#writing at 3am things

[laundrybiscuits]

(ETA: now edited and up on AO3)

Look. Eddie knows he can be a little uptight about these things, but. There are rules. If you become a vampire, you don’t need to go full gothic Count Von Dickhead or whatever, but you absolutely cannot just wander around in a puffy vest and light-wash jeans. 

“Why not?” says Steve. He’s leaning back in an armchair, sipping on a bloodbag like it’s a goddamn juicebox. “What, are the vampire police going to arrest me?” 

He pauses. “Wait. There aren’t vampire police, are there?”

“No,” says Eddie. “Probably not. I don’t know. But there are standards which you are refusing to uphold, Steven.”

“Thought you were all about hating conformity, Edward,” Steve says. He’s got an obnoxiously cocky little smirk, the smug undead fucker. 

Eddie grimaces. “Don’t call me that, asswipe. Don’t you feel, like—the call of the night? The siren song of life coursing through fragile human veins? A hunger for destruction that those paltry plastic bags of blood can never truly slake?”

“The bloodbags aren’t so bad,” says Steve, around the straw. “Better than protein shakes.”

“I actually hate you,” Eddie tells him. “Vampirism is wasted on you.”

Steve noisily slurps the last of the blood out of the bottom of the bag. “Come on, you can’t really picture me in some Dracula getup, can you?”

The problem, of course, is that Eddie really, really can. When Robin had read him in on the whole situation, obviously he’d been horrified and concerned—but also, a whole wing of his brain had immediately been cordoned off to work overtime imagining Steve in elaborate Dark Prince regalia, maybe leaning elegantly out of a castle window on the moors, gazing into the foggy dusk. Velvet might’ve been involved.

“...guess not,” says Eddie. It doesn’t sound incredibly convincing to his own ears, but Steve just shrugs and gets up to throw the bloodbag away. 

“There you go, man,” he says, clapping Eddie on the shoulder as he passes. “It’s the 80s. Vampires can be whatever we wanna be.”

———

It gets way too easy to forget about Steve’s condition, until Eddie ends up having to haul him out of a bar in Indy before they get banned for life.  

“Simmer down, buddy,” Eddie says, pulling him into the shadow of the van. “Let’s get those fangs packed away before any of the nice villagers wander by with torches and pitchforks.”

“I’m good,” pants Steve. “It’s all good. Don’t worry about it. It’s fine.”

Eddie lifts an unimpressed eyebrow. “Sure, that’s why your eyes are glowing red and you’re, like, fully vamped out. Which, by the way, looks extremely dumb with the whole clean-cut vibe you decided to rock tonight.”

“Fuck you, I look great,” says Steve, pushing a hand through his hair. He’s not wrong, it’s just not relevant to how he also looks extremely dumb like this, wearing a pristine henley with fangs hanging out in the parking lot for anyone to see.

“So what the hell happened in there, man? I was finally starting to get somewhere with Todd, and…” Eddie trails off in dawning realization.

“Holy shit, am I—I’m like your territory, aren’t I? Your stupid vampire brain got all screwy and decided to loop me in with Robin and the kids as part of your freaky human coven.”

“Uh,” says Steve. He looks unhappy in a shifty kind of way. “Something like that, maybe.”

“Wait, so, are Nancy and Jonathan—are you okay with them because they’re both already in the vamp pack? Is Vickie gonna have to be inaugurated before she and Robin can bone down?” Eddie perks up. “Shit, is there a ceremony? We could totally do a ceremony.” He bets he can get the kids to liberate some velour curtains from the drama club. With a few candles, they could get some serious atmosphere going.

“No, shut up, nobody’s doing a damn ceremony,” Steve groans. “Vickie’s fine.” 

“Okay,” says Eddie. “So…you gonna tell me what all that was about, then? Do I have to start running guys past you first so your vamp instincts don’t wig out? Or…hm, maybe Argyle’d be down to mess around sometime.”

Steve lets out an actual snarl with weird animal echoes, then claps a hand over his mouth.

“Sorry,” he says, muffled. The shadows around them seem darker somehow. 

“So I’m just not allowed to get laid ever again,” says Eddie slowly. “For vampire reasons.”

“Do whatever you want, man.” Steve’s still got his hand pressed tight over his mouth. 

“And it’s…just me?” Eddie peers at the tightness around Steve’s eyes; the way he’s scowling stubbornly at his feet. “Huh. Kind of…possessive, Harrington.”

“It’s—weird,” says Steve miserably, dropping his hand at last. “I know it’s fucking weird.”

“Maybe.” Eddie shrugs, biting down on the grin he can feel tugging at his mouth. “Lucky for you, I’m into that shit.”

“What?” Steve frowns. “You’re…”

“Always wanted a vampire boyfriend,” says Eddie. “Like, are you kidding? I would’ve sold my fucking soul at 15 for something like that.”

“I’m starting to feel a little objectified here,” says Steve, but he’s smiling, and he reaches out to snag Eddie’s belt loop and tug him stumbling closer. “Just in it for the fangs, huh?”

“Well, you’re kind of a shitty vampire, actually.” Eddie drapes his arms over Steve’s shoulders. “So I guess I must just be in it for you.”

Steve hesitates, searching Eddie’s face. Stray red lights are still sparking like embers in Steve’s irises. “Okay, but—you’re in it? Right?”

