#what is tone policing

[tales-from-sysblr]

Tales from sysblr? Oh boy, do I ever.

I got in a vicious fight with someone over communication issues and they said I was tone policing when asking for tone tags. (bitch I was just confused)

A few of my posts have been popular in endo spaces, so it's whiplash every time I see the notifications.

I've rarely actually had an altercation with an endo, but I have a feeling that a friend's girlfriend made me block them because I am anti-endo and they're toxic as fuck.

Syscourse blogs are the ones circulating the most drama. If you've ever thought "what the fuck" in terms of sysblr drama, it's syscourse blogs getting into spats. Most of us just eat popcorn and watch for the tea. So if you ever want to be free, never use the tag ever again. All the drama is relatively contained around the same 15-20 people.

I don't have too many tales. Bad memory and all.

Help what the fuck is tone policing

I can only imagine the whiplash.. we tag most our posts anti endo for that reason lmao.

[introspectivememories]

im sorry but i choose to believe that tim drake is the most insufferable "my man, my man, my man" girl about bear. he does not shut up about him. steph is cooking smth in the kitchen? oh my man can do that. bear cooks really well. dick triaging some poor victim on an emergency site? oh my man is really good at that. mhmm, bear is on his way to becoming a paramedic. damian building something? oh my man is really good with power tools. have you ever seen him build ikea? it takes him less than an hour. for our anniversary, he built me a coffee table. mhmm isn't he amazing? yeah my man did that. yeah my man, mhmm that's my ma-

[ditzybat]

I see a lot in fanon of Jason being Tim’s fav robin - and I’m guilty of enjoying it and posting content in that same vein - but honestly we need to sit down and think critically for a second… Tim’s favorite robin is definitely Dick - after all he did sorta bring start everything for Tim as he is a pillar in his orgin story. But like we all write the Jason and Tim brother relationship all sweet and reconciliation (which, in current canon is sorta true, if apprehensive) when in reality Tim actively makes fun of Jason during titans tower when he’s getting his shit handed to him, would call him a flop to his face, and probably barely tolerated his Robin in comparison to Dick’s out of respect for the name. And Jason is just the definition of Cain instinct mixed in with imposter syndrome, and really doesn’t gaf all too much about Tim besides baseline animosity shown in the beginning of their relationship (as it seems that we’ve all collectively decided to stop recognizing any comic after 2010 apparently- which… is fair to be honest 😭) - BUT ANYWAY I just thought it was very silly haha to find that we’ve all somehow interpreted their relationship one way when it’s really written a completely different way, I just love the extravagant game of telephone we all play when making fandom content/spaces.

[omg-snakes]

Real Science II: The Cookening

Our players:

Meet the Experiment group, aka the Hot Lunch Bunch

And the Control group, who are also technically receiving a hot lunch but it's not quite as hot I guess.

I've taken initial measurements for all participants and logged baseline weight and length, and the majority of these kiddos have already started eating their meals!

An early pitfall: my hypothesis that cooked prey would be more readily accepted seems to have been correct. A few of the Control group haven't taken meals yet while all of the Experiment group are taking meals with gusto.

If the Control kiddos don't get with the program they're going to skew my data. >:(

[aurorangen]

Your entire family has made a difference in the world! It’s time for you to make your own mark. You decide to take your ambition to the big city, San Myshuno. But first, you need connections and want an education. You meet your crush and a lot of other interesting people at university. You major in History but change to Psychology after learning of the disappearance of someone who means a lot to you. After graduating with a degree, you join the Detective career in San Myshuno. With your connections, you are hoping to find and reunite with them again...but that's easier said than done isn't it?

When you see Renee, all seems well with her life. She has top grades, supportive friends, loving parents - it's evident to say her life is perfect. However, beneath everything hides a troubled girl. Pressure with academics, insecurity about her love life, a difficult relationship with her brother...

