#you need to see a therapist because if you think just existing is such bad torture that you have to cut someone off for | Explore Tumblr posts and blogs

canthelpit0 · 6 months ago

Text

Silent

Pairing: Matt x reader

Wordcount: 1.8k +

Summary: you’ve always quietly watched the triplets, silently wishing you could be a part of a group like them. Until you and Matt talk for the first time…

Warnings: selective mutism, anxiety, crying, angst, praise, no use of y/n, no oc

(Disclaimer: I’m not mute in any way. This was a request from an anon that I accidentally deleted. Hope you like it ! Requests are open)

I developed selective mutism pretty early on. My mom says that I didn’t talk even back in kindergarten.

But it’s been years now.

I can talk, and I can’t shut the fuck up for the life of me. I talk a lot, even have full conversations with myself.

Just not at school, or around new people. God, especially not in school.

It’s not like I want to be the ‘ weird’ mute kid. I would love to talk and make friends, I just physically can’t open my mouth and talk.

It even took months for me to utter simple words to my therapist, tho by this point I’ve known her for years and I’m pretty comfortable.

There are these triplets in my grade. We’ve always gone to the same school, but I don’t think they ever noticed me.

Well the first time I noticed them was in first grade, because there were three of them. Of corse my six year old self didn’t understand the concept of multiples back then, and I really wanted to ask, and talk to them. I really thought they were cool.

The first time I interacted with any of them tho was when I was in fourth grade and Nick had asked to use my dark green pencil since he only had light green and needed both dark and light.

Back in fourth grade I wasn’t just selectively mute, but also really shy. So I’d just looked down and stared at the desk giving him a small nod.

In freshmen year I shared a class with Nick again, he asked me for a pen, wich I gave to him.

Despite not having talked to him once in my entire life, he remembered my name. Wich isn’t too shocking since we’ve always been around each other, I was just kinda in the shadows.

He actually gave me that pen back. Most other people would’ve forgotten and just taken it, but Nick didn’t and I appreciated that.

I only ever interacted with Nick those two times. despite sharing a few classes with both Chris and Matt over the years, I’ve probably never even held eye contact with either of them.

I’ve been watching everyone.

Bullying isn’t really a thing. Sure there were some hurtful comments by jocks here and there but it really wasn’t as bad as in the movies.

Besides I think most people forget i even exist so they don’t even bother bullying me.

I’ve had my eye on Matt for a while. Not in a weird way. But Matt seems to pretty obviously have anxiety too. I don’t know if he’s open about it, I’m not in his friend circle.

But every time I’m feeling overwhelmed and we’re in the same room, I unconsciously glance at him to see if he feels the same or if I’m just going crazy.

Chris seems to be the loudest and most extroverted one. And while yes, Nick seems pretty extroverted too, Chris seems more… random? Bold?

I sulk in the back of the class my lips pulled into a tight line as I try to get myself together.

There is literally no reason for me to be feeling like this. Honestly no one has tried to talk to me today, nothing happened, I just feel so overwhelmed.

I raise my hand just slightly. I make eye contact with the teacher. Mrs. Evans. I literally love her, she’s so kind.

Her son is apparently mute too.

When I was diagnosed with selective mutism they thought it’d be a great idea to make me learn sign language just in case, and that’s just what I did.

Since Mrs. Evans son is mute, her son, as well as her and her husband also learned sign language.

So whenever I needed something I could sign to her. Not that I wouldn’t be too embarrassed too.

Our eyes lock. Everyone was working on some paper I should also be doing, but I’m too busy hyperventilating.

I let my hand drop on my desk and glance at the door quietly asking if I can go to the nurses office since I was too tired and ashamed to sign it to her.

She gives me a pitying smile but nods. I hate pity, but then again that’s better than getting told im faking.

I look around the class of students. I get up, as quiet as I can. I pack up my little stuff and quietly walk to the front of the class. I nod in appreciation and walk outside.

I stare at the ground while I walk down the hallway. I sigh.

I feel my eyes start to water and I bite the inside of my cheek.

Honestly I should probably go to the nurses office to get checked out, just so I can leave. But I don’t think I can handle communicating with another human.

I feel like I’m about to break down. I continue to walk down the hallway clutching the straps of my bag harshly.

I consider if driving home even is a good idea seeing as I’m about to have a mental breakdown. Or-

Suddenly I bump into someone.

I close my eyes trying not to cry right then. I don’t know who I bumped into but I want to apologize, but I know that I can’t, and since I don’t know who I bumped into I don’t know if it’s someone who’ll be mean about it or-

I’m taken off guard by a gentle brush to my upper arm.

“You’re good, it’s okay” I hear a soft voice say. I can feel my lip quivering, I feel like if I open my eyes the tears brimming at my waterline will actually fall.

“can you open your eyes?” It sounds more like a question, and that voice sounds painfully familiar but I can’t quite place it.

I want to tell him that I can’t, that I’ll cry if I do and I’ll feel even more embarrassed. But my curiosity takes over me.

So I slightly blink open my eyes. I don’t open my eyes fully, just enough to see the person through my tears.

It’s Matt, looking down at me all concerned.

I blink my eyes open. at the sight I watch his expression relax just slightly.

He himself looks overwhelmed, and honestly I don’t know if it’s because of how I’m acting, or if he had a shitty day himself.

“You okay?” He sighs slightly. I watch as he licks his lips and swallows thickly.

I take in another deep breath trying to calm down. I nod just slightly, but while I do the tears in my eyes finally spill.

I feel my hot tears run down my face. Matt’s eyes immediately widen and his mouth opens slightly like he thinks it’s his fault.

“I’m sorry, I’m sorry, no please don’t cry.” He holds up his hands in front of my face as if he wanted to wipe my tears away but was holding himself back because he didn’t know my boundaries.

He looked miserable, like he was about to cry himself. And I just know that something this wouldn’t have him emotional like this on a normal day. At least I don’t think it would. But he seemed to be overwhelmed as well.

I scrunch my nose slightly sniffling in response. I glance back up at him and the sorrow in his eyes makes me want to sink into myself. I breathe out shakily.

Before I know it I’m bringing my hands up to my face and covering it. I tilt my head forward trying to stop crying, because crying in the school halls is just pathetic.

“I’m sorry. Fuck- can I touch you?” I hear his frantic voice. I appreciate that he asked first. I want a hug, but then again I don’t know Matt. But he just seems so genuine.

I overthink not responding to his question. My thoughts spiral at the sound of the sweet nothings and apologies leaving his mouth, only being back round noise.

Matt seems to notice that I’m starting to spiral. I feel his hand tenderly touch my wrist. I flinch slightly, and as soon as I do I feel him retract his hand.

Everybody deals with anxiety differently, some people like to be physically grounded others liked to be comforted some other way and I just knew that Matt was trying to figure out what to do without overstepping.

I’d tell him that it’s okay, or that he can hug me, but I literally can’t speak and I feel too embarrassed to let him see my teary face.

“I’m sorry, I’m-“ I hear Matt let out a breath. I know an anxiety breath when I hear one, he is panicking.

I decide to bite the bullet, what’s the worst that can happen. I look up slightly and peak through my fingers.

His hands are up and frozen. He looks almost frantic, Matt looks like the only way he knows how to ground me is by hugging me or something, but he seems unsure if that’s okay.

Despite myself I let out a little nod. Matt lets out another breath but this time he actually touches me, and I don’t flinch.

He holds my wrist and gently pulls my hands off of my face.

I let out a shaky sigh. I can’t help it when I let my head fall forward.

“It’s okay.” He says sweetly under his breath. He puts his hand under my chin as he picks my face up. Our eyes lock. I see the way Matt is also crying, tears running down his face too and I relax just a little.

He never seemed like the type to make fun of someone for crying, but especially not now.

“You wanna go to my car?” He says softly, not in a way where he is forcing me to do anything, but rather offering.

And honestly as upset as i am I have to weigh my options. Would I rather cry in the school hallways or in Matt’s car?

The best option would be to go to the bathroom, but Matt wouldn’t be able to come with, and honestly I would feel too bad leaving him alone at this point.

So I nod.

I feel Matt’s arm go around my shoulders as he hugs me for a moment. He turns me, and starts walking in a way where his arm is still around my shoulder keeping me close to him.

We walk out to the parking lot. I watch as Matt unlocks the car and opens the door for me to enter.

And by this point, if I go out this way so be it…

Before i can even register Matt is also getting into the backseat next to me.

We just look at each other for a moment. He breathes out another anxiety sigh.

“You want a hug?” And with that I don’t really know if he’s asking for me, or to comfort himself. But regardless I nod.

I feel his arms come around me and I sink into the feeling of his hug.

I’m uncertain if by tomorrow he’ll act like this all never happened, or if he’ll try to get to know me, because I’ve been wanting to know him for a while and I would more then gladly let him.

Masterlist

A/n: I know this is really short and I’ve been uploading a lot of angst recently. But I’ve been feeling sad, and every time I do write smut it’s for Kinktober. Soon you’ll get smut tho. Also this ended up a lot like crybaby. <3

‼️please don’t copy my work/idea‼️

Taglist: @muwapsturniolo , @sturnad , @iluvm4ttsturni0l0 , @evie-sturns , @me09love , @fratbrochrisgf , @spideylovin , @chrissgirlsstuff , @stunza , @whicked-hazlatwhore , @sturniooolos , @ecliphttlunar , @orangeypepsi , @klaus223492 , @char112244 , @sst7niolo , @slut4chriss , @mattsturniololoverr , @th3-3d3n-g4rd3n , @st7rnioioss , @t1llysblogs , @nonat-111 , @blahbel668 , @rockstarchr1s , @sturnsintrouble , @nayveetbhh , @tillies33ssss , @sturncakez , @strnilo , @somegirlfromasgard , @mattslovelygf , @sturnsmaeve , @sturnstvr , @lucianastrun , @jnkvivi , @jamiesturniolo , @chr1sgirl4life

599 notes · View notes

copperbadge · 4 months ago

Note

how did u psych urself up to go to therapy? my executive function has been awol for like 2 years and it's gotten to the point where it's wrecking my ability to do anything. i'm scared to waste a bunch of time and money going and getting told i'm just lazy or that the problem is just me

Happy to talk about that! But this is really two issues, so I gotta do a fly-by real first on "scared of getting told I'm just lazy". :D

It sounds to me like you're aware intellectually that laziness isn't the issue. You know this is an executive function issue and not a personal flaw, but I definitely get that it's hard to internalize that. So I'm going to drop links here to some discussion of "laziness":

How do you know you're not just lazy? (ask sent to me -- it's long, but you can skim for the laziness bits if you want.)

Lack of motivation means you are avoiding pain (second ask in response to the first)

Laziness Does Not Exist by Devon Price

These are essentially my proofs when I want to remind you that laziness is a label that stigmatizes an innate behavior -- inability to act is real, laziness is not. If a therapist tells you that you are lazy, and ESPECIALLY that you are the problem, you should fire that therapist. Don't even stay the rest of the session if you don't want to, just say "I see we are not compatible," and bounce. I don't think the odds are high that you'll encounter that, but on the off-chance that you do, that's a bright neon sign that they're a bad therapist.

In fact I would open with that pitch: "I'm struggling with executive function and the self-perception that I'm really just lazy. I need help with the actual executive function issues but also with how I view myself because of them." The therapist's response will tell you a lot about whether they'd be a good fit.

So with that out of the way...

I eased myself into therapy with the speed of a small child entering an extremely cold lake. It helped a lot that all of my therapy has been virtual via Zoom, so a lot of stuff that would have been a barrier, like going to the physical appointments, discomfort in a strange space, etc. were swept away.

I didn't even want to see a psychiatrist for my Adderall prescription, but I knew I needed help and medication seemed to be my best option, so with the assurances of several people that it wasn't therapy so much as mental health maintenance, I saw a psychiatrist. And he was lovely! (I just met with him yesterday to go over my next few months of scrip.) For a while that was all I did: talked every month to a kind person who asked specific and measurable questions about my mental health -- mood, sleep patterns, ability to work, hobbies -- without getting especially personal. I thought, okay, I can handle this, I can probably handle more, so I asked him for a recommendation for a therapist.

He looked at the network of independent practitioners he belonged to (Clarity Clinic Chicago, if you want an example of a good network) and found me a couple of options. I got extremely lucky to find someone I felt was appropriate for me right out of the gate, though some of that was also knowing what criteria I had: I wanted someone who explicitly stated they specialized in adult ADHD and disability, and who seemed like they were interested in addressing a whole person and not a single issue. When we met she seemed nice, wasn't pushy or judgey, was familiar with spoon theory and disability activism because she also has ADHD, and didn't blink (or ask overly invasive questions) when I said I was very uneasy about therapy because of past experience. She was comfortable with the ambiguity I brought -- I basically said "Look, I think this is something I need but I'm not entirely sure what my goals are yet, it's just I only recently found out I have ADHD and I am rethinking a lot of stuff," and she was like fine, let's rethink it together.

It still took me a long time to start talking about anything meaningful, but she handled the non-meaningful stuff as if it was serious and important, which helped. Admittedly I have really good insurance so I pay $20 a session for therapy, which also helps; it's pretty negligible in terms of health costs for me. I can afford to dawdle.

So, all that said...my path may not be an option for you, but I think it indicates the kinds of options you have. You don't have to jump into serious and heavily emotional processing first thing if you don't want to. You can shop around for therapists and you can drop any bad ones you encounter speedily, or if you find one you immediately like you can still spend time getting comfortable before dropping into the heavier stuff.

