#this one does have more but I'm rewriting the ending because it could be better (significantly worse for Jason)

[autisticrosewilson]

Spiral! Jason origin ficlet! @perseus-jackass this is the one I was talking about, part of it at least.

Characters: Bruce Wayne(?), Spiral! Joker, and little! Jason

Tags: Jason has a no good very bad time, Spiral-typical nonsense, hints of body horror at the end, blood and injury, Bruce may or may not actually be Bruce but Jason believes he is

The snow that isn’t there crunches under his boots as he follows Bruce into the land that Isn’t. Sannikov Land doesn’t exist, but it is beautiful. It’s terrifying. It’s impossible. It shifts and bends and melts and reforms. Staircases to nowhere claw themselves from the ground and doors open and close and beckon with bright colors and glimpses of hallways. 

How would a melody describe itself if asked? How does Jason describe everything he sees, everything he hears? The cold seeps into his bones, warms his marrow, generates static at his fingertips that makes his hair stand on end. He has to drag his eyes away from the neverending, shifting spirals that threaten to enclose him, and his gaze lands on the snow. It’s too bright, dull gray. It’s pale and has the opalescent sheen of an oil spill in sunlight. It shifts beneath him more like sand and pulls his boots down like soft clay. The footprints they left behind disappear, erasing the only proof that they are here, not covered by new snow but simply fading from existence. You can not tread on land that isn’t. 

The snow falls, disappears before it hits the ground, shifts colors mid-air, flickering like an idle TV. It bounces off his cheeks and curls and sends static up his spine, then the feeling settles like bursts of hot oil, like sticking his hand too close to boiling water.

Bruce tells him to keep pace, voice tight and eyes straight ahead. He doesn’t seem surprised about any of this, there is no fear, or surprise, or awe, not even the cutting, distant curiosity that usually lingers in his eyes. His face is blank and he will not look at Jason. 

Jason follows dutifully.

Jason is lost. He knows exactly where he is. The map he was given does not make sense. He follows it anyway. He thinks he’s been here a few days, maybe a week. There is no day or night in the endless hallways, his watch is different every time he looks at it. 

Had Bruce known it would be like this? Would he have asked Jason to go inside if he did? Jason would have, if Bruce had told him. He justs wants to help. He keeps following the map.

He can't tell up from down, he doesn't even remember lefts from rights but he stumbles through the disjointed halls anyway, trying to keep to the overlapping scribble of lines that wind around and through each other in a somehow boxy circle.

The laughter starts following him.

The sound will not stop. The hideous laughter keeps pace with him, distorted and sharp and ringing and blurring the edges of his vision with kaleidoscope colors. The floor shifts below him, wood slipping from beneath his feet as he’s thrown bodily on concrete, the floor-ceiling spinning around him, like he’s in a drying machine. He hates the warehouses more than the hallways, the boxes of things that sing awful, luring songs and the unbreakable windows that tease glimpses of the world outside. 

And of course, there’s the host. The thing with the long sharp fingers and the face that blurs and twists, it’s body moves like a centipede and then melts into greasy puddles before reforming into dense fog, too many mouths and they are all laughing. It does not kill him, but Jason wishes it would. He does not heal but he cannot die, the pain lingers and burns but he cannot rest, so he keeps walking, looking for the door-window-mirror that will let him go back to the never ending maze, to start the chase again.

He thinks it’s been a month now. He hasn’t slept in a while. The hunger gnaws at his gangly body as he drags it forward. He will not succumb to it. He wishes he would.

He is in a hospital, the fluorescents are too bright and the buzz is too loud and there has been no respite from the piercing laughter, an overplayed laugh track that gets more unrecognizable every minute. The smell of disinfectant makes his headache worse. He’s always hated hospitals. There’s a winding trail of red dragging through the center of the floor, dipping under the out of place doors in shakey, dissimilar lines. It would be more normal if it were blood, but it’s dry and smooth and not the right shade. He shambles through the unending halls towards the sound of cries he’ll never reach, eyes tracking the world's worst paint job and he leaves his own trail of red. 

The blood that pools behind him dries up as quickly as it hits the floor, the ground seeming to suck it in hungrily.

His socks are dampening from the moist brown carpet, his shoes having long fallen apart. He’s been walking for daysmonthsyears and he hasn’t slept for longer. He has a map, it does not make sense but he has nothing else to do but follow it. Why is he here? Where is he? He doesn’t remember anything but static in his veins and grating laughter that only got louder when his ears started bleeding. He keeps walking and the pictures on the walls change. Are they mirrors? They all show the same hallway from different angles, he is in all of them but he can’t see his face. He doesn’t remember what color his eyes are. Blue or green or purple. Can eyes be purple? It doesn’t seem…right but the thought drifts away as soon as he gets it, slipping through his fingers like snow.

Breaking up the maddening yellow wall-paper is a heavy metal door proclaiming EXIT in big red letters. It is lying. He keeps walking and ignores the scratching from the other side.

The hallway with the green striped walls has no right turns. Left after left after left and there are no doors, or mirrors, or pictures. He doesn’t know what the map is trying to tell him anymore. He starts scratching at the walls when he hears something moving on the other side. His nails are longer now. Or maybe just his fingers? They are sharp at the ends and the walls shudder when he drags his hand down through the rotted wood and plaster. There’s a scream from the other side, panicked and human. His stomach growls. He breaks through into another hallway, with tan walls and patterned brown carpet, lined on either side by rows of doors he knows are locked. He tries them all anyway. The numbers are out of order. The door at the very end of the hall has RUN etched crudely into the door instead of a room number. The handle gives when he tries it.

[deviousdiesel]

.

[muniimyg]

♡ 05: i bet we'd have really good—

series m.list // taglist

note: wowie,, thank u for 1.5k and for being so patient 💛 i’m so happy to be ending this mini fic and to have been interacting with u all :) my apologies if this ch sucks LOL i'm so sick rn but i'm tired of rewriting n writing... so enj !!! it's been so fun and i can't wait for more fics to come in 2025 !!! kisses my kitties😽💓

⏱️ this part goes thru time skips!

💭 which bed chem jk moment was ur fave?

warnings: tension/slow burn (friends first yk),, mean!jk trying to figure out how to be nicer to oc,, jk calls oc baby and kitty !!! teasing/dry humping (bc jk has glasses on. jk plays with her titties/nipples & jk cums thru his sweatpants),, jealousy (v teeny tiny),, virginity talk/actual sex; oc loses her virginity to jk (jk eats her out/fingers her, ass slapping, dirty talk, rawdogging,, missionary, doggy, blowjob/headpushing & face cumshot)

//

it’s been a week since jungkook kissed you, and he has made it your problem.

truth be told, he has made a game of this—hovering without hovering… just close enough to test the line. whatever way he plays, jungkook is always shameless in the most subtle and maddening ways.

sometimes his hand brushes yours as you walk, light and fleeting… and it’s impossible not to notice the way his fingers twitch. it’s like he’s debating whether to grab it or not.

you don’t make it any easier on yourself, either.

there’s this suffocating tension between you two and some days are better than others… like today.

“why are you so quiet?” you ask, glancing at him over your shoulder.

he tilts his head, feigning confusion. 

“why? does the silence make your heart race?”

you scoff, rolling your eyes, and that’s when he strikes—his foot nudging yours mid-step. it’s just enough to throw you off balance, making you stumble slightly, your bag slipping again.

“jungkook!”

he’s already reaching out, catching the strap before it can fall. 

“careful,” he says, his voice all mock concern, but the way his lips twitch gives him away.

you glare at him, yanking your bag out of his grip. 

“you’re the one who tripped me.”

“prove it."

"seriously?"

"if you can't prove it... you have to kiss me. you know, as compensation for accusing me so unjustly." he says, wide-eyed and innocent, though the corners of his mouth are curling into a smirk.

it’s infuriating, but it’s also... not. 

not when he’s looking at you like that, like he knows exactly how to get under your skin and is thoroughly enjoying it.

“do friends kiss?” you narrow your gaze at him. “do friends trip each other over? do friends—“

“do friends wait for each other?” jungkook leans towards you. “mhmm? do friends have ulterior motives—”

“you have ulterior motives?”

“oh, absolutely.”

friendship. 

it’s odd to say the least—the way you and jungkook have fallen into this friendship. that’s what you’ve both agreed on. 

friends. 

but the lines are blurry. 

so blurry they might as well not exist at all… because what kind of friends kiss on the cheek as casually as saying hello? what kind of friends text each other goodnight every single evening, or linger too long in conversations that could end with a simple goodbye?

the rules of your agreement feel more like suggestions—ones jungkook seems intent on bending just enough to keep you guessing. and you let him, which might be the strangest part of all.

… because deep down, you know this isn’t just friendship. not with the way he looks at you, his gaze lingering a second too long, or the way his touch always feels like a question he’s waiting for you to answer.

but maybe that’s the thing about blurry lines—they give you just enough room to pretend you don’t already know where you’re headed.

yet, even with all his teasing, there’s a hesitancy to him sometimes—a split-second pause when your hands brush, a quiet shift in his expression when he catches you looking at him. it’s like he’s still figuring out how to balance whatever this is between you, testing the waters but not wanting to dive in too fast.

and honestly?

you feel the same.

it’s why you let him get away with stuff like this. why you don’t pull away when his hand accidentally-on-purpose brushes yours for the third time in as many minutes. why you don’t tell him to stop following you to your study spot or showing up outside your class with some excuse about “just being in the area.”

because the truth is, you like having him around. 

you like the way he keeps you on your toes… even if it’s by trying to trip you up, only to catch you before you fall.

and maybe—just maybe—you like the way his smile softens sometimes when he thinks you’re not looking.

tonight, the group decides on a night out.

the street food spot everyone agreed on is already buzzing when you get there, the warm glow of string lights crisscrossing above the narrow alleyways, casting soft shadows on the busy stalls below. the air is alive with the scent of sizzling tteokbokki and freshly steamed hotteok, mingling with bursts of laughter and the occasional pop of oil from a nearby grill.

you arrive late as usual. 

by the time you weave your way through the crowd, the others have scattered, splitting up to hunt down whatever caught their eye. 

that’s when you spot him.

jungkook leans lazily against a lamppost near the edge of the main street, one hand tucked into his pocket, the other holding a stick of half-eaten odeng. the glow from the lights above reflects faintly in his dark eyes, making them look warmer than usual, though his expression stays comfortably neutral—like he’s been waiting.

but he doesn’t mind.

“you’re late,” he says as you approach, not even bothering to straighten up. his voice is low, unbothered, but there’s something teasing in the way his lips twitch into the barest hint of a smirk.

“i’m literally 5 minutes late.”

“still late.”

jungkook takes one last bite of the fish cake before tossing the stick into a nearby bin. he steps closer, casual but deliberate, and before you can come up with a snappy reply, he leans down and presses a quick kiss to your cheek.

it’s smooth—too smooth.

it’s like he’s been doing it forever.

you barely have time to register the warmth blooming in your chest before he’s grabbing your hands, shoving them unceremoniously into the front pocket of his hoodie along with his own.

“jungkook—”

“your hands looked cold,” he says simply, his tone light, like this is the most natural thing in the world.

his fingers shift slightly, brushing against yours, and though his expression stays neutral, you catch the subtle curve of his mouth—the smug kind he tries to hide but never quite manages.

you roll your eyes, more out of habit than anything else, and let out a sigh...

but you don’t pull away.

“i have gloves.”

“they're ugly."

you glare at him.

"... and you have me."

the air stills.

“what?” he asks, his shoulder bumping yours as he starts walking, steering you toward the first row of stalls.

“nothing.”

but the corner of your mouth twitches. you try to hold back your smile.

he catches it, of course. 

his grin widens, soft and slow.

jungkook nudges you again, this time with more intention. you can feel the warmth of his hand through the fabric, steady and sure, even as the cold night air bites at your skin.

you can't help but give in. a laugh escapes your lips as you nudge him back. jungkook laughs too, but pulls you close at the very last second.

he breathes you in.

the first stall serves fresh tteokbokki, steaming and spicy. the scent alone makes your stomach growl, but jungkook is already a step ahead, paying for the food before you can reach for your wallet.

“you didn’t have to do that,” you say, trying to grab a pair of chopsticks from the tray.

he beats you to it, of course, picking up a piece of tteokbokki with the kind of exaggerated precision that makes you squint at him. then, he places the chopsticks in between your fingers.

“feed me," he says.

“absolutely not."

he steps closer. 

“okay, fine. i’ll feed you—”

you shove the tteok in his mouth. 

he chews, chuckling and enjoying your choice. 

“you’re so annoying,” you tell him as he swallows.

“really? am i?”

“really. you are."

jungkook shrugs. 

then, he takes the chopsticks and picks up a tteok, and feeds you. he watches closely as you chew, his wide eyes fixed on your face in a way that makes you feel exposed.

“how annoying?”

in between chews, you fixate on his smirk. as he leans into level with you, you almost choke at how his nose nearly brushed yours. you can feel the weight of his gaze, daring you to say something.

“jungkook…” you warn, your voice flat, but your hands betray you. they reach up to cup his cheeks, and though your intention is to shove him back, you don’t.

instead, your thumbs press lightly against the soft skin of his jaw as you squint at him.

“what’s this smile?” you ask, narrowing your eyes. “what are you so excited over, bestie?”

his expression flickers for a second, his brows twitching in annoyance at the word. you know he hates it when you call him that. bestie? who are you even talking to?

“your lips look cold. can i warm them up for you?” he asks suddenly, his voice dropping low enough to send shivers down your spine.

you scoff, warmth creeping up your neck. “nice try—”

“no, no, i insist,” he interrupts, tilting his head slightly, pretending to think it over. “don't want you to be all cold and shit.”

“jungkook.” your tone is sharp, but it’s laced with amusement, and he knows it.

“what?” he murmurs, leaning in closer, his lips curving into a smirk. “you said you want to take things slow. i’ll kiss you real slow—”

your jaw drops. 

“you’re impossible.”

he stands back up with a grin, his hands still in the pocket of his hoodie, keeping yours snugly tucked inside. he rocks back on his heels, clearly pleased with himself. 

“let’s not pretend we don’t know what we know.”

“i don’t know much,” you retort, but the small smile tugging at your lips betrays you. “i’m not a nerd—”

“yah! hurry up!” taehyung’s voice booms from a stall across the street, breaking the moment. you glance over to find him waving dramatically, his other arm slung around yoongi, who looks less than thrilled. 

“we found the mandu!” taehyung adds.

“mandu sounds good,” jungkook says as he gives your hands a small squeeze. then, he gently pulls you toward the others. "let's go." 

“stop dragging me around,” you complain, though you don’t actually try to pull away.

“you’re walking too slow.”

but you aren’t. 

you know you aren’t and so does he… but you let him hold your hand anyway.

a week later, jungkook feels like he might piss himself.

he leans against the edge of his desk, scrolling through his phone for the 5th time in as many minutes. his thumb hovers over the screen, debating whether to check his messages again, even though he knows there’s no point. 

you haven’t replied yet.

the fundraiser for marine conservation is tonight, and he’s been pretending it’s no big deal... but fuck.

he was so nervous when he asked you to go with him and now he feels like all his efforts are being wasted.

...

“so, uh,” he starts, his voice a little too casual, “there’s this fundraiser gala thing on friday night. save the dolphins thing—a-and… it’s no big deal but—”

you glance at him, eyebrows raised. 

“yeah? sounds fancy.”

he shrugs, keeping his eyes fixed on the road ahead. “i guess it is. it’s a black-tie kind of event… and i, uh… i was thinking... maybe you’d want to come with me?”

you blink, caught off guard by the sudden invite. 

“i hate dolphins.”

“i know.”

you sigh, pretending to be burdened by his request. “but i’ll go. if you want me to.”

“i do want you to.”

“okay.”

“good,” he breathes, glancing over with a lopsided grin that he hopes hides how nervous he actually feels. “you’ll make me look good. people are suckers for pretty dates.”

“oh, so you’re using me as a prop?” you tease, though your lips twitch into a smirk.

“obviously,” he replies smoothly, though his grip on the wheel tightens slightly. “but, hey, it’s a dinner, you get to see my in a tux which is practically dessert—.”

you shake your head, laughing softly. 

“you’re ridiculous.”

“so ridiculous that this can count as our first date?” he presses, glancing over again, this time with a flicker of uncertainty he hopes you don’t catch.

after a beat, you sigh dramatically, turning in your seat to face him. 

“it’s a date.”

just as he’s about to make another comment, you lean over and press a quick kiss to his cheek, catching him completely off guard. his hands freeze on the wheel for half a second before he recovers.

“you missed—”

you laugh and hit his chest. then, he gets out of the car, helps you out, and walks you to your doorstep. 

...

now, as he sits alone in his room, the anticipation bubbling just under his skin, his phone buzzes on the counter. his heart skips for a moment before he grabs it, only to feel it sink as he reads your message.

yn [4:31PM]: nurse said it’s food poisoning  yn [4:32PM]: she gave me some meds to help but i literally feel like shit  yn [4:33PM]: i don’t think i’ll be able to make it tonight, baby :( i’m so sorry nerd [4:34PM]: don’t apologize. i’ll be over in a bit yn [4:35PM]: what ?? no !! get ready for your event. it’s important nerd [4:35PM]: so are u yn [4:36PM]: i’ll survive. go save the dolphins :p

his brows knit together as he reads it again, leaning back into the couch with a frustrated sigh.

he knows he shouldn’t feel disappointed—you can’t control being sick, and it’s not like this event means anything special. 

at least, that’s what he’s been telling himself.

still, he stares at the message for a long moment, debating whether to reply right away or wait a few minutes so he doesn’t seem too eager. his fingers hover over the keyboard before he finally types out a response, keeping it short and light, like he’s unbothered.

nerd [4:40PM]: get some rest. i’ll be telling everyone you ditched me tho  yn [4:41PM]: be sure to let the dolphins know too 🙂

he lets out a chuckle, but the weight in his chest doesn’t go away. 

he tosses his phone onto the coffee table and rakes a hand through his hair, wondering why the idea of showing up without you feels so much worse than he’d expected.

then, his phone buzzes with messages from the fundraiser committee. 

yet, he can only think of you… it’s a sinking feeling in his chest. 

you’re sick. 

the thought of going to that event while you’re home feeling miserable doesn’t sit right with him.

he sighs, grabbing his hoodie and pulling it over his head. he knows this is unprofessional and such an pussy excuse but—forget the event. 

it’s you that matters to him the most right now. 

so, jungkook calls his event and lets them know that something came up. he tosses aside his tux and puts on comfier clothes before heading to the kitchen to make you some chicken noodle soup.

before he heads out, jungkook hears a familiar groan from the living room. he turns, already annoyed, knowing exactly who it is.

jimin and taehyung are stretched out on the couch, looking like they’ve been hit by a truck. 

their faces are pale, eyes glassy with fever, and they groan as they shift under the blanket. it’s obvious they’re just as sick as you, if not worse.

“yo, jungkook,” taehyung calls out, voice nasally, “did you make soup? be a good boy and give us some—” 

jimin, equally pitiful, sits up a little and gives jungkook a pleading look. “yeah, we’re starving, man. plus, you’re not gonna leave us to die alone, right?”

jungkook raises an eyebrow, crossing his arms over his chest. 

“you won’t die from starvation.”

“how are you so sure?”

“cos i’ll kill you first,” jungkook snorts. “you guys got my girl sick with that stupid omelet you made her.”

the two of them groan in response, sitting up slowly. taehyung rubs his face with his hand. “we didn’t mean to! bro, look at us. you think we wanted this? we’re sick, too, you know.”

“yeah,” jimin adds, “there’s two friends sick here for you to take care of.”

jungkook just looks at them, his gaze hard. 

“who do you think i’m gonna choose right now?”

jimin squints, looking him up and down. “don’t you have that gala tonight?”

jungkook hesitates for a split second, but quickly shakes his head, giving them a dismissive wave. 

“it got canceled.” he lies. 

then, he turns away to head out the door. before he leaves he yells; “i’ll text yoongi hyung to make you some soup. don’t bother me. not coming home tonight.”

about 25 minutes later, jungkook stands in front of your doorway and his gaze falls on you as you open the door.

you're wearing his oversized t-shirt, hair up in a messy bun, and a pair of shorts—looking exhausted and a little pale. his stomach churns with worry, but he keeps his cool as always.

"what are you doing here? the gala..." you trail off, but before he can answer, you quickly turn and rush to the bathroom.

