#those are all the rules :-3

[asmoteeth]

GUYS GUYS GUYS

I really miss getting rba art requests and asks in general.... I'm gonna be pretty busy with college homework but

Can you have a spare rba art request? 🙏 Some spare rba art requests?

[darkdragon768]

Various doodles of the Dorito Twins.

I just like to play with them like dolls and put them into situations.

[chasedeys]

joemarr pinky shake except joe's not even fully on screen 😔

[daily-smol-silm]

Day #69 - Radiant

Slightly cottagecore glorfy blep be upon thee!

[daily-crowley]

Crowley Of The Day: gorgeous 😍

(I used up all my hashtags that I couldn’t do my usual GO tags that I always do lol I don’t care)

[riddlerosehearts]

thinking about floyd and riddle spending their first halloween as a couple together... i think floyd absolutely loves how varied and lively all of the different halloween traditions he's learned about since coming to live on land are, and he wants to try out as many of them as he can each year. so when riddle tells him that his mother always made him stay in his room studying on halloween, and that the only halloween activities he's ever done were those that NRC students were required to participate in, floyd decides that the two of them are just going to have to spend the day doing everything they possibly can. riddle tries to say he's far too busy for such things, but floyd will not let it go and honestly riddle is only half-heartedly protesting anyway because he secretly did always dream of doing the things that other kids got to do on halloween, and maybe it wouldn't be such a big deal to take one day off and spend time with his boyfriend.

so, riddle never got to make jack-o-lanterns? floyd decides to "borrow" about half a dozen of the pumpkins jade and azul had bought for mostro lounge and takes them to riddle's dorm room. riddle is terrible at trying to carve them at first and floyd can't help but laugh at him a little, but since he knows it's not riddle's fault he's never gotten to do this before, he says he'll show him how to do it. unfortunately floyd isn't nearly as good as he thinks he is on account of having lived in the ocean for almost his whole life and now riddle gets to laugh right back at him. they probably both get the hang of it right as they're down to their last two pumpkins.

riddle never got to go trick-or-treating with his childhood friends? floyd texts trey and convinces him to get in touch with chenya as well so that they can all go together. when they approach the first house, in the costumes they had prepared for each of their school's halloween events, riddle starts to get nervous and asks if they aren't all a little too old to be doing this. floyd shoves several huge handfuls of candy from that person's bowl into his and riddle's pumpkin-shaped buckets and tells him it's not like there's any rule that says they can't, and besides, riddle is such a cute little goldfish that he practically looks like a kid in his costume anyway! chenya stifles a laugh while trey has to stop riddle from committing murder that night.

riddle's never gone to a haunted house before? floyd and chenya both think it would be hilarious to make him go to one, so they do. riddle absolutely hates it, but it honestly does make him happy to see everyone else enjoying it--even if floyd and chenya both keep trying to egg him and trey on and get them to go down creepy corridors and check around corners by themselves, and even if floyd keeps running off to different parts of the haunted house and then coming back and hugging or even lifting riddle from behind knowing full well that he'll get freaked out by it.

riddle never got to play the apple bobbing game that's traditional in the queendom of roses? turns out there's a place right by the haunted house where they can go to do it! predictably, floyd is great at it while riddle ends up drenched without getting any apples, but just giving it a try is more fun than riddle expected.

riddle's never gotten to make candy apples before? luckily, trey knows an amazing recipe as well as what combinations of toppings work the best, and he's willing to teach them both! riddle gets very confused at imprecise directions such as being told to use "a few" drops of food coloring on the syrup or to drizzle "a little" white chocolate over it, and keeps asking trey exactly how much he should use. floyd thinks this is adorable. he also thinks it's adorable when riddle tries to scold him for ignoring half of trey's directions and just doing whatever he thinks sounds good.