I would suggest that if you have a prescribing psych or doctor for any kind of mental health meds, ask them if they have a recommendation. If you don't have that, ask around people you know or believe have access to therapy and see what they think. If those aren't available to you or you're uncomfortable with that, I'd do a search for licensed therapist and your health insurance, or see if your workplace has an employee assistance program that can recommend you someone.

Good luck! I hope you get what you need. Lord knows I've been there.

#not yet fired from therapy

216 notes · View notes

zara-renata · 2 months ago

Text

Datura Tea, or how all you want is to get some sleep

You're suffering from insomnia due to untreated PTSD (probably, I don't know, I'm not a doctor or a therapist) from your family getting, well, exploded, and the longer this goes on, the sloppier you become in combat and just existing, and a bad idea is born (let's go to the club alone, drink enough to finally get drowsy and then go home and finaaaaally sleep it off). Zayne treats some of your injuries, Mephisto does Sylus's stalker bidding, and guess who appears at the club right before you're about to probably violate the Hunter's Association code of conduct on an idiot who has a hard time taking no for an answer? Spoiler alert: he can't sing but he can dance, even if he chooses to dance to the music he'd rather be hearing than the music actually being played.

Second person POV, gender neutral MC/reader second person POV, a teeny tiny bit of Sylus POV at the end CWs: insomnia, trauma, grievous bodily injury, hospital environment, shots/needles/stitches, self-destructive behavior, MC may have issues regarding self-worth, MC refuses to get proper treatment, poor life choices, stalking (by Sylus), unwelcome boundary pushing by a non-main character, dubiously welcome boundary pushing (by Sylus), (irresponsible) alcohol use, everyone's thirsty for MC and MC is oblivious because this is a self-insert gacha game and no I will not be taking any criticism on this point at this time.

ao3 link here

Just as you had hoped before agreeing to Sylus’s deal that allows him to make use of your flat as a safe house if necessary, things have returned to normal. Well, as normal as they can be ever since your world was blown apart. It has been weeks, and you haven’t heard from him at all. At first, in the days following Sylus's little... visit, you sometimes find yourself thinking that you see a larger than normal crow amidst the swaying trees on your way home at twilight. Or you'll catch the reflection of two uncannily similar looking men in the shop window you just passed, but when you turn around, all you see is the blur of a faceless crowd.

You tell yourself that you're imagining things.

But then you stumble into your flat one night, wounded, again, but not so badly that you need to go to Akso Hospital, and stop short. You stand very still, clutching the hilt of one of the blades strapped to your back, and listen. Something feels off. Did you line your various pairs of footwear in a neat little row along the wall of your foyer recently? You can't remember doing so, but you've been doing a lot of things on autopilot recently. You wait, but nothing stirs in the gloom of your place as the automatic light shuts off due to how still you're standing.

Nothing. Just silence, and an aching feeling of absence that you refuse to think about too hard.

You tell yourself that you're imagining things.

Nothing. Just silence, and an aching feeling of absence that you refuse to think about too hard.

Just as you had hoped. Of course. Although you don’t know him well, you learned enough during the few days by his side to know that Sylus’s moods and interest were mercurial at best. You knew from the moment that Kieran and Luke offered you advice from a psychology book about how people who have everything often need constant challenges and the unobtainable dangled in front of them to keep their interest: Sylus would soon become bored with whatever game he thought he was playing with you, and your life would return to its peaceful… new-normal. And that’s good. That’s what you want. You are not equipped to handle a presence like him in your life. You’re a law-abiding, predictable, simple hunter, just trying not to leave the world worse than you found it, one day at a time. You shake your head, and hang your weapons on the wall rack, next to the coat hooks, and unlace your boots, relieve yourself of your blood-soaked pants and ripped shirt, and step into your flat wearing nothing but your underwear. Free, at last. You turn to head to your fridge for a pack of something frozen to place on the bruises that are only just beginning to bloom along the side of your face, only to freeze yourself, again. Your heart kicks wildly in your chest as you take in the looming mass in the middle of your kitchen, before you realize--

On your kitchen island stands a huge black and red pot, filled with a riot of white flowers, their edges ringed with a faint lavender color. You hesitantly reach out and run your finger along the deadly looking little points dotted along the petals' edges. You don't know shit about flowers, but these look threatening, somehow, in their savage beauty.

Maybe this is a prank. As your partner and closest neighbor, Xavier has access to your place. And Tara has your spare key, since Xavier is out of town so often on his little secretive, certainly not having anything to do with Lumiere escapades. Maybe this is their idea of cheering you up?

But you're not convinced. These flowers look like a warning. You quickly try to summon a list of people who might want to make you uncomfortable, or even frighten you, enemies you've made or hell, beaten at the claw machine? But no one comes to mind. Sylus had said that Sherman wasn't acting alone when... well. He wasn't acting alone, so maybe these flowers come from them, trying to tell you that they'll eventually finish the job. But if they knew where you were, and still wanted to take you out, they could have left a ... bomb instead of a pot of frighteningly gorgeous plants to accomplish their goal. You shudder.

There's no card. No message. Just the cryptic message of the flowers themselves. For fuck's sake, you're tired. Something about the flowers makes you paranoid, so you carefully run your hands through the leaves and stems to see if there is some sort of hidden surveillance equipment, but you fail to find anything. Giving up, you lift the heavy pot with a grunt and place it on your indoor balcony, shutting the door. Now if there is some sort of camera or audio recording device, all they'll see is your hazy outline through your glass balcony door. You can't help yourself: you make a rude gesture at the door, just in case there really is a hidden camera in there. You finish your trek to the freezer, slap a bag of something frozen past its due date onto your face, and spend the rest of the night tossing and turning in your bed before another dawn rises.

As the days turn into weeks, and another day has passed where you're wincing as you open your front door, worried that he'll be on the other side, only to find it empty, with none of your clutter undisturbed, you finally decide to put Sylus out of your mind for good. He helped you when you needed it the most, and you repaid his dubious generosity when you patched him up at your place. So you push the thought of him down deep, down with all of the other things you can’t bear to think about these days, and life goes on. You water the mystery flowers from time to time, at the same time you water the rest of your plants, and resign yourself to not figuring out who sent them anytime soon.

You can’t sleep, again.

You’ve been trying it all: running on the treadmill until you’re on the brink of vomiting, the harsh lights of the deserted Hunter’s Association fitness center making you squint. All you’ve gotten for your efforts is a headache threatening to add itself to your list of complaints at midnight, 2 AM, 3 AM, 4 AM, until you’re still awake and your morning alarm is sounding from your hunter’s watch.

Squeezing in extra full body supersets with the kettlebell, sweat pouring down your back, soaking through the hair at your temples and dripping onto the mats. Your muscles are not getting any stronger, and you’re sure as hell getting more fatigued, but the sleep won’t come as you limp into your bedroom every night.

Camomile tea with honey, warm milk, cold milk, rooibos tea without honey, fennel tea (you gag a little, and decide that you’re absolutely done trusting Moments recommendations when it comes to tea that aids sleep) before slipping under your tangled duvet, only to have to get up to pee an hour later, with no drowsiness in sight.

Every time you try to meditate and take deep, calming breaths, the memories come. And you can’t. You can’t. Not yet. Maybe not ever.

Once, you even ask Zayne if he can prescribe you something to help.

"No."

"No? You haven't even asked what I'm asking for help with!"

"No."

You look down at your boots, wondering how far your pride will allow you to push him. You don't really want to tell him, exposing all of your messy insides and issues for him to clinically judge, to file away under this diagnosis or that and dismiss as he moves on to the next patient, for him to see you at your absolute lowest when you've never even seen him break a sweat. Something about that idea makes you want to cry.

"Ok." You smile brightly, or at least try. It probably comes across as more of a grimace, but you are trying. "I'll get going, sorry to bother you!" you chirp, and then cringe internally. Why did you apologize? He's your doctor, if you can't even handle asking him for help with this, even if he says no, you might as well switch physicians. It's fine. This is fine. You are fine.

You're about to turn the handle of his office door when his even voice stops you from behind. "What you need isn't pharmaceuticals. It's therapy. You need to talk to—"

But you can't. Talk. You can't imagine thinking the thoughts, let alone getting the words out. You can't, not yet.

"It's just sleep, Doctor Zayne. I'll just drink some fennel tea," you lie, give him a little salute, and escape.

So now you’re on the brink of doing something you’d previously rather have had your teeth pulled than experience: going to a crowded club, getting shit-faced, and hoping the dancing and alcohol will knock you out for a solid 24 hours. But Tara has already turned down your invitation, putting her hand on yours and saying with excruciating gentleness that she doesn’t think that’s what you need right now, which you can’t stand—the kindness, the knowing looks, the unspoken questions from everyone in your life who knows what happened, and are watching you like a ticking time—

Bomb.

You shake your head. You can’t.

And Xavier has been out of the office a lot lately, and from the mail piling up on his foyer floor whenever you nosily peek through his mail slot, probably out of town as well. So he’s not an option to invite after Tara turns you down.

You already know that Rafayel is out of the country on an exhibition tour, so you don’t even bother calling him. Talking to him usually does cheer you up, but you don’t need to be cheered up, dammit, you need to sleep.

You don’t even consider Zayne. First, he's your doctor and probably thinks spending time with you outside of the hospital would feel like a punishment for the sins of a past life. Also, imagining him, neon lights of a cheesy nightclub reflected off of his elegant glasses, indignantly pressed on all sides by unwashed, sweaty bodies, dancing—your brain short circuits even trying to imagine it.

There’s no one else you would trust being drunk around who you can ask to go with you. But the idea of getting drunk, alone, in your silent flat, makes you want to gag worse than the fennel tea.

As you slip on a comfortable pair of tights under a stretchy pair of shorts, and a soft, loose top—off the shoulder so that you look like you made some effort (you refuse to wear anything that can’t also double as athletic wear, because who the hell knows when you’ll get an alert on your watch), you tell yourself that you’ll be fine. You’ll drink enough to get tipsy, enough to make you drowsy, you’ll wear yourself out on the dance floor, and then you’ll go home again. And sleep. You don’t need anyone else for this. Of course it would be nice to be able to let off steam with a friend, but these same friends have been walking on eggshells around you for months, so it’s probably better this way. No awkwardness, no judgment, no gentle attempts to convince you that you need—

You’ve just slipped your boots on when you hunter’s watch goes off. A wanderer is within minutes of your flat’s location. You gaze at your weapon rack, which hangs next to your coat rack in your foyer, and hesitate. These days, you grit your teeth at the sound of gunshots at the practice range, loud in your ears even through your noise cancelling headset. Still too loud. Still too much like a bomb. You use your blades as much as you can, only unholstering your pistols when absolutely unavoidable. You grab two swords and your holsters, and sprint out the door.

You manage to avoid unholstering your pistols during the battle. However, blades require close quarter combat, which means you’re getting hurt more often. And the insomnia means that your reflexes are slower than they’ve ever been. So after you successfully defend a group of tourists from the wanderer, while unsuccessfully defending yourself against the death throes of a bladed tail that flays open your back, you find yourself back in Zayne’s office, again.

Lately, you feel like you see the inside of Akso Hospital more than the inside of your own flat.

You try desperately to avoid having to go, when at all possible. You take care of yourself, when the injuries are in places you can reach. Teeth sinking into your ever-dwindling supply of bandage rolls, the pain is sharp and demands your entire focus, so your thoughts are unable to drift elsewhere, to flit to the places you can’t go in your mind yet, not yet, you can’t—

But there are some wounds, like the one you just got, that you can’t reach, contorting yourself in front of the bathroom mirror, your heavy, tired arms unable to finagle some disinfectant and a bandage over the torn skin. So here you are, again. To put it mildly, Zayne is not happy. He delicately, efficiently, dabs disinfectant onto the latest laceration on your back in frigid silence. You can almost taste the disapproval wafting from him.

It stings, badly, but the pain is dull amongst the cacophony of other aches and healing wounds on your exhausted, battered body. You don’t even have the energy to wince with each point of contact between the cotton and your gaping flesh.

“You don’t have to fix me up yourself every time, you know,” you try to break the ice. “I’m sure you have other patients with urgent complaints more in line with your specialty. You only know about this time because Greyson ratted me out.”

“I am your primary care physician, as well a cardiac surgeon. I am responsible for signing your fitness for duty certificates. Greyson knows this, and acted accordingly,” Zayne clips out. His office falls silent again, and you focus on the flowers you gifted him sitting near one of his office windows, as he prepares to slip the needle containing the local anaesthetic under your skin in preparation of the stitches you need. You try, as you always do without success, to figure out why he keeps them in here. When you first saw them, they reminded you of the color of the little seals he had made you when you were children. That you had interpreted as a threat. So you gave them to him on a whim, and was shocked to find them in his office the next time you visited. You wonder if he waters them himself, or if he lets the hospital’s horticulturist do it. He’s probably too busy to keep track of such trivial things. You decide that you should thank the lady you’ve seen watering plants in Akso’s hallways with a fruit basket or something for her extra effort. Out of the corner of your eye, a couple black birds flap their wings as if startled, half hidden in the fluttering leaves of the trees in the courtyard that Zayne’s office overlooks. You’re about to look for what startled them when—

The shot is worse than the disinfectant, but the painful prick is quickly over. A welcome numbness spreads under your skin, and you desperately wish it came in pill form for—well, everything else that’s wrong with you.