"shit," he mutters under his breath, following you at a steady pace.

when he enters the bathroom, you're already kneeling over the toilet, retching. his heart drops, but he doesn’t flinch. moving to your side, he gently pats your back.

“it was this bad?” he grumbles, a frown pulling at his lips. “why were you downplaying it through text?”

you wipe your mouth with the back of your hand, barely acknowledging him.

“i’m fine, seriously. just... just a little nausea.”

“fuck, ___..” he snaps, but his voice isn’t angry, more like exasperated. "this is stupid. you can’t be alone if you can’t even handle standing up to get the door without throwing up. are you fucking serious?." his eyes are narrowing now, the concern clear despite his snappy tone. “what the hell, ___?"

you sit back on the floor, leaning against the wall, your face pale. 

“i already bailed on the date. i couldn’t let you bail on the gala entirely.”

he shoots you a look, incredulous. 

“you think I’d rather be at a gala without you? honestly?”

“i just—"

“shut up,” he interrupts, his voice softer but firm. "you need someone. i’m here. deal with it."

there’s no room for argument in his voice.

you give him a tired smile despite the situation, wiping your mouth with the back of your hand. 

“you shouldn’t be here, though.”

“say that again.”

your lips tighten.

then, you gag and rush back to the toilet bowl. jungkook remains by your side, rubbing your back as you deal with another wave of nausea.

the moment is quiet except for the soft sounds of you breathing in between. for a second, it almost feels like everything has stopped, like it’s just the two of you in your small bathroom, nothing else in the world mattering.

after 40 minutes of hovering over the toilet, jungkook gets you settled on the couch.

he brings you water and asks if you’re down for some food. he brought over chicken noodle soup and you need to have something in your stomach before taking your medicine. you simply agree and wait for him to serve you. 

as you eat the soup, he scrolls through netflix and plays something. he talks for most of it and it helps distract you from feeling the full extent of your sickness. after you’ve eaten some of the soup he brought, you ask him to grab the medicine from your bag. 

“can you grab the other medicine bottle from my bag? the one the nurse gave me?”

jungkook, of course, doesn’t hesitate. 

he gets up and finds your bag in your bedroom. he pulls open your bag and begins rummaging through it, looking for the bottle. when his hand brushes against something thick and solid, he pulls out a book titled, “everything you need to know about dolphins a to z.”

his eyebrows furrow for a second as he stares down at it.

he doesn’t know why, but a strange warmth spreads through him. it’s pretty obvious why you have this book—but seeing it in your bag... it makes him pause.

his lips tighten slightly as he puts the book back down in your bag, quickly hiding his reaction. he doesn’t want you to see how much it’s affecting him right now.

when he returns with the medicine, his expression’s back to its usual, nonchalant self. as much as jungkook wants to pretend like he didn’t see it or that seeing it didn’t matter—he can’t. 

to him, it mattered. 

it mattered a lot.

a few days later, you’re sitting across from jungkook in the library. 

the late afternoon sun streaming through the tall windows and casting a golden glow over the table. textbooks and notebooks are scattered between you, his handwriting messier than yours but still oddly charming. you’re mid-sentence, asking him about his opinion on a the newest theory you learned during your lecture when he suddenly tugs off his crewneck, revealing the black t-shirt clinging to his frame underneath.

it’s warm in the library, the kind of cozy heat that sneaks up on you, and he doesn’t think twice about it. 

but you do.

“woah—” you blurt out, your question forgotten as your gaze catches on his arms. you've seen his tattoos before but for some reason... they look different to you now.

they appeal different to you.

jungkook looks up from his notes, brows raised.

“what?”

you blink, trying to refocus, but your eyes betray you, flickering back to the ink winding its way down his arm. 

“your tattoos,” you say, almost dazed. “they’re... really hot.”

“think so?”

“yeah,” you admit. “gets me horny. ”

you then feel the warmth crawl up your neck as the words leave your mouth. you quickly look back down at your notes, hoping the earth might just swallow you whole.

jungkook freezes for a moment, the tips of his ears turning the faintest shade of pink. then he shakes his head, a small, lopsided smile tugging at his lips. it’s not his usual confident grin—it’s softer, like he’s caught off guard but not in a bad way.

he doesn’t say anything, just ducks his head slightly, the corners of his mouth twitching like he’s trying to hold back a laugh.

you try to ignore the way he shifts in his seat, casually stretching his arms behind his head like he’s showing off—not that he’d ever admit it...

for the next two weeks, jungkook suddenly seems allergic to long sleeves. 

he starts showing up in short-sleeved t-shirts, rolling his sleeves higher than necessary when he wears his uniform jacket, and leaning in just a little closer when he knows your gaze will drift.

“you’re shameless,” you mumble one day, catching him flexing—not subtly—while reaching for a book on the top shelf.

“what?” he asks innocently, glancing down at you with those wide eyes that don’t match the smirk tugging at his lips.

you roll your eyes, biting back a grin.

“you’re annoying.”

“why? are you horny?” he says, his voice low enough to make you want to shove him.

you don’t answer, but the way you avoid his gaze—and the small smile tugging at your lips—says enough. he notices, of course, because he always does.

after a few moments of silence, you huff at him.

"is everything you say always so... dirty?"

he shrugs.

"you brought up being horny first..."

"yeah, but—"

"you think i'm dirty?" jungkook interrupts you. "should i shower?"

you scoff at him. before you can say anything, he adds;

"you’d join me though, right?"

a month later, jungkook does it again. 

you find yourself standing in the middle of your apartment—he shows up.

your phone is clutched tightly in your hand as you try to blink away the tears threatening to spill. the call you just had—a frustrating, heart-wrenching argument with your family—leaves you feeling raw and small. the weight of their words presses heavily on your chest, and all you can do is stare blankly at the mess of papers scattered on your desk.

a sharp knock on your door pulls you out of your thoughts. you freeze, wiping at your cheeks hastily, but the door creaks open before you can say anything.

"is that my hoodie?"

"jungkook—"

“you haven't been answering my texts all day,” jungkook says, stepping in without waiting for an invitation. he’s holding a bag of takeout.

"everything okay?"

“i’m fine,” you say, your voice shaky despite your best efforts to sound convincing.

he narrows his eyes at you, placing the takeout and hoodie on your coffee table before crossing his arms.

“yeah, no.”

you try to argue, but he’s already moving, shrugging off his jacket and plopping onto the couch like he owns the place.

“whatever it is, you don’t have to talk about it right now,” he says, pulling out containers of food. “but you do have to eat. and i’m not leaving until you do.”

your throat tightens at his matter-of-fact tone, his presence somehow both comforting and overwhelming. he doesn’t pry, doesn’t demand to know what happened.

“you didn’t have to come,” you murmur, sinking onto the couch beside him.

“yeah, i did,” he replies, handing you a pair of chopsticks. “and don’t even think about pretending you’re not hungry.”

a small, shaky laugh escapes you, the tension in your chest loosening just a little.

“you’re so annoying.”

“friends are supposed to annoy each other. learned that shit from you.”

jungkook’s door swings open with a suddenness that startles him. 

the faint squeak of the hinges cuts through the quiet. he’s mid-motion, towel slung around his neck, tugging a loose white shirt over his head when you stroll in without so much as a knock. he’s also wearing grey sweatpants… 

wet hair, white shirt, and grey sweats? 

the holy trinity.

“you know,” he begins to scold you. “boundaries exist for a reason.”

he shakes his damp hair as you plop onto his bed like it’s yours.

“boundaries?” you scoff, grabbing your plushie. your precious hello kitty plushie. “this is practically my second home.”

he doesn’t argue, just lets out a quiet chuckle as he pulls the hem of his shirt down. 

holding up the plushie like it’s the most precious thing you’ve ever seen. “can i take her home today?”

“sure,” jungkook says, his voice carrying that infuriating mix of teasing confidence and barely veiled challenge. he leans against his desk, arms crossed, watching with a smirk as you clutch the hello kitty plushie tightly to your chest, as if it’s your only lifeline against his charm. 

“can i be your boyfriend today?”

you groan, throwing yourself back onto his bed with a dramatic sigh, the plushie landing on your face. 

“seriously? you’re really holding this poor plushie hostage?”

he laughs, low and amused, pushing off the desk and taking a few steps closer. 

“a deal’s a deal,” he says lightly, but there’s a glint in his eyes as he towers over you. “you can take her home—when you’re my girl.”

you yank the plushie off your face, sitting up sharply. 

“do you think we’re better friends?” you huff, your tone indignant but your heart racing under the weight of his gaze. 

jungkook crouches slightly, leaning in until his face is just a few inches from yours. his smirk softens into something more playful, but the shift in proximity makes your stomach flip. 

“i think so…” he murmurs, his eyes flickering between your face and the plushie pressed against your chest. “aside from me trying to kiss you every chance i get and you being horny every time you see my tattoos—”

you narrow your eyes at him, holding the plushie tighter, as if it’s a shield against the way he’s looking at you. 

“you’re unbelievable.”

“and yet,” he starts, his voice dropping an octave as he moves even closer, one hand bracing on the bed beside your knee, the other reaching out to gently brush his fingers over the plushie’s soft fabric. “here you are.”

his free hand slides around your waist, tugging you just slightly toward him, and your breath hitches. “but if you don’t want her…” he teases, his voice trailing off as his face inches closer to yours. his gaze dips briefly to your lips, and before you can fully process it, he’s leaning in to press a kiss to your cheek.

except you shove hello kitty between you two just in time.

“nope!” you say quickly, holding the plushie up like a barrier, your cheeks flaming as you hear him laugh, the sound vibrating through the air between you.

“seriously?” he says, pulling back just enough to raise an eyebrow, though his grin never falters. his hand stays firm at your waist, his thumb brushing the fabric of your shirt in slow, lazy circles. “you’re really using her to block me?”

“you started it,” you shoot back, glaring at him even as your grip on the plushie tightens.

“fair,” he admits with a chuckle, straightening up slightly but keeping his hold on you. his other hand moves to tap the plushie’s head. “but the deal still stands. not my girlfriend, not your hello kitty.”

“you’re ridiculous.”

he tilts his head, his grin softening, though his hand still lingers at your waist, his warmth impossible to ignore. 

“i don’t know,” he says, his voice quieter now, almost coaxing. “sounds like a pretty good deal to me.”

you glare at him again, this time with less heat, and shove the plushie into his chest.

“you’re insufferable.”

he laughs, taking the plushie from your hands but not letting you go.

“maybe,” he says, “but you’re still here.”

hours later, the room is quiet except for the soft scratch of jungkook’s pen against paper and the occasional shuffle of his chair as he shifts at his desk. you’re curled up on his bed, the hello kitty plushie still clutched against your chest, your breaths slow and steady as sleep overtakes you.

he glances back at you every now and then, a small, unspoken fondness softening his features. when you stir, rubbing your eyes and sitting up, he turns back to his notes, feigning nonchalance.

you pad over to him, your steps muffled against the carpet. without a word, you slip onto his lap, one arm draping lazily over his shoulders as you pluck his glasses from his face.

“good nap?” he asks, his voice a mix of amusement and exasperation as you slide the frames onto your own nose. “those—”

squinting dramatically, you nag him; “ugh, how do you even function with these? everything’s blurry.”

“that’s because they’re prescription, genius,” he says, reaching for them, but you lean back, keeping them out of his reach.

“maybe i’ll keep these,” you tease, poking at the side of his head. “you can’t study without them, can you?”

“give them back, or i’m kicking you off my lap,” he warns, though his hands settle firmly on your waist instead of following through on his threat.

“yeah, sure... because you hate this so much.”

“try me,” he challenges, his grip tightening just slightly as if to prove his point.

“you’re so bossy,” you grumble, sliding the glasses off and placing them haphazardly on his desk. “happy now?”

“ecstatic,” he says dryly, though his lips twitch upward.

you lean closer, your face just inches from his, your playful smirk softening into something quieter, more genuine. 

“you know, you’re really cute when you’re all serious, studious, and grumpy.”

“and you’re kind of annoying when you don’t let me finish studying,” he shoots back, though there’s no real bite to his words.

“fine, fine,” you say, preparing to climb off his lap with exaggerated dramatics. “go be a nerd. i’ll be over there cuddling hello kitty—”

“i could use a 5 minute break.”

you fix your posture, perking up. 

“really?” you tilt your head at him. “i mean… i’d hate to distract you.”

“really?” he mocks you. “you’re sitting on my lap and moving your hips and yet—you’d hate to distract me, huh?”

you nod innocently. then, you shrug and confess;

“i’m bored.”

“what do you want me to do about that? this final is really important—f-fuck. ___, don’t move like that.”

you shift again. 

“like what?”

“you know what you’re—”

“what am i doing?” you ask, leaning your body closer to his. you caress his face and pout at him. “is 5 minutes even considered a break? don’t you need more time?”

“more time for what?” jungkook lowers his gaze at you. 

“i don’t know,” you giggle. “what do you wanna do?”

jungkook can’t take it. 

playing cat and dog or whatever this bullshit is. 

you’re on top of him, prettier than ever. you’re wearing a low-cut tank top with a fucking bow in the middle… and he can’t breathe anything in except you. what is he supposed to do right now? 

“___… if you don’t get off me—”

“if i don’t get off you… what?”

you smile at him softly. shifting again, you drag your hips towards him. his eyes widen. 

“i might cum.”

you pout. “really?”

jungkook swallows. 

“keep moving your hips like that and you’ll find out soon.”

“oh…”

a beat. 

“like this?”

before he knows it, you’re humping him. 

he grunts as he feels himself harden under you. you bite your bottom lip as you drag your hips back and forth. you feel the pressure against your clit as your clothes rub together. 

jungkook hisses at your pace. 

“f-fuck..”

as he bucks his lips, he places his hands on your waist, helping your movement. you let out a few breathy moans and jungkook feels like he could die. 

you’re so pretty. 

his hands tighten around you when he senses that you’re close. 

“am i doing this right? it feels—feels g-good.”

“yeah? feels good, baby?” jungkook breathes.

“mhmm…”

“do you feel my dick?” he asks. “feel how hard it is against your fucking pussy?”

“i do,” you moan. “so big, jungkook. can i take it soon?”

he hisses. 

“promise me,” you whine. “promise me that you’ll fuck me soon.”

jungkook’s breath hitches. 

he was wrong. 

that time he ran his mouth about your virginity being too much or a burden or something—fuck was he wrong. 

it’s not a burden.

it’s the greatest privilege he could ever be given… now to have you like this? begging like that? holy shit is he more than ready to give you anything and everything you want. 

“promise, baby,” he says. “promise it’s gonna be me.”

you nod, happy with his answer. 

and just as you’re about to continue, you take his hands to your tits. first, he squeezes them… then you guide them to the strap of your tank top. taking the cue, jungkook tugs your straps down, revealing your bare tits. 

“___…” he moans. “shit.”

you bring his hands to your tits again, helping him cup them. as you hump him with more intensity, jungkook’s mouth parts. your tits bounce up and down and it sends shivers down his spine. your tits are so full in his hands and so fucking perfect up close. he loves all of it—the shape, the size, the way it feels… so soft. he’s always been an ass type of guy but holy shit—your tits are a game changer for him. 

nevertheless, he tries to focuses on you. 

“bouncy.”

“yeah?” you pant. “you like them?”

jungkook nods pathetically. 

he fights shutting his eyes. he wants to remember all of this. every detail. 

how hard he is right now. how hard your nipples are and how they feel being played in between his fingers. he runs his thumb around them, pressing, squeezing, and tugging… he loves how your moans sound—like they’re music to his ears… he can’t… he can’t picture anything else. he can’t hear anything else. he can’t breathe anything in but you.

“jungkook…” you cry, feeling yourself about to climax.

“s-shit,” he hisses as you begin to whimper. 

the humping is great. 

amazing in fact—but the way you’re whimpering right now? 

fuck.

“jungkook,” you breathe, trying to catch your breath. “a-are you close? mhmmm… f-fuck!” 

you hump him faster and harder. he lets out a few moans before sharply inhaling—

“o-ohh,” jungkook moans. “nghhhh… fuck.”

you grind on him slowly, easing his release. his crotch area is wet, making an obvious stain on his grey sweatpants.

he throws his head back. you lean over and kiss his neck. he bites his lip, attempting to hide his smile. 

a silence fills the room. 

you two are in total disbelief. 

then, you shift and he places his hands on your waist again. 

“did you cum?” 

he lets out a chuckle. “yeah. did you?”

“i think so? i don’t know.”

“sorry,” he sighs, a little disappointed you didn’t get to finish. “do you wanna—”

“it’s fine that i didn’t come. i had fun…”

jungkook shakes his head. “no, it’s okay. i can—”

“can i see?”

jungkook blinks at you. 

“what?”

“you came right?”

“yeah—”

“can i see what your cum looks like?”

some days with jungkook are so easy, it’s almost laughable.

the dynamic feels less like a friendship and more like a game you’re both playing—teasing, flirting, seeing how far you can push before one of you finally gives in.

but then there are days like this.

it’s been 3 month and a half since the kiss, and the comfort between you has grown in a way that makes everything feel light, almost effortless. you’re more yourself around him, and he’s let down his walls in ways you didn’t even realize were there. 

still, sometimes, you push his buttons just a little too hard.

today is one of those days.

it starts with a series of texts.

your usual banter that, for whatever reason, strikes a nerve.

maybe he’s stressed, or maybe you’re just too good at knowing exactly how to get under his skin. either way, it doesn’t take long before his responses turn clipped, each word laced with an irritation you’re not used to seeing from him.

yn [1:41PM]: C₄₃H₆₆N₁₂O₁₂S₂ nerd [1:48PM]: 😳 yn [1:50PM]: am i speaking ur language  nerd [1:53PM]: fluently, yes yn [1:54PM]: cool. dohwan taught me it  yn [1:55PM]: what does it mean nerd [1:59PM]: not funny. yn [2:00PM]: why am i laughing then seen yn [2:01PM]: aw don’t get all mad nerd [2:08PM]: not mad. jus uninterested in this topic. yn [2:10PM]: i’m sorry seen yn [2:14PM]: sorry :(  yn [2:15PM]: jungkook !!! yn [2:16PM]: wanna make out? typing… nerd [2:21PM]: yes

you don’t mean for it to escalate, but by the time you realize he’s genuinely annoyed, it’s too late to fix it over text. you bite your lip, staring at your phone, debating your next move.

and then, because you’re you, you grab your bag and head straight for his lab.

jungkook’s reputation precedes him on campus.

professors practically gloat about having him in their classes, like his achievements are trophies they get to display. it isn’t just his grades or his research—it’s the way he carries himself. sure, he's a little antisocial but he's focused, driven, and somehow still effortlessly cool.

you always knew he was smart, but seeing him in his element, tucked away in the chemistry lab during his solo hours, is something else entirely.

the lab is a world of its own.

notes scrawled in sharp, precise handwriting cover the workspace, surrounded by neatly labeled vials, bubbling solutions, and meticulous arrangements of equipment.

jungkook stands at the center of it all, wearing a crisp lab coat with the sleeves rolled up just enough to reveal the ink decorating his forearms. protective goggles perch on his nose, and his brows furrow as he scribbles something into a notebook. he’s intimidatingly focused, and for a moment, you hesitate in the doorway.

he notices the movement immediately, his sharp eyes snapping up to meet yours. for a beat, his expression doesn’t change, and your stomach churns with nerves under his scrutinizing gaze.

“what are you doing here?”

“i, uh…” you shift awkwardly, trying to find your footing under his intense stare. “i wanted to check on you. you seemed upset earlier.”

jungkook exhales, a hand dragging through his dark hair, slightly disheveling the strands sticking out under the goggles. his posture stiffens slightly before he stands straighter, folding his arms across his chest. 

“i’m fine,” he says, the words clipped and automatic, like he’s said them a hundred times before.

he doesn’t look at you again after that, instead turning back to the dense notebook in front of him. his pen taps against the edge of the table, a sharp, rhythmic sound that fills the silence between you.

you glance around, taking in the scrawled notes and bubbling glassware, and suddenly, you feel like an intruder.

this isn’t just a workspace; it’s his domain, and you’re a trespasser.

“right,” you whisper. “sorry. i just—”

your words catch as his head snaps up again, this time really looking at you. his dark eyes flick to the way you stand there, hands shoved deep into your jacket pockets, shoulders hunched slightly, and chewing the inside of your cheek.

the tension in his jaw softens, and he exhales again, but this time, it’s quieter, almost resigned. his shoulders relax as he sets the pen down, giving you his full attention now.

