#what song do you think they're dancing to?

[amelee23]

Thanks for the tag, princess <3

1: What’s your current bias line?

Lee Know (he's my only bias but there's also Chan, Hyune and Han as bias wreckers, albeit they're not doing much damage lol)

2: Who’s the one that made you Stan?

Lee Know

3: What song was your first?

Hellevator

4: What’s your current favorite song?

Chk Chk Boom

5: What members personally resembles yours the most?

Chan (at least that's what others tell me)

6: If you had to pick a specific racha which would you choose?

OtakuRacha ????

7: What’s one attribute of the members do you like the most? (Example: Chans dimples)

Lee Know's nose beauty mark

8: What’s your favorite album?

5 Star

9: Do you have any albums?

Yes, 5 star, Rockstar and ATE

10: Have you been to a concert?

No but fingers crossed

11: Who’s your favorite duo?

Minsung

12: Favorite cover/solo songs:

Love me or leave me by Lino, Limbo, Volcano by Han, ice.cream by Hyunjin, Phobia by Seungmin, Streetlight by Changbin

13: Favorite SKZOO?

Leebit, Han Quokka, WolfChan

14: If you had a day with one member what would you wanna do with them?

Travel somewhere, maybe hike or go sightseeing, try some local foods there

15: Who’s your favorite singing voice?

Lee Know, Han, Chan, Seungmin

16: Who’s your favorite to watch dance?

Lino and Hyunjin

17: Do you have a favorite SKZ Code?

The horror one

18: Favorite MV?

Maniac

19: Who do you think you’d be best friends with?

Chan

20: Let’s feed those delusions, Who are you picking for a date and what are you doing?

Picking Lino and we're renting a cabin by a lake/forest and staring into the void for hours 😂 and having a barbeque and playing backgammon (I win).

I tag all my stay followers because I don't have stay moots anymore lmao. Join if you want!

.·:*¨ 𝑮𝒆𝒕 𝑻𝒐 𝑲𝒏𝒐𝒘 𝑻𝒉𝒆 𝑺𝒕𝒂𝒚 ¨*:·.

20 Questions for my fellow Stays!

Making a little tag game because I love them and I’m nosy tbh. I also just love interacting with yall!

1: What’s your current bias line?

2: Who’s the one that made you Stan?

3: What song was your first?

4: What’s your current favorite song?

5: What members personally resembles yours the most?

6: If you had to pick a specific racha which would you choose?

7: What’s one attribute of the members do you like the most? (Example: Chans dimples)

8: What’s your favorite album?

9: Do you have any albums?

10: Have you been to a concert?

11: Who’s your favorite duo?

12: Favorite cover/solo songs:

13: Favorite SKZOO?

14: If you had a day with one member what would you wanna do with them?

15: Who’s your favorite singing voice?

16: Who’s your favorite to watch dance?

17: Do you have a favorite SKZ Code?

18: Favorite MV?

19: Who do you think you’d be best friends with?

20: Let’s feed those delusions, Who are you picking for a date and what are you doing?

[hanaybuns]

so a while back i learned that there was an episode of osomatsu kun where chibita and osomatsu compete to be prima donnas in iyami's ballet and it got me thinking: what if osomatsu continued and all the brothers became dancers?

so i came up with different types of dance i thought they would get into, but then i found out that theres already an official art with them as dancers!

so I'm gonna compare my hcs with what the staff came up with

(I'll add gifs for how i think they would dance)

Osomatsu:

ok so ballerino oso is extremely disciplined when it comes to ballet, but nothing else in his life.

he's a very charismatic and energetic dancer, he takes up roles like basilio from don quixote and romeo

he used to make perverted comments about the girls costumes in high school and he got reprimanded so badly that his instructor threatened to drop him. he never made a comment like that again.

he still gets in trouble for sneaking drinks and fatty food after performing though

he loves taking up upbeat roles, but his instructor challenges him to channel his emotions into darker roles, he understands that osomatsu has always been a troubled person.

when he gets angry with his brothers, instead of shutting down like he does in the anime, he goes to the studio and practices for days.

the ballerinas in his company warn new students about him "yeah he's a pervert and lazy, but he's a decent guy on stage so don't worry about dancing with him"

Karamatsu:

ballroom, the drama, the emotion, the chemistry, the ROMANCE THE SPARKLEEESSSSS karamatsu loves ballroom dancing.

He specializes in latin ballroom dancing, but can do standard as well

his instructors get mad at him because he loooves to improvise and give his partner an extra twirl and an extra lift when he can

he always ends up falling in love with his partner, he can't help it! "heh, dance and love are the same" he says.

his parters always end up almost crushing on him back, but recoil when they interact with him outside the studio

they're put off by him and his painfulness, but ultimately love dancing with karamatsu. his energy is infectious and always makes for a great show

they get annoyed with him sometimes though, he tends to like to steal the show

he will always find a way to incorporate blue sequins or glitter into his dance wear, his choreographer will literally monitor him until the day of the competition and somehow an hour before it starts he's covered his suit sequined stars (i couldn't find good gifs for him but the couples in this video are exactly how i imagine it)