All you feel is a distant tug and release, but your muscles are locked tight as you let the delicate petals fill your vision, as you try not to think about anything at all, as you’ve done for months now. You’re grateful for the silence, for Zayne’s steady hands and breath. You’re grateful for his care, even though you hate that you need it. You don’t want to be another burden to him, when he has so many heavy burdens already. In this too, you have failed, as you failed—

You can’t. You can’t—

Almost as if he has just felt the way your body has stiffened even further under his competent hands, Zayne interrupts your spiral as he, light as a snowflake, finally lays the bandage over your neatly stitched wound and secures the adhesive sides. He sits back with a sigh and just gazes at your bare back in silence.

You can’t bring yourself to move yet. You’re just so tired. But you know you have to. You don’t want to worry him, you know he has other, more important matters to attend. You gingerly lean back and let your shirt, which had been scrunched up under your armpits and around your shoulders while Zayne worked, slide down your back as you heave yourself to your feet.

You don’t want to turn and see whatever non-expression Zayne has on his face—you want to get out of here, from under these too-bright lights and his tangible concern, but you owe him the courtesy of looking him in the eye as you express a gratitude that can never be fully conveyed in words. So you do turn, but find him leaning back on his desk, his hazel eyes fixed on the same flowers you had just been staring at.

You open your mouth to thank him, to say your goodbyes to get the hell out of here, when he cuts you off with a voice softer than you’ve ever heard from him.

“You know that you cannot continue like this,” he murmurs, eyes still on the flowers.

You take in the sharp line of his nose, the severe set of his lips. The bob of his adam’s apple as he swallows draws your eyes down the contour of his throat, and it hurts you a little, what a beautiful man he has turned into. For a moment you are jerked back in time, the profile of a serious little boy with softer cheeks but the same hazel eyes overlaying itself atop the view in front of you. When he turns to look at you again the vision dissipates, and you suppress the pain—the only thing you’re good at these days. You steel yourself for whatever lecture he is about to lay into you, convinced that the gentleness in his voice is just his exhaustion at having to deal with you, again, when the shrill ring of his mobile rips apart the quiet in his office.

His frown deepens, but he doesn’t move to answer his phone. It continues to ring between the two of you.

“Better get that, Doctor Zayne,” you nod toward it, flooded with the relief that you might escape from his cold admonishment unscathed, this time.

His jaw clenches, and the knuckles of his hands are white where they clutch the desk, but after another ring he finally reaches into his white coat pocket and lifts the phone to his ear.

“This is Doctor Zayne,” he answers with his customary calm, despite the disappointment you’re pretty sure he’s feeling at the interruption of his flaying you open in ways that the wanderer failed.

You plaster the biggest smile on your face that you can muster, exploiting his inability to say anything as he listens to the other person on the line, and wiggle your fingers in a small wave. Before he can react, you’ve slipped through his office door, and you’re practically sprinting down the hallway to get the hell out of there before he can come after you.

Zayne pinches the bridge of his nose, glaring at his office door as if it’s the door’s fault for depriving him of the chance to tell you that he will refuse to sign any future medical certificates until you listen to him and get the help you so clearly, desperately need, that he needs you to get so that he can sleep at night without being afraid that his worst nightmares will manifest every time you enter his hospital. As he sighs, and prepares himself to handle the next emergency, he does not notice the fluttering birds outside his window, nor the jewel-eyed crow that disturbed them, taking flight from the trees in which they were perched.

***

It’s not too late. You’re exhausted, and hurt, but you’ve been patched up, and the idea of your empty, ineffectual bed fills you with anxiety. Your mission is still a go. So you stop briefly at home to dump your weapons, only retaining a small knife strapped under a black armband along your forearm, throw on a different loose, soft shirt since your other one was shredded and not in a way that looks cute for the club, and head out again. You know a place you’ve been to before with Tara and some other colleagues on an 'optional' but heavily implied as mandatory ‘team-building’ night that ended with a lot of vomit, an inter-office breakup, and a lot of stern glares from your captain the following week. You are deeply hoping that this place can give you what you need tonight.

You look up and cringe at the glaring neon sign: THE BOOM BOOM ROOM. Ok, so this place isn’t exactly classy. But you’re not looking for classy. You’re looking for affordable booze, overwhelming beats, and a late enough closing time not to get kicked out before you exhaust yourself to the extent required by this mission of yours. You’re relieved that the line moves swiftly, and the bouncer waves you in without a second look. Apparently you don’t look as horrifying as you feel, and the knife is discretely hidden under the band on your arm. And suddenly you’re inside.

You’re met with a wall of sound and smells, the bass vibrating in your chest, the floor sticky with what you hope is only spilled beer, and the crowd is surging. You close your eyes once and just soak it in for a moment, letting the mindless life that the place is bursting with wash over you. Then you slip through writhing bodies to reach the bar and order your first drink. You don’t actually want to get shit-faced, since you’re alone. But you do want to have enough to feel the pleasant numbness of alcohol burning its way through your veins, to get drowsy. You order a shot to start and a high-percentage beer to clutch while you dance so you don’t have to wait at the bar again.

It works, for awhile. You let the music fill you, you let the warmth of the shot spread through you limbs. The presence of other, anonymous people, who know nothing about you nor what you’ve been through, relieves some of the loneliness that you refuse to admit has been plaguing you ever since your grandmother and Caleb … Ever since you lost them.

And then you feel someone sidle a little closer to you than comfortable, and you open your eyes to find some guy looking intently at you with a hopeful smile on his face. He leans even closer to you to be heard over the beat as he shouts “Hey! Wanna dance?” into your ear, making you wince.

You shake your head, closing your eyes again, dismissing him. But he doesn’t seem to get the hint, because you feel a hand at your elbow, and hear his voice again: “Why not? You’re not with anyone, right?”

You open your eyes again, and gently, but firmly remove his hand from your elbow with your other hand. “Nah man, I’m just here to relax. I bet someone else would be happy to dance with you though.” You shoot him a tired thumbs up and try to shift away, but he somehow manages to keep pace in front of you, and he’s opening his mouth to say something else, and you’re repeating to yourself I’m a Hunter’s Association role model even when I’m off the clock, I will NOT remove his jaw from his skull, I will NOT remove his jaw from his skull… When suddenly you feel heat envelop your back and someone’s huge hands are gripping your hips—instinct kicks in, you’re convinced that this asshole isn’t alone and his buddy has managed to flank you, and the knife is out of your armband and at a big, warm throat before you realize you’ve spun in his grip, and a pair of bright red, amused eyes are looking down into your face.

“Come now, is that any way to greet your boyfriend, kitten?” Sylus smiles indulgently down at you, hands still on your hips.

“The fuck, Sylus?” you breathe, unable to move, your brain scrambled from trying to reconcile the club’s beat, the aching absence that you’ve been trying so hard to ignore, and the man finally filling it again, right in front of you for the first time since he left your flat’s foyer in a mess of blood and feathers.

Sylus lifts a hand from your hip and runs one long finger over the blunt edge of the knife, gently lowering it from where you are still holding it in shock against his throat. One droplet of blood, flashing like a jewel under the club’s lights, beads from where you pressed a little too hard, and begins to slip down the path of his carotid artery. You barely restrain yourself from launching yourself at his neck and running your tongue along his skin to counter the droplet’s descent—aaand at this highly intrusive thought, you want to punch yourself in the face, and tell yourself firmly that it’s the alcohol. You haven’t had alcohol in months. Your tolerance is basically non-existent at this point, you cannot be blamed for whatever the hell that urge just was.

“I see your professional greeting has not improved any since our last encounter, sweetheart,” he laughs, sounding genuinely pleased despite his complaint, thankfully oblivious to the insane thoughts inflicting themselves on your brain. His gaze flicks from you to the aggressive guy still gaping at the two of you. “I suggest you listen to what my partner has clearly communicated to you, if you would like to leave this... establishment, with all of the limbs with which you entered it,” he sniffs, clearly unimpressed with both the venue and the limbs in question. The guy’s eyes widen a little more, which you didn’t think possible, before he just nods his head so fast it looks like it will detach itself from his spine and pushes away from you through the crowd.

“I think you frightened him,” Sylus tsks, shaking his head. “Another poor service review for the Association’s feedback form, kitten. I’m worried about your performance review this year.”

“Perhaps I should bring them your head to compensate for my poor customer service. That would guarantee a raise instead of an admonishment,” you snap, still feeling violent from your inexplicable impulse to slobber all over this smug asshole’s throat.

Sylus’s eyes, impossibly, light up even more in response to your threat. “Oh, I would love to see you try to take my head,” he almost growls, smiling so wide you can see his crooked canines.

It’s the alcohol. It’s the alcohol. There is absolutely no innuendo to be found in what he has just said. You lift your hand to slap that thought right out of your head, but Sylus catches it in one of his own and tightens his other grip on your hip.

“You’ve already done quite enough damage to one of my favorite acquisitions tonight,” he says, running his thumb gently from your wrist to your palm. For a brief moment, all you can do is stare up into his face, ensnared by the softness in his usually sharp eyes, the slight crease between his eyebrows, the hair that you had told yourself for weeks could not possibly be as soft, as pretty, with the sheen and color of a pearl, as you remember it being.

Ok, someone must have spiked your drink. This is not happening. You cannot handle whatever game he is trying to play right now. “What are you even doing here?” you ask, in a desperate attempt to divert this conversation’s track before a trainwreck happens that leaves you in more pieces than you’re currently in. "And boyfriend? You're my boyfriend now?"

"Well, this is sudden, but how could I say no to such an elegantly worded proposition?" he gasps, eyes widening in mock surprise.

"Sylus," you warn.

"Yes, my better half?"

"Stop messing with me. Why did you tell that idiot that you're my boyfriend?" You need to know. You don't know why, but you need his answer almost as much as you need sleep right now.

"Unfortunately we live in a patriarchy where having a big, bad boyfriend apparently garners more respect than a clear 'no'," he shrugs. "I considered removing his hand from the rest of him and choking him with it, but thought that might make you mad." You roll your eyes, and he narrows his own. "I was trying to help you, but it appears my aid was unnecessary. I'm almost positive I saw him soil himself when you stabbed me." He smiles in a way that almost looks proud.

"I did not stab you," you insist, even though you can still see the thin line of blood disappearing under the color of his black shirt. You decide not to point it out. He'll discover it when he looks in a mirror later. Considering how self-satisfied he is, probably an activity he spends a lot of time doing. "Why are you here, again?" you repeat, shaking your head.

“A little birdie told me that a certain feral kitten had gotten injured again, and I am finally in a position to do something about it after business kept me away far longer than I had planned,” he answers. Still holding your hip and hand, he gently pulls you a little closer and begins to slowly sway with you, completely ignoring the fast paced, thumping beat of the current track the DJ is spinning.

“Mephisto?” Once again, you’re on the back foot. You are a highly skilled hunter, trained to have sharp senses and to be able to notice when you’re being surveilled.

He leans down, rounding his broad shoulders so he’s close enough to your ear for you to hear him hum his affirmation, leisurely sliding his hand from your hip to span the width of the small of your back to better guide you out of the path of other dancers, his large palm making you feel … safe.

“I haven’t seen him. At all,” you admit, suddenly feeling so tired and out of your depth. So terribly lacking, even at this, a most basic skill of your job.

“No surprise, considering how little you’ve been sleeping,” he says, and then grunts softly as you’re pushed closer into him by someone behind you making their way through the crowd. He’s so warm, so solid, and from this distance, he’s all you can see. Again, just like during the auction’s dance. How are you even here again? You resist the urge to rest your head against his chest like you did that night, as he forestalled the growing panic, as he showed you more kindness than you’ve been shown, or shown yourself, in months. In the months since… you can’t. You can’t, you can’t you can’t—

“You were a little distracted at your doctor’s office, too,” Sylus’s voice cuts through the thunder in your head, and it takes a beat for you to realize what he’s saying.

“You had Mephisto spy on my doctor’s visit?” you almost bellow, or rather, actually bellow, as the people around you shift and give you sideways glances. You try to jerk out of his hold, but only succeed in dragging the two of you a little to the side on the dance floor.

“I instructed him to confirm that you were actually getting proper treatment this time,” Sylus says, unruffled by your continued squirming to escape his arms. “Cease, you’re going to pull your stitches.”

“The stitches you only know about because you’re a creepy stalker!”

“Creepy?” he laughs. “What a strange way of saying handsome, protective, and resourceful.”

“Now I’m worried about your hearing,” you seethe. “That appointment was private!”

“Not private enough for our good doctor’s tastes, I’d wager."

“What does that mean?”

He levels you look with a look that you cannot begin to decipher. After a moment, he shakes his head, the earrings you just notice that he’s wearing flashing under the spinning lights. Is this asshole actually wearing ruby earrings to bring out his eyes? “You cannot possibly be this naïve,” he scoffs, but without conviction. Like he’s talking to himself.

“I have no idea what you’re talking about, but you’re not allowed to spy on me during private moments like that,” you insist, giving up trying to get away from him since he has the reach and agility of an octopus, apparently.

“Excellent, then I’m allowed to spy on you during other moments. I’m glad we’ve cleared that up,” he declares solemnly. “Please pay Mephisto no mind if you happen to notice him in the future, and for heaven’s sake, do not feed him. He is not a pet—he is a subordinate and should be treated as such.”

You make the fastest decision of your life in compiling a list of possible crow snacks as Sylus resumes gently swaying your bodies, and it’s after pistachios as the 7th item on your Mephisto treat list that you realize he has danced the two of you to the edge of the dance floor, and that you have failed to object to him stalking you through his cantankerous mechanical crow.

“Silence is not consent, Sylus!” you try, only to be met with a pitying moue twisting his wide mouth.

“A deal’s a deal, sweetheart. Come, it’s getting late, and I know you are very tired. Let me take you home,” he commands. "You can show me how well you've been taking care of my little gift in my absence."