“do you want a tour?” he asks, his voice losing some of its earlier sharpness.

you blink at him, caught off guard. 

“really?”

he shrugs, a small, almost reluctant smirk tugging at the corners of his lips.

“yeah. just… don’t touch anything.”

you hesitate, unsure if this is a genuine offer or just him humoring you. but the way his gaze lingers—softer now, like he’s extending an olive branch—makes you take a small step forward.

“you’re sure?” you ask cautiously, your weight shifting between your feet.

“wouldn’t have offered if i wasn’t,” he says, already turning to gather a few items from the cluttered table.

his words are casual, but there’s something unspoken in the way he says them. it’s as if he’s acknowledging your effort without outright saying it, inviting you into a space you know he doesn’t share lightly.

“okay,” you say softly, stepping closer as he gestures to the setup in front of him.

jungkook guides you through the lab, his hand casually finding its way to the small of your back as he gestures to the next setup. the touch is subtle but grounding, the heat of his palm against your waist sending a quick flutter of awareness through you. his fingers rest there, steady, as he moves you along with a quiet confidence, his focus more on the equipment than the way your heart picks up its pace.

“this is my catalytic synthesis project,” he starts, motioning to the crowded workspace. his tone is calmer now, almost instructional as if falling into the rhythm of explaining makes it easier to let his guard down.

as he starts detailing his work, his body language shifts. his shoulders loosen, and the furrow in his brow disappears as he picks up a flask of pale yellow liquid. his hand moves with precise confidence, holding it up to the light as if to showcase his work.

“what does that even mean?” you ask, leaning in closer to inspect the array of equipment.

“it’s about creating biodiesel,” he explains, holding up a sheet of paper covered in equations and diagrams. “basically, i’m optimizing the reaction process to make it more efficient. fewer byproducts, higher yield.”

you blink, squinting at the equations like they might magically make sense. 

“that’s cool… i think. but how do you even do that?”

he chuckles, the sound low and surprisingly soft. 

“this,” he says, holding the flask again. “this is the feedstock. it’s like the base oil we start with. i mix it with methanol and a catalyst—”

“wait,” you interrupt, raising a hand. “what’s a catalyst?”

his lips twitch into a small grin, clearly amused by your cluelessness. 

“a catalyst is a substance that speeds up a chemical reaction without being consumed in the process.”

you nod as if you understand, but the tilt of your head gives you away.

jungkook sets the flask down and leans a hip against the table, crossing his arms loosely. “okay, think of it like this. imagine you’re cooking something. the catalyst is like the pan—it doesn’t get eaten, but it helps everything cook faster.”

“ohhh,” you say, the metaphor finally clicking. “why didn’t you just say that from the start?”

he raises an eyebrow, biting back a grin. “because i thought you were smart enough to keep up.”

“wow,” you deadpan, crossing your arms. “i come here to check on you, and this is the thanks i get?”

he shakes his head, a quiet laugh escaping him as he nudges your shoulder lightly with his. “first of all, you annoyed me. second of all, you’re the one who wanted a tour. i’m just giving you the full experience.”

“oh, sorry—” you let out a shallow laugh. “should i leave then—”

jungkook shakes his head and points to another setup—a small beaker bubbling over a hot plate. 

“look! this is the reaction in progress. that bubbling? that’s the methanol reacting with the oil. and over there,” he gestures to a series of tubes and a larger flask, “that’s where i separate the biodiesel from the glycerol. basically, the good stuff from the leftovers.”

you narrow your eyes at the apparatus. “this still sounds like you’re making moonshine.”

jungkook snorts, shaking his head. “i’m not making moonshine.”

“sure,” you mutter, your lips curving into a teasing smile. “that’s what someone making moonshine would say.”

he rolls his eyes, but the faint smile pulling at his lips betrays him. 

“you’re really annoying today.”

“you like me, though,” you shoot back, leaning against the table with newfound confidence.

jungkook pauses, his gaze lingering on you for just a moment too long. his lips part, and you catch a flicker of something in his expression—something softer, almost vulnerable.

“yeah,” he says quietly, almost under his breath, before turning back to his work. “i guess i do.”

as you lean over a neighboring table to inspect a beaker filled with an ominous-looking solution, your elbow bumps against it, sending it teetering dangerously close to the edge. the moment stretches out, everything moving in slow motion.

his words catch you off guard.

what did he just say?

holy—

“shit!” you yelp, reaching out instinctively to steady it. but before you can, the beaker tips over completely, the sulfuric acid inside spilling onto the floor—and dangerously close to your feet.

jungkook moves faster than you expect, his hand darting out to grab your arm as he yanks you backward with enough force to make you stumble into his chest. the acid splashes onto his hand as it hits the ground, and the sharp crack of shattering glass fills the room.

he flinches, a quiet hiss slipping through his teeth as he pulls his hand back.

“oh my god, jungkook!” you gasp, panic knotting your stomach. his hand lingers briefly on your arm before he steps away, already moving toward the nearest sink.

“stay there,” he orders, his voice clipped but steady, as he flips on the cold water and thrusts his hand under the stream.

your eyes are locked on his injured hand, where faint discoloration is already starting to show.

“are you okay? does it hurt?” you ask, your voice shaky.

“it’s fine,” he says tightly, jaw clenched as the water rushes over his skin. “are you okay? nothing got on you, right?”

you take a step closer, your gaze flicking between his face and his hand. he looks calm—too calm—but the way his lips press into a thin line tells you otherwise.

“no. nothing got on me… jungkook,” you say softly, guilt and worry twisting in your chest. “i’m so sorry. i didn’t mean to—”

“don’t,” he cuts you off, shaking his head as he grabs a paper towel to dry his hand. his voice isn’t harsh, but there’s an edge to it, like he’s holding something back. “this is why i don’t give tours.”

you wince, the weight of his words making you shrink slightly. “i—i’ll make it up to you,” you blurt, your voice desperate to fix this. “whatever you want.”

he glances at you then, finally letting out a soft, exasperated laugh. his expression softens, the corners of his lips twitching into a faint smirk. 

“you’re giving me that much power?”

“jungkook,” you warn, narrowing your eyes, but your voice wavers. you’re still too focused on his hand, your own tightening into fists at your sides. “this is serious. do you want to go to nurse or hospital or something—”

“relax baby,” he says, his tone lighter now as he flexes his fingers experimentally. “it’s not that bad. really. it was just sulfuric acid.”

“acid—”

“stop,” jungkook sighs. “seriously. it’s okay.”

“you shouldn’t have done that though,” you say, your voice barely above a whisper. 

he shakes his head, smiling faintly—half amused, half surprised by your concern. 

“what, and let you burn yourself instead?”

a beat.

"i'm dating a klutz," he chuckles, the words slipping out so naturally it takes you both a second to realize what he’s just said. his eyes widen slightly, but instead of backpedaling, "guess i should get used to you fucking my shit up, right?"

your chest tightens.

dating?

jungkook clears his throat. 

“don't over think it," jungkook grumbles.

"jungkook—"

he doesn’t let you finish, his jaw tightening.

“___, what are you doing here if you don’t think we’re dating?”

“what does that even mean?” you fire back, crossing your arms defensively. “you can’t just say shit like that and expect me not to overthink it.”

“then maybe don’t think so much,” he mutters under his breath. "you're good at that anyway."

“don’t think?!” you huff incredulously, stepping closer. “jungkook, you’re impossible.”

he glares at you, setting down the equipment with a loud clink. “and you’re confusing. ___, you’re acting like—”

“acting like what?”

“like you don’t want this.”

the tension doesn’t ease as you both leave the lab. 

he grabs his bag, muttering something about not wanting to talk here, and before you can argue, he’s already halfway down the corridor. you jog to keep up with his long strides, half-annoyed, half-confused, as he leads you across campus.

the walk is silent, save for the occasional rustle of leaves or the faint chatter of students in the distance. his jaw is tight, his shoulders stiff, and you can tell he’s barely holding himself together.

“jungkook...” you try, your voice softer this time, but he doesn’t respond, doesn’t even glance back.

by the time you reach his place, your confusion has morphed into frustration. 

he unlocks the door without a word, stepping inside and leaving it open for you to follow.

you hesitate for a moment, then step in, the familiar scent of his space wrapping around you. before you can say anything, he drops his bag on the floor and turns to you, his expression unreadable.

“sit,” he orders, pointing to his bed.

your brows knit together.

“i’m not a dog,” you snap, but the weight in his tone makes you obey anyway. you sit at the edge of his bed, crossing your arms and glaring up at him.

he exhales sharply, running a hand through his already messy hair. his pacing starts then, a restless back-and-forth motion across the small room. the air feels heavy, thick with unspoken words and the lingering tension from earlier.

“okay,” he starts, his voice low and strained. “let’s just… get this out in the open.”

you raise a brow, waiting for him to elaborate, but he doesn’t. instead, he keeps pacing, his hand dragging down his face as if he’s trying to physically pull the words out of himself.

“get what out in the open?” you prod, your frustration bubbling to the surface. “jungkook, what’s your deal? one second you’re fine, and the next—”

“fine?” he cuts you off, his tone sharper now. he stops pacing to face you, his hands planted on his hips. “you think i’m fine?”

you blink, taken aback.

“well, no, obviously not. but you’re also not making any sense—”

“you want to talk about making sense?” he scoffs, a bitter laugh escaping him. “you’re the one who’s impossible, you know that? one minute you’re here, acting like we’re—like this is something, and the next you’re…”

“the next i’m what?” you challenge, standing now. “go ahead, say it.”

jungkook looks at your sternly. then, he gives you his heart.

“i can’t keep doing this, ___. i need to know—are you in or are you out? because i get the whole wanting to make me miserable part. i get it. i’ve been awful to you. i’ve put words in your mouth and i’ve said shit that i can’t take back… but i’m trying. it feels like you aren’t.”

the weight of his words crashes over you, leaving you rooted in place. you want to respond, to say something, but the lump in your throat won’t budge.

he steps closer, his eyes searching yours.

“just… tell me what you want. because if you don’t want me, i need to know now.”

the silence stretches between you, thick and suffocating. you feel his gaze burning into you, his desperation palpable.

“i don’t know how to have you,” you say, your voice breaking slightly.

his shoulders drop, and for the first time since this started, he looks less angry and more… hurt.

“what do you mean?” he asks, his tone gentler now.

“i don’t know,” you breathe. “i’ve never… gone this far. guys give up after the chase… you’re… you’re still here. what happens now? sex?”

he shrugs. "is that all you want?"

"no."

"then no."

silence.

“___, i'm here. i've come this far and i want to go further. sex or not—whatever,” he says, taking another step closer, his hand reaching out to lightly brush against your arm. “is that what scares you?”

you nod.

“am i… am i supposed to just—” your chest tightens, and the room feels too small, too charged. his words hang in the air, and you know there’s no going back after this. “i don’t know—”

“why are you here, ___?”

“you asked me that already.” you retort.

“yeah, and you didn’t answer,” he shoots back.

you sigh, exasperated. “i’m here because—i don’t know… you’re my friend, okay? or whatever.”

his laugh is sharp and humorless. “friend. right.”

“what’s that supposed to mean?”

“it means i don’t want to be your friend,” he says plainly, his eyes burning into yours. “i haven’t wanted that for a while now.”

your breath catches. “jungkook—”

he steps closer, and for a moment, you think he might kiss you. but he stops just short, his voice low and rough. 

“i want you to stop pretending like there’s nothing here. i want you to stop running every time i get close.”

you open your mouth to argue, but the words catch in your throat.

“again, if you don’t want this—me—then tell me,” he continues, his voice softening. “but don’t keep showing up, acting like i don’t drive you as crazy as you drive me. don’t… please, don’t make me feel stupid.”

the room feels too small, the air too thick.

jungkook’s hand lingers on your arm, his touch grounding even as your heart races wildly. his dark eyes search yours, flickering with emotions you can’t fully decipher—hurt, hope, frustration.

“you don’t have to know everything right now,” he says softly, his voice carrying a steadiness that contrasts with the storm raging between you. “i’m not asking for perfect, ___. i’m not even asking for easy. i just…” he exhales shakily, the vulnerability in his tone cutting through your defenses. “i just need to know you’re willing to try.”

your throat tightens, his words hitting you in a place you’ve tried so hard to ignore. the thought of trying—of letting yourself fall completely, with no safety net—terrifies you. but the thought of him walking away? it’s unbearable.

“i want you,” you whisper, the fear laced in your voice so raw it feels like you’ve just exposed every guarded corner of yourself. “i want you, jungkook.”

his fingers trail down your arm, stopping just above your wrist. 

“say it again,” he says, his tone almost exasperated, but not unkind. “please?”

you bite your lip, the weight of his words pressing down on you. everything about this moment feels pivotal, like a single word could either shatter or rebuild everything between you.

“i want you, jungkook,” you admit, your voice trembling but resolute. “i… i want us.”

his expression softens, relief washing over his features like a tidal wave.

“good,” he murmurs, stepping closer, so close that his scent—clean, familiar, entirely jungkook—invades your senses. then, his hands come up, gently cradling your face as he tilts your chin up to meet his gaze.

“i… i want us too. i think it’s all i ever really wanted. to be yours…”

his thumbs stroke your cheeks, and before you can overthink it, he leans in, pressing his forehead against yours. the tension in the room shifts, softening but no less charged.

“does this mean i get to take hello kitty home today?” you whisper, your voice barely audible. 

“is that all you really care about?” he says, a small, lopsided smile tugging at his lips. 

“i care about other things.”

“like what?”

“like you.”

and then he kisses you.

you and jungkook have been dating for 6 months when you suddenly say; "happy 6 months, baby! wanna have sex?"

jungkook practically jolts out of his bed and takes the plushie. he places it on his desk and turns hello kitty over to face the wall. (no, you haven't taken it home. for some reason, it suits being in jungkook's room more than yours).

you laugh as he turns back to you and says;

"good timing, ___. i'm ovulating."

jungkook can't breathe.

… and you? you never expected it to feel this way. 

the thrill of it… the intensity—the intimacy. 

as jungkook towers over you, he pulls his shirt over his head. the minute his chest is bare, your hands find your way to roam around his body. his abs, his biceps, and down his—

“wait,” jungkook pleads, eyes hungrily looking into yours. “wanna take this slow with you. wanna do it right for you.”

you nod slowly, understanding what he means. 

the truth is; your virginity is your virginity.

there isn’t much to it aside from that the fact that it’s not taken. you were never wronged but you were also never pursued right… sure, it’s special… but it isn’t everything. 

jungkook treats it like it is though. 

you don’t mind. 

for the past 6 months, he's been really careful with how he acts around you sexually. sure, a few pussy eating moments and heated make outs have been happening... but not the full thing. actually, you've never really seen jungkook's dick yet.

he refuses to let you give him a blowjob.

said something about how easy it is for him to cum at the thought of you—he isn't ready to embarrass himself in front of you just yet.

but today, at your 6 month mark, it's different.

jungkook can't hold it in anymore and you showed up extra pretty. you planned this, didn't you?

(yes.)

gently, he helps you undress.

he takes your shirt off for you and takes a deep breath when you arch your back for him to unclasp your bra. nervously, he does so. then, he tosses your bra aside and takes in the view. 

the prettiest fucking tits he’s ever seen. 

jungkook reaches, cupping and squeezing your boobs. you watch him as he does so, unsure of what to do. 

he then lowers himself, placing kisses over your tits and down your stomach. positioning himself more comfortably, he finds himself in between your legs. lifting them up, he takes your pants off… then, his eyes flicker from you to your panties. 

his fingers play with the hem of your panties. then, he scrunches them together, tugging them up so your folds are exposed. 

“fuck,” jungkook groans. “so pretty…”

“yeah?” 

“yeah,” he breathes, watching your pussy begin to swell. “think your kitty can be good for me? think you can be patient? that’s it… good kitty.”

you tilt your chin down to look at him. 

he’s licking his lips, lowering himself down to your pussy. 

“be a good kitty, okay?” he says, as he begins to massage your pussy with his hands. your panties are still on so the friction of the fabric make you a little annoyed. 

aren’t you having sex soon?

shoudn’t this shit be off be now?

“jungkook—”

���i know, baby,” jungkook pouts at you. “i know it’s hard to wait… look at your pussy… so wet and your panties aren’t even off.”

“i get more wet than this?”

“if i play my cards right, yeah.”

you whimper. “please, jungkook… just.. take them off.”

“you want me to?”

“yes,” you huff. “want you to take my panties off.”

he nods slowly… as if he’s thinking about something—considering something.

then, he decides to give in. 

jungkook tugs your panties down entirely, leaving your pussy out in the open. he throws his head back in admiration. it’s like he’s been hit by cupid or something.

without warning, he buries his face inside. 

jungkook begins with a couple licks and spreading your folds a part. his tongue brushes against your clit—up, down, side to side—everywhere. god, you feel him everywhere. after a few licking and sucking moments, he pulls away and rubs his thumb against your clit. he spits on your pussy—letting his saliva drool down slowly. 

you watch. 

“you like that, baby? you like when i spit in your pussy?”

tongue-tied, you nod obediently. 

he grins before giving in again. 

jungkook eats you up, devouring every inch of your pussy. before you know it, he’s shoving a finger inside you as he sucks on your clit. you almost yelp at the sensation—a feeling completely new to you. 

“ohhh… yeah… f-feels so good, jungkook…” you moan, throwing your head back. 

honestly, the added finger burns. 

but he’s gentle with it. he moves his finger inside you with lots of intentions. he gradually shoves it in deeper and deeper too.. it just… it feels good. 

so good. 

you throw your head back and grab a fist full of his hair. 

“uh, uhhhh… mhmfffph—” you moan. “ohhh…. f-fuck…”

jungkook looks up and watches the way your lips twitch. how your body reacts to him eating you out… and it all just boosts his ego. 

he’s so glad to be here. 

jungkook then pulls away, taking his tongue out of the equation. he focuses on fingering you, making sure you’re enjoying the way it feels. you two catch each others gaze and continue to look into each others eyes. 

as jungkook picks up the pace fingering you, you bite your lip and love the way his eyebrows furrow in concentration. 

“f-fuck,” you utter. “i’m gonna—o-ohhh!”

you cum on his fingers. 

jungkook pulls them out, taking your cum and spreading it around your folds. he massages it in like lube before taking his fingers to his mouth. 

he tastes you. 

then, before you can catch your breath, jungkook leans down and kisses you. 

he kisses you deeply. 

when he pulls away, you ask; “c-can we…”

jungkook chuckles. 

“soon,” he assures you, tucking your hair behind your ear. he presses his lips against your cheek. 

then, his lips find yours with a hesitance that feels almost reverent, like he’s afraid to ruin something sacred. and then, slowly, he deepens the kiss—tentative at first, but with a growing confidence that feels utterly jungkook.

it’s the kind of kiss that feels like discovery. like he’s studying every angle, every curve, every reaction, cataloging them in his mind like a scholar with his favorite subject. his hands hold you as if you’re delicate but unshakable all at once, his thumbs brushing tenderly against your jawline.

when he tilts his head, changing the angle, it’s with a deliberate slowness, as though he’s savoring the moment, pulling apart the layers of this kiss to commit it to memory. you can feel the way his lips curve faintly against yours, like he’s smiling, like he’s finding joy in every second of this new experiment.

and you realize—he’s not just kissing you. 

he’s learning you.

nerd.

you gasp when he pulls you closer, your arms instinctively wrapping around his body. his lips part slightly, and the way he kisses you now feels like a question, like he’s asking for something without saying a word.

he’s meticulous, like he wants to explore every inch of you through this kiss, leaving no detail untouched. the way he holds you is tender but firm, grounding you while setting your pulse on fire.

when he finally pulls back, his breathing is uneven, his forehead pressing lightly against yours. his eyes flutter open, and they’re soft, full of something you can’t quite name but feel all the same.

“i want you forever,” he murmurs, his voice low and thick with awe, as though he’s just unraveled the world’s most beautiful equation. 

you giggle at him. “great. can we start now?”

“way to kill the mood—”

“please, for the love of god!” you squirm. “fuck me already.”

jungkook can’t help but laugh. 

but he gives in. 

jungkook shifts out of his pants, revealing his hard cock. 

you stare at it.

it's pretty.

it's thick all around and his tip looks like it's angry. you like the way it looks though... looks delicious. his cock has you completely mesmerized. you almost want to crawl to it but he saves you the journey as he brings it close to you. 

truth be told, jungkook's a little nervous.. he doesn't want to fuck this up.