“Couldn’t get rid of me if you tried, Bunnicula. I’ll send the vampire police after you, just watch me,” says Eddie, and kisses him.

[existingillusion]

[rentedvsl]

one of my biggest writing icks is when the writer spends so much time trying to communicate the plot that they forget to develop meaningful relationships between their characters. theres no improbably tender moments, no redemption for the damned, no metaphors, no laughs shared between enemies. after consuming the media you leave with a ton of information but with no affection or ability to relate. some of the moments that we feel most deeply don't affect the plot & may appear pointless. but somewhere in that seemingly familiar scene theres a piece of you - or someone that you love - being unburied for a moment to be healed.

[unicornpopcorn14]

You know this scene?

And how it was played as a funny jab at Aku's starvation for approval?

Well, I think it portrays more condescension on Dazai's part than it seems...

Because Dazai touching Akutagawa might have been the reason he even fainted.

Akutagawa clearly agrees with Dazai when he points out his exhaustion, responding to his "You're at your limit, now, aren't you?" With "It doesn't matter".

Rashōmon could have been the only thing keeping Akutagawa standing at that moment.

Dazai could have been totally aware that that was the case.

And what he does? Nullify his ability right then and there. Seep what's left of his strength away. Before, and not after, he provides him the praise he oh-so-needs after so, so long.

I'm half certain Dazai wouldn't have given that compliment if he wasn't sure he'd turn his protege off that way. Never having to deal with the reaction, never having to handle the emotions that would result and stem because of him. Easier that way, isn't it?

And you know what? I don't even think Akutagawa heard him at that moment, else why would he still be adamant to win Dazai's approval after this scene?

[lupiinist]

i like the idea that lily is one of the smartest people in hogwarts but she's also just like

very clumsy. she drops things, she trips on air, and she's very unlucky too, gum sticks randomly on her hair (mary or marlene always cuts the tips of her hair every month or so because of that), and everytime something like that happens, she makes an odd sound as she snorts and laughs.

because yes, she's clumsy and unlucky, but she's surprisingly positive about it, she finds everything to be very funny, and mary and marlene are so used to it by now that they're always ready to hold her before she falls, take her out of the way of something that's being thrown, or just hold something she dropped before it breaks.

i like lily being a bit of a mess, let her be a bit of a failgirl as a treat, she's adorable, and she's a genius!!!!

(also, mary can't help but look so, so fond and in love with her whenever lily laughs when she trips on the hem of her robes, like she makes the entire day brighter just by smiling)

[yourlocalabomination]

Woman…

[yikes-ajax]

I dont have a clever and witty sarcastic comment tonight, I just think she's cute

[wandixx]

Ok it closes out on me when I tried typing it the first time-

Anyway, I'm a sucker for shock value ones, just so funny to me, so how about M'gann being nervous about introducing bf danny and it happens at an inconvenient time! Could go ghost royalty, ancient of space or anything, hell ghost as dragons would be pretty funny, up to you though!

I'm not sure if I did a good job at this, but I didn't want you to wait too long and real life is keepimg me busier than expected, so for now, it's here. I may continue it one day (I also have different version of fill for this prompt, because neither idea felt right, so if you'd like to see I too, just let me know whatever way is most convenient to you)

This wasn't supposed to happen like that. M'gann didn't have a super detailed plan on how it was supposed to happen, but even her vague (thought and rethought every night) ideas were anything but this. It was supposed to be a calm, low-stakes situation. Maybe even make it look like an accidental meeting, Team in civies hanging out around Happy Harbour, bumping into Danny and then she'd just introduced him, perhaps adding ‘btw, he is my boyfriend’ almost like an afterthought. This seemed like the best possible scenario.

This was also, as expected with the way hero life is, the exact opposite of what actually happened.

Of course, it didn’t start with anything heralding the absolute disaster this day had to become. Kinda accidentally the Team stumbled upon something between a cave and a basement, and in it a group of people, who decided to perform a summoning of a genie so they could… wish for stuff. They didn’t even look like cultists or villains of any sort, just a group of random adults from seemingly very different backgrounds. M’gann had a really hard time understanding what actually brought them together other than their wishes.

Which was actually pretty useful when it came to fighting them, because nobody really cared about their fellow summoner, just trying to save their own butt. She kinda wished more of their opponents were so incompetent.

Though, she spoke too soon because in the excitement of the fight, somehow all of them didn’t realize that one or two of the summoners… actually managed to finish a summoning. It was honestly a little bit embarrassing.

But, it was too late to dwell on all that, as right above the summoning circle appeared a circle in a worryingly familiar shade of green.

Of course, this one time she didn’t have any equipment from Danny, had to be when the Team encountered a ghost.

Ghost in question was a beautiful woman, with long hair covering one of her eyes, in a blue outfit that was related to one of Earth cultures, but M’gann didn’t know which, and a bunch of bracelets on her wrists. Martian could make a hazard guess on who it was, based on the stories Danny told her.

“We don’t have time for explanations, I think I know who this is, if I’m right for the love of everything that’s dear to you, don’t say the word ‘wish’ out loud” she demanded over the Mindlink.

Before she finished, Artemis took silver tape from somewhere and slapped a piece of it over Wally’s mouth. M’gann understood the sentiment but still… it was a little bit too nuclear option.