"Gift?" You're so lost. You stop, not taking another step until he starts making sense.

"The flowers I had Luke and Kieran deliver to your place."

"Flowers..." You wrack your foggy brain, startled at the scowl that is scrunching Sylus's beautiful face.

"Oh, you receive so many bouquets on a regular basis that they just blur together?" He takes a step forward, closing the distance between you again, but his hand slips away from yours until just your pinkies are linked. "I promise to redouble my efforts to make mine stand out from the crowd, then." Inexplicably, he lifts your linked pinkies to his lips for a kiss-the word tender drifts through your exhausted mind. His lips are unbearably soft.

You snort. "I never receive bouquets..." and then it hits you. The doom flowers.

"You sent me the pot of death threats?"

"Death threats?" he blinks, and it's the first time you think you've ever seen him at a loss for words. But he recovers quickly. "You mean the subtle and elegant form of self-defense to comfort and protect you in my absence?"

"Wut."

"I sent you a very generous supply of datura flowers. They're not only visually appealing, but also highly poisonous. You can use them to poison any unwanted guests you happen to find in your home if your more conventional weapons aren't practical for the occasion," he explains, eyes lighting up again.

"Sylus, you sent me a pot of deadly plants with no note or message. I thought someone was trying to convey a message, message. Like, a warning to watch my back."

His face does something complicated then: flickering from surprise to something like pride, but then he just stares at you, sanguine eyes drifting along your face and down to where his hand is linked with yours for a long moment. "It seems I underestimated your cynicism about other people," he says finally. "And while I always enjoy the proof of our kindred spirits, I would rather you didn't have to live a life where you have to be suspicious of something so banal as a gift of flowers." You are blindsided by the gentle sincerity in his words, and you're trying to hold back the tears that are burning your eyes out of nowhere, when he looks at your face again, brightening. "Now that I'm here, let me taking care of being the paranoid one." His gaze sharpens on your tear-filled eyes, and he cocks his head. Runs his middle finger from the corner of your mouth to just under your left eye, gathering the moisture there that is threatening to overflow. "Sweetheart, tears of gratitude are unnecessary. If you're really thankful, then let me take you home, and just try to refrain from offering me any datura tea when we get there, hmm?" He lifts his finger to his lips and flicks his tongue out to lick, and you are convinced you are hallucinating when his nostrils flair, as if he's savoring whatever he tastes in your tears.

As is becoming routine with Sylus, you feel like you're in a fever dream, watching him from a great distance: he's ahead of you somewhere, already at his next destination, pulling you along in his slipstream like a bird in flight, when you're not even sure you know how to fly. The only thing you are able to process at the moment is that if you don't say anything, you'll be right back where you started: staring at the streetlights spilling across your ceiling, exhausted in an empty bed, with no sleep in sight.

“No,” you blurt out. “I don’t want to go home. Please. You’re welcome to go, but I came here on a mission, and I am going to fucking complete it even if it kills me.”

He considers you for a moment, before asking, “And what mission is that?”

You look away, unwilling to meet his eyes now. You don’t want to admit that you’re so fucking tired you can hardly see straight, shoot straight, think straight, but every time you close your eyes, the memories come and you can’t you can’t you can’t and you haven’t slept properly in months.

“I see,” is all he says, and he pulls you along, your hand firmly wrapped in his, and you’re too tired to ask what, exactly, he sees. You let him lead you into the cool night, the bright night lights of Linkon City drowning out the stars above. He tosses you a helmet, and unlike the first time he put you on his motorcycle, he lifts you in his arms to plop you on the seat behind his.

“I’ll have Luke and Kieran pick up your bike and have it back to you before you need it tomorrow,” he says before you can even think to ask about it. “Hold on tight, and don’t go falling asleep on me. I won’t scrape you off the pavement if you fall off my ride.”

And just as he knew you would, you do the exact opposite of what he ordered, because you’re his contrary, ever wilful, feral kitten who refuses to do as its told. You wrap your arms around his solid waist, rest your helmeted head against his broad back, and fall promptly asleep. He relishes the feel of your arms still wrapped tightly around him, but the scarlet-ink tendrils of his evol keep you secured against his back in case your hold loosens as you sink deeper into sleep.

He snorts when you begin to snore through the helmet's comms.

He sighs, feeling content for the first time in weeks. It has taken much longer than he anticipated to clean up all the of messes that Sherman and his backers made while he was gone. Mephisto has been reporting to him daily regarding how you were doing, and Kieran and Luke have been on standby in case you needed them. But even sleep-deprived and determined to take care of your own problems by yourself to the point of self-destruction, you have handled what has come your way with competence, so their help has never been absolutely necessary. But Sylus can see just how close to the breaking point you are. Now that things have finally settled in the N109 zone, he intends to begin a new game, and it starts with him flourishing the trump card of his current hand: your invitation to let him use your place as a safe house whenever the ‘need’ arises.

He revs the engine, just for fun, smiles to himself, and rides through the rest of the night, until the sun comes up.

Later, when you wake up alone in your own bed, stretching lazily in the soft sunlight filtering through your gauzy curtains, you realize it’s the best night’s sleep you can ever remember having. You turn your head and find a black feather on the pillow next to you. You flick it gently, and try not to think too deeply about anything at all.

#love and deepspace #love and deepspace sylus #lads sylus #fanfiction #my fanfic #this one got away from me and ended up being wildly longer than intended #self-indulgent comfort for suffering from sleepless nights #sylus x reader #l&ds sylus

176 notes · View notes

mayflora-18 · 6 months ago

Text

Incorrect CoD Quotes #9

Price: There’s something wrong with the kid.

Laswell: Like what?

Price: *holds up a photo of a spider*

Roach: Ew.

Price: *holds up a photo of a cockroach*

Roach: Me.

Price: *holds up a photo of a lady bug*

Roach: *tips his helmet* Evening, ma’am.

Price: You see what I mean?

———

Roach: *sneaks into the barracks at 2am*

Price: *turns in a swivel chair* Care to to tell me where you were?

Roach: I was with… uh… Ghost!

Ghost: *also turns in swivel chair* Care to tr- *keeps spinning* uh Boss- I can’t stop the chair-

Roach: I meant… I was with Garrick.

Gaz: *turns on the light* Honestly Sanderson, you would think Roach would know how to be sneakier.

Roach:

———

Price, walking in: The training grounds are closed because of the ice storm.

Soap: Great! No training!

Soap: *looks out the window* Is Ghost still walking to the training grounds?

Soap: *opens window* HEY DIPSHIT, TRAINING’S CANCELLED!

Ghost: *looks around, confused* GOD?!

———

Ghost: Remember what I taught you.

Farah: The quickest way to a man’s heart is through the fourth and fifth ribs.

Alex: Ghost no!

———

Ghost: *can’t sleep because of nightmares*

Ghost: Listen to your therapist they said.

Ghost: You’ve been through a lot of trauma they said.

Ghost: *throws pillow* WELL YOUR BREATHING EXERCISES AREN’T WORKING NOW, ARE THEY DEBORAH!!

———

Rudy: I have a bad feeling about this.

Alejandro: What do you mean?

Rudy: Don’t you ever get that little voice in your head that tells you if something will get you into trouble?

Alejandro: No?

Rudy: That actually explains so much.

(This could work between Rudy and Soap too, honestly).

———

Nikolai: Physically I’m here but spiritually I’m lying in a Waffle House parking lot somewhere in rural Kentucky, slowly bleeding out from several stab wounds.

Sherlock: Mood.

———

Roach: I want to be a caterpillar.

Sherlock: Explain?

Roach: Eat a lot, sleep for a while. Wake up beautiful.

Sherlock: You know that they have a lifespan of, like, two weeks right?

Roach: That’s another highlight.

Soap: ROACH NO-

———

Sherlock: How do people just stay motivated their entire lives? What drives you? I got out of bed once and I’ve been exhausted ever since.

Ghost: You need to learn to hate life to the point where you want revenge on existence itself.

The rest of the 141:

Nikolai: *nods in agreement*

Roach: *furiously takes notes*

———

Soap: Is e seo do choire gu lèir.

Ghost: I know, I know.

Gaz: You know Gaelic??

Ghost: No, I just know the phrase “this is all your fault” in every language he speaks.

———

Roach: Sleeping is nice because you’re not exactly dead and you’re not awake so it’s a win-win situation.

Sherlock: It’s like being dead without the commitment.

Nikolai: An open relationship with death.

Farah: Death with benefits.

Ghost: An every night stand.

Meanwhile, everyone else in the background: *absolutely horrified*

———

*1am at 141 base*

Soap: If I drink Red Bull and NyQuil will I stay up or pass out?

Ghost: …Get off the fridge and go to bed like a normal human being.

*Later*

Ghost: SHERLOCK I HAVE A QUESTION!

Sherlock: Ghost what the fuck it’s 3am.

#call of duty #incorrect call of duty quotes #incorrect cod quotes #captain john price #kate laswell #gary roach sanderson #simon ghost riley #inspired by pinterest #kyle gaz garrick #john soap mactavish #farah karim #alex keller #rudolfo parra #alejandro vargas #call of duty oc #cod sherlock #chimera sherlock #cod nikolai

174 notes · View notes

sugardolle · 1 year ago

Text

my new routine to life. 💋

how i get everything i want + succeed. 🎀

first off i don’t use subliminals neither do i participate in affirmation challenges. i use to but i grew to feel that it’s unnecessary. on my account you won’t see neither of those.

i know about affirmations, i know about non dualism, i know about states. however something about all of this did not sit right with me idc, my brain didn’t like it. all of this information and you’re bound to be confused especially with the arguments about what and what, literally for weeks. people take “do what works for you” for granted.

i didn’t throw all of these ideas and concepts away however i shaped tf out of them to fit what feels right with me, and that’s what a lot of people don’t do, hence all of these arguments for no reason ! a bunch of mad people and for what.

a @/nazdoll.e original post ( insta ).

ONE ) i know that what i want will show up for me now or what society called the future. time doesn’t exists to me, my future is my present and so is my past. manifesting on a time crunch doesn’t exist either in my book. because if i already had it, is it really a time crunch? you can’t want something so bad for it just to not show up. when you know you have this much power, whatever you want can’t not show up for you. it’s bound to at this point.

TWO ) when something isn't 'showing' up, it isn't because of me. because i know once i become aware that this thing exist in my life at some point of "time." knowing time does NOT exist. it exists now. i can easily decide on when to have it. just because i became aware of that fact. and for two; the 4D & 3D are the same exact thing. they can't exist separately it's one complete thing. so whatever it is that i want it has no choice but to show up.

THREE ) i can't fix a broken person, i'm not their momma nor a therapist. i feel like a lot of ppl should hear this! i will never take my train of thought, etc., to 'manifest' back dirt ass people !when i can use that energy to put a better person into my life that didn't fuck me over the first time. cause friendship wise i thought about it before but i thought to myself do i need this past energy in my life again?' like nooo. it’s a fresh breath of air manifesting someone new and i find it more comfortable and easier. i’m too good to do myself dirty.

FOUR ) life is effortless once you know you have zero limits, and become aware that you are in control of your own limits ! i promise just sit down one day & close your eyes and become aware of the fact that you can control the limit(s) that you think you have. you can literally erase it.

FIVE ) my mindset has no labels. if it seems correct to me, i will take this and that and follow it. what most of us need to do is relearn and go back to the "basics". the first thing we learned that got us to wherever we are now. it helped me so much, and got rid of any clutter in my mind.. with the information i have, i know i got hella options and so it was just a big spot of ink in my mind. i threw away some stuff and kept some.

i’m now one of those one people who just write down what they want and decide that i have it. fuck a state, fuck an affirmation, that’s literally how it is. obviously i’m educated about those things but i don’t take up all of my time trying to “get in a state” or “how long should i saturated for?”

if you can’t be a spoiled brat about what you want then i don’t know what to tell you. because that’s what it basically it is. 🎀

signing off — vixendolle ( kaydolle ). 🍭 ⋆ ˚｡⋆୨ ʚɞ ୧⋆ ˚｡⋆

#kaydolle. 🎀#aka missangel. 🧁#girlblogger #law of assumption #loa blog #manifesting #manifestation #spirituality #it girl #it girl diary #self care #hyperfeminine #vixendolle. 🎀#neville goddard #dream girl #dream life #self concept #affirmations #dolle diaries

472 notes · View notes

useyourwordsdarling · 5 months ago

Note

Hey, I hope this isn't too rude considering you already have an effing mountain of asks in your inbox, but I wanted to express my gratitude. No pressure to respond; I just hope you see it, and it makes you smile. Just read the pink out of this word salad; my kink is that I feel the need to explain my reasoning like a proper STEM idiot.

(below explaining why I'm thanking you essentially)

Probably oversharing here, but:

For the last two years or so, I've started to believe that the only men who would accept me were those that needed me as their therapist rather than a partner. I don't mean just listening to them; I mean them struggling with mental health crises and me having to pick up the pieces like the empathetic dumbass I am (and them being too scared to call the hospital). These are just the sort of people I seem to attract. As you can imagine, that did wonders for my self-worth and future perception of people who hit on me.

I already consider myself an eccentric woman. Among other things, my libido often feels insatiable. I write smut both on and off tumblr, the latter of which is some of the most nonsensical, most embarrassing, most bizarre shit I have ever written. 783 pages since 2020, the last 100 pages of which have been me realizing I have a deep-seated desire to be a cocksleeve. It's hard enough to tell people how much I care about having a healthy, passionate sexual relationship without bringing any of that into the mix.

