#utterly and totally devastating if true.
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rlly just been going thru every stage of grief today do not hmu
#utterly and totally devastating if true.#technically it isn’t fully confirmed yet and probably won’t be for at least a month. so there’s still some hope.#they have to run another test first#but ://// sounds like it’s pretty likely#I am honestly going to. cry.#weep even.#it’s just been a rough day ok#doodles#ok to rb I do mean for it to be funny#I am going thru it tho 🫡🫡🫡
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the thing about mattdrai is leon is humble, but he knows he's good, so he can be cocky when he wants to be. but matthew is not 'humble', he's self depricating, and sometimes, especially on the ice, he uses cockiness as a defense against his own insecurities. and yeah, leon gets annoyed by that because, before he gets to know matthew, he thinks it's fucking annoying that he's so cocky.
in reality, matthew is over there, all false bravato, just praying that no one else notices that he doesn't belong, that he has never been good enough to be where he is. when he gets glimpses into matthew's imposter syndrome it's fucking eye opening. like matthew giving himself the 85 rating is not a silly little joke he genuinely fucking believes that's his nhl24 rating. and like i can imagine leon making that little joke "oh, i dunno probably 85, eh?" with a cheeky little grin. but that's not matthew. like sure! you can totally read it as him being humble but it's NOT it's him REALLY TRULY believing it. it's him playing a stanley cup game in a run he practically won for his team with a broken sternum bc he still had to prove himself (????) and the thing is like why else do you play a stanley cup game when you couldn't even get yourself dressed in the morning??? like he saw that as letting his team down and that's fucking DEVASTATING. and no one around him thought "oh! maybe just this once we should tell him 'matthew, you don't need to prove anything. you did fucking amazing. you got your team here, but you need to heal now though. you need to lay your ass back down and fucking HEAL because YOU are more important to us than a fucking TROPHY." AND YES i know he'd worked his LIFE for that moment but one has to wonder what that does to someone. to constantly chase that glory and to never feel good enough until then?? and THEN even when you reach the peak, you will feel like you still were not good enough, you didn't deserve it, you never will. and there is NOTHING you can do to fill the emptiness. not even the one thing you thought you needed most in the world. because. fuck. the thing you needed most is actually someone to give a shit. about YOU. not your perceived value on a team. not your accomplishments. but YOU. when you are laid up in bed, can't move, hurt. when you are waking up slow. when you aren't doing anything at all. when the mask is off and you're just breathing. that's what you need. and. fuck. leon can give that to him. because leon isn't thinking about those things. he's thinking about how matthew is brightest when he isn't performing. when he's there, curled up with a book in an oilers sweatshirt he'd never be caught dead in. when he's telling leon how much he loves him. when he lets himself breathe.
and that's the thing!! leon is so so good at motivating the people he loves to love themselves by just. believing in them? and i think that belief would change matthew's whole life. i think he'd start maybe believing it too. that maybe all the shit he's gotten from the people who he trusted the most was not fucking true. that maybe he is worth everything that leon is telling him he's worth. that he can. that he will. that he IS.
i think leon gets choked up when matthew says something good about himself. he'd never admit it, but he does. and i think to be loved by matthew would be the most overwhelming thing in the world, because it is utterly selfless. disregarding of anything. because that need of matthew's, that one to be loved with no conditions? it comes out subconciously in the other direction. it is unavoidable. it's fucking pure. and when he loves, he loves hard. leon almost doesn't know what to do with it, until he realizes it's a gift, and he will never ever deny it. in fact, he will work his entire life to carefully wrap his own love in gift paper, and give it to matthew at every possible moment.
send post.
#but i digress.#thats why mattdrai makes me insane because i know leon could be SO good for matthew he'd knock some fucking sense#(and self worth)#into him.#(and i think he'd punch keith in the meantime)#GOODBYE#mattdrai#this is after seeing the fucking 85 rating matthew gave himself on nhl 24 HES INSANE SOMEONE KISS HIM#matthew character study#leon character study
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Well. Helloooo! It’s been approximately 184 years since I posted any kind of meta on this site, let alone a TWD-related meta. But here we are, in the year 2024, no less. Nothing like The Book of Carol and Melissa’s return to bring some of us back. Unfortunately, it’s been a mixed bag, and current spoilers point to some really disturbing info about our beloved characters, specifically Daryl. The following is from a recent Twitter post made regarding Daryl’s character and thought it would be cool to post here, too.
CW: Daryl - relationships + trauma
There are so many feelings about the spoilers re: Daryl/Isabelle, and this post isn’t meant to invalidate any of them or defend the storytelling choices or retcon. Umm, no. Not at all. That’s a whole other post and many others have written extensively on the issues of show-running, creative consistency, and marketing of The Book of Carol. It’s not even about shipping, really. On the contrary, this post is to share some thoughts about Daryl as he is now, viewed a bit thru a trauma lens.
Before I start, I feel it’s important to note that I am an LCSW, or Licensed Clinial Social Worker, in the US.
A big part of viewing what’s going on with Daryl’s character is to start by posing some important questions: Where is Daryl emotionally? What’s going on in is his headspace? Is he clinging to what’s there in France because he feels utterly alone and resigned to his fate? What if Daryl is actually able to open himself up to Laurent and Isabelle in part because of his relationship with Carol and not in spite of it? What if he’s capable of connection & love with others precisely because his OG found-family showed him what it can look like in so many ways? Hear me out. It is a powerful thing to consider, especially given that Carol, Judith, and his family undeniably shaped Daryl, offering him his first real sense of belonging and trust. Now it appears totally lost to him - a devastating, compounded, and total loss. And he is NOT OKAY.
That doesn’t mean it isn’t OOC for him to connect with others the way he has and/or regress. As we know, trauma survivors like Daryl, especially those with histories of domestic violence, complex trauma, childhood abuse, and neglect, often find themselves in cyclical patterns of vulnerability. It does make sense that Daryl, even after growing in his relationships with Carol and the fam, might still be susceptible to getting involved in dysfunctional relationship dynamics (cough *Leah* cough) His need to care for others, while being a strength, also exposes him to people who might exploit that—whether intentionally or not. He is, in a sense, truly acting out of character.
In Daryl's current emotional state he’s completely unmoored (by a literal ocean of impossible distance no less) from his foundation of emotional safety, and has appeared to regress to the point of being unrecognizable to some. The idea that Daryl's protective nature and discomfort with intimacy coexists with an ability to be exploited by others, speaks volumes to the complexity of trauma responses and his arrested development. Daryl can embody fierce loyalty and affection, yet be caught in cycles of seeking out or gravitating toward what’s familiar, even if that familiarity is rooted in pain or dysfunction. There are not a lot of options for relational safety in the ZA. Isabelle, Leah, and even Rick, all in their own ways, represent that tug of codependency and trauma-bonding for Daryl. Not to mention, when there are children connected, his protective instinct becomes exponential.
Daryl’s current isolation, insecurity, and uncertainty about the depth of Carol’s love and his OG found-family provides a pretty valid underpinning for why he might be more open to a connection with Isabelle and Laurent, and even actively choose it when given the opportunity to go home. It’s not the arc that makes the truest sense for Daryl, but it is still very true to life in the way trauma can regress personal growth, even temporarily.
At the same time, it’s 100% understandable that this shift feels like a betrayal to Daryl’s character, as it undermines the progress he’s made and relationship choices he’s made in the past. The narrative may fall really short of pushing Daryl forward, instead choosing to revert to old tropes that fail to capture the nuance of his journey. By ignoring the potential for deeper, more layered storytelling, the show risks alienating viewers who’ve been invested in Daryl’s growth over the years. It already has, and I see y’all out there. 🫶🏼
Ultimately, it’s the tension between authenticity in trauma responses and narrative sense and progression that leaves the audience, Daryl, and most likely Carol, completely unsatisfied. IRL, growth is non-linear but in fiction, especially after so much buildup (and let’s face it MISDIRECTION) it’s not unfair to expect a clearer arc forward, versus regression into old patterns.
Hopefully, the progression will materialize in resolution which will in turn, lead inevitably to - truly actualized, authentic, and absolute love in all ways for Daryl with the safest, most accepting person person in his life, Carol. After all, Spain is still out there.
Part 2 Coming Soon: Carol and Survivors’ Guilt
#twd spoilers#carol peletier#melissa mcbride#caryl#twd#daryl dixon#the walking dead#the book of carol#Spotify
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E12
OK... I normally make notes on an episode when I rewatch, but I dunno... after watching S2E5, I just feel compelled to say a few things... First... LOL...
Armand at the end!!! hahahaha!!!
OK, so first off - the acting is SO GOOD:
Jacob - especially the way he delivers his interview 1 take down of Lestat is SO MAGNIFICENT, OH MY! Jacob! You are DIVINE! (Also: Louis' see-through grid shirt: YES PLEASE!!!!)
Luke - is SO ERIC. OMG, he is SO GOOD!
Eric - is SO GOOD! The emotion. I want Ericasavampire and seeing as much of DM is still-to-come - Eric as a vampire - PLEASE!!!!?! Finally someone to love Armand for all he is. Write an entire NOVEL of your own invention writers please for Daniel!!!
Assad - I am at this point bowing down to my Assad shrine! I haven't the words for how perfect your Armand is. I only have love.
There is SO MUCH to analyse from this episode. We must PSYCHOANALYSE the characters this week fully!!!
I utterly ADORED it! One thousand thanks to the writers for creating something like this - not in the books, but totally feels like the books.
And OMG, at this stage I will be devastated if Daniel isn't involved in this entire show from start to end... which also feels somehow some kind of a homage to River Phoenix, who would have played Daniel in the 1994 film had he lived...?
ANYWAY! OMG ASSAD I LOVE YOU! OMG WRITERS, I LOVE ARMAND! Like this episode - how CRUEL Louis is to Armand! And yet, Armand saves his life! And not only that, he offers that pathway to Lestat... right until he is unable to utter Lestat's "I love you.." And really, Armand, you did that in so much love for Louis - you sacrificed your self! Armand, Armand, Armand.
And Armand, seeking in Daniel what it means to be fascinating and special. The irony is that Armand IS special!!! He is absolutely the most complex vampire… he just doesn’t understand how to love or be loved… and Louis is NOT his "one"! But he is SO fascinating! And special. All of the edits to Radiohead's Creep PLEASE!!!!
I also find it WONDROUS in a show about vampires - where vampires are always a metaphor to The Outsider... yet... in art, The Outsider is often portrayed in imo an unrealistic way, as in "actually the outsider is infinitely special, really!", BUT IN ARMAND, the writers have given us a truly actually special character who feels like many outsiders do - AND is told by the person he loves SO much he would literally be a pathway to their other love that he is boring and not special and not enough... THAT is relatable! (Even though nobody has told me this, as I am simply isolated, personally! Yet, still, I feel it!)
Also - OMG it is both infinitely tragic and simultaneously hilarious that Loumand true sexy times cannot begin until Armand literally WIPES Louis’ mind of Lestat!!! LOLOLOLOLOL (Poor Armand!)
Also LOL @ Jacob in the post episode thing - saying he can’t think of a bigger betrayal than rewriting the history of a person you love and that it makes him angry… referring to what Armand does to Louis… when IN THIS SAME EPISODE, that’s literally what Louis does to Lestat..!
Meagre thoughts as I didn't write notes during the episode, so just a few points I think of now (and I have had a glass of wine with this episode lolololololol!! Lalalalala... GOTHIC JOY!!!!!!!!!!)
