#we are obviously in vastly different situations

[badger-bear]

.

[maximumqueer]

Ok, so I got to (and past) ep. 26 of Witchlight, where Gideon is hit with a fey love curse which has him be head over heels in love with Kremy. And it just has me thinking about how vastly different the two of them reacted to being fey cursed to be in love with the other (though we all know they are in love without the fey curse) and what that says about them as people, as well as the way that they view relationships.

When Kremy was under the effects of the fey curse, he was dead set on making sure Gideon (or anybody really) did not find out about him being in love. He, for all intents and purposes, did not act all that differently that he would have other than being more outwardly jealous of the fact that Gideon was marrying other people. (Richie saying "I know" with that smug look in his face will live rent free in my mind forever). This says a lot about Kremy, and the way he views romantic (or even just more intimate) relationships. He is so full of shame and insecurity at the prospect of being in love of Gideon that it all has to be done through a false lens of irony. And I think that is because Kremy, at the end of the day, is a conniving conman. He views relationships as advantageous. He is so clearly afraid of vulnerably that, even when under the effect of a love curse, is still trying his best to not let on that he is in love. (I also think this points to him actually being in love with Gideon, as it does not completely alter his behavior). He needs to maintain control on his feelings in order to be in control of every situation he is in, so that he can exploit the people he needs to, as well as make himself as un-exploitable as possible. Obviously he is friends with Gideon, Gricko, and Frost, but I can't help but believe that the trust we see him have in them was built slowly over years. Just look at the way he views Torbek earlier on. And as such, admitting that the relationship he has with Gideon goes deeper, and is more intimate that just friends and business partners, is a (nearly) impossible task for Kremy, as he does not want to feel or be viewed as vulnerable.

With Gideon, the second he gets cursed, he immediately goes all in. He says that he loves Kremy, that he is happy they are married, and goes out of his way to touch him, be close to him, compliment him. Now, this is more distinctly different from how Gideon usually behaves around Kremy, but I don't necessarily think that means that his love is completely fake. I do think, however, that it means that Gideon is unaware of the full extent of his feelings when it comes to Kremy. Because, while it was said in a joking manner, I believe that there is some truth to the claim that Gideon has commitment issues. Not in the sense that he is or ever would be unfaithful in a more committed relationship, but rather that some wires got crossed in his head (thanks to the years and years of trauma from the fucking train) and that he now views being 'tied down' to one individual in a romantic sense in a similar way as being imprisoned. He wants freedom, he doesn't want to feel beholden to a single person. And obviously this is an unhealthy way to view relationships, as a healthy one will not make you feel like you are being caged. But this does not seem to be based off of experience for Gideon, as all of his 'romantic' exploits seem to have been causal hookups that may end in him getting shotgun married and then immediately cutting town, but nothing more. It is the concept of romantic commitment that Gideon does not like, not the actual act of commitment itself. Because he IS committed to Kremy, and he has no qualms with being 'tied down' to Kremy in this way. As such, he doesn't view his feelings as being anything other than platonic, as he expects romance to feel like a cage. Until he gets slapped with fey magic, and those feelings about commitment temporarily go away.

Basically this is a really long way of saying that I LOVE how Richie and Mace both decided to play their characters being (explicitly) in love with the other. It makes for beautiful (and very funny) character work and gives us, the audience, a bit more insight into the dumbass minds (affectionate) of Kremy and Gideon.

[celaenaeiln]

What are you favorite things about Dickkory?

Please and Thank You☺️

SO. MANY. THINGS!!!

Where do I start?!

Their freedom

Their dedication

Their dynamic

Ok so my favorite thing - well one of three favorite things - about Dick and Kory is that they just let each other be who they are.

What I mean is Dick never tells Kori she has to look a certain way, act a certain way, or talk a certain way. Obviously he's going to stop her from killing people but he loves her for who she is.

Secret Origins (1986) Issue #13

This means the WORLD to me because EVERYONE loves Kori for her body canonically. Like every single guy is just so turned on by her looks but for Dick that doesn't matter. He loves her wholely and purely. I'm tearing up a little by how much respect he gives her.

The New Titans (1988) Issue #71

You have no idea how happy his words make me. He never ever EVER blames Kori for the way she dresses or restricts her in any fashion. He's always extremely supportive of her. If she wants to do modeling? He's all for it. If she wants to go dancing? He's right there with her. She wants to try something new? He's helping her. He is SUCH a supportive boyfriend in everything she does. The killing is still off-limits ofcourse but everything else he loves her so much. He loves her for who she is not how she looks.

The New Titans (1988) Issue #71

He NEVER puts her down. And she never puts him down. They're supportive. And this I can appreciate even more because some of Dick's other love interests have it out for him. They get some type of power play about digging open his insecurities and throwing his faults in his face but not her. He's aware of his own faults, he doesn't need that to be used as a weapon against him like some more modern love interests do. Kori's understanding and loving and in response to that Dick treats her like a queen.

That's the first reason. The second reason is they help each other.

Dick can be difficult to deal with because he locks his emotions away. When he feels stressed he isolates himself because he doesn't want to talk to anyone about how he's feeling. But Kori? She doesn't resent him for that. She actually patiently tries to get him to open up. She's understanding and loving of him and his situation. I love them because when things get hard they don't just abandon each other, move on, and then get back together again after they've solved their own problems alone - no. They work hard to work through it together.

The New Teen Titans (1980) Issue #28

Dick and Kori come from vastly different cultures and have different beliefs so this causes problems. Here Dick's contemplating settling down with Kori because of how she kills people.

The New Teen Titans (1984) Issue #13

But in the face of it all, losing her is imporant to him that their difference in values

The New Teen Titans (1984) Issue #14

The New Teen Titans (1984) Issue #15

The thing about Dick and Kori having problems is that it's inspiring. Like you see all the troubles they faced, all the hardships, differences, and difficulties they went and it's amazing. Because Dick and Kori come from two different world. Literally. But they worked hard on their relationship. They worked through their differences because they loved each other so much that they wanted to stay together.

We could've have Dick and Kory forever if the real life Batman office writers hadn't broken off their wedding because they wanted to take Dick away from the Titans and give him to Batman. Do you realize what this means? If DC writers Dick hadn't been ripped away and Kori hadn't been disparaged by them, we would STILL be reading about Dick and Kory now. They would've been married and had kids by now.

But that brings me to my point - their love is amazing because they worked on the things that were different. It's awe-inspiring to love someone so much that you'll stay with them through anything.