Renee is determined to chase all her troubles away and start fresh in the big city. She's going to study history (which she loves) and she'll definitely meet with new people: then all her problems should be solved, shouldn't they? But mystery never escapes from Renee. From encountering the supernatural to having an uncle who works as a detective, what else is there? No, who else is there?

[snowballthekitteninwonderland]

Rewatched Gilda (1946) recently, and immediately thought of the bnnuy and doggo husbands. The movie is so good, there's literally only ONE issue, which I *know* would be 100% solved if the Freelance Husbands were the main characters (will probably get into why that is in a different post tho) and so, a couple or more AU ideas were born....(Including a canon divergence/never met as kids/met as young adults AU, for which I also have a fic WIP)

Really wanna make an animatic redoing the whole Put The Blame On Mame scene but with the freelance husbands, with of course, Max being Gilda. There's even an excellent song cover from Alexandre Covers at YT, a Max animation is practically begging to be made....I really wanna do it qjhHUaj.

[seiwas]

hi sel!! i missed seeing you around dash - i hope you’re enjoying your lil vacation!

n for your lil game.. if it appeals.. may i suggest touya + rain/storm ?

scar hello!! sorry i've been on and off these past months 🥹 i missed being on here too!! i have been enjoying my lil vacation though 🥺 it's been a while since i've just chilled at home! thank you for sending in a prompt 💗

contains: fallen angel touya, visions in dreams, kind of disorientating what's reality vs not, reader tries melatonin, there is a fire

touya + storm

there's a storm outside your window.

the rattling of string lights on your balcony jolts you awake, the wind howling an eery melody. this weather is common at this time of the year, but tonight, you feel uneasy. you think there's something on your front yard.

your footsteps are light as you make your way down your staircase, the flashlight on your left hand clutched tightly as you reach for the umbrella by the door.

it's zero visibility on your front yard, heavy rainfall being dragged sideways by the wind. you squint, flashing your light at the area in front of you.

a broken branch from your neighbor's tree dangles loosely towards your fence, but you can't make out anything else apart from that. you contemplate stepping outside to get a better look, but a burst of light streaks itself across the sky, lightning flashing before thunder rumbles loud enough that it reverberates in your heartbeat. a sudden chill breezes over you, your skin prickling from strands of hair standing.

your flashlight flickers, the light going out once before you tap it on your wrist twice. and when it turns back on, you think you can make out a figure hunched over the shrub at the far right of your garden.

you flash your light over the area to get a better look but it turns black―your vision or the light, you're not sure.

the next time you open your eyes, you're tucked in bed, squinting your eyes at the brightness of sunlight.

a dream? you wonder. the jacket you're certain you reached for is still right by your vanity, untouched. could be.

your front yard is trashed, just like you expected it to be, if your subconscious was trying to tell you anything from last night's dream. plants are uprooted, with small branches scattered all over the grass. you suck in a breath when you spot the broken branch from last night just as you saw it―still barely hanging on as it dangles over your fence.

you must have heard it break off in your sleep, you tell yourself. the mind can be quick in associating these things.

things become weird after that.

you get more visions in your sleep, mostly when the storm beats heavy raindrops against your window. sometimes, they're the same as the first time―instances of you searching outside but blacking out and waking in your bed the next morning. others, they're stranger, more vivid. you see a man with white hair turning red at the tips.

he comes to you in flashes―in between lightning strikes and thunder claps; in fragments, distorted by sheets of rainfall. you can never fully make out his face, but his eyes glow a striking blue amidst the darkness that often surrounds him.

the melatonin makes it worse. for a few nights now, you've begun to see more of his silhouette, similarly hunched over that shrub from the first night, except it grows taller, almost as if he's standing.

you wake up every time he almost reaches full height. but were you even really sleeping?

your therapist tells you it must be stress. this particular time at work is busy, after all. and, "halloween festivities can be impressionable when the mind is tired."

so you let it go, hoping that the dreams disappear eventually.

but then you find a feather. it's long, far too long to belong to any animal you know of; the color is charcoal black, with its tips slightly crisp as if it's been burnt. you find it by the shrub, where the silhouette crouches over every night in your dreams.

your palms sweat as you handle it, a mixture of anxiety and fear. you feel sick to your stomach; scared and disoriented. what even is real?

you call your friend, midoriya, to keep you company. he's no cynic, but if anyone could think up an explanation for anything, it'd have to be him. he has notebooks and journals full of analyses and theories on a bunch of weird things.