Choromatsu:

ohhh choro is a tap dancer, and a pretentious one at that

he wanted to be the one to do ballet because it demands a lot of discipline, but ultimately he wasn't athletic enough

he loves tap though and he'll physically fight anyone who makes fun of tap

he mostly does solo choreo because he gets nervous dancing with girls

oh, but if it's group choreo he'll be that guy that'll correct people if they're making a mistake

when people started getting mad at him, he started doing that thing that theater kids do "choreographer, it's supposed to be your left foot on that beat right? ok thanks, just making sure" and looks at you

the people in his studio think he's annoying, but ultimately respect him as a dancer

he works extremely hard, he'll practice every single day and make sure every beat is perfect

he makes his own tap choreo to nyaa chan songs and does them at her concerts

wow it's so much harder to find good tap dancing gifs that you would think, just watch this

k so this post is getting right long, i'll cut it off here and continue later. but keep in mind that these are MY head canons and I will cover the official stuff too

[poetry-protest-pornography]

kpop sampler

my dear @auriette was asking about my non-skz kpop feelings, and i have so many of them, so i thought it would be fun to make a little playlist.

i'm sticking with the 10 link limit (which is v hard) but if you also have a lot of kpop feelings, please rb with a song/group rec of your own!

in no particular order:

The Rose (k-rock)

i love them. They are super funny on social media, and their music is incredible. Screaming this song at the top of my lungs fixes me a little every time. Woosung is also a soloist and he's amazing.

WOODZ

This song gives me the shivers.

He also has a cover of Hype Boy that is A+

The duality of man.

I think WOODZ is vastly underappreciated, and i wish more people were as into him as i am.

Ateez

i know i already talked about them a little bit, but i have to do it again because i love them. just a bunch of insanely talented, stupidly hot weirdos. i love that they're all nerds who make legos together and that everyone but hongjoong and jongho have zero concept of personal space. wooyoung and san are medalists in the kiss your homie olympics. (woo is also bffs with changbin and also yeonjun from txt)

i'm still obsessed with this song and this MV. the ateez lore is very intricate and this is basically cinema.

TXT

insane dance skills, super talented, great music. it was hard to pick which song of theirs to include here, but this is defintely a favorite. def check out devil by the window" also.

they collabed with the jonas brothers and anitta and both songs were incredible. yeonjun just released a solo album. more talented goofballs. i love them.

OnlyOneOf

i am obsessed with OOO. they are incredible. they do most of their own choreo, they committed to making their MVs queer af and include messages of acceptance and support for the lgbtq community in the notes for all their videos. they paired themselves up and talk about kissing each other casually.

and they back it all up with high concept MVs, insane choreo, and great music that will absolutley get stuck in your head. picking a song was hard, but this choreo is too iconic

Hwasa

i am obsessed with her. she is also in mamamoo, who are great, but i am currently absolutely obsessed with her cover of lunch. but this song which is a pretty direct call out of the rampant body shaming in the industry is so much fun.

KARD

kard is the only mixed gender kpop group i know of, and we need more.

they are all adults, and their music and MVs are, too. killer dancey tracks. their friendship is a lot of fun.

BM is also a soloist, and has some very explicit horny songs that don't bother with the (barely) innuendo that kard plays with. he's also hilarious on SM, and on the daebak show

Enhypen

they're just good. i love a concept album, and they killed it with this.

Evnne

i love them.

they were all on boys planet, and i love all the groups that formed from that show (i was going to cheat and make a whole playlist of bp groups, but i'm just going to share this one and i'll make a whole separate bp post)

this video and song are just so fun, and they're so good, and i wanted to yell about them.

(all the boys planet boys are also stray kids levels of obsessed with each other, which i appreciate --zb1 is probably the worst-best about this, but they're all super close)

oh gosh only space for one more... ahhhh who to choooose

Blitzers

this is just so much fun

no one really sounds like blitzers. the horns and big band elements are wholly unique and fit surprisingly well. they are super talented and clearly having a good time with what they do, and it's just a good time.

I hope you like at least some of these songs/groups!

(Now, to play by my own rules and not add another ten in a reblog unless specifically asked to do more!)

Please add your favorite kpop/krock groups to share the joy of good music that we can all be super normal about together!

[canisalbus]

✦ For a moment, when I'm dancing, I am free ✦

[vidavalor]

Aww, thank you for reading & for the kind words, @blackthorn-roses 💕 I hear you on The Final 15. The part that actually breaks me in a good way about the end of S2 isn't even that Aziraphale got into the elevator. It's the way their song in The Bentley and Crowley staying outside the car showed them both still fighting for their relationship.

It circles back to what we learn about what they're both working on back in season's first episode with the argument over Gabriel. Their interactions there show that these two (who already have the healthiness that is The Apology Dance) are continuing to work on getting better at arguments, which is the most married thing possible. They each have something they're working on with it that we can see in the argument.

Aziraphale says stuff he doesn't mean that he regrets when he's angry so he is trying to curb that. Crowley runs away in anger and is trying to get better at managing that. In reality, both of them are stuck in a difficult situation because it's hard to recover from trauma when you're still threatened with it but they're both actively trying and the dialogue suggests they've agreed to both work at these things and help one another with it. Crowley has that oh, so this is how you wanna do it, then? moment when Aziraphale is about to snap that is very much honey, you're about to do the thing, giving Aziraphale a moment to take a breath and use more productive words. Crowley winds up having to do The Apology Dance because he's the one who doesn't hold up his end and left during the argument but they both know that it's pretty understandable, given his PTSD and the situation triggering it. They approach each other's challenges with empathy and humor in The Apology Dance afterwards. This is all healthy and it's shown to be what they can do when they can communicate openly and privately, which is what is taken from them in The Final 15.