Dickkory is my number one romantic pair for this reason. The problems that Dick has faced in his subsequent relationships is NOTHING compared to what he worked through with Kori. Which is why it frustrates me when a love interest abandons him at first stirrings of trouble because "hello? what you're getting now is cleaned up dick grayson. This is like playing a game on easy mode and still failing. If you can't be there for him when he has his act together, how could you ever be there for him when he's truly struggling?"

Going back to the scene at hand, Dick still stays with Kori but Kori is forced to marry another man at her father's orders and this is what breaks them apart. Because Kori is married to Ryand'r and Dick loves her. But despite this?

The New Teen Titans (1984) Issue #32

For Dick on the other hand it takes a case for him to understand -

The New Teen Titans (1984) Issue #34

But he gets it.

The New Teen Titans (1984) Issue #34

They come back stronger than ever.

Their love is the greatest romance of the ages for this reason. Your partner is your confidant. When the whole world turns against you, YOU need to be there by their side and they need to stand by you through everything. If you suddenly go from being rich to dirt poor, your parents abandon you, your friends betray you - the greatest love is standing with your partner through everything.

And Dick loves Kori for this too

Tales of the Teen Titans Issue #44

And that's what they embody and that's why I respect them.

Their relationship isn't a shattered vase glued together, their relationship is a muscle growth. You exercise, you stress the muscle and tear it. It causes you pain but that tear heals and the result is a stronger muscle and a healtier and fitter body. They're just so great.

So the second reason was their dedication to each other. The third reason is I love their dynamic!!

Kori is aggressive and strong but loving where as Dick is softer and strong but loving. It's like a girlboss and powerful malewife dynamic. Dick is phsycially shorter and smaller than Kori and Kori taller than him. They way she carries him around and touches him and holds him?!

The New Teen Titans (1984) Issue #15

The way that Dick gets so jealous and tries to show off for Kori only for his mount to slip off the cliff is so cute!! To everyone Dick is this cool, sexy, intelligent, perfect figure. The only time he gets childlishly jealous and reckless is when he's with Kori. And then having Kori bridal carry him after his mistake is just priceless.

But Dick doesn't begrudge Kori for this. What I love about Dick loving Kori is that he loves her for her power.

The Flash (1987) Issue #81

Dick thirsting for people who can pick him up and throw him around will always be my favorite part of him.

"I love that in a woman."

Yeah, Dick, we can hear that loud and clear. See it too.

LIKE LOOK AT THIS!!!-

Dark Knights of Steel Issue #7

With Kori there's no hesitation to give Dick affirmation.

Tales of the Teen Titans Issue #50

The New Teen Titans (1980) Issue #2

Tales of the Teen Titans Issue #49

Everyone in the entirety of DC knows that Dick is exceedingly pretty. Even villains regularly call him out on it. But it's SO nice to hear his girlfriend tell him that in such an honest and nice non-sleezy way. And that's my probably most favorite thing about them. This girlboss/malewife dynamic they have going on. They're equals but it's not the usual dynamic where the guy showers the girl with compliments and she's satisfied back. She tells him of her own volition how much she loves him and how beautiful he looks. She carries him around and is aggressive in their love. And I just love that so much.

Their love overall is just off the charts.

The New Teen Titans (1984) Issue #39

The New Teen Titans (1980) Issue #38

Teen Titans Spotlight (1988) Issue #19

The New Teen Titans (1984) Issue #10

[anghraine]

There's this weird genre of post I've periodically seen that's like "It bothers me that autistic people come onto this site and vent about the pressure to accommodate mainstream social norms that seem unnatural to them, and these people just don't seem to get that mainstream social norms serve a function that makes them right and good, so 'help' consisting of pressuring autistic people into unnatural 24/7 performance is actually great. Really, autistic people need to meet the allistics halfway and accommodate us as well!"

Obviously, these posts aren't phrased this way—the style is usually more patronizingly helpful with a hint of chiding autistic strangers for venting on their own blogs about one of the most basic diagnostic criteria of autism. But the thing that always strikes me about these "helpful" explanations is how incredibly sheltered they seem.

I can't speak for all autistic people. But a lot of treatment for autism has historically been rooted in teaching autistic people to mimic "normal" behavior as much as possible. Success has often been understood less in terms of the strain of this mimicry on autistic people or how viscerally unpleasant it is for an autistic person to perform this way, and more in terms of the comfort of people around us. The less perceptible our symptoms are to other people, the greater the perception of success in most cases, although research increasingly suggests that "social camouflaging" is actively harmful to autistic people no matter how good we seem at it.

Yes, there's a reason for social norms. I know. Many of us know. We have been incessantly told this our entire lives and live under extreme pressure to adapt to the allistic world. We are under vastly more pressure to accommodate the social norms of our communities than most allistic people seem to even remotely grasp. All this "don't label yourself, it's all just a social construction" and "you're high-functioning, though, so-" and "WELL ACTUALLY it is morally incumbent on you to imitate our social norms" only makes this absolute abyss of ignorance seem all the deeper. It feels rather like Protestant proselytizers in the USA who walk up and are like "have you heard about Jesus?!" as if it is remotely possible to live in this country without hearing about Jesus.

Secondly, the idea that the weight of accommodating these different experiences should rest equally on allistic and autistic people is actually pretty grotesque—yes, even if you're talking about autistic people without specifically intellectual disabilities. Where is all this endless understanding and patience for the allistic world we're expected to develop when it comes to accommodating us? Usually completely absent, and even when we do receive some degree of empathy, it still seems incredibly unequal to the demand on us.

But even if that were not the case, the idea that ethically, the people with, you know, autism are under some moral onus to equally accommodate allistic people (especially allistic people who do not have any similar disabilities themselves, which is most of them!) is absurd. Most allistic people are more able to adapt to changing circumstances than autistic people and experience less strain from doing it, they are better and faster at correctly interpreting social situations and emotional cues, and social performance is easier and more natural for them, and they overwhelmingly outnumber autistic people. The logic here just seems absurd.

And thirdly this scary danger of "high functioning" autistic people not trying to accommodate the norms and comfort of allistic people on some broad scale is not happening. Here's one fairly clear discussion that isn't paywalled:

In fact, high-functioning ASD individuals were reported to be more aware of their communication difficulties and were more likely make considerable efforts to adjust their behavior to conventional rules of non-autistic individuals, learning to imitate other non-ASD individuals. Moreover, females reported a higher frequency of camouflaging strategies, suggesting a role of camouflaging in the gender gap of the ASD diagnosis. Although camouflaging strategies can sometimes grant a better level of adjustment, even resulting in a hyper-adaptive behavior, they are also often correlated with negative mental health consequences due to the long-term stress associated with continuous attempts to adapt in day-to-day life.