(end explanation, TL;DR I attract shitty men and am insecure as hell about my own sexual preferences.)

All of that has made me despair on numerous occasions that I will ever get to know someone who both actually loves me and wants to fuck the absolute shit out of me.

But blogs like yours have lifted me out of that hellhole of anxiety more than once. Seeing both your own fantasies and the way you respond to your asks makes me feel like I'm not doomed to a relationship where I will have to sacrifice a large part of myself for the other person's sake. It makes me think: "People like this exist somewhere."

Thank you for being a dom that cares about your sub, and thank you for sharing on this blursed platform where I could see you.

Side (less wholesome) note: Yes, you have provided a lot of fuel for my smut pieces, and I am officially blaming you for the fact that there are now 446 fucking instances of the word "Daddy" in my most recent collection.

I appreciate how much effort you put into making this. And as another STEM idiot I love the way you made your reasoning. Also to be clear I love asks, I just have a hard time replying to many at once, but I appreciate them a lot.

And as to you attracting shitty men, I understand how exhausting and how heavy it might be the burden to carry the responsibility over someone’s mental health issues. But I think that also says a lot about your character, how you’re someone who’s really caring. Who wants to help these people, which is an amazing thing but it can be problematic if you don’t set boundaries. Which is a hard thing to do (I know because I’m bad at that…) it’s healthy to focus on your own mental health, your own problems. Especially when we have very little energy left.

And you aren’t doomed for that type of relationship I believe. And I hope you eventually find the right person who’ll love you and not make you responsible over their mess (and also fuck the shit out of you, fingers crossed). So it’s just a matter of time

Side (even less wholesome) note: I’d be lying if I said part of me isn’t curious about those 446 instances now..

117 notes · View notes

itsascreambaby96 · 1 year ago

Text

Summer Camp

Warnings: SMUT! 18+ mdni!!! Mentions of blood, death and stabbing, double penetration. Name calling. A little bit of somnophilia. Oral (m on f) . Pet names. Choking. Slapping. If I missed anything please let me know.

Pairings: Stu Macher x fem!reader x Billy Loomis

Word count: 5k

A/N: This technically wasn't a request. It can be read as a second part of this fic. But mainly it is its own fic no need to read the other one to understand this one. I also have no idea if the camp really exists, I made the name up. Please enjoy and leave feedback.

"You've never been to summer camp when you were a wee kid?!"

Stu couldn't believe it, neither could Billy but he didn't make a big deal out of it, other than Stu.

You just shrugged. "I didn't. Why is that such a problem?"

"It's not." Billy said, giving Stu a look.

"Well it kinda is! I mean every child went to summer camp so their parents could have some time off of them right?"

That did leave a little peng in your heart. Poor Stu, he always had a rather complicated relationship with his parents.

"You really should see a therapist because of that." Billy spoke again. Stu gave him a look.

"Yeah well if I should then you should too, because of your unresolved mommy problems!" Stu was not amused and now he was dragging Billy down too.

You had to do something quick, or your boys would definitely kill each other.

"So what did I miss while not going to a summer camp?" That got Stu's attention back to you. He went into great detail on all the things he had to do, shooting arrows, canoeing, even making friendship bracelets, the horror stories they told in their little cabin. How he was the master of horror stories, which earned him a snort from Billy.

"You went there together?"

"Jup, I always snuck into Billy's cabin cause it was more fun there." Stu gave you a wink. "Especially when we were older."

"And I clearly remember I got the badge for best Horror Story teller." Billy grinned.

"Pf in your dreams!"

"No no I clearly remember! How you almost pooped your pants when I told the story of the guy who slaughtered every kid in summer camp."

"First, that was just your wishful thinking. Second, it is the plot of Friday the 13th."

"So? Not my fault those kids didn't watch the movie."

"Yeah cause we were kids!"

"I watched it."

"Because you are not normal."

You laughed softly at their banter. You were so used to it by now.

"What else did you guys do?" And so they went on with their stories.

You thought with that the topic would end. And you were right. But a few weeks before you guys left for college, your boys came up with a camping trip. You weren't a big fan of camping but they were persistent. You couldn't really say no to their ideas. So you agreed. Maybe it could be fun. If only you knew how much fun it would be.

You drove 3 hours to a big forest. Billy assigned you to make a mixtape for the journey and also let you drive shotgun.

Stu was pouty for an hour, before his good mood returned. You might have given him one too many sweets. When you arrived you parked the car at the destined spot and got out. Both Billy and Stu had packed a big backpack making sure you didn't have to carry too much. Aren't they the sweetest? Then you three were off into the woods. It was very hot and you were glad for the shorts you were wearing, though you were sure your legs would be littered with insect bites. Oh well, the fun of going camping. What you failed to notice was that neither Stu nor Billy had packed a tent. They had a much different plan. It also seemed like they knew exactly where they were going, well at least Billy because Stu was next to you talking. It wasn't as bad as you expected it to go actually.

After 3 hours though you were getting slower, your energy was dwindling.

"Are we almost there?" You were whining at this point.

"Yeah, there should only be another hour." Billy was still as motivated as when you started. How, you didn't know.

You were groaning at his reply, displeasure setting in. For the next hour you were grumbling about how "this better be worth it" and how "you were going to plan the next vacation". The whole time Stu only chuckled next to you at your attitude.

"Don't worry it will all be worth it."

"You better be right."

After another half hour, thanks to you demanding a break, you saw a big clearing, cabins littered everywhere, and a big sign welcoming you to "Camp Silver Lake." The whole place seemed to be abandoned though.

"You are kidding." You looked at Billy who, like Stu, was grinning.

"Nope. We thought it would be fun to show you what you missed." Stu was so excited about the whole thing. It makes you question how he didn't spoil the surprise at all beforehand.

"So is this the one where you two went?" You were not going to ruin the fun. You actually believed this could be a great few days.

"Pf no. We were at a more … luxurious camp. Though they are all the same anyway." Billy was making his way to a cabin, assuming you two would follow him.

"The place hasn't been closed for long. Only one or two years. So everything should still be in a rather good condition." Opening the door and going in you could see he was right. But you still didn't think it would be a good idea to sleep in those beds. Sure they were infested with bugs.

"We will put the mattresses down and sleep in sleeping bags on them." Billy saw your sceptical look. You gave him a grateful smile.

"Enough talking. Last one in the lake is a stink bug!" Stu had already taken off his shirt running outside. Billy and you gave each other a look before darting out of the cabin. Laughing you took off your shirt while running, and somehow your shorts too. You almost fell over trying to undo your boots, giving a triumphant grunt as they slipped off. Billy wasn't far behind and Stu was a few feet in front of you struggling with his second boot. You were squealing, running past him.

"Who is going to be the stink bug now Macher?!" Laughing you didn't notice him being done with his shoe and running after you. He's almost got you but you somehow slipped from his grasp. He was laughing too and you two almost stumbled over each other. Billy used that to his advantage and ran past the two of you onto the dock and jumped into the lake. You and Stu weren't far behind jumping in.

Emerging from the depths of the lake you saw that Stu was dunking Billy, laughing.

You enjoyed the mild temperatures of the water on your skin, floating on your back a little. You didn't see Stu staring at your glistening skin that was revealed from the water. He was subtly liking his lips. You were effortlessly beautiful. Suddenly two arms wrapped around your middle, pulling you under. You were trashing and swam up again looking at a grinning Billy. You pushed at his chest, huffing but not being mad. When he only laughed you splashed water at him and into his open mouth. He was gagging and coughing.

"Serves you right." It was your turn to grin.

"Oh you will be sorry for that!"

Squealing and laughing, you swam away from him as fast as possible.

"Stu save me!" You were climbing onto his back.

"Oh of course princess." He swam away with you on his back, Billy hot on his tail.

The three of you spend the rest of the day like this, mostly in the water, laughing and just having a good time.

As the sun was slowly beginning to vanish behind the trees, Billy and Stu took care of gathering wood for a campfire, while you arranged the sleeping arrangement. You made sure you were going to sleep in between them. After getting dressed, you grabbed the food and went outside, seeing Stu and Billy fighting each other with sticks. You watched them with an amused look.

"You can't win, old man!" It was Billy talking to Stu, trying to hit him.

Stu blocked the attack, grinning.

"If you strike me down I will become more powerful than you could possibly imagine!"

"You should not have come back!"

They continued fighting. After a little more of this you stepped into their view, distracting Stu. This was Billy's chance to strike and he did. Stu let out a painful hiss and went down. You knew your part and screamed a dramatic "No!"

That made Stu laugh full heartedly. Billy was chuckling. "Oscar worthy performance sweetheart." You bowed, laughing sweetly.

"Thank you. Thank you. You can get autographs later." As Stu got up and dusted off, Billy gave you a loving kiss, making you hum.

"Now can we please eat? I am starving."

"Of course."

They were going back to their task, you sitting down on a log watching them. The soft pushes and the banter they shared made you smile. The good mood stayed for the rest of the evening. After eating you guys talked and talked for hours. You were leaning with your back against Stu, the night colder than you thought it would be, but Stu kept you plenty warm. Especially after Billy denied you his sweater that he was wearing. Stu was more than glad to jump in and be your hero, making Billy roll his eyes playfully. Your eyes were closed and you were already half asleep. You couldn't really make out the words they were speaking, and you didn't really care. You knew you were safe with them.

"Do you wanna do it tonight?"

"No, she's exhausted, let's give her some rest. Tomorrow will be better."

You would have wondered what they were actually talking about but sleep pulled you in.

When you woke up you were in your sleeping bag, Billy and Stu snoring away on either side of you. Giving them both a soft kiss you carefully stood up, getting ready for the day. While you prepared breakfast a sleepy Billy emerged. His hair stood in all directions and his eyes were barely open. You offered him a cup of coffee which he took gratefully. You turned back to your task, Billy sipping his coffee and watching you like a hawk. His eyes moving over your every curve. The swell of your ass, resisting the urge to slap it like he so often does, playful or not. Your thighs which he loves to grab and squeeze and have his head between. He was getting worked up watching you be a cute little housewife in the middle of the woods. Wanting nothing more to bend you over and fuck you silly. He put his cup down and snug up behind you. Wrapping an arm around your middle and pulling you in, a soft gasp leaving your lips. Billy nuzzled at your neck inhaling your smell. A low hum left him as the beguiling smell of you hit his nostrils. You closed your eyes, enjoying the soft moment between the two of you. He was softly squeezing your hip as he gently placed kisses over your neck. Your head lulled to the side as he bit your neck like he so often does.

"Billy…" his name was nothing more than a whisper on your lips. He only grunted in acknowledgement not parting from your neck though.

The moment was ruined when Stu emerged from the cabin with a more than shrill "Good morning!"

With a sigh Billy dropped his head onto your shoulder, you softly patted his cheek.

"Morning Stu." He gave you a big sloppy kiss, making you laugh as he slapped Billy's bubble butt. "Oi! Watch it!" Stu just grinned at him.

The three of you ate your breakfast, Stu filling the silence with unimportant chatter.

The rest of the day was spent exploring. You saw many squirrels and got excited every single time. How could you not with their cute little faces and their fluffy tail.

It was almost dark when you got back to the camp. You were exhausted and hungry. Stu took care of preparing something, meaning hot dogs. After scarfing down your meal you enjoyed a bit of quiet. Billy started to tell some horror stories, to give you more of the summer camp feeling. You appreciated it but some of the stories were really terrifying and you wondered where he got them from. The one about a haunted doll freaked you out the most. You were never a fan of dolls. Stu chimed in here and there because he could see how stiff you were and wanted to lighten your mood a little, but it didn't help much. That's why you stayed even closer to them while sleeping tonight. You didn't mind horror stories usually but something about being in the middle of the woods alone, only with your boyfriends made you more jumpy than usual.

It was no surprise that you woke up when you heard something outside, noticing that Stu was not next to you, Billy snoring on your other side. Stu was probably using the bathroom. But then you heard something again right outside the cabin. You jumped and woke Billy, who gave a grunt.

"Billy, wake up! I think something's outside!"

"That's probably just the wind. Go back to sleep." He kept mumbling, not even opening his eyes.

"It is not. It sounded like footsteps and groaning."

"That's probably just Stu trying to scare you."

"What if not? What if someone has already killed him and now he is coming for us?!"

"I am never telling you horror stories again before sleeping." You could hear the annoyance in his voice.

"Can we please just go check?"

"Can we please go check? Are you serious? Have you never watched a horror movie in your life? That's basically a death wish."

"I know! But I don't want our boyfriend to die!" You stood up and looked around for some kind of weapon. You found an old crowbar in the room and looked at Billy expectantly. He let out another groan and got up.

"If I die I will haunt your ass."

"I can live with that. Now let's go."

"Give me the crowbar first."

"No. Get your own weapon. This is mine." You held the crowbar close to your chest.

"Are you serious?"

"Yes."

Billy rolled his eyes and went outside without anything to protect himself. You were following close behind.

The both of you looked around carefully.

"Stu!" Calling for him as loud as you could.

"Shut up! Are you insane? This will lead the killer right to us!"

"I thought there wasn't one!" You whisper yelled.

"There probably isn't but you don't have to shout either!" Billy hissed.

The two of you kept sneaking around looking for Stu. That was until you bumped into something, assuming it was Billy you went to apologise but when you looked behind you, you saw a white mask with big black eyes and a wide open black mouth. You let out a loud scream as the person lunged at you with a knife missing you only by a few inches as you ran away.

"Billy!" You were running for your life, looking behind you to see if the killer was chasing you, but he was gone. Frantically you were looking for Billy. Turning around the corner you bumped into him, clinging to him.

