#yes i wrote all of this

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[princess-of-morkva]

thinking about. how merlin brings out the best in arthur and on the other hand arthur brings out the darkest parts of merlin. how arthur always tries to be better and do the right thing because merlin believes in him and he wouldn't want to disappoint him. because he believes merlin is good and he wants to be good for him. how merlin always ends up making the worst decision in his desire to protect arthur, doing things he never thought he'd do. how from saving arthur's life because that's a right thing to do, he goes to putting his life above any of his own morals.

[tubbytarchia]

The bloodied moon cried for you, but you only heard the stars The weeping moon then bled for you, but you only saw her scars

[yallmakemyassitch]

Tripped Security 📸🐟

WITNESS THE POWER OF THE PENCIL, FOOL ✨ @ghastigiggles

Welp guess who's back drawing this stuff! This was very fulfilling and fun, but also pretty difficult because of the amount of details and mistakes I made. It's shocking that I pulled this off in 2 days too (started yesterday)

Either way I hope you enjoy this a lot, but I'm very proud of the results and now have to rest my wrist. This took HOURS but I'm glad to get it out to you Sebastian feigning fools (⁠/⁠^⁠-⁠^⁠(⁠^⁠ ⁠^⁠*⁠)⁠/ 🩷 which includes me haha

More pressure content will come soon enough

[wordsinhaled]

it was really only a matter of time until edwardian payneland happened and what if i channeled maurice about it. just a little

-

Charles is the son of the groundskeeper at St. Hilarion's School for Boys while Edwin is a pupil there. And he can't help but notice Edwin—how he’s nearly always alone, or else being harangued by the cruel older boys who call themselves his peers.

Charles privately thinks they hardly seem equal to him in poise or grace or manner. They are boisterous, brash, crass, violent, all overlaid with a veneer of false propriety, but Charles can see the cracks in it. He knows that sort by how they are inside, and they cannot be like Edwin at all. No, Edwin Paine's got a sad, drawn sort of look about him that Charles can't help recognizing. This lonely boy who feels somehow kindred in a way he can't put a finger on, but is pulled to him all the same, though by rights he'd do better to keep his distance.

Edwin often sits by the lake by himself, to read, or to do his assignments in the shade of the trees. Picturesque as a painting, he is. One day Charles dares to approach him, though he knows the risk in it—prepared to be rebuffed, rebuked for his untoward attention to someone he is meant to ignore; but the boy does not turn him away.

And so they become friends. Tentative, and then less and less so.

Together they explore the school's sprawling grounds, all of whose surprising hiding-places Charles Rowland knows by heart, having wandered them himself for years and made them his own refuge. The woods become theirs; the shore by the lake theirs; the shade of the trees theirs. The attic, where no one comes to look for them in the dead of night, also theirs.

And then one day Charles notices a group of boys surrounding Edwin. The usual cadre, and they're posturing, their voices loud in the autumn air. They’ve ripped Edwin's penny magazine from his grip and are tearing pages out of it, scattering them to be plucked up by the wind. Charles can do nothing else but step in. He shouts at them to back off, puts himself between them and Edwin, and gets himself thrashed for his trouble—but they, at least, finally leave Edwin alone.

Edwin, for his part, cannot believe Charles would be so reckless for his sake. Charles has not yet mentioned to him that he is used to this sort of treatment, and sees worse at home. They sit together in the boathouse by the lake, cross-legged, close enough for Edwin to dab carefully at Charles’ split lip and bleeding knuckles.

“You should not have done that for me,” he chides, though it carries no heat. “What will happen now?” He thinks word is sure to get back to the school, and there will be a scandal. Those boys, who so vocally despise Edwin, will hardly be quiet in their outrage, their humiliation. Charles’ father might be relieved of his post, and then Charles’ family will have to leave St. Hilarion’s. That is how these things go.

And what was it all for? For Edwin? How could it have been worth it?

“Doesn’t matter, does it?" Charles is saying, when Edwin surfaces from his troubled thoughts. "Couldn’t let them treat you like that. They had you five to one. And that, just ‘cause you’re different. I know how it is.” Charles’ eyelashes are very long, and the light turns his eyes a warm, deep amber as he talks fiercely, insistently, in defense of Edwin.

It’s terribly forward, Edwin thinks. And, despite every misgiving, he welcomes it. No one has ever fought for Edwin before. No one has ever spoken about him with such conviction.

Then Charles seems to lapse into pensiveness. “You didn’t have to…” he says softly. "All this." He gestures, with the free hand Edwin isn’t busy wrapping up, at the little bottle of antiseptic, the scissors, the roll of bandages and the cloths, all spread out on the floorboards between them.

