#yeah i'm putting it in their tags

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[technically-human]

Can you draw something with Doom Patrol!Edwin and Netflix!Edwin?

Maybe something about Dp!Edwin talking about his feelings for Charles with N!Edwin?

It's just something I've been thinking of, make it a little angsty?<3

Glad you asked

ko-fi

[chiricat]

ryomina demons are winning

[welcometogrouchland]

ANOTHER SKETCH DUMP! Featuring more of me playing with lineless art. Batman reborn era trio (dick, damian and steph) I miss you...when will you return from war. Also featuring Steph designs bc I've seen ppl dissatisfied w/ her current look, some good mom Talia, and Jason Todd poetry club. Duke is confused not that Jason would start a poetry club but that he'd have such mid poetry opinions. (ID in Alt)

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[geiba]

GUESS WHO'S SICK AND MADE A SHITPOST

i am dedicated to always giving minimum effort. do i like the shading? no. will i do it better? also no <3 anyway hope ya like the shitpost (image reference below)

i found this on pinterest and like. big ruikasa energy, this is exactly the type of shit these two would pull. whether you ship them or not they for sure lose braincells in proximity to each other. i do have like, potentially 3 actually serious good quality fanarts knocking around in my empty cranium (make that + one (1) crack(ish) fanfic idea (romcom style), to tease it a little it's an idiot triangle basically. just one big hilarious misunderstanding really. also it's akitoya, plus tsukasa because the dynamic of akito and tsukasa as kinda in-laws is fucking hilarious to me, imagine the sheer fucking despair of akito realizing that the annoying guy from school is now his semi brother in law. peak shit ) but we'll see about actually making those.

[vickdoom]

had to color swatch Zack for that last post and ended up with all these 🤦.

[divorcedfiddleford]

and you may say to yourself: "my god! what have i done?" and you may tell yourself: "this is not my beautiful wife!" and you may tell yourself: "this is not my beautiful house!" and you may ask yourself: "well, how did i get here?"

time isn't holding up, time isn't after us, time is a pony ride! (images described in alt text)

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[monkies-rising]

you are my sunshine <3

[captainrufflebanger]

I've been haunted by a vision from a text post that crossed my dash last week.

Alt text version below

Yes ma'am 🫡

[qourmet]

Like a Kept Dog...

[thesylverlining]

Okay, this is likely the only thing I'll post on the Bad Batch finale situation:

Tech fans, I would like you to stop calling yourselves "delusional." (Or delulu, or any variant.) I would sincerely ask others to stop as well.

It is both ableist and quite literally inaccurate from a storycraft standpoint.

(Especially because we're talking about a likely neurodivergent character and definitely many neurodivergent fans.)

You weren't. We weren't. The signs were there. The foreshadowing (falling into clouds, the goggles, CX2's Everything) was real and consistent and *intentional.* You are not delusional for LOGICALLY FOLLOWING writing convention patterns and leading where the writing is directing you. (If there's something the majority of autistic story-enthusiasts are good at, it's logical storycraft and pattern recognition, both in creating and consuming! We know how to follow basic steps!)

They can say "oh it was just a red herring", and that is Technically (ha) true, but it is one of the most blatant and frankly cruelly marketed ones, that smacks of stringing fan emotions along to keep us watching when they know many would stop watching if they knew what lay ahead. (Using a basically-confirmed-autistic character's death for shock value and little else, and then using the ambiguity of Is He Really Dead Or Is He This Extremely Similar Looking Guy We Brought in Right After' to keep churning up social media buzz. I might have.)

You were not delusional to have hope - that's what Star Wars is about.

You are not delusional to think this is wrong, a writing fumble, or simply them yanking the football away when *it was there all along.* The road signs were clear, they were just... lying, for lack of a better term.

You're not wrong for being upset about this, the latest in a long history of autistic characters treated as plot devices and catalysts for neurotypical characters' development rather than their own, and fans taken advantage of.

Please treat yourselves better. And if you're on the outside, or neurotypical, please treat us better. I promise, we have actual reasons for feeling pain right now, and delusions are not at all among them.

Thank you.

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[thebibliosphere]

I don't know if I'll ever finish it, but occasionally, I am reminded that I started writing crackfic based on a dream I had after playing too much Garden Life and also reading too many Nightwing comics, and I'll open up the document and laugh myself sick at how awful a time Slade Wilson is having in my haunted flower shop AU.

He's been ripped body and soul out of his genre and into a cozy Hallmark movie with undercurrents of cosmic horror, and there's nothing he can do about it. Worst of all, the human he kidnapped is unkillable. At least by him.

---

Slade took a menacing step forward, then stopped dead in his tracks, unable to move another inch. "The fuck."

He looked down at his boots, struggling to uproot them from the dirt-strewn floor. When that failed, he gave up and took a desperate swing across the shop counter. The little witch didn't even flinch. She didn't need to. The same invisible force wrapped around his arm, holding it in place as he strained his outstretched hand toward her neck.

"What the fuck did you do?" he demanded, arm shaking as sweat began to bead down his brow.

"Me?" she asked, far too innocently, like butter wouldn't melt in that smug, annoying mouth. "Bless your heart, dearie, that's not me. That's the plot armor."

"Plot what?"

"Armor," she repeated slowly for him. "I know you're familiar with the word. I've seen that discounted Spirit Halloween ensemble you call a costume."

Slade snarled, renewing his efforts to crush her windpipe. "I know the word. What does it mean?"

"It means I'm protected. The story can't advance without me, so you're stuck with me." She smiled sweetly. "Lucky you."

"Story? What story? What the fuck are you talking about?"

"This one," she said, gesturing around them as though that explained anything. "The one we're in. The one you pulled me into. The one I can't leave until you figure out whatever the fuck you're supposed to be doing. So if you could hurry up and do that, that'd be great. I've got shit to do, and it doesn't involve holding your hand through whatever bullshit character arc crisis you're going through."

"Lady," Slade breathed out through gritted teeth, "you are fucking insane."

"Oh, sweety," she drawled, leaning across the counter and causing his arm to draw back of its own volition, not allowing him to get a hold of her throat, as she patted him condescendingly on the cheek. Clearly, whatever bullshit proximity magic she was pulling didn't apply to her ability to touch him. "You don't know the half of it."

[northstarscowboyhat]

Haven't been uploading art as much because I'm kind of going through an art style crisis again LOL. Not very happy with my art at the moment, so I've been trying to experiment and practice!

So I've started a new project to help work out the details of my art style. Working on my take of a Deltarune Yellow setting, so have some experimental Clovers!