Desiree (if it was her) didn’t attack anyone, looking a bit confused, giving Team a moment of reprieve to plan and for Kid Flash to make sure none of the summoners could make whatever wish they wanted either. Also with the use of silver tape. Djinn’s were always tricky.

M'gann used this moment of everyone getting their bearings to curse herself for not bringing any ghost weapons this time. Any other mission, Team or not, she had something on her but today? Today she had nothing.

Excluding the summoning engraved into clips holding her cape but it was kinda last resort. It wouldn't annihilate everything in one mile radius or something but she didn't want to drag Danny there if he was during a test, other ghost fight or something. She knew better than anyone that he didn’t need more distractions.

Conner crashed into a wall right next to her. Artemis seemed to lose her cool when none of her arrows seemed to reach the ghost while Robin was trying to make some counter plans with Kaldur. They couldn't do a thing to Desiree and it was a matter of seconds before she stopped entertaining them and went to the city. It… would end badly, most likely. Danny would prefer to get involved before it got that far. Yeah…

She really wished she didn’t have to call.

“I have an idea, cover for me for a minute or two”

“Bold of you to assume we can stop her from anything”

“I believe in you Wally. Just distract her”

“My water attacks seem to be effective weapon against her”

“That’s aster! What do you plan to do, M'gann?”

“Summon another ghost”

She expertly ignored yelling that followed, taking the golden clip off of her cape. She held fabric in place with absentminded use of telekinesis, while she focused on an engraved pattern. Danny's summoning circle wasn't actually too complicated or intricate but she needed to do it just right. And frankly, she just liked looking at it. Physical proof that her boyfriend would be there if she needed it. Drawn representation of who he is, the deepest and truest parts of his soul written in the language that only Universe itself could fully understand.

And it was beautiful. Absolutely incredible. Much better than Desiree's circle, thank you very much.

M’gann dropped to her knees and grabbed leftover chalk from previous summoning and crouched to quickly draw Danny's seal. She had a lot of practice from all the times she doodled it on a whim just to get something of him with her when she missed him the most. She rarely actually summoned him, again, it was difficult to align their schedules, but she was very familiar with the first step.

And it was really easy from there.

She placed the clip in the middle of the circle, shapeshifted one of her nails to get a bit of blood on the chalk and leaned back.

After a careful, deep breath, she started an incantation, putting as much power in her voice as she could.

“I call upon you guard of Amity Park, I call upon you dearest child of the Ice, I call upon you one favored by the Time, I call upon you vanquisher of the Fear, I call upon you subduer of the King, I call upon you defender and the guide, I call upon Phantom, both worlds beloved child”

Circle erupted in green light, putting a momentary pause to the fight. M’gann was still blinking spots away when a figure flung itself out of the summoning circle, right at the Desiree.

“What the fuck?!”

Only after the first punch was thrown did Danny turn back to her, with his usual, somehow both gallant and bashful smile, that without fault made her knees get a little weaker. She smiled back.

“Hello Starlight” he greeted, sounding almost casual.

“Starlight?”

“Hi Angel. Nice of you to drop by” she answered in the same manner. Wally tried to yell from behind the duck tape.

“Angel?! M'gann, who is he? Who is she?!”

“I will always come if you call” he said without any doubt, suddenly as serious as if he was sharing information that could break or make the world.

It certainly worked like that to her world. She actually melted a little on the inside.

“I know”

“Actually, that's kinda cute. I still have no idea who this is, but you go girl”

“I feel like it's not the right time Artemis”

“Not to interrupt… whatever this is, but the other ghost is escaping” Robin cut in “Also, if you want to make out afterwards, please find the room, Batman and Catwoman are traumatizing enough“

Few people snorted, while Danny blushed green. He darted back at Desiree, clearly to escape the embarrassment. M’gann stood up, totally at ease now, that he was there to take care of it.

“Will you need a hand? I don't have any tech but we have a trick or two up our sleeves!” she asked, projecting her voice so it carried through the cavernous basement without yelling.

“I'm good for now but thanks for asking!”

“M’gann, can you give us anything substantial? Who is this? How do you know him?”

“One question at the time and let's wait until he finishes, okay?“

She cut off Mindlink before anyone agreed or protested.

“Miss Martian!”

“Soup time!”

With a blast of light, Desiree got sucked in and Danny landed in front of them with a proud grin.

“My job here is done”

“It truly is. You're getting faster too”

“And thanks to who is that?”

“You”

Danny sent her both an incredulous and playful glare.

“Of course. I miraculously found a ways to not be a mess and don't crash through every wall on my way and–”

“Well, no but–”

“Let me remind you, you're not alone… also who are you dude? And where did the other lady go?” Wally asked, right after ripping the duct tape off his mouth.

“Oh, well, I'm Phantom, I usually work in Amity Park?” he said a bit unsure, as if calling him a protector was under any question. That just wouldn't do.

“He's a hero from Amity Park”

“Thanks love. It's nice to finally meet you all. M talked a lot about you!”

“Can't say same about you, sorry”

“That's fine. I know M was agonizing over how to introduce me in the best way possible. I'm really happy it's finally over,” he paused for a moment, with his brows furrowed “Did I do good? This first impression thing?”

“You're… far less imposing that I personally expected after hearing Miss Martian summoning you, but–”

“M’gann how could you hide this from us?” Conner blurted out quietly, and oh, he sounded so utterly crushed. Everyone fell silent, the playful atmosphere gone as if it had evaporated.