riddle's never done a horror movie marathon before, or even seen any halloween movies in general? floyd insists that they marathon at least 3 movies together. after the experiences he had at the haunted house, riddle doesn't think he'll enjoy horror movies, but he tries to keep his cool throughout the first one anyway... which does not work out, because he really can't handle jumpscares or excessive gore. during the first movie they watch, floyd (who loves slasher films so much that he laughs and cheers every time the monster gets a kill) is happy to let his goldfishie cuddle up to him and grip onto his arm to keep himself from knocking the popcorn bowl onto the floor, but you know that once it's over riddle is getting teased relentlessly about how scared he was. floyd decides to be nice and put on something tamer for their next two movies, and riddle actually ends up really enjoying coraline and especially beetlejuice.

by the end of the night riddle realizes that they've stayed up way too late at night and a small part of him wants to scold floyd for keeping him up so late, insisting on having him do all of these silly activities and eat all of these terribly unhealthy snacks. another part of him wishes he could scold his mother for keeping him from doing any of these things as a kid, with his friends and the other kids in his hometown, the way you're supposed to do it... and another part of him still is just incredibly happy and grateful to floyd for finally giving him the chance.

[jessamine-rose]

*lovingly tackles Aine*

Read my Yandere! Pierro longfics first ♪( ´▽｀)

Last week, my beloved mutual @ainescribe surprised me with Savior! Darling fan art and AHAI9232@2-!/! CRYING SCREAMING I WANT TO LOOK AT THIS ART AND WORSHIP YOUR VERSION OF SAVIOR THANK YOU SO MUCH FOR BLESSING ME WITH YOUR ART—

*clears throat* Anyway, now that I finally have the time to properly sit down and comment on the fan art, I’ll do just that. Feedback will be in the tags and it will be unhinged. Once again, thank you so much to Aine for drawing this <3

[ratsnoot]

Rattoo ideas 🐭

[killeroos]

starcycam <3

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[sysig]

Coding woes (Patreon)

[skrunksthatwunk]

you go to a lesbian blog and find it says women only!! no men allowed!!! and go oh! excuse me, um, what about other lesbians? plenty of lesbians are genderqueer... and they go well, okay, go fuck yourself tim chop off your sweaty dick and stop calling yourself a lesbian. you do not have a dick, actually. you think about that fact often, even though it does you no good. you do not tell this person that.

you go to another lesbian blog and it says women only and you try again, and this time they change it to wlw + nblw only (non-men who love non-men :D). and you'll say hey i appreciate that but gender's not really that cut and dry for a lot of people. someone could be both a man and nonbinary, for instance. i just worry that you're looking at nonbinary as a generic third gender, or an extension of womanhood. i mean yeah you include nblw in your tags but all your posts are about pussy-havers exclusively. what's with that? and they say go fuck yourself you pervy man pretending to be a lesbian. you tried to sneak in but i won't let you.

so you go to a lesbian blog with a dozen or so posts about queer people needing to be more weird about it and you sigh in relief. but you still see the men dni. that's odd. hoping for the best, you say hey! i know you mean well but please maybe don't put men dni at the end of the lovely posts on your lesbian blog bc some lesbians are men. and they'll be like ok!! well you're allowed ;) and you say no that's not. no. some men are lesbians not just me. you think about your own dicklessness and wonder if that's why you were given entry. and you add that even if male lesbians are allowed, there's no indication of that. how would anyone know without asking? and they're like ohh gotcha gotcha well men dni + this is for sapphics only!! and you'll be like ok well that treats the concepts of men and sapphics as mutually exclusive identities and i just told you that's not true and you agreed with me so.. i don't think that solves our problem. and they're like. ok. fine. men dni but genderfluid and multigender people are allowed! and you're like no see that's. that's still the same thing.. you're saying the same thing just with different words. if you don't want men to interact but you're fine with multigender/genderfluid/etc ppl interacting then you either don't see them as Real Men (because they don't reach a standard of Full Manhood) or Complete Men (because they're only Part-Time Men), both of which suggest that they are, in some way, not men or less-than men, which is invalidating and defeats the point of the exception in the first place (accommodation) OR that you don't really mean the dni which is confusing and inconsistent and makes guydykes feel weird and uncomfortable and excluded from the lesbian space you're trying to cultivate. and they're like um. ok. so. cishet men dni? and you're like well i think that makes more sense, but what if someone identifies as both a cishet man and a sapphic? again, if we're trying to accommodate the genderfucky populace then that has to be a possibility that is considered. and they say god you people are never happy. what do you want me to do? what am i supposed to say to keep the right men out? and you pause. you empathize with the need for a space free from dudes trying to fuck you straight and feminine. dudes who watch lesbian porn and joke about what they'd do if they were allowed into girls locker rooms. who look at you like a piece of meat, and like someone who looks at women like pieces of meat in the same way he does. you get it. you know. you want a space where you can be sapphic, too. that's why you came to these blogs in the first place. you brace yourself and you say well i don't know that there are "right men" to keep out. i don't know that there's any single label that would accomplish whatever it is you're trying to accomplish. you could go for "sapphics only" or "queers only" and i think that might be the closest thing to what you want, but it's never going to be perfect. creating any exclusive space is going to shut out people you didn't account for, and the broader the label, the more people will be shut out that you didn't want to shut out. and what about people who don't know if they're allowed? what of questioning transbians, where are they supposed to go? and, frankly, i think i might rather my dykey posts get read and appreciated by a gay guy who sees me as a man than a woman who only sees me as a sacred womb, pure from male perversions or violence or whatever. i think community might just be more complex than a dni can handle. and they look at you and say i don't want to not have a dni. i think you're too permissive. you can't just "what about" or microlabel your way into everything. go fuck yourself, i bet you're not even a lesbian anyway. go find a real problem to get mad about.