“you know…” he begins, as he jerks himself off in front of you. “i want to be mean. like, really fucking mean. i want to make you beg. i want to make you choke on my fucking cock and have you scream my name but—fuck, ___… i look at you and i can’t…. i can’t even do all i want with our fucking foreplay because i fold so easily when it comes to you. you want me to fuck you? fine. i’ll fuck you.”

“be mean,” you whimper. “come on. don’t be a pussy. just because this is my first time—f-fuck! holy shit, jungkook—”

jungkook has slowly puts his cock inside you. 

you gasp for air. 

he caresses your face as you adjust to him being inside you. then, he drags his tongue around your neck. he sucks on it a bit, causing you to grip the sheets.

“o-oh my… j-jungkook…”

“you okay, baby?” he asks, slightly moving himself in deeper. 

you take a deep breath and exhale from your mouth. “f-fuck…”

he’s so big. 

you can feel every curve of his dick and vein. when his tip entered, it felt funny. like, uncomfortable but also really fucking good. as he begins to thrust in and out, you breathe through the sharpness of his movement. 

“hurts…” you confess. 

jungkook shifts, and kisses your neck. against your skin, he murmurs; “i’m sorry, baby… do you want me to—”

“no,” you tell him, as you open your legs wider. you wrap yourself around him and hold on tight. “think… think i’m okay. can you move more?”

jungkook nods and kisses you once more. 

he begins to fuck you.

slowly but surely… he begins to drill himself into you. 

missionary isn’t his favourite but having you this way… especially for your first time? god, did he love this. as you dig your nails into his back, you whimper every time he thrusts back inside you. 

“f-fuck,” you moan. “jungkook… it’s…”

“what?” he almost panics. “a-are you okay?”

“yeah,” you breathe. “it feels good now… can you… go harder?”

jungkook hisses, feeling like he could lose his mind. 

“can we switch position?” he pitches.

you agree.

jungkook then pulls out of you, and you suddenly feel the emptiness. he goes on his knees and takes you by your waist, guiding you to turn over and go on all fours. 

doggy. 

jungkook helps you position yourself before angling himself. he licks his hand and spreads your entrance. he then guides his dick inside you. as he begins to thrust, you suddenly feel him reach around and start to rub your clit…

and oh my god. 

does it feel heavenly. 

“oh,” you hum. “feels so good.”

jungkook leans over, and kisses your shoulder. as he pulls away, he takes his other hand and grabs a fistfull of your hair. he pulls your hair back and you moan at the tightness. 

“you like that, my little bitch?” he grunts as he fucks you. 

he feels your pussy clench. then, he smriks. 

“oh? you like being called a little bitch, huh?” jungkook then takes his hand off your clit and uses it to slap your ass. "my fucking cockslut. always so fucking horny but you're just a little dirty minded virgin, right? not anymore, okay? i'm taking it. taking all your sticky fucking cum. you're all mine, baby. you know that, right? you're mine, bitch."

smack. 

your pussy tightens around his cock again. 

smack. 

you moan his name. 

“jungkook…”

he inshales shaprly and moves both hands and grabs your waist. he pulls you into him with each trust, adding more intensity. 

jungkook fucks you harder and harder and you can’t help but love the way it feels. you moan his name, whimpering pleads like; “please… please, fuck me harder.” you can’t help it… it’s the way that his hard cock feels inside you that make you say shit like that. it’s the way that his hands roam around your body and you feel him everywhere… because he is everywhere. 

his mind goes dizzy. 

he goes blank actually. 

then, when you reach back and wrap your arms around the back of your thighs—jungkook feels like he might lose it. 

how do you know how to move like that?

god, you’re so hot. 

“mhmm. that’s it…. fucking me so good, nerd.”

then, jungkook loses it. 

like… really. 

he fucks you harder and harder until you’re whimpering his name and almost near tears. he doesn’t realize how hard he’s fucking you until you’re near climax—

“i’m cumming!” you cry. “baby, i’m gonna—ahh, a-ahhh! fuck..”

it happens so fast. 

suddenly, you cum and you lose your balance. 

jungkook helps you lay down properly. he gets on top, continuing to fuck you in missionary. he fucks you through your orgasm. as you catch your breath, you feel him hiss against your skin. 

“fuck.”

just then, jungkook pulls out. 

as he jerks himself off, you tug on his hand and pout at him. he tilts his head, a little confused but quickly catches on. 

“cum right on me?”

(i mean, camaraderie)

a few seconds later, jungkook straddles your face. 

he places his dick inside you mouth and you focus on licking the tip of his dick. you do it softly, not adding much pressure. it sends shivers down his spine… then, you use the topside of oyur tongue to add more stimulation. you dig your face deep, licking his balls a little. 

he moans. 

you suck him off—slow but so fucking intense. 

jungkook can’t take it.

he places one hand on the back of your head and helps control how deep you take him. 

his dick reaches the back of your throat and it’s fucking toe-curling for jungkook. you take him in so good. as you suck him off, he can’t help but not last long. 

“ahh–aahhhh.. f-fuck—” jungkook moans deeply. “nghhh.... fuck, ___! holy fucking shit...”

jungkook pulls out seconds later and cums all over your face.

as his cum drips down your face, you catch it with your finger and look at it. 

“ohh,” you pant. “that’s what cum looks like…”

jungkook rolls his eyes at you before dipping his head low and kissing you. you two laugh as you pull away, completely in disbelief of everything that had just happened.

1 month later...

“you’re such a bad boyfriend,” you say, crossing your arms dramatically as you sit on the couch, watching jungkook fiddle with the back of your laptop.

he pauses, turning his head slowly to look at you over his shoulder. his glasses are sliding down his nose, his hair is a bit messy from pushing it back so many times, and he looks entirely unimpressed.

“bad boyfriend?” he repeats, sounding genuinely offended. “you asked me to fix your laptop. i'm a chem major, not tech.”

“smart boyfriends are supposed to be well rounded."

he glares at you. "again. you asked me to fix your laptop. i'm doing my best, baby."

"yeah, but like... i asked you over an hour ago,” you tease, leaning back and pretending to sigh. “you’ve been ignoring me ever since.”

“ignoring you?” he scoffs, turning back to the tangled mess of wires. “i’m literally upgrading your RAM so you can stop complaining about how slow it is. if anything, i’m the best boyfriend.”

you hum thoughtfully, pretending to consider it. “debatable. the best boyfriend wouldn’t make me sit here in silence while he nerds out over motherboards or whatever.”

“okay, first of all,” he says, setting the screwdriver down and turning to you fully now, “it’s not ‘whatever.’ this is your motherboard’s lifeline. without it, you don’t get to binge your little dramas.”

“so you’re saying you’re not doing this for me—you’re doing it for the laptop?”

“i’m doing it so you don’t keep stealing my ipad to ‘watch just one more episode’ and kill my battery in two hours,” he fires back, but there’s a little smirk tugging at the corner of his lips now.

you tilt your head, grinning. “i think you just proved my point.”

“fine,” he says, pulling his glasses off and tossing them onto the table. “what do i have to do to reclaim my best boyfriend title, huh? flowers? chocolates? fixing this annoying laptop isn’t enough?”

“hmm,” you pretend to think. “i’d say… maybe you stop being a nerd for five minutes and come cuddle me instead.”

he rolls his eyes but moves toward you anyway, tugging you into his lap without hesitation.

“there,” he says, wrapping his arms around you as you snuggle into his chest. “am i forgiven, or do i need to sit in front of a claw machine and lose $200 again?”

“hmm,” you hum, grinning as you tap your chin. “hello kitty does look a little lonely. but maybe she deserves a friend when you really screw up.”

“you’re planning for that?” he asks, incredulous.

“not planning,” you tease, shrugging. “just preparing. i’ve already picked cinnamon roll for when you really drop the ball.”

he stares at you for a long moment, narrowing his eyes. “you know, this feels like extortion. i bet you mess with me on purpose just to stock up on plushies.”

“maybe,” you say sweetly, poking his cheek. “but you can’t prove it.”

he sighs, leaning his head back against the couch dramatically.

“great. i’m dating a scam artist.”

“you’re dating a genius,” you correct, grinning.

“genius or not,” he counters, tightening his hold on you, “you’re stuck with me.”

you tilt your head up to look at him, biting back a laugh at the slight pout on his lips.

“wow, jungkook, that’s so nerdy of you.”

he groans, letting his head fall against your shoulder.

“i’m never fixing your laptop again. let me know when you need help naming all the isomers of butanol—"

"baby, did you hear that?"

"hear what?"

"you put the dolphins to sleep. good job! yay, your marine conservation bullshit finally came in handy—"

"wanna break up?"

"meanie."

"you're mean."

"sure, let's break up," you tell him. "how about never?"

"never?" jungkook asks, tucking your hair behind your ears. "sounds good."

you glance at him, a playful smirk tugging at your lips.

"it's you, me, and the fucking dolphins forever, nerd."

[duke-daemon]

hazbin hotel redesigns wooooooooo

okay so. i'm gonna discuss my thoughts about them n shit, putting under a readmore bc it's gonna get long and rambley. sorry in advance for the shit formatting, i'm on mobile </3

just some general shit about how i would rewrite it. i think the premise of redeeming sinners is entertaining but is executed horribly. i also am a fan of the "heaven isn't great either" idea but again, executed horribly. i'd make the hierarchy of angels more accurate because it's cool as hell and i have autism about it. the characters from hell would swear still (albeit not as much), but the angels would outright refuse to swear or make vulgar jokes ever. this would be partially to further the gap between heaven and hell and make the differences more stark.

hell would also be more like dante's inferno (again because i think its cool). the ars goetia would get a full redesign and would be more prevalent in demonic society.

now for the characters!

---

VAGGIE VALTIEL:

starting off with vaggie, or Valtiel as i've renamed her because let's be honest her original name sucks. Valtiel (Val for short) was an aspiring power angel who wanted to be an exorcist. she looked up to lute and thought the idea of killing demons was really cool and badass. however when she actually was on the field for the first time she discovered how awful this actually was. she tried to help a few demons but lute figured it out and felled her right then and there. the rest of her story is relatively the same. personality wise she's more stoic and less prone to all-out aggression. she still get angry, sure, but it's in a quieter and more menacing way. you DO NOT want to fuck with Valtiel.

CHARLIE:

next up is charlie! i had two ideas for her. the first one (unsettling drawing) has her as a mannequin/doll type demon. lucifer and/or lilith was unable to conceive and as such they built a kid from scratch. she's overall similar to og charlie personality wise, very kind and cheerful despite her unsettling appearance. she struggles with empathy sometimes but really does mean well. her motive for rehabilitating sinners is so they get to see their family again. being able to see heaven from where they are in hell must make them sad, so she wants to help make them happy again!

the second idea for charlie has her as an angel. specifically i casted her as a dominion angel due to their reputation as holy judges. she was once a demon but has been rehabilitated and has risen into angelhood! she now wants to help her former kin do the same and redeem themselves in heaven's gaze. again, similar cheery personality, but a bit more prudish in this rendition

tangent time!

as a side tangent, valtiel and charlie would have a different relationship in this rewrite. their relationship felt shoehorned in in the original show, like it was just there for the hell of it. we didn't see much development between them and it just felt kinda bland. so in my rewrite, charlie and valtiel are amiable exes. they tried dating when valtiel first fell (when charlie was still a demon in the charlie-angel version) but realized their feelings for each other were much more platonic than romantic. they ended things off on good terms, deciding they were much better as friends. they are still besties to this day! later charlie ends up with emily (or 'ellie' as i plan to rename her)

back to the characters

Alastor:

note: i made alastor mixed-race, which could be seen as bad by some due to vivzie saying he's black. however, as many have pointed out, he has no ethnic features whatsoever and i honestly wouldn't be surprised if she said that just to get away with using voodoo symbols (a closed religion) in his imagery/design. like viv, i am incredibly white and have little to no knowledge of voodoo, and even if i did i would not use it for something like this anyways due to the stigma the religion already has and (again) it being a closed practice. as such i removed it from his concept altogether, but made him mixed race (white passing) because.. why not i guess, i forgor my actual reasoning

with that being said...

alastor is by far my favorite of the redesigns and i'm honestly tempted to turn him into a legally distinct oc. i imagine he's somewhat reserved, along the lines of norman bates albeit a bit more extroverted. during his life he was a serial killer with a day job as a radio announcer. he took pleasure in reporting about his own murders on the radio, but that is eventually what got him caught (ie accidentally letting slip info that wasn't released to the public). as a result he was sentenced to death. upon arriving in hell, he quickly rose through the ranks to borderline overlord status and is a feared presence by demons and sinners alike. why is he bothering to assist in the hotel project? who knows... his motives are a mystery, like the rest of what he does

(he isn't actually alastair crowley i just thought the naming convention was ironic. however he may have also dabbled with satanic magic in lifetime..)

Angel Dust:

TW: brief discussion of SA

this is definitely my second favorite redesign. i loooove insect themes and wanted to do more than just Extra Arms, so he now has fucked up legs and a lot of eyes too! story-wise, angel used to be a criminal mastermind, hated by both the mafia and the feds. he was a gentleman thief, arranging massive heists under the cover of night while also partaking in the occasional drag show. he ended up a cocaine addict later in life, which caused his work to become sloppier. eventually he was killed in a heist gone wrong, specifically shot by the police.

i'm not gonna go too in-depth on the SA part of his story, but he is hypersexual due to being assaulted in both his life and afterlife. it would be something he'd be working on in the rewrite. his reason for coming to the hotel in the first place may have even been for help with this trauma. underneath his sultry exterior is a broken guy who really just needs someone to care about him for who he really is and not for what his body can do.

LUTE:

so lute and adam are some of the characters i have the most gripes about. the biggest one being why viv chose adam as the leader of the exorcists in the first place. if she wants a biblical figure tied to demon killing, Archangel Michael is RIGHT THERE, aka the one destined to kill satan during the events of Revelations. if she wants the first human to die, that would be Abel, not Adam. and i kinda doubt abel would want to do the stuff that HH!adam has been doing. if she wants an angel related to torture, Dumah is her guy! an angel that rules over wicked souls and tortures sinners every day except sabbath. so many better options...

with that out of the way, Lute is still the lieutenant of the exorcist, who are a specially chosen group of powers sent to purge hell once a year. think navy seals. she's pretty much the same as in the show, albeit more muscular and visually different from other exorcists (seriously why do they all look exactly the same?????) she's a very repressed lesbian who hasn't had time to work on that due to her duties

i also redesigned the exorcist uniform/armor because those LED purge masks are fugly as hell and their clothes don't even look remotely like armor.

Adam + Final Thoughts

i did start a redesign of adam but got bored of it. regardless, i think he'd be the head of C.H.E.R.U.B. instead of the exorcists. he doesn't want his children to make the same mistakes he and eve did, so together they started C.H.E.R.U.B. to help lost souls stay out of hell

final thoughts uhhhh i'm tired. show sucks, it had so much potential but viv ruined it by being a shitty writer and an even shittier person. the designs are fine i guess but they all look exactly the same and are in desperate need of variety. the humor is dogshit, saying dick and balls and penis over and over and over again doesn't make it any funnier than the first three times you made that joke. anyways that's it, i hope you liked my inane ramblings. gonna go vanish for another forty years or so, adios

[physalian]

“How do I know if my story needs work or if I’m just being hard on myself?”

As I sit here accepting the fact that at 70k words into Eternal Night’s sequel while waiting for my editor for Eternal Night itself, that I have made an error in my plot.

Disclaimer: This is not universal and the writing experience is incredibly diverse. Figuring this out also takes some time and building up your self-confidence as an author so you can learn to separate “this is awful (when it’s not)” and “this is ok (but it can be better)” and “this isn’t working (but it is salvageable).”

—

When I wrote my first novel (unpublished, sadly), years ago, I would receive feedback all over the chapters and physically have to open other windows to block off parts of the screen on my laptop to slow-drip the feedback because I couldn’t handle constructive criticism all at once. I had my betas color-code their commentary so I could see before I read any of it that it wasn’t all negative. It took me thrice as long as it does today to get through a beta’s feedback because I got so nervous and anxious about what they would say.

The main thing I learned was this: They’re usually right, when it’s not just being mean (and even then, it’s rarely flat out mean), and that whatever criticisms they have of my characters and plot choices is not criticism of myself.

It did take time.

But now I can get feedback from betas and even when I hear “I’d DNF this shit right now unless you delete this,” I take a step back, examine if this one little detail is really that important, and fix it. No emotional turmoil and panic attack needed. I can also hear “I didn’t like it” without heartbreak. Can’t please everyone.

The only time I freak out is when I'm told "this won't need massive edits" followed up by, in the manuscript, "I'd DNF this shit right now". Which happened. And did not, in fact, require a massive rewrite to fix.

So.

What might be some issues with your story and why it “isn’t working”.

1. Your protagonist is not active enough in the story

You’ve picked your protagonist, but it’s every other character that has more to do, more to say, more choices to make, and they’re just along for the ride, yet you are now anchored to this character’s story because they’re the protagonist. You can either swap focus characters, or rework your story to give them more agency. Figure out why this character, above any other, is your hero.

2. Your pacing is too slow

Even if you have a “lazy river” style story where the vibes and marinating in the world is more important than a breakneck plot, slow pacing isn’t just “how fast the story moves” it’s “how clearly is the story told,” meaning if you divert the story to a side quest, or spend too long on something that sure is fluffy or romantic or funny, but it adds nothing to the characters because it’s redundant, doesn’t advance the plot, doesn’t give us more about the world that actually matters to the themes, then you may have lost focus of the story and should consider deleting it, or editing important elements into the scenes so they can pull double-duty and serve a more active purpose.

3. You’ve lost the main argument of your narrative

Sometimes even the best of outlines and the clearest plans derail. Characters don’t cooperate and while we see where it goes, we end up getting hung up on how this one really cool scene or argument or one-liner just has to be in the story, without realizing that doing so sacrifices what you set out to accomplish. Personally I think sticking to your outline with biblical determination doesn’t allow for new ideas during the writing process, but if you find yourself down the line of “how did we get here, this isn’t what I wanted” you can always save the scenes in another document to reuse later, in this WIP or another in the future.

4. You’re spending too long on one element

Even if the thing started out really cool, whether it’s a rich fantasy pit stop for your characters or a conversation two characters must have, sometimes scenes and ideas extend long past their prime. You might have characters stuck in one location for 2 or 3 chapters longer than necessary trying to make it perfect or stuff in all these details or make it overcomplicated, when the rest of the story sits impatiently on the sidelines for them to move on. Figure out the most important reasons for this element to exist, take a step back, and whittle away until the fat is cut.

5. You’ve given a side character too much screentime

New characters are fun and exciting! But they can take over the story when they’re not meant to, robbing agency from your core characters to leave them sitting with nothing to do while the new guy handles everything. You might end up having to drag your core characters along behind them, tossing them lines of dialogue and side tasks to do because you ran out of plot to delegate with one character hogging it all (which is the issue I ran into with the above mentioned WIP). Not talking about a new villain or a new love interest, I mean a supporting character who is supposed to support the main characters.

—

As for figuring out the difference between “this is awful and I’m a bad writer” and “this element isn’t working” try pretending the book was written by somebody else and you’re giving them constructive criticism.

If you can come up with a reason for why it’s not working that doesn’t insult the writer, it’s probably the latter. As in, “This element isn’t working… because it’s gone on too long and the conversation has become cyclical and tiring.” Not “this element isn’t working because it’s bad.”

Why is it bad?

“This conversation is awkward because…. There’s not enough movement between characters and the dialogue is really stiff.”

“This fight scene is bad because….I don’t have enough dynamic action, enough juicy verbs, or full use of the stage I’ve set.”

“This romantic scene is bad because…. It’s taking place at the wrong time in the story. I want to keep it, but this character isn’t ready for it yet, and the vibe is all wrong now because they’re out-of-character.”

“This argument is bad because…. It didn’t have proper build-up and the sudden shouting match is not reflective of their characters. They’re too angry, and it got out of hand quickly. Or I’m not conveying the root of their aggression.”

—

There aren’t very many bad ideas, just bad execution. “Only rational people can think they’re crazy. Crazy people think they’re sane,” applies to writing, too.

I just read a fanfic recently where, for every fight scene, I could tell action was not the writer’s strong suit. They leaned really heavily on a crutch of specific injuries for their characters, the same unusual spot getting hit over and over again, and fights that dragged on for too long being unintentionally stagnant. The rest of the fic was great, though, and while the fights weren’t the best, I understood that the author was trying, and I kept reading for the good stuff. One day they will be better.