Seriously, the world being just too easy on autistic people and letting them actually show signs of being autistic (God forbid) without sufficient chiding is not a thing. It's not real in any significant large-scale way; the exact reverse is vastly more common. Annoying autistic people on Tumblr dot com are not a social problem.

[babyangelsky]

Back in March when I was doing the BL Challenge (brought to us by the lovely @negrowhat), I mentioned in my post about Korn Theerapanyakul that it isn't often that we get an actual villain who isn't just a love rival in a BL. The presence of an antagonist in a story doesn't necessarily make them the villain and not every story calls for one either. That being said,

Jak is a villain.

I want to break down this shot because it tells us a lot about the dynamic at play and Jak's point of view.

There's a lot going on here. The first thing my eye is drawn to is the line between them (and how Mut is just slightly crossing it since he stepped into the lion's den). Once you see that, the differences between both sides of that line become more obvious.

Mahasamut is dressed in a dark cool color and he's in shadow but his face is catching the light. The flowers, fireplace, candles, and TV behind him feel warm and homey. Fitting for a cafe. On the other hand, Jak is dressed in a warm light color and he's sitting in the light but his face is in shadow. The windows behind him and his positioning makes it feel like he's sitting at a desk in a corner office in a high rise instead of a cafe.

I weirdly wish they'd shown us when they arrived at the table because I would bet you anything that Jak sat down first. He's the older one, he's relaxed, etc. It makes sense for him to have sat first which means he chose that specific seat and the only reason I mention it, and really the only reason it matters, is that it tells us how Jak sees himself in this situation.

He's sitting there in the light in his dad sweater telling Mahasamut about wanting to fulfill his role as Tongrak's father and that he's so sorry about his behavior in the past and wants to atone for it and it's all bullshit because look at this man's face.

It is completely shadowed, just like his intentions and his agenda whereas Mut's is completely in the light.

And the difference becomes even more stark once Jak tells Mut to break up with Tongrak.

Jak is spewing nothing but ill-intentioned bullshit and Mahasamut sees it for what it is and makes it clear that he isn't going to fall for it, which is why things devolve.

Now. Just so we can get it out of the way, yes, obviously Mut should not have agreed to that meeting. He shouldn't have engaged and should've put the baby in the car and driven in the opposite direction. I was screaming at my screen for him to do just that, as were many of us I'm sure. However, I have to point out that it is not inconsistent for him from a character writing standpoint to have agreed.

Lest we forget, he said this to Tongrak last week when he was explaining why he turned Prin down when she tried to buy him.

"But Leah the dad is so much worse how could he not see—!" I know. Trust me, I do.

I'm gonna put on my baseball uniform and go to bat for my man for a second though because I think part of the reason that he agreed to talk to Jak is that he vastly underestimated him. And to be completely fair to Mahasamut, I did, too.

If I had to guess, I would say that he was expecting to be dealing with someone cut from the same cloth as Prin. Maybe a little worse since he knows what Jak has done in the past but certainly nothing he couldn't handle. Mahasamut is not a reckless or a thoughtless man. I don't believe for a second he would've even walked in the building if he didn't feel confident that he could deal with Jak.

The problem is that Jak is very much not cut from the same cloth as Prin.

I noted in my expressions post that it looked like the only time Jak was actually feeling something was when he accepted Prin's offer to destroy Tongrak but that's not entirely accurate. Having gone back to watch his scenes, there's a second instance where genuine emotion peeks through.

There's such a cold rage in his expression when he reproaches Tongrak for choosing his mother and cutting ties with him. And make no mistake, he's not angry because he loves his son. We already know that he doesn't. He's angry because in his eyes, he lost to a woman he felt nothing but disdain for.

If Tongrak and Kwan had chosen Jak over their mother, do you think Jak would be out here causing problems? No, he would've flat out ignored them. He wouldn't bother keeping such close tabs on Rak and his relationships because he would've already won and if he's doing it now, it's because he wants to win.

This is a game to him. This is fun for him.

His son is terrified and begging him not to hurt an innocent little girl and a young man and Jak's response is, "Don't be greedy."

He tries to force his son to choose which one of the people he loves most in this world gets to be safe but the choice isn't really a choice. He says he'll choose for Rak and he already has. Jak had already had Mahasamut beaten by the time he comes to see Tongrak and we know that because Mut's injuries have been treated when Rak gets home and Vivi is already there.

Matter of fact, the only reason Jak is even here talking to his son is because his attempt to convince Mut to leave has failed and he knows that going to Rak won't fail. He knows his son is afraid of him and he knows he can use that fear to get what he wants, which is why he brings up the uncle doctor.

Although we've gotten little of Jak so far, it's safe to assume that he is not a man who makes empty threats. Tongrak knows this, too, which is why he becomes so panicked when the doctor is brought up. We as the audience don't know who this doctor is but we can surmise from Tongrak's expression that he's important enough to be used as a weapon by Jak.

Until this point I don't think Tongrak realized that his father had anything to do with whatever happened to this doctor, he looks genuinely surprised. But all Jak had to do to prove how serious he is about his threat is mention the man. That's all he does. Rak puts the pieces together himself.

And here is where I bring up next week.

If you can look at this man's face as he rips the contract and think for a moment that he's going to try to push Mahasamut away for some flimsy petty reason, I am here to tell you that you are dead wrong. If I so much as SEE the words 'noble idiocy' I'm going to kick off.

Because we know that by the time Tongrak picks up this contract to rip it, Mahasamut has already been beaten twice and that Jak made a barely veiled threat to have him killed. Rak is rightfully terrified of his father and afraid for his boyfriend's life and wanting to keep Mut safe and ALIVE is not noble idiocy.

Now is it going to work? Smart money says no, wild horses couldn't drag Mahasamut away. He loves Rak too much to take any threats lying down. But as much as I understand why Mut talked to Jak, I understand why Rak wants to keep him safe even more.

Jak didn't accept Prin's offer because he wanted to help her. He doesn't give a single shit about her agenda except to mock her for it. He agreed to destroy his son because he wants to, because doing so will allow him to win and get back at his ex-wife. The money is just a bonus.

Jak is a Villain.