you go to a lesbian blog. you ignore the men dni because you know you probably don't even count to them. or maybe you do count and, out of respect for your manhood, they'd shun you accordingly. you try to feel okay about that. you scroll past dozens of posts about mediocre men and gagging at straight friends' boyfriends and how gross and undeserving men are of the beautiful women they couple up with and how all women should be gay so they can get treated right and and and and and. you finally find a post about curling into someone you love and feeling at peace and try to lose yourself in it. you know that feeling is what unites you, what makes you belong. you try to focus on it. you think about carding your hands through a butch's hair or lacing fingers with a femme and feeling warm and loved and more yourself than you ever have before. like this is who you're meant to be. you read about lesboys and butch boytoys and genderfucky dykes and big hairy deep-voiced wonderful women (like you want to be someday, like you wish you could make yourself) and you try to ignore the men dni underneath each and every post. and you daydream about meeting someone kind and earnest at a lesbian bar even though you don't think any such bars exist within three states of you and you can't drink and don't want to drink because you need to be in control of yourself at all times so you don't fuck up like you're always about to and here in the nonexistent lesbian bar you feel wanted and safe and in good company. you picture your ideal, happiest self. it is a mistake. ideal-you has a goatee. not the mascara one you smear on and call drag even though you know it's not drag, not really, the beard you call drag because you think everyone would look at you sadly if you told them it was just to pretend you had something out of your reach. a beard that's soft and that you grew and that cannot be smudged away if you get too comfortable with it. the dream shatters. your people pull away from you, their scoffs mixing with the mind-numbing gay girl bedroom pop you learned to settle for just to have something that almost resembled you, they all pull away and turn their backs and do not look at you. you're too close to being a man now, even though you're the same amount of man as before. and they know you're not supposed to interact with men, not as you would with dykes, at least. and it sours. it's all your imagination, all in your head, but it sours.

you sigh. you think about how small you are. how short, how narrow, how feeble. how your voice pitches up when you talk to strangers because it's easier to speak quietly when it carries more, and because you're nervous. because it's a chore to talk, like everything is. you think about testosterone. you think about how your family would look at you, the questions they would ask, your answers they would only pretend to accept. the uncomfortable glances and whispered questions they'd try to hide from you. you think about how small you are, and how small you will always be. how you don't know of a way to fix it, but even if there was one, no one would want you anymore. you'd be the only one thinking it made you a cooler dyke. you think about how you don't even want a T-voice all the time, how you'll never be able to switch it at will, because you don't know how and can't bring yourself to figure it out. you think about how your throat closes around every hint of your own attraction. how wanting is perverse, how wanting is invasive, how wanting is embarrassing and too vulnerable so it must stay anonymous, as an online witness, and how you can barely manage to form or maintain friendships because your brain makes you pull away, always spinning out and struggling to recover from the simplest of interactions. how they'll all leave you and you won't chase after them at all and how that will hurt them. how stuck you get. how it looks like nothing's holding you back, how that frustrates everyone who thought you were going to be more than you were. the people you love who understand except when it comes to being ghosted, being shut out. how you don't want to hurt them. how you can't tell them that because you're stuck. how you turn to stone when touched, how you never reach out, how you lose your speech and can't look at people, how your autism is fun and sexy until it becomes real and you never see them anymore, how much you longed for someone who knew everything without you having to explain, and who loved you anyway. how unreasonable you know that is to expect of anyone. you think about that not-even-real lesbian bar. you think about how you still can't drive. how you can't leave your home on your own, without dragging somebody into helping you. how you can't leave your body. how you can't leave your manhood behind.