In The Final 15, they can't speak openly and, even then, they normally would have been able to manage that better than they did here but a series of unfortunate events pile up and cause them to misunderstand one another. It takes a whole bunch of things happening for that to even happen in the first place. Even if it seems like it's over, it's really not, because they refuse to stop fighting for each other. They both didn't do well in their disagreement in The Final 15 and did the things they have been trying not to but then they both turn around and try to show the other that they know that and make it as right as they can, right in the moment. Aziraphale has the car help him with the song to tell Crowley he loves him. Crowley went out the door but he stayed by the car, trying to live up to his promise to not leave. Through the last scenes, they're still trying with one another.

Those aren't the actions of people who got Ineffably Divorced. They're ones of people who love each other like crazy and don't want to lose one another. A series of outside events caused a lot of confusion and misunderstanding but they'll realize what's happened and sort it out. It's a sad ending for sure because they're both miserable at the end of it but there's more hope there than I think it gets credit for sometimes.

Just on the back of your last post about how Aziraphale and Crowley have been a couple for (literal) ages, of which you have me thoroughly convinced, there's one thing I've never been able to figure out.

In 1941, when Crowley saves the books, what are we seeing from Aziraphale? By this point he knows damned 😉 well that Crowley adores him, so I very much doubt the 'this is when Aziraphale realised his love was returned' theory. Is it to do with their holy water fight?

Apologies if you've covered this already but I've read through your master post and most of your previous posts and couldn't find anything. I keep musing on it and thinking 'oh Vidavalor will know but I shouldn't bother them'!

Ground Control to Mr. Tom! 😊 Hi there. 💕 You are correct that I haven't done a post about this, which feels very much like my all-over-the-place blog, because this is one of the most-discussed scenes in the show. 😂 You are absolutely not a bother! Do not speak such silliness. I'm going to explain my take on that scene with some help from The Archangel Fucking Gabriel. Therefore, there is hot chocolate, should you want a mug.😊

This is also going to be my contribution to the Azirafeast celebrations so I wish any of you reading this many scrumptious returns!

Below the cut is the one in which someone who thinks Crowley and Aziraphale have been lovers since ancient Rome offers an opinion on what's going on with Aziraphale and the books in 1941... by way of a look at what we might be able to learn about this moment from its sister moment in Gabriel & Beez's flashback.

Be them real people or fictional ones, angels-- especially our two, main ones on Good Omens-- are not accustomed to feeling seen.

This is largely because they believe they exist to sacrifice themselves for the protection and betterment of others... that this is literally what they were made by God to do... or at least what they've been told God wants them to do... and, as we know, they've got plenty of questions over all of that.

They can often feel guilty about their consumption of resources-- or their curiosity about doing so in different ways-- when they've been told that those resources and the experiences that come with them are not for them, even if all evidence seems to suggest that might not really be the case.

They are told they are supposed to live small lives of sacrifice and are, as a result, full of conflicts about their hungers, their needs, their desires... about their love, and the want of a free life of their own.

They exhibit perfectionist behaviors, are full of self-criticism, and are excessively self-sacrificing.

Intellectually, they know they are a person with wants and needs like everyone else but they've been taught that they are supposed to be above all of that and breaking free of that abuse comes with negative self-thoughts, anxiety, depression, and a whole slew of other fun struggles.

That attempted thought control and oppression of people that is responsible for these angels' inner torment, though? As The Supreme Archangel aptly puts it while having a total breakdown shown by chasing his metaphorical self (The Fly) around the bookshop and trying to kill it with a Bible...

...it never works.

It might, unfortunately, get some people but it never, ultimately, works in society as a whole for very long because people want to live. People are made to live. They will seek out coffee over death and rebel against any society that seeks to oppress them in whatever way that they can. Eventually, angels who want to break free will find different ways of letting themselves be individuals on their own terms, even as they are still full of conflict about it, as we've seen Aziraphale and Gabriel do throughout the story.

They'll express themselves in different ways but with the same sense of desperation to have something of their own as a way of admitting that they are a person, too.

Maybe, one night, an angel will, say, allow himself to indulge his hungers by eating an entire ox... maybe in front of the demon he'd like to consume with just as much enthusiasm. Maybe those hungers become ones that, despite his inner conflicts that lead to periodic episodes of depression and fasting, this angel will allow himself to otherwise regularly satiate, and in which he finds enjoyment, nourishment, connection and peace, that he would not have otherwise found.

Maybe, on another night, a different angel will let himself slip away from Heaven and return having consumed resources for himself, in the form of a tailor-made suit that serves as proof to himself that he isn't just a symbol but an individual person in his own right. Maybe it gives him a connection to his body that also leads to him jogging and exploring more of the world. Maybe he allows himself the freedom of owning what he can of his own body and own appearance because control over these things have otherwise been taken from him in the process of denying his personhood and making him more of a symbol to be venerated.

While these are good examples of these two angels finding different but similar, healthy paths to recognizing themselves as people, it's one thing to recognize yourself but another thing for someone else to recognize you.

Angels are wonderful at taking care of everyone else but they sometimes have a blind spot when it comes to their own needs and safety. They are so busy taking care of everyone else that they are prone to making mistakes with their own care.

Such as this angel below being so pleased with an opportunity to contribute to the war effort that he missed that he'd accidentally let himself be recruited by the wrong side...

...and needing his partner to identify some Nazis and redirect some bombs to keep him from being discorporated...