“I never intentionally hid it. It wasn't significant enough to mention at the start and when it became important I felt like I couldn't just drop it at you during lunch or something. I always planned to tell you, there was just never the right time nor right words. I never wanted to hide it.”

“Even just me?”

“Especially you”

“You still should've…”

“Yeah, I should. I'm sorry”

“How long ago have you met?”

“Half a year ago,” Danny said before she managed to answer “It's all kinda my fault actually. I was really set on not getting mixed up with more hero business than I had to back then. I didn't want you or Justice League finding out about me. And when I agreed, it was already really late. I'm sure she'd told you all from the get go if I let her, I'm sorry”

“Why wouldn't you want us to know about you?”

“It's… Probably not the conversation we should have right here, over gagged wannabe cultists.”

“Valid. Let's call the cops and get going. You two have much to explain”

“And you're sitting eight feet apart until you do!”

Danny leaned in to kiss her, quick and playful, before he jumped back at the demanded distance.

“Well, this still went better than at your side”

“Absolutely”

*******

Also, here is some lil arts for a longish wait, sorry again, I hope this story is yours to your expectations

[r3n0-5]

No, it’s not like you haven’t done anything with your life yet, you’ve been abused, you've been laughed at, you’ve been excluded, you’ve been TRAUMATIZED, you deserve to take time for yourself and HEAL

[readthephible]

can we talk about this. please

[felix-lupin]

In Coraline, there’s a recurring theme with names and identity, and I personally don't think it's talked about enough. 

(As a note, this is dealing largely with the book, not the movie, although there are some hints of this theme in the movie as well)

Coraline’s neighbors constantly get her name wrong, calling her “Caroline” and not “Coraline”, to which she persistently corrects them. Despite her attempts, they never get it right, until chapter 10, in which Mr Bobo (Mr Bobinsky) finally gets it right.

"It's Coraline, Mister Bobo," said Coraline. "Not Caroline. Coraline." "Coraline," said Mr Bobo, repeating her name to himself with wonderment and respect. "Very good, Coraline."

It should be noted that, until this chapter, Coraline did not know Mr Bobo’s name either. In fact, it had never even occurred to her that he had a name. Up until then, she had just been thinking of him as “the crazy old man upstairs”, not as a person with a name. This moment, with her learning his name and him getting her name right, is a moment of genuine understanding and connection between the two, humanizing them both to each other.

Coraline’s other neighbors get her name wrong, which is representative of them not listening when she says anything, really, such as her telling Miss Spink and Forcible that her parents are missing and them literally not even acknowledging it at all??

"How are your dear mother and father?" asked Miss Spink. "Missing," said Coraline. "I haven't seen either of them since yesterday. I'm on my own. I think I've probably become a single child family." "Tell your mother that we found the Glasgow Empire press clippings we were telling her about. She seemed very interested when Miriam mentioned them to her." "She's vanished under mysterious circumstances," said Coraline, "and I believe my father has as well." "I'm afraid we'll be out all day tomorrow, Caroline lovely," said Miss Forcible. "We'll be staying with April's niece in Royal Tunbridge Wells."

Mr Bobo gets her name right after being corrected (only after being corrected alongside her using his name, mind you, showcasing her making an effort to listen to and understand him as well), which is representative of him actually making an attempt to listen and understand her. This point is further illustrated by a conversation Coraline had with the Other Mr Bobo in chapter 10.

As Coraline entered he began to talk. "Nothing's changed, little girl," he said, his voice sounding like the noise dry leaves make as they rustle across a pavement. "And what if you do everything you swore you would? What then? Nothing's changed. You'll go home. You'll be bored. You'll be ignored. No one will listen to you, not really listen to you. You're too clever and too quiet for them to understand. They don't even get your name right."

He equates those in the real world not getting Coraline’s name right with them not listening to her, and fundamentally not understanding who she is. So, somebody getting her name right, then, shows them actually listening to her, and being willing to understand who she is.

The mice in the real world know more than they should be able to know, and they also get Coraline’s name right.

"The message is this. Don't go through the door." He paused. "Does that mean anything to you?" "No," said Coraline. The old man shrugged. "They are funny, the mice. They get things wrong. They got your name wrong, you know. They kept saying Coraline. Not Caroline. Not Caroline at all."

They seem to know about the other world, somehow, on some level, and the dangers it presents. Them getting her name right represents them knowing more than they should know, more than they are told. Animals in general seem to have this type of quality in Coraline, actually.

The cat does not have a name. It says so in chapter 4, that cats do not need names. It says that this is because cats know who they are. But humans need names, because they do not.

"Please. What's your name?" Coraline asked the cat. "Look, I'm Coraline. OK?" The cat yawned softly, carefully, revealing a mouth and tongue of astounding pinkness. "Cats don't have names," it said. "No?" said Coraline. "No," said the cat. "Now, you people have names. That's because you don't know who you are. We know who we are, so we don't need names."

The cat shook its head. "No," it said. "I'm not the other anything. I'm me." It tipped its head on one side; green eyes glinted. "You people are spread all over the place. Cats, on the other hand, keep ourselves together. If you see what I mean."

This shows that, in humans, names are connected to our identities and who we are. Names are used to individualize and distinguish ourselves from each other. But cats do not need names to recognize each other, or be recognized.

"Oh. It's you," she said to the black cat. "See?" said the cat. "It wasn't so hard recognising me, was it? Even without names."