"can you tell if he's... uh..." he tries to find the words, as if trying not to scare you, "demonic?"

though with how jittery he is, you're pretty sure he's just as, if not more, nervous.

"i don't know yet," you admit, setting down his blanket for the night, "i guess he does feel kinda angry, but..." you think back to those blue eyes, trying to discern the exact emotion in them, "not at me i think. i don't know."

midoriya jots down some more notes as rain increasingly patters outside your window. you're sure he'll spend the whole night figuring this out from the way he continues to ask you more questions.

that night, you dream of the figure again, but something about this time feels ominous; larger. it starts out with his face, lightning illuminating glimpses of his expressions. you see scars across his cheeks and his hair turning a shade darker. another crackle of lightning brings him further away, hunched over the shrub again, except this time, he begins to stand; and you're prepared to wake up again right before he shows himself in full height―except you don't.

he stands before you still concealed by the downpour, but his presence is simultaneously chilling yet glorious. and you don't expect it, what happens next―the unfurling of wings right by his sides. they span the width of your entire yard, large and so unlike anything you've ever seen before.

then, an alarm breaks, and you wake, neither in bed nor on your front porch.

your feet touch wet asphalt, the sensation hardly differentiating itself from how drenched you are by the rain. thick smoke fills your lungs as you stand before a blazing house a few streets down yours. sirens sound around you―an ambulance, a firetruck, and a police car, all managing the commotion.

people evacuate their nearby houses as the policemen round them up at a safe distance. out of everyone in the scene, you seem the closest of all, the heat from the fire nearly licking at your cheeks.

"everybody, please step back!" one of the firemen shout. to your right, another one hurriedly hauls a body down to the stretcher beside you. a paramedic immediately tends to the person before you can even catch a look.

"please step back!" the fireman closest to you calls out, but the sound is muffled in your ears, almost by a dull ringing and the subtle sound of wings flapping. an unexplainable urge pulls you toward the body.

"hey―!" the fireman tries to call for your attention, but you ignore him, inching closer towards the stretcher. you tiptoe to get a better look, and as you catch a glimpse of the body's face―

the fireman holds you by the shoulder, "i said―!" as another paramedic addresses you and asks, "do you know this man?"

and right there on the stretcher is him―white hair with red at the tips; his cheeks are an angry shiny red, like its been melted, burnt. he remains only semi-conscious, eyes half-lidded as he is tended to. but when you peer over, he blinks and manages to look at you.

you find the same striking blue.

[chuplayswithfire]

Nuance is something that can be soooo hard for online spaces to hold onto. Hell, offline spaces too, for that matter. Today I'm thinking about kink and the concept of kinkshaming, when I think about nuance: that people should be allowed to enjoy and engage with kink, especially in fictional and fandom spaces where even bad kink etiquette can't actually harm anyone should be a given. Personally, as long as someone is tagging correctly and creating with self awareness, anything goes in a fictional space, you do you, your content deserves to exist online. I have personally created a variety of kinky works, both publicly available and not, and would really not have a leg to stand on trying to declare otherwise. In a time where people are cracking down heavily on kink and trying to decry it as deviance that shouldn't exist, being kink positive can be a very important, good thing.