[hiraethwrote]

VENT SESSION LETS GOOOO — you’re allowed to scroll if you don’t care mwah

i spend an ungodly amount of hours on this app, and i look at you as my friends so just want to let you guys know

i am also a very nosy person myself, so seems only fair i share my own situation. but if you don’t care about all this, you can just keep scrolling. i honestly don’t mind lol

anyways… a few weeks ago, i told you guys i was going through something that was kinda heavy — yeah my bf and i were going through some stuff and started seeing someone professionally… we broke up

there was an understanding that this might be outcome when we first opened up this can of worms, and there turned out to be a lot of underlying issues that both of us had refused to acknowledge

it was definitely a mutual decision. though it’s a hard pill to swallow, we came to the conclusion it was the best for the both of us

we want such vastly different things in life, things neither of us should compromise on. to me, life came at me a lot faster than i anticipated and felt like there were things left unexplored — and neither of us want to hold the other person back from what we want

however, this is a person i have been with for six years, a quarter of my life. there’s obviously a lot of shared history which is hard to let go of. it’s also so incredibly painful when we’re not splitting due to lack of affection and love for the other person, but because our desires and wants in life just don’t align

he is still my best friend, and because of how our life situation is, we will continue living together as we have been doing for the past three years (he only lives here half the time due to work), until i move across the country when summer comes. we’re also going to celebrate christmas together because it just feels right lol

i would say i am doing as well as i can… we are obviously on good terms, but this is probably one of the hardest things i’ll go through. it is the biggest heartbreak of my life. but that is really just a sign that the time we’ve shared together haven’t been a waste. we can be proud of the fact that we’ve been honest, faithful, respectful and kind throughout the entirety of our relationship, to the point where this is so hard even though it’s the right decision

obviously, i am very scared of the path that lies ahead. he has been by my side for the better half of a decade, and i have the privilege of exploring things on my own. it’s obviously what i have been missing in my life, so i am excited for what’s to come, but terrified of living a life he’s not going to be such a big part of anymore

but things are going to be fine. idk how long it will take, i am suspecting very long, but i know in my bones this is for the best for us both. so with time, i will be happy

and not to worry, i have a fantastic support system. i have incredible friends who are there for me. i am lucky to have a family who is not guilting me about leaving a long term relationship, despite also being sad. and i’ve learned i have a great community on here who has showed so much kindness, and i am so grateful <3

that being said — i am not planning on taking a break from tumblr lol. if anything, i am starting to get out of my writers block. this past week i have written more than i have the last month so that’s good! i think i might try and be a little more productive than i have been the past few weeks (at least i hope so, work is picking up again hehe)

not putting this out here for sympathy or anything, but just a little update. i am interested in the lives of those i follow, so maybe some of you are interested in mine

wishing everyone a nice weekend 🫶🏻 i got work in the morning (day after the breakup that’s fun)

[jackdaw-kraai]

I've been a Guides fan for years but sometimes I still marvel at what an amazing character your Luke is. A character that is undeniably capable and dangerous, and who has a fair amount of darkness inside of him, who chooses to go about his life being not only kind, but friendly and warm in personality. As a trans guy I sometimes struggle with feeling like my demeanor isn't very masculine because I also like to be friendly and approachable, but having a character that walks that line (though obviously his cultural perceptions of masculinity are wildly different than mine) has really helped me.

Do I ever understand how you feel. Luke, when I’m writing him, has a few hard-and-fast rules, but one of the most important ones is that he is, always, on the side of the common people and the downtrodden. It’s, quite literally, what he was made for, and he takes it extremely seriously. So his commitment, however difficult, however inconvenient, is to be kind. Not necessarily nice, or sweet, or pleasant, but always kind. And yes, sometimes to be kind, he has to be cold and harsh and dangerous, but crucially, it’s only sometimes. The most common, effective, and easy way to be kind is often to be warm, respectful, and as open as one can be. Not a doormat, not a yes-man, not a fool, but simply kind and with a willingness to extend the grace of trust to almost anyone he meets. He trusts other people want to be good, to be kind, to have a pleasant interaction with him, and to not be needlessly cruel. He trusts other people on a vital and visceral level, not with his most inner secrets, not with his life, but with faith in their intent and desire to be good. And in acting on it, more often than not, it becomes a self-fulfilling prophecy. Another important one is that Luke, always, knows who he is and what he is. If he ever doesn’t, expect it to be a major crisis and not easily swept aside. Luke knows who he is, knows what he is, and in knowing, denies others the power to define him. He doesn’t care if he’s seen as more or less of a man, if he’s seen with respect and deference or scorn and hostility. Heck, he doesn’t even care if he is a “man” at all! He’s a Raqkesh, a Runner, a being made and not born, a purpose made manifest! What does he care if he obliges to some kind of arbitrary idea of gender? It’s not even his own! The Children have such a vastly different concept of gender to us that “manliness” isn’t even something that Luke fully understands. He goes by “he” because that’s what he was taught was his pronoun in Basic, and by now, he’s attached to it and regards it as his own, but it doesn’t mean the same thing to him as it would to you or I. Gender, to him, is what you do. You are the gender you are because of the role you decide to play in society, the functions you choose, and the affinities you have. You are a “woman” if you decide to dedicate to the ways of water and foraging, and a “man” if you dedicate to the ways of the sky and the hunt. Your pronouns aren’t who you are, but what your relationship is to the person you’re currently speaking to. You are “ach/ache” when you are speaking to someone innately more powerful to you, a spirit or other powerful individual. You are “kai/kair” when addressing your Home, your Kamir, and being addressed by them. You are “zar/zara” when being addressed by entities far more powerful than you. Your parents, guardians, or mentors are “sha/shara.” Who you are, who you are said to be, changes with the situation, and pronouns are as static as a person themselves.

Luke isn’t a man as we understand, he is, in his own mind, a myriad of genders and roles and purposes that make up him in his entirety. What does he care if others think him less of a man? He doesn’t even put value in that idea to begin with, or for that matter understand it. It’s not his purpose to be a man, not as far as he’s concerned. It’s not who he is, and no matter what other people may insist, he knows himself true. He knows who he is, what he is, what he’s here for. He knows, down to his bones, what his purpose is in the world. Nothing can shake that from him, or deny him that knowledge. So he acts, knowing who he is, and thus has an identity that cannot be taken from him or denied. And if that isn’t manly, well... what is?

[hotdaemondtargaryen]

— TOM GLYNN-CARNEY INTERVIEW FOR VOGUE SINGAPORE MAGAZINE.

OBVIOUSLY HE'S AT A VASTLY DIFFERENT POINT OF HIS LIFE RIGHT NOW. HOW DID YOU GOING ABOUT APPROACHING THIS CHANGE WITH AEGON?