With or without names, it is still the same cat.

During the Other Miss Spink and Forcible’s performance, in chapter 4, they begin quoting Shakespeare. The specific quotes that they use are interesting to me when looked at under this lens of the importance of names, especially Miss Forcible’s.

"What's in a name?" asked Miss Forcible. "That which we call a rose by any other name would smell as sweet."

"I know not how to tell thee who I am," said Miss Spink to Miss Forcible.

Now, of course, this is just them quoting Shakespeare. But. Why these quotes specifically? They’re at the very least notable when discussing Coraline’s recurring theme of names. Especially the quote about the rose. It makes me think of what the cat said earlier, about how cats are sure of who they are so they don’t need names, about how Coraline didn’t need the cat’s name to be able to recognize it for who/what it was.

But, of course, this does not apply for humans. We need our names to be able to know ourselves, to be able to tell others who they are.

In chapter 6, Coraline wakes up and is disoriented. This disorientation is compared to the feeling one might experience upon being suddenly pulled out of a daydream. In this comparison, forgetting one’s name is equated with forgetting who one is and where one is.

Sometimes Coraline would forget who she was while she was daydreaming that she was exploring the Arctic, or the Amazon rainforest, or darkest Africa, and it was not until someone tapped her on the shoulder or said her name that Coraline would come back from a million miles away with a start, and all in the fraction of a second have to remember who she was, and what her name was, and that she was even there at all. Now there was the sun on her face, and she was Coraline Jones. Yes.

The ghost children have also forgotten their names, and with it most of who they were. In chapter 7, when Coraline is locked behind the mirror in the Other World, one of the ghost children says that names are the first things that one forgets after death.

"Who are you?" whispered Coraline. "Names, names, names," said another voice, all faraway and lost. "The names are the first thing to go, after the breath has gone, and the beating of the heart. We keep our memories longer than our names. I still keep pictures in my mind of my governess on some May morning, carrying my hoop and stick, and the morning sun behind her, and all the tulips bobbing in the breeze. But I have forgotten the name of my governess, and of the tulips too." "I don't think tulips have names," said Coraline. "They're just tulips." "Perhaps," said the voice sadly. "But I have always thought that these tulips must have had names. They were red, and orange-and-red, and red-and-orange-and-yellow, like the embers in the nursery fire of a winter's evening. I remember them."

The ghost children may have their memories, but they have largely forgotten who they were. They may remember their tulips, and certain strong memories, but there is very, very little left of them, and they have forgotten who they once were, they have forgotten their names.

"That is why we could not leave here, when we died. She kept us, and she fed on us, until now we're nothing left of ourselves, only snakeskins and spider-husks. Find our secret hearts, young mistress."

"She will take your life and all you are and all you care'st for, and she will leave you with nothing but mist and fog. She'll take your joy. And one day you'll awake and your heart and soul will have gone. A husk you'll be, a wisp you'll be, and a thing no more than a dream on waking, or a memory of something forgotten."

The Other Mother stole their hearts and their souls and their selves. She stole who they were away from them, their identities and names and the names of those they loved, leaving nothing in her wake.

The same ghost that talked about the tulips and the names of the tulips struggles to answer when Coraline asks their gender, as well, and when they do eventually give an answer they seem somewhat unsure of it, as shown by the word choice of “perhaps” and “I believe”

"A boy, perhaps, then," continued the one whose hand she was holding. "I believe I was once a boy." And it glowed a little more brightly in the darkness of the room behind the mirror.

(I personally take this quote, specifically it "glow[ing] a little more brightly" after coming to this conclusion, to mean either that the ghost is happy at realizing that he was once a boy, or even to mean that he has become somewhat more tangible upon this realization; upon remembering something about his self, and his identity.)

As an aside, it's noteworthy to me that we never learn the Other Mother’s true name. She is simply “The Other Mother” and “The Beldam.” Never is an actual name applied to her, only titles. We do not truly know who, or what, she is. Beings without names are shrouded in mystery (or should i say mist-ery). The ghost children are benevolent mysterious beings, the cat is an ambivalent-leaning-helpful mysterious being, and the other mother is a distinctly malevolent mysterious being.

"Who are you?" asked Coraline. "I'm your other mother," said the woman.

"She?" "The one who says she's your other mother," said the cat. "What is she?" asked Coraline. The cat did not answer, just padded through the pale mist beside Coraline.

But in conclusion, names in Coraline are extremely important. I’m sure there’s probably more that I'm missing, and feel free to add onto this, but basically—

People need names to know and remember who they are, and forgetting one’s name is the first step to losing the rest of who one is. Names humanize a person; with a name, they are less shrouded in mystery, more clear.

Knowing somebody's name helps one connect to and better understand that person; it is the first step in getting to know them and see them as a full person, the transition from “the crazy man upstairs” to “Mr Bobo”. Names, to people at least, are one of the fundamental building blocks of who we are.

[tennessoui]

it’s like baby gorl there’s no way I, the author who wrote the fic you’re commenting on and who is the intended audience for this comment, am gonna agree with you 😿🙏 some things can just stay on your chest 🙏

[nadas-dirthalen]

I Chose the Wrong Romance in a Game About Regret, and It Made the Game Better

A love letter to BioWare about Dragon Age: the Veilguard.