Lestat is my boy, but ASSAD'S ARMAND. Armand was always my second favoruite vampire, but Assad - I do not understand how you are making me love Armand even MORE! Be MORE evil, Armand. And more tragic. And more loving. Be every thing you are. I know you are fascinating!!!!!
Also, I cried A LOT in this episode! Though I did not note when. Like, that I feel compelled to do a post now with my random tipsy thoughts on a non HQ version with no subtitles I hope expresses A LOT about how I love this episode!?!??!!
#interview with the vampire#iwtv spoilers#iwtv s2#ASSAD ZAMAN#anne rice#amc interview with the vampire
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The damage inflicted on the nation during Donald Trump’s first term in office pales in comparison with what he will do if he is elected to a second term.
NYTimes: By Thomas B. Edsall 8/21/24
How can we know this? The best evidence is Trump himself. He has repeatedly demonstrated his willingness to tear the country apart.
“Donald Trump and his MAGA supporters,” Sean Wilentz, a historian at Princeton, writes in a forthcoming article in Liberties,
have made it clear that they will not accept defeat in November any more than they did when Trump lost four years ago. They believe that Trump is the one true legitimate president, that those who refuse to accept this fundamental fact are the true deniers, and that any result other than Trump’s restoration would be a thwarting of history’s purpose and a diabolical act of treason.
The authoritarian imperative has moved beyond Trumpian narcissism and the cultish MAGA fringe to become an article of faith from top to bottom inside the utterly transformed Republican Party, which Trump totally commands.
Like Wilentz, Laurence Tribe, a law professor at Harvard, does not mince words, writing by email:
All the dangers foreign and domestic posed by Trump’s cruelly vindictive, self-aggrandizing, morally unconstrained, reality-defying character — as evidenced in his first presidential term and in his unprecedented refusal to accept his 2020 electoral loss — would be magnified many times over in any subsequent term by three factors.
First, he has systematically eroded the norms and the institutional guardrails that initially set boundaries on the damage he and his now more carefully chosen loyalist enablers are poised to do in carrying out the dangerous project to which they are jointly committed.
Second, their failures to insulate themselves from electoral and legal constraints during the dry run of 2017-21 have led them to formulate far more sophisticated and less vulnerable plans for their second attempt at consolidating permanent control of the apparatus of our fragile republic.
And third, their capture of the Supreme Court and indeed much of the federal judiciary has put in place devastating precedents like the immunity ruling of July 1 that will license a virtually limitless autocratic power — if, but only if, they are not stopped during the epic struggle that will reach one climax this Nov. 5 and another next Jan. 6.
The most important reason a second Trump term would be far more dangerous than his first is that if he does win this year, Trump will have triumphed with the electorate’s full knowledge that he has been criminally charged with 88 felonies and convicted of 34 of them (so far); that he has promised to “appoint a real special prosecutor to go after the most corrupt president in the history of the United States of America, Joe Biden, and the entire Biden crime family”; and that he intends to “totally obliterate the deep state” by gutting civil service protections for the 50,000 most important jobs in the federal work force, a central tenet of what he calls his “retribution” agenda.
Julie Wronski, a political scientist at the University of Mississippi, contended in an email:
The question is how much the Supreme Court presidential immunity decision will undermine institutional guardrails against Trump’s anti-democratic behavior. If there are no repercussions for his role in the Jan. 6 Capitol insurrection, intimidation of election officers, and casual handling of classified materials, then Trump will be emboldened to partake in such activities again.
Trump has made clear that norms of governance — e.g., civility, accepting electoral defeat, and treating members of the political opposition as legitimate holders of power — do not apply to him.
While Kamala Harris has pulled even with, if not ahead of, Trump in recent polling, Republican attacks on her have yet to reach full intensity, and the outcome remains very much up for grabs.
Bruce Cain, a Stanford political scientist, voiced concerns similar to Wronski’s by email:
Trump is more erratic, impulsive, and self-interested than your average candidate and is much bolder than most in testing the boundaries of what he can get away with. In political insider lingo, he is a guy who likes to put his toes right up to the chalk line between legal and illegal activity.
There is some evidence that his bad traits are getting worse with old age, but the more serious problem is the lowering of institutional and political guardrails that constrained him in the past. The decision in Trump v. the U.S. entitling a former president to “absolute immunity from criminal prosecution for actions within his conclusive and preclusive constitutional authority” and “presumptive immunity from prosecution for all his official acts” seems to me particularly problematic. The court left open the question of how to distinguish between official and unofficial acts. Trump’s personality is such that he will without doubt test the limits of this distinction.
Timothy Snyder, a historian at Yale and an expert on the regimes of Stalin and Hitler, wrote by email in reply to my inquiry: “It would be closer to the truth to think about a second Trump administration beginning from the images of Jan. 6, 2021. That is where Trump left us and that is where he would begin.”
Unlike oligarchy and tyranny, Snyder argued,
Democracy depends upon example, and Trump sets the worst possible one. He has openly admired dictators his entire life. He would encourage Xi and Putin. The Russians make completely clear that a Trump presidency is their hope for victory in Ukraine. Allowing Russia to win that war, which I think is Trump’s likely orientation, destabilizes Europe, encourages China toward aggression in the Pacific, and undermines the rule of law everywhere.
Charles Stewart, a political scientist at M.I.T., warned in an email:
A second Trump administration would escalate the threat of authoritarian governance, most notably, by sanctioning politically motivated prosecutions. Even if the courts resisted the baldest of efforts, doing so will be costly to political opponents and also continue to silence dissent among conservatives who wish to have political careers.
In 2016 and for much of his first term, major elements of the Republican Party viewed Trump with deep suspicion, repeatedly blocking or weakening his more delusional initiatives. That’s no longer the case.
“The Republican Party is fully and totally behind Trump — the epicenter of election disruption — even after two impeachments, an insurrection and a criminal conviction,” Julian Zelizer, a historian at Princeton, pointed out in an email, adding:
The support that Trump received after Jan. 6, and the entire effort to overturn the election, demonstrates that much of the G.O.P. is fine with doing this. Now that the party knows what insurrection looks like and has given its stamp of approval by nominating Trump, we know that this is officially part of the Republican playbook.
One thing is clear: Trump would assume control of the White House in 2025 with far more power and far fewer restraints than when he took office in January 2017.
Jacob Hacker, a political scientist at Yale, argued that Trump’s near-dictatorial rule over the Republican Party and the absence of intraparty dissent will play a crucial role if he returns to the White House in 2025:
Democratic backsliding rests heavily on the absence of contrary messages within the party undermining democracy, because (a) this further radicalizes sympathetic voters (who take their cues from in-party politicians) and (b) makes the battle into an “us” vs. “them” partisan fight that is easily used by demagogues to justify further democratic backsliding.
Both Hacker and Frances Lee, a Princeton political scientist, pointed out that even with solid support from fellow House and Senate Republicans, Trump’s power and freedom to act will depend on partisan control of the House and the Senate.
Sign up for the Opinion Today newsletter Get expert analysis of the news and a guide to the big ideas shaping the world every weekday morning. Get it sent to your inbox. As Hacker put it:
The scale of the threat posed by a Trump presidency will rest far more than commonly recognized on the exact balance of partisan power in D.C. If Trump has both houses of Congress — along with, of course, a highly sympathetic Supreme Court — the pace and extent of democratic backsliding will be much greater than if Republicans “merely” hold the White House.
Given its role in appointments and its greater prominence, the Senate is the critical fulcrum. We saw in 2019-20 that Democrats holding the House helped keep the spotlight on Trump’s misdeeds and blocked some of Trump’s most egregious potential legislative moves. But House control is worth much less than Senate control, and a Democratic House may not be enough to prevent serious democratic backsliding.
If Democrats win a House majority, Lee wrote by email, “their control of the House would foreclose any opportunity for one-party legislating, such as the Tax Cuts and Jobs Act of 2017.”
In addition, Lee argued, “Trump’s proposals and priorities still do divide the Republican Party internally. Even though Trump has improved his position with the congressional wing of the Republican Party relative to 2017, he still faces pockets of intraparty resistance, especially but not exclusively on foreign policy.”
As a result, Lee wrote, “the remaining Trump-skeptic Republicans in Congress will have pivotal status in a narrow Republican majority. So the bottom line is that we don’t know much about the influence Trump can wield until we see the outcome of the congressional elections.”
Even accounting for Lee’s caution, however, Trump’s base of support has grown over the past eight years to encompass not only the MAGA electorate and the network of elected officials who have learned dissent is politically suicidal, but also the individuals and interests that make up the party’s infrastructure, especially the donors and lobbyists.
Just three and a half years ago, in the wake of the Jan. 6 assault on the Capitol, this wing of the party threatened to become a major roadblock to a second Trump term. Leaders of Wall Street and big business voiced seemingly deep concern over the threat to democracy posed by Trump and his followers, with many of these leaders vowing that they would never contribute to a Trump campaign.
“Many of the nation’s richest people said after the Jan. 6, 2021, attack on the U.S. Capitol that they would never again back former President Trump,” David Lauter of The Los Angeles Times reported. Those concerns have dissipated.
In March, The Washington Post reported: “Elite donors who once balked at Trump’s fueling of the Capitol insurrection, worried about his legal problems and decried what they saw as his chaotic presidency are rediscovering their affinity for the former president — even as he praises and vows to free Jan. 6 defendants, promises mass deportations and faces 88 felony charges.”
It would be hard to overestimate the importance of Trump’s increasingly strong ties to his party’s financial establishment. His ability to shape the flow of campaign money is second only to the power of his endorsements, making obeisance to his authority even more crucial to political survival.
Trump’s shifting relationship with the Republican establishment’s major-donor community can best be seen in the changing composition of his financial backing from 2016 to 2024.
In 2016, many of Trump’s top backers, according to OpenSecrets, could best be described as marginal figures in the world of campaign finance:
McMahon Ventures, a consulting firm founded by the owners of World Wrestling Entertainment, $6 million; Mountainaire, a chicken producer, $2.01 million.
In terms of money, Trump today is a very different candidate. The corporate qualms that surfaced in the wake of the Jan. 6 insurrection have been subordinated to the prospect of billions in tax breaks for business and the rich if Trump returns to office.
According to OpenSecrets, of the $472.8 million Trump and allied PACs have raised through the middle of this year, a quarter, $115.4 million, has come from the securities and investment industry, the financial core of the Republican establishment. In 2016, this industry effectively shunned Trump, giving him a paltry $20.8 million.
“The leaders of major industries’ decision to back Trump suggests that the economic benefits of staying on the team will outweigh principled concerns about democratic norms should push come to shove in a second Trump term,” Eric Schickler, a political scientist at the University of California, Berkeley, wrote by email in response to my query.
There are several other factors raising the level of danger posed by a second Trump term in the White House.
When he took office in 2017, Trump had no clear agenda, just a collection of grievances, impulses and prejudices; no carefully prepared list of prospective loyalists to appoint to key posts; and in essence no understanding of the workings of the federal government.
These deficiencies kept many, but not all, of his destructive impulses in check as top aides and key party leaders repeatedly steered him away from the cliff.
If he wins this year, those checks on Trump will be gone.
Trump’s advisers and allies have put together a detailed agenda along with lists of men and women who are ready to do his bidding — developments that have been detailed in this column and elsewhere.
