#what a way to ruin a ship
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rightwheretheyleftme · 3 months ago
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I’ve decided to make a second post about Aang’s parental neglect because the first one was hijacked by people accusing me of being delusional.
The more I think about Aang’s attitude, the less I understand it. In my post, I said that it would be understandable (but still questionable) for Aang to leave Bumi and Kya behind if he’s going to places made for airbenders- I take it back. Not only because it’s parenting 101 that even if you believe that your child won’t enjoy a vacation, you still take them, but because I’ve come to realize that there is no such thing as airbender-only places. They don’t exist.
Think about it, what is airbender culture? Is it being vegetarian? Kya and Bumi could do that. Is it believing in absolute pacifism? Kya and Bumi could do that. Is it meditating and being spiritual? Kya and Bumi could do that. Is it being bonded with an air bison? Kya and Bumi could do that.
The only thing that is exclusive to Aang and Tenzin is bending air and even that isn’t unreachable for Kya and Bumi. Remember in ATLA when we learned that you can learn techniques from one form of bending and use them for another form of bending? Iroh famously learned a waterbending technique and used it to create lightning redirection and we saw Zuko using techniques from all 4 forms of bending in his agni kai- So why couldn’t Aang teach Kya airbending techniques and have her use them for waterbending? It would’ve been perfectly possible. Even Bumi could’ve used the same technology that Teo and Katara used to fly- Aang acknowledges that Teo is essentially an airbender, so why couldn’t Bumi do the same?
What TLOK is presenting is an immense regression for the character of Aang. Are we supposed to believe that the same Aang who saw Teo flying and exclaimed “Even though Teo is not an airbender, he really does have the spirit of one!” would look at his own children and say “Nope, you’re not an airbender and could never be one”?
If I didn’t know anything about Bryke, I would assume that they hate Aang and that this writing choice is their personal vendetta against the character- But I do know about them and I know that they love Aang more than anything, so what the fuck is this? Is it a power fantasy about being so famous and powerful that you can get away with neglecting your children?
I can’t believe that Aang stans flooded my mentions. If I were a devoted Aang stan, I would track down the showrunners and key their cars.
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stars-obsession-pit · 2 months ago
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The Flying Graysons generally stuck to simpler tricks in the smaller towns. Less people to impress, so they didn’t need to go as far. But for some reason, when they went to the town of Amity Park, Dick felt an urge to show off.
Well, not for just any reason. For one very specific reason; a certain cute boy in the crowd.
But then the troupe moved on, as it always did. Outside of his daydreams, he didn’t really dare to hope he’d get to see the boy again. Especially once his parents died, circumstances nearly pushed it from his mind.
But then, during his detective training, an idea struck him. Even if he couldn’t see the boy in person, he could still keep track of him remotely.
It turner out to be remarkably easy, especially once he learned Danny’s name. So he kept it up. Watching him, taking notes on everything about him, fantasizing about actually being together for real. He never told anyone else. They wouldn’t understand. Checking in on Danny was always a highlight of his days. His own little reward. He wouldn’t let anyone take his Danny away from him.
Though there were some stumbles along the way. Times he’d almost been caught. And when some sort of lab accident had hospitalized Danny, he’d nearly ran off to Amity on his own to comfort him (never mind that he’d have to explain who he even was and how he’d known about it). But he persisted. And as time passed, he only became more and more infatuated with the other boy. Oh how he wished they could be together.
And then Danny showed up in Gotham. Dick couldn’t find anything definitively explaining why, but he wasn’t going to look a gift horse in the mouth. Finally, he could put all his copious notes to use and sweep his love off his feet.
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rin-sith · 17 days ago
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Ages ago, I promised a sequel to my Ruthlessness sketches with my new Poseidon design, and well... See, I had a very specific vision for this, my beloved 🫶 favorite song in the whole entire musical. And I guess I was finally brave en- I mean, found the time to bring it to life. Enjoy 🙈🌊🔱
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@glisten-inthedark look at what I've done now
#epic the musical#own art#epic the vengeance saga#epic poseidon#epic odysseus#get in the water#Look at him he's still so ✨extra✨#cw suggestive#cw nudity#at least i guess kinda?? nothing is technically visible but#guys i cant be the only one to whom this song has very VERY strikingly h*rny undertones#it's not just steven's suddenly quite sultry voice either#just think about how this is essentially “get into the water - which I control entirely - with me :)”#poseidon's trying to make him submit himself to him it's another power game#but this time it's so much more intimate#i mean the whole of get in the hundred strike is about brutal intimacy so i shouldnt be surprised ig#me omw to ruin this song for y'all forever i guess#just if you think about the implications what killing him in this way—drowning him—might entail before he would actually die#complete control and envelopment ... you have imaginations guys#use them to follow this train of thought further in this direction and you will realize#my guy could literally just impale him with his trident or sth#but nope—“drown. Get into my domain. Get into (an extension of) me. Submit your whole being to me. let me envelope you wholly."#or “grant me a moment of total control over you before i end your life just in the way that I imagine and see fit”#this is made so much funnier by the fact that poseidon completely fails to make odysseus submit in any way#and ends up submitting himself#yes i am doing 600 strike doodles next i shall have fun#i guess i should tag this even though this is genuinely not ship art just a part of the power game and poseidon's general h*rniness#odyseidon#poseidon x odysseus#odysseus x poseidon
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wanderingmind867 · 1 month ago
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I was making my reading list for the world's finest comic book (the one with batman and superman team-ups), and I just realized it's last issue really is sad. Issue #323. At the end of the story, Batman and Superman realize they have fundamental differences in their attitudes, and Batman calls off the partnership after years of friendship and trust. Apparently, the DC wiki said that higher ups at the company demanded World's Finest be cancelled, but the plan was to bring it back eventually and reunite the Batman and Superman team. But because of the Crisis on Infinite Earths, the writers never got a chance to do that. And since Frank Miller takes over as lead architect for post-crisis batman, we get a dark, brooding, edgy vigilante who'd never be as close with Superman as the pre-crisis, fun and understanding Batman would be. In a way, World's Finest #323 seems way more significant now. It was the end of the pre-crisis Superman & Batman team. It was the end of an era.
It's a tragedy, and I actually now feel bad for the writers and for the team of superman and batman. Because while pre-crisis batman still had his grim moments (namely, most of the stuff after dick grayson leaves for college is pretty noir-esque), Batman still dressed in Blue and Grey. He still had a conscience, and he had friends. One of the wiki pages had a quote where he admitted Superman was his friend. And I can't see modern batman ever doing that. So we should all mourn the loss of pre-crisis batman. He wasn't great, but he was a hell of a lot better than the post-crisis batman. A whole hell of a lot better.
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celtrist · 2 months ago
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I just vented out a whole rant about how aromantisim is treated within Hazbin/helluva. I'm not really sure if I should post it for multiple reasons, one of which being I don't want anyone to feel targeted about it or take it the wrong way (like I honestly dont have beef with Al shippers. Gripes, but no beef as I also ship him on occasion).