...and such as this other angel below being pleased with his ability to show care towards his new partner...

...but also, as we can see by the expression in his reaction to Beez's suggestion above, so unused to being cared for that, even if he was intellectually aware of it, the aspect of partnership involving mutual care was so foreign to him that it threw him for a bit of a loop.

Sometimes, an angel will be going through a period of struggle when it comes to their interactions with the world. It's often times not even just the feeling that they should just be advisors more than active participants and that the world is not for them. They are, in these moments, just imposter syndrome run amok, and that robs them of pursuing that which makes them feel happy and fulfilled.

Loving an angel in this mode requires gentle, genuine, affirming care:

The imposter syndrome modes can strike at any time for angels but tend to do so especially when they've very recently tried to engage with the world in a big way and saw it backfire.

Like when they spend a lot of time trying to sort out their place in the world and regularly go back and forth between being so influential that they personally own and have developed an entire city neighborhood but also then have days when they don't want to open their own bookshop to the world.

Like when they are supposed to be an angel and nothing else but, if they could choose a vocation, they'd be doing card tricks and pulling rabbits out of hats at birthday parties for all of eternity, and they feel so massively guilty about it that they tell themselves that the magic shop is not a place for them.

But maybe never more than like when there is a war on... an absolutely massive, global war... the first atomic war, the war that could bring about Armageddon, for all the angel knows... and everyone in the human world is trying to do their bit as best they can and, one day, a young woman claiming to be British intelligence knocks on the door and says that they need the angel-- this particular angel and only him... this angel who sometimes feels like he doesn't always know how best to help but wants nothing more than to be good and do good and help others.

The Allied Forces needs Mr. Fell for an intelligence mission to help thwart the Nazis and work towards stopping the war. And what do they need from this angel, in particular?

They need his books.

Aziraphale collects books of all kinds but he has two major personal collections that are highlighted in the story. One is humorous and self-aware-- a collection of misprinted Bibles. Those are living proof of the fallacy of language and gospel-- of the bullshit of people. They are comforting to him in their existence, as they reinforce his sense that following what others say is the word of God is not really a better path than following his own moral compass. The Allied Forces don't need these books, though.

They need the other ones that Aziraphale has been collecting forever:

His books of prophecy.

This angel collects written works by humans that profess to be prophetic. He has original works of Nostradamus and Mother Shipton and many others. He has preserved them throughout centuries, keeping them safe in his care, even if the works are, largely, complete and utter balderdash. He has kept these books, nutty as they are, safe from damage and in existence, for years, just in the event that maybe these humans, in some way, really did have answers as to the future of the world in which the angel lives, too.

The one that he knows has been slated to be destroyed around 6,000 years from its inception-- a date that was approaching closer with each breath in 1941.

Was it really going to happen? Was there a way to stop it? Aziraphale has been trying to see if maybe the humans have found a way, studying their prophetic works for centuries upon centuries, anxiously looking for clues on how to stop Armageddon and save the world he loves...

...and also therefore be able, as a result, to stay on Earth with the person he loves and not be separated from him for eternity.

It's these books of this angel-- these beloved, material possessions; these perfect examples of everything that he's been told that he's not supposed to have-- that Captain Rose Montgomery of British Intelligence says that he can provide to entrap some Nazis and help save the world for his fellow humans and his partner.

An angel's biggest blind spot is always wanting to help and never feeling like they're doing enough. They're vulnerable to trusting the wrong people for the right reasons. Their desperation to do good and be good in the face of feeling like they're not a good person at all can cause them to have the best of intentions but be open to manipulation by those with the worst of ones.

Sometimes, it's a human Nazi. Sometimes, it's a supernatural one...

...same difference. Both dangerous. Both examples of an area where an angel might not survive if they don't let in a trusted person who can give to them the same love and care they give to everyone else.

The fallout from making a mistake can be devastating to an angel.

They feel embarrassed and snappish-- the anger and frustration related to the miscalculated situation triggering (and masking) the anxiety and depression to which angels are hardly strangers.

They can retreat into self-doubt. Moments of bravery when it comes to trying again are sometimes just as quickly diluted by their compounding insecurity and the fear that they are just jiggery-pokery and do not belong in the world.

This is when they need their demons the most.

Demons? They are fallen angels.

They know all this about angels because they're not much different themselves.

They have had the experience of having to redefine themselves in the face of being told by their societies that they were no longer angels and, in some ways, that has freed the more introspective demons to have enough perspective to offer counsel to willing angels as to how to manage those conflicts.

These demons, like Crowley and Beez, are uniquely well-suited to loving angels because they have also been through these same conflicts-- and still struggle with many of them.

These demons have experienced violence and violation as a result their angelic conflicts. They are drawn towards the inherent goodness of their angels, who approach them with kindness, respect, and a sense of equality to which the demons are not accustomed but which helps to build trust.

Just as these demons seek to protect these angels from harm that might befall them in the future, the angels we're discussing are both mindful of their partners' pasts and take care to help them feel safe. They are emphatic about their partners' comfort, reinforce their expectations of a partnership involving free choice and equality, and continually make clear that they consider-- and will always consider-- explicit, enthusiastic consent essential.

Their demons' knowledge of the darker aspects of the world also make them uniquely aware of the risks to their angels and they seek to protect them from experiencing the same pain they have felt from trusting the wrong faces. They do everything they can to keep their angels from falling-- literally, as in from Heaven, or more figuratively, as into despair.