In his email, Schickler emphasized the crucial role played by Trump’s successful efforts to drive Republican opponents out of elective office. Now, Schickler wrote:
“Each Republican member’s own political survival depends on being loyal to the team.” He continued, “Republicans will stand by Trump in any potential impeachment battle — as result, there will be no chance for a conviction, essentially making any attempt to enforce accountability into just another partisan showdown.”
During his first term, Schickler noted, Trump “raised the possibility of taking a threatening action — such as sending in troops to arrest or even shoot protesters,” but he was held back by his own appointees and senior government employees.
“The big difference in 2025,” Schickler cautioned,
is that there is a much more built-out political operation supporting Trump. Appointees will be carefully vetted for their loyalty. When it comes time to implement an order that, for example, removes civil service protections from most federal workers, the top layers of executive agencies will be filled with people eager to follow through and weed out those with “bad” views.
Not only will Trump be more robustly protected if he returns to the White House in 2025; a key institution — the Supreme Court — is more likely to back his initiatives now that it is dominated by a 6-3 conservative majority, half of which is made up of Trump appointees.
That conservative bloc has already signaled its willingness to unleash Trump in its July 1 immunity decision, Trump v. United States.
The ruling gave Trump new grounds to challenge the criminal charges and convictions he faces and suggests broad approval for future Trump policies and initiatives. The president, Chief Justice John Roberts wrote in the 6-3 majority opinion, “may not be prosecuted for exercising his core constitutional powers, and he is entitled, at a minimum, to a presumptive immunity from prosecution for all his official acts.”
Robert Y. Shapiro, a political scientist at Columbia, wrote by email:
Trump says he wants to replace the bureaucracy — part of the “deep state” — with political appointees. He wants to go after his political enemies, lock up refugees in camps, and implicit in all this he will appoint cabinet members and high-level officials who support what he wants to do instead of the “grown-ups” who constrained him at every turn during his presidency.
In this context, Shapiro continued:
The above threat to democracy has to be seen, on the face of it, as real, given that the Supreme Court has opened the possibility of immunity on any presidential actions, however criminal they might be. What Trump has said he will do, and what the Supreme Court has opened the door to — what he can do in terms of what would be criminal and not just impeachable offenses — pose an enormous threat to the nation and American democracy.
Gary Jacobson, a political scientist at the University of California, San Diego, summarized the risks raised by the Supreme Court’s immunity ruling in an email:
The court’s decisions have made it harder for the judiciary, Congress or other institutions to hold Trump in check. The immunity decision certainly enables an authoritarian presidency far beyond that envisioned by the people who wrote the Constitution.
The biggest difference if Trump is re-elected, Jacobson argued,
will be the absence of officials in the administration with the stature, experience, and integrity to resist Trump’s worst instincts in such matters. A White House staffed with sycophantic loyalists or white nationalist zealots who share Trump’s ignorance and contempt for norms and institutions will give him freer rein than in the first term.
As Sean Wilentz warns:
Trump, who does not speak in metaphors, has made it plain: “If I don’t get elected, it’s going to be a blood bath.” This is a time for imagining the worst. Not a single loyal Republican official has objected to that statement or to similar MAGA warnings about an impending civil war.
Yet, Wilentz writes, “many of even the most influential news sources hold to the fiction Trump and his party are waging a presidential campaign instead of a continuing coup, a staggering failure to recognize Trump’s stated agenda.”
I am going to give the last word to Timothy Snyder, the Yale historian:
Trump is in the classic dictatorial position: He needs to die in bed holding all executive power to stay out of prison. This means that he will do whatever he can to gain power, and once in power will do all that he can to never let it go. This is a basic incentive structure which underlies everything else. It is entirely inconsistent with democracy.
https://www.nytimes.com/2024/08/21/opinion/trump-second-term-2025.html
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Nerdy “Aziraphale and Crowley are super in love” Analysis time! (Filmmaking and acting edition)
(Very late but I promise it’s worth it)
Imo the moment Aziraphale realizes he’s in love with Crowley is Ep 3 when the Apocalypse is looming and Crowley flippantly says, “I want to spend the rest of my life with you”
Aziraphale gives the look
And it all changes
From an acting perspective, Crowley takes a confident and almost defiant stance. Despite walking away, his arms are wide open. He constantly shrouds himself in being aloof and bad, so this exaggerated gesture is the way he shows his true feelings. This is the world I can provide you. Please take it.
From a filmmaking perspective, this is a wide shot, showing Crowley and Aziraphale's physical and emotional distance. Crowley is in focus, pointing out to the right. In Western filmmaking, characters moving left to right indicate progress
This doesn't apply to countries where they write right to left or up and down. Anime flows up and down for this reason, but that's another story
Crowley has his back to the camera because his reaction doesn't matter here. He knows what he wants; his needs are clear to himself and the audience
Aziraphale's reaction here is massive. As a new viewer (still 3 eps to go,) I first interpreted their relationship as an unusual companionship. The montage at the beginning of this episode shows their progress from having a mutual agreement to an alliance to a friendship
But this look
That’s the change
The camera pushes in as Aziraphale realizes what Crowley is implying, and he's overwhelmed to the point of burgeoning tears. It's not quite a Hitchcock/Jaws zoom, but it similarly presses the subject closer and tighter into the camera claustrophobically.
Subconsciously, as the audience, we now feel his feelings pressed into him
Part of Aziraphale's reaction is his high moral standard of being an angel. While here he calls Crowley a demon, he has previously insisted, because he is a fallen angel, there is hope for goodness still.
He sees his future as a possibility in Crowley, which would destroy his known world. His moral code however is much more malleable than he would like to think, but to admit that would be failure of doing his duty as an angel
But just this acting choice, his quivering palpable fear, this reaction is much more than, “I don’t want to kill a child/not be an angel.” If he agrees to go with Crowley, the ‘side’ he’s picking isn’t good or evil, it’s love
As the characters are asexual/nonbinary (I think?,) I don’t think canonically the fact that it’s a homosexual relationship is necessarily the issue. However, the metaphor of choosing to walk away from everything you know and believe and the rigid standards of goodness, and instead choosing to be with someone who will inevitably lead you to be cast out from your world, is (unfortunately) a universal gay experience, especially considering the source material is from the late 1980’s
Crowley’s reaction to this rejection is straight up anger played off as a totally reasonable, “C’mon man, we’re best buds,” but his eyes are covered by glasses. Eyes are the windows of the soul and he certainly doesn’t want to break right now in the face of rejection. His eyes are blocked in a very emotional tight shot of him which mirrors Aziraphale's.
Now his reaction matters and we don't really get to see it
I don't know where this goes from here (well uhhhhh I did see The Spoilers ™ but I ain't gonna talk about that lol,) but this just feels like a massive turning point, and the acting and filmmaking really enhance it. From an outsider's perspective, I didn't 'get' this ship at all, but now in context, it completely makes sense. This scene is utterly devastating
This has probably been talked about to death for 4+ years now lol, but just wanted to point out some acting/filmmaking choices that really brought the oh shit moment to light <3
#good omens#good omens season 1#good omens season 2#crowley#aziraphale#ineffable husbands#ineffable partners#ineffable dumbasses#crowly x aziraphale#good omens analysis
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A short list of horror fics
i completely forgot i wanted to do this lol. An unually high amount of charles fics in this rec list i wonder what thats all about
6 horror related fics for your reading pleasure (in no particular order)
the system only dreams of total darkness by mondaycore | M | 7k | Lewis Hamilton/Nico Rosberg
anything by mondaycore is stunning and utterly enrapturing to read. the details, the tension, just everything about this fic is such a beautifully brutal read. one of the best works ive read recently.
Bonus: tell me what you know about dreams | M | 851 | Charles Leclerc
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Denebola by Yvxson | M | 2k | Charles Leclerc/Sebastian Vettel
found this after wanting to read more sebcharl and- utterly poetic and just a lovely, devastating, read. the descriptions are just *mawh* chefs kiss.
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Trifecta by n_ico_ando | E | 12k | Lewis Hamilton/Sebastian Vettel
not quite entirely "horror", but what a beautiful work of fantasy. the way i get thinking about moving to the east coast of canada just to experience a fraction of the atmosphere described here. amazing read.
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worthy is the lamb (thank you for the price you paid) by choripan | E | 12k | Charles Leclerc/Carlos Sainz Jr
An utterly captivating piece of writing inspired by an utterly beautiful piece of art! obsessed with just the concept of charles as ferraris beautiful lamb and anyway he can be connected to religious imagery
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red, and a little more red by atwater | E | 7k | Charles Leclerc/Sebastian Vettel
And last but not least, from one of my very favourite writers. this fic was basically the catapult for me to look into other works that use horror as an element or genre. amazing amazing read, so funny yet so haunting, im addicted.
bonus!
matchstick people by ecorone | E | 60k | Lewis Hamilton/Max Verstappen
ive already rec'd this on my other list but i thought it would be fitting to rec it here as well. everything i said about this author still holds true and still one of my favourite fics ever.
#brocedes#sebcharl#sebchal#<- i dont know the difference lol#sewis#charlos#charles leclerc#something about ferrari just make their drivers the best horror protagonists ig#fic recommendation#rec list#kimio7xt
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Not to dwell on the fanservice issues since I also cannot engage with that part of BL for similar reasons, but I am truly concerned that the industry still doesn't have a way for brand pairs to end without causing massive harm to the actors, both personally and professionally. Sometimes I think we've made massive strides in fanservice, but then I see all the massive brand pairs currently in existence and how companies have not figured out how to let these actors move beyond them. I'll try to avoid using specific names, but there are some HUGE brands at GMMTV right now that one day might want to branch beyond BL . And we have seen how the breakup of a certain GMMTV pair caused fan devastation, harassment of a new actor, and frankly something that isn't talked about enough - actors now have to contend with a loss in job stability and probably income. Sure, their personal fans and casual viewers (me) won't care - but I am not paying money to go to their fan meetings or brand events or their concerts, and those pair fans won't either. And companies seem to just be sticking their head in the sand and hoping they can recruit the next big thing before a pillar explodes.
Even in a less controversial moment, it was just announced that a pair is ending as one needs a health break. And, thank god he's getting one. But it's also insane that their careers are going to have to undergo fundamental changes and potentially job losses (aside from dealing with angry and heartbroken fans, of which I've seen many) because they might have new onscreen partners.
I can only think of a handful of examples (I'm specifically thinking Max and Tul but there are others I'm sure) where actors have been mostly able to end their specific brand partnership (or move to other projects) without imploding the BL universe. But in those cases, I never get the impression it's because the company has a well thought out safety plan that they've discussed with the actors to minimize the impact on their careers and move them in a new direction. It seems like the lucky few have great working relationships with their co-stars and are basically able to leverage either their personal friendship or stellar working relationship to put the brand pair out to pasture with very gentle hands.
There's other issues about fanservice that really grinds my gears, but in light of the fact I believe some pairs will be ending soon, this has really made me extra angry. It feels like company negligence is going to stab some of these actors in the back when they feel like it's time to fly the nest. And fans are enabling their poor behavior.
This is all a very valid worry and one that I definitely share. Fan's response to actor pairs breaking is extreme and the ones who are really dating are even worse. I think of MewGulf every single time and the vitriolic response that people had to them and it's just... so scary, honestly.
I still see people on the some of these shorts and posts lamenting an actor pair that did one show together and never planned on doing another and people expressing how heartbreaking it is that they're not still together and just... yeah.