"There's a killer! There's a killer here! We need to find Stu and leave!"

Billy looked at you with big eyes and nodded, taking the crowbar, that you've completely forgotten about, from your hand. His eyes widened when he saw the masked killer show up behind you. As quickly as he could he pushed you behind him and went to hit the killer with his weapon. But the guy wasn't stupid and saw Billy's attack coming, taking a hold of the crowbar. Billy tried to get him to loosen his grip but there was no chance. The killer pulled Billy closer and stabbed him into his stomach. You led out a scream as you heard Billy groan. The killer then went on to stab Billy multiple times. Over and over again. You started to cry. Billy's legs gave out and he fell to the ground. Your hand flew to cover your mouth, tears streaming down your face.

You looked back at the killer who was looking at you, wiping his knife off of Billy's blood with one hand. Then he came stalking over to you. Your legs felt like jelly as you stumbled back, your back hitting the cabin. The killer was right in front of you, lifting his knife to strike you down too, just like he did with Billy. You closed your eyes and looked to the side. But after waiting several moments nothing happened. So you opened your eyes only for them to widen. The mask was lifted and sat atop of Stu's head.

"Stu?" Your voice was shaking.

"Surprise princess." He was grinning.

Coming back to your senses you started pushing him. "What the fuck is wrong with you Stu?! Are you insane?! You killed Billy!"

Just as you said that Billy jumped out from behind Stu, scaring you half to death. You didn't understand a single thing. His shirt was stained with his blood but he looked as alive as ever wearing the same grin that Stu wore.

"How are you alive?" You felt stupid asking him that.

Billy licked some 'blood' off of his fingers.

"Corn Syrup. Same stuff they used as pig's blood in Carrie."

You were in utter disbelief.

"Are you two fucking kidding me?! I thought you were dead! I was scared for my life! I thought I was going to die!"

"Awww babes we are sorry. But a prank is always played during summer camp." Stu got a sheepish look.

"That was some fucking prank Stu!" You were getting more angry by the second.

They gave each other a look. Pushing past the two you stormed back to your cabin. The two boys are hot on your heels.

"Sweetheart, come on, it was just a prank." But you didn't respond to Billy, way too furious.

"Don't be mad at us. We love you."

"If you'd love me you wouldn't have done this fucked up shit."

"Ok ok we are sorry ok?" Billy got a hold of your wrist making you stop. He turned you around putting his hands on your cheeks, making you look at him. "We really are sorry."

"I don't know if I believe you. I was so scared. I thought I lost you." Tears were welling up in your eyes at the image of Billy laying in his own blood. Dead. Stu's head popped up over Billy's shoulder. Giving you his best puppy dog eyes.

"Please forgive us. We swear we will never do that again."

"You better not."

"So are we forgiven?" They looked at you hopeful.

"Ask me again tomorrow…" With that you went into the cabin and back into your sleeping bag. You laid there for a while, eyes closed. Stu and Billy took a little while to come inside. You could hear them talking outside. You pretended to sleep when they came in, laying down beside you. They didn't know if you wanted to be close to them so they refrained from their usual cuddly positions. You didn't fall asleep until dawn, when exhaustion finally took you over.

You don't know how long you've been sleeping for but a very pleasurable feeling between your legs was waking you from your slumber. A soft moan left your lips and you fluttered your eyes open. Between your legs you could make out a tuft of blonde curls. Stu was eating you out lazily and softly. So different from his usual pace. Your hand crept into his hair pulling softly but it only made him release your clit from between his lips.

"Good morning princess." He gave you a soft kiss.

"Morning Stu. What are you doing?"

"What does it look like? I am apologising." He grinned at you and went back to work, making you arch your back softly.

"If this is the apology for last night you will have to do much better."

"Oh princess, this is only the start. We plan to properly apologise, don't you worry. If you let us of course." Billy spoke up beside you. You looked at him, nodding.

"Of course." Realising that they took off your clothes completely. Billy was playing with your boobs.

Stu continued to play your pussy like he so often did before. Two of his fingers already buried deep inside you, fucking you open for them both. His lips were wrapped around your clit, the tip of his tongue flipping your little bud of nerves in his mouth. He loved being messy even when things were going slower than normal.

Billy's lips wrapped around one of your nipples, his teeth gazing softly. Your other hand that wasn't in Stu's hair went into Billy's, pulling them both closer to you. It was so easy to forgive them like this but you wouldn't tell them that. Stu slowly added a third finger, scissoring them to fuck you more, curling them to find your gspot. He was so attune with your body, that it didn't take him long to find the spot that made your toes curl and an almost pornographic moan to leave your lips. Billy pulled at your nipple with his lips, making you clench around Stu's fingers. When you looked down you saw Stu was humping the ground while eating you out. This puts a lazy grin on your face.

"Stu… Billy please." You wanted them both desperately.

"What do you want, pretty girl?" Billy looked at you with his intense eyes. Stu's mouth never leaving your wet cunt as he looked up at the both of you.

"Need you. Need you both. Please." You were begging a little. But you truly needed to be filled by them.

"Where do you need us?" Stu pulled at your clit letting it pop out of his mouth.

"Inside me. Need you both inside of me. Please." You were looking at them pleadingly.

"Think you can handle us both?" Stu asked teasingly. You nodded quickly. Stu gave your dripping pussy another kiss before standing up and undressing. Billy doing the same. You kept staring at them both. The both of them started to make out, Billy pulling Stu closer, biting his lip harshly. They got lost in their little make out session. You cleared your throat.

"I thought this was my apology here."

They parted and looked at you, both grinning.

"Of course."

"Sorry sweetheart we got a little lost." Billy came over to you first, laying down beside you and pulling you on top of him, your boobs pressed against his chest. He started to kiss you passionately as he entered you. You moaned against his lips. Taking the opportunity Billy slipped his tongue into your mouth playing with your own. He started to thrust into you. Slow but hard. Deliberately. Making you feel every inch of him. Your gummy walls stretch around him. Billy continued his thrusting for a moment before he stopped.

Stu got into position behind you. Getting ready to push into your tight cunt too. Slowly and carefully he pushed in. Your eyes squeezed shut, the stretch almost unbearable. Both Billy and Stu groaned at the feeling, both being in your tight cunt while having their dicks rub together at the same time. They gave you time to adjust to being filled to the brim. You were panting. Billy gave you a soft kiss.

"Are you ok?"

You nodded. "Yeah I'm good."

They both started to move slowly. Working in tandem. You couldn't keep your moans in. It felt so good. How they knew how to play your body. Stu was gripping your hips so hard, definitely leaving bruises. Your eyebrows were knit together. Billy was groaning underneath you, Stu moaning behind you.

The slick sound of your juices mixing with your guys' moans. It was so lewd but it turned you on all the more. Billy kissed you again, sloppily. He kept sucking on your tongue. When he let go of your tongue you felt Stu leaning over your back, down, his head next to yours. He gave you a particular hard thrust making you scream in pleasure. Stu and Billy kissed again, just as sloppily as you two did. You were moving against Billy with every hard thrust.

Somehow they managed to roll around, a squeal leaving your lips. Stu now under you. Your back on his chest, Billy on top of you. Billy gave your tits a hard squeez, now more in control of his thrusts. You felt like a rag doll how they handled you, and you loved every second of it.

Billy laid a few quick slaps to your tits making you moan loudly. Your head fell onto Stu's shoulder. One of his hands wrapped around your throat.

"You looked so cute being all scared last night. Really wanted to fuck you there." Stu's voice was deep, laced with lust. You whimpered at his words, his hand squeezing around your throat, cutting off the bloodstream, slowly becoming lightheaded. It only added to your pleasure.

Billy's thumb gazed over the little scars you had on your hips, where you let them carve in their initials, while angling his hips a little differently. His thrusts only became harder.

"You know we would never let anything happen to you princess." Billy's voice was equally as deep as Stu's. The same ounce of lust in them.

"You are ours. And we protect what's ours."

You looked at him with glossy eyes, the pleasure almost too much. They fluttered close when Stu's other hand went between your body's and he started to rub your clit deliberately. You didn't keep your eyes closed for long, because Billy took hold of your face, squeezing your cheeks together.

"Do you understand sweetheart?"

You nodded dumbly, way too fucked out.

"Say it."

Stu's hand left your throat making you take in a deep breath, your head clearing up a little. Stu's thrusts got faster, your eyes rolling back. Billy gripped your cheeks harder, matching his thrusts into your soaking pussy.

"Say. It." His words were harsh, his thrusts emphasised his words, but you knew it was because he wanted his anwer.

"I'm yours. I'm all your Billy, Stu. Only yours." Your words were slurred. Partially from pleasure and partially from still having your cheeks pressed together.

"And?"

"You protect what's yours. You protect me." You were so close. But you knew better than to come without permission even if this was meant as your apology.

"And we take such good care of you don't we?"

You nodded, tears now streaming down your face all from the pleasure of their cocks inside of you and Stu's relentless pace on your clit.

"You take such good care of me."

"Good girl. Isn't she Stu?" Billy looked a little behind you, directly at Stu who, in return, gave him a shit eating grin.

"Oh she is the best girl. Aren't you, pretty thing?" He gave your cheek, that Billy finally released from his grip, an exaggerated kiss.

Billy's hand wrapped around your throat now making you gasp. Both their pace is becoming faster. Sloppier. Stu gave your nipples a hard pinch making you sob in pleasure. You were clenching around them so hard trying not to come without their permission.

"Aw I think she is close Stu."

"Mh you think we should let her come?"

"I don't know. What do you think sweetheart? Do you think you should come?" Both their voices were teasing, condescending even. Billy gave your throat a squeez after you didn't answer immediately.

"Please."

"Please what?" Billy's tone got harsher.

"Lemme come…" Your voice was hoarse from the moaning and screaming.

Billy looked at Stu again.

"You think we should let her?"

"I don't know man. Seems like she doesn't really want to."

"Yeah I was thinking the same thing. But it is our apology after all."

"You are right. I think we should give her that."

They talked about you like you weren't even there. It should be embarrassing but it only got you more wet.

"Go ahead doll. Come for us."

"Yeah, soak us in your juices."

It only took a few short moments of their hard, precise thrusts, Stu's thumb rubbing your clit the right way and Billy squeezing your throats not too tight, for you to finally come. It was earth shattering. Your legs started to shake uncontrollably and your eyes rolled back so far into your skull, your ears started ringing. You were clenching so hard around Billy and Stu that it didn't take them long to come right after you. Both groaning in unison, shooting their seed right into you without a care. They rode out their orgasms before Billy collapsed on top of you. You weren't completely back to your senses yet.

You didn't really notice how they carefully slipped out of you, some of their joined load dripping out of you. Your thighs slick with your own arousal.

Billy took a good look at your dripping pussy.

"Damn. Still the most pretty pussy even all fucked out."

You only came back to reality when the both of them started to clean you up, already dressed again after cleaning up themselves.

"You back with us sweetheart?" Billy's voice had nothing of the harshness from earlier.

"Yeah. That was mind-blowing. We should do this more often." Your voice was still hoarse but you kept smiling at them, utterly satisfied.

"Sure thing, pretty girl."

"So does this mean we are forgiven?" Stu plopped down next to you, offering you something to drink. You thankfully took it and gulped it down.

"Mh I will consider forgiving you after some more mind-blowing orgasms."

You gave them a cheeky smile.

They grinned at you in return.

"That can be arranged."

They were on you again in seconds. You didn't leave the cabin the whole day. They really made you forgive them wholeheartedly. To be fair though you think there wasn't much of your brain left after they fucked you stupif all day

#billy loomis x reader #stu macher x reader #stu macher x you #billy loomis x you #billy loomis x reader x stu macher #stu macher x reader x billy loomis #billy loomis smut #stu macher smut #billy loomis imagine #stu macher imagine #billy loomis #stu macher #scream #bea's writing #ghostface #ghostface x reader #ghostface smut

998 notes · View notes

actual-changeling · 11 months ago

Text

It was actually rather hard to decide how to begin this meta post because there are essentially going to be two main parts: why Crowley does not actually avoid/run from his problems and why "going off" is not a bad thing regardless.

Then I wrote the first part and realised this is now 2.5k words long, so uhhhh I will grant part 2 its own post.

With that, welcome back to Alex's today-not-unhinged meta corner!

I am going to approach this topic from a psychological angle, which a lot of people have already done, but without explicitly mentioning it or going into depth. All my information comes from personal experience, research, my therapist, and my psychiatrist, just so you know I am not making shit up. I actually dug up some resources my therapist gave me a while ago.

Generally, there are four different fear/survival responses: fight, flight, freeze, and fawn. Most people have probably heard about fight and flight, since those two are usually the only ones that are mentioned/taught, so I will stick to explaining the other two.

"Fawning" refers to actively being submissive and subdued, both physically and emotionally. The goal is to appear non-threatening and to calm whoever is causing the fear response in the first place. It shows up as being overly agreeable, not having thoughts/opinions of your own and ignoring them if you do, your body language changing (e.g., making yourself smaller, taking up less space), and generally attempting to 'keep the peace' or reinstate it.

"Freezing" is pretty much exactly what it says on the tin—you freeze. It means slipping into a dissociative state, which disconnects you from your body, your emotions/mind, and/or the outside world. Usually, people stop being able to talk well or at all, they do not move, and if they do, it is on autopilot; you do not fight or flee, you simply exist until what is causing the fear response is over.

While dissociating, your brain is unable to form full memories—and depending on how heavily you are dissociating, it does not form any memories at all.