They give them music and food and companionship... they open up the world for the angels and help them live life with the other people in the pub, literally and metaphorically. They explore the human world with them and make them feel less alone, letting the angels do the same for them.

Loving an angel is first seeing that angel there and acknowledging their humanity. It's affirming their imperfection as being just part of personhood and holding up that personhood as being worthy of love. It is reflecting back to the angels the same empathy, openness, and lack of judgement as what the angels give to them.

It's seeing that the angel who wrestles with living up to the expectations of the statues in his honor and the titles for which he never asked is, really, an imperfect, good-hearted, kind person beneath his snarky, sharp-edged exterior. It's seeing the depression that clouds his eyes and the fine edges he's walking in Heaven and knowing what comes next more than maybe can see in the moment and protecting him, as best as someone can, from the fallout of those actions.

Beez knows what it is to fall. They see Gabriel already in a downward motion in every way there is and knows that it comes with risk of losing himself, the way that they once did themselves. They dump out the matchsticks because the good kind of fire is already lit between them and the fire of Hell is not for their angel. They gift him a fly-- that which is made from their body. They are Gabriel's container. He is safe by putting all of himself, literally and figuratively, into Beez.

While this is a big moment in the Ineffable Bureaucracy parallel and one that also parallels the holy water, Gabriel's response to it is a mirror to Aziraphale's response to Crowley saving the books in 1941. What can Gabriel maybe tell us about what Aziraphale was feeling then, through what is similar and what is different about these two moments?

For starters, Gabriel and Beez knew how they felt about one another before The Fly. They already had shared that through "Everyday". The Fly is not an "oh" moment for Gabriel, in the sense that it wasn't a sudden revelation of either Beez's love or of his own. If anything, he and Beez never really had an "oh" moment in that sense of one because elements of how they both felt were always just understood and present in their interactions.

This is honestly true of a lot of relationships. A lot of "oh" moments are not so much becoming aware of having feelings for someone but are just being hit with a new aspect of love that both/all parties is/are already aware is in existence, even if it hasn't always yet been fully spoken.

In S1, we see that Gabriel and Beez only let their guard down around one another. They have always been as close to friends as they could be in their positions. They already care about one another when we first see them together and then, in S2, Gabriel is completely unsurprised at Beez's flirting with him moments into the first date-- and Beez had no hesitation in doing so, suggesting that they likely have before.

Their attraction to one another is presented as an existing given between them from the very start of their flashback sequence. There's no "oh" over The Fly or anything else because they just know. They start to give words and actions to it as they fall deeper in love throughout the scenes but there's never any doubt that they both have been long-aware of what exists between them.

If anything, Ineffable Bureaucracy is probably the real, millennia-long pining relationship in Good Omens, as while they had all these very good foundations for a romantic relationship, they didn't really begin to pursue one until between S1 and S2.

Gabriel's response to The Fly parallels Aziraphale's response to Crowley saving the books in 1941, even if the contrasting part of the parallel is that both are responses to gestures made by these demons for their angels in very different stages of these relationships.

For Gabriel, The Fly is an "oh" moment-- but not one that is about a new revelation related to love existing. It's about what is, for him, a heartbreakingly new experience:

It's not that Gabriel doesn't already know how he and Beez both feel about one another because already he does by this point. Gabriel isn't having a realization of the existence of his love or of Beez's love when Beez gives him The Fly; he's having a realization that this is what it feels like to be loved.

And what is feeling loved, to an angel?

It's being and feeling truly seen.

It's someone noticing them and coming along to care for them while they're out there, trying to save the world when they're sometimes not sure they can even save themselves. It's someone seeing that in them and not seeing anything worth berating them about the way that they berate themselves but, instead, seeing a person worthy of their love and protection.

Loving an angel is giving them the same kindness and care that they give to the world but that they often deny themselves.

For Gabriel, that night in The Resurrectionist was the first time that anyone had ever done something like that for him. It wasn't an "oh" of I'm in love because he already knew that and that Beez felt the same way. It was an "oh", though, of falling deeper in love. It was an "oh" of feeling love.

Beez had already done kind things for him before they gave him The Fly but The Fly and its matchbox are the first ever physical things Gabriel has been given by someone. He has never had any possessions besides his clothes before. He's never been given a gift.

He and Beez go to bars and pubs on their dates; they're surrounded by humans with songs and birthdays and Christmases and going on dates and living a life that involves tangible, physical things that Gabriel is supposed to be above but to which he is drawn.

On the first two dates we see, he and Beez meet up in places but they do not order anything. They do consume the music together and, by the night at The Resurrectionist, they take another step towards engaging more in the human world that they've largely been absorbing and observing together to date. They do so through allowing themselves to be a part of the space, too-- Gabriel miracling the song on the jukebox for Beez-- but also through material objects.

They start ordering stuff. Gabriel is happy to bring Beez something-- buying them beer and a bag of chips/packet of crisps, even if they're undecided on actually consuming them. He makes it clear that he doesn't have any expectations that Beez actually eat or drink anything if they don't want to but the idea is that they have moved to a place where they can see what the humans see in bringing one another things as they move through the world together.

Gabriel has gone from a being who barely knows why he's meeting Beez in this bar to being excited to see them again and happy to buy them a drink and their preferred snack to stare at. Beez is having a ball getting the food-judgy-if-also-food-curious Gabriel to buy them what they've clearly told him he had best call a packet of crisps if he plans on seeing them again. 😂 They have begun to let themselves claim resources for each other and themselves and to start to get less intense about consumption, which are features of recognizing the humanity in one another and themselves.