In my experience beta reading, it’s the cocky authors who send me an unedited manuscript and tell me to be kind (because they can’t take criticism), that they know it’s perfect they just want an outside opinion (they don’t want the truth, they want what will make them feel good), that they know it’s going to make them a lot of money and everyone will love it (they haven’t dedicated proper time and effort into researching marketing, target audiences, or current trends)—these are the truly bad authors. Not just bad at writing, but bad at taking feedback, are bullies when you point out flaws in their story, and cheap, too.

The best story I have received to date was where the author didn’t preempt with a self-deprecating deluge of “it’s probably terrible you know but here it is anyway” or “this is perfect and I’m super confident you’re going to love it”.

It was something like, “This is my first book and I know it has flaws and I’m nervous but I had a lot of fun doing it”.

And yeah, it needed work, but the bones of something great were there. So give yourself some credit, yeah?

[adastra-rising]

I’ve been rewatching episodes of miraculous because I finally got the family Disney Plus Password (was too lazy to ask) and I’ve been struck with thoughts.

I desperately want to rewrite the season 3 episode “Felix” because OH DEAR GOD I HATE IT. You only get the good shit when you read between the lines, what’s actually shown is ass.

So here’s my ideas for a rewrite

- Adrien definitively knows Colt Fathom was abusive, and alludes to it vaguely. He switched identities with Felix as a kid and has a good idea of what he went through at home.

- Adrien is less condescending in his taunts during the battle and shows a little more empathy towards his cousin. Less “boohoo bozo you have no friends” and more like, “dear god what happened to you bud?” Like he’s genuinely concerned over his wellbeing. Angry over what he did but genuinely concerned. Angry that his cousin never got a therapist lol.

- Marinette doesn’t try to confess her love to Adrien on the anniversary of his mother’s death because that’s literally so stupid.

- Felix is a bit more straightforward in his goals here, in that the audience is not led to believe he’s straight up evil. His behavior and general demeanor are more in-line with how he’s portrayed in season 4. He’s less obsessed with the GDV rings and more focused on outing his uncle as Hawkmoth or catching him in the act.

- He specifically chooses to mess with the videos to not only lure out Hawkmoth but because he’s extremely lonely and jealous. And that’s shown via subtle facial expressions and visual cues.

- His attempts to get Hawkmoth’s attention are more clearly shown to be an attempt to double-cross him and not just for the lols. Like, there’s certain things he does in the OG that are literally pointless, like the shit with Plagg’s cheese. Why? just, why?

- He is shown to be super competent at physical things (beating people up lol) but his social ineptitude is more clearly alluded to.

- No more SA scene I will burn that scene.

- Amelie actually gets to do stuff. She’s more straightforward about needing the GDV rings and actually makes an attempt to steal them herself. Auntie on a mission,

Canon Divergence Territory (aka rewrite)

✨MLB S3 Episode 23: Zelus✨

- If I wanted to do a bit more canon divergence, I’d shift focus from Felix being a trouble maker for the lols and instead focus on his jealousy. The feeling of being left behind by your only friend.

- His attempts to sabotage Adrien’s relationships is not to bait Hawkmoth but instead because he’s overcome with jealousy that Adrien has all these friends supporting him through his mothers passing, when Felix has never had anyone, both when his dad was dead and when he was alive. Nobody came to save him when he needed it and he’s gonna make that everybody’s problem.

- He thinks it’s unfair that Adrien seems to be so much happier than him and gets all of the things Felix wants (companionship) all the while getting to avoid the abuse he went through.

- Bro is genuinely super bitter and emotionally broken but hides it under a facade of showing no emotion at all until he snaps and gets akumatized into Zelus.

- Zelus (more commonly known as Phthonus) is the Greek personification of Jealousy.

- Maybe the ending could parallel the ending of Perfection, where other characters make an attempt to reach out and say “ur not alone <3” and while it works to defeat him, the message does NOT reach Felix and he goes home outwardly seeming better (it’s an act. One that Adrien believes) but remains just lonely.

- Like Kagami his trust issues run deep and one single episode is not gonna fix them. (They’ll heal together though, trust me!)

- His experience getting Akumatized proves to him that his uncle is Hawkmoth, he swipes the GDV ring on his way out to please his mother, and season 4 proceeds as written.

Dialogue Changes

Adrien: Listen, Plagg. Félix lost his dad not so long ago, he's probably not himself.

Plagg: I'm sorry, but there's just no excuse! You never touch my cheese, and yet, you just lost your mother not so long ago, right?

Adrien: My mom and his dad were nothing alike. It’s totally different.

[satorusugurugurl]

I Think He Knows: (Chapter Four)

Summary: When your novel takes off and becomes a best seller, doors of opportunities open for you. You can work on the series you have dreamed about all your life. And you’re also given the chance to stay in a tiny cottage in Europe for two years to help with inspiration! Your best friend, Geto Suguru, shatters at the news. How could he tell you how he feels when you leave him? His opportunity appears right before him when you confess that your editor thinks a change of scenery will help with your not-so-steamy romance scenes. They’re lacking a particular spice because you’re a virgin. So, Suguru does what any best friend would do. He offers to teach you how things work. Will you cross that line as friends? Or will you both say goodbye?

Pairing: Geto Suguru x FAB!Reader

Word Count: 4,954

Warning: Language, fingering, hand-job, kissing, heavy description of genitals.

A/N: Here’s the update!! I'm sorry its so late. My wrist feels a lot better today!! 😘💚💚 thank you for your patience!!

Part One Part Two Part Three Part Five Part Six Part Seven Part Eight Part Nine Part Ten Part Eleven

You were glaring at your computer screen; the words struggled to come to you. Nanami was pleased with the changes you had made to your latest chapters; he said the kiss scenes were much more realistic, all thanks to your best friend, but as much as he liked it, it still didn't change the fact that your smutty mutual masturbation scene sucked balls.

“It’s getting there.” He glanced back at the words. “You’ve moved on from using meat stick to penis—while is anatomically correct, it’s not quite rousing. Perhaps try using the words shaft, dick, maybe cock.”

“Kento!”

“I’m being serious, how many erotic novels have you read where the writer uses ‘she grasped his penis in her hand’ no ‘she grabbed his cock’.”

“Right—”

“Then there’s the climax.” Nanami sighed, flipping through the pages. “Be honest with me; have you ever seen a man have an orgasm? It’s not like a fire hose in hentai—” A judgmental look was shot in your direction, which was well deserved. “It’s more like spurts.”

“Ugh, seriously?”

“Yes, and Oaklynn’s orgasm, you just described her facial reactions and breathing. Get into the pulsing or contractions she feels. Hell, make her squirt. Ilsan is a knight; he's been to brothels so the man would know how to please a woman.”

“Squirt—?”

The way Nanami deadpanned at you before running a hand down his face told you he had figured it out. He must have finally put the deli meat sex scenes, terribly written orgasms, and your lack of knowledge of female orgasms. You slowly sank lower into the booth with a flushed face.

“You’re a virgin.”

“You’re a virgin~” You mocked, sticking up your nose as the nightmares and flashbacks of your luncheon came to an end. Nanami’s suggestion to watch porn gives it a better understanding of how orgasms work. There was no way in hell you were doing that. “I don't need to have sex to know how to write a good sex scene!”

That statement was true, and having some experience would benefit you. It had kissing scenes. And it most definitely would help you with the grinding scene in the alley you were adding in. Suguru made things comfortable for you; he wasn’t pushy or manipulative. He was so gentle and kind, making sure you felt okay. You were so grateful for him, but after you started feeling weird last night and told him to stop, maybe he didn't want to keep doing stuff with you.

If you were honest with him, maybe he'd understand. But it wasn't very comfortable. It felt so intense, and you were all tingly.

Once you finished your rewrites, you would have to sit down and talk to him. You just hoped he didn’t think you were avoiding him after what happened. The sooner you finish, the sooner you can talk to him, get things back to normal, and maybe ask him to help you more. His lessons truly were helping you.

If only we weren’t having such a hard time with the stupid scene!

“Come on, just type it, dick, just type out the letters. DICK.” Your fingers hovered over your keyboard, your eyes narrowing at the screen. “It’s just a word!”

Before your fingers could even touch the ‘D,’ a fist pounded against your door. At first, you were startled; your heart lurched into your throat as your hand rested against your chest. The fist slammed against the door once again. If someone knocked at your door at 2:30 in the morning, it wasn’t a good sign. You were about to grab your phone to call Suguru when you heard his voice at the door.

“Answer, answer god, please.”

He repeated the exact words as you shove your lap desk off to the side before jumping up for the door. You open the door just as Suguru pulls his fist back to knock again. His face was pale, and his dark bangs clung to his forehead with sweat. The dark circles under his eyes were the evidence of the nightmares that he had been having and the lack of sleep.

Regardless of his appearance, your eyes still frantically searched him up and down. You were trying to find evidence of injuries or something that told you what was wrong. You could find no traces of anything other than his insomnia. He was in a white T-shirt and baggy gray sweats and stood there silently. Look of relief washing over your face. He just stood there. A look of relief washed over his face at the sight of you.

“Suguru? What’s wrong? What happened?” He doesn’t answer your frantic questions; instead, he grabs you, pushing his way inside your apartment and kicking the door shut. “Suguru?!”

You yelp as you both fall to the floor, his arms wrapped firmly around you as he holds you flush against his chest; your best friend is shaking, his breath heavy as he clings to you as if you would vanish if he let go. Seeing him in such a state made you sick to your stomach. He didn’t deserve to be plagued with the pain of what happened years ago. You knew he blamed himself for what happened with Riko. You wish you could take the pain away from him.

While that was impossible, you could be there for him when he needed you the most. So you wrapped your arms around him and squeezed, hugging him as tight as possible. “Thought I lost you.” He whispered, his hands clinging onto your tank top.

“Suguru—” you whisper, hands gently caressing his back. “You’re not going to lose me.” You feel him relax against you, shaking softly as he pulls back an inch. “Nightmares again?” His dark strands of hair cover his eyes, but he nods. “Sugu, oh sweetie—do you wanna stay the night with me?”

Your words seem to hit him like a freight train. The panic and fear in his eyes turned into relief. His muscles relax as he exhales through his nose. You reach up and caress his cheek, letting him know you are there, and he leans into your touch, nuzzling his cheek into your palm.

“Yeah, can I please?”

“Of course you can.” You lock the door before grabbing Suguru’s wrist and pulling Jim into your bedroom. “You can go to sleep. I need to finish editing this page before I lay down.”

As you sit back down, placing your lap desk in front of you, Suguru takes a moment to look around your bed. There are tiny Post-it notes and looseleaf paper spread out over your comforter, along with the mini spiral notebook you had in your purse. He had teased about it initially, but he realized that you need to jot down your ideas when inspiration hits you. So your stocking was full of the little mini notebooks you loved to carry.

Seeing that blissful smile tugged at your lips, in the warmth of the flush in your cheeks, made Suguru float with happiness. That joy that was brought on by notebooks was something he would never forget. He wanted to make you happy for the rest of your life. Not just with notebooks but a life you both could build together in a romantic relationship. Suguru wanted to give you the world on a silver platter because you deserved it and much more.

“Oh fuck, sorry, Sugu.” Small hands quickly removed the notes and the papers covering the other side of your bed. “Just transcribing and everything.” You motioned for him to lie down, patting gently on the mattress.

Suguru crawled into bed with you, covering himself with the sheet, before snuggling his head against one of your pillows. The smell of your favorite shampoo and conditioner had his nerves relaxing as he watched you glare at the screen. From the way your nose was turned up, you were deep in thought. His curiosity got the better of him, and he learned in closer, his eyes roaming over the screen.

‘Oaklynn’s face scrunched up in pure pleasure as her orgasm hit her. Her breathing was heavy, and Ilsan growled in her ear, pumping his fingers in and out of her vagina.’

Vagina?

‘That’s it~ such pretty sounds—nngh!’ Ilsan’s voice cracked as Oaklynn’s soft hand squeezed his penis, twisting her wrist as she stroked. ‘O-Oh gods! Oak~ Oaaak!’ A spray of cum coated Oaklynn’s hand, his sticky seed spraying all over her, pooling onto the mattress below them.

“PFFT!” Suguru tried hard not to laugh, his hand flying up to muffle the chuckle. But god, it was too funny!

Upon hearing the laughter from your best friend, your eyes snapped down. There he was, tears in his eyes, tanned skin flushing a rosy color as his eyes remained glued on your screen. With a tiny gasp, you slammed your screen shut before hiding your face in your hands. Your jerky, panicked motions seemed to set Suguru off more as he threw his head back, barking out in laughter.

“Oh my god! Stop!”

“W-Why was he cumming like a faucet?!” Suguru rolled onto his back, wiping at the tears.

“Stop it!”

“And using the words vagina and penis? I preferred it when you called it Meat Stick and Fairy Cave!”

You grumbled before moving your hands to push him. “Could you please stop talking!? Please, I know it’s bad!” Those words had Suguru jerking his head up, finding you flushed cheeks and glimmering eyes.

“It’s not bad—”

“Yes, it is! This screams, ‘A virgin wrote this! She’s never gotten any action,’ Which is true! How can I describe an orgasm when I’ve never even had one?!”

The truthful outburst left you panting as Suguru’s laughter abruptly stopped. His dark eyes were transfixed on your face before you got up, putting away your notes and laptop, and as you silently moved around the room, you could feel Suguru’s eyes on you. And they stayed locked on you until you crawled into bed with a sigh, curling onto your side.

The self-doubt was in your every move, from how your body tensed to your shallow breathing as you fought back tears. You knew Suguru didn’t laugh to be malicious, but it wasn't a confidence booster either. At times like these, you questioned if you were good enough to do this and if writing a smutty fantasy was what you were capable of.

Suguru frowned as he watched your body tremble, soft whimpers sounding in your chest. God, he felt like an asshole. With hesitant movements, Suguru inched himself closer to you. His hand gently inches itself around your waist, pulling you into his chest. Seeing that you didn't fight him or verbally tell him no, Suguru wrapped his arm underneath you, spooning you.

“I’m sorry.” His breath was hot against your cheek. “I shouldn't have been snooping, especially when you were in rewrites.”

“I-It’s okay. I’m struggling with it; I want to be the best I can, ya’ know?”

“Mhmm, I know princess.” The warmth of his body had you relaxing. “Can I ask you a question?”

You turned your head and pressed your cheek against his. “Yeah, of course you can.”

“You’ve never had an orgasm?” His voice was so smooth and sultry, making you shiver. “Like ever?”

It was true; you struggled to reach the mythical ‘Big O’ since you started masturbating. You felt like you would get close, it was within grasp, but you would fall short. There was a time you thought maybe you did, but the fact you had to question yourself was the only answer you needed to know that you had, in fact, not had one.

“No, I haven't; I think my fairy cave is broken.”

Suguru’s chest rumbled as he laughed loudly, giving you a tight squeeze. God, he had it so bad for you. You were so innocent and cute; you had such a good sense of humor.

“I don't think it’s broken.” His statement had you rolling so that you were facing him. “You just need to explore it some more.” His hand reaches down gently, resting it on your ass. “I could talk you through it if you want.”

Tingles ran down your spine as he squeezed the fat of your ass. It was a mixture of relief and excitement that your reaction didn't turn him off from the night before. Your hands moved, gripping his shirt gently before biting your lip. You had tried so many times before, but Suguru—he knew what to do.

“I don't want you to talk me through it—I want you to do it.” Suguru’s dark eyes went wide, his pupils the size of pinpricks. “If you want to.”

Your best friend leaned close to your ear before placing a kiss against it, and he moved further down to your neck, his tongue past his lips, kisses and little licks over your sensitive skin. The sensation had you squirming, your pulse racing in your throat, and a shuddering sigh left your mouth. Suguru sucked on your neck as his hand groped and massaged your ass. Your body felt like it was kindling with fire, a low burn in the pit of your stomach as he continued to pepper kisses over your neck.

“You want me to make you cum?”

“P-Please.”

“I’d do anything for you.” He grunts gravelly into the crook of your neck. “I’ll make sure you know what an orgasm feels like. That way, your already amazing writing is more accurate.” Teeth grazed over the skin, leading to your shoulder, as one of Suguru’s hands slipped under your shirt, trailing over your belly. “Can I touch you?”

“Y-Yea—aah—” his hand groped your breast the second he heard ‘yeah’ leave your mouth. He gently squeezed it, massaging it between his long, thick fingers. His thumb gently brushed over the nipple with every squeeze. “Mmm—” you pressed your lips together as your eyes tailed down, watching his hand move underneath your tank top.

Suguru continued to kiss and nip at your neck, trailing kisses so gently over your skin; well, his other hand pinched and pulled at your nipple, rubbing the bud between his fingers. The way your body twitched and jerked underneath his touch had his cock throbbing hard within the confines of his sweats. The breathless gasps, the way you took your bottom lip between your teeth, gently gnawing at it, you look so fucking hot; he wanted to do more to see what other reactions he could draw out from you.

Suguru’s hand left your breast, slowly trailing down past your stomach before pressing his whole palm over your clothes-clad pussy. Being touched intimately for the first time had you jerking, eyes snapping shut. Suguru groaned, rubbing his hand over your pussy, feeling the warmth of your sex. You gasped as he pulled his hand away to his index and middle finger over your clothed clit. Your body jerked forward, your arms wrapping around his neck, hands sticking into his hair as he brushed over the sensitive bundle and the nerves a second time.

“Does that feel good?” Suguru asked, his mouth pulling away from your sensitive skin.

Your mouth fell open as your eyebrows knitted together. “F-Feels r-real good.” His fingers began rubbing against your clit in slow circles, drawing out a whine from your chest. “O-Oh fuuuck S-Suguru.”

“I got you~ I got you, don't worry.” His fingers rubbed faster, memorizing how you jerked and reacted, repeating the same movements to get you to respond more.

The intensity of everything was becoming too much for you to handle. It felt like your whole body was on fire, like a pot on the stove roaring to a boil. You needed more; you weren’t sure what, but you needed more of this, of Suguru. He needed to quench your thirst, to put water on the flames burning with every nerve of your body, and you knew that his fingers would be the only thing that could help you.

“I-I want more.” Your voice was so timid, making Suguru’s hand seize up momentarily. “Please.”

“You sure?” he asked, his voice dark and husky.

With a nod, you grabbed his wrist, bringing it up to the waistband of your shorts. “Yes, I’m positive.” You gently pushed his wrist down, allowing his fingers to slip under the elastic band. You could’ve sworn Suguru choked on his breath, his eyes widening in the low light of your bedroom as they glanced down to his hand that had breached your shorts.

Suguru wrapped his arm around you, holding you steady as his hand dipped lower, brushing against your slick folds. The initial contact has your head tilting back m as he groaned, feeling your delicate skin before rubbing at your clit gently. You gripped the fabric of his shirt, digging your nails into it. Your body trembled as you buried your face into his neck, whimpering against his skin.

“S-Suguru—”

“Is this okay?” Suguru moved slowly, carefully listening closely to your breathing and noting how you shook—memorizing each twitch, saving it for him to jerk off to when you fell asleep. All you could do was nod your head as you lost yourself in the pleasure. Seeing that you were doing so well, Suguru slipped his hand back further, his thumb rubbing against your clit before slowly sliding two fingers into you.

“Nngh!” You gasped out, pressing your lips against Suguru’s neck as you mewled. “Sugu~! Sugu~!” Your walls were beginning to flutter and convulse around him as he slowly curled his fingers in.

Feeling your hot breath against his neck, how your lips gently traced unintentional kisses over his sensitive skin had his cock throbbing hard. Suguru pressed into you, rubbing his hardening cock against your thigh. He slowly began thrusting his fingers in and out of you, wet squelched flooding the room as he rubbed your clit harder.

“I want to make you cum Princess.” He snarled against your cheek.

The vulgar words had you clamping down harder on his fingers. Your body was getting hotter, from your toes to your pussy, all the way into your stomach. That coil from a few nights before began tightening, coiling deep inside you. The intensity had you tugging on Suguru's shirt.

“S-Sugu~ f-feels intense a-again—Ah oh fuck it’s l-like before.” There was a twinge of uncertainty and fear in your voice. “I-I—”

“I know it's weird, but just let go. I got you—it’s going to feel so fucking good in a second.” His fingers moved in and out of your tight, wet heat faster, drawing out more gasps from you. “Trust me.”

