everything! So is Maggie just a stand-in for Aziraphale then, to make the parable work? Cool, then what's the parable?

Uh oh. What possible AU fiction ends up with the main love interests breaking up with their toxic ex, dancing in a ball and fighting demons together and then... just not ending up together? An AU written by kind of a bad writer who wants to show the two lovebirds he's trying to separate that it will never work. Oh hey look The Metatron is here:

Now, I think the same guy that has been adding bits and pieces in the past would have no problem adding stuff and/or people in the present to make a point. Maggie also seems to be pretty sure about quite a lot of things that I wouldn't be sure about, given the context.

Maggie's knows it's not going to do any good, but she has to tell them anyway? Tell them what, that Nina and Maggie talked it out and never ended up together? Wow, what a great message. Thanks Maggie. Maggie isn't just a downer of an example though, remember she's also A COFFEE! Shoved in Aziraphael's and Crowley's faces, asking them to take it and help her since the beginning.

There's a concept in magic tricks called a force, where it seems like someone has free will ; to put a card anywhere in a deck, or pick a number, or volunteer, but actually the outcome has been chosen for them by the magician for the trick to work. The actual trick is about getting the person to think they've freely chosen to participate in the trick, not the act of revealing the card. The real trick was never making Maggie and Nina try to fall in love, it was getting Aziraphael to think he had freely chosen to help Maggie get this whole thing going. And if we know one thing about Aziraphael, it's that he's actually terrible at magic. Aziraphael has been primed to take the coffee in S2E6, because he's been taking the coffee the whole season. Ready for the prestige reveal after the force? We're going right to The Metatron in Part 4.

[thesunfyre4446]

I really don’t understand people’s need to find reasons to not like Rhaenyra. What is there to like about her? She’s the most insufferable, boring and annoying main character I’ve ever seen. I really couldn’t care less about her having harwin strongs children. Like who cares??? Her relationship with harwin was also boring her character never does anything!

People like her because she’s the “rightful heir” also doesn’t make sense to me. Ok, she’s the queen. She’s still a horrible main character and I’m falling asleep everytime she’s on my screen. Her only line in s2 is I’m my dad’s heir.

I feel like the discussion regarding her character is only focused on her having bastards/ her being the rightful heir / why she shouldn’t be the queen because there is nothing else to talk about. She’s not a good or interesting character in any way.

lmao yeah i'm not the biggest rhaenyra fan either anon. (i actually really liked the way young!rhaenyra was written)

the whole concept of liking characters because "it's the right thing to do" or disliking them because "they are bad people" is just brainrot imo. i've seen someone says "i like TG characters more but i'm TB because rhaenyra is the rightful heir" which i think is absolutely ridiculous because that's not how i watch the show. i don't care about the actual succussion i'm going to root for the characters i love.

i do agree that 95% of the rhaenyra post i see are about why she should \ shouldn't be queen (bastards, succussion etc. etc.) and hardly any posts discussing her as a character. but the show hardly explores rhaenyra as a character. she has so much potential to be a great character but it's wasted in an attempt to whitewash her character & make a daenaerys parallel. rhaenyra the character is disregarded by the show itself, so the discussion around her makes sense to me.

the show's refuses to explore her flaws & letting her have any to begin with! she only becomes "book rhaenyra" when the plot needs her to and then those moments are conveniently forgotten by the narrative & the characters (like rhaenyra saying aemond should be tortured, rhaenys suspecting rhaenyra's involvement in laenor's death, marrying daemon on laena's funeral, starving the people of KL, how she treated rhaena...) all of those moment could've been used to create a more interesting well-rounded character but instead are "forgotten". (alicent's character also suffers from that problem)

so when we get to s2 rhaenyra is literally not allowed to do anything. she can't want to go to war because that's bad, she's not allowed to want revenge because that's bad, she needs to have a "moral & just" motivation for wanting the throne because her wanting the throne just because it was promised is not noble enough. all she can do is just walk around dragonstone saying "what would you have me do" & in ep 7 her "arc" feels weird and out-of-character.

emma darcy is great actor!! i love them!