I don't have the thoughts in me for a formal review of all the aspects of gameplay at this time, nor do I have the brainpower for dissecting my every theory just yet.

But tonight, I want to write to you about the thing that stuck with me the most about Dragon Age: the Veilguard. And that is... I chose the wrong romance for my Rook, and it made the game unforgettable.

Veilguard endgame spoilers below the cut.

(I just liked this tiny screencap, okay. This specific dialogue isn't what I want to talk about.)

For a few days now, I've been trying to think of how to phrase what I want to say. The emotions I felt in the endgame of Veilguard were massive—to the tune I became dehydrated. To convey why that was, I think I have to start at the beginning.

This is the story of Winged Death: the party, the romance, and the headcanons that formed a nightmare combination to break me emotionally.

Meet my Rook: Thenera Sa'renan Aldwir, or Nera for short. A Veil Jumper who lost her mom to blight sickness when she was a teen; who tried to find the Wardens at Skyhold only to learn they'd been exiled; who joined the Veil Jumpers to protect people, but also honor her mother's memory. (Yes, all of this becomes relevant.)

Her name is taken from elven: Thenera from theneras (dream), and Sa'renan from sa (one; one more) and renan (voice). I used the patronymic system outlined in Project Elvhen: Sa'renan was her mother's name. I chose all this in late August, long before I'd really theorized anything substantive about Veilguard.

I did not know how much it would hurt.

All through the game, I got more and more into Nera's head. This was helped out a lot by how much footage I'd seen in September, how I knew Nera would be the "throw a chair while beating up an entire bar" Rook rather than try any attempt at diplomacy. How I knew she'd punch the First Warden without second thought, despite not knowing what the First Warden had done before Weisshaupt. She was always the "hit things with rocks to fix them" Veil Jumper to me, just like Bellara's dialogue references.

It also meant that I felt a lot of her insecurity in the early game: her doubt in her own intellect; her insecurity in her Dalish identity from being kicked out of her clan as a child and living in Wycome as a young adult; her acute awareness of her own trauma and fear around all things blight. To mirror my Inquisitor, who had Dirthamen vallaslin, I gave Nera Falon'Din vallaslin, to signify that she had seen too much death at far too young an age.

I even picked a party for her "default" group: Lucanis and Davrin. Because of Nera's Falon'Din vallaslin, Lucanis' demon wings, and Assan's battlefield presence, I gave my group a name: Winged Death.

And I loved them.

But just like I'd headcanoned a lot of Nera's backstory, I also hypothesized a lot about the Lucanis romance. And, to put it briefly... the game did not match what I expected, and the Lucanis romance was not to my enjoyment, personally. (If you like it, good! I'm glad you do! This post is about Nera, though.)

Right away, Lucanis asked about Nera's favourite drink. When she said tea and he made a disgusted noise and nothing else, I reloaded, choosing the "better" answer of liking the same coffee as him—something that prompted more dialogue. For me, in hindsight, this was the first moment I should have seen that for all Lucanis' charm, he would not fit my gruff, chair-throwing Veil Jumper. But I'd committed, and I was determined to see it through just once.

I didn't want Veilguard to be the story of an elf romancing an elf—for me, that was my Inquisitor's story. I wanted a new flavour.

Only... Lucanis' romance, for Nera, did not pick up much from there. Almost the entirety of act 2 was silent—and that was after saving Treviso. Lucanis seemed to care more for Neve and Minrathous than he did for Rook, in my perception. By then, I'd sunk into Nera's headspace, and I could feel her feeling neglected. I could feel her insecurities rearing their ugly heads: was she too blunt? Not intelligent enough? Somehow too elven, even for a Crow, whose organization is made up of so many elves?

You know who she constantly found acceptance in, though? Whose approval triggered almost every time Nera answered a question honestly, in the stern way that she was predisposed to do?

Davrin. The other half of Winged Death. The one who, now, was bickering with Lucanis almost nonstop in party banter, each constantly jabbing the other about how death would come for them, death would claim all they'd known, their choices would bury them.

Lucanis had precious few opportunities to discuss Nera being an elf; an elf Rook facing down their own gods. But Davrin? Davrin talked about it so much, he would know the horror of being called Da'len by Elgar'nan.

Together, they survived the Cauldron. And where did they shelter? In the ribcage of a slain archdemon. But not just any archdemon.

Zazikel. Who has been confirmed now, in a Veilguard codex, as Falon'Din's archdemon.

And where were the griffons allowed to go, at the end? Arlathan.

I could never have foreseen those parallels, and yet? There they were, piling up too late. I'd already made Nera's choices for her, and I'm not someone who would normally attempt a love triangle.

(She's so pleased with their shenanigans. Just look at that totally carefree and happy face.)

Lucanis' content dried up for Nera, but stayed pretty consistent for Neve—to the point that she had begun to feel sincerely cast aside. I began playing her with that mindset: as if she'd been set adrift, even as she locked in Lucanis' romance.

Around 45 hours into my ~60 hour playthrough, I found myself thinking... maybe I try the Davrinmance next game. Maybe I reroll Nera, even as a Veil Jumper again, to see those griffons in Arlathan. To see two Dalish elves haunted by the same ghosts, and see how they grow. I talked to friends about it. I even headcanoned some more, trying to see how Nera's narrative and personality might slot in with Davrin's questline.

In my head, that looked a little like Nera realizing she felt stronger kinship and connection with Davrin, but denying that to herself. She was, after all, locked in with someone else.