And having no plan for ending these pairings and their careers after does absolutely trap these actors in a portion of their career until or unless they're willing to give it all up in order to move on to something new. Which is not how it should be! Fanservice is meant to be fun and compliment to the shows, a fiction for the viewers that they enjoy, not the end all be all of an actor's career.
And there are just... there are so many actors that, right now, if they announced that they weren't dating... they would be destroyed. Utterly. Completely and totally and people would be rending their clothing and screaming about true love and it just scares me.
Fanservice has a place but I think there has to a pull back on them.
I, admittedly, don't know much about pairs that have moved apart in the longterm but I've seen people still mad about short term ones and making up longform fictional excuses for them not being able to work together but still being in love and it's just... it's wild. It's scary. They are actors! Acting! I promise!
I don't trust anything until or unless they're not working together anymore. They have to not be working on any shows together before I'll believe anything because look at what the shipping gets them. The dedicated fans, the hugely defensive fanbase, people so loyal that they will look for any sign they're in love and buy every single fanmeeting ticket, music event ticket or piece of merch based on their relationship.
Truly wild.
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With that last anon question about true love kiss. What if it did work? how would the Ro's react and what not to that?
Ouch, the devastation! This is hard for me to imagine, lol.
Oswin: If there’s been some romantic connotations between them, he’ll be pretty devastated, but also doubt himself. He’ll still wonder if he’s the problem. Maybe he doesn’t love in the right way, he must be doing something wrong, he must not be worthy.
Zahn: They’ll think that it’s okay if MC doesn’t love them “truly” or whatever, they can still love each other in other ways and maybe one day, with time, their love will be strong enough to break a curse. Until then…they need to find someone else to kiss MC.
Duri: Depends on the level of romantic connection yet established. This could fluctuate between them being a little surprised to being totally and utterly devastated (totally undoing their entire character arc, lol).
Rune: Doesn’t stop their determination to make sure MC wakes up. The quicker the curse is broken, the quicker they can deepen their bond with MC.
???: Might be impossible for this to happen (maybe he’s just that lovable?).
Thank you for the ask, my mindreader! ^_^
#god cursed if#twine if#asks#if wip#twine wip#interactive novel#if game#interactive fiction#gc ro reactions
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Rachael Lillis, the OG English VA of Misty and Jesse from Pokemon has sadly passed away from cancer. I donated to her go fund me and everything...."See You Again" by Whiz Kalifa REALLY helps you out in times like this. :'(
//You did your part in that case. And I'm really sorry for everyone who was personally affected by this.
//This reminds me of when the same thing happened with Billy Kametz, and how much that shook me, and most of the internet. And you don't know how much sweat I wiped off my brow when I found out that Sam Riegal had recovered from it.
//I don't like talking about heavy shit outside the plot of the blog, but cancer is a merciless force that only causes pain and takes away any form of joy. It destroys the spirit as well as the physical, leaving victims and their loved ones feeling hopeless, irate, and devastated.
//The emotional toll can be much more severe than the physical, depriving people of time, shattering hopes, and instilling a persistent sense of fear and uncertainty.
//One of the most difficult things to go through is witnessing someone else suffer and feeling unable to stop it. Every moment seems like it has been taken, and any chance for calm or normalcy is threatened by the cancerous shadow.
//I have lost many people I love in the past few years, not necessarily from cancer, but from similar diseases that destroyed them. My nan's lungs slowly collapsed, and she was in hospital often, until she finally lost her fight one day, and left this world.
//I don't wish this pain on anybody. Not even people I utterly despise. The pain of losing those you love is so unimaginable, especially when it seems to only happen to the people in this world who are loved.
//It's like the world's way of telling us that being a good person means nothing, and I hate that idea.
//But it's also not true. We need to be good people, because goddammit, that's the only thing saving this race of people from total collapse. I just wish we stopped losing them to soon.
//Rest in Peace, Rachel Lillis. And thank you for giving so many people a wonderful childhood. May you find comfort in the skies you were always blasting off into.
-Mod
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TCL 3x07 thoughts (and even more feelings)
Now that’s how you do a tribute. Wow. Even though I was well and truly crying by two minutes in (and probably cried through about half of the episode in total), I actually feel kind of honoured to have gotten to watch that, to feel not only the love that the other characters had for Arman, but also the love that the entire cast and crew had for Adan. And while I truly wish we’d never had to lose either of them, I’ll always be grateful to have gotten such a beautiful goodbye.
Sorry if parts of this come off a little confusing… I had so many thoughts about everything and couldn’t decide how to organise them... in hindsight, probably should have just gone chronologically haha, but oh well. Here goes.
Thony /Armony.
Honestly I’m impressed I managed to get a whole 90 or so seconds into the ep before the tears started, especially when it opened with Thony looking absolutely wrecked, sitting at a table with a bottle of alcohol, her buddha, some used tissues, and every piece of evidence she has about who was responsible for Arman’s kidnapping… and then for her to just shove it all to the floor and put her face in her hands?? Ugh, my baby. Her conversation with Fi was so devastating from both sides; on Thony’s part because losing Arman has broken something vital in her, and on Fi’s part because she can see the true extent of Thony’s pain as well as the dangerous path that Thony’s heading down (fixating on getting justice/vengeance for Arman rather than just letting herself grieve), and she knows she can’t stop either of them. And ugh then immediately after, when Luca has lost his beloved toy and the writers hit us (and Thony!) with: “That’s okay, my love. Sometimes we lose things and it’s… it’s fine to be sad about it.” Her face as her brain registers the truth of the words coming out of her mouth, even as she knows she can’t follow her own advice… ouch. And speaking of painful, the choice of Thony’s outfit for the wake haunts me; she’s covered head to toe in white (the traditional Cambodian mourning colour), and she’s also wearing the buddha necklace that we’ve previously seen her touch for comfort in stressful moments… I’m certain no one but us and Fi would be able to read the subtle lament of grief and pain that those choices represent. (And yet despite that, Fi still somehow thinks she can convince Thony not to go to the wake of the man she loves?? C’mon now Fi be real here lol)
But ugh, that big breath Thony takes before getting out of the elevator at La Habana, her eyes closed and hands clutching tight at her jacket? Having to prepare herself to step into this space, his space, and be faced with the reality of his absence? And then even when Jorge tries to intercept her and turn her away for her own safety, she brushes him off and goes straight for Arman’s altar, because lbr, nothing’s keeping her away from this, from him. Her openly saying “We both lost him” to Nadia was honestly a surprise because of how clearly it indicated she was putting them both in the same category– aka both women who truly loved him, both of them made ‘widows’ by his loss??? Damn, that was more direct than I expected her to be. And ugh when she says to Ramona: “All I ever wanted was to bring Arman home” (...) “I need answers too. I don’t know how to move on from here.” I think that statement really captures one of the major aspects of both the episode and of Thony’s character: how utterly lost she is now. When Arman was missing, Thony had a goal to focus on. Even from S1, it was pretty clear that with any difficulty that was happening in her life, Thony could get through it as long as she had something to strive for, some way to keep moving forward. Like fighting to get treatments for Luca (and more recently, preventing CPS from taking him away). Outwitting Garrett and the FBI. Getting Arman free of Kamdar’s debt. Getting Fi home after her deportation. And of course, finding Arman and bringing him home. But now that he’s dead, the ‘difficulty’ that she’s facing has no solution. He’s just gone, and there’s nothing she can do to change it, no way to solve or fix it. No matter what she does, she will never be able to achieve the goal of getting him back. (Yes, I cried writing that). And so that is exactly why, instead of just accepting his loss and letting herself grieve like Fi says, she fixates on the only thing she can do: confirm that Dante was responsible, and then make sure he doesn’t get away with it, even if it means walking straight into the lion’s den and accusing one of their own.
The scene when she stands by Arman’s altar and remembers the first time she came to La Habana was so painful to watch; back then, she came to him to save a dying Luca, and yet only like 4 months later, Arman is the one whose life has been cut short. Thanks to him, though, Luca is safe and healthy, and will likely lead a full and happy life. There’s something so poignant about Jorge bringing the drawing to her right at that moment, almost like it’s a sign from Arman that it’s okay, that Luca’s life was always more important than his own. And honestly I can’t believe that Thony admits what she does to Jorge– that she thought she and Arman would have more time, and that there was so much that she’d never gotten to say to him. Like wow, talk about a love confession?? She knew how she felt about Arman, but had kept pushing it aside, thinking that there would be time for it later; that eventually everything with the FBI and Kamdar and Luca and Fi would settle down and they would have the chance to really acknowledge what was between them. But now that chance is gone, along with everything they could have been, and she's grieving that as well as him. And while it’s a truth that she had a hard time even admitting to Fi, she knows that Jorge will get it, both as someone who loved Arman (and who missed out on a lot of time with him, and had a lot of things that went unsaid) and also as a man who has been through the loss of the love of his life. Honestly, Jorge could save Thony’s life a dozen times over and I’ll still never be as grateful to him as I was for the simple fact that he told her he thinks Arman knew all the things she never got to tell him. (And really, from everything we’ve seen… I think he’s right. Arman knew.).
That moment was one of many punches to the heart from this ep, and honestly one of the most painful was when Thony is left to clean up Dante’s murder (and in that all-white outfit! Oh no), and she’s frantically trying to get Fi to leave, not only because she doesn’t want Fi involved in this dangerous world, but also because I think she knew she was seconds from completely falling apart and she didn’t want Fi to see it. The wobble in her voice as she says “Everything is fine now. Everything is over… it’s over” and then just immediately breaks down sobbing?? Devastating. Because like I said, the need to make Dante pay for what he did to Arman was the only thing keeping her together and functioning– and with one bullet, it was suddenly done, and what does she have left now?? Just inescapable grief and emptiness in the space that Arman used to occupy in her life. It’s all over now, and that's really highlighted by the fact that the first thing she does after finishing cleaning up the murder is to tell Fi that she’s walking away from the criminal world (mirroring 1x01 when she was dragged into it by cleaning a murder), and then goes straight to Arman’s altar to tell him goodbye. She doesn’t tell him how grateful she is– she’s already told him that, many times over the course of their relationship– but instead, she needs him to know she’s sorry, for everything that had led them here, and for the fact she couldn’t save him. And then ugh, her “I just hope you knew…” and the way her eyes close as a more mournful version of their theme/leitmotif starts to play, and we see all the flashes of her memories of him?? We may not have heard her say the word ‘love’ out loud but we didn’t need to. This entire episode was a love letter from Thony to Arman, her own personal velorio within a velorio. (Not to mention, in this article sent to me by @crwdgoinapeshit, Elodie specifically describes Arman as someone Thony 'loved a lot, if not the love of her life' ugh). And lbr if his parents hadn’t appeared at that moment and interrupted things, she probably would have finished that sentence, and would have said aloud how much she loved him. But like Jorge said– he knew. He died knowing she loved him, and that she would carry a piece of him with her always.
Ok I love that despite her having told Fi that she’d be right out in a minute, and having the opportunity to just easily walk away when the drama starts unfolding with Arman's parents, she simply looks at his picture again, and then walks over to join Nadia, like she’s telling him, “Don’t worry. I’ll have Nadia’s back, and if needed I’ll do my best to keep your family from bringing the place down on all our heads.” And that choice turns out to be a significant one, because she overhears that Ramona’s middle name is Marina, just like the word Arman wrote in the dust– and just like that, it’s not over. She has a purpose again, and she’s not going to stop until she’s achieved it. The leader of one of the most dangerous cartels in the country took the man Thony loved, a man that was supposed to be family to Ramona, and now Thony is coming for her. And if that’s not fucking badass, I don’t know what is.