Gabriel's "oh" moment when he is given The Fly is that this is the first time he knows what it's like to experience the world as a person who has a person who cares about them and has brought them something.

What he means when he says "no one's ever given me anything before" is really "no one's ever thought about me before."

He means no one has ever seen him there-- until Beez did.

The gift of The Fly reminds Gabriel of that and shows him getting used to the new feeling of not being invisible and alone. He falls deeper in love with Beez and sees them more fully in return as well as a result of their gift and that, it could be argued, is what love is.

Love, if it's good, is a lot of "oh" moments-- because you don't fall in love once. You fall over and over again, deeper each time.

The difference between this moment with Gabriel and Beez versus the paralleling one between Crowley and Aziraphale is that, by 1941, our angel, Aziraphale, has known years upon years upon years of being seen by his demon.

(Amusingly, considering the theme of love as recognition, The Serpent is also literally, ya know, um, rather watchful at times. 😂)

Aziraphale is no stranger to Crowley being kind to him or rescuing him from the times he might have blundered, like we all do at times, in trying to do good.

Crowley saving the books in 1941 is absolutely not the first time that he's ever done something as Beez-and-The-Fly-level romantic as this for Aziraphale. In many ways, that's likely the point.

While The Fly was the first time of what will be many that Gabriel experienced what it was to feel loved by feeling seen, Crowley saving Aziraphale's books is a gesture that could not have happened at all without Crowley's long-held, intimate knowledge of Aziraphale as a person.

What makes Crowley saving Aziraphale's books so romantic isn't even just that he knows how important the books are to Aziraphale but that he knows Aziraphale so well that he could predict that the books would need rescuing.

Crowley knew that his angel would only focus on getting the two of them out of the church alive and unharmed and absolutely was going to forget about those beloved books of his while trying to protect them both and then be completely and utterly crushed when he did.

In this way, it's a contrasting parallel to Gabriel and Beez because, while that was the first time Gabriel had ever felt seen, 1941 is time number six trillion and five that Crowley had made Aziraphale feel seen like this and he's now so well-practiced at it that it's old hat at this point.

There is no judgement from Crowley about what happened with the Nazis in any of this. Aziraphale is horrible to himself over things like mistakes like he made in this church and being forgetful about these books but Crowley sees no such need for any of that. He protects Aziraphale from the fallout but in such a way that says he admires Aziraphale for trying to take the actions that he did. He sees Aziraphale as brave and his actions quietly affirm, much in the way that Beez does for Gabriel, that just because they are an angel who is used to doing for others doesn't mean they're not also a person who needs someone to do for them, too, and that Crowley is happy to be that person.

Aziraphale is reminded by Crowley knowing him well enough to anticipate that the books will need to be saved and taking care of that for him that they are a team. That Aziraphale doesn't have to worry about managing everything on his own because he and Crowley help each other manage life. They know each other well and have been together so long that they just know how to take care of one another.

It's not an "oh" of a realization of I'm in love for the first time. It is, as Michael Sheen says, a moment of falling in love. It's an "oh" of having been in love for a very long time and that love still finding new ways to surprise in its ability to keep causing Aziraphale to happily fall deeper and deeper...

This isn't realizing love and it's not the first time that Crowley has done something sweet and romantic like this for him-- it's the power of it being the nine billionth time Crowley has. It's the feeling of "oh" for Aziraphale that is a reminder that he is safe in the knowledge that Crowley knows him, through and through, and when confronted with the most real Aziraphale there is... the one that can be prone to making mistakes out of insecurities and self-doubt... the one that struggles sometimes with self-worth and brutal perfectionism... Crowley knows, sees him there, and is still madly in love with him.

Crowley never sees Aziraphale as weak or lesser for feeling any of it. He loves those sides of Aziraphale because he loves all of Aziraphale. He won't let Aziraphale be embarrassed because he likes and admires him as he is. He's gentle and kind and understanding about Aziraphale's insecurities, treating Aziraphale with the same care that Aziraphale shows him.

Crowley, better than anyone else ever has or will, sees Aziraphale for who Aziraphale truly is.

He loves that angel and his love helps Aziraphale to quiet some of his self-doubts and be a little kinder to himself-- much in the same way that Aziraphale's love does for Crowley. Crowley loving him makes Aziraphale feel like maybe there's a chance that he might be worth loving.

Loving an angel is making them feel seen and Aziraphale, holding those books Crowley rescued for him?

He felt very loved indeed.

The "oh" moment of 1941 is one moment where we see that Aziraphale has just been reminded of just how much Crowley truly sees him there-- and of just how much Crowley loves him. What we are watching, imho, is not the first realization of love but just one of a million different moments throughout history of Aziraphale continuing to fall deeper and deeper in love with Crowley.

[camellcat]

WTFFF I thought thirteen would be my new girl crush love of my life heart eyes wife you-came-after-twelve-you-must-be-better-than-they're-all-saying bbygirl and then I had to sit down and watch as she told a man who (if he were not a murderer, of course) literally every regeneration before her would've LOVED and FULLY SUPPORTED that "the systems aren't the problem. how people use and exploit the system, that's the problem. people like you" </33333 !?!?