“I-I do feel good, b-but—” Suguru hooked his fingers up, moving them in a come hither motion, causing your legs to shake. “Fuuuck! Oooh fuck!”

“God, you sound so good,” he whispered so softly you couldn't hear him over your moans. “So good.” Suguru had dreamed about doing this to you for so long, to have you underneath him, showing you how much you meant to him. It was a dream to have you clinging to him, gasping his name.

“Sugu—Suguru—” You could feel something coming; it was intense, making your toes curl. “S-Sugu—I-I—I think—!”

“That’s it~ that’s it, let go~ you’re gonna cum.”

His fingers pressed into the sponge spot inside of you. The pressure of his fingers and his thumb rubbing your clit had you seeing stars. You screamed into his neck, shutting your eyes tight as your thighs clamped around his hand. The pure fiery pleasure had your whole body and pussy convulsing as you cried out loudly, so loud Suguru heard your neighbor hit the wall with a ‘shut up.’

Suguru couldn't care; he wanted you screaming his name. He groaned as he felt your slick on his fingers, slowing down to help you ride out your first orgasm. "Shhhh, shh—princess, don't be too loud~" You panted heavily against his neck, tears in your eyes as the last waves of pleasure washed over you.

“Oooh fuck.” You wheezed out as Suguru gently pulled his finger out of you. “Oh my god.” As you rolled onto your back, Suguru quickly slid his fingers into his mouth, sucking your cum off with a satisfied growl. You tasted sweet with a tang of citrus; it was addictive. God, what would he do to taste it firsthand?

As he pulled his fingers out of his mouth, you rolled back onto your side and stared at him. Suguru smiled cocking an eyebrow at the almost unreadable expression on your face. “Yes? Can I he—eeegh!” Your hand brushed over his hard cock, catching him off guard. “W-What are you doing?” you say up on your knees, cheeks flushed with post-orgasmic glow and determination.

“I-I've never seen a man cum! A-And seeing that you offered to help me, c-could I watch you jerk off? O-Or maybe if it’s okay, could I touch you? Y-You’re hard, right?”

Your bluntness and straightforward request left your best friend gaping at you. You wanted to touch him? God, this was like two dreams coming true. But as much as he wanted to have your hand on him, he was afraid he’d blow his load the second your fingers wrapped around him. So he's going to have to compromise for now.

“How about I jerk off, and you can wrap your hand around me?”

“Okay! Um! Let's start.”

You sat back on your heels, swallowing hard as Suguru pulled the sheets off his body. You could hear your pulse pounding in your ears as you watched your best friend sit up, resting his back against your headboard, dark hair falling over his shoulder with every movement. Why were you so nervous? It was just Suguru’s dick, just your best friend, who just made you cum your brains out. Nothing about this should make you anxious! He was helping you! This was research!

But your research had your pussy throbbing as Suguru hooked his thumbs under the waistband of his pajama pants and pulled it down. When he did, his thick erect cock bounced, landing against his stomach with a hardy thump. It was heavy and thick, and it had you pressing your thighs together. The tip was a deep, dusty, rose color, dribbling out a clear substance from the tip. His shaft was tan; thick veins ran up and down as it twitched.

“Oh—” you whispered, taking in his well-trimmed pubes, admiring his happy trail that went from the bottom of his belly button down to the base of his cock. “Oooh fuck.”

“Yeah—” Suguru groaned, tilting his head to the side as he watched you with dark, knowing eyes. He saw the way you looked at him, your gaze lingering on his cock. “this is it.”

Suddenly, it became crystal clear why he had so many romantic partners. He was thick and big. You’re sure it would hit every place inside you that would feel good. Wait a minute, not you, his previous partners! It must’ve hit all the right places inside of them. It probably felt so good. Like how his fingers felt pressing that spot inside you. His cock had the perfect curve that would hit it just right.

“You good there? Did your virgin brain malfunction?”

In a way, it did, but you wouldn’t acknowledge that it had. “W-What!? No, of course not!” your eyes started to burn with a visible flush. “No.” Suguru just laughed breathlessly.

“I'm just teasing you, come here, I’ll show you what it looks like when a guy cums.” Your eyes slowly drifted back towards him, your breath catching in your throat at the sight of him stroking his shaft. His hand moved silly up and down, smearing what you could only assume was pre-cum over himself. “Fuccck.” he grumbled, “I’m so hard, I-I'm probably not going to last long.” That was okay with you. “You can wrap your hand around mine.”

With his invitation, you placed your hand over his moving your arm up and down as he stroked his cock. He didn’t go all the way down to the base. Instead, he focused his attention on the head of his cock. Each time, he stroked his cock, his head tilted back against the headboard as his legs spread. The muscles in his upper thighs constricted with each jerk. He looked so fucking good, like some sex god.

Seeing him in such a state had you trying to match his movements as best as possible and attempting to keep up with his steady but jerky pace. Your eyes wandered to where his shirt pulled slightly up, just enough for you to see the bottom half of his abs that were clenching with each stroke that focused on the head of his cock.

While his movements utterly entranced you, Suguru’s eyes were drawn to you. The way you took your bottom lip between your teeth, how your eyes roamed over him, focusing on the muscles in his stomach, before trailing back towards his cock. Your presence was enough to have him dribbling more pre-cum out. Suguru straightened his legs out, toes curling as his hand moved faster up and down over the head of his cock. He had it down so bad for you that it was going to be enough to send him over the edge.

“Oooh fuuuck~ fuck fuck fuck~” he growled through gritted teeth. “Fuck yeah.”

Fuck, oh God, he looks so good. Watching him pleasure himself had you feeling warm and fuzzy deep inside. He was really into jerking his hand up faster, squeezing himself hard. He looks so fucked out of his mind, and you were sure if you could see your face, your expression with mirror his. There was something about watching him getting off that had your pulse racing in your pussy throbbing, your shorts were already wet enough, and you could feel more slick coating them.

Moving your hand with his wasn’t enough. Biting down on your lip, you pulled his hand away. “Hey, what ar—aah—” Suguru’s head lolled back as you wrapped your soft hand around him, jerking your hand up and down at the same pace he was going.

“O-oooh.” You were not expecting it to be as velvety smooth as it was. The feeling of his cock in your hand had awakened something in you. You leaned over him, resting your free hand on his upper thigh. Stroking your hand over his cock up and down faster and harder, squeezing it like he had done to himself.

Suguru threw his head back against the headboard, hissing through his teeth as his eyes watched your hand move up and down over him. He had the scenario so many times in his head and his wet dreams when he would stroke himself until he would cum all over his hand. The final push was to feel you touching him with such enthusiasm.

“C-Cummin! Fuck! I’m cumming Princess!” Spurts of thick white cum shot out of his tip, lashing out over his stomach and his T-shirt. It wasn’t all like a hose; it was small ropes, for it to be exact, that lashed out over him and your hand. “A-Aah!” His whole body jerked his abs, clenching as his eyes rolled back, and you continued jerking your hand, milking him for all you could.

“W-Wow, tha-that was hot.” at the sound of your voice Suguru shot his hand forward, grabbing your wrist, stopping you from continuing to move over his cock. “O-Oh, sorry—“

“N-No, you’re okay, just sensitive.” He grunted as he let you go, allowing you to pull your coated hand back.

You both sat in your bed, traces of your orgasm coating both of you as Suguru came down from his high. Silence filled the open air between you, but it wasn’t at all awkward; instead, it was thick with tension, sexual tension. A tension Suguru was familiar with while the feeling was alien to you. Part of you wanted to reach out and kiss him, but something inside you prevented you from moving forward. Because this wasn’t a relationship, this was just your best friend helping you when you were struggling. It was nothing more than that.

Seeing as you were the only one capable of functioning, you got up and headed into your bathroom, grabbing a warm wet rag to clean you both off with. “Thank you for letting me do that.” You whispered as you cleaned off your hand before gently handing him the rag. “That was very informative, and I think it will help me with the pages. I’ve been struggling with it.” Suguru stared blankly at you, taking in your words as he wiped his cum off his stomach and shirt.

“Of course, I’m glad I could help you out.”

“Uhm, so do you wanna go to bed?”

“Yeah—yeah, that sounds good.”

“Awesome!”

After snatching the rag from him and tossing it in the bathroom, you crawled back into bed with your best friend. A man you had known since your childhood who you had grown up with. The two of you had been through thick and thin together, always there for one another no matter the circumstances.

As you lay down on your side, Suguru wrapped his arms around you, pulling you flush against your chest. You couldn’t help but wonder if you both had crossed the line tonight. Or if you had taken a step towards a new chapter of your relationship? Those questions could wait until morning because you were only concerned about how good it felt to be wrapped in his arms, listening to his heartbeat as you both drifted to sleep.

Forever Tag List:

@darkstarlight82 @pandoness @nealeart @simp-plague @sugurubabe @chilichopsticks

Tag List (TO BE ADDED AGE MUST BE IN BIO)

@lemonintrovert01 @spankmydepression @renttheannihilator @witchbybirth @missmuffinr @lialia3945 @theobsidianempress @aquasan29 @toffeebrat @aussiemeerkat @chimichangagirl @zoroisminty @spankmydepression @em-aizawa @gojosimp26

[tyrantisterror]

At Sea Without a Map Post-Script

After two months of so, my little writing experiment At Sea Without a Map has come to an end. And because I'm vain, I not only felt compelled to share it, but to talk about it in depth after the fact, so here we are. This is going to be long, though, so I'm not only going to break it into sections, but put it all under the cut for the sake of your dashboard. So go ahead and dive into the depths of the Sea of Monsters with me one more time!

Part 1: Never Stop Blowing Up

The writing process of Wizard School Mysteries Book 3 was really strained - not because of the book itself, mind you. When I was actually able to work on it, Book 3 came together really well - I think it required the least substantial rewrites of any my novels thus far. It's just that real life was kind of beating the shit out of me while I was trying to get it done - or maybe the better metaphor was that it was just slowly but steadily draining me of energy all the time. I'm honestly surprised I got the book out in roughly the same amount of time as the first two - by the way life had been treating me, it should have taken longer.

But when I got done with it I was accutely aware of how tired I was. I still had the creative drive, but fuck I needed something simple as a palette cleanser - something easy, and more importantly, something that was allowed to be bad. I needed something creative to do that was surplus to requirements and fully within its rights to suck ass so long as I had fun making it.

Around this time, I decided to rewatch Dimension 20's Never Stop Blowing Up. Brief explanation of what that is: Dimension 20 is an actual play show, i.e. a recording of people playing D&D and other TTRPGs. I'd say its reputation is built on the contrast of its main DM, Brennan Lee Mulligan, who makes these meticulously crafted campaign plans, and his chaotic band of improv comedian players who promptly derail those plans spectacularly. Like, a good deal of the show's humor comes from Emily Ashford or Ally Beardsly doing something so off-the-wall that it shatters whatever the scene was going to be and creates a far more absurd and zany spectacle in its place. Which is why Never Stop Blowing Up is pretty notable, because it's the one campaign where Brennan himself is the agent of chaos, fully unleashing his own brand of madness that the players struggle to keep up with. And fuck does he seem to have fun with it.

Of course, all of the analysis above is purely from the outside looking in - it's likely that a lot of the "chaos" is played up for the audience. But still... there is something to the idea of a person who's been working on meticulously structured stories letting loose and just doing something extremely stupid.

So I decided to give myself a Never Stop Blowing Up moment - a short story that would be simple by design, with no standards to live up to or goal beyond "have fun telling a silly little story." I then came up with a few key criteria:

It can't be set in the Midgaheim/ATOM universe. I don't want the burden of figuring out where this story would fit among others.

It's gotta be a romance. People who've read my books might have picked up on the fact that I like to write about people falling in love, for the same reason I like to write about fire-breathing reptiles and friendly monsters (i.e. I use writing to indulge in things I'll never experience in real life). I've only used romance as subplots in my fiction before, and tend to feel a bit guilty if I focus on it too long - like I'm being self indulgent. Well, this is all about self indulgence, so the romance should be front and center.

It's gotta be SIMPLE, episodic even. Not complex plotting required.

I almost chose my xenomorph romance for this, but I had developed its outline to the point where it would be too complex to fit. I then considered a sort of superhero story that could be pitched as "what if Bringing Up Baby but Katherine Hepburn's character is a Harley Quinn-esque supervillain and Cary Grant's character gets turned into some sort of horrifying genetic mutant in the first ten minutes." That one hit a weird roadblock when I got to the character brainstorming phase (the first phase of any writing project I do) - I was trying to figure out what the mad scientist who turns out Cary Grant-figure into a mutant would be named, came up with the name "Dr. Skullfuck," immediately realized that having a character named "Dr. Skullfuck" is a Mark Millar-ass writing move that I could not allow myself to do, but then couldn't stop thinking of the name "Dr. Skullfuck" and giggling, which just brought all thinking to a grinding halt on that project.

(I'll still probably do it someday, though - just, you know, without Dr. Skullfuck)

Inspiration struck again, though. I'd been getting into Epic: The Musical, a musical retelling of The Odyssey, and it put me in the mood for a sea monster story. But, more than that, it got me thinking about one particular archetype from sea monster stories - but that brings us to the next part of this Post Script...

Part 2: It Was Always About Calibani

Ok, so, one of the big changes Epic: The Musical made involved Odysseus's encounter with the sirens, and before you read more of my rambling, I'd like you to watch two animatics for the two songs in question here:

A summary: one of the sirens takes the form of Odysseus's wife to try and tempt him into getting in the water, Odysseus tricks her into giving him directions, captures her and the rest of her kind, and proceeds to have his men slaughter them horribly. In the OG story the sirens don't die - nor does their song involve imitating a man's wife, for that matter, it's just a really pretty song.

This is done for an important narrative purpose - Epic: The Musical is focused on analyzing the moral ambiguity of Odysseus, and how it is constantly challenged by the impossible choices he is forced to make in his attempt to get home. At this point in the musical, Odysseus has decided to stop trying to be a compassionate man, shirking all mercy in favor of utter ruthless pursuit of his goals. These two songs are meant to be unsettling as hell - this is the beginning of a series of heartless choices by both Odysseus and his men that will culminate in the mutiny and complete annihilation of Odysseus's crew, as well as Odysseus himself being so hopelessly stranded that nothing short of divine intervention will save him.

I bring this up because when I first heard these two songs - specifically while watching these two animatics - it, like... it devastated me. I was so horrified and sad, so shaken by it. And part of it was for the reasons outlined above, but admittedly that wasn't the gut reaction I had. No, my immediate reaction was, and I quoute my own broken brain verbatim here: "You can't kill the sirens! They're not for killing, they're for loving!"

...now, those of you who know me are probably not surprised by this very stupid sentiment coming from me. One of my more popular posts is just me talking about how down bad I would be for various folkloric monsters whose whole shtick is "looks like a pretty lady but Watch Out." But as a person filled with immense self loathing and doubt, my brain immediately looked at that very stupid sentiment I expressed and said, "Wait, no, that's fucking dumb, I'm fucking dumb. The sirens are remorseless murderers. These sirens in particular preyed upon a man's love for his wife, who he has not seen in twelve years, to convince him to let them kill him. They are, by all standards of morality, Very Fucking Evil, and if they were not women you would not feel bad about them getting killed."

And as my brain argued with itself over this topic, I got to thinking about the various monstrous/othered sea women of The Odyssey - not just the sirens, but the witch Circe, the nymph Calypso, the monsters Scylla and Charybdis. And I thought about the others of their kind in other myths and folktales - selkies, mermaids, etc.

There's an archetype of sea monster that focuses entirely on one specific anxiety sailors are prone to, namely the fact that (for a good deal of human history) being on a boat meant spending a lot of time away from women. The horror of this monster is how it uses that desire for female company to tempt people into danger - like a mirage, it leads you to expose yourself to danger in pursuit of an illusory comfort.

But, unlike real world mirages, these monstrous sea women DO exist in their stories. More than that, they're often, like, sad and lonely. Their narrative purpose is just to be a temptation, but that doesn't change the fact that they do have lives of their own in these worlds. And, softie that I am, I can't help feeling sad for them, especially the ones who actually seem to want the same companionship the sailors they tempt want. Sailors don't stay with their Circes, they don't marry their Calypsos. The sirens live on a barren rock, alone, Scylla is left to wallow in misery at her monstrous form, and the selkie always has to leave for fear of being trapped by a person who won't love her on her terms.

I realized I had my hook for this simple, easy, silly little sea monster romance story: I was going to give a sea woman the happy ending she'd never get from anyone else.

Sailor may be the protagonist, but make no mistake: At Sea Without a Map was always, always, ALWAYS about Calibani.

The goal with Calibani was simple: I was going to set up a fairly standard Monstrous Sea Woman, but where other stories would let her be in one episode of the travel narrative and move on, this one would stick around. She'd be an unambiguous predator of human beings - an open and admitted maneater - but she would have no true malice to her. She, like all predators, eats what she can get to survive, and it just so happens that she's adapted to eat humans. And the story would pose the same question to the reader that my brain posed to me during Different Beast: is there any way you could make a siren-style sea monster sympathetic? Can you make a normal person who doesn't have my particular brain rot look at a maneating siren and think, "You're not supposed to kill her, you're supposed to love her!"

One of the few unavoidable plot points of At Sea Without a Map was that Calibani and Sailor's relationship would become romantic. What kind of romance it was could have varied substantially - it could have been one-sided, it could have been toxic, it could have been far more tragic OR far more comedic. But it was always, always going to be a romance of some sort - the goal of this experiment was to make you, the reader, love Calibani. All else was icing on the cake.

I decided to base Calibani's personality on Miranda from The Tempest - i.e. a sweet girl who is both wordly and naive, who understands the strange setting of our "lost at sea" story far better than the audience viewpoint character does, but views the mundane world of the audience viewpoint character with wonder and naiveté. In fact I almost named her Miranda outright... except I already had a character in the setting I chose for this story who had that name, and as an allusion to the same Shakespearean character no less. So I settled on naming her after Miranda's adoptive sibling (of sorts), Caliban - more fitting in some ways, as Caliban is a fish-human hybrid who is arguable more native to the magic island in The Tempest than Miranda herself.

(Calibani isn't the only Tempest name homage, either - her mother, Sycorax, takes her name directly from Caliban's unseen but oft-spoken of witch mother. Dr. Antonia Warefore takes her first name from Antonio, one of the human villains in The Tempest who hopes to use being lost at sea as a way to perform a coup. And the mothman Iriel takes her name from Ariel, the wind spirit in The Tempest who aids the wizard Prospero in controlling the magic island. If Sailor has a "real" name, it's probably either Ferdinand or Miranda, the two lovers who manage to blend civilization and the wilderness together with their romance.)

Visually, I wanted Calibani to not be any common archetype of sea monster woman, but rather something that evokes the popular images while still being her own thing. She's not a mermaid or a siren or a selkie - she's basically "what if a sea serpent was also a girl." In-universe, she's chubby because she, like all marine megafauna, needs blubber to survive. Out-of-universe, she's chubby because I've found that routinely drawing cute chubby girls is good for my mental health.

Part 3: CYOA

Now, while we live in a post-Muncher society where shame and cringe are emotions only the cowardly should experience, I am nonetheless Very Catholic about expressing my own feelings of, like, liking girls and shit. I cannot help feeling guilty when publicly expressing adoration of women without, like, an excuse - it's gotta be a joke or something, you know? I can't be genuine about it, or else Jesus will beat me with a cane for disrespecting women with my lecherous gaze.

But luckily I've cultivated a loyal audience of fellow monsterfuckers, which meant I had an excuse lined up: if I made this a choose your own adventure type deal, a story with audience participation, then you all would be my accomplices. And Jesus can't cane all of us! He doesn't have enough hands! I found a loophole bigger than his stigmata!

Plus I love collaborative story-telling - there's a thrill in not having total control of where the narrative is going. As Brennan Lee Mulligan must know, there's a joy in having to deal with the chaos thrown your way by letting others grab the figurative ball, even if just for a moment.

Part 4: Offbeat Melody

Since I did not want to set this story in Midgaheim, I decided to steer myself away from a vaguely medieval setting altogether. But I also didn't want to limit myself with the need for "realism" that putting it in a normal sea would require, and making a new setting whole cloth would start pushing this project into "not easy" territory.