Ngl, I do feel a little bit like I need to write a scene-insert fic for the gap between when when Arman’s parents leave, and when Thony gets into the car with Fi, because I think there’s a rather important conversation that needs to happen there between Thony and Nadia– both a ‘we need to talk, later’ (regarding Ramona and Arman) and a ‘can I have this’ (regarding the mini caddy), because I would feel bad if Thony just took it without asking, especially given that Nadia herself felt so bad about accepting it from Isabel. But oh my heart, when she sat down with Luca and reminded him about Arman, and pulled out the mini caddy… and then the “I’m sure he would want you to have it” (he really would) and “But no matter what it went though, my friend only loved it more. Do you think you can keep it safe for him?” (Help, there’s a waterfall coming out of my eyeballs.) To watch the ep end with Arman and Thony driving off into the sunset together in the caddy was all kinds of rough… I know a lot of fans kind of wish that that was the ending we had for them, that we’d never gotten a S3 renewal and could instead all just live in a shared fantasy where Arman and Thony got to go on to lead full lives together. And honestly sometimes I feel that way too. But I have also loved and appreciated season 3, and I’m grateful to have had more time with this incredible cast, and also to say goodbye to Arman and Armony in such a beautiful way.
Fiona.
Once again, Fi is very much proving herself to be the Samwise Gamgee to Thony’s Frodo Baggins, from trying to convince her to stop and let herself grieve (like Thony tried to do for her after Marco’s death), to trying to protect her by keeping her from going to the wake, to realising that even if Thony is doing things she doesn’t agree with, she’s going to stand by her. Ngl I did feel for her with Thony’s very blithe “Don’t worry! If anyone’s gonna kill me, it’s not gonna happen at a wake!” because that’s hardly reassuring, Thony! And seriously can you imagine S1 Thony ever saying something like that??? I think our girl has spent a little too much time in the criminal underworld, and she’s starting to get desensitised– and Fi can see it, can see how both that desensitisation and Thony’s need for justice for Arman is leading Thony to go deeper and take risks that could easily backfire on her or their family. Ugh but that moment in the laundry when she really thinks about the lengths that she and Thony would go to for each other, and realises that while Thony is making some unfair decisions in the grip of her grief, Thony would also run straight into any danger for her without a second thought– and so she decides to do the same, because that's who they are to each other.
Honestly I’m proud of the guts it must have taken Fi to go to the wake despite the presence of the cartel and their possible anger about Arman’s death, all so she can be with Thony to support her through this loss. But she does it, because she knows the loss is that immense for Thony. I’ll admit I’m a little confused why Fi would have gone to the loading dock rather than through the main entrance, and while it’s likely literally just for plot reasons, I’m going to explain it as bc she used to go to the loading dock to drop Thony off/pick her up when Thony worked at La Habana. I’m sure Thony probably even took her up in the service elevator one time and gave her a sneaky after-hours tour haha. But ugh of course her taking the service elevator now means that she’s right there as Dante leads Thony out, and in true Samwise fashion, she doesn’t go running for help– she goes to rescue her Mr Frodo herself! Seeing her creeping along armed only with a hammer, ready to take on all 6 foot 3 inches of Dante in order to save her beshie?? What a brave, foolish, wonderful woman. But then Jorge and Ramona appear and she’s too outnumbered to do anything, and all she can do is hide there and listen– and dude, for at least a solid minute or so she legitimately thinks that she just listened to one of her family getting murdered. Like holy shit that’s gotta add a whole new fresh level of PTSD on top of what she already had from her border crossing ordeal. And then for her to stay and help Thony clean the blood, despite Thony desperately trying to make her leave? It makes me think of Thony’s introduction to the underworld in 1x01, witnessing a murder and having to clean it up– Thony had no choice but to be pulled into that world, but Fi does. She can see that Thony is walking straight down the path into Mordor (sorry for the continued LOTR references, but they’re the best I got atm lol) and she chooses to go with her.
And I am so glad of that, not only because Thony is so clearly spiralling without Arman and needs Fi’s support, but also because we all know that now that I can’t have Armony, there’s literally nothing I want to see more out of this show than my dream of the three Mob Queens (Thony, Fi, Nadia) running Vegas lol. Plus, Fi has spent the last 2 seasons being a counterweight of sorts to Arman in the tug-of-war for Thony’s life-path; Thony’s relationship with Arman drew her deeper into the criminal world, while Fi has been trying to drag her away from it. But now Arman is gone, Thony is the one choosing to continue deeper in the underworld, and I think it would be really interesting to see Fi realise that her efforts to pull her away are never going to work, and instead kind of go ‘alright, if you can’t beat them, join them’ and follow her. (And I mean, the thing about Sin Cara being faceless means anyone could take over as the new Sin Cara, and no one need ever know…......)
Nadia.
Ugh, my baby Nadia. She seems so broken, so young and alone. And even with Ramona saying supportive things and calling her ‘my daughter’, her being in the office with Ramona and Jorge does have less the feeling of family support and more like sharks circling, especially when they start questioning her about the FBI. No wonder she seems to panic a little (justifiably, considering that she had Russo in this room only like a week ago!) and so tells them about Thony knowing the meet location– but unlike other times she’s deliberately directed blame at Thony to get it off herself, this time she actually immediately stops and backtracks, trying to defend her. I love that deep down she knows that Thony would never betray Arman like that, because Thony loved him too. And even when Thony shows up to the wake uninvited, Nadia’s immediate response isn’t to get angry or kick her out; it’s ~almost~ even like relief, because here is someone she can actually talk to about what’s going on. When she asks her about the Feds, it’s not because she thinks Thony called them; it's because Thony’s the only one she can trust to help in figuring out how they knew. But then Thony gets frustrated about Nadia telling Ramona and throwing suspicion on her, and Nadia gets frustrated about how trusting Thony about Dante potentially cost them Arman, and honestly I love this conversation so much?? They’re in conflict over Arman, just like they always have been, but now that he’s gone they’re also oddly united, and only have each other to turn to. Thony’s apologies to her are heartfelt, and there’s no force in it when Nadia suggests she leave. Tbh I don’t think she actually knows if she wants Thony to leave or stay, because while on one level she is angry with her, having her there to direct her anger towards is a much-needed outlet; and plus when it comes down to it I think she needs the familiarity and support that comes with having Thony present, especially with the Sanchez sharks around. It’s funny, but Nadia and Thony’s relationship is starting to feel just as sibling-like as the Sanchezs’ to me; that complicated mix of comfort and antagonism that any of us with siblings know so well. (Also ugh Nadia’s “Do whatever you want, you always do anyway” is practically an exact echo of what Arman said to her in 1x03, and I’m not fine at all).
But regarding Nadia and Thony’s relationship, I think it’s clear that they’re only going to get closer as the season progresses, and one hint towards that is the complete change in the way Nadia interacts with Isabel in this ep. In the earlier seasons you could tell she didn’t like Isabel at all, and hated it when she came to La Habana/around Arman. She was absolutely jealous, because of the exact thing Isabel admits to her now: that she never stopped loving him. Before his loss, that was a threat, just like Thony was. Now, it’s a comfort, a connection that only three people can understand: Isabel, Nadia, and Thony. Aside from maybe his mother, the three loves that Arman had over the course of his life are the only ones who will truly carry his memory with them, the ones that will keep a part of him alive- and at least in some way, they’ll be forever bonded by that. But god, Isabel’s line about not being able to believe he’s gone, about walking into La Habana and feeling like he could suddenly appear from around a corner– that one was absolutely in there for the cast and crew, who have said practically the exact same thing about Adan in interviews. Having lost both the character and the actor makes this episode even more poignant and tragic, and you can feel the love in every aspect of it.
But sigh my poor increasingly-inebriated Nadia is not making the best calls at the moment, such as running straight to the office to get Russo’s business card (out of its very secure location amongst a bunch of papers in the safe) to burn it right then and there. Not suspicious at all haha. And of course Jorge catches her doing it, which would have probably been a nail in her own coffin if not for Jorge spotting the picture Luca drew (which Arman kept in the safe, ughhh), and that leading to her admitting the truth of Arman’s love for Thony and the regrets she had about their marriage, and Jorge seeming to realise that she did sincerely love Arman and wouldn’t have betrayed him. And man, does she demonstrate that beautifully when Arman’s parents arrive and the Morales siblings all start fighting, and she’s the one that calls them all out on it and reminds them that they’re here for Arman, and that he deserves respect, not their pettiness. Absolute queen behaviour from both Nadia and Eva, who completely knocked it out of the park this episode. Based on cast interviews, she seems to have been the cast member most affected by Adan’s death, so filming this episode must have been so incredibly difficult for her, but she was beyond amazing. And for Nadia’s sake, as unexpected as her last scene with Jorge was, I was so glad that someone finally thought to give her a goddamn hug!!!
Jorge.
Ugh, hearing Jorge using that soft voice with Thony, and him immediately apologising for not checking in on her, then trying to warn her of the danger from Ramona… like damn, kudos to the writers for managing to take a character I was so prepared to hate and making me like him. Jorge really did love Arman, and has begun to genuinely care about Thony, and I’m sure that it would mean a lot to Arman that his brother-uncle is doing what he can to protect the woman he loved now that he can’t do it himself. But ugh, Jorge’s wonder at seeing the mini caddy again and realising that Arman had saved it from the fire, and then him admitting how much he’d wanted to get Arman back after Eduardo had separated them? That was so bittersweet to watch. Tbh I think he spent years deliberately not thinking about his love for Arman, but then everything surrounding Arman’s abduction and death has brought it all to the surface, and I’m looking forward to how that will affect his choices from here.
For now, his next step is to interrogate Nadia a little to be sure that she didn’t betray Arman (and maybe also because he’s hoping to find Ramona a scapegoat that isn’t Thony??). The initial part of their conversation was actually super sweet though, and omg, learning that Arman wanted to go legit partly so he could help his dad open a distillery? One they’d call Heart of Heaven?? (Or maybe Heavenly Heart? I’m not sure exactly how the Spanish would translate). God, despite his badass exterior, my boy Arman really was just too soft and good for this world. And ngl, Jorge seems to have a bit of that in him too. His next conversation with Nadia– about his own (seemingly rocky) marriage and his regrets about it, and about losing his wife Vanessa– definitely seemed to create a genuine understanding between them for the first time, and I liked that he apologised to her for accusing her. So looks like Jorge now has two women to protect on behalf of Arman.
Him bringing the drawing to Thony was so kind and thoughtful– partly for just even recognising what it would mean to her, but also for telling her that Arman had always wanted kids and basically implying that Arman would have viewed Luca as his own. In that simple act of taking the drawing, he spared Nadia from the pain of having to deal with it, and he ensured Thony got to have this reminder of Arman’s love, and I’m so grateful for it. Losing Arman– and him learning just how truly she had loved and had been loved by his brother-nephew– has definitely changed and solidified their bond, which is why she trusts him with the arrest report about Dante, and why she dares to even voice the possibility that Ramona could be involved. And though he immediately shuts her down about that, he still takes the report straight to Ramona and challenges her about what they’re going to do about it, showing that he is worthy of that trust from Thony.