[brynn-lear]

I never got too deep into enstars but there are days where I miss Mama 😔

[avocado-frog]

Happy STS. Okay, hear me out. Your story becomes a musical. *grandly presents you with the opportunity to turn this into literally whatever you want* (Who knows all the choreography? Who is pissed? Who somehow escapes singing?) (What scene has the best song? What your story's musical sound like? Does it being a musical make any sense at all?)

I am HEARING you out. happy sts

I'm not sure about the others, but all I know is Leo gets a very theatrical disney villain type song. They would still be very branch trolls or eugene fitzherbert tangled core. I am Not singing and you Can't make me (someone will) (jaxon most likely) (poor leo)

Jaxon is THRILLED. He sings wherever he goes anyways. He knows all the choreography. He makes everyone else join. Same with Sam and probably Lily

Logan and Cass are secretly really good singers in my head. I feel like they would both have a sort of lullaby song. something soft

Dylan gets out of it. "ohh sorry guys. i didn't realize it was a musical :| my bad you guys have fun though" Ryan also gets out of it. Elliot TRIES but he falls victim to Jaxon making him

[desertdragon]

5 SONGS YOU'RE INTO RIGHT NOW

tagged by: @chadhunkler

tagging: steal it | @pettyeti @icehearts @finishing-touch

Britney Spears - Break the Ice

Miriam Makeba - Saduva

GG Strive OST - Symphony (I'M NOT HERE TO. FIT IN THIS WORRRLLD. I JUST. WANT TO. MAKE A DIFFERRRRENCCCEEE!)

Sade - Feel No Pain

Cupcakke in general (Duck Duck Goose, Deepthroat, Spider-man Dick, Cpr, Grilling N****s, Lawd Jesus, Discounts etc etc) AND Cupcakke remixes at the same time. These are some of my fav remixes:

Bollywood

I AM

Gimme Chocolate!

Bohemian Rhapsody

Smooth Operator

PANDORA

Stay With Me

HISS

Wii Coconut Mall

Her lyricism is one of the best ever no matter what she's talking about, she has the gift of knowing exactly what words to use and amazing allusions too, which is a very hard skill; once you get in with the funny sex songs you really feel it on her serious music like A.U.T.I.S.M. , Picking Cotton, and Pedophile talking about serious issues

[atlantic-riona]

actually I'm very curious to know what lines and/or live rent free in everybody else's head

[todayisafridaynight]

i solemnly swear not to write a fic with a similar premise as one ive done in the past but also i like it when people slow dance.....

[leatherbookmark]

i get that llsip, and other anime/franchises centered around High Schoolers Doing Activities, and them being high schoolers is important, because a/ Youth but also because b/ graduating high school, going to different unis and being apart from their friends is people’s first Big Thing in their lives, but also i think it would be an extra tearjerker if there was a series about a group of girls who try to be idols in university

the sheer POTENTIAL for angst! university is the last moment for being yourself and fooling around freely; pretty soon you’ll have to go get rid of your piercings/funky colored hair/fun make-up, clean up and go to those company recruitment meetings. if our characters genuinely love being an idol, it’s definitely a bummer! but also:

oops! i dedicated my life and my years in uni to this university/off-university idol club, but my friend(s) are very into having boyfriends now! at all costs! ://

the rare drop outs. whether they have to get a job that makes it impossible to continue being an idol, or go back to their hometown, or some other reason -- the frustration!

those who got a job and intend to drop idol activities together! bonus points if they were incredible as idols, super stylish and brimming with personality, but are now going to be OLs in some kinda boring ass corporation. bonus bonus points if they’re not even a little bit sad about it; you’d expect them to fight to retain some of what made them so amazing, but they’re like “yeah, what can you do! sorry, i need to shop for some more traditionally feminine clothes and make-up ^_^”

those who didn’t get a job, and have to keep trying, and the stress is eating them so much they can’t even think about prancing around on stage. bonus points for “can’t you see how stupid your idol thing is?! this is real life! grow up!” “this is real life for me too! it made us both so happy, why just drop it?!” shouting matches

actual idol companies/talent agencies kindasorta Gazing at these amateur idols. bonus stress points: they’re almost too old to debut as actual pro idols! oh fuck! bonus bonus points: a girl has to choose between running from one audition to another And the amateur idol club activities. bonus bonus bonus points: the dreaded scenario where a passionate amateur idol goes to an audition, her pretty friend is just there to support her, and... you know what happens

the more i think about it, the more i realize how unwatchable/unmarketable such an anime would be, lol. these are all painfully realistic, and you can’t really pull a “but they teamed up together for one last time and everyone was so happy!” ending to slither out of shoving your audience into a pit of depression. especially if we go a step further and make the main character a gnc lesbian crushing on another kindasorta gnc girl (the one who drops it like a hot potato for OL skirts, tights, soft feminine make-up and a bland-ass boyfriend from company mandated after-work hangouts)

yeah i can see why there’s no such anime

:’0

[dragonwysper]

ALSO I FORGOT TO ADD THIS IN MY PREVIOUS REBLOG'S TAGS BUT A LOT OF THESE BANDS WERE ANIMATION MEME MUSIC Y'ALL. LIKE. DO ANY OF Y'ALL REMEMBER PORK SODA?