[tonydaddingham]

the thing that is actually making me giddy with the possible angst is that i really think that we are about to see the most monumental shift in not only how we saw these characters but also how they previously saw each other.

the fact that we literally now have confirmation that a) they knew each other before the fall, b) aziraphale has had heart eyes since before time began, and c) crowley... possibly not so much, completely changes the context on not just the eden scene but also all the historic scenes that followed.

aziraphale knew crowley as an angel, and knew even then when crowley was meant to be 'perfect' that crowley was maybe a bit different, always asking questions and toeing the line. maybe out of a bit of bastardy himself, or out of begrudging awe of his ability but also his audacity, or just plain attraction, aziraphale immediate takes to him. but this has meant that aziraphale has placed crowley, perhaps unconsciously, upon a pedestal. and the pedestal that aziraphale puts crowley on from that moment may have wobbled throughout their history together, but it's stayed relatively intact.

this worries me, that aziraphale may not have quite let go of the fact that crowley just isn't that person any more, maybe never was to begin with, and continues in some measure to idolise him. my interpretation of this is that yes, crowley can be a bit of a dick (because, well, obviously) and aziraphale knows this, has done since the beginning, but aziraphale continues to hold crowley to an overall moral ideal that is so firmly ensconced in aziraphale's first perception of him as an angel that crowley will never be able to live up to it. not because he isn't a nice person, or because he can't live up to it, but maybe... he just simply doesn't want to.

but the issue is that throughout the ages (including the job minisode which ive had corrected for me, so Crowley Anger is now simply simmering), crowley's actions have only reinforced to aziraphale that despite being technically a demon, he has a huge heart and is not a horrible person. bit of a bastard, but not cruel. all of this just feeds and feeds into this image of crowley that aziraphale has built of him, and when crowley has his flashes of, in fact, not being honourable or kind, this threatens to upset the pedestal altogether.

these wobbly moments - when he thinks crowley is going to kill the children, when crowley snaps at him in rome, when crowley first proposes the arrangement, the prospect that he came up with the french revolt, the holy water request, the bandstand, "how can someone as clever as you be so stupid?"... moments where just for a second, in a small or huge measure, aziraphale's faith in crowley... flickers.

and of course aziraphale has been here before, right? he's had his faith, his devotion, his loyalty tested to the absolute limit of angelic endurance. so when his faith in heaven (never lost it in god) was obliterated, well - it had to cling to something. something that wouldnt mean that aziraphale has to lose the concept of faith altogether. so we're back to the old standby of idolatry, that aziraphale's heavenly faith is replaced by his faith in crowley, this angel that despite never originally giving aziraphale the time of day, aziraphale cannot see - for all of crowley's faults and bastardy and the frustration he poses - crowley as anything less than something to be worshipped.

this is exactly why i think that one of the main points of s2 is going to be a rift between them both. obviously i haven't talked about crowley's perspective of this and maybe i will in another post, but i do think that crowley is going to do something, a bad thing for the right reasons, but aziraphale isn't going to see it like that. that crowley will do something awful to protect aziraphale, but all aziraphale will be able to see is the betrayal or the cruelty or the despair, he can't see wood for the trees, and just lose that last vestige of faith he had altogether.

i feel like once all the disillusion and disenchantment has been swept away, and they're both laid bare at each other's feet... that they may not quite like what they find. from aziraphale's perspective, that whatever crowley does in s2 might be crossing aziraphale's line in the sand, and now aziraphale is starting to see crowley as someone that is truly grey, fluctuating between doing things that are Good, and things that are Good for Crowley.

and it's not as if aziraphale was blind to this before, but instead now... he kind of finally sees who crowley is? who he has been all along? the film has lifted from his eyes. realises that love and worship are not the same thing. what he loves, who he loves, doesn't equate to worshipping it/them, idolising them. there's a very big difference that echoes down to the very core tenet of who aziraphale is and his experiences with having and losing faith, but love having remained.

so stripped of the pedestal, crowley is now just simply... crowley. a person, not an angel, not a demon. and there is the distinct possibility that aziraphale might be completely blindsided by what he finds.