Freezing as a response happens when fight, flight, and fawn aren't possible anymore, e.g., a child who has no internal mechanisms to deal with large amounts of fear because it's a child, so the only way to escape the pain and aggressor is by fleeing into your mind and shutting down.

Why am I telling you all this? Because most people tend to have one or two survival responses that dominate/they usually fall back on, and the same goes for Aziraphale and Crowley.

When faced with an outside problem and a lot of stress, Aziraphale's first instinct is to fawn, to placate the person, to diffuse the situation, to make sure everyone is agreeing, or, at the very least, submitting to authority figures or aggressors. It is what heaven teaches them—stick to the rules, don't ask questions, do what you are told. If fawning involves lying, he will do so, here the need for safety is stronger than his desire to be truthful and stick to his morals.

Unfortunately, the fact that this is his primary fear response is also the reason behind his extreme cognitive dissonance. How can you stick to the rules when you do not know what the rules ARE? So he is stuck trying to figure out what is "good" and what is "bad" so he can be a good angel and avoid doing anything that might be seen as bad or disobedient.

His secondary response to stress or fear is to fight—once it's clear that fawning won't work, he can and will switch over to being more direct and aggressive/less submissive. We see that happening when he gets discorporated in season 1 and needs to get back to earth, at the airbase, or when the bookshop gets attacked.

If I were to ask you what you think Crowley's primary fear response is, how would you respond?

Well, if you said "flight"—you're wrong, and I will explain why.

Flight is his secondary fear response, it is what he falls back on in absolute emergencies when everything is doomed and there's nothing he can do anymore.

Before that, though, he fights.

Even as an angel, he was already questioning the system, he was ready to go and tell God she was doing a terrible job, that her ideas were bad, that he wants to keep his stars and the universe— six thousand years are nothing! If you actively oppose existing rules and defy people's authority over you, fighting is the only option you have unless you plan on giving up or the response becomes too much to deal with.

Fear itself happens when you or someone/something you love is being threatened (whether that threat is real or simply perceived as such doesn't matter), plus there are a large number of more irrational fears.

Crowley's creations were threatened -> He goes against the rules, he wants to fight for them.

On the walls of Eden, he questions God and talks to an angel, his hereditary enemy, once again defying the rules, questioning them.

Job and his children were threatened -> He goes against orders to try and save them.

There is good reason to believe he went against God by saving some of the children from the flood.

He showed Jesus the kingdoms of the world—do we really think that was based on orders? No, it was once again Crowley not playing by the rules.

Wessex? He proposes the Arrangement, which is one gigantic "fuck you" in his fight against celestial rules. Everything after that goes back to Crowley knowing that their jobs suck and that they can cheat, fight the system by working together. In 1827, it gets him pulled to hell and punished, and yet he does not stop; he keeps fighting.

Crowley is the one who immediately tries to stop the apocalypse. Aziraphale needs to be talked into it, needs to be convinced with selfish reasons and personal pleasure.

The reason why both heaven and hell absolutely loathe him is not because he is a runner; it's because he constantly and consistently defies them. He fights.

In season two, he immediately tries to deal with the Gabriel problem while Aziraphale is standing behind him and saying "I don't know" to all of his questions. Taking him somewhere so they can figure shit out in peace is not 'running'—it's smart. Sure, it's far from ideal, but we see what keeping him in the bookshop brought them, don't we? The hiding miracle is what tipped heaven and hell off in the first place.

Aziraphale goes to Edinburgh based on a hunch, but once again—did that help? Did his journalist roleplay trip actually provide vital information that solved a single puzzle piece of that mess? No. Finding out that Gabriel was at that pub with some mystery person was a nice fact to know, but that's it.

During the ball, Crowley is scared, vigilant, prowling around the shop, checking windows, telling Aziraphale to "stop this charade" so they can figure out what to do. Aziraphale, in that moment, was already convinced that sticking to the rules would save them—a heavenly embassy on a technicality, surely the group of fallen angels who got booted due to not following heaven's rules will respect that.

Crowley goes to heaven, which is once again him actively looking for a solution, while Aziraphale also falls back on fighting because fawning is not going to do shit.

There are three times during which Crowley suggests fleeing—which is his secondary fear response—but those are exceptions. Let's have a look at them.

The first one is at the bandstand, the evening before the Apocalypse, and since Aziraphale is lying to him, the situation seems hopeless to him. Yet he is still having his 'agents' look for him, is still fighting.

Do you know why he even suggests running? He is about to leave when Aziraphale calls him back with "there isn't anywhere to go," and now allow me to insert the following passage from the scriptbook.

Crowley looks back. He looks at Aziraphale. Above them, a beautiful starry sky. And Crowley softens.

"Big universe. Even if this all ends up in a puddle of burning goo, we could go off together."

The sentence in the show is slightly different, but they have one thing in common: If.

IF the world ends, we can still leave and be together. IF.

Crowley is NOT saying "let's leave", he is presenting Aziraphale with a contingency plan in case stopping the Apocalypse does not work. He is NOT running, he isn't even SUGGESTING to run.

It's a "if the world ends, we can be together. We don't need to be with hell or heaven; we can be in the stars," because remember what the end of the world would mean? Eternal torture for Crowley while Aziraphale bores himself to death in heaven.

The next time he suggests it again—when he stops Aziraphale on the street—several things have happened.

First, he did not leave. If he truly wanted to flee, he would have by now, but he didn't. He sits in a cinema waiting for the end: "Out of time. Out of hope," as Neil puts it. Then Hastur and Ligur show up on screen and tell him, 'You're dead meat, Crowley. You're bloody history. […] We're coming to collect you'.

We all know that means "eternal torture in hell," but if you're not convinced for some reason, have another snippet from the script book that did not make it into the show.

Dagon is speaking from the Bentley's radio while he drives towards the bookshop, saying that something has gone wrong and they're sure he has a 'perfectly reasonable explanation' for it. Once he gets out of the car, however, Dagon still keeps going and says the following:.

"Your explanation, and the circumstances that will accompany it, will provide a source of entertainment for all the damned of hell, Crowley. Because no matter what agonies the damned are suffering, Crowley, you will have it worse."

Crowley already knows that. He has been punished by them before, heard, seen, lived torture, there is no doubt as to what will happen should they catch him. So he does what any person with a single fucking brain cell would do—he tries to get his loved one and FLEE.

Flight is the best response in this situation, and if you need me to explain why, then honestly, I cannot help you anymore. I won't go into detail about Aziraphale's response, but, tl;dr, it was shitty and incredibly hurtful, go figure.

Now, let's get to situation number 3, which is his speech during the final fifteen. We do not have an official script for that, but someone did make transcriptions for all episodes; you can find them here. Additionally, I will copy some of what I already said in a different meta post.

Crowley, stuck in his trauma-induced hypervigilance and paranoia, suggests putting as much distance between them and the problem as possible. I think it is interesting that in ep1 he wants to get Gabriel away from them, while at the end of the season, he is ready to get them away from the problem.

So far, I have never seen anyone mention that change! And it’s important! The entire season, it is hammered into our heads how much they love being on earth. It is THEIR bookshop and THEIR car and THEIR life.

Crowley wants to protect that home, and Gabriel is a threat to it, a threat to both of them, their life, the bookshop—everything. He does not want to leave, he wants his peace and angel in one place.

Yet by allowing Gabriel to stay, Aziraphale destroyed the sense of comfort and safety Crowley had slowly developed over the last few decades. Heaven nipping down every now and then to check in with Aziraphale is very different from him sheltering the Supreme Archangel who is running from ‘something terrible’ without even asking if he’s alright with that.

Aziraphale calls it their bookshop, but he fundamentally still sees it as his space to govern and Crowley as a guest; he even calls it a 'heavenly embassy'.

After another horrible week and having his previously safe space violated by several different times and beings, Crowley is back to where he was before—without a home. That fragile existence broke apart, so he is standing in the heap of shards and telling Aziraphale 'I don’t feel safe here anymore, let’s leave’.

He lost his safe space, but he still has his safe person, his best and only friend, the person he loves. I doubt he cares where exactly they go as long as they’re together and it’s safe.

Returning to heaven—it is the one place Crowley cannot follow him to. It’s literally the worst option, he can’t go back, he won’t go back. So he invokes the bookshop again, if you don’t want to stay for me, stay for the bookshop, your books, your corner of existence that I thought we had carved out for ourselves.

There is a common error that people make regarding the timeline, which is assuming that during this conversation they are already aware of the impending apocalypse—but they aren't. Aziraphale himself has no clue, and while Crowley saw the conversation and trial, he does NOT know when it will happen. For all he knows, it could be tomorrow, could be in a thousand years, and, even if he had been given a date, I doubt they laid out all the details and how to stop it.

Considering that his original plan was "get drunk at the Ritz and then have us time," I don't think he knew literally anything about how or when to stop it. So no, Crowley does NOT suggest running away from earth and leaving it to die.

All he wants is some bloody peace and quiet where no demons, angels, or power-hungry floating heads can interrupt them. A space that is safe and theirs. There are also zero mentions of where he wants them to go; he is not talking about the stars or the universe. He wants to get away from where they currently are because heaven and hell show up uninvited whenever they please.

If your boss and ex-boss constantly kicked down your front door and stated their wish to torture you, would you stay there or would you move? Yeah.

This post got very long, but it was long overdue.

I am tired of seeing people call Crowley a callous coward who always runs away from his problems when he is the literal opposite. You take three sentences said under exceptional circumstances and apply them to Crowley as a whole, when it is nothing but his last ditch effort to keep himself and Aziraphale safe.

One last thing: If you come onto my post and start aggressively arguing about this, I will block you. Genuine discussions and questions are always welcome, being a dick is not, and I also simply cannot handle some of the rhetoric people in this fandom perpetuate because it's very triggering.

Make your own post, don't do it on mine.

#alex talks good omens #good omens #ineffable husbands #good omens meta #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #ineffable divorce #the final fifteen #crowley meta #aziraphale meta #crowley deserves better treatment from this fandom #and people that actually remember canon and don't take some fanfic version of him they have created during the hiatus #so many straight up factually incorrect takes #i dont know if i will make it until season 3 guys

266 notes · View notes

livums · 1 year ago

Text

Liv’s {Totally Optional Non-Mandatory Completely Voluntary} Pointers for Fleshing Out Character Relationships

Hi I’m liv e. and by middling demand I am going to blab a liiittle* bit about relationships.

So I will start by saying that I’m trained & licensed as a marriage and family therapist. So this is kind of what I do all fucking week. And I like this whole writeblr thing so why not make it fun and about fiction instead. LOL.

The purpose of this liiiiittle** post is to offer some ways in which you, a writer (great job btw!), might deepen your own understanding of the relationships between two or more characters in your writing. More specifically, by thinking a little deeper about how relationships function in real life.

These are ways in which I might conceptualize a relationship between people who seek my services as a clinician.

A small disclaimer: the VAST majority of my work is with couples (because I. prefer to see couples over families, lol), so this advice is coming from that perspective. Please keep in mind also that there are certainly infinite other ways to think about relationships. This is just the way I was trained. Or at least, the parts of my training that resonated with me the most, especially as I began writing more seriously.

My hope is that reading and practicing/toying around with these tips will help add another dimension to how relationships play out in your writing. So um. Cheers! Let’s chat.

*it’s not a little. it’s a lot.

**it’s a long post.

i. What I Say vs. What I Mean

When was the last time your partner or good friend pissed you off?

Maybe they were flippant about your feelings. Maybe they blew you off to hang out with someone else. Maybe they keep loading the dishwasher like a neanderthal.

And did you say to them, “Baby/honey/sweetums/bestie, it really upsets me when you load the dishwasher like that. I’ve asked you to do it X way several times, and it feels like you’re not listening to me, or that you don’t care about how I feel” ?

Probably not? Because, hello? (If you did, first try, then, wow! you’re a better person than i’ll ever be.)

You might’ve said “Dude, stop cramming shit in the dishwasher like it’s a fucking suitcase,” or “Haha, wow, again with the dishwasher. Awesome. No, it’s like, whatever.“ Or you might not’ve said anything at all, on purpose.

There is a tension that exists, there, in the CONTRAST between what we are thinking/feeling/meaning (e.g., I love you/I miss you/You hurt me) and what we are communicating via our words and actions (e.g., You never make time for me/You’re so lazy/You’re such a(n) [expletive of choice]).

That tension is ... really fucking interesting to read, huh!

Personally, I have a lot of fun watching the needs/wants/feelings of a character (that we might be privy to, as readers) get filtered through their unique... voice.

So say you write a character who is quite rough around the edges, and not very skilled in affection. They have a deep yearning to be close to [love interest], but they just aren’t accustomed to languaging their true feelings. Maybe we see how scared they are of putting their feelings out there. It’s vulnerable. It’s terrifying.

So instead of “I really care about you, [love interest]”, maybe it comes out something more like “Don’t you have anything better to do with your time than follow me around all fucking day?”

And we, the readers, are like, wow! That’s not what you were thinking at all man! You’re so bad at this, that’s awesome.

So the point of all this is that it’s very helpful to clarify for yourself, in any meaningful interaction between characters in or soon-to-be-in a relationship:

What are the characters individually thinking during this interaction? What are the emotions that are present? How does it show in their body or their movements? Are they careful not to let these things show, or do they not notice at all?

How are they expecting this interaction to go? (Are they afraid something might go wrong? Are they looking for a certain reaction from each other?)

What DON’T they know about what the other person is thinking? What are their assumptions about how the other person perceives them--in general, and in this moment?