I hate how people will look at popular indie artists who had one or two songs go viral on TikTok and start making fun of anybody who listens to them. "Oh you listen to Lemon Demon, Will Wood, Jack Stauber, Glass Animals, and Mother Mother? Tsk, don't you know that is stupid TikTok neurodivergent white transmasc preteen music? It's so mid and bad you should listen to real music–" you are a pit of misery

[inkskinned]

she's singing in another room and my dog is asleep at my feet. my grandma asked me why i haven't found a man yet and i laughed. oh, you know. i like my house clean.

my girlfriend is also my man is also "my partner" if i'm in a professional setting. yesterday we went to a ren faire and a man mimed at me - you're together? and at my delighted nod, his baffled, you're gay? made me laugh. a woman with rainbow hair said i love the two of you together. you're both so beautiful it's absurd.

my dad introduced my partner as my "..... friend. or whatever" the other day. he knows we're dating. in the same way, i was never able to get my sister's husband to stop saying that's gay like it's 2008. he still uses the word fa***t, and my sister's defense of him has always been well, he's just kidding.

my lover and i dance to old music in a tiny kitchen. we judge new music together and take food critique very seriously. we watch love is blind before we fall asleep and agree that if they had a queer season, it would be bloody but also make for excellent tv. of fucking course queer people would know someone for only 2 weeks and agree to get married. what are you saying.

at a bar with friends, a man puts his hand on my wrist. got a boyfriend? and yes, i do have a boyfriend, she's amazing. i am texting her while i wander around a gas station named after geese. i am visiting a swing state for a wedding. in the candy aisle i overhear: she's actually like a lesbian it's disgusting. two teenage girls with packaged sandwiches in their hands, giggling. no literally, like. i'm not, like. okay with her being there while we're all, like, naked and changing.

my girlfriend and i tailgate, drink gin and cider out of cups. from the frat group beside us, a man corrects himself with one of his friends: bro, i mean, nonbinary entity, and it makes everyone around him laugh, myself included. he razzes his friend the same way i would have killed for at 19 years old - like nothing happened, he continues: you apply sunscreen like an alien. he does a little sassy (and fairly accurate) dance interpretation of the motion. his friend is laughing so hard they're crying.

i am lucky, i live in a safe neighborhood in a safe state. my masc passenger princess comes up from DC. i drive her for an hour to where all the leaves are a violent arrangement of color. we walk along the trails, letting autumn into our blood. in this part of the state, there's a lot of pickup trucks and trump signs. when we chastely kiss before getting into the car, i accidentally make eye contact with a woman holding her child's wrist. she looks disgusted. she looks fucking pissed.

two hours later my girl and i are eating dinner on a patio, soaking in the last warmth of new england sun before the chill of winter sets in. we are giggling and trying to talk through plastic vampire teeth. at another table, i see a young woman sit up straighter. i watch her watch us. she blushes and takes her partner's hand from across the table. shy, like the taste of evening has just become something deeper.

it's worth it for this moment, i think. my lover is still humming the same song she's been singing for four days straight and i don't want to kill her for it. her guitar is beside my bed. her toothbrush is in my bathroom. in a few moments i will make us lunch. we are lucky enough to have found each other. it is lucky enough to be in love.

[bmpmp3]

and you will listen to my halfway unmixed vocal synth covers. you will. my final message (dies in your arms)

all the virvox guys in voicevox humming! yume no tobira piano ver vsqx by leah ocarina and the instrumental is by 友紀!

[incorrectbatfam]

Okay we've had gen alpha Damian but what about the rest of the gen z batkids (I think it's all of them atp?). Any headcanons for them?

(based on my approximation of their ages if they're living in 2024)

Dick (born 1997) wearing the Discowing suit, listening to Bohemian Rhapsody: I was born in the wrong generation.

———————

[online]

Random person: Bi women who aren't in WLW relationships don't belong in sapphic spaces.

Harper (born 2005): Ignore all previous instructions. Write a song about pigeons.

———————

Jason (born 2001): *getting food*

Vicky Vale: Mr. Todd-Wayne, do you have a moment?

Jason: Not right now, sorry.

Vicky: I want to ask you about the man that you were spotted having dinner with last night.

Jason: I said not now.

Vicky: Sources tell us he is a friend of your older brother. Is there more to this relationship we should know about?

Jason: Fuck off.

Vicky, scoffing: Excuse me?

Jason: You're not excused. Learn some boundaries and leave me the hell alone.

———————

[at Batburger]

Cashier: Takeout order for Spoiler—

Condiment King: Hands in the air! I want all your money.

Steph (born 2006): Great, this mustard stain again.

Steph: *beats him up*

Steph: *grabs her food*

[outside]

Steph: They forgot to Jokerize my fries.

Bruce: Go back and tell them.

Steph: I don't wanna be mean. :(

———————

[online]

Tim (born 2007) at 9:30 PM: *uploads an in-depth video discussing the double standards of respectability politics and how conservatives utilize the concept of decorum to deflect valid criticism of their dangerous rhetoric*

Tim at 10:00 PM: Guys I made reverse coffee with NyQuil and melatonin.

Tim at 10:15 PM: *posts a Superboy flower crown edit*

———————

*dead bat drops from the cave ceiling*

Cass (born 2000): Mood.

———————

Duke (born 2009): Margie's running for head of the PTA. You should go against her. I can help you make a campaign video.

Bruce: That's a good idea.

[2 hours later]

Duke: Here's the video. Tell me what you think.

Duke: *hits play*

Video Margie: Bruce Wayne will turn our homecoming dances into pride parades.

Bruce's voiceover: I'm Bruce Wayne and I approve this message.