"He’s finding his footing as king and working out what kind of king he wants to be. From an acting perspective, I’m working it out with him and trying not to make too many decisions about how it’s going to unfold, or how he’s going to deal with certain situations. I’m kind of just taking it as it comes because that’s what he does. He doesn’t think things through very much. He’s very impulsive. So I’m trying to approach the work in a similar way."

I THINK IT'S THIS IMPULSIVENESS OF HIS THAT MAKES AEGON REALLY FUN TO WATCH AS A VIEWER. WHAT HAS IT BEEN LIKE PLAYING SOMEONE LIKE HIM, A CHARACTER THAT'S VERY MUCH LIKE A VULNERABLE VILLAIN?

"That’s good way of putting it, bit of both sides. It’s great. It’s a tiring thing playing someone like Aegon. His rhythm is very different to mine, he’s quick and frantic. And I feel like my usual default rhythm is a lot slower than his. So yeah it’s physically and emotionally quite challenging. But that’s the whole point, isn’t it? That’s the aim of the game, to push yourselves out of your comfort zone as actors and and take on things that make you feel out of your safety net."

HAVE YOU LEARNED TO EMPATHISE WITH HIN IN SOME WAY WHILE PLAYING THIS CHARACTER?

"Totally. I love him to pieces. I think he’s an absolute tragedy. You know, people call him a villain and all sorts of stuff. And yeah, he has been villainous in the past, but I think he’s desperately sad and clawing for any scrap of validation or love or acknowledgement from anyone. Yeah, he’s desperately sad actually [laughs]."

CAN VIEWERS EXPECT TO SEE A DIFFERENT SIDE OF AEGON IN S2?

"I think so. I think we see a fragility to him this time. We see the broken little boy in him. We see the tragedy in him. For me, it kind of explains and informs why he behaves and why he has behaved the way he has behaved in previous episodes. The idea is that he is not just a cold, dark character. It spawns from something and that’s what I’ve tried to bring to him. I think in episode one of Season 2, we see a levity and some humour from him. We see some joie de vivre, but you know it all comes crashing down."

WHAT HAS THE TRAINING AND PREPARATION BEEN LIKE FOR S2?

"The pre-production stuff is always useful, even just to make sure that you’re feeling fit and strong and able to physically keep up with the requirements. I got to be careful, I don’t want to give anything away but yeah, it’s always very thorough and very beneficial to anyone who needs it. For me, it’s been more of maintaining a healthy baseline of where my body is at. I just made sure that I was eating as healthy as possible and getting as much sleep as I could. Doing a lot of yoga and stretching. Aegon puts a lot of tension in my body and I found myself getting very stiff. He walks different from me and moves different from me. It was important for me to stay loose, stay centred and flexible as best I can."

[actual-changeling]

The Metatron's outfit obviously has meta reasons/the costume department and Neil decided on it for a reason, but I think that there are also in-canon ones we should talk about more.

Now, the thing most people notice immediately is the colour—angels were whites, beige, light colours that match the job and heaven's sterile whiteness. His, on the other hand, is black, a colour usually associated with hell and demons.

As a small meta reason side note: I do not think that they chose the colour to signal that he is a demon and broke them up because he has Big Evil Plans because that goes against everything Good Omens is about. The Metatron is at the top of heaven's hierarchy and only subservient to God (assuming She is actually still involved), he can have bad intentions and universe-destroying plans as an angel, the whole point is that the angel/demon dichotomy is an ideological fantasy.

Why did the Metatron himself choose that outfit though? One would assume that he would have the most pristine white clothes possible, but every single time we have seen him so far, he has been a floating head without a body.

So before he came to earth, he actively made a decision to dress the way he did. We also know that he did his research on Aziraphale and Crowley, hence his knowing that Aziraphale consumes human food and getting that coffee. The entire situation was the Metatron creating the most beneficial set-up for his plan—to convince Aziraphale to come back to heaven with him.

He knows Aziraphale likes food, but what else does he like?

Crowley.

The person we see wearing exclusively black and dark colours.

Give Aziraphale a coffee, make his subconscious associate the Metatron with Crowley based on his clothes, sweet-talk him and lie to get him attached, and then offer him everything he could have ever wanted—heaven, the ability to change heaven, and Crowley and him being angels together.

Just like his off-hand mention about consuming food, the black suit is also meant to make him seem 'other', someone who—just like Aziraphale—doesn't really fit in with all the other angels. Aziraphale sees all of that, and the conclusion he comes to is the following:

The Metatron, the Guy In Charge is like me! He understands me, and we're both different, but he still wants me to be the Supreme Archangel. It IS possible to break some rules and still be a Good Angel, I was worried for nothing, everything is fine, and he will even revise the mistake of Crowley's fall.

Consequently, Aziraphale accepted the offer and didn't even think further than his own moral qualms finally being resolved, which is exactly what the Metatron wanted.

I think he vastly underestimated their relationship though—Aziraphale almost changes his mind—but overall it was a complete, clean success for him.

For my part, I am incredibly curious if he will keep the black suit in season three, turn back into a head, or change into white/lighter clothes. Now that he has Aziraphale where he wants him, he can dial down the persuasion and manipulation techniques.

[ghost-bxrd]

ok you said go wild and i will fully embrace that. i wanted to brainstorm about this idea I had and had also posted but like in a sentence, when it’s more of an outline. it’s of a robin!tim that can sense dead people so when the red hood makes his debut he’s naturally curious and tim follows him around and jason obviously realizes, holds up a knife to his throat and startles when tim asks “how are you here” with just no regards for his own safety and genuine curiosity?? literally not knowing he’s jason but jason stops and goes “you know who I am?” and tim whispers “I know you died” and jason coils back because that is as much confirmation as he needs cue panic because the kid knows surely then the bat knows too and that just won’t do, so in his panic he ends up kidnapping the kid and taking him to his safehouse where he keeps pacing because jason needs answers and he refuses to get them torturing the kid (because fucking kid had gone out looking for him despite knowing the red hood had it out of his head, did this kid even have any self preservation skills? he didn’t even seemed fazed jason’s back??which wow, hurt not gonna lie) then when tim wakes up because jason knocked him unconscious the reveal happens and Tim is so shocked that Jason is shocked because bitch I thought you knew!!! what how the fuck would I know!! chaos ensues but then jason abruptly realizes this is great! his plans did not derail *looks at timbo munching his food and watching indiana jones* his plan with the bat he means

Jason, sitting in a room with all his plans on fire: This is fine :’D

No but seriously, I LOVE a Tim with the self preservation instinct of a wet paper towel. He’s a competent teen vigilante, but where it concerns the Bats (and especially his hero, Jason) he’s an absolute human disaster.