Luckily, I had a setting lying around that I hadn't played with in a while, which just so happened to have a location that was PERFECT for the sort of Never Stop Blowing Up style madness I was aiming for. For a few years I ran a Monster of the Week TTRPG campaign called Offbeat Melody, and one of its core setting elements was taking the goblin universe hypothesis in paranormal science (yeah it's a real hypothesis) to an illogical extreme. We had specifically seen glimpses of the Sea of Monsters in Offbeat Melody, i.e. the parallel universe where monsters like Nessie, Ogopogo, Champ, and the like all hail from. Well, why not have a whole story set there? It's literally a universe devoted solely to creating sea monsters - what better place to strand our modern Odysseus?

Offbeat Melody was always sort of a Never Stop Blowing Up project, or at least NSBU adjacent. Some of my most unhinged story-telling moments are in that campaign - you could make a supercut of just the "commercial breaks" in the various sessions and it'd basically be an I Think You Should Leave episode. Taking one obscure corner of its multiversal world and exploring it in detail was perfect for this project.

Part 5: Monster by Monster

With our main romance as sorted out as could be for a CYOA story, it was time to figure out the "episodes" of this sea voyage. I settled on there being ten to roughly align with The Odyssey - just in terms of number, mind you, not in a one-to-one comparison. The first was, obviously, Calibani herself, which left nine more slots for me to fill with monsters. Let's go through them together in brief:

Tree Storks - any lost at sea story eventually has to get its protagonist into an island at some point, but this immediately begs the question, "Why don't they just stay on the island where it's safe?" The answer to that question has to be, "it's not safe there, actually." The Odyssey does this quickly and cleverly with a one two punch: the first island seems safe until you realize the food on it brainwashes you into forgetting everything except your desire to eat it, and the second island is full of delicious sheep but also giants who will eat you just as easily as they eat the sheep. When other islands show up in the story later, you immediately regard them with suspicion, because you don't know HOW they're going to be fucked up, but they definitely will be. My goal with the second episode was to establish the same sort of danger - that land is NOT safe, that islands WILL be fucked up and dangerous in ways you might not expect.

I also wanted to establish that this is not just a sea of monsters, but a very WEIRD sea of WEIRD monsters. It couldn't be any old monster on this island - it had to be one that was unique, unexpected, and maybe just a bit silly while still being menacing.

I've always felt that there's a lot of un-mined horror potential in storks, cranes, and herons - any bird with a long neck and spear-like beak it uses to stab smaller creatures from above. Just imagine yourself in a frog's place in the world - tiny, going about your business, when suddenly something shoots down at you from above and impales you before you even feel the shadow fall over your face. Or perhaps you did see the shadow - some of these birds spread their wings to create shade specifically to attract fish, and then spear the poor little bastards.

Well, what do people often look to islands for when out at sea? Shade - the shade of a palm tree. And palm fronds kinda resemble feathers, don't they? Wouldn't it be both ludicrous and terrifying is there was a stork big enough to mimic a palm tree - and wouldn't that be a DEVIOUS trap for a sun-drenched sailor to fall for? So the Tree Storks were born.

The Globster - I made a list of sea monster archetypes in the early planning for this project, and one I wanted to include was a kraken, i.e. some sort of tentacled sea beast. But I didn't want to do JUST a big squid or octopus, or even a riff on them. I wanted to take the idea of "big sea monster with lots of tentacles" into a stranger direction.

Since the Sea of Monsters is explicitly the home universe of lake and sea monster cryptids, I thought it might be fun if ASWaM's kraken equivalent was a globster - just a big ball of rotten meat. I love drawing monstrous faces, so I decided it'd just be, like, MADE of hideous rotten faces, all melting and congealing together, with its tentacles doubling as the tongues of its many mouths. A perfectly wretched image that, like the Tree Storks, would do well to establish how Fucked things could get in this setting. Plus similar monsters had appeared in Offbeat Melody, which would make for a fun sense of familiarity for the, like, five or so readers of mine who had listened to that campaign before.

Captain Peter & the Dolphin - Another thing I did in the early planning stages of this project was make a list of the different sea voyage stories I know and love, the most contentious of which is The Life of Pi. That's a story that I love on a literal level but kind of hate on a figurative level - its whole theme/message is that doubt is the worst thing you can have, that if you don't commit to believing something with zealous conviction you are a coward. As a person who thinks doubt is valid, that "I don't know" is sometimes the ONLY truly valid answer to a question, I have issues with that message.

But I can't help loving the beautifully ludicrous idea of a non-anthropomorphic tiger sailing the ocean on a big Odyssey of its own. Like, if that story didn't actively hate me for being agnostic, it would be one of my favorites.

So I decided to, you know, just steal the idea of a tiger Odysseus. The tiger in The Life of Pi is named Richard Parker. Richard Parker also happens to be the name of Peter Parker's dad. Hence we get Captain Peter - the figurative son of Richard Parker, if you will. And to ratchet up the absurdity of a tiger Odysseus, I made him a pirate and the sole sailor of his voyage. Somehow, this tiger has manned a boat on his own.

Captain Peter was intended to be the hero of another story - a sign for the readers that it IS possible for a stranded person (or, in this case, tiger) to survive out here. To that end, he had to rescue our heroes from another threat, but not one that would be interesting enough to take the focus off of the tiger pirate. Originally I planned for that threat to just be a big shark, but I ended up liking my shark design too much to put it in a role that small, so I quickly designed a nasty dolphin for the role instead. I think that worked out well, honestly.

Dr. Neptune - Episodes 5 and 6 were the mid-point of this journey, so I wanted the two monsters of those to escalate things significantly. I figured episode 5 was probably a good place to FINALLY give some meaningful exposition on what was going on, and there are a lot of stories about mad scientists doing weird shit on islands in my big list of sea voyage stories I love. So we get Dr. Neptune, a classical brain-in-a-jar mad scientist who's affable enough to give more-or-less accurate exposition but loony enough to be a problem. This also felt like a good spot to remind the reader that Calibani is not just a girl with a tail but rather a Sea Monster herself, and one that we'd been making stronger by allying with.

With his human-but-not-quite nature and cyclops eye, Dr. Neptune could sort of be seen as the Polyphemus of this story, couldn't he?

The Crocodisle - One of the sea monster archetypes on my list was "the island that's actually a sleeping monster," of which there are many in mythology and folklore. My favorite is the Jasconius from the voyage of St. Brendan, mainly because it's more or less benign and actually comes back to help St. Brendan and his crew at the end of the story. I always love when I can find an old story with a friendly monster in it.

When thinking of my own spin on the island monster concept, I remembered the only Magic the Gathering card I had as a kid, which I still have and love to this day: The Sandbar Crocodile. This card already inspired Crocogon's color scheme in The Atomic time of Monsters, but I felt I could go to that well again one more time, and so made a crocodile that wasn't just a sandbar, but a whole damn island to itself. And, like Jasconius, it turns out he's pretty chill.

I did not think of the pun name "Crocodisle" until I was actually writing the chapter in question.

The Femdom Mermaids - These three were a late addition to the roster. When I had Calibani bring up mermaids early in the story, I realized as soon as I wrote her rant about them that we'd HAVE to meet some later on in the story.

The readers had significantly shaped Calibani and Sailor's romance by this point, and I decided that it could be useful to have a chapter that was devoted to showing definitively how these two were good for each other. I thought the mermaids could provide a good contrast: have them act out a seemingly more benign take on the monstrous sea women trope (they abduct our hero to protect and care for them!) only for it to quickly feel MORE deranged than Calibani's comparatively simple desire just to eat him.

The spirit of Calibani's rant about mermaids was taken from weird* girls I knew in high school complaining about cheerleaders, so I wanted the mermaids to look like the sea monster equivalent of popular kids to Calibani's chubby weird girl. Two of them got the names of famous beauties - Helyne = Helen of Troy, Clio = Cleopatra.

(*when I say "weird" I mean it in a complimentary and affectionate sense)

Bob, meanwhile, kinda... rebelled, I guess? Before I had names for them, I listed "bob" by her as just, like, a descriptor for her hair cut, but then I liked it as her name, and once she was named Bob she became more than just a mean popular girl. She was a weirdo too, the little punching bag of the two mean popular girls who did their dirty work and smiled through their abuse because hey, at least they included her. It gave the trio an easily defined dynamic, helped make two of the three more visibly nasty, and gave us comic relief in an arc that could very well have gotten too uncomfortable otherwise.

And I guess it worked - readers REALLY loved Bob, and were very vocal about it, and I realized mid-arc that I had accidentally made her too likable to just leave in this arc. So Bob got to be rescued from her awful friend group thanks to readers like YOU.

Lord Ironteeth - yeah, this was the shark that was too cool to be a minor threat. When I drew his noggin, I realized he would need a chapter of his own, one with gravitas. I decided he'd specifically be the threshold guardian -once we beat him, we'd know for sure how to get home, even if there were a few more threats in store.

Spindle Inc and Sycorax - when I was a kid I used to have this recurring nightmare about being on some sort of underwater sea station that had this huge sea serpent trapped inside it. I'd look at the sea serpent from a window within the station and see it coiling in its tank, only for it to look at me with fury. In that glance I would suddenly realize two things with absolute clarity: first, it was going to break free and kill everyone, and second, we deserved that destruction for what we had done to it. The terror of the dream was less that the sea serpent was going to break free, and more the guilt of knowing that all the mayhem that was about to unfold was our fault to begin with.

I thought that would be fun to homage with the penultimate chapter of this story. OBVIOUSLY the sea serpent was Calibani's mom, obviously the trauma of its capture was why Calibani grew into a predator that specializes in hunting humans, obviously we would have to free the sea serpent despite that running counter to Sailor's goal of getting home. Easy, easy, easy plot point to include.

Spindle, Inc. is the primary antagonistic force in Offbeat Melody, so they easily slotted into the role of the arrogant humans who captured this monster for nefarious and selfish motives. They could tie a lot of other plot threads together too - Dr. Neptune was a scientist who worked for them as a contractor only to get screwed over (i.e. they stranded him in the Sea of Monsters, expecting him to die, and then used his research to make their own base of operations in it), we'd learn of him through a spindle briefcase left behind by some unfortunate rogue agent who got eaten by the Globster while he was trying to escape, hell they could even be one of the possible origins of Sailor themself (more on that later). Very useful villains, Spindle.

The Abyssal Mother - I knew the last sea monster would need a lot of punch to it. I briefly considered just a big whale - the Moby Dick to Spindle's corporate Ahab - but it felt underwhelming after all that came before. So I went for arguably the most dramatic possible sea monster, a full on Cthulhu-style elder god. If you're a frequent follower of this blog, you might know I have particularly high standards for Eldritch Abominations, so I realized this was going to be a pretty big challenge for me to live up to, and decided to keep the cthulhu in question reserved to the last few entries as a result - the less it appears, the less it has to live up to.

I realized I had a good angle when my experiments with the Cthulhu "squid for a head" concept ended up having a face framed in shadow - you know, the same visual that our protagonist has in most appearances. That provided some very juicy parallels between the two that made this final monster feel particularly noteworthy to me, ones that I'll leave you to ponder, since they tie into...

Part 6: Themes

I did not set out to have a theme in this story. I just wanted to make a sailor and a sea monster kiss. That was my only goal.

But I really don't begin with theme in ANY of my writing. I figure out topics I want to address, but for all my novels I feel like the themes didn't start coming together until about halfway through the first draft, when enough of the elements of the story had been set down and interacted with each other enough for me to realize what I was saying with them. A huge part of my second and third drafts for my novels have focused on making the themes of my stories more concrete and unified.

Well, ASWaM is very much a first draft of a story, but it's a simple enough story that I think the theme found itself pretty well despite lacking subsequent drafts to refine it.

ASWaM is about doubt and direction. It's about being adrift in a world that is in many ways hostile by nature, about not feeling like you're where you're supposed to be or even WHO you're supposed to be, and about setting off aimlessly in the hope that maybe you'll find your way to that mythical land of "what my life is supposed to be."

When I began the story, Sailor had amnesia and wore clothes that obscured their identity as a way to make it easier for anyone to step into Sailor's role. Sailor had to feel like You, the Reader, and so we don't know their name, their gender, their eye color, their hair color, even their skin color (note that their hands are always wearing gloves, and their face is always in shadow).

But it also meant Sailor is, well, undefined, at least at the start of the story. Sailor doesn't know who they are, what they are, how they came to be. Sailor feels distinctly that they should be Something Else, should be Somewhere Else, should be Someone Else, should not be who/what/where they are. Sailor is plagued by doubt, by a need to go in a different direction, by a need to be other than they are.

This initially contrasts with Calibani, who begins the story very confident that she is doing exactly what she was designed to be doing and acting exactly like she should be. As they interact, they begin to shift each other in opposite directions - Calibani questions her existence and nature, sometimes to a self destructive degree, and Sailor begins to find something about who and where they are that they like. They find a healthy middle ground together - doubtful enough to want to be better people, but with love for themselves that allows them to not feel the need to up-heave their lives entirely.

I knew at the start that I would build an expectation for there to be some answer to the question of who Sailor is and where they came from, because those are the questions that begin the whole narrative. I brainstormed a number of answers to those questions, but once I got a few chapters into writing the story and saw this theme of doubt developing, I realized I couldn't answer them. From a thematic standpoint, the doubt HAD to remain. So I gave hints to possible answers, bits of evidence to support the possibility of them being true, but never planted a smoking gun that answered it for sure.

Sailor can't know the answer because NONE of us know the answer. Outside of blind Life of Pi style faith, you cannot know for sure that you are living the life you're supposed to live. All you can do is figure out whether you're happy with the life you've got, or if you need a change. Sailor will never know who they are supposed to be, but they did learn who they are, and they love that person now.

For those curious, the possible Sailor origins are:

Occam's Razor: they're exactly what Dr. Neptune theorized, i.e. a human who got stranded in the Bermuda Triangle (or the Devil's Triangle or any other number of paranormal triangles) and fell into the Sea of Monsters. The trauma of that experience gave them amnesia. It's just brain damage and bad luck.

A Spindle Experiment: Dr. Warefore mentions that Spindle has been trying to find a way to make a human who can evolve like the denizens of the Sea of Monsters. Sailor may well be an attempt to do just that, perhaps one they wrote off as a failure and abandoned (they do that a lot)

A Deep One: Sailor is the offspring of one of the denizens of the Sea of Monsters (most likely the Abyssal Mother herself) who has somehow been tricked into believing they are human, to the point where they seem to be human to everyone else, even other monsters. Maybe a human summoned a sea monster to breed with on earth, and Sailor ended up being subconsciously drawn back to the Sea by their blood. Maybe Sailor never actually lived on earth at all, but was only made to THINK they had as part of the transformation into a human.

The Platonic Ideal of a Sailor: the Sea of Monsters is full of archetypal concepts, and arguably a sailor trying to find their way home is just as archetypal as any sea serpent, mermaid, or kraken. Our only proof that humans aren't native to the Sea of Monsters is Dr. Neptune, and he's not as reliable an expert as he claims to be.

This theme of doubt and direction also made the compass more important to the narrative than a simply mechanic for audience participation - a compass, after all, gives direction, and the feeling that Sailor is not where they're supposed to be, that they need to head in a different direction, is ultimately the catalyst of the plot. The compass is, in many ways, the antagonist of the story - the force that keeps Sailor from accepting themself. I realized this a little after I started making the different directions have personalities - initially they just represented broad concepts (North = follow conventional wisdom ala the North Star, South = preserve your short-term self interest at all costs, East = act with curiosity and be willing to take calculated risks, and West = throw caution to the wind and do anything that seems novel and exciting), but over time they became little characters themselves.

Since it was our thematic antagonist, I decided to pepper in some ideas about what the compass might be in-universe - and, in a move that would no doubt frustrate the compass, we also don't know for sure which of those is "correct." Is the compass a poltergeist, some amalgamation of dead sailors who try to steer other lost souls home? Is it a malign entity that leeches off of those desperate enough to seek its aid, living through them while pretending to aid them? Is it a device Spindle made to lure sailors to their clutches, OR to guide their experiments in human/monster hybrids? Was it a cursed item that forced a sea monster to assume a human shape? Who can say - the compass sure can't, it can only tell you a direction to go in.

Part 7: Q&A

Since this was an interactive story, I felt it was only fitting to add one last interactive element to this post-script write up, and some of your happily obliged me by sending in questions.

When I noticed how fast readers were falling for Calibani, I figured there was a good chance we'd end up staying in the Sea of Monsters. By chapter 7, I figured it was more or less a given, and by the end of the Lord Ironteeth encounter I was almost 100% sure Sailor would remain at sea. There was always a chance, though - while a look at the polls shows that the audience got more and more on the same page towards the end, there were always dissenting voices, and the desire to get an answer to the question of Who Sailor Was remained strong, as a number of people kept trying to find angles where they could get that AND stay with Calibani.

I was surprised early on by how easily the audience fell in love with Calibani, to the point where I made a few posts commenting on it. I mean, I shouldn't have been - as I said earlier, I have cultivated an audience of fellow monsterfuckers on here, and I know at least a few of them saw my bait and knew they could get me to be freaky in a way we found mutually agreeable (thank you all again for helping me escape being caned by Jesus for being horny).

Like, we REPEATEDLY ignored developing the plot in the Tree Storks chapter for several days just to spend more time with Calibani - something that I enjoyed immensely (this whole thing was an excuse for me to write and draw a cute chubby sea monster girl as much as possible aftter all) but also knew as a storyteller was not what most would consider a good story call. I like how it turned out, but it defied conventional narrative wisdom, you know? I was surprised.

On the other side of the coin, I was also surprised by how the audience NEVER chose an option that was humorously disastrous. I gave plenty of them, and, like, generally in collaborative storytelling there will be at least one moment where your collaborators decide to do the really, REALLY stupid thing that makes everything spiral out of control really quickly. I figured at least once the audience would choose the troll response, but no, you guys worked hard to keep Sailor and Calibani alive. You refused to let them hurt each other, refused to let them throw themselves into danger, refused to imperil them for your own chuckles. It was very sweet and unexpected.

I say "you refused" but to be fair it's not like NO ONE voted for the troll options - they generally got a handful of votes, just one that was beaten by a landslide of more reasonable options. Hopefully those of you who voted for the troll options enjoyed Bob throwing you a bone by disintegrating Dr. Warefore - that was my consolation prize to you.

Yes. I knew at the beginning that there would be two endings for this story: either Sailor leaves the Sea and goes home, or Sailor stays there forever. Or, you know, Sailor dies as a result of you guys choosing several stupid options in a row, but as stated above you guys avoided those scenarios pretty decisively.

Had Sailor gone home, the following would have occurred: first, they would forget everything that happened in the Sea of Monsters. Second, they would wake up in a hospital, having been found in the Atlantic Ocean by a human-recovery charity run by... oh, isn't that funny, some tech company named Spindle Inc! Spindle would foot the medical bills and even offer Sailor a job, but Sailor would decline because even now they're still not sure what Spindle even does. Sailor would go back to their life and find it familiar and utterly mundane, but not particularly happy. Their father died when they were 18, their mother was never in the picture, they have no siblings. They worked an office job and were sort of a nonentity - that position has long since been filled, but Sailor gets a new job and lives out much the same life: simple, mundane, dreary. Every now and then they get a pang of desire to leave, to go to sea, but they push it out of mind. They never even see the ocean again as long as they live.

Sailor would have gotten the normal life they thought they were supposed to have, the normal memories and name and identity, the mundane life of a normal person. And they just had to trade everything they found in the Sea of Monsters to get it. A question is answered, a direction is followed, but is it the right answer, the right direction?

Well, I think doubt would have remained.

I had a very vague idea for there to be some sort of man-eating giant in, like, a crystal castle. He got cut to make way for the mermaids.

I wanted to fit in a big whale and a giant crustacean, but there wasn't room or an interesting angle for me to want to make room for them. Saved for a possible sequel, I suppose.

I also wanted to have a scene with, like, DOZENS of sea monsters, including some of the ones from Offbeat Melody, but the goal of "this should be EASY you dumbass" made me kill that idea pretty quick.

Thank you!

The primary inspirations were:

The Odyssey and Epic: the Musical

The voyage of St. Brendan

The many "weird shit happens on an island" movies in Toho's filmography, i.e. Godzilla vs. the Sea Monster, Son of Godzilla, Yog Monster of the Deep, Matango, etc.