“Of course I did,” Edwin says.

Really, he had not given it much consideration. He had had only the presence of mind to memorize the sight of Charles kneeling in the dew-damp grass, angry gaze still spitting fire at the backs of Edwin’s retreating bullies. He’d had blood in his bared teeth, and the briefest flash of desire had seared through Edwin—to kiss him. Merely in thanks, perhaps, but still, to kiss him.

He would know the warmth of Charles’ mouth. Fleeting, forbidden, it would sear itself into his mind for ever.

Of course, he had done no such thing; for he could not. Instead, he’d done the only thing he could do—bent low towards Charles, and squeezed his shoulder once, as if to say, Wait here for me. I will come back to you.

And as he'd turned on his heel and gone off in the direction of the infirmary, leaving Charles there with dusk encroaching, Edwin had hoped Charles understood his gesture for the indelible promise it was.

[ganondoodle]

(OC Lore and design time!)

(it got longer again ... sorry ... idk how to make things short, i just need to talk, but i guess if you can read the written stuff in the pic thats the barest bare bones of what i wrote here)

i was asked what new lore story stuff i had thought about that made me sad which i mentioned a bit ago, and while that is too hard to explain given all the missing context i thought i could at least talk about lore having to do with it :D

so, (Lord) Eadrya is one of my fav OCs (big blue lad, here a rough sketch in humanoid form) they are both one of if not THE most powerful demon alive and the most battle trained;

at the mid point of the story the demon world gets invaded by the celestials (the angel inspired things i talked about in the previous lore post with Xaror) and Shargon, as the king, should be their first and only frontline, but at this point his life is only being sustained by maschinery after being mortally wounded, he cannot fight (he realizes what is going on, rips himself off the maschinery to get at least his youngest child to safety, barely managing it before dying- the guardian, the demons god, takes over his body to attempt to fight against the celestials but cant keep itself alive long enough since its host is already dead) Eadrya takes the role of the frontline fighter (despite being very full of themselves and aggressive they care about their 'job' of protecting their own, also giving them the chance to show off just how strong they are); the fight was going well for them all things considered, but when the guardian activates it drains the power of all elemental lords (which Eadrya is one of, and since they have the most strength it also takes the most from them), so much so that they lose the fight and suffer deadly wounds (the worst being a spear through the chest made of a material that grows hard, root-like formations when in contact with demonic blood like a fungus but worse, also stopping any self healing processes) after the guardian falls apart it creates a huge shockwave of energy that stuns every living thing within a certain distance and possibly more-

Eadrya (in true demon form, so like a blue whale in size at least) was likely taken through an active gateway to the human world in a large tidal wave also created by the guardians fall; they wash up in the harbor of a small secluded village, the head of which is 'lady 13'; although never having seen a demon before and everyone being afraid (largely thinking its a strange hurt animal, only she suspected otherwise), they still gather all villagers to pull out the celestial spear, which is diffcult and brutal given that its already taken root, but the village lacked both knowledge and means to help any other way- doing so damaged their heart which is how they were able to collect samples of all three demonic blood types ('normal' -red like humans-, energy -essentially purely magic- and heartblood -highly concentrated energy only found within the heart of a demon and the only one to contain genetic material) (this is the start of Eadryas character arc, having to deal with the fact that their world is likely destroyed, them failing what they didnt think they could fail, having lost a battle so badly (even if not really their fault) for the first time and not knowing if literally anyone else has survived .. also being now stuck in the human world, which they dont like)

Lady 13 (placeholder name? stands for experiment 13) is a human that was tricked by demon hunters to enroll into a series of experiments trying to create hybrids of demons and humans, which they hoped would be powerful and easily controllable tools for their endeavours, though the two are inherently not compatible, they tried grafting body parts of demons on humans to make them compatible- all experiments failed except for her, more or less, though she never got to see the hybrid she carried and was then told it had died too, they threw her out believing she wouldnt survive much longer either and all such experiments were cancelled due to the high cost of human life, research material (demons are still rare) and upkeep with no successful results Lady 13 survived though (perhaps even via the pirates picking her up?) and she ended up living in said small village far away, hiding her half demonic body, though most know there soemthing 'wrong' with her (her being this tall when it doesnt fit the rest for one), only few know the full extent; she enjoys the life she has now, perhaps on the more poor side but safer and more loved than ever before; she largely lead the efforts to try and help Eadrya when they ended up in the harbor, though there wasnt that much anyone could do it was still enough- they leave immediately after waking up, but return after really having nowhere to go and struggling to deal with everything that has happened; over time (probably years) they start to open up towards the people there (though not .. very much) enough to get rather close with Lady 13 too- she actually falls madly in love but after Eadrya (extremely aro/ace) rejects all her attempts quite clearly she respects their boundaries