But hooo boy, after everything that happens with Dante, and then the showdown with Eduardo, we definitely get to see a new side of Jorge, the frustrated agitation of a man who is starting to question everything he thought he knew. Arman’s death is going to have a ripple effect, that’s for sure, and though Jorge is still being the obedient brother for now and cleaning up the mess with Dante (interesting how Ramona was the one to pull the trigger, but it was Jorge and Thony that were the ones dealing with the consequences and making it disappear) I think he’s going to be doing some pushing back against her as the season goes on, and as he tries to figure out the truth. I couldn’t quite make out what he said to Dante’s body as he was kneeling beside it; couldn’t tell if he was apologising for his fate or telling him it was what he deserved lol! @prhiswife do you mind translating? Also if you can be bothered translating any more of the Spanish in this ep I would be very interested to hear any or all of it lol. But honestly it surprised me to see him go back to La Habana there at the end, to stop before Arman’s photo and then to seek connection with Nadia about their mutual loss… and tbh, it looked like almost too much connection for a second there???? For a very fleeting moment I honestly thought they were actually heading for a kiss (the crying and the face touching felt oddly reminiscent of Armony in 1x06) and I was like ???? what the fuckkk??? Lol. But I think it was more just him genuinely trying to comfort her, and I'm happy to see the foundations for Thony's team of criminal badasses (Fi, Nadia, and Jorge) developing....
(I mean, it would be objectively hilarious if the show decided to make another Morales man fall in love with both Thony and Nadia, but I don’t think that’s what’s happening here lol)
Ramona.
Loved seeing the sibling tension building over Jorge’s support of Thony, and loved seeing how immediately he defended Thony/how genuinely she wanted Arman back. Like Nadia, he really does believe she wouldn’t betray Arman. At this point of the ep it’s almost a bit of a Ramona and Nadia vs Jorge and Thony scenario, even if poor Nadia and Thony actually want no part in this sibling debate lol, and are in many ways united on their own team. The odd moment Ramona has when she stands from the chair definitely seems to indicate some kind of pain or medical symptom (like dizziness or something) and was very deliberately included by the writers… more clues that she is secretly dying??? But anyway later when Ramona says that with Arman’s death, there’s no reason to keep his ‘accessories’ (aka Thony, and maybe Nadia too?) around, I appreciate that Jorge again immediately defends Thony. He’s starting to see Thony (and soon, Nadia too) as a member of their extended family and I love that.
Okay yasss to this showdown of these two strong, intelligent, determined women, facing off against one another in a kitchen of all places (a setting that has associations with the disempowerment and minimisation of women)… not to mention that with one all in black and the other all in white, they’re forming the perfect contrast of good and bad, light and dark… the writers made so many deliberate choices here and I love it. These two started out on such uneven ground, with Thony shrinking before the might of Sin Cara, and now here they stand perfectly eye to eye, with Thony daring to call out Ramona’s right hand man as their potential traitor. Daaamn. Seeing Thony witness Ramona’s shaky hand was also interesting– if not for that little ‘moment’ Ramona had earlier in the office, the shakiness could easily have been read as a sign of emotional stress in response to Thony questioning her about Dante, but instead it looks like further proof of the ‘Ramona is dying’ theory… either way, no doubt it’s going to come up between them at some point. Also lolllll at Thony’s “oh come on” expression when she sees Dante kiss Ramona (lol zero chemistry there, sorry guys) and realises she literally just accused Ramona’s boyfriend right to Ramona’s face. Oopsies. I think she might have suddenly been a bit less certain about the assurance she gave Fi about no one killing her at the wake after that?? Lol. But anyhow, now that Thony knows the truth about Marina, the next showdown between these two is bound to be even more epic…
Also it's interesting that when Jorge brings Ramona the police report and the truth about Dante, she makes a token effort to argue with him and say that Thony could be making it up, but within seconds she’s texting Dante to bring Thony down to the dock (given he literally nabs Thony like 30 seconds later). Clearly she’s not the type who hesitates about doing what needs to be done, no matter what it is, including murdering her boyfriend to cover her own ass. This woman is stone cold, that's for sure. But damn look at that Sanchez sibling swagger as they make their entrance, and the way Jorge puts on a little show about saying sorry to Thony, luring Dante into being secure enough to put his own gun away… and then Ramona gives her own little spiel about not taking betrayal lightly while Thony sputters for words to defend herself. Like yes that was absolutely meant to ~build the suspense~ for us viewers (and also to traumatise poor Fi), but also maybe it’s a sign that Thony is being considered to enter the family in a more meaningful way, and a warning for her if she does?
But oh dude when the Morales family are having their big confrontation and Jorge learns that Eduardo and Teresa begged Ramona to let Jorge stay with them? And that she forbade them from trying to reach out to him?? He’s spent his whole life believing he knows the truth of what happened, to the point where he genuinely hates his own brother for it (and spent years resenting Arman as well) but now he’s starting to realise that maybe he’s only ever been fed her version, and that she may have manipulated him all along?? Oooh, that’s really going to ramp up the sibling tension a whole lot more for the rest of the season. And speaking of which, I saw someone suggest somewhere (sorry to whoever it was, I looked but couldn’t find the post again, happy to credit you if you let me know) that maybe Ramona actually had Jorge’s wife Vanessa killed to stop her from ‘stealing’ him away from her/the business, and oh man that would definitely make things interesting! Tbh atm I’m having a hard time imagining him fully turning on Ramona, even with the truth about her involvement with Arman’s abduction, but if he learns she killed Vanessa… well, that would be something to see.
Jeremy (ugh).
Ngl, really appreciated that Thony’s thoughts seemed to be echoing my own sentiments when I immediately yelled “Oh, fuck off, Jeremy!” the moment he appeared on the screen. Honestly I hate this guy so much, and I hate that even after costing them Arman, he’s still here, still invading their space and their private grief. Given Nadia’s very convenient building explosion and the insurance payout that her new lawyer was able to push through suspiciously fast, and also the fact that Nadia previously told Russo that a cartel had taken Arman, Russo is clearly after anyone and everyone she can possibly take out in the criminal world, and so she’s keeping Jeremy undercover because she knows that Thony is tied up in it all somehow. All Jeremy’s ‘casual’ questions are really grating on me, and it makes me wonder exactly what happened on the cliff after Arman’s car went off the edge… like the FBI were right behind them, so I’m assuming that he and Thony and Fi were all taken in for individual questioning by the FBI? But how would that have worked for Fi, given the FBI knew she was deported like a month ago?? I’m guessing we’re just supposed to ignore that, and to assume that the FBI let them go after ‘believing’ their story. Certainly letting them go would have been the smarter move, because they knew that they had Jeremy right there as a mole to get the kind of information that the women would never give up? But ugh damn the stress of the Velorio situation making Thony so distracted and eager to get away that she agrees to let this guy put cameras up in their house!! Girl, no!!!! Now he has cameras to see exactly who is coming and going from your house, cameras that he can access at any time!! And then omg Fi you also let him access the smoke detector, where he could plant a bug??? Goddamn this guy and his smooth lies-- like how much of that story about his dad on 9/11 do you think was fake? Probably all of it, just like everything else about him ugh. The FBI boys in this show sure do love sob stories about their dads (though at least Garrett’s was true!). But seriously, charismatic as this guy is, could these two stop being so chill about leaving him unattended in their house????
Promo spoilers.
Okay I know I don’t usually talk much about the promos for next ep during these recaps, but damnnn it looks so intense that I need to unpack it lol. First, Thony seems to have some kind of nightmare about Sin Cara, and ugh, what if she sees Arman in it? I'm not ready for how she'd react to that. And then the clip of her looking all tearstained (maybe the next morning?) telling Fi “If Ramona had anything to do with this, she has to pay”? Damn, she's really gonna do it, she's going to go up against the cartel version of The Godfather. (And you know what? She's gonna win.) But I’m curious which scene is going to happen first; Thony in the grungy apartment with Jorge and Ramona (with Ramona telling Jorge to shoot her, and him seeing the ‘Marin’ writing) or Thony coming to see her in the art gallery in that red dress?? (the last time she wore that, Arman killed someone for her. Is this a sign she’s going to return the favour and kill Ramona??). At this point I'm definitely assuming the apartment stuff happens first, and obviously Jorge refuses and doesn’t shoot Thony, and he confronts Ramona about the Marina thing; and so having him sort of on her side (or at least, no longer so firmly on Ramona's) will help her be bold enough to confront Ramona at the gallery. Thony’s comment about the things people do when they have nothing to lose is interesting; I’m assuming it’s directed at Ramona, and maybe about the fact that she’s dying??? (Obviously it can’t be about Thony because she has plenty to lose.) Anyway ugh I’m so pissed about fucking Jeremy somehow weaseling his way into The Cleaning Ladies as well as their personal life?? Can someone please kill this guy already. One of the clips looks like Thony’s dragging his body across a floor (you can see a glimpse of the light blue shirt on a man-sized body, so it makes sense that it’s him), and too bad we know he’s involved in the filming for later episodes, bc I would have absolutely thrown a party if he died this ep lol. Oh well, there's always hope for Thony to kill him in the finale haha
Anyway I think that's (finally) all for this week, and while it's going to suck waiting a whole extra week for next ep, at least they gave us one of the best episodes of the entire show so far to tide us over until then.
As always, I'm super happy to chat about this show so feel free to reply/send me an ask if you have anything you wanna contribute!
#The Cleaning Lady#TCL recaps#TCL spoilers#The Cleaning Lady spoilers#lbr it makes sense that this recap is easily the biggest of the season#how could it not be when there was so much of my beloved boy in every moment of it#not to mention all the Armony love ugh#god I love this show so much#(in case you couldn't tell lol)
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vertigo: an aminori drabble
yet another little drabble courtesy of the yuri shipping olympics! the prompt this time was 'I can't believe you talked me into this'. I'm bringing back an old favourite to appease my 16 year old self, and basically nobody else. aminori enjoyers if you are out there...
summary: minori is certain that she can finally see a crack in ami's cool facade; and all it'll take is a ride on whimsiville's supersonic rollercoaster: Vertigo! a flawless scheme which will certainly not backfire. not at all...
banner: screencap from Toradora ep. 6 "True Self"
pairing: minori kushieda / ami kawashima
no warnings required!
1,423 words!
'I cannot believe you talked me into this' Ami Kawashima, model student, model model, and model melodramaist huffs.
It does not surprise Minori - at least not a great deal - that the way in which her face scrunches with distaste is still beautiful; the sort of righteous disdain you'd see in a fancy book of fancy artpieces that cost an arm and a leg and weighed about as much too, and all without running the risk of a lasting wrinkle.
There's a hint of the unimpeachable to her which promised any attempt to test this stoic unrufflability would yield nothing but frustration.
Perhaps, were she one of those rational types, Minori would recognise this as the omen of futility that it was. It would be better, really, for everyone if she did.
But Minori was dedicated, and all she could see in those finely crafted features was a provocation. Ami was a challenge, or she was issuing a challenge, and Minori didn't stop to mull over the distinctions between the two. She was a bit more preoccupied with attempting to pry loose an expression which hadn't been made for TV from Ami's habitual smirk.
'What's wrong Amin? Scared of a bit of height?' She asks, opting to accentuate the extent to which she too, was entirely cool-headed and unbothered by the other's presence by slinging an arm over her shoulder.
Ami had opted for a breezy summer dress that day, with thin straps, and thus no fabric to shield her from Minori's totally casual arm-slinging. There was nothing to prevent her from feeling the way her exposed shoulder hardened into a taut tension under the skin.