The Island of Dr. Moreau

The Boy and the Heron

Ponyo (specifically Ponyo's parents - I wanted Sailor to have the same desperate energy as that wizard who fucks the giant sea goddess)

The Life of Pi

Slay the Princess (perhaps most obvious in the use of second person narration, multiple voices in the protagonist's head, and falling in love with a creature that has tried to kill you at least once)

I'm going to use this to springboard to a related point in a second, but first a genuine yet humorous answer: Yes, absolutely yes, I am enough of a big romantic sap that I would give everything about my life away to be with a person who loves me and explore a world of monsters in a heartbeat. Hell, I would have jumped in the water the minute Calibani asked and died with her fangs in my neck and a smile on my face. I am dumb this way. Do not follow my example.

On that related point, though... Most stories like this, I daresay ALL stories like this that I know of, end with the hero abandoning the fantasy world in favor of reality, never to return. And that seems like the proper choice and lesson on the surface - we don't want to tell audiences to give up their real life in favor of a fantasy, after all. That's encouraging escapism, and that's not healthy!

But, like... textually speaking, the fantastical world IS real to the characters in these stories. And it's often not really an escape - was Sailor's life devoid of conflict and suffering in the Sea of Monsters? Fuck no! It's just that they figured out how to deal with that conflict and suffering - they built skills and a support system, they adapted, they learned how to overcome what was there.

I think it can be argued that sometimes the return to a "normal" world is, in itself, an escape - the idea that your life can spiral into chaos but that's ok, you can just reset everything and go back to The Way It Was and Should Be is just as unrealistic and unhealthy an idea as You Should Escape to A Better World. Sometimes your plans for your life fall apart, sometimes you're thrown into a place you never intended to go, sometimes you have to learn skills you never anticipated needing and ally with people you never thought you'd befriend to deal with problems you never dreamed you'd have to overcome. And sometimes it's ok to look at your derailed life, your Not Where You Should Be life, and say, "Well, I've learned how to live here... maybe I can stay."

Especially if there's a cute chubby sea monster girl who loves you.

Bob was never supposed to appear past chapter 7, but about halfway through that chapter I realized the audience and I myself would be heartbroken if we didn't rescue her. Definitely for the best - she provided some well-needed comic relief in the final chapters.

This is gonna sound snarky, but, yeah - there were 58 choices with four options a piece, and we only chose one of the four. While some of the options would have similar results, almost none would have had identical outcomes. And some would have been VERY different.

Like, to go back to the beginning: when Calibani attacked, we could either throw a net on her, harpoon her, try to drive around her, or hide below deck. We picked the net, but for the other three options:

Harpooning would result in us hitting her in the thigh, causing her enough pain that she collapses on our deck and we, horrified at the violence we committed, just sort of push on. Calibani would be wounded for at least the next chapter, perhaps longer, and significantly weaker (and probably harboring a great deal of hidden resentment while also being genuinely scared of Sailor). She would be vulnerable during the stork attack, forcing Sailor to take a more active role in that chapter.

Trying to steer around her would result in us essentially fighting her with our boat, resulting in the boat capsizing and Calibani getting tangled up in it. We'd wake up alone on Stork Island and have to travel in search of our boat, alone and vulnerable among man-eating trees. We'd run into Calibani again, also beached and in trouble, end up recruiting her to help us get our boat out of the sand.

Hiding below deck would end in a sea storm that leaves us inside our boat as it's beached on Stork Island. We'd fend off the storks alone, and run into Calibani once we get our boat out to sea, as she got away more or less unscathed.

All of these would have majorly changed the trajectory of our relationship with Calibani and our identity as Sailor, despite seeming to have the same component parts on the surface. Now account for how similarly slight changes in the other options could have gone, and we could have had a very different story indeed.

Part 8: Our Girl

I just think she's neat!

[f1goat]

his teammate + lando norris x part three

In which you find yourself getting closer to your brothers new teammate who's a dick.

lando norris x fem!verstappen (sister) + cursewords + eventually smutty i wrote this before, but i'm rewriting it because i missed somethings. you can comment if you want to be added to a taglist :) thanks for reading!

masterlist x playlist

Lando has always been impulsive. When he was younger, he tried to control his impulses. Just like his parents told him to do. Since his successes in the racing world, he doesn’t try to control them anymore. His impulses make him stronger on the race track. He likes to say and do anything he wants without thinking about the possible consequences like hurting someones feelings. As if he cares about something like that. He’s aware that he turned a bit arrogant, but he blames his succes for that. Who wouldn’t be arrogant if they were him? Every girl wants to be with him and every guy wants to be him. He likes that. He knows he’s good looking and that the girls want him for his looks, money and fame. But he doesn’t care about that. He likes it most of the time to be himself. When he takes the time to overthink everything, he doesn’t know what to think about it. 

Sometimes he wondered how it would be if he was still in contact with his parents. Other times his friend Max tells him that he’s getting too arrogant and needs to think a bit more. He knows he has an attitude, but doesn’t that make him himself? Who would he be without his rude behavior? Lando doesn’t even know anymore. He does know that he doesn’t want to think about that. He likes himself. End of discussion. 

Lando knows that he’s one of the most hated guys in the motorsports right now. It’s hard to miss. Although he tells everyone that he doesn’t care about that, he sometimes finds himself thinking and caring about it. Sometimes he even thinks about bettering himself, but most of the time he doesn’t act any different. Until tonight. 

You have made an impact on him. It was an impulse to text you. After you saved his ass - by offering yourself, he felt the sudden urge to thank you. When he came home, he texted Christian for your number. When he didn’t respond quick enough, Lando called him awake. The short text conversation that he had with you, made him feel good. Of course Lando is well aware about that being a bad sign. He can’t even remember the last time he felt good after texting with someone. He keeps telling himself that he only likes it because you talk back to him. It’s been a while that a girl was actually honest with him. 

He can tell himself that, but deep down he knows it can be more. He just hopes that it’s not.

Lando can’t sleep. He decides to search for your Instagram. It’s not hard to find. Lando barely uses Instagram anymore. His notifications are making him crazy, just like his DMs. In the end he handed over his login to some mediaperson from McLaren, who passed it on to someone at RedBull. He cringes if he sees his own posts. Lando takes his time to look at the photos you have posted. He notices you post a lot. He reads your captions, cringes a bit at the sponsored posts but he secretly love the real captions you post. Before he knows it he’s many years into your Instagram feed. 

Lando smiles when he reads the caption you once posted after your brother won his first formula one championship. Now he thinks about his new teammate, he regrets how he acted towards him. Maybe Max and him could have gotten along if he tried a bit harder in the beginning. It often surprises Lando how much he has in common with his teammate. He discards the thoughts and scrolls further. 

He notices all your highlights on your profile as well. There are many of them. Without even thinking about it, Lando watches all of them. Because of those highlights he finds out that you’re having a free year after graduating from your study. Apparently you’re spending the whole year visiting races with Max. Lando likes that idea. It means he will see a lot of you this year. After watching all of your highlights he decided to follow you. 

He scrolls a bit on his Instagram feed. It’s full with photos of you now. It doesn’t take long for him to be distracted. He sees your name popping up on his screen with a new text notification. 

Y/N: should I feel honored to be one of the twenty people you follow on Instagram?

Lando can’t help himself and laughs at your text. It seems like he isn’t the only one with an attitude. 

Lando: I think you should

Y/N: I think you want to fight with my brother again

Y/N: he’ll notice this soon enough and will question you about it

Lando: so?

Y/N: don’t make him mad on purpose by using me pls

Lando: i just wanted to follow you princess

Lando: no secret agenda 

Y/N: okay, but Max will still question you about this

Lando: I’ll just tell him that I like to follow hot girls ;)

Y/N: that’s even more stupid

Y/N: but thanks x

Lando smiles at his phone. 

Y/N: how did you get my number Lando?

Lando: goodnight princess

Y/N: ur annoying

Lando: goodnight princess xx

Y/N: fy

Lando: gladly ;)

Lando keeps smiling at his phone. He feels stupid because of it. You don’t react anymore. He gets it, his last message might have been a bit bold. It was the truth however. He would gladly fuck you. Maybe then you would get out of his system. He knows it isn’t a solution. And to be fair, now that he thinks about it. You would probably never get out of his system when he can fuck you. Lando imagines you standing in that short white dress. Why did you wear white? The innocent color makes him feel all kind of things. He tries to shake off his thoughts, but can’t succeed. Mindlessly he scrolls on his Instagram feed again. He refreshes it. 

A new photo of you pops up on his feed. Oh for fucks sake. It’s a picture of you in that godsaken white dress. He takes his time to look at the picture. Since when has a simple picture this much influence on him? Lando decides to leave a comment on your post. He comments a simple heart eyed emoji. After that he puts his phone away and tries to fall asleep. 

+++

When Lando wakes up the following morning, he first looks at his phone. Why does he have this many texts? He also notices a lot of Instagram notifications. Didn’t he put them out? He sighs. Firstly he looks at the different texts he has gotten. 

Max Verstappen: Don’t use Y/N to annoy me. Leave her out of this.

Christian Horner: Online meeting with Max & me at 13:00. I’ll send you the Zoom link.

Social media manager: This is why you don’t do your socials yourself!

Social media manager: Please don’t let the internet think that you’re dating Y/N

Dating Y/N? Is this because of his simple comment? Lando sighs. He actually doesn’t get social media anymore. It was just a comment. Not some love declaration. He notices that you have also text him, the only text he’s actually excited for.

Y/N: you’re such an idiot that it’s actually funny

He’s quick to respond to you. 

Lando: What did I cause? 

While waiting on your reaction, he checks his Instagram. He sees over a thousand notifications and the most of them are all from his reaction under your post. Was his comment so weird? He reads some of the comments underneath his own. 

User1: ariana whatcha doing here?

User2: ooeeh what if they’re dating and that’s why Max doesn’t like him???

↳ User3: ur delulu 

User4: she’s too ugly for Lando

User5: why is everyone so obsessed over this???

↳ user6: because Lando never uses his insta

↳ user7: he never leaves a comment 

↳ user8: so this must mean something :))

User9: jealous

User10: first he pushes his new teammate off track and now he flirts with his sister, poor Max

↳ user11: this season of DTS is going to be insane!

Since when is Instagram like this? Lando has no clue what is happening. About what are all those comments talking? He just wanted to get a bit of your attention with his comment. Not the attention of the whole world. Lando closes the app and opens his messages again. He’s right on time to see your text pop up. Before answering you, he sends a thumbs up to Christian his message. He ignores Max and his social media manager. 

Y/N: i already thought you didn’t understand instagram anymore lol

Y/N: your fangirls are monitoring everything you do on your socials

Y/N: so the fact that you’re commenting for the first time in months (?) means something to them

Lando: oh fuck

Y/N: ur an idiot

Y/N: succes with my brother and christian

Lando: thanks princess x

+++

Lando is glad that his meeting with Christian and Max is online this time. Max looks like he’s ready to fight with him again. He’s surprised Christian doesn’t ask any questions about his nose, which is a bit bruised up since yesterday night. Maybe Max already informed him. He wouldn’t be surprised, Max and Christian are like a father and son. Christian spend his time by lecturing Lando about how to use Instagram and what impact a comment can make. Lando bites back his tongue sometimes. He nods like a schoolboy at everything Christian says. Later Christian informs him over the online harassment girls have to deal with when they’re linked to a formula one driver. This time Lando is actually paying attention. He never knew about all this hate on those innocent girls. He wonders what this will mean for you. Is your inbox already full with all kind of terrible messages? Hateful messages about his comment? Lando starts to feel guilty of his impulse action. Without asking it, Max already answers his question. 

“Y/N her phone is blowing up because of this,” Max states annoyed, “I told her to ignore the messages, but I don’t know if she listens. This is all because of you Lando!”

Without thinking about it, Lando responds truthfully to Max. “Fuck,” he sighs, “I didn’t know about any of this. I’m sorry. I just wanted to leave a comment.”

“Why did you even want to leave a comment?” Christian asks, “I thought you didn’t like her.”

“Yeah, is this to annoy me? Because you really need to leave her out of that,” Max adds angrily. 

Lando sighs. He thinks about a good reason to justify his comment, but he can’t make one up. He just thought you looked hot in the picture. He still thinks so. He just wanted a bit of your attention. Is that so bad?

“I thought it was a nice photo,” Lando eventually says.

“Since when do you even follow her?” Max questions, “And why do you follow her?”

“Yeah, you don’t even follow me,” Christian adds. 

Lando feels himself getting annoyed. “I like to follow hot girls,” he states annoyed, “and you’re not a hot girl Christian. Be glad I follow the RedBull teampage.” 

Max starts to look even more angrily. Christian just sighs defeated. Before Max can say anything, Christian speaks up again. 

“Listen boys, if you both keep behaving like this things won’t work,” he explains, “We need to fix this tension between the two of you.” Neither of them say anything back to Christian. Max is still sending angry glances through his webcam. Lando is pretty sure they’re meant for him. “I chose you Lando because you can challenge Max, but this isn’t what I meant with challenging. I don’t even know how everything went this wrong. You two have a lot in common, just act friendly with each other and you will notice soon enough.” 

Max sighs defeated. “I’ll try,” he says, “but you need to leave my sister alone. I don’t want her to be dragged into this mess and I certainly don’t want you to hurt her. I know your reputation Norris.”

Lando almost confesses that Y/N is different from any other girl. This isn’t some meaningless flirt with even more meaningless sex. He’s actually interested in the sister of his teammate, but now doesn’t seem the right moment to confess something like that. So he keeps his mouth shut. 

“She’s always with you, it’s hard not to speak to her you know,” Lando states eventually, “and if I need to get closer to her, I’ll probably get closer to her as well.”

“That’s right Max,” Christian agrees with Lando.

“Just don’t see her as another one night stand girl,” Max mutters, “and please don’t try to date her.”

“I don’t see her like that,” Lando confesses, “and I promise you I won’t use her and won’t hurt her. But I can’t make any promises about dating.”

Max lets out a big sigh, but nods defeated. 

“I’ll find you when you do hurt her,” Max threatens. 

“I think I’ll find myself first,” Lando mutters. He doesn’t even know why he said something like that, but he feels the truth in his own words. Where is this feeling coming from? Max seems interested in his answer as well. Before he can question anything, Christian talks again and ends the meeting. 

part four

[thesupernaturalhouse]

So I cant.....I can't anymore, Stolas fucking sucks

Season 2 as a whole sucks and gets rid of a lot of character depth that characters had in s1. But this post isn't about that-

I was recording clips for an edit, and you know in ep9 s2 when Stolas tells Blitz about "you couldn't be bothered to come save me"

Yeah.....Blitz TOLD him why he was unable to go and save him. He was even genuinely concerned and sent milly and moxxie in his place

You wanna know what Blitz said??

"Ah shit Stolas I can't today- I'm sorry I am literally on my way to take loona in for her very important hellvis S-H-O-T" and "it takes years to book it, it took 5 for me to get this one"

Aka, a rabies shot, which, racist will immediately kill you. You DON'T survive that once you get it and symptoms start showing up, it's a death sentence, and considering Loona is basically a sentient/anthropomorphic dog, if she catches it her survival rate is probably 0 percent

And you know what? Stolas gets it, and then in ep9, "the one who tried to kill em and you couldn't be BOTHERED to come help me"

Bitch he told you?? He sent people in his place?? He was getting his kid a really important shot?? Yiu selfish motherfu-

I hate this bird

I hate this fucking bird so much more now

This is just the finale straw for me that breaks the camels back tbh like......

Apology tour is just, Stolas and the narritive/writing basically gaslighting Blitz and its gross

I liked Stolitz and Stolas in s1, it wasnt a healthy relationship. The circumstances for both characters weren't super good, but it understood that and actually showed those flaws, It set up these characters future arcs

Season 2 is, frankly, a shit show. It has its moments, but ep1 ruined Stolas and Stolitz for me, and it just keeps on getting worse and it isn't even in a way of "Oh its rough, but they can bounce back

This is gaslighting. This is hypocrisy. This is guilt tripping. This is abuse.

Instead of building off of season 1 it is retconning it, it is destroying the continuity and timeline, it's making these characters so much worse then what they were

Instead of having Stolas face actual consequences for his actions the narritive is backtracking and going "Oh actually its not his fault" over and over again

Oh he cheated in the marriage? No worries Stella is a bitch so it's okay

Oh, he's neglecting his daughter despite them already having this arc? Oh, it's fine she just needs to cut him some slack

Oh he constantly belittled Blitz and made him uncomfortable in season 1? Actually it was all of Blitzs fault for misreading the signs of love!

He is constantly shown looking down and abusing other imps like his butler? Oh its fine, they aren't the main characters so what he does to them isn't important!!

Another thing is that Blitz tells Stolas how he feels. He points out his shitty actions. And what does Stolas do? He fucking cries like Blitz is being a big ol means for no reason

This trial is just going to further victimize him and make him seem in the right. The fact the sins might even be brought into it is also so fucking stupid.

The writing went from a 8 to a 1 with the characters. And it's only a 1 here because there are some good ideas in s2.

Their basically trying to cover up, retcon, Stolas's actions instead of having him deal with consequences and go through real development

Honestly the best ending for Stolitz would be Blitz realizing Stolas is toxic as fuck to him and just, not contacting him again. Stolas could get some real consequences in that trial and move on and become better in his own right

Butttt of course since Viv likes them so much it's gonna be dragged on for fucking seasons and then their gonna get together.

If I were to rewrite the season, I wouldn't even try to rewrite Stolitz.

[sunflowerandstrawberryspice]

CARMEN SANDIEGO? In 2024? It's more likely thank you think! Please excuse the shit quality for some reason I wasn't allowed to upload the normal pdf and I had to upload a fucking screenshot???

So my friend convinced me to watch Carmen Sandiego and since he's watching ALL of Ninjago for me I thought it was the least I could do to watch four season of a show with a pretty decent concept but uh... yeesh, don't get me wrong the show is really fun but lord have mercy does it have problems especially the last two seasons which were just so wildly disappointing to me. It went from a show with an interesting look on morals to pure pro-cop and mostly black and white thinking so quick (that not mentioning the breaking up a found family full of people with abandonment issues) it was honestly just so disappointing so me and the friend who introduced it to me decided to rewrite it! (I will not be animating nor do I plan on doing more than MAYBE a comic or art piece here and there because my chronic pain ridden ass can not handle that much lol)

The main goals are to:

1) Flesh out characters that aren't Carmen and actually give them reactions based on their lived experiences and how they might realistically react instead of what the show needed to move the plot along

2) Having characters other than Carmen be actually relevant to the plot the main one being Chase Devineaux who we're gonna kind of have as a parallel to Carmen (trust me yall) as kind of a "What if Carmen didn't have her friends/family to ground her and fall back on" but for all the Chase fans out there (gods I hope there's some other than me) he will be getting a happy ending but bro is getting put through the RINGER first

3) Have both A.C.M.E (now standing for Administration for Containing and Monitoring Evil) and V.I.L.E be the bad guys. Also just as an extra bit of fun we're making VILE a full blown cult, they were very cult like in the show so we're just gonna make it one. Both are going to be very morally questionable and while it'll take a bit longer for ACME to show it's true colors don't you worry they definitely will ;)

4) We're doing canonical lgbtq+ rep, I know the show teased a lot of relationships and really only gave yall background gays not to say thats bad but we can do better than just a brief shot of a damn taco truck. I mean like come on in a story about a young woman going against the government for the greater good why not put some rep into it ya know!

5) We're making it light sci-fi, not like SUPER high tech but definitely beyond what we've got currently, as shown with Carmen's prosthetic, and don't worry I'm doing my research as a disabled person I know how it feels to be misrepresented or ignored so I want to make sure I'm being realistic

6) PLAYER ISN'T GOING TO BE A CHILD! I don't know if this bothered anybody else but to me it was really weird that this 16 year old's only friends were in their 20s!

Alright I think that's what I'm gonna say for now, I'd love it if yall tuned in for updates if your curious since this is a passion project for me and my friend and we're having a blast writing it!

As always I am still working on stuff for Ninjago cause I could never abandon my one true love, currently there's a Pixal drawing in progress (it's giving me hell T-T) something for Cole and Geo, and something of Sora MAYBE even Euphrasia if I'm feeling up to it.

Having said that I hope yall have a great day/night and PEACE OUT!

[lsunstreakerl]

Famiglia-Familie

Chapter One Analysis:

First off- most of chapter one is kind of over a few concurrent days, so this is a bit shorter than my analysis for the other chapters is going to be.

- I imply in later chapters that Max sees more of the accident than what I actually write in chapter one, and that's true! There's a couple of reasons for that, one being that I just didn't want to write that, and the other being a super convenient excuse for reason one! the