However, after hearing news of potential demon sightings Eadrya decides to leave in hopes of not being the last demon left after all; Lady 13 then decides to reveal her secret to them (though hearing and seeing what lengths hunters would go to for their experiments makes them absolutely seething with rage- she insists on not being out for revenge) and asks if they would be willing to donate a small amount of heartblood; shes always wanted to be a mother but is now incompatible with humans too- through things she picked up back at the experiments facillity, hers and her doctors research she is sure that is all that is needed, she dares to ask since she does not know when, if ever, she will meet another demon, much less one she could actually trust enough for this though Eadrya hesitates (why would she want to go through the same thing again that didnt work and threatened her life, if it does work, do they want to be involved with any of this? what if hunters find out it worked after all?) but after her ensuring that they would have no part in it other than giving up a little blood and would not be considered a parent in any way, nor made responsible for anything that might happen to her, but considering it all in the end they agree to it

only for her to reveal shes had a small bottle of it already, along with multiple samples of the other types, which she collected when Eadrya was bleeding out into the harbor not knowing if they will survive, though not wanting to make use of it without their consent either way (they are actuallly rather touched by this)

alot later the main group returns here and it turns out to have worked (though she is unable to walk/bedridden for a long while bc it did alot of damage to her body, which can heal since its demons parts, but only really slowly bc she does not have a full functioning system and no demonic blood of her own -she uses the other samples for the healing process-) though its a little awkward to explain, especially considering that 13.1 took alot after Eadrya xD (their theory as to why it worked so "well" that time is that even though the sample was already taken, them giving their consent for it still made it less likely to be rejected; demons dont need partners to have offspring, and all can do it, they just have to decide to- so them agreeing to it, even though its long been outside their body, still had an effect on the blood sample)

[middle-earth-mythopoeia]

(source, 11/30/22)

KING

[starstruckodysseys]

can you imagine being thirteen and having the world at your fingertips. everyone loves you - why shouldn’t they? you’re the epitome of a good girl, the ideal, the popular cheerleader type who gets The Guy. you giggle and you flirt with the football players and you have sleepovers with your friends (who don’t really feel like your friends but you’re all popular so you have to like each other, right?). you do your makeup and you bat your eyelashes and everything is perfect.

and then you start growing horns. you start looking like the devil - and you might as well be, the way everyone turns on you, starts looking at you as if you’re a freak, a monster. and, well, if everyone’s going to treat you as such, you might as well play the part, right?

so you rebel against your parents (if they’re not lying about that, too). you go out and you buy a bass guitar and you pluck at the strings until your fingers bleed. it’s better than listening to the arguments downstairs. you transform into people you’re not to pretend you could really be someone instead of the shell you are now. you flirt with guys twice your age to pretend you still have it in you, even if it feels hollow. you grin and you bear it but it’s hollow, in the end.

if you can’t be perfection anymore, why bother being anything?

(and then you meet the most wonderful people in your life. and they accept you as you are and don’t ask you to change. but you find yourself changing anyway, because they make you feel like you can be something. like maybe it’s worth it again. and you finally get The Girl. and maybe life isn’t perfection anymore, but maybe perfection is overrated, anyway.)

[raining-anonymously]

frame redraw! i like the mid-afternoon snack club.

[sweetieviktor]

jealous!sevika x bartender!reader (headcanons + tiny scenarios)

summary: while working at the bar, a guy is being inconvenient. luckily, a jealous sevika takes care of him.

content warning: slightly spoilers of season 1, arc 2 and 3, the guy is harassing reader (it is not sooo explicit but if you dont feel comfortable with this dont read it, please!!), little violence (just a punch) and a bit of blood. be warned, be safe!

author notes: i loved doing this request and, as my first one, i hope this is good. btw here is almost 4am and i haven't slept yet (i promised myself that i would write something on the weekend and i did it yey), so there may be a lot of typos and things like that but i can't think properly now, so yep i will post it as it is now, no proof read, no nothing. wish you guys like it!

» in the late night hours, the last drop was more agitated than ever. in every corner there were people talking, smoking, playing and drinking the drinks you made and poured in their cups again and again.

» working in such a crowded place was like hell, specially today, it looked like all of the lanes came to the bar at the same time. but you were well paid, you couldn't complain much, well, not now that a guy was just about to tip you.

“hey, pretty thing,” the weird man waved his hand to get your attention, smiling creepily at you when he finally got it, “would you get me one more of these?” he raised his glass mid air to make his point clearer “i can pay you well...”