At the same time though, the people have squicks, and when it comes to kink and a good culture towards sex in general, people have to be allowed to have squicks. If anyone's hearing the term for the first time, a squick is essentially a concept that just grosses you right out, you do not want to see it, you do not want to learn more, maybe it even distresses you to see it, but not to the extent that you would consider ot triggering content. A couple of common tend to bodily excrement: piss and shit, alongside guro (extensive bodily mutilation combined with sexual imagery). A squick doesn't have to be extreme, it doesn't have to be unusual, it's just something that grosses an individual out, and they don't want to see it. (And because this is tumblr and it must be said: no, racism is not a squick.)

Sometimes, we lean so heavily into the negative that we refuse to allow positivity. Sometimes, we get so into positivity, that we refuse to acknowledge negatives. People are allowed to talk about their squicks. If people see something that grosses them out, they don't have to shut up about it just because it's someone else's kink. Kinkshaming, the idea that someone would go up to someone else and tell them they're gross for their kink, is something people shouldn't do in general. But expressing disgust and distaste for a kink in general isn't kinkshaming - that's just talking about your squick.

Your Kink Is Not My Kink And That's Okay is about not hating on other people or demanding their works not exist because you hate the kink, not pretending that you find every kink, fetish, or sexual concept totally wonderful and would never react with disgust towards one. This idea in fandom that if you don't like something you should never say anything publicly because what if someone does like that thing, and is upset that you publicly don't like that thing, is ridiculous, and it has been for a while. Negative emotions have a place in fandom, especially in regard to sexual content. You shouldn't harass people who share a kink (especially when their content is tagged this is why everyone should read the tags) - but you also shouldn't go around saying people aren't allowed to use their own online space to process their disgust.

I've been seeing a lot of people lately saying anyone discussing how much they dislike a kink concept is just a kinkshamer, an anti, the purity police, and it's getting beyond ridiculous. We have the right to engage in kink, to write about kink, to make kinky art, create audio for it, and to in general delight in all kinds of kinky works. We also have the responsibility to make sure we're tagging correctly. Others have the right to dislike kink, including our own kinks, and to talk about how much they dislike those kinks. They have the responsibility to make sure they're curating correctly, that they're reading the tags and warnings on a work, and that they work out their negative responses in their own space.

Multiple things can be true: kink is a great way to explore sexuality and desire and a wide range of topics. people deserve to share their interest in kink without harassment or being belittled. one person's joy can be another person's squick. people deserve to share their squick without harassment or being belittled.

[jesncin]

Absolutely wild to me that someone can think being told something they said is racist is rude. You know what's more rude? Being racist.

they always say rude! Why engage with someone's points when you can criticize their tone after all. I've spoken with the most essay dry PR talk in the past from fear of being considered aggressive but it never works. I try to let that go, I'm tired of tone policing myself and not being heard any way.

[yellow-yarrow]

kinda funny how cities skylines has this cutesy fun vibe but you are basically a dictator in it and the citizens ask for prisons and cops even if you build a perfect city while Frostpunk 2 has this stressfull dark mood but there is a council you have to convince to vote for your ideas and you can have things like equal pay for everyone, ubi, support for disabled people, etc

[cdroloisms]

I just came across your post about vagueposting and I think I agree with it, but the situation you most likely wrote it about is hardly a "vagueposting" because you could say who it was about after reading it literally one time and that person got jumped and insulted in the anon ask anyway so discussing it in person could be safer...

I'm reeeally sorry for bring up a past situation, but I don't think it's a good idea to write nasty things about another person and specific details about how they interact with the fandom and their post, say things that will help to easily identify a person and at the same time insult them or say how you think they feel about the characters or the story based on your feelings about their one take that you didn't like and then call it's "vague" because there is no name in the post. I mean, It can lead to bad consequences, it literally did in that situation.