you think about finding another lesbian blog and ignoring everything. about skimming it for the parts you can juice some meaning from. the parts men ignore and don't understand, and how typical of you it is to do so. or the parts where you're not welcome and you should accept that, because it's for lesbians only. how you are a lesbian anyway. how you're meant to choose lesbian or man, how each is a betrayal of some kind to yourself or your people, your family, your lovely strangers, your rare friendly acquaintances. about the parts that tell you you're not wanted, that you're ugly and lazy and gross and insert yourself everywhere without even asking. about the parts that tell you you are hated, and how lesbians are above it all by rejecting men. how lesbians are each blessed miracles. about the parts that say you should be ashamed of being whatever twisted confused freak you are, of everything, of looking and wanting or not looking or not wanting, of picking and choosing instead of taking it all in with a smile. after all, shouldn't you take it? or is your ego too fragile, as men's so often are? aren't you tired? good. we're not here for your consumption. and we sure as hell don't want your company or "community" or whatever. didn't you read the sign? no boys allowed. and if you want to come in you have to make up your mind. as if you haven't told them the only answer you have. you're both. you're both.

you know you broke the rule by interacting.

but it gets lonely sometimes. you wonder if they know.

[emile-hides]

Someone on my dash keeps posting really good really aesthetic photos of their inkling at Grand Fest, and I thought it'd be fun to do that too

And then I got really, REALLY distracted.

[mangofresca]

zephyr | 18+

ii.

“We could leave, y’know.”

Romano startles, head turning over his shoulder as if he were searching for a spy, a conspirator. Sometimes, that’s not unlike how Portugal feels here, always a little too relegated to the outside for comfort, too close to the inside for tranquility or freedom.

He shakes the thought away, eyebrow raised in question at the only other person here who hasn’t exhausted him yet.

Romano’s eyes flick from his face to the windows, to the rain pelting the windowpanes, and he scoffs. “And do what? Get soaked?” His fingers tap the glass in his hand, and Portugal watches with muted disinterest as the wine rocks back and forth, back and forth, an ocean all its own, confined and confined and confined.

“Better than staying here.” Staying here and playing pretend with a government who can only just tell him and Spain apart, and Portugal doesn’t have the stomach anymore for the accent or the language or the face of it all.

Romano tsks, and, for some reason, this infuriates him, as if Romano is content to sit here and be lessened, nothing more than a jewel on a crown on a head who so blatantly picks favorites. Like they’re above it all, the two of them.

He turns, and he leaves, and he doesn’t care enough to see if anyone watches him go.

vi.

“That was–”

Portugal is already pushing up off the bed, flicking hair from his eyes. “Want a drink?”

“Obviously,” Romano snorts, but he sounds like he’s amused, and when Portugal turns around to look at him, all he can see is the way Romano’s lips curl around his teeth, how his cheeks look when he smiles.

ix.

Romano snores when he sleeps, raspy and rough, and when his hair falls in front of his eyes, his nose crinkles with the tickle of it, too deep in dreams to bother moving it away.

We shouldn’t be doing this, Portugal thinks, because things are messy, only getting worse, and he doesn’t understand how Romano doesn’t grow restless beneath a thumb that demands obedience, that is all too comfortable pressing down on the pulse of their throats, hard enough to feel it beating, not hard enough to choke.