What is the GAP or the CONTRAST between all of the above and what actually ends up coming out of their mouth? Or what actions they end up physically taking (or not taking)?

Are the characters aware of their own contrast, here? How do they feel about it? Or, do they think they are being perfectly congruent?

In this way, you have the ability, as a writer, to create some devastatingly (or delightfully) poignant moments between characters. These are the moments that can really sell the reader on the relationship--its importance (why are you showing us this?) and its appeal (thank you for showing us this, this blew our tits off, etc).

ii. Tender Spots and How to Attack Them for Fun and Profit

So we’ve got issues.

What are the things that really fuckin get at you? Those topics that, when brought up, make you really upset and really defensive at like, mach speed. Maybe you’re insecure about your skills. Maybe it really bothers you when people see you as weak/unintelligent/a burden/unattractive. Maybe you have a rough and complicated relationship with a family member.

So these can be thought of as, like, tender spots (lol). You can also think of them as “raw” spots, sensitive spots, or triggers.

Figure out what your characters’ are!

This is another key way in which you can create deep and believable interpersonal drama--Character A (accidentally or intentionally) stomps all over Character B’s sensitive spots. So to speak.

A very cursory and relatively uncomplicated example of this in action:

Tasha and Mimi are two adults in a committed partnership.

Mimi’s got a real fucking chip on her shoulder about being seen as a burden--her father always went to great lengths to make sure she knew just how much he did for her, just how many opportunities he passed up in order to raise her, just how great his life would have been if she’d never been born.

Tasha is the oldest of five siblings. She was frequently tasked with their care, growing up. She did her best not to complain, as her parents were always very busy working to keep a roof over their head. So, Tasha did her part. She would’ve loved to rest and play and goof off like other kids and teens, sure, but it never felt possible with all of her responsibilities.

Mimi is suddenly injured and is unable to do certain things on her own that she had been doing before. Tasha goes about taking care of these things as well as taking on certain other tasks on her own that the pair of them may have tackled as a team before. Tasha feels stretched very thin by the workload, but is deeply concerned about how Mimi feels. There’s nothing to be done about the situation, she reasons, so there’s no point in complaining about how stressed out she is.

Mimi offers to help to the best of her ability, but Tasha is very concerned about her, and insists that Mimi rest and not exert herself. Mimi insists back. Tasha insists back back.

Mimi points out how stressed Tasha must be. Tasha agrees that she is stressed, but does not elaborate on her feelings. Mimi assumes that Tasha must think that she is a burden.

Mimi then becomes very emotionally activated--she is reminded, consciously or unconsciously, of how shitty it felt to have her father tell her over and over again what a burden she is, and how better off he would be without her. So this must be how Tasha really feels about her, Mimi accuses.

Tasha, who is very stressed but who cares very deeply for Mimi and her well-being, and who does not see Mimi as just a burden, becomes very activated in turn--she feels maligned and misunderstood. And now she certainly can’t talk about how stressed out she is, because it will only convince Mimi that she is right.

So Tasha is now convinced that she must continue to hold her feelings in in order to keep the peace--she’s reminded of her childhood spent taking care of others, and how she never felt allowed to express herself.

This example is obviously from a very zoomed-out view, chronologically, and is not exactly the way we would see it written in fiction (fiction is much more moment-by-moment and, well, exciting, usually). BUT we can see where Tasha and Mimi’s sensitivities lie, and how they specifically hurt each other with their behavior (unintentionally, in this case) by stomping RIGHT ON those sensitivities.

Readers love drama. And drama makes the plot go ‘round! So don’t be afraid to lay it on them!

In your (very good and compelling) writing, ESPECIALLY if you want to write engaging relational conflict, you would do well to clarify what your characters’ deepest sensitivities are. Consider the following:

What needs went unmet for them, growing up? A very cliche therapist-y question, but for good reason--our upbringing is where many of our deepest insecurities originate.

Additionally/alternatively, what do your characters understand to be their role in relation to other people? E.g., are they always the caretaker, the burden, the comic relief, the heartbreaker, the lonely hero, the boss? How did they first get this idea of who they’re ‘supposed’ to be towards others, and how was this reinforced throughout their life? Are they satisfied or dissatisfied with their ‘lot in life’? What do they hate about their ‘role’, if anything?

What sorts of situations might remind them of what they hate most about this role? E.g. ‘I enjoy taking care of others, and I’m good at it, but my partner gets upset if I discuss how stressed I get sometimes--I’m never allowed to express myself.’ How can you incorporate these situations into your story to create conflict?

How does your character respond when these sensitivities are triggered? Do they lash out? Do they retreat and get quiet? Do they ghost people altogether?

What do they think will happen if they are unwilling or unable to fulfill this role in their relationships with others? E.g., ‘My partner will leave me if I am not a good caretaker’, ‘Nothing will get done right if I’m not the one taking charge’, ‘If I don’t keep others at arms’ length, even if they say they love me, I’ll end up hurt.’

This is another way in which you can help your relationships really come to life! Anyways. Read on for more cheer and relational joy!

iii. We’re Attracted to What Hurts Us Sometimes, AKA Oops! I Ran into the Knife, Ten Times,

(less of a part 3 and more a part 2.5, but it was simply too long. so,)

So maybe you have a good idea of what your ideal partner/bestie looks like. It’s probably any number of positive traits: kind, considerate, good sense of humor, shapely posterior, ambitious, active, fun-loving, studious, etc.

What probably don’t make the list are things like: emotionally distant like my mother with whom I long to have a reparative experience.

Maybe you’ve witnessed (or been in) a relationship wherein all parties can be described as ‘just so bad for each other’. And maybe this relationship should not have lasted as long as it did (or shouldn’t be lasting as long as it is). And maybe you’re like--’Why are these assholes still together?’ Or, importantly: ‘Why did these assholes get together at all?’ The answer may surprise you! But more likely, it won’t.

Sometimes, we pick people on purpose specifically because they stab us right in the sensitive spot (again. so to speak).

(i should clarify before moving on: I am specifically NOT talking about relational abuse, here. That’s kind of an entirely different subject that is like. the cousin of this subject. In this discussion, I specifically mean relationships in which there is no major power differential--you’re just bad for each other. These relationships can be what we might call ‘toxic’, sure, and painful, but not abusive. The distinction is important, moving forward. ok ty)

[Author’s Note: I need everyone to know that I wrote and subsequently deleted 700 words here because I realized they didn’t make any fucking sense ok. let’s try this one more time.]

Essentially, it’s a known phenomenon among humans that, when we have experience with relational distress in the past (e.g. a partner who neglected you emotionally, or parents who disregarded boundaries you tried to set), we like to seek out similar people with whom to form relationships. Weird! But not really.

The human brain seeks closure and resolution--where we couldn’t get things to work out with our parents, or our exes, we try to get the same situations to work out next time, with someone new.

Let’s look at another example, together. Take my hand,

Suppose you write a character (Character A) whose mother was in and out of their life from a young age, and never seemed to prioritize them. Now suppose you are looking to craft a fraught or tragic or dramatic romance (or other relationship) with this character. Using what you’ve written of your first character’s backstory, you can do just that!

It’s perfectly believable, you know now, for your Character A to pursue a love interest (Character B) who has a tendency to... not want to stick around. Maybe this love interest seems to fear commitment and intimacy.

Now, maybe Character B in actuality has a very dangerous profession that requires that they maintain the utmost discretion, and be ready to flee anywhere at a moment’s notice. Maybe the fate of the city/kingdom/nation/world relies on B’s profession.

It probably doesn’t make them leaving all the time hurt A any less, though.

Character A, unconsciously or not, is determined to make things work this time around. As the relationship deepens, B is faced again and again with the choice--stay, for your love, or go, as duty commands. Maybe they’ve taken a vow for their profession that is no light thing. They leave, time and time again.

Character A, unconsciously or not, remembers this feeling--it’s an old one. Mother, time and time again, chose something else over them. It would be understandable for A to feel a deep anger towards Mom and B both. Maybe A takes drastic action to get back at B (action that is also, symbolically, retaliatory towards Mom)--maybe they cheat on B, or do something that endangers their own safety.

When all they really want is just to get B to stay.

It’s probably very clear now why it’s not so simple a thing for A to choose to date someone more consistent--this is something that goes beyond B alone.

In this way, you can very easily weave themes into the relationship(s) of your main characters. Maybe the story of A explores the pain of abandonment, or loneliness. If B is the protagonist, maybe the story explores the way we excuse our shitty behavior in relationships (maybe the job is a pretext--maybe they really are scared of commitment), or maybe it’s about the dilemma of duty over love.

Relationships don’t always make sense. Or rather, they do make sense, just in a different way than we might expect. You can use this understanding now to intentionally explore a number of complex relationship dynamics, and to create nuanced (but sympathetic) characters. As you do, consider:

In your existing characters’ relationships--what keeps these assholes together? Why do they have to be with each other, as opposed to anyone else? This is important, again, for selling the reader on the relationship, especially if it’s your work’s main relationship.

What initially attracted your characters to each other? Consider again from the previous section (what is this, a fucking textbook?) the historically unmet needs of your character(s).

How do your characters go about expressing their needs? Think again about CONTRAST here--what is the discrepancy between what the actual need is, and how the character seeks to fulfill it? E.g. ‘I need to keep B from leaving me, because it really hurts me when they go, so I’ll go risk my life just to keep their attention (rather than express this pain to them).’

What similarities, if any, exist between your MC’s relationships with the people in their present lives, and your MC’s childhood relationship(s) with their caregiver(s)? Could you expand on/deepen any similarities in your writing? What themes might emerge if you did?

iv. Change / The Arc

So you’ve got your work’s central relationship. It’s believable, it’s just the right amount of dramatic, it’s suitably tragic, and just all-around devastating. People will cry. Great job!

Now what?

Well, that depends--what ending do you envision for your relationship?

If they remain together, do they get the happily ever after? The happy-for-now? Is the reader left to wonder about whether or not their relationship will survive?

Do they not make it at all? Are they separated by tragedy? Do they crash and burn? Or maybe they try their best, but despite how badly they love each other, it’s just not enough?

Whatever the Point B of the relationship is, if it’s central to the work, you’re gonna want to have a clear arc in there. Or not, idk, I’m not your mom.

You might already know, if you inhale every piece of writing advice you come across (like me), what makes a compelling character arc. The good news is that it’s much the same with relationships! Kind of.

Systems (relationships) tend towards homeostasis. Without deliberate intervention, relationships want to remain the way they’ve always been. Just like people!

And just like characters, relationships need a reason to change. Like a catalyst, or a motivation. Whatever the hell you wanna call it.

It’s not always, like, complicated to figure out the driving force behind change in your central relationships. Sometimes the pieces fall together!

Pay attention to the characters within the relationship--as your characters progress through their arcs, their relationship will naturally shift. It will probably not look exactly the same as it did when it began--there might be similarities, of course (they’re not entirely different people.. usually. And there’s a beauty to bookending a story with the familiar, certainly). But in this case, the relationship can be thought of as an extra character, almost. It’s unsatisfying to read a whole story wherein a central character stays exactly the same. It’s further strange and incongruent for a relationship to stay exactly the same while the characters have like, achieved actualization or whatever.

Outside events can force change on a relationship, just as they do individual characters. A couple that’s close to Characters A and B get married--and A & B start to wonder what their future together even looks like. B’s company hires a fiiiine honey, who’s exactly B’s type, and A starts steaming about it. A pandemic ravages the nation, and to prevent the spread of the virus, A and B have to stay inside togeth

YOU GET IT ok anyways I’m fucking tired of writing. If you’re wanting to develop the arc of your MCs’ relationship(s), think on some of this:

Do your characters see any problem(s) present in their relationship? Are they all equally aware of the problem(s)? Do they agree on what the problem(s) are?

How secure are your characters in their relationship? If anything could possibly cause doubt and conflict to arise, what is it?

Where do your characters see their relationship going in the near future? In the far future? Do their visions align? If not, how do they differ? Do they even want the same thing?

Is the arc of the central relationship congruent with the arcs of the characters who comprise it? I.e. does the relationship remain exactly the same as it was when it started, despite the characters undergoing wild metamorphoses? Is the reverse true?

When you think about their relationship, INDEPENDENT of any ending you may already have decided, where do you see it going? Like, where do these people feel like they’re headed, realistically? Does this align with the ending you’ve decided on for them? If not, this doesn’t mean you’ve written a bad relationship or anything, it’s just a possible sign that some really intense shit might have to happen in order to shift their course, y’know? Or not--the world is your oyster and you are the God of your own creation!

What are you trying to say with your story, and do the arcs of the central relationships reflect that message?

final thots

If you read all that shit, thank you. I wrote it all in one sitting and posted it without proofreading 💜

In all seriousness, I want to emphasize that, although some of these aspects of relationships are most visible in rels with a lot of anguish and maybe even some toxicity, you by no means have to write this kind of relationship in order to make use of these tips. You could write a very Normal couple!

The idea is to offer you some avenues through which to consider aspects of your characters’ psychology and personalities, and how they mesh or clash with their partners’ or besties’.

Anyways I hope this was helpful. I love talking about relationships I could literally go on and on all day. Which I kind of just did so. lol.

I’ve been liv and I’ve got two main WIPs I’m working on right now: The Romance of the Demigods and The Marking Blood and they’re full of really really super normal relationships and examples of me definitely taking my own fucking advice.

Cheers and happy writing! 💖💖💖

#writing advice #writing tips #writeblr #writers on tumblr #writers of tumblr #writeblr community #writing community #writing tutorial #how to write romance #i guess #lol

870 notes · View notes