Ok but first of all we need to talk a bit more thoroughly about “sensing the dead” thing. Dead as in ghosts? Or dead as in— murder victims and such. Either would apply to Jason if we go with a “Death clings to people who’ve seen beyond the veil” scenario, but Tim’s thoughts would differ vastly upon first meeting the Red Hood.

And Jason, poor Jason, the Pit Madness didn’t stand a chance faced with what is essentially a toddler looking at him with wide and curious eyes, so damn trusting despite that knife to his throat, and he’s just losing his mind because he could have slit Tim’s throat and nobody would have found out until it was too late. What if Jason had been literally anybody else? The kid would have died.

Obviously this Robin can’t be trusted to keep himself safe/alive, that means Jason has to do it for him. Easy. He can do this. It’s cool. Jason is freaking the fuck out.

Tim, upon realizing that the Red Hood is Jason, promptly goes from mildly alarmed over his kidnapping to ✨starstruck✨ and steadfastly refuses to leave Jason’s safehouse unless Jason agrees to come back to the manor. No, he doesn’t care about the multitude of death threats (he totally calls the bluff from the get go).

Jason promptly decides to make the best out of a shitty situation and pretends to be an evil kidnapper and just— keeps dangling the baby bird over Bruce and Dick’s head, slipping them concerning photos (Tim wasn’t exactly happy about the “hostage photo shooting session” but he agreed after Jason promised to make him his special coffee flavored cake) and telling them he’s torturing their Robin with a crowbar (because Jason is a drama queen).

And you know what else would be funny? If, after a few days, Tim slips out to go on patrol with Jason. He completely ignores Bruce and/or Dick when the call out to him and actively helps Hood with his crime stuff (while also sneakily forcing Hood to cut down on the killing by about— 80-90%).

Bruce and Dick are fairly convinced they’re looking at a brainwashing situation.

[titanlord231]

911 Season 8 Episode 1 Spoilers Ahead

——————————————————————

I mentioned it before briefly but I related to Buck’s experience right before the BuzzSaw Tackle incident. And after seeing some people talking about it, I wanted to give my take on it because I have a vastly different interpretation of events than others.

A lot of people (especially Buddie shipper, hey Y’all love the art of Buck and Eddie kissing keep it up) have been showing Buck repeating the words his friends told him as him trying to use them to calm himself down, but I completely disagree with that.

When I am in a stressful situation or something else that brings me close to an autistic meltdown I also replay what other people have said to me in my head. But this isn’t a way for me to bring myself comfort, it actually makes me start feeling worse. I think Buck was doing something similar in the scene.

The 118 fam were obviously trying to be helpful when they told Buck he needed to keep his head down, but I doubt Buck felt like it was helpful. When something is upsetting to me that other (read non autistic) people don’t find troubling they often tell me to ignore it, or get over it. And while keeping his head down is good advice to try and avoid Gerard’s ire it isn’t very cathartic advice. Telling someone with emotional regulation issues to just ignore their emotions and move on can be really hurtful. With developmental disorders like ADHD and ASD (both of which I have) your emotions can be explosively big and when someone tells you that they don’t matter it can be really hurtful. Yeah they are trying to help but it can really feel like someone is just saying “Ignore your feelings” or “You’re feelings don’t matter”.

I’m not saying you are stupid for seeing it a different way, but as someone with both disorders, who headcanons Buck as having one or both of these disorders, and is really hoping that it is something they explore this season, I wanted to throw my thoughts and feelings into the mix. And to be clear these are my thoughts and feelings, other Autistics, Adhders, or AuDHD folks might have a very different take.

Lately the writing with Buck and Tommy has been hitting very close to home with my Neurodivergent self and it’s caused me to love and care for these characters very deeply, and I hope they do a storyline where we find out one or both of them are some sort of Audhd.

[itsblasttothepast]

Why do you like Max? He was horrible to Checo, the way his family spoke about him was so awful, I can't understand how Checo fans can like this guy

Oh anon, this is a very complicated question, because like many Checo fans in 2022, I also hated Max back then.

But it will be a long, long, LONG rant, so click under if you want to enter this particular rabbit hole:

Before they were teammates, Max was just another driver in my radar (as you are asking for my PoV, which is clouded as a Checo fan), nothing to notice there except a few interaccions with Checo; I was very surprised in Turkish 2020 because I thought Max would go for blood when Checo made him spin around twice (minute 1:20 of this video). But nope, at the end they even chatted and everything (a small Chestappen seed was planted since Monza 2017 and it had been growing with these interactions).

Anyway, when Checo became Max teammate, the contract was clear: He was there to succeed in what other teammates failed: helping Max winning the championship and take the heat of the team.

And he did, during 2021 they were working hard for that championship, and bonded really well, they seemed to get along great, share some sort of weird sense of humor and they were really nice to each other.

But in 2022, Checo thought that since he already fulfilled the requirement for 2021, he could fight for the championship in 2022. That led to straining the relationship with Max, and all that tension boiled over in Brazil. It was messy, and yes, Max was an asshole back then because they weren't fighting for the podium, and Checo needed the points. But what came after was the worst part because the declarations from both Checo and Max, and the Max's mom getting involved with the cheating thing... honestly I don't know how they managed to finish the season without killing each other.

Most Checo fans said that Max tried to make up with Checo in the 2022 Honda Racing Thanks day thing; all I noticed was Checo with the fakest smile he could put for the cameras. PR to the bone. I mean, they had Marc Márquez there to be a buffer, along with Yuki and Pierre, you could see it in the pictures:

They had Marc there to keep Max chatty:

You could see how far apart they were in the group picture (far apart for what they have us accustomed to):

(they left space for Jesus)

Also Max said he would help Checo in the last race of the season, but that was just adding salt to the wound.

Checo had just renewed contract, so we thought he would get the boot because obviously RBR was keeping Max, the one expendable was (and is) Checo. For some reason, they decided instead of doing that, to try and smooth over the situation. Checo apologized for his statements to the press and said it was all good with Max, and they had couples therapy.

No, really, they hired a 'mediator' or something like that, to help them regain the camaraderie of 2021. But instead, they fell in love and got really close. However, RBR had their plan B, bringing Ricciardo as the third driver in case things didn't work out (in fact, this is why we thought Checo was out of the team for 2023, we were looking options, seeing which teams needed drivers... wild times).

So, when Max did the Brazil thing, obviously Checo fans hated him and wanted his head, I remember people not even in the F1 fandom hating him (still butthurt about the world cup and the 'no era penal' thing). I particularly thought it was a dick move, but also kind of understood where Max was coming from. He was raised for glory, totally different to Checo who practically raised himself since he was 15. Checo and Max families are also vastly different, and the culture as well. So I hated him but not really?