And yes, I do think people have the right to discuss bad takes or takes they don't like, but there's a way to do it without giving away every detail about the post and the person who wrote it so everyone knows who you're talking about, and if you're not good at being vague, just discuss it in a private chat.

this ask is old but i was busy last week, so forgive me for the late response. i was debating answering it at all, but i dont want myself to be misunderstood, so just. to clarify under the cut.

i'll agree with you that the post/situation in question wasn't vagueing. now, i don't know exactly the difference between the number of followers i have and the number of followers that the blogger in question has, and when it comes to the number of active dsmp followers i think both of us have even less of a clue. that being said, both of us frequent much of the same circles, so i think it's fair to say that many of my posts will end up being exposed to a very similar audience to his, and so therefore this response about the situation you're talking about will be just about as clearly traceable to a specific person as the post he made that started the situation in question. just as a general observation.

if i'm understanding your ask correctly, while vagueing a take is fine, the vague shouldn't be clearly identifiable if you're going to speak badly about it or disagree heavily. to which i have to ask what, specifically, is defined as clearly identifiable? i think most takes in this fandom can be pretty easily traced to a person, even if that person is not the only person that believes in that take--just as an example, c!tommy as a butterfly pinned behind glass was a take in response to the c!sam and c!dream stream after techno escaped, and grew to be a pretty prominent theme to the point of a zine being modeled after it, but i can also trace it to a pretty specific tumblr post with a name attached. i also think that that same statement probably isn't true for many fans who maybe joined later on in the fandom. i mean, i'm aware that i'm being pedantic here, i'm aware that the situation in question created conflict specifically due to it being within dreblr and in a space where multiple people would've seen both posts and felt ensuing awkwardness bc they know both people either on a personal or acquaintance level, but i mean the same applied ages ago whenever strategist-interpretation and trauma-interpretation c!dream apologists felt like going at it again on the dash.

in this scenario specifically, what made the situation clearly identifiable was the nature of the take that was being discussed. the main identifying detail was the take that the asker was asked about, imo, and i mean ... yeah i mean. most takes that haven't blown up pretty heavily do end up being tied to one or two people? i mean, staged finale is a take that can be tied to three people who argued in favor of it the most before the rest of dreblr got on board only in late 2021. i simply don't think that a take that maybe only one person has argued for (which, i dont remember the statistics of the take in this situation, so i dont remember how many notes it had or how many people in total may have expressed public agreement towards it, honestly) is exempt from discussion when it is posted in a meta or analysis space as an analytical piece, which i do think applies to this take from what i remember about it and how it was tagged.

and back to the discussion of what's acceptable as far as directly responding versus vagueing, i mean, a lot of the discussion i've had on my blog (abt discourse etiquette in General in meta spaces on dreblr moreso than this specific situation, largely bc i did want to avoid commenting on a situation that 1) i really had no business in and 2) i have reason to be biased about. the main reason why i'm talking abt it now is bc hopefully enough time has passed for feelings to be less fraught and bc i want to make certain thoughts of mine clear, in case they weren't clear enough in my original posts abt dreblr and whatever) revolves around both direct responses and vagueing having their reasons as well as pros and cons, and both will likely continue to exist in analysis spaces and generally i don't think it's productive to really comment on what people can or can't do on their own blogs. in this scenario, i don't think "vagueing about one specific person in a way that may be clearly identifiable to parts of their audience" is uniquely unacceptable? a direct response very clearly would make the person in question identifiable -- outside of how it's kind of impossible to make a post vagueing someone in a way where No One has Any Idea who you might be talking about without making the post like, incoherent inherently, if vagueing (not identifiable) is okay and directly responding (identifiable) is okay, then why is vagueing (identifiable) not okay?