[trying-to-get-somewhere-real]

really feel like fandom needs to get more comfortable with ambiguous dynamics, and how that ambiguity can be a feature not a bug! i notice this everywhere in fandom now, but this post is about sydcarmy the bear cause that is my current hyperfixation lol. sitting with ambiguity is the lifeblood of so many (all?) queer ships (also, importantly, my real-life queer experience) but i think it’s often relevant for straight ships too. no one is making sydcarmy antis ship them but to say ABSOLUTELY NOT because the nature of their relationship at this very moment is not easily defined is missing so much that is rich and interesting and sexy about figuring out what the dynamic is. *especially* for fan content (which is what a lot of us are here for actually!) using fic and meta to explore what certain words, body language, editing choices, music choices, etc mean is what makes our brains light up! (mine at least)

tension between two characters is the sexiest thing and ambiguity heightens that tension imo! whatever happens or does not happen with them in the future, at this very moment in time the undefinable quality of their relationship creates the space for shipping. this used to be a rather basic concept in fandom that seems to have gotten lost in the past however many years. i guess the primary anti response to this would be that the dynamic is *not* ambiguous—it is platonic—but like, i am with @eatandsleepwell who just included the following in this excellent post today:

and the thing about syd and carm being friends is that. they’re not. or at least not yet. or at least they need more to be friends. friends know your mom is dead, they know what your relationship with your parents is like. friends can easily hang out with each other after work. friends can be apart without the sense that the separation is akin to devastation. 

i don’t really think they’re friends! they are a weird third thing that is so delicious to me, and every single day right now very brilliant people are writing hundreds of words on this website attempting to interpret what that thing is or could be. this is the lifeblood of fandom! and the demand or expectation that ships have neon signs above them that say ROMANTIC to be valid romantic ships is just very odd to me. syd and carmy are weird and intense about each other in a way that is not easy to parse but once you decide to try and parse it, it’s such a satisfying experience as a fan. they had some major blow ups in s1, and in s2 managed to largely avoid them with the asl sorry but clearly were in unspokenish conflict much of the time (that they managed to diffuse just barely; mostly by syd walking away!) besties is not the word i would use to describe them at all. besties do not struggle this much to communicate. there are so many wonderful complicated bonkers things going on there and the purpose of this post isn’t to get into them but just to point out that they’re there.

anyone who thinks it’s easy to reduce them to any one given thing right now isn’t paying enough attention. and not being able to categorize them easily isn’t a bad thing for me. it’s the constant thrum of what is this? what is this? what is this??? that makes fandom great and i wish that didn’t feel like a hot take right now.

[nostalgia-tblr]

My Next Attempt At Long Fic (by which I mean more than 10000 words and it has chapters) Should Be...

Poll and the (actually quite long) gist of each option below le cut:

The Sylki Con Artists AU

This one I have a wee bit written of already but I go back and forth on this one because it's Alternative Universe - Modern Setting and I feel like there's already a lot of those (which I also complain about a lot), and I have to justify it to myself as an experiment in whether I can do a Sylki Modern AU that doesn't just end up as "two people called Loki and Sylvie do normal stuff together". That's why they are con artists in this! Because 1) MISCHIEF (or crime, or whatever) and 2) if they have the same 'job' for similar reasons and I go on about them being similar a lot then that's maybe as close as reality can get to selfcest. (The selfcest is not just a feature of sylki, I feel it is THE feature and to admit to being Bad At Shipping (again) I'm just not that interested in it if they're different people who aren't even aliens. The same alien.) (You can tell me they are gods all you want but I've seen enough Doctor Who to know that must be A LIE so I reject it as such.)

The plot is that they meet in a bar one night and shag (obviously!) and then the reader discovers that Loki is trying to buy a painting from an old woman (planning on ripping off both her and his own buyer) and Sylvie is an artist who is selling a forged painting to some posh twat on the internet who she knows is trying to rip off her fake old lady persona on the deal but she's selling him a fake painting anyway so at least he deserves to be conned. They meet up a few times before finally realising that they are in fact conning each other under fake names on the internet, and then I have to try and fix it when they inevitably get mad at each other because of it. Also, Thor works in a shop because the brodinsons are Downwardly Mobile (dad spent all their inheritance, oh no!) Plotwise Loki is going to actually need Sylvie's painting for reasons I have not yet entirely worked out so one way or another they will have to eventually forgive each other for being con artists as they themselves are and for having attempted to con each other.