Woah. Had she developed inadvertant powers of petrification in the last minute? Before she could inspect Ami's shoulder for any stray pieces of stone, however, her arm was smacking limply into her side; a consequence of its unceremonious dislodgement from its resting place. 'Ow!' She says, as if it had hurt, 'What gives?'
'I am not Taiga, I don't need to be encumbered with any extra limbs.' She says, and there's a familiar flash in her eyes and ah geez, she's totally about to- 'Whilst I'm sure that little terror could benefit from the additional weapon when she inevitably has another tantrum, I prefer words to brute force.' There it was.
Why did she always turn to Taiga? More importantly, how come she knew, with a precision that frankly unsettled Minori, just what to say to send an indignant blush a-blazing in her cheeks, and as an adendum to that, what malicious God had perfected her in the art of setting Minori's heart pumping anyway?
On second thought, perhaps a God was too pure a boon-granter for someone like her. A deal with the devil for quick wit, unshakeable smarminess, and perfect hair was decidedly not off the table. She wouldn't put anything past Ami.
Instead of responding with something that would have been, no doubt, utterly devastating, Minori opts to take the moral high ground and pictures the way that smug self-assurance would melt away soon - in approximately 3-5 minutes time, if the sign posted outside the start of the queue was anything to go by.
Ooh, maybe she'd even scream! Perfect, beautiful Ami Kawashima, shrieking as she hurtled across the track at world-record-creating speeds.
'What's the stupid smile for?'
'Hmm...?'
'Hey, snap out of it fluff-for-brains, we're nearly at the front.'
Curses! She'd been so caught up in envisioning her victory over Ami's snide professionalism that she'd almost forgotten to be present for the main event! Get your head in the game Kushieda - you're playing for keeps here!
'Aw, oopsie! I must've gotten distracted.'
They were nearly at the front now, which meant a first-class view of terrified fairgoers being lowered into Vertigo, screaming as they were whipped past at speeds that made Minori dizzy, just from looking, and sickly aftermaths: the victims of Whimisiville's finest, fastest rollercoaster.
Taiga had flatly refused. Takasu had muttered something about 'winning Inko-chan' from a stall that contained a bunch of slightly squashed looking bird plushies and disappeared. Kitamura was long-lost. It was just the two of them. Minori, Ami, and the terrifying rollercoaster. She had to make the most of it.
Especially when it had been so easy to convince Ami to come along with her for the ride. Who knew when this sudden fit of good-will would strike Her Imperious Majesty next? All it had taken was a few insinuations of cowardice here, a sprinkle of guilt tripping there…!
She was almost disappointed that she hadn’t been called upon to deploy her patented ‘Please-I-Have-Never-Wanted-Something-More-in-My-Life-and-if-You-Say-No-I-Will-Hold-You-Personally-Responsible-for-the-Lack-of-Fulfillment-that-Will-Plague-My-Every-Waking-Hour’ eyes! Although, perhaps that was for the best. She didn’t know if her heart could take her special-est of special moves quailing under Ami’s cold disapproval.
Better to just be thankful for the chance to absolutely squander whatever warm feeling had prompted this agreement as quickly as possible, right? She almost felt bad, meeting what could well be an olive branch with this. Almost.
‘Heeeey Ami.’ She turns to her victim, attempting to stifle a giggle. Really, it was all her fault: she should never have let slip to Minori that this was her first time in Whimsiville when they’d run into her by the shooting gallery.
Taiga had been less than pleased by the chance encounter but Minori was nothing if not optimistic. Or was that opportunistic? The possibility of getting a reaction out of a brick wall in the body of a high school student was just too tempting! ‘Did I mention that this thing can go 200 km/h and has three loop-de-loops?’
‘You did not.’ Ami says, glaring. Having made it past the barrier now, they're scoping out a free cart in tandem with the portion of the crowd who have finally escaped the drudge of the queue. They settle unanimously for a carriage towards the back. It’s neon yellow, with flaking flames painted on the side and there isn’t enough space for them to sit entirely apart from each other.
Instead, their knees keep grazing each other, and Minori jumps each time it happens, sending their legs flying away from each other like two magnets stuck facing identical poles. ‘But don’t worry, I’m used to compensating for your particularly severe case of scatterbrain.’
‘Hey!’ Minori leaps to her own defense, and it seems her knee also has something to say because it leaps too - settling firmly next to Ami’s who continues on, apparently unaffected.
‘For instance, I do know that you tend to get motion-sick.’
Huh? Since when had Ami been keeping such close tabs on her? That was confidential information, which required a Taiga-level clearance, and she referenced it as easily as if she had been there on that lazy afternoon when she’d been regailing Taiga with the misadventures of her family trip to Kyoto! Well, she supposed that technically she had been there, it had taken place in the classroom, but that was even more shocking!
Had she, Ami Kawashima, been eavesdropping? Surely not! The only eaves that were supposed to be dropped around here were by Minori, the super-sleuth!
Really, was there no integrity to be found in the subtle art of getting one over on someone? At least Minori, in her schemes, was willing to put her own body on the line - she was sacrificing her stomach so she could see Ami’s smug expression get turned inside out by this high-speed death trap!
‘And,’ Ami whispers - whispers! - as she draws closer to Minori, her breath warming the outside of her ear - what was that bit called again, the shell? Minori finds in that moment that she doesn’t really like the comparison. Shells were so hollow, a pale imitation of the setting which formed them, a memory of something distant, and displaced. Ears were much less nostalgic, surely. They didn’t hear only what they wanted to hear, right? - Ami was being very quiet all of a sudden. Minori bites down the urge to yell at her. What, what?!
‘Did you know that before we’d met, I had ridden Vertigo five times over? I’m a big fan of the part with the 50 meter drop!’
Click.
The bar that would keep their bodies from slamming into the ground below as they were shot along at really, very high speeds (and Minori, in all her arch genius knew that this speed was 200km/h precisely) snapped into place with the finality of a death sentence.
Oh.
She was totally screwed.
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Round Δ, Day 3 - 'Funny Vamp' versus 'Traveler'
The two stared each other down.
"Magician."
"Princess."
After that, there was no hesitation.
"And... fire!"
The Magician threw her hands forward, magic circles manifesting in the air before a barrage of magical energy sprayed outwards like a gattling gun. The True Ancestor Princess raised one hand, the earth rumbling as a wall erupted from below, blocking the energy blasts before splintering.
Their movements were a destructive blur, the speed and intensity of colliding stars as they slammed into each other, the very fabric of the digital space beginning to crumble even faster than it had under the weight of the Abyssal Wyrm. The Magician was like a comet of azure light, appearing in multiple places-- or perhaps changing places so quickly that the eye and the senses were tricked into believing the afterimages were just as real as the original.
The True Ancestor raised her hands, the world commanding itself to her whims, the ground and the air serving as a blockade against the unrelenting blasts.
"These attacks. So rudimentary, yet effective enough. Is this all the power you can offer, fledgling Magician?"
"We'll see. Right now, I just want to see what the current 'me' is capable of against someone like you!"
Another massive barrage of magical energy, as one of the endless onslaught passed through the defenses of the True Ancestor. Blood. Pain. A sensation utterly new to this pale girl, who had been locked inside a castle for an eternity. She felt it, her heart in this troublesome humanoid form beginning to beat.
And so the princess smiled before raising her hand. Chains and vines erupted from the ground, chasing down the traveling star with preternatural speed, the destroyed area rapidly filling with lush, ancient, mana-dense vegetation in the Princess' wake.
"…Ah-- thank you, Magician. Yes, I'll test the limits of this 'self' as well!"
The current boosts are:
Archetype: Earth: +25%
Aoko Aozaki: +20%
Servant Skills:
Archetype Earth (Funny Vamp)
Ultimate One (Skill) (D Rank): Whatever the highest boost her opponent had (before demerits are counted), have that be her boost, and then add an additional 5%.
Breath of the Planet (C Rank): A complete and total immunity to demerits. Skills that 'cut' boosts, such as Gatekeeper's skill, are also ignored.
Rainbow Mystic Eyes (A Rank): Her enemies are struck with a 12% demerit.
Aoko Aozaki (Traveler)
Magical Bullet Loading (B Rank): When engaged in combat, gain a +20% boost.
Magic Circuits (Rotation) (A Rank): Magic Circuits that never run out of magical energy. When in a Free-for-All, increase the boost from 20% to 25%.
Magician (C Rank): Her status as one who wields the Fifth Magic. Traveler is completely immune to demerits. Additionally, when in a Free-for-All, if she loses (or falls in 2nd) but is within 10% of the opponent's score, she takes no negative penalties.
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If you could totally have it your way, how would you see Terry Silver eventually dying? Like, what circumstances do you see leading up to/surrounding it and what would be the cause? How would the various people who knew him react, from beloved to John (if you think he’s outlive him, that is) to other characters of Cobra Kai?
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Despite what the writers might say or do, I am convinced John Kreese would be utterly devastated and anything but utter devastation would be flat out of character for him. A hill I will die on. This is not only a member of his unit, his best friend for a major chunk of his life (possibly well over forty years and counting) literally possibly the last of his own platoon dying, in a time when the generation that served in Vietnam is slowly becoming fewer and fewer in numbers, but this also the end of an era. The end of an age. The life he saved so many times has just extinguished and he's lived long enough to see that day. Ironic, no? Considering how many times John himself has faked his own death and now, here Terry goes for real, no pretending. This is one snake pit John couldn't fight for Terry over. Even if there's bad blood between them, what John goes through and feels is pretty hard to describe in a small blurb but it's akin to someone closer than your own brother no longer being alive. Akin to losing your own limb. He might play tough otherwise. Might not outright show his grieving, but this is a death I don't reckon John would ever recover from emotionally. It's the type of thing that would haunt him to the end of his days and if anyone disrespected that memory, trust and believe John would smash their nose in for it. He has had the privilege and the right to feud with Terry --- others lose a teeth for it. He's some of the few people outside of Betsy and the members of his unit John would look forward to seeing in the whatever fucking beyond exists out there, maybe even in hell, if that's what it takes.
I think Daniel Larusso would be shocked, perhaps even a bit speculative and paranoid, wondering if this is fake news and another dirty trick of Silver's and initially, after double and even triple checking, he probably wants to be happy and relieved about the fact that someone who's caused him so much pain and trauma is finally gone and that he and his family are safe, but the jubilation falls sour pretty quickly, because yeah, I tend to write Daniel like a good person and I don't figure he could sincerely feel anything more than this deep, unsettled sensation where you just can't be happy once your abuser dies. Not really; you tell yourself you should be, but you validly just can't and in fact I almost see him feeling some sort of way about it, dare I say, falling in something of a conflicted, depressive state not too many people know about because Daniel doesn't want anyone to know about it seeing as how it is pretty hard to explain you actually feel a sort of sympathy for someone quite so rotten. Not even Amanda would be aware of this, if at all possible. If anything, the only person he might confide about his true feelings could be someone like Chozen or doing so in front of Mr. Miyagi's gravestone. Thing is, Daniel is aware Terry Silver will never truly leave and that he will live on the trauma and fears he's embedded in Daniel's psyche and he might decide to make peace with it in a callback to his words to Terry and John that ultimately, it'll be Terry who will be forgotten, deciding to just that; Forget and move on in peace, therein lying his greatest personal victory. Irony of all ironies is that Daniel might be the one of those most affected by Terry's death.