» you knew the risks of his proposal, but money is money, and so is job, and you needed it bad now, things in the lanes never were this difficult, but since the enforces forced their troops in, making money was even harder.

» so you did as you were asked. picked up the bottle from behind the counter, walked to his side and poured in the glass a dose of the liquor. he placed a few more coins than the drinks price on the table and you smiled politely, picking them up.

» in between cards, a certain someone was already watching you from afar, waiting to step in if the man tried to do something that could possibly harm you. she was silco's right-hand, a regular at the lost drop and nothing more. just another sometimes flirty customer, but unlike him, she was respectful with you.

» when you turned your body so you could put the bottle back to its place, the man called you. again. and now she was on full alert, almost forgetting about the cards game she was playing.

“pretty thing, you forgot something! you still haven't told me your name, right? i want to know you... better.” the way he was eyeing you, your body, was making you sick and all you wanted to do was to punch him now, and sadly you couldn't.

but someone could. and she did.

even before you registered what was happening, the tall woman was already at your side, almost shielding you from the man's view, burning eyes looking directly at his soul. “if you ever come here again, i swear to you, the chances of you being alive are zero, you understood?”

“b-but ma'am i did nothing!” his nose was bleeding almost comically, but she still kept her composure, holding the man's face in place, so she could punch him again if needed.

“i've asked you if you understood!” she slammed down her mechanical hand on the table, raising it again, her voice full of rage.

“yes, ma'am!” she released him, and he runned away from the bar, shrinking and muttering “sorry's” at you both again and again.

“and you better never try to talk with them like that.” she shouted so he could still hear her words, jealousy dripping in every one of those. when she looked down on you, your pretty eyes were already shining while you looked up at her.

“thanks. for defending me.” you offered her a little smile, a genuine one, and she offered her hand, which you gladly shaked.

“no need to thanks. name's sevika.” she said, displaying a smirk on her so pretty lips.

“sevika... a beautiful name for an even more beautiful lady.”

» you didn't know her well, and neither did she, but maybe this could be a start of something.

[daz4i]

ik we always talk abt how ratio and aventurine are opposites when it comes to aeons (one wants to be seen and isn't, other is seen and hates it) but. it's also interesting to observe how they're opposites with people too. i think

ratio is a somewhat controversial public figure? but mostly well liked. he has some haters sure but his fans and appreciators are louder and more common. he grew up surrounded by people oohing and aahing over his achievements, always a part of a group

and yet. does he have any actual friends? 🤔 literally the only other playable character who has any voice lines about him atm is aventurine. it kinda seems like his only other friends are screwllum and maybe the trailblazer. the other geniuses don't pay much mind to him. iirc in that one keeping up with star rail video where he was announced to be free they mentioned barely knowing him. it's literally just screwllum

meanwhile, aventurine seems to be kind of hated. tbf, he IS a relatively high ranking member in the ipc so that's plenty reason for the average person to dislike him. not to mention his luck is bound to get anyone he's betting against to wish upon his death lol. and idk if that's how he is with just tb or if he's like that with everyone but he also doesn't seem to want to leave a good impression anyway. he grew up alone, quite literally had to kill all the other slaves in order to survive, and ofc, he is the last of his kind. always forced to be separated from others like him.

but. people in his life are generally okay with him. going by numbers, there are currently 7 characters who have voice lines about him. most of them are positive or at least show some form of care or familiarity. he has bonds whether he knows about them or not. people caring about him is why and how he got out of the nihility

and. this is one i'm p sure i have seen brought up before but i think it's important to mention. it doesn't seem like aventurine likes humanity as a whole that much (and can we really blame him for that after what he's been through 😭). but ratio loves humanity to the point of it being a defining characteristic of his, to the point of missing out on what was likely his dream before.

it's an interesting contrast. and it can even add a few layers to the bond between them, too. what it means for them to have it in the first place. how it affects each one of them, and the both of them together as a unit.

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[girlfriendline]

Ovi and Sid vs. The World

"I think we both probably want to stick around a little longer, so it's not time for those beers, or whatever we'll drink, yet."

― Sidney Crosby and Alex Ovechkin 'saved the NHL', but they're not done yet (Rossi, 2023)

(Photo credits: Getty Images)

[gossippool]

logan but as homophobic dog

[venomous-qwille]

Introducing Noon, or 'New Moon' from GITM AU. Noon was the last Moon animatronic made by Fazco before it shut down- created for a themepark based on their popular childrens cartoon 'Fazteam Cosmic Rangers'.

[wwillywonka]

hello lgbt community. i just wrote over 2000 words of a star trek fanfic in two hours