Ideally I will be able to make this one funny in some way, as I think the concept can get absurd enough to make a rom-com out of it.

2. The Jotun Heat Fic (also sylki)

I was into this one for about a day and now I have second thoughts because I am not sure I care enough about Frost Giant Biology to have to write an entire fic about it. It would continue my tradition (I did it once, that's enough for it to be a tradition) of turning a tiny ficlet into a much longer thing. This one: The Opposite of Heat, in which Loki and Sylvie go into whatever the Jotun equivalent of the fandom fave 'mating cycles/in heat' trope is, having never done so before because (see if you can guess...) they've never previously spent enough time around another Jotun for the hormones to kick in properly. They have no idea this can happen, and what starts out as Fun Porno-Fic Times soon gets a bit worrying and then I suppose they have to Investigate and that's the bit I fear might end up boring me.

This is set in an AU where S2!Loki did not instantly demand that Sylvie help him with his cop friends' problems and instead just went to live in Oklahoma with her, so the other/'real' plot is them getting used to living together and the weird-but-sexy medical issue bringing them into conflict because of course the first place Loki wants to go for help is the TVA (this not unreasonable of him, as they have a lot of info in their archives and he has no other friends anyway), which Sylvie is not keen on as she would rather just avoid them for the rest of forever. Gosh, I hope nobody goes to the TVA for help behind anyone else's back!

I need a way to make this one stay interesting once it gets to the Find Out What Is Happening part and also it needs to not just immediately end with a sensible solution like just going to Jotunheim and asking someone there for a talk about the frost-birds and the frost-bees.

Also I think they should fuck in that McDonalds. Just because.

3. Jotunheim Rejects The Guy Who Cannot Possibly Be Its Rightful King, Because I'm Annoying Like That AU (not thorki)

Speaking of going to Jotunheim, you know all those fics where Loki goes to be the Rightful King Of Frostland, as Odin apparently planned all along? That but it doesn't work, because I am not at all convinced he can have been Laufey's heir (who the fuck infanticides their only male heir?!) and even if he was well it'd just look awful, wouldn't it? Crusty Old Odin, worst friend to Jotunheim for several years running, sends back your kingdom's heir having raised him as one of his own family. (I hope at least one of you is thinking "US-Backed Puppet Ruler Who Will Do Whatever The CIA Tells Them To" because I did too! Ooh, geopolitical barely-subtext!)

The problem with this one for me is it requires a fairly large cast of Original Jotun Characters, and I still fear writing OCs because of the constant 'Mary-Sue' complaints in my fannish youth. Also I would Controversially (LOL not really) make some of them women, including Angrboda the ambitious would-be consort and Laufey's tragically spurned lover who on finding out that her long-dead son is not dead makes the most of it by insisting everyone call her 'My Lady, the King's Mother' (yes, I stole that from History but I do that sort of thing now, for the LOLs). So I have a bit of an idea what happens in this one, though I'd need to think of more political type plot stuff and also I just finished writing a multichapter fic that involved the Jotun succession so maybe I'd be overdoing it if I did this one now as well.

The other problem is Jotuns are too fucking tall. I mean really. This doesn't seem to bother anyone else but they are Too Fucking Tall to interact with the shorter characters, to the point that it just seems accidentally comedic to me. Just imagine the totally-not-a-puppet king of Jotunheim sitting on a massive throne, swinging his wee legs in the air. And I don't know how to work around that other than just saying "they are Less Fucking Tall in this fic" and I don't know if that would just annoy people. Also it does feel a bit incendiary to go against the general fandom insistence that Loki Is Totally The Rightful King Of Jotunheim. Though I suppose in this he is, it's just that he attempts to become so in the sort of circumstances that make everyone start saying things like "are we really that keen on our monarchy?" or at least "surely there's a cousin or an uncle we could give the crown to instead? yeah, even a woman would do. no, she doesn't have to be alive if there are only dead ones available."

(It was a mistake to let me read books about the Wars of the Roses, wasn't it?)

Oh and this isn't a thorki fic, but Thor is going to go to Jotunheim with his bro to help him settle in and also he will be going back to rescue him from it at the end. Bros before snows!!!!