now, i understand that any situation where the person in question might be identifiable, some people may take the open disagreement as permission to harass them. and obviously, harassment sucks. part of the whole point of opening up this conversation on my blog was bc i worry, with the way that a single conflict between dsmp opinions has kind of rippled through dreblr recently and the responses to this "situation," that an environment is being created with too much of a forced global consensus that punishes people for stepping out of the status quo in both opinions and behavior, which is obviously bad for the whole community, and was looking to voice some of that and have a conversation on solutions. and i understand that in this situation, a lot of your problem with the blogger has to do with his general attitude in discussing the take and his statements on the person who made it. now, i think you have every right to find his statements offensive and disagreeable and to unfollow and/or block him. that being said, i am not exactly a PR agent, and i want to reiterate that what people do on their own blogs isn't my business and i don't think it should be my business. or uh, anyone's business, for that matter. i don't think that everyone "in dreblr" is beholden to keeping to a certain person's standard for "acceptable" disagreement and "acceptable" sharing of their own opinions on their own blog as long as they're not inciting harassment, which entails, like, actively encouraging harm to happen yk. i mean, you can think that the blogger was being rude or an asshole and prefer to never see him again, that's fine. that's your prerogative. but i mean, i'm not gonna tell the guy how to interact with the fandom on his own blog, haha.

to be clear, im not telling you what you can or can't do on your own blog either. if you wanna make a post about how his posts contain harmful rhetoric, how he's an idiot, or how he's rude bc you disagree with his public posts on this situation or on the dsmp as a whole, i mean, i'm not gonna handwring over it and tell you that you're not allowed to do that. it's none of my business, and i like to think i'm not that hypocritical. and honestly, i think that in a space where we're talking about analysis, commenting on harmful rhetoric happens often and should happen often when it happens -- literally anyone can make an analysis post that has harmful rhetoric, and sure it's fiction and no one has to answer to the analysis police for making a bad analysis post, but i've also been in this space and seen enough truly mind-boggling amounts of parroting takes about torture that make people sound like CIA psyops to go "well saying that someone's analysis post contains harmful rhetoric is really rude" pfft. again, i'm not saying i'm immune to hypocrisy, but i've certainly malded enough times in public about the shit people have said in this fandom to take issue with that. now, getting a little less into the strictly-analysis side of things, i understand that insults like calling someone an idiot may not sit right with everyone, to which i say. block to your heart's content. but c'mon man i've called people idiots before i'm no saint 😭😅

anyway. i hope this clarified some things, anon. take issue with whatever and whoever you like, honestly, whether that's me, the person that i just not-vagued for the last however many words, etc etc -- again, your prerogative. and i agree, it's a shame the situation devolved into stuff like insults in both bloggers' inboxes when it really didn't have to be like that like. at all.

[boyfridged]

Do you agree that Jason, as written by Winnick in UTRH and Lost Days, acts out of character post-resurrection if we take into account his post-crisis robin days? If yes, how would you have him act/react to stuff after he comes back from the dead?

tldr: i definitely agree. moreover, classism plays a huge role in it, and i don’t think that at this point the storyline could lose these implications, which makes trying to conceive what an “in character” (for robin jay) version of these events would be quite difficult. 

let’s just start from saying that i don't think it's a secret that i don't really like winick in general. despite his work being mad interesting on a conceptual level (and style-wise, genuinely well written!), he has no love for the characters he writes about. 

imo utrh shouldn't even ever make it into the mainstream batman timeline. i am aware that this is a radical opinion, but my take is that it would do best as an elseworld story (and in this version too it would need some tweaks here and there), because it made damage both to the mythos of batman and jason's legacy that can never be undone. the very premise of the story is so deeply disconnected from jay's original place in the narrative, and so classist at its roots, that there's not much room to truly fix it. 