I let myself laugh at this, taking more screenshots of Nera and Davrin than of Nera and Lucanis, right up until the beginning of act 3.

And that's how BioWare got me.

If you're here, you know what comes next. I didn't.

I thought I needed Harding to potentially face down Solas, thanks to her line about wanting to look him in the eye after one of Solas' memories. I thought, maybe, some dialogue would unlock by having Harding in the party during any potential final confrontation.

This was the second time I went against Nera's own character: I chose to keep Harding at Nera's side, rather than Davrin. I did it for my Inquisitor.

And at first, I thought Davrin was surviving my choice.

I even felt happy—proud—that I freed him during the Ghilan'nain fight. I thought if I delayed too long, he might die to the fight's mechanics. But he survived that, too.

Then, the worst played out before my eyes: Lucanis going to take the shot at Ghilan'nain. Being caught. Davrin, racing in to defend. Being impaled. Lucanis hitting Ghilan'nain, only to appear suddenly dead—dead, somehow, how could he be dead, I'd just seen him?—seconds later.

Because of Arlathan, I'd thought this was just another Elgar'nan trick. Solas would come to save us soon. He had to. This was just fake-Solas, conjured by Elgar'nan to make Rook lash out or feel lost. Right?

It didn't hit me until I was in the Fade, and Solas was gone. Until Neve's statues were everywhere, because Nera had chosen Neve to risk that dangerous magic. Neve, who was her very antithesis; who was human enough and sophisticated enough and eloquent enough in ways my spellblade had struggled with reconciling since her teen years.

Saying it was my fault, that my Rook chose this for her—and she had. Her decision was motivated by her favour for Bellara.

I think this is when my Rook stopped denying things to herself. Right here.

This was the person she was closest with in her own party. This was the person who shared her feelings on both her culture and the blight. This was the person who brought joy to her days, with more meaningful dialogues (in Nera's opinion!) than Lucanis had had since act 1.

It is hard to put into words how hard this moment hit me. She had chosen wrong—and I had chosen for her. I was reminded of Taash's line from after Memory #2: "There was stuff he wanted to tell her. But he waited too long. And then she was dead."

And then she was dead.

My Rook knew why Fade Jail held her so well, in that moment. Even before the Varric reveal that had my tear ducts begging for mercy.

The game's mechanics had done that to her. Locked her into a romance with Lucanis (my choice, hellbent on seeing it through), didn't let her leave, didn't allow for her to say anything akin to, 'Hey, Davrin, not in this worldstate... but how about the next one?' (and all of those, for the record, are 100% understandable, and just the nature of video games!)

Lucanis continued to have little in the way of content that fit Nera, and was First Talon, to boot. Nothing in the game could change that; games aren't designed that way. He was destined for a life she was never going to enjoy, locked in to that choice—and she, and I, should've figured it out sooner.

We didn't. Varric was dead. Everything had been a lie. We'd been duped; played. We were never smart enough; together, we were doomed all along.

Every insecurity I'd imagined for Nera came crashing down. And all of them, I'd gleaned from hints in Companions Week. From the footage that released on September 19, showing Rook's backstory choices. From the overall tone of the promotional material we saw, and the strong emphasis on companions, and the declaration of the theme of regret.

And it culminated in me crying harder than I have at any piece of media.

Ever.

Ever.

BioWare gave me every hint I needed to make a fitting Rook, and every single choice they showed me I could make was a weapon. That's why I not only accept, but appreciate the 'spoilers' that we got from Bioware beforehand. That's why I am so far from jaded about the Lucanismance. I could not denounce this experience if I tried, and you know why?

Because through Lucanis' continued flirtatious banter with Neve, the way he stays continually animated so close to her, and the way he gives the same mid-combat praise to Neve as to Rook, my Rook felt like a woman scorned. And it made the game BETTER.

I wouldn't have cried so hard, for so long, if Nera was allowed to be happy. I wouldn't have been shaken to my core as a Solavellan, wondering if there really could be a light at the end of this long, dark tunnel.

The game wouldn't have hit me like it did if Lucanis hadn't come to Rook to declare his feelings only after she had spent time mourning Davrin and Assan. It wouldn't have hurt so good if Lucanis' dialogue afterward never mentioned his worry for exclusively Neve, and not the loss of Davrin—who he'd travelled with all game long.

But Solas had done it: he had molded Nera into a creature of pure regret.

And I, through my determination to try a romance that turned out not to fit my Rook, had let him.

The way it was structured, Lucanis' every sweet word rang hollow after Nera was freed from the Fade, and it made Davrin's, Varric's, and (what I thought was) Neve's deaths hurt that much worse.

There was nothing that could fix the pain in Nera's heart, the pain of her wrong choices not just in failing to romance Davrin, but failing to question Solas, failing to notice peculiarities about "Varric" in the Lighthouse. She felt like she failed, and she had. Undeniably. Because no matter where the conclusion of the game would take us, she'd never end up happy. She'd never want the life of a First Talon's spouse.

Every piece of her character lined up with regret, all at once. It all clicked into place, all in two soul-crushing hours.

Her name is Thenera Sa'renan Aldwir—and she was the victim of a dream of just one voice. She wears Falon'Din vallaslin, and was given a moment to spend time alone with the many, many dead.