Honestly, I don't see the likes of Kenny Payne, Kyler or any of the kids in Terry's new and renewed Cobra Kai caring too much that he died; I mean, considering how easily they all collectively turned on him and how easily they collectively sided with him in the first place, one gets the impression these kids go with the flow. The trendiest, shiniest new things that teaches them the most badass skills and how to use and abuse said skills to beat and abuse those weaker then themselves, and at that time, it was Cobra Kai under Terry Silver. Tomorrow, it could be another cool dojo under another cool Sensei entirely. The world keeps turning. What I mean to say is, there is almost something tragic how easily Terry was left behind by all of his students and how even easier he'll be forgotten by them if he, figuratively speaking, dies.
#terry silver#kk3#cobra kai#john kreese#daniel larusso#amanda#chozen toguchi#kenny payne#angst#tw; death#character analysis#cobra kai season 6
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would love to hear your thoughts on the trailer :) I don't know what thoughts I'm looking for, I guess just general ones, but also the thigns you're excited for and all that
I have to admit, I've only actually watched through the trailer about three times, it makes me feel genuinely insane. we're getting this piece of art this year !!!!
In all seriousness, my thoughts are all over the place (in an overall good way). I'm curious and excited and terrified and crying at all the Louis and Armand things. The part at the beginning where Daniel asks if they're going to finish each other's sentences the whole time, how they've been sitting on the couch in all the clips we've gotten so far, the 'We've been together for 77 years,' the kiss (!!!!!!!!!!!!!!), the cheek kiss (!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!), the strange scene we've seen once or twice where it looks like a kiss might have happened but Louis seems to faint afterward, etc. etc. It's all so much and I have known since s1 ended that Louis and Armand's love story was going to leave me fulfilled and devastated all at once and it feels utterly confirmed in this trailer. I think they're still so in love, in so many ways, and I think it can't, won't, shouldn't work out and it makes me so sad, I can't wait to be heartbroken and destroyed watching it. I will say, though, seeing all the clips of them does make me curious about the future of Loumand. Louis leaves Lestat for Armand again at one point and I have thoughts and ideas on potentiality for that in the future of the show, depending on how long it goes on. Regarding Louis himself, I'm just -- so in awe of Jacob Anderson, as per usual. Louis is the most interesting, beautiful, enrapturing thing on the screen and everything is better when it comes back to him, always. The 'It's you and me' clip, with all the flashes of Louis and other people, all returning to Louis, just !!! it's him. He's everything. It's all so much better when it comes back to him, we're so lucky. In terms of Claudia, Delainey seems to have this grasp/concept of Claudia that has me shaking. Her Claudia is everything to me already. I know lots of people have talked about it, but Claudia's ghost being a part of some later stories feels so much more doable with Delainey and I hope, in some capacity, that comes true. The 1700s stuff scares me a little, but only because it appears we're getting a lot more of it than I was anticipating this season. I expected some, absolutely, and when we got Nicki casting confirmation I was like, "Oh, we're getting the 1700s for real," but the trailer is a lot of 1700s and it scares me for a couple of reasons, namely that -- once again -- we're not getting Lestat's POV of it so there is the toss-up of 'how did he see this play out though' that will somehow have to be addressed in later seasons. It also scares me a little because Gabrielle has to be there, right??? Did they cast Gabrielle and manage to keep it a secret???????????? That's wild. But in reality, it scares me too because I hope we're not living too far in the 1700s this season. I know it's important and I know Armand was there so it makes total sense, but I feel like we're already treading a lot of waters with 1) The life in New Orleans that can only be told by Louis 2) the life in New Orleans after the arrival of Lestat 3) the life in New Orleans once Claudia was brought into the family 4) all the time spent getting to Europe/exploring Eastern Europe (basically, anything pre-Paris) 5) early Paris 6) Paris once Louis and Claudia and the future of their being together starts to play out 7) the trial 6) San Fransisco from what Daniel will inevitably start to remember 7) San Fran from what Louis remembers 8) San Fran from Armand, who might be our most aware of that entire time 9) Dubai pre-Armand knowledge 10) Dubai now. Like, I know a lot of those are paired up (You could categorize it simply as 1) New Orleans 2) Pre-Paris 3) Paris 4) San Fran 5) Dubai) and that cuts it in half, but given all the POV bits we get, that's just not the case. Adding yet another time period in here is just. So much. (It also scares me because I think some fans have expectations of several different things in 1700s that I don't think will happen/can happen/at least definitely not this season happen and I'm readying for the 'WAIT BUT' and the bitching etc.)
The Loustat stuff will utterly ruin me this season. It's going to be gut-wrenching. The hallucinations, the possible reunion that it appears we see, the modern New Orleans skyline, the way that Louis seemingly will talk about Lestat in a way that makes Armand seem to feel not as loved (this is a speculation based solely on the "Lestat, Lestat, Lestat, Lestat, Lestat" scene, I have SO many thoughts on that and of Armand there, god, I'm nauseous with it). I need to find my post about it, but I made a post either during s1 airing or immediately after (definitely by Nov. 2022) about how I think we'll get some kind of complete Loustat confirmation of sorts this season and by s3, they will be back together and will stay together. I have lots of reasons and thoughts on that as well. Anyway, I will cry endlessly about them this season, I know it.
I LOVE the hallucinations. I mean, when we knew that was definitely happening while s2 filming was going on, I was already excited, but seeing it just !!!!!!!!!!! it's so good. I can't even put into words how excited I am about the hallucinations of Lestat. Oh my god. Louis. The theatre!!!!!!!!!!!!!!!!! Santiago looks fucking insane, god bless Ben Daniels, and I'm excited to get to actually know some characters from the theatre. It's something that doesn't really happen at all in the movie, and it's definitely not a focus or anything in the IwtV book. But I love side characters, I think they'll fill in some space that the Azalea had in s1 and I love that.
If Justin Kirk is David, that's the one thing that is going to piss me off this season. I honestly, truly 100%, thought we might not get David and I was soooooooooooooooooooooooooooooooo more than okay with that. I hate David so much and don't think he serves any kind of plot purpose and he remains to be a shitty replacement for Louis that never worked out and was completely insignificant by the end of the series. Now, if they don't do some of the wild shit with him and make him solely some kind of tie-in/draw to the new Talamasca show they're doing, then fine. But if they start attempting to make him a love interest, I might legit tap out, I can't stand that man. At least Marius is vital to the stories, we truly can't get Akasha or Lestat or Armand without Marius. David................oh my god, die already. San Fran SCARES ME. It's one of those things that, sure, obviously we know how it goes in the book, but they have flipped it so heavily on its head, I can't predict anything and it's exciting and horrifying. Armand being there, the seemingly-more-than-one-night interview, the interview ending by the time Louis was only halfway done with the story, the brief scene that appears to be Armand looking worried at something (maybe Daniel) while Louis is floating/levitating (!!!!!!!!?) in the back, etc. Oh my god. I think we're in the wildest ride there. Um. Louis and Claudia turning Madeline together........
Louis' men not being shitttttttttttttttttttt. Every time I do see gifs or see clips or something, and I see that quick scene of Lestat walking through the audience (Sam Reid's silhouette is insane, those broad shoulders, that profile????????????? He's so hot I'm feral about him) and Louis is on the stage, next to Claudia and Madeline, and you can see where Lestat's chair is next to Louis, but further away, on the stage.......................bitch, you're really letting them do that to Louis and walking through the crowd, telling your story??? And Armand, bitch?????? You're really letting them do that to Louis, just sitting there watching it play out, having taken Louis and Claudia and Madeline out just before???????????????? They're not SHIT, Louis deserves better, always has. I need to stop rambling, but lastly, the thing I already made a quick post about, but the fact that I do obviously recognize things from the book but none of it is quite how it seems..........I'm obsessed. This show is literally like....okay, like asking someone to summarize the book for you and they say, "The book is about a vampire named Louis de Pointe du Lac who tells his life story to a young reporter in 1970s San Fran. His story details how he became a vampire, how he fell in love with his maker, the Vampire Lestat, how they created and took in the child vampire Claudia, how Louis and Claudia killed Lestat, how they went to Paris and met a theatre group of vampires, and Louis fell in love with the leader Armand. It also details the inevitable and tragic death of Claudia at the hands of this theatre, and how that death left Louis utterly changed." And you're like "Oh okay" but the details aren't all there so they just...............filled in their own, and we get this masterpiece of a story that is the bones of the book, and made what it is by time and care. Idk. I love that we're all on an equilibrium.
OH. I'm also holding out, but not anticipating sadly, some Loustat flashbacks. I need them. I'm sooooooooooooooooooooooooooo in need of it, you have no idea.
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Thoughts on Halsin 🍁❤️
(Note: I love seeing conversations about him and the diverse portrayal of intimacy from this game... also before we begin - Open, Poly and non cis het 1:1 love is totally valid and beautiful.)
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Having lived for over 350 years, Halsin has likely experienced profound grief and loss as generations of friends, partners, and family members have grown old and died over the centuries while he remains youthful.
This amount of cumulative grief can take a psychological toll, potentially leading to fatigue or even trauma related to the continual cycle of forming attachments and then losing those he cares for.
:readmore:
To cope with this, Halsin may have adapted by taking an approach of limiting intimacy and avoiding deep romantic commitment to any one individual.
The openness to polyamorous relationships could be a way to maintain connections and intimacy, while also protecting himself emotionally by not relying solely on one partner.
This can be an understandable coping mechanism when facing near-immortal longevity combined with human frailty.
However, avoiding deep romantic bonds over centuries may also leave Halsin feeling empty and disconnected. Watching loved ones slip away could compound a sense of isolation and existential loneliness.
While his adaptable approach allows him to carry on, Halsin may harbor deep grief that cannot fully be resolved while remaining eternally youthful among mortals. Finding meaning and purpose beyond individual relationships could be important for Halsin's continued growth and fulfillment.
While polyamory can be a valid approach for some, after centuries of loss, Halsin may still long for the stability and comfort of a lasting partnership. Jumping from lover to lover without allowing deeper roots to form may leave him feeling unmoored.
Having witnessed so much change over the decades, the promise of a steadfast companion can be appealing despite the risks. Part of Halsin may yearn for the chance to build a life and a home with someone by his side for however long their years allow. A singular devoted partnership cannot be replaced entirely.
Though he may have adopted polyamory as a protective strategy, facing grief and change eternally as an immortal being may also cause Halsin to wish for an anchor - someone true who will stand by him through whatever may come, even if only for a limited mortal lifespan.
Also, While part of Halsin may long for lasting stability and commitment, polyamorous relationships can still nurture him and provide affection. Not every connection must be so profound as to leave him utterly devastated when it ends. There is merit in more casual intimacies that sustain him for a time without demanding his whole self.
Polyamory allows Halsin to share varied experiences with diverse partners, making the most of his extensive lifespan. He need not limit himself to one sole companion when there are so many uniquely beautiful souls to appreciate over the centuries. In this way, polyamorous arrangements allow Halsin to explore love widely without the complete anguish of losing a singular life partner.
While some relationships may run deeper than others, he can still cultivate care and support through his chosen loves and community. With openness and communication, polyamory provides fulfillment and respite from loneliness as he continues navigating immortal life. For Halsin, it may be a delicate balance - letting himself enjoy connection while remaining guarded enough to endure love’s losses.
Just love him 😻
💖💖💖💖💖
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