There was just a sudden burst of frustration I had with it that I think was in part just came from built up frustration from other things. There's things I'd like to have out there, but I don't really think it'd get far or, again, be just taken the wrong way. I don't see a point in posting if people are gonna ignore it, plus it wouldn't change how things are now. If anyone has any thoughts or are curious let me know, but I don't wanna make anyone feel like shit or put a pointless rant out there no one wanted to see. I also wanna keep rants to a minimum as I know people aren't always into that sort of stuff, especially if you don't follow someone for that and you just get an influx of posts of them complaining. And I still want to keep things relatively light hearted around here, at best maybe just some critiques on things here and there.
It's late, I'm on my phone when I should probably just sleep it off, so sleep it off I will.
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gamerbroduder · 4 months ago
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curly i could write an essay about you. sorry about all that this is rushed. i had to make something
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nenoname · 19 hours ago
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How Stan+Ford+Bill refer to each other
Stan
Ford:
Childhood: Stanley (9)
Teen: Stan (2)
Pre-Portal: Stanley (15), my brother (5), S (2)
Post-Portal: Stanley (33), Stan (13), my brother (7), my hotheaded brother, idiot (2), knucklehead, [Dipper's] uncle Stan, hero, stubborn mullet-haired frostbitten vagabond, wrinkly carnival barker, irresponsible shortcut-loving overgrown child, cheater, fraud, "looks like me if I gave up on life"
Post-Weirdmageddon: Stanley (16), Stan (5), my brother (2), Stanley Pines, hero (2)
Lost Pages: S (5), Stanley (4), my brother (3)
(S is a pre-portal incident Journal only thing + pre-portal incident Journals only has "Stanley" mentioned in code, tends to call him Stan when talking to the kids)
Bill:
Pre-Weirdmageddon: Stan Pines, Stan (6), old man, [D+M's] uncle, you idiot, Stanley
Post-Weirdmageddon: Stanley (7), Stan (10), Stanley Pines (2), fat grandpa, fumbling idiot con man, weaker copy of Sixer, Bootleg Sixer, mouth breathing carnival barker, gambler, lifelong loser, goofus, PTSD Barnum, side character, resume-inflating cheap trick loving past-denying overgrown child, pathetic excuse for a 5-sensed three-dimensional one-life spanned skin puppet, carbon-copy of a better genetic duplicate, conman clown, Lucky Stan
Non-canon shorts/Reddit AMA: Stan, Stanley, Stan Pines
Lost Pages: inferior clone, brother (when pretending to be Ford)
(Most of the post-Weirdmageddon Stan mentions are for the "fun" facts in the Wheel of Shame, Bill spends the How not to Draw short never directly acknowledging Stan which I find hilarious)
Ford
Stan:
Childhood: Sixer (5), Stanford, Ford, Poindexter, bro, buddy
Teen: Sixer, Stanford (2), nerd robot
Pre-Portal: Stanford (5), pal, you jerk
Post-Portal: Stanford (3), Ford (8), Poindexter (2), my brother (11), brother, bro, the Author of the Journals, you ungrateful-, my nerdy twin brother, my dumb brother, know-it-all, dangerous-know-it-all, world's nerdiest old man, that jerk, stuck up son of a gun
Post-Weirdmageddon: Sixer (5), Ford (3), my brother (5), Stanford, Fordsy, bro, my nerdy bro, Brainiac, Mr Goody Nerd-Shoes
(Tends to use "Stanford" when shit's serious, yes i'm including the two getting traumatised by thrist comments clip come and stop me)
Bill:
Pre-betrayal: Sixer (2), Stanford, smart guy, Stanford Pines
Post-betrayal: Sixer (5), Stanford (2), Ford (4), Stanford Filbrick Pines, Stanford Pines, ol' Six-Fingers (2), Fordsy (2), my old pal, IQ, Mr Brainiac, Brainiac (2), [Mabel's] uncle, our friend, old man, kid, tough guy, pal, Mr Serious
Post-Weirdmageddon: Sixer (20), Ford (7), Fordsy (2), drama queen, fella, sad nerd, genius, idiot, partner, Mr Tabletop Gaming, backstabber, gallant, perfect pawn, pet human
Lost Pages: Sixer (7), Fordsy, Slick, pal, my old pal, my property
Bill
Stan:
Pre-Weirdmageddon: Bill (3), all-powerful space demon, you one-eyed demon, wise-guy
Post-Weirdmageddon: Bill (3), Bill Cipher, little wise guy, Pointy, jerk of the week, narc
Non-canon shorts: you creepy triangle, guy (3), nacho
Ford:
Pre-betrayal: My Muse (19), a strange being from a higher plane, being (3), strange whimsical creature, true friend, Bill (2, however!! this is from Dreamscaperers long before J3 was properly written)
Post-betrayal: Bill (default way of referring to him), My "muse" (3) Bill Cipher (10), Cipher (10), the demon (2), my enemy (3), you insane three sided--, The Beast with Just One Eye, the devil, liar, monster, angular psychopath, nightmare in disguise, king of nightmares, the Triangle, a has-been, a needy theater kid
Lost Pages: Bill (17), my Muse (11), Cipher (18) , Bill Cipher (2), extradimensional deity of knowledge, Cill Bipher, this Bill guy
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sukibenders · 4 months ago
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Aegon, Aemond, Helaena, and Daeron looking at Alicent after she washes her hands of a war, that she (and Otto) dragged them into, and the throne, that she (and Otto) forced them to grasp/fight over even though they obviously didn't want it, and goes off to live her best life while they are all still stuck in a cycle forced on to them without their input (obviously this is about the s2 final):
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#anti hotd#like....what were they doing with alicent in s2? like-#in s1 they had great foundation for pushing her character and her belief as to why her children would be under threat from just existing#(even if u like rhae- understandable- it's not hard to take a step back & understand some of ali's pov#especially when daemon comes into the picture)#there's buildup for why she's forcing this on to her kids (murky but still) & still shows that she loves them in a complex way#heck there was even room to show her after all this also wanting to be close to the throne trailing into s2 whatever#but then s2 shits on that by making everything that happened in s1 hold no weight & ali (& otto) basically ruin their kids lives#like i like alicent but s2 makes no sense characterwise & makes her just...a bad character overall#like ive always felt bad for her kids bc ali was wrong a lot of times but u understand it bc toxic/complex family relationships where the#love is still there but it's complicated#but now post s2? i feel sorry bc their mother pushed them down a path and then left them to live her life?#HUH!?#fanfic writers save me!#aegon ii targaryen#aemond targaryen#heleana targaryen#daeron targaryen#alicent hightower#kind of...anti alicent hightower too?#hotd showrunners really ruined this family & it frustrates me so bad#dni if you can't have a collected conversation about this#like “sorry sweeties mommy wants to makes amends with her childhood crush so rip!”#(& this is from someone who ships rhaenicent)
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i-reblog-everything44 · 2 months ago
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The fandom when Anya is nice to jimmy and compliments/butters him up after the crash: obviously this is a fawn response. She doesn’t actually think these things about jimmy, she is simply trying to protect herself against a volatile, unstable person by placating him
The fandom when curly tries to placate jimmy by telling Jimmy he’d fix things, after being very nervous about jimmy’s anger and reaction when talking to Anya right beforehand and his heart racing so hard on the way to confront jimmy that he’s likely on the verge of a panic or anxiety attack: hmm. Obviously everything curly is saying to jimmy here is completely genuine and not motivated by anything. He obviously doesn’t care about the fact jimmy raped Anya and only cares about helping jimmy at the detriment to Anya. He’s a rape apologist. There could literally be no other potential explanation for why curly is saying the things he is saying right now. Let’s take everything curly is saying here completely at face value and not analyze anything else about Curly’s behavior or the rest of the scene.