So during 2023 I saw Max changing and being more mature, calmer, softer sometimes. He wasn't a bad person, he just made mistakes like any human does, and the pressure people put on him was insane! To me, Checo and Max balance each other really well, which is why they could work things out. If Checo could move on and be friendly with Max, I'm sure that we, as his fans, can do the same.

I like Max because he's genuine, and he learns from his mistakes. He is a little crass when provoked, but in general he is a nice guy; I don't know if you believe the whole 'Max is faking caring' that most haters say (they imply Max hates Checo and just tolerates him because he's forced), but I do believe Max can't fake this much this long.

Anyway, as usual, I went overboard with this, sorry anon, I wanted to give you context about why I like Max, and then filled this with my ramblings.

You can dislike Max anon, that's fine, just don't be hateful or claim to know better than them. Only Checo and Max know how is their relationship, but if Checo seems okay with him, that's all good in my book.

I think I haven't rambled this long in a while 😅

[dead-enby-detective]

I love the Dead Boy Detectives show so I decided to watch the Doom Patrol episode: Dead Patrol which includes their version of the DBD Agency because I was curious about the different portrayals.

(This is a long post, I’m sorry, I have a lot of thoughts 💭)

First- gotta say, it’s wild that Ruth Connell plays both versions of the Night Nurse (when I heard her voice in the Doom Patrol episode I was like !!!) when they are SO gosh darn different.

In DBD she still feels like a person. We, as the audience, know she’s in the wrong about the boys but we can also see her point of view. If the show continues I’m excited to see where they take her character.

In Doom Patrol… she’s just creepy AF! I mean she’s a horror movie monster whose face splits apart and turns people into zombies by throwing up on them like WTH? I’m good with not seeing her again, no matter how well Ruth plays her lol.

Anyways props to Ruth fr because dang, she’s got RANGE.

Speaking of the Night Nurse-

It’s interesting to see the different reactions the boys have in the Doom Patrol episode to her compared to in the show.

Firstly, in Doom Patrol they already know her versus in DBD we see them meet her for the first time.

In Doom Patrol they’re kind of chill about it, like this is an enemy they have to deal with now and again, nbd versus in DBD it’s a new threat they don’t know how to handle. It feels like there’s far more weight in DBD to their interaction, in my opinion.

But I think the understanding versus uncertainty of her also impacts their overall reactions to the threat of her.

Both Charles’ react to one) protect Edwin and two) get the Night Nurse to get the heck away from them.

While trying to get the Night Nurse away DP Charles hits her with a bat and DBD Charles with the lullaby machine and then DP Charles throws a grenade and DBD Charles kicks her into a giant fish’s mouth.

Now obviously: different actors, writers, universe, 8 episodes versus 1 but it’s interesting to note that the Doom Patrol boys are much less reactive to their own/each other’s violence.

DP Edwin doesn’t react much to DP Charles hitting the Night Nurse and then throwing an explosive at her, DBD Edwin however is devastated by DBD Charles’s intense reaction to the Night Nurse trying to take them away/separate them:

DP Edwin doesn’t really say anything about it just kind of tells her off and DBD Edwin tells Charles his reaction was extreme.

Then in the aftermath DP Charles just walks (runs) away from the situation, seemingly fine with the whole thing while DBD Charles breaks down after the whole affair

Like DBD Charles is wreck by the whole thing.

Again I’m fully aware that having eight episodes dedicated to these characters stories compared to about half of one dedicated to them allows for very different stories but I think it’s neat how different their reactions to violence, their violence are.

Throughout the DBD show the phrase “a good detective does what they must to solve the case” but really, they have instances where they could have used violence to solve or speed up their case work and they actively chose not to, because they truly don’t want to. Charles does, even before this, have moments of violence but it’s clear it’s something that hurts him and it’s not usually his first reaction. They tend to try to avoid being violent if they can.

Compared to the DP dead boys, it feels almost like a means to an end for them. It doesn’t feel like they of out of their way to be violent but also like they’re less likely to avoid it overall. And it doesn’t impact them the same way.

I just think it’s neat how vastly different two portrayals of the same characters can be especially with such core traits.

They’re the same characters, different fonts and it’s so fun to compare and contrast.

—————

I have more thoughts but this post is getting pretty long so I think I’ll make another post/posts about em later.

[phoebepheebsphibs]

Overanalyzing Mikey's fear

This post will be a bit vague, since most of Mikey's fears are connected to an unrevealed piece of lore... but I'll try to explain it as best I can

Living on the streets, Mikey obviously had to turn to unscrupulous means to survive. You may notice that when I refer to Leo, I call him a "petty thief". But I don't refer to Mikey as such, I call him a "con artist". Why the difference? Because Mikey has morals in him. Misguided and backwards, but they are there. Leo's driving moral is survival, so he has no problem taking whatever he wants. Mikey's conscience won't allow him to do that, so rather than steal outright, he tricks people to give him their belongings. His argument? "If they're dumb enough to fall for it, then I earned it and they deserve to lose it!" So, to reiterate, Mikey has morals but they are strained due to his life on the streets.

Mikey wants to be a good person, if only for his family's sake. He wants to set a good example of what a family should be, and what better example than himself? Like the song says, "If you want to make the world a better place, take a look at yourself and then make that change!" So, Mikey desperately attempts to be as perfect as he can. But, perfection is difficult to attain, and it brings a heavy weight on one's shoulders. Even so, Mikey has been carrying that weight since his early childhood...

Leo and Mikey have always been together, ever since Leo found his little brother in the alley. But their experiences in families has been vastly different (as we'll see in the next fear fungus update). Mikey was always the golden child, Leo the troublemaker. Mikey found that being the good kid was more favourable in order to get a family, so that was a big motivator to be perfect as well. It was never enough, though...

NOW ONTO THE LORE. In the comic, Mikey mentions "the teapot", and Donnie refers to it as "the emotionally traumatizing lore drop". I don't want to divulge too much, but I will say that Mikey stole something he never should have, felt badly about it, and when he tried to make amends, things went terribly wrong. Immediately afterwards, he was kidnapped by Draxum. But specifically, let's focus on Mikey's attempt to redeem his mistake. It failed catastrophically, which he did not expect. He truly believed that his coming clean about his misdeed would make it better, but instead it made it worse. The person he wronged? They blew up at him. They were enraged, furious! And he didn't expect that, because he was starting to think of this person as family. And Mikey had always believed that when a person apologizes, you forgive them! But his forgiveness was withheld, and Mikey was crushed by this fact. And so, he ran away... and unknowingly ran straight into the clutches of his creator...