Falon'Din: friend of the dead. That was what Nera had become, wasn't it? Because her closest party member—and what might have been her truer love—would not be coming back. Because I could feel that a part of her did not want to leave Fade Jail, and that Emmrich really did have to pull her out.

Winged Death destroyed her.

She rained down fire and lightning all through parts 13 and 14. She became Wrath and Thunder. I let her hit enemies harder than she had to, wasting her mana at every opportunity. Let her vent her every frustration. All I could think of, through the hurt, was this codex.

Elgar'nan, Wrath and Thunder, Give us glory. Give us victory, over the Earth that shakes our cities. Strike the usurpers with your lightning. Burn the ground under your gaze. Bring Winged Death against those who throw down our work.

Nera became all that was left of Winged Death, having let Lucanis fight with the Crows, taking Taash and Harding instead.

Elgar'nan was resistant to all her magic in that final fight. She was weakest at the end, and I didn't want to change her specialization to avoid that fact. She was broken, deep down. Solas' happy ending did not fix what the game had done to Nera's heart.

She, the other half to my Inquisitor, ended up with the opposite fate. Where my Inquisitor's journey on the din'anshiral was ending (or at least, was no longer alone), Nera had thought she had the companionship she wanted, only to wind up on the din'anshiral alone, with no way of recovering Davrin.

Which brings me to her last parallel: Solas' devotion to Mythal. Saying that if he did not tear down the Veil, then "I—she would have died for nothing."

To love someone and say nothing; it twisted them both up inside. Rook and Solas, always intended to be mirrors. One death, enough for each of them to bring the Eldest of the Sun to his knees. To change the elven pantheon forever.

I don't know how I managed to stumble upon this level of pain, but I could not be gladder that I did.

So, at the end of this extremely long post, here is my praise for BioWare. You mad geniuses, if any of you ever, ever see this... you wove regret into this game so well, so deeply, that my own passing thoughts about romance beats and game mechanics wound up stabbing me an additional time in Fade Jail, just as deep as the wound of Varric's death.

So well was this narrative constructed that I found my Rook in every corner of this story, even its tiniest references twining with every headcanon I had made.

Veilguard is so good, so profound, that a romance that did not work for me made the game better. That, to me, is the mark of a kickass narrative: one that fits almost any headcanon while still delivering on a deep, resonant theme.

BioWare couldn't have known that my party would be "Winged Death." Couldn't have known Nera, or her position as a Veil Jumper, or her doubt in her own intellect and her own ability to love. Yet, that is the beauty of Veilguard and of Dragon Age in general: they don't have to know. The writing is brilliant enough that it fits as much as one single story can in terms of possibility, while still hitting home with the same theme for everyone.

So thank you, BioWare. Thank you to every writer, to every animator, to every amazing, talented human whose hands and minds touched this game.

I needed the cry after a hard year, and you all delivered in the best way. I'm doing the Davrinmance now—because I think it's right to try it, and I think Nera deserves it—but this run will always hold the dearest place in my heart. The one where the regret bloomed, in part, because of jokes and headcanons I had made in the middle of a romance I did not enjoy, wishing for a different second playthrough.

The one where it all stabbed me, all at once. You bastards. (affectionate)

[whereismyheartt]

when do you let go?

when it feels heavy on your soul, when you feel more trapped than emancipated, when it tastes less sweet and more like poison, when you feel yourself sinking instead of floating, when freedom becomes a battle, open your heart to intuition, you'll always know

when do you hold on?

when hope exists, when it fills your lungs with air no matter how deep the struggle is, when joy overweighs sadness, when flowers grow from hard spaces in your heart, when you don't feel the friction it's worth holding on to, if it flows, it's worth swimming in

[fuckasur]

"How much did you love her?"

"Enough to forgive the scars she gave me."

[chimerahyperfix]

This loop has to be the one. Nevermind that you said it last loop, and the one before, and the one before that, and most of the ones before that. THIS was the one you'd stop the King in his tracks. You push a few of your many potions to the side to make room on your desk. None of them worked to stop him, so they were useless. He's still about twelve, fourteen? hours away, so you have enough time to make the bomb, eat and take a fat nap before you go pick a fight. Maybe this time, it'll work! It has to!

You've gotten better at making the Craft Bomb. It hasn't blown up on you before you intended to use it in... a long time. You can make it fast enough, now, for it to still be light outside! You've become silent while you work, which Mirabelle has told you is ''worrying'', but you don't see why it is. Are you really that loud? (Yes. You are.)

It's hard work. Soft light bathes your desk, your work, you. You reach out, past your potions, and grab your water bottle. Take a big swig, and

Hmm. That's not water.

How. HOW do you keep making this mistake. You look at the bottle in your hand, and sure enough, it’s one of the potions; your water bottle is shoved in the back of the collection of other containers. The taste is caustic, your throat begins to burn. You shouldn’t be this calm for having just drank something that’ll kill you in a handful of minutes, but it’s happened before. Despite the pain you don't bother trying anything. Just push the finished bomb to the side and lay your face against the wood of the table. Feel the blood start to pool in your mouth and dribbling out, staining the wood. Mirabelle, or Euphie or whoever comes in next, they can use it this loop. It's not the first time you've drank one of the many, many dangerous potions on your desk, and it's probably not the last. Maybe you'll actually clean the crabbing thing off before you work.

Whatever. You have next time. You have all the time.

Perhaps a bit too much, actually.