[seriously why are people only capable of recognizing the fawn response in Anya and not Curly]
#to be clear the people who say Anya had a fawn response are RIGHT!#but since curly is a man clearly there’s no way he could be afraid of jimmy#listen. I’m not trying to say curly is completely flawless#and I get why people get mad at curly for what he said to Jimmy there after finding out what jimmy did#because yeah out of context someone telling a rapist stuff like “I’ll fix things” “we’ll get through this together” “you’ve gotten through#difficult times before” in response to said rapist fearing his life will be ruined after his actions are exposed#is deplorable#but you can’t just put things in a vacuum#it was a very difficult situation curly was in. regarding of how he confronts jimmy he’s going to be stuck on a ship with him for 8 months#and before u say “he should’ve just killed Jimmy!” think for a moment.#permanently ending someone’s life is traumatic for the vast majority of people#and this is someone he’s known for years and years so it would be extra difficult#also like. would Anya even want jimmy to be murdered? sure she’d feel safer but I feel like she’d have complicated feelings about it#idk like. it’s a very tricky situation#can’t even report Jimmy to HR because that would result in everyone’s pay getting docked.#which would just hurt Anya since she has no savings#curly mouthwashing#fandom critical#would it felt been more therapeutic for fans if curly instead violently confronted jimmy and beat him up for what he did to Anya? yes#but would that have actually helped Anya? no#if anything it would’ve likely made things worse because Jimmy could’ve just taken his anger out on her afterwards#because they’re on a tiny ship together. only way they could have eliminated the threat to her would be like. tying jimmy up for months#or shoving him in a cryptopod. but knowing pony express I bet improper use of cryptopods would result in docking everyone’s pay#and it would’ve been serviously hard to keep jimmy tied up for months. it’s not like there’s a prison cell on the ship#the crew is already stretched thin do u think they could have someone constantly watch him for 8 months??#because that’s likely what would need to happen if they just kept him tied up#there aren’t any good rooms to lock him in#yes it would’ve been better for everyone in the end if Jimmy was tied up or shoved in a cryptopod or killed#but how was curly supposed to know that. hindsight is 20/20#yes curly should’ve taken the threat jimmy posed more seriously. and handled the situation better. but there were no easy solutions and—
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oceanwithouthermoon · 10 days ago
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okay i think part of why people hate teruhashi and saikis dynamic and falsify reasons why they dont like each other at all is that they CAN tell that theres romance implied between them and so they take that and go "well i dont like the ship therefore theres nothing good about this dynamic and they shouldnt even interact" or something
but you guys dont get it... people who are in love can be friends... they can have friendships... you can be friends with someone youre in love with, you can STAY friends with someone youre in love with, you can be friends and ONLY friends with someone youre in love with FOREVER...
its also cool if you dont interpret them as implied romantic but if you dont then you still have to acknowledge that they ARE friends. theyre friends and they care about each other and you cant stop that.
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forbiddentaako · 6 months ago
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more monochrome practice I suppose
#tumblr getting this version of this drawing bc i dont want to get in trouble for drawing them nakey#so its date night vibes instead of like eden vibes#i have such complicated feelings about this ship in part bc we havent really met lilith so dont know what shes about yet#but i know in my heart there was a time they loved each other so much and so this is that#honestly would love so much to get backstory on the eden crew and the happenings there even just like a flashback in an episode or somethin#but lowkey im on the 'hoping they get divorced but deeply care about one another and are a part of each others lives' train#bc thats kind of more interesting to me than them getting back together bc i think the crux of it is how much theyve changed and a part of#their relationship getting to the point where lilith disappeared maybe being them both trying to desperately to salvage it and in doing so#making it worse bc they felt like they ruined their lives to be together and so what was the point of it all if they weren't anymore?? but#like theyre immortal so of course theyre going to change and of course theres a chance that the relationship doesnt work even if they deepl#love one another and always will and i just like the closure of that and admitting they arent right for each other in that way anymore but#they still love and care about each other and will never lose that#this is rambling and doesnt make as much sense as when i was typing it on a different post i am wondering now if theres a limit on how many#tags i can put here bc im just yapping at this point whoops#anyway i need to buck up and actually finish/post that draft i have about my very long and complicated hazbin ship opinions#lucilith#hazbin hotel#lilith morningstar#lilith hazbin hotel#hazbin hotel lilith#lucifer hazbin hotel#hazbin lucifer#hazbin hotel lucifer#lucifer morningstar#hazbin lilith
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bitchthefuck1 · 7 months ago
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you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.
There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.
#like so much of their dynamic (esp but not exclusively in S3) has been about showing the ways that carmy's trauma and dysfunctional#attitude in the kitchen impacts other people and how even though he cares about syd and wants their partnership to work he keeps self#sabotaging and setting himself and by extension her and the restaurant up to fail and replicating the same toxic environments that#he grew up and trained in and this is very much consistent with his character and a natural continuation of the conflicts they've been#having since S1 but because him being shitty with her runs contrary to them getting together suddenly its 'ruining the story' and#out of character and only happening bc the writers just hate to see this ship winning and like. if you really think that i genuinely don't#know what show you've been watching bc it sure as shit wasn't this one. like it hurts to see him do this because you know#they could do something genuinely great together and that he's ruining a really good thing but this is also the reality of where he is rn#if he was just a good and supporting business partner and not deeply dysfunctional it would be wildly out of character#the problem w S3 wasn't that it 'ruined' their relationship it's that it had no clear focus overemphasized carmy's arc at the expense#of the other leads deprioritized the supporting cast while failing to give them their own arcs gave more screen time to#unecessary and uninteresting new 'comic relief' characters and let conflicts stagnate without resolving them or#letting them evolve over the course of the season.#this isn't exclusive to the bear this is a general trend ive noticed where as soon as the 'shipper' part of people's brains get activated#it's like they lose the ability to read the story any other way and it stops being about what's good for the narrative and starts being#about whether or not these two people kiss and anything that gets in the way of that is bad and anything that brings it closer is good#and it's usually whatever but it's really frustrating when the story ppl are doing that to is this good#it also makes people fundamentally incapable of treating any 'obstacle' to that romance in a way that isn't wildly meanspirited and#gross (esp bc those characters are usually women) which is exhausting. like no claire isn't evil or a 'pick me' or 'bad' for carmy#or a useless addition to the story or whatever other nonsense you guys have decided must be true to feel okay. she's a perfectly normal#character and their relationship is exploring some of the ways that carmy's inability to deal with or actually address his trauma#impacts the various relationships in his life. she doesn't even have to be a monster or a narrative mistake for him and syd to be#'destined' for each other or whatever. this isn't a middle school wattpad fic.#im definitely gonna get killed in the street for this but ive been looking for a good reason to spend less time on here so might as well#the bear#sydcarmy#sydney adamu#carmy berzatto
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nautical-wreck · 18 hours ago
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i was in comp sci yesterday and one of my mates caught me watching sebastian vettel x mark webber edits on my phone. i am not out to these people😔
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melit0n · 19 days ago
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The Fire doth Sing of Iron and Devotion.
- Synopsis: Swathed in the cold draperies of night, hunkered down with their herd of cattle, two land-locked cowpokes rest their weary heads. As stars glimmer in silver and merigold, far, far above them, the fire crackles with that which goes unspoken, and that which sleeps under wit and the strum of a guitar.
- Oneshot for @moonchild-in-blue and I.
- Word Count: 6.4k
- Warnings: None.
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Above the sun-stunned, rusty land, raw from the trebling hooves of amblers, sprouting with pale greens that scale towering rock faces, the moon shines. Shines like a silver button punched into velvet, like those on the shawls passing genteel ladies wear. It peaks from behind clambering trees–branches bent on puncturing the great darkness above–and grins in a luminescent crescent at the sight before it. 
Echoing on the plains, coddled bells clank and jingle with the heavy steps of creatures weary from wandering. In the dark of the night, they have nothing to guide them other than the soft clop of hooves and the low whistle of voices that they’ve come to know means safety. But, for now, they rest their hides on the warm ground below: the same land their strong shouldered, distantly dying cousins once did. 
Closely, they huddle, minds eased by the knowledge of familiar hands and voices nearby. Sleep would find them quickly–glossy eyes drooping and muscles easing–if not for the constant sound of a flint. 
Footsteps, light with the familiar clink of metal, approach the noise. “You got that fire started yet, or are we sleepin’ with the shadows tonight?”
Small sparks, the promise of something bright and warm, light up Mel’s face like the glow of fireflies, glinting in her murky blue eyes. Her brows are taught with focus, and there’s the beginning of an annoyed frown making its way across her slightly tanned skin. “...Almost.”
“Not to be crude, pardner, but,” Darya crouches, loose threads of soft, inky hair–pulled up underneath her hat–tickling Mel’s face. She places a hand on her shoulder for balance, leaning over the somewhat pathetic attempt to create light. “You said ‘almost’ ‘bout half an hour ago.”
Mel blows a strand of dirty blonde hair from her face–of which dutifully floats back down to its exact position moments later–and grumbles, “Ain’t my fault I’m used to the oil lamps Mr Langley gives us now.”
Darya adjusts her feet under her, engraved boots–a tapestry of foreign fruits and stars–scuffing up dirt and dust. “Well, ya’ know how to strike a match to light the lamps: surely this ain’t harder than that.” She says it with a grin: graced with pearly whites that light up any dimly lit room she’s in. Too bad it isn’t enough to light up the whole valley–would certainly save the two some trouble. 
“‘Course I know how to strike a match,” A puff of dust erupts from the ground as Darya lowers herself to the ground, the brim of her slate grey, tinged blue, hat grazing over Mel’s. “If we had the matches, I wouldn’t have to be doin’ this.” 
“Shoulda’ bought some when we were in Boulderstead.” Darya laments, crossing her legs and trying to ignore the dull, irritating press of tiny rocks through her chaps. 
They’d only passed by two towns on their way home, Boulderstead and something with ‘creek’ in it–tumbleweed towns that were easily forgotten–and missed the opportunity to buy some both times. After their forgetfulness, Darya had expected to be able to visit an old friend’s homestead for supplies–and maybe a soft bed to sleep in for the night–only to find nothing but arid dirt and the remains of what once was. 
Nowadays, nothing seems set in stone nor lead: half their maps and memories are wrong–farmsteads and friendly faces replaced by iron and fields of juniper green turned to paper mache towns that look like they’d blow over when the first snow comes. 
So, for miles, it has only been the wayward pair, their horses, and their employer’s–one Mr Langley’s–prized herd of cattle. 
And, for miles–for each night they spend out here–one is quietly pleased at the prospect of their partner getting roughed up and needing a hand to hold. 
Iris–Darya’s well loved mare–softly neighs from behind the pair, the metal of her bridle clinking along with the steady shink of the flint. In the quick blink of light, Mel shrugs. “Shoulda’, woulda’, coulda’.”
Darya’s hand reaches upwards and sends a pat to Iris’ white and chestnut shoulder. Though, she’s sure most of the white has tinted a dull red–stained by loose soil and sand. “Would ya’ like me to have a knack?” 
In the corner of her eye, Mel watches as Darya leans forward–hands open in offering. She attempts a few more times but, with hands sore, she happily hands them over, the valley finally falling quiet. “Go right ahead.” The noise quickly begins again, bouncing off of the trees and towering rocks. “I think we collected damp wood–somehow–so I doubt it’ll li-”
The dry moss sparks with life, taking mere seconds to begin smouldering with smoke. Habitually, Darya cups her hands around her mouth, and leans further forwards to give the budding flame a helping hand. 
Comically, Mel’s eye twitches. “You’re kiddin’.”
“Well, what can I say?” A proud grin, accented by beauty marks, stretches across Darya’s face as she leans back, amber and morning-sun-yellow dancing in her deep, umber eyes. “Got a way with words, a paintbrush and fire.”
Mel shifts, nudging Darya in the side playfully. “You talk any longer,” she drags her numbed legs from under her and leans back on her hands. “And you’ll be gettin’ too big for your britches.”
Darya shows her palms, as if placating a skittish horse. “Only speakin’ the truth, pardner.”
After so long in the dark, it takes a few moments for their eyes to adjust to the growing light. The fire scrambles up the wood with semi-controlled hunger, marigold fingers sliding across the collapsing bark, kept away from the dry grass by hastily gathered stones that surround the growing embers. 
With the stygian draperies of the night already lain across the land, the warmth is a welcome one across their faces–the frigid fingers of the midnight hour kept at bay, relinquishing their hold and peeking from behind the tree line in front of them.
The shadows are the same wherever they go, though, Mel still finds herself off-put by the wisps as they waver with each crack and pop of the wood. The other farmhands back home always make stories of them–outlaws possessed by the Devil and turned to something further than man–and both would be liars if they said they weren’t somewhat unnerved by their creeping forms.  
Intently, from between the flickers of the flame, Darya eyes them, wary of outlaws and bandits, but simply finds herself–elongated and transparent–pressed against the trees. 
Fatigued sigh escaping her mouth, Mel grasps for her hat–a light tan embroidered with fading flowers, battered by use and playful cows–and wipes over her face. As she peels damp wisps of hair from her forehead, Darya chuckles.
“‘N that,” Darya follows along, beginning lifting her own, feather inlaid in the band, off of her head. “Is why you should put your hair up.” As she does, she reveals the small braid tucked inside it. Looped and weaved in the twist, small flowers lie: soft, small stars carefully stitched in the silken fabric of her hair.
Mel pauses for a moment, eyes meandering over her, before flicking back to the fire and attempting to comb out her hair. “Naw, I always feel exposed with it up.”
“Exposed?” Darya turns to Mel, an amused smile spreading across her face. “What are you, a deer?” Both huff out a laugh as Darya tilts her head. “Why though? You always look real pretty when I braid it. Mrs Langley says so, too.”
Mel drops her hat to her lap, deciding to make the other hand another makeshift comb. “‘Cause I’ve a forehead the size o’ Europe.”
Darya attempts to stifle another laugh. Key word: attempts. “Naw,” 
Mel keeps a blank, unamused expression. “You’re laughin’.”
Another puff of air that sounds suspiciously like a laugh escapes Darya, before she raises a hand to wipe at an imaginary stain near her mouth. “I ain’t. You- you don’t.”
“Don’t lie to yourself- look at it!” She draws her hair back–strands as taught as a rope. “You could write half the Good Book on this thing.”
Suddenly, Darya’s face drops: frown highlighted by the flickering shadows of the fire. She reaches forth and speaks in a tone like she might just start praying. “Mel, hold- hold on.” She squints, bringing her hand to Mel’s chin. “Stay right there. I think I see sum’…”
As her head is twisted and turned like a sickly child’s, a feeling of worry builds in Mel’s chest. “What?” To the left, “What is it?” To the right, “I get nicked by sum’?” And left again.
Darya leans closer, squinting, and Mel becomes painfully aware of how warm her fingers are on her face. “Hold on…in the beginnin’, God created-”
Apprehension gone, Mel’s shoulders fall and all anxiety seeps out of her just as quickly as it built up. “Quit it.”
Darya’s laugh echoes and bounces against the creaking trees, and it doesn’t take long for Mel to join her. They stay that way, sure they sound like a pair of cackling coyotes, but they know no care for it. 
When their laughter finally ceases, both of them mutely realise how close they are. 
It isn’t an uncommon thing–they can’t count on two hands how often their hands have found each other as they traverse the streets–but, even so, a warmth, almost scalding, floods their faces.
Mel can feel the twitch of Darya’s fingers against her face, and a small part of her begs her to lean in. 
She doesn’t. 
Instead, she grins, something halfway between sly and knowing–teasing–and apprehension as she removes her hands. 
Wanting to relieve the tension, Mel coughs into her hand. “How, uhm, how are the cows? We still got all twenty of em’?”
Darya hums, smiling and returning to fiddling with the feather on her cap. She’s adamant it’s some type of Hawk’s wing feather, though, it’s a long running joke that she picked it up from a chicken. “All swell. They’re tired, I don’t blame them, but well. Mr Langley insists we usually have the dogs to keep ‘em in check, so I’m surprised they’ve stuck to us without ‘em.”
“I guess after a while they realised we’re their only way back home.” Mel shifts again, swiping a few stones from under. Naturally, it does barely anything. “And Miss Langley’s acorn calf? She still swell?”
“I’ve been checkin’ on her the whole ride. If I’m honest, I’m mightily surprised she’s made it this far: strong heart, that one. Though, I might tie her and her ma’ up to Iris,” Mel sets her hat beside her, “so they keep up for the last quarter-” and pulls herself up and off the ground. “-where you off to?”
Mel twists, loud cracks emitting from her tired bones, mumbling, “Jeeze, m’ gettin’ old.” She shakes her legs, ridding herself of the numbness, and turns to Darya, a grin spreading across her face. “Gettin’ sleepin’ stuff.” 
Darya begins to drag herself back up. “Fair enough. Where is Pip, anyways? You let her wander?”
“Mhm. Hope she ain’t gone too far.” After a few dry, sad attempts, a lifting whistle echoes out across the plains, quickly followed by the slow, repetitive thumps of hooves. 
A while back, a group of cows would’ve probably been following her, but, after a year or two with the pair, they began to recognise the different calls used.
Unfortunately, it also means they recognise when the horses are being called over for food, as well. 
But, before long, Mel’s horse–Pip–appears from the shroud of night like an aimless ghost; dapple grey coat, mane plaited with flowers, highlighted in the firelight.
With a whinny, Iris walks over to greet, dust being kicked into Darya and Mel’s eyes in her wake. 
Both of their saddles are heavy with supplies: a change of clothes, each of their respective rifles and lassos, as well as tinned food and canisters of water. Normally, they wouldn’t be so stuffed, but their usual pack horse–a well loved mule named Red–decided to go lame a day before the pair headed out. 
Yet another inconvenience that has dug into them during their long trip. 
Metal jingles as each unties their respective gear, both careful not to undo any knots that would send their carefully arranged items tumbling to the ground. Bit by bit, they’re placed down on the dusty, rock ridden ground–a place sometimes as uncomfortable as sleeping on a bed of nails. Even after so many days spending more time on it than not, it still made them yearn for the hammocks in the yard back home more than anything. 
Still, it was the best they had.
“Hey, Melie?” Darya unties her base–a thinning bedroll that has a hole too many in it. 
“Yeah?” 
“You,” Easily, she places it onto the ground, looking between her saddle and a compressed knitted blanket. “You got dinner?” Eventually, she chooses the blanket, keeping it folded to work as a makeshift pillow. 
At the word ‘dinner’, Mel pauses her attempt to rid her bed of any small rocks, brows twitching in confusion. “We already had dinner?”
Iris and Pip huff what is almost a laugh from behind the pair. Darya looks to her, incredulous. “When?”
Mel jerks a thumb back, “Back up on the South ridge when it was startin’ to get dark! We wanted to watch the sunset, so we took a break, remember?”
Darya’s eyes search the darkness for a moment, like her pupils will pull a memory out of it.
Mel chuckles, beginning to smooth out her makeshift bed, placed close to Darya’s. “I think you gotta get your memory checked, Moony.”
“I think you gotta get your fire makin’ skills checked.” Darya scoffs, shifting her feet out of her boots.
“You won’t be sayin’ that when I put a sidewinder in your sleepin’ bag.” 
Darya flops down, craning her head and watching Mel work. “You wouldn’t.” She speaks, comically aghast and playful, like a wife learning her savings have gone to whiskey and bargaining chips. 
Mel hums, “I would.” As she smooths out her crinkled sheets. 
Darya smiles, laughing. “You love me too much.”
Mel stays quiet, lips pursed, a silent sign of some sort of unspoken agreement, and Darya feels the itch of a ‘told you so’ on the tip of her tongue. But, as both smooth out their beds for the night, she decides to keep it hidden beneath another smile. 
With ease, Mel slips her own boots off and watches the fire intently. Sleep tugs at both of their eyes–heavy as lead and light as rain–but both know neither will be welcomed into her arms tonight. 
At least, not for long enough.
They need to take shifts for the cows, anyways. 
Both stare, silent, at the flickering fingers of the fire, bodies dreading the inevitable five step trek to find more fuel from it. They’d both gathered some and placed it in a pile a little more than an arm's reach away, but after sitting down–even if that’s all they’d done all day–it feels painfully distant.  
Rocks dig into their skin through the thin excuses for beds.
Quietly, Darya listens as Mel shifts back and forth, probably attempting to dislodge the small things like she does every night. 
“You alright there?” Darya hums, hat back on her head–tilted over her eyes–and a tired lilt in her voice. 
Mel sighs, annoyed but not willing to put in any more effort. “I’ve got rocks under me.”
Darya scoffs, a smile on her lips, “What a surprise that is.”
The conversation falls comfortably flat afterwards. As Mel picks at the embroidery in her hat, something she’d need to re-stitch soon–a long put off task–the stars twinkle quietly above. With no other noise than soft breathing, both think the other has managed to fall asleep.
That is, until Darya whispers, “Mel?”
She mumbles back, “Still here.”
“Do ya’ know how close we are to home?”
Mel’s eyes inch from her hat and towards Darya’s form. She’s taken her hat from her face and rested it against her chest; Iris sniffing at the feather. 
“Don’t tell me you lost the compass.”
She scoffs, “How would a compass tell us how far out we are?”
Contemplative, Mel takes a few moments to respond before sighing despondently–a noise that easily makes Darya laugh. “Sorry. Just tired.”
“Been a long ride; don’t fret.”
Their eyes stay glued to each other’s, and Darya yearns to fill the silence. With what exactly, she’s unsure, but she takes a breath to speak it. Fortunately–or unfortunately–Mel beats her to it.
“‘M surprised.”
Darya’s brows furrow, craning her neck to get a better look at Mel. “Why?”
“You’re usually the one with a sense of direction.”
The memories of countless hours lost to Mel’s horrible mental compass brings a grin to Darya’s face. “Well, you’re the one who likes stars.”
Happily, Mel continues the back and forth. “You’re the one always lookin’ up at the night sky.”
Darya twists, moving to her stomach. “Can you blame me?” Distantly, they hear the sound of approaching hooves. “The moons’ as pretty as a peach.”
“Prettier than me?” Pip nips at Mel’s hat, playfully attempting to tug it away, before walking towards the treeline again, probably for a second dinner.
They’d tie the two horses up, but, after years of trekking so many miles with them, both have proven to be pleasingly loyal. Again, spending more time with them than not, a mutual trust had been formed, and they’d both decided to let them have free rein, without fretting over losing their ride far from home.
“That’s still up for debate.”
There’d been an occasion, maybe a year ago, when they’d been watching another local farmer’s cows–one Mr Rawlings–because his hands had refused to work. Said they saw a Ghost rider, no skin left on his face and a voice calling across the plains like the Devil Himself, and didn’t dare step back on the land until the Priest blessed it. So, with only a mild fear of that which goes bump in the night, they were happy to take up the additional job for some extra cash. 
Iris nudges Darya’s head. Humorously, Darya looks up to her. “Whadya’ want?”
So, in unfamiliar fields under an ever watchful sky, the pair certainly had a fright waking up to seeing both their horses gone. In a panic, they ran like bats out of Hell back to Mr Rawlings to report their stolen animals. Two hours or so later, the pair came trotting back home, an unconscious outlaw tangled in one of their stirrups and reins. 
Again, she prods Darya until she finally moves herself upright. “What are ya’ up to, hm?” 
Having seen them find their way back home with no issue, dragging a bandit behind them, both decided to give them a little more freedom. 
Happily, she settles down behind Darya, her usual spot–flask of water sloshing as she tucks her legs in. With a resounding sigh, she places her heavy head down on Darya’s pillow.
As the mare gets herself comfortable, both can’t help but laugh. “I don’t think you’re gettin’ that back tonight.”
Darya huffs, her hand beginning to paw blindly for something. “At least my horse doesn’t try to sleep on me every night.” She frowns, clearly not finding what she was looking for, and leans over Iris. For a few seconds, she almost seems to hesitate as her next words stumble out of her mouth. “I’d be a real shame if we had to share a sleeping bag, ey?”
Mel’s eyes stick to Darya’s form before letting them wander her surroundings in search of something else to fiddle with. “Oh, truly.”
The hollow knock of wood, followed by a soft, ‘aha’, tells Mel that Daryas’ found what she’s looking for.
She lifts the battered instrument over Iris, body knocking on the horn of her saddle. Somewhat more confident, she speaks, “Y’know what I heard?”
Mel’s eyes focus on a brittle-looking branch. She stretches out her arm, “What’d you hear?” before grasping onto it, and dragging it over the dry ground. 
A very out of tune chord resounds in their ears. “That you get warmer faster with less clothes.”
Mel twirls the stick around in her hand, unknowing as Darya watches for her reaction. “Oh, yeah?”
Another pluck of a string–more harmonious than the last. “Ey. You, uhm, you gotta be huddled up with someone, though.” She strums a somewhat familiar chord; one of late nights together on a porch with the burn of whiskey on their tongues. 
She hums. “I’ll keep that in mind for later.”
Darya grins to herself at the prospect. Even though she knows it's only sarcasm, she can’t help but sense a drop of sincerity. 
As Mel draws patterns in the dry dirt, somewhere across the plains, a bird calls out. Maybe the Hawk, scouring each blade of grass and hare’s burrow for its missing flight feather. 
“So…” Darya draws the ‘o’ out. “Where are we at?”
“Let’s see,” Mel shifts her eyes up from her swirling shapes and towards the clear sky, darting between the hundreds of silver eyes that stare down at them from the great darkness above. “That big bright one is Mars- uhm, y’know the twins? Gemini?” 
She turns to find Darya’s eyes, finding them already fixed on the velvet expanse above them.
“The two stick-figure lookin’ ones? Holdin’ hands?”
“Aye.”
“Lookin’ right at ‘em.”
“Okay, um,” Mel squints at the sky, attempting to discern the different shapes and patterns–different stories woven with helium and spur silver–that cover the night sky. “Cancer? Right to the left of it.” Darya nods, “Look between the two for a big bright one; can’t miss it.”
Darya grins as she picks them out. “I see ‘im.” she giggles to herself. “Y’know, I really don’t know how people get a crab outta that.”
“You ain’t never even seen a crab.”
Darya whips her head around, a grin on her face as she bends her torso over Iris, careful not to hit her head with the neck. “Have too! Mr and Mrs Langley were given sum’ for their anniversary.” Iris flicks her ears against Darya’s face as she leans back. “‘N ain’t no way does that,” she plucks a harsh string. “Look like a crab.”
Mel peers back up at the sky, contemplative as she tries to imagine the animal in place of the glimmering stars. “...Looks more like a lobster to me.”
“Don’t you tell me you’ve seen a lobster.”
Mel crosses her arms, smug. “Maybe I have, maybe I haven’t.”
“Just tell me how much longer we gotta be out here for.”
Mel looks back, humming, “We follow Mr Ares straight to get back home. Maybe…another day or two's ride?”
“Thank God.” Darya’s shoulder fell in relief, a sigh escaping her. Although they had both diligently attempted to keep track of the time, after so long surrounded by sand, pillars of binding red rock, and half-built rail-tracks, the days felt as if they melded—hot and red with a halcyon sky above—together.
“What,” Mel throws her stick into the fire, listening as the dry wood crackles and pops. “Am I really that bad company?” She asks in mock offense. 
“Naw,” finally, her guitar seems to be tuned. Both are sure it won’t stay that way for long. “Just missin’ my bed.”
“You n’ me both.”
Bit by bit, Darya begins to string together a song, fingers moving back and forth between different chords before settling with a sequence she likes. She’s been playing it for a long while–as long as the two have known each other–along with her violin. Although, that one stays tucked up at home, far away from bucking horses, bullets, and pawing bandits. 
Mel places her elbow on her knee, resting her head on her hand. “I like that one.”
Darya scoffs, smiling. “You like all my tunes.”
Mel imitates the sound, mocking her. “Because they’re all nice. I keep tellin’ you to ask the keeper if you can play them at his saloon. Everyone’d love it.”
She begins a more complicated plucking pattern, fingers dancing across the fingerboard. “One day.”
“Is that gonna be one day in this life or the next?”
“Perhaps the next. For now, I think they’ll stay for our ears.”
There it is again; that warm feeling. Quiet as the wind and as warm as whiskey. One that isn’t the amber arms of the firelight, or the food sitting at the bottom of her stomach. As Darya hums, Mel can’t help but think she’s never seen someone as lovely. 
Suddenly, the pacing changes, her humming becoming as smooth as fresh butter. “New one I’ve been cookin’ up. Thoughts?”
“Sounds like you.”
Darya raises her dark eyes for a moment from the strings, iris’ flickering with the firelight. “And what would that be?”
Mel doesn’t hesitate. “Ocean waves crashing against a limestone shore.”
“Right, well, I know for a fact that you ain’t never seen the sea, same as I.” A cow moos from far off. “How could I create a sound about somethin’ I’ve never heard of?”
“You can still imagine it, no?” She shrugs.
Darya hums; soft, like the wind chimes their employers have in their orchard. “True, true.” A pause. Maybe another hesitant statement that lingers on her tongue long enough to turn the words sour to her mind. “We should go someday.”
“To the sea?” Even focused on her music, Darya can hear the grin on Mel’s face. Subtle, and half-hidden by her hand, but still there. 
“Mhm. Mrs Langley has one of those big shells–a conch–on a shelf in their livin’ room. I’d like to find one for myself.”
Quiet, Mel nods in wordless agreement. They’d heard that Mrs Langley was born by the ocean, and keeps the sea foam and sand close to her heart. In the orchards, filled with white blossoms and apples, come summer, the branches are littered with wind chimes; woven with seashells and string. Both swear it’s the second prettiest sound they’ve ever known.
Darya takes in a breath, “Did ya’ know, you can hear the sea in em’? Like how people say they hear voices in the wind. Real neat how they carry a piece of their home with em’.”
“Doesn’t everything?”
Darya raises her eyes from her guitar for a moment. “True that, true that.” Before glancing back down.
Before long, the two fall into another comfortable quiet, lulled by the pop of wood, the twang of Darya’s guitar, and the far off moos of sleepy cows. 
“Hey, Melie?”
“Mhm?” Mel’s eyes have drooped closed, hopeful to grasp at sleep that seems to never come. 
The guitar’s wood hums when she places it down. “You got a story for us?”
She cracks an eye open, Darya’s form a blur for a few moments. “Depends on if you wanna sleep tonight.”
Darya huffs. “Oh, come on, your stories ain’t that scary.”
She peels the other eye open, once again wide awake. “Only because I keep all the good ones to myself! You scare like an afeared chicken to a loud noise, anyways.”
“Says you.” She begins putting her guitar to the side, strapping it back to Iris.
“Aye, says me.”
“Well?” She looks to Mel. “Go on.”
Mel straightens herself, clearing the remnants of drowsiness from her eyes as she dramatically clears her throat. “Alright…they say,” she begins, hoarse and preacher like. “Far out where-”
Darya tucks herself behind Iris’ head. “-Nevermind, I’m goin’ to sleep.”
It takes mere seconds for the short charade to break, both, somewhat sleep deprived, laughing at each other.
 “Alright, alright.” Again, she clears her throat. “They say, far out where the sky ends and there’s nothin’ but burnin’ blue, is a town of tumbleweed and cow bones.”
Darya shifts back up, sitting cross-legged and leaning over Iris. “So, our town?”
“Ain’t that bad.” Mel stretches, attempting to get comfortable again.
“Debatable.”
She raises an eyebrow. “How so?”
Darya shrugs. “Because you’re there.”
Mel waits a few seconds, turning the words around in her mind. “That a compliment or an insult?”
Darya grins, sly and joking. “Well…”
“Y’know,” Mel begins, toneless, “I ain’t really in the mood for storytellin’ no more-”
“-No, no,” Darya chuckles. “Carry on.”
Mel raises her eyebrows again, seemingly waiting for another interruption, before a pleased smile stretches across her face. “Now, nobody knows its name no more. Long lost to the dust and the tramplin’ hooves of those which have gone early. But, even ghost towns were once livin’.”
Darya knows the type of town she speaks of well. Places of rotting timber and fading paint, with inhabitants who’d rather pretend to be dead than confront the odd passerby. Places where the grass grows as tall as a man, and homes are more bones than flesh.
“This town is just like any that have come before it. The drunkards still holler nonsense at God’s hour,” A laugh gets caught in Darya’s throat. “The banker still shifts shadily in the alleys, and the farm hands still drink their whiskey on the porch.”
“You sure this ain’t about our town?” 
Pip shakes her head, rattling her bridle as Mel brings a hand to soothe her. “Sure hope it ain’t.” Darya listens as she chews on her bit, a noise somewhere between the shink of a reloading shotgun and the grinding of brittle teeth. “Anyway, in this town, a young woman lives.”
She brings a hand to her own horse’s head, threading through her tousled mane. “What she like?”
“She’s as pale as a Charolais, sings like a bird up on a vine, and lives with her husband, a cow wrangler, up on a hill.”
Distantly, one of the cows lets out a low bellow, one that sets off some of the others in the herd. It’s something between another snore and a tired sigh, but it still makes their ears perk. Makes their eyes squint into the darkness beyond. Makes their fingers twitch for their rifles. 
All remains still. 
Both let their eyes wander back to their fire. It’ll need some more wood soon. 
“So, one of these days, she’s out in the market, buyin’ flowers for her husband and bartering for a nice chicken; it’s his birthday the day after tomorrow, and she wants to treat ‘im.” Mel brings her hands up close to the fire, Darya watching as she creates shadow puppets. “After she’s all set, she sneakily walks back home–didn’t tell her husband what she was buyin’, and prepares to creep her way to the pantry to hide her spoils. But, when she rounds the corner to her kitchen, she spies another woman.” Darya gasps dramatically. “Another woman and her man.”
She rolls her eyes, “Typical.”
“Mhm. Now, in a fit o’ rage, ‘fore her husband can even catch a glimpse o’ her, she rushes inna fit through town, and no matter what nobody does, they can’t stop her from runnin’. She runs, and she runs, and she runs, until the night swallows her whole.”
“Let me guess:” Darya cracks her back. “She ain’t never seen again?”
“Stop tryna’ spoil yourself–we’re gettin’ to the good bit.” she shushes. “Eventually, after months o’ searchin’, after sendin’ every other able bodied man out to look for her, they deem her dead. And, of course, with his God given wife now gone, the husband decides to remarry. With this woman-”
“-The same he was cheatin’ with?”
Mel nods. “Aye.”
“Go on.”
“With this woman, he has a child. He grows tall n’ strong, n’ fights any ailment and Devil and his black hat throw at him. He helps his pa’ out in the fields–cattle wranglin’–” 
“Are we gonna make an appearance in this story?”
“If you let me finish, then maybe.” Mel jokes. “N’, on a lush Spring day, a herd of mustangs are passin’ by.” She shifts her hands over each other, creating a horse within the fading flame of the fire. “And he spots the prettiest mare he’s ever seen: pure white, aside from a pitch black star in the centre o’ her chest.” Behind her, Pip finally decides it's time to lie down, and falls ungracefully into Mel’s lap. Gently, she threads her hands through the loose strands of her plait. “After spendin’ so long seein’ his pa’ wrangle cattle and horses, he sets his eyes on her, waitin’ until she’s away from the herd. She’s real calm, calmest Mustang he’s ever known, and lets him wrap a lead round her neck. He decides to push it, and gets on her back.”
Darya glances to the fire, blindly searching with her hand for something to fuel it. Eventually she finds another branch, and carefully places it in. 
“He calls to his dad, wantin’ him to see his achievement. But, spooked, the mare begins trottin’ away. Then she canters. Then she gallops, and she don’t stop.” Mel pauses, hoping to attain some dramatic effect like the drunkards telling any other drinker of all the men they’ve shot. 
“They ever find him?”
“His pa’ searched for him for hours, but, just like his wife, they found not a thing: no clothes, no blood, no bones. They say,” she exhales, a cold puff of mist fading into the darkness. “He found a way to where the sky ends.”
Another pause. This time, Darya can’t tell if it’s for effect or not. “That it?” Darya scoffs a laugh. 
Mel raises a hand in placation. “Naw, there’s more, there’s more. After the disappearance, death, of their son, the couple is distraught. His pa’ spends more time with his cows and horses than he does with his own wife. So, in order to try to reconnect with him, when the sun is high in the sky, and the weeds walk in packs in the winds, she goes to the market to find one.”
“Oh, here we go.”
“She’s wandering the stalls, looking over each creature, and she eyes one she likes. White as the moon above with a-”
The two speak in tandem. “-black star on her breast.”
Mel nods, laughing lightly. “She’s cheap, marked down because of her temperament, but when the lady approaches her, she’s as calm as a Spring breeze. So, she buys her, and takes her home, makin’ sure she’s broken in before riding her out to show her husband. Of course, he’s as angry as a fresh wound when he sees her, and tries to take her back to the seller. But, he refuses to take her–’a deal is a deal’. On the few times she’s being ridden, he’s always with her wife, mumblin’ the Devil’s talk to her, and sure that she can understand. However, one day, his wife goes out on her own.”
Across the plain, a jackal howls. 
“How they find her?”
“Like usual: they don’t. The horse comes back, still with her saddle and bridle, and they joke that the money spent on that horse was well: she’s as loyal as a Church wife.” She makes a little halo with her hands. “Done with this horse, a demon he’s sure has come to taunt him for not lookin’ after his wife, he takes his shotgun, goes to her paddock, and gives her lead.”
“Then?”
Mel leans back, smiling to herself. “Calmed at the prospect of that thing finally being dead, he gets his cart ready to throw her out to the tumbleweeds–let the scavengers have at her. But, when he goes to get his horse, there she is: standing in the paddock where he’s sure he left her to bleed out. So, he shoots her again.” Mel rustles something metal–maybe her canister–on Pip’s saddle. “And again.” Another tink of the metal. “And again. No matter what he does, she’s always there. The townspeople call him raving mad, and ignore the gunshots that go off each night. When they finally stop, they hope he’s finally come to his senses. He came to them alright. Spilled them in red over dust and dried hay.” She lets go of the saddle. 
“And the horse?”
“Found a way to break out of her stable. ‘Always temperamental, that one’, they had said. ‘Don’t know why he ever kept her.’ Some travelers say, far out, where night meets the land, a white mare roams with a wild herd. Stare into her eyes, and you might just see somethin’ human.”
Mel exhales, hands unfolding and brought to her knees as she watches Darya’s face for approval. 
She stays blank. “You gon’ give me one of those ‘good ones’ you’ve been storin’ up or what?”
“Oh, come on!” She throws her hands up. “Needs a bit more tinkerin’, but it ain’t horrible.”
“Jokes,” Darya leans to her right, grabbing something. “Just jokes, pardner.” The fire crackles as a new log is fed to it. The embers dance in the air for a moment, sunset stars burning up before their very eyes, before disappearing back into the flame. 
Mel shakes her head, leaning back and attempting to shuffle into her bedroll. “So, if you get a bedtime story,” even half asleep, knowingly, Pip shifts herself, laying her head on Mel’s chest. She heaves at the sudden weight. “Do I- Do I get a bedtime lullaby?”
Rolling her eyes, Darya leans back over Iris, unhooking the guitar once again. “Hold your horses.”
The metal of Pip’s bridle clinks and Mel grasps it. “Holdin’ ‘em.”
Guitar back in her lap, Darya begins strumming again. It’s a soft tune, strummed gently with the occasional, high pitched twang of one of the strings. “What’s this one sound like, then?”
Mel’s eyes droop close. She can already feel herself overheating. “Like home.”
“Really?”
“Mhm. Like waves crashing against limestone, too.” Mel grunts, attempting to get comfortable as Pip subconsciously shifts more of her weight onto her. She sighs as she finally finds a comfortable position. “N’ that’s close enough to Heaven for me, too.”
From over Iris’ head, Darya’s eyes wander to what she can see of Mel’s form, another sentence–maybe a final comeback–pushing against the back of her teeth. She lets it fizzle out like the embers of the fire, and hopes the warmth in her chest will do the same. 
She knows she isn’t asleep yet–her breathing hasn’t yet gone soft–but her fingers grow idle on the frets. With dust climbing up her chaps, she places her guitar aside with a low thump. With one last glance at the fire, she gathers some dust to put it out before unhooking her rifle, and leaning against her horse. 
Grinning, she wonders to herself that perhaps, in another life, they too are the lovers the constellations speak of. 
---------------
Writing this made me realise I need to practice third person a bit more. Usually, when I do, I focus on one main character and their thoughts, perceptions and actions in the scene (e.g., in WDJ) but, doing it here made things feel one-sided, so I ended up with a slightly odd narration style which I'm not really use to.
Minor frustrations aside, this was stupidly fun to write! I've never done anything Western based, so it was really cool to do some extra research on Western Jargon, clothing, speech patterns and history. It may not be entirely accurate, but I loved working on it, so I don't mind all too much.
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buddieinmybeddie · 9 months ago
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People who only like and support ONE ship and go around sending hate to other ships/shippers are so weird , I as a multi shipper cannot understand..
I love to explore the dynamics my favorites would have with other characters, there are of course ships I don't like but I'm not gonna go around hating on them who DO like them for no reason
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mintaikk · 11 months ago
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Whats the ship name between Flug & Miss Heed? I've just been calling them Paperheart rn
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