OKAY NOW HERE'S THE BIG ONE. Sadly... I can't tell you the reasoning behind this. But let's look into the psychological aspect of it, shall we? Both Mikey and Donnie view Draxum as a monster, the most evil person they have ever known. Why? Because they both went through the same traumatic experience with him together! I think it is very interesting that while Donnie was afraid he would never live up to his father's standards, Mikey was terrified that he had surpassed them. The most evil, cruel, monstrous person Mikey had ever known told HIM that HE was "wretched, awful, evil, he told me I was a BAD PERSON". Whatever it was that Mikey did... he feels that it is unredeemable, unforgivable, even worse than the "teapot incident".

But to bring this back to a wholesome note -- because if we don't then Dr. Feelings will have my head -- Donnie helped Mikey understand that what he did was not unredeemable. He is not unforgivable. And from Donnie's perspective, Mikey is his hero, simply because he rescued him from a bad situation. More than once... but that's a story for another lore drop!

@boots-with-the-fur-club @daboyau

[depressedhatakekakashi]

I will always admit that Shikamaru is a genius cuz that’s like, his thing. He’s obviously a genius.

But i think Kakashi Hidan showed very well that he is not the inly genius, and even Kakashi retsuden.

In Kakashi hidan we get a look at how both Kakashi and Shikamaru think about the same damn thing. The height of the air balloon and the boiling point of human blood. They both thought the exact same thing ‘if this ballon reaches a certain altitude, people will get sick and die’

Kakashi used this info to his advantage to get out of being captures

Shikamaru thought about it while on the ground worrying about the ballon

It was delightful to see how that exact same idea came to both of them in vastly different situations.

In Kakashi retsuden it was more of a one off comment, but Kakashi mentions that the book he found can be deciphered by Shikamaru AND SAKURA. Clearly stating that Sakura is incredibly intelligent as well. Deciphering a book is not her area of expertise but Kakashi has trust in his student that she could do it.

All i’m saying is Shikamaru is not the only genius in konoha. He’s the best tactical genius (hence why he’s the tactical advisor. You cannot get better) but he is not the only smarty pants in Konoha and i think others deserve some respect in that regard

[tehcherrya]

I watched Umbrella Academy Season 4-- Let me talk about the finale. (And my writer's interpretation of how it should have ended)

As much as I love a 'doomed by the narrative martyr-dom' tragedy, that is not how you go about it.

I love stories with bittersweet "not everyone will make it out perfectly fine" endings. TMA. The Sandman. The Haunting of Bly Manor. Arcane. LotR. Not everything has a happy ending, and often it can be fairly satisfying in its own way. But for someone who likes tragedies, I am sorely disappointed in The Umbrella Academy.

Not in a 'oh I wished they lived happily ever after' sense-- no. No, it makes sense that the ending is sort of bittersweet because that's how the narrative was built to be. It was never going to be their perfect ending. Every season is just another apocalypse, another world-end scenario. In fact I appreciate the way they go out of their way to say it's just a vicious cycle every time they try to go back to being the same, there is no escaping the fates their destinies clearly have written for them, even if everything was quote unquote "normal". They were left without their powers. With a timeline where they are essentially human. And still-- the end of the world happened. Obviously something needs to be done, but it can't be all the way it was.

Here, is, personally, how I would have written the ending. Keeping the same tone, same aspects. But differently formatted.

Five goes through the same motions of realizing that he and his family are the one causing the apocalypses. Over and over and over. Not necessarily their existence itself breaking the timeline, but it's their existence as these marigold-fueled beings. Marigold was never supposed to go out into the world, let alone unto living beings. Timelines collide, and nothing ends well, as the universe can't handle its own essence being fused within living and breathing beings. It never has. So, it needs to be neutralized, so everything can fuse into one perfect timeline.

Five then goes back to the others. As a sort of veteran to the ideas of apocalypses, gives them their solution. And it's something that everyone doesn't expect. Do nothing. Let the apocalypse happen. Every time they've tried to stop it, it's only split the timeline into more apocalypses. So they need to let it neutralize itself.

But everyone is in disarray by this result, "Five, how can we just do nothing? We'll all die!"

And Five simply states that no. They might not. In fact there is a very likely change they won't. But they won't be the same. And everyone is silent as Five explains the situation. The Marigold, their father, the existence of the academy. It's all put them in these horrible timelines. Each one showing no resolve. If they neutralize the Marigold, they will restore the original timeline.

They won't die. More than likely their souls will still exist within this whole, original timeline. But those versions of themselves won't remember anything of each other. Living vastly different lives in different parts of the world, they might live their whole lives without ever meeting. They won't remember the times they've shared, their powers, their father, none of it. They will spend their whole lives not even knowing the words "The Umbrella Academy". They won't even remember there was ever any other timelines in the first place, nor that they were the ones who saved them. They would be no more special than any other ordinary people living their lives. No more apocalypses. No more despair.

And as the scene comes to a close and they all say their possible last goodbyes, and we have the sequence of all of the other timelines disappearing-- We are then met with our original timeline. We see all of the different endings for every character, living out their lives as they would have been if they hadn't ever been born with their powers. Each happy in their own individual way but the important part is that none of them have stories together. They are all living different stories, and have no memory of anything else. Obviously with "I Think We're Alone Now" playing over this montage.

And after our montage song ends with everyone else, there is one more person we haven't seen from-- bear with me on this last shot because it's a little cheesy, but in classic Umbrella Academy fashion. Our final shot is of a grown man in a suit, and it's not exactly said who it is, it's not a face we've seen before. Perhaps in a diner, as a call back to the famous seen from Season 1. The waitress with the name tag "Dolores" asks this man what he's to order. And with the snarky yet cool demeanor this man has always had he says 'I'll have the No. 5'.

And it is Five. Finally not trapped in the body he was. Finally no longer a slave to the apocalypses he's had to deal with ever since he was a boy. He gets to grow up. He gets to live. Once this man exits the diner, he takes his briefcase with him. Opens his umbrella to shield himself from the rain. Smiles. And walks away.

SCENE!

Am I a writer or am I a writer? Bittersweet, yet not horribly executed. Thank you for staying. I'd like to thank Umbrella Academy fans for taking your time to read this. I would also like to thank my regular followers who are wondering what the hell an Umbrella Academy even is. And if that is you, I promise you we will get back to our regularly scheduled program soon! But thanks everyone for sticking around this writers rant of a post!