“I wish this was easy,” he says instead, and his skin goes cold when he realizes he means it, green eyes already looking down at tanned legs tangled with his, errant curl brushing his collarbone.

He’s gotten used to that, too.

iv.

Portugal can see him on the docks again, hair just as windswept as that first time, waves falling over each other to brush against dark eyelashes, to curl into knots at his hairline.

Spain’s hand is heavy on his shoulder, smile tipping into something that more resembles a bridler than a brother. “You look like you’re thinking hard,” he says, and Portugal hears the warning in it like a bell tolling within his head. “Everything all right?”

“Fine,” Portugal replies. The weight on his shoulder feels suffocating.

vii.

“We should have sex here,” Portugal says, out of the blue and apropos of nothing, voice hushed into a conspiratorial whisper when he leans himself into Romano’s ear.

Romano coughs, splutters, eyes narrowing when Portugal only grins at him.

“Not now, obviously,” he continues, because his brother is here, and his—their, because God forbid any of it is really his—government, too, and he isn’t stupid enough to try anything here, now.

Romano wipes the coughed wine from his lips, arm crossed over his chest as he settles back into the wall behind him. “Please,” he says, and he already sounds scandalized and petulant, “as if I’d settle for anything less than a bed. You think I’d let you fuck me on a settee? Not a chance.”

“I think,” Portugal replies, smiling, “you’d let me fuck you anywhere I want you to.”

Romano scoffs again, furious and blustering, but his shoulder brushes Portugal’s arm, and he doesn’t move it away.

v.

Lively doesn’t adequately describe it when it finally happens.

Romano has him pinned up against the library wall, holding Portugal’s wrists against hand-bound books and shelves which haven’t been dusted in God only knows how long, but all Portugal can think is how difficult it is, when kissing Romano, to push him away, to have him be the one pressed between linen and literature.

He manages, only just, and the heady, groaned gasp of surprise he receives pleasantly makes it worth his while.

x.

Portugal can see him on the docks again, hair wind-knotted and wild, exactly like it was that first time, exactly like the second, like every other time, every other time.

He can’t discern the expression on Romano’s face, too far away for detail, sunlight blinding on wave-crested waters, but he can see him turn around, see him walk away, back to that house and that voice and that hand and that crown.

He almost regrets leaving without a goodbye, but he knows, is certain in the knowledge, that expectation for their kind is the heartbeat of disillusionment, and he doesn’t have it in himself to be disappointed by someone so supine as to find comfort here.

Nothing ever gets resolved with avoidance and shame, but their arrangement never really did have room for much else, anyway.

iii.

He has a dream, then, that lingers worse than a bad hangover or a bloody wound. Maybe it’s years after their last conversation, or maybe it’s days, or maybe it’s hours; he can’t be bothered to keep track, not that their kind usually does when it comes to time.

(Hard. He wakes up hard, and that’s not how his dreams usually go—or, not the ones with Romano, at least.)

Romano was over him, or under him, maybe—not that it matters, because it doesn’t matter, not really. What matters is that Romano was close, breathing against his neck, sighing his name, and it’s—

It was slow, the way they moved. Tender, close.

Odd.

viii.

He’s gotten used to it—the way Romano’s voice hitches, goes taut, tight as his white-knuckled grip on pearl-hued sheets. He’s gotten used to it.

He’s gotten used to it.

i.

They meet officially, formally—and notably without supervision—on the docks of Almer��a, both windswept and water-worn, and it makes Portugal wonder how long Romano had been standing there for him to look like that, like he himself had blown in with the breeze of the ocean, side-swept bangs tangling into soft knots at his temples.

He is sure he himself is no better, likely worse—a ribbon can only do so much with the whipping winds that dance themselves through his sails—but he doesn’t bother brushing his hair from his face before approaching, grin ticking at the corners of his lips.

Romano blinks at him, hazel eyes owlish before settling into something calmer, almost bored. “Oh,” he says, “it’s you.”

Portugal smiles and tips his head. “Hello,” he replies. Always best to start with hello.

[qbicearth-moved]

heartbreak..

[storywestistrash]

i am actually so tired of the way westerners treat eastern europeans