(i want to say, preemptively, that i am aware that there are people who read utrh as a story of a revolutionary and a victim – and they have the right to do so, but ngl, my view has always been that it was never written as that. utrh reinforces so many stereotypes that it overshadows the revenge tragedy spirit of it all.) 

another disclaimer is that, to be honest, jay doesn't have a very consistent characterization even in his 80s run, and it also has some classist implications that ideally should be either erased or addressed in the text (that winick instead exaggerated and put at the very front of his storytelling.) starlin's writing is, at the end of the day and very much ironically, more sympathetic and gentler in evaluating jay (simply because at the time he would not get away with changes too blatant) but details such as jay saying that "all life is game" and his random nonchalant behaviour that has its origin in the very beginning of starlin’s run are already signs of it. some readers will trace jason's arrogance prevalent in his red hood era to these issues and say that his actions post-res are therefore a logical extension of his robin days, but i don't buy it. even if you want to lean into starlin-esque characterisation, if you consider the core problem of the garzonas plotline – which is power, jay shouldn’t look into the solution of anything in climbing to the top. and if he did, it would have to be written as a “becoming what you feared/hated most” kind of story, which i can see a certain appeal in (and which would at least acknowledge that it was not his initial personality), but which would go back to its classist assumption of cycles of violence and doomed fates.

so – how to make his post-res era more accurate to his post-crisis robin days (and least classist in the process)?

if we were to follow my fav iterations of his characterisation (barr’s detective comics and the ntt appearances) tbh I don’t think a lot would happen, because his personality is quite mild, and just so hopeful there that i wouldn’t expect any extreme actions from him – but then again, the circumstances that he finds himself in post-res, the trauma, and his sensitivity do warrant grief that should become a driving force in his life from now on. the question is, what to do with this grief as a plot device?

i know that plenty of jason fans hate this take but I actually think the concept of jason trying to be detached and cruel but being bad at it might be one of the least offensive to his 80s characterisation. it’s def not accurate to pre-52 canon (apart from countdown perhaps) but imo for jay to be authentic and nuanced he should be conflicted about his own actions. his overconfident behaviour should be a pose – just as his frantic acts in his origin story as robin were. (again, something that many readers don't take notice of – but reading the rest of collins' writing wherein jay quickly settles into being easy-going and even a bit shy is proof of it.)

these two points lead to the “no good deed” narrative that I often talk about - the reading that jason saw his intuitive and self-sacrificial kind tendencies as something that brought him pain and that never was quite efficient, and that post-res he intentionally tried training himself out of. there are some flashes of it here and there throughout the years of the red hood publishing history, but it never got a true spotlight. and if i were to write lost days, jason flinching at his own violence would be a focal point of the story. 

moving on to utrh; i have spoken about it at length before but I think if he were written 1. with more political sensitivity 2. to have retained the same maturity re: the social order 3. to have the same idea of morality, he should have followed more of actual revolutionary tracks and the whole “drug lord” authoritarian figure schtick along with the idiotic idea of “controlling crime” would have to be thrown out of the window. 

and, later on, forgiveness should play a big role in his story. he's so quick to forgive and justify everyone in his robin run – this is also why i reckon his team up with harvey in tfz was a wasted opportunity.

so, in conclusion – perhaps not that much would have to change re: his actions but definitely a lot should change regarding his emotional journey and his position. i would def throw out a lot of mindless violence and power posturing out of it though. and perhaps make him a bit more polite just for the sake of more consistency (this is not me taking a moral stance btw nor tone policing a fictional character. i just think it would be more faithful to his 80s writing unless you want to make him explicitly scared. and it would be funnier tbh.)

[froggydelicious]

i am so sick and tired of the tone policing that constantly happens when existing with "female" (transmasc) autism. everyone always tells me my tone is wrong, my body language is wrong, my voice is wrong. that i sound like a bitch. this! is! just! my! voice!

[presiding]

hey what if someone made a fic that explored emily's monsterhood and also, billie lurk's monsterhood in how she views herself? wouldnt that be fucked. haha

[boysnberriespie]

I do need people (USAmericans on this site) to fundamentally understand that a lot of people that are actively posting here are direct victims of America’s global imperialism…

[r0semultiverse]

I don’t know, me personally, I just think two adults playing pretend & pretending being gross together with full open communication & consent between them is harmless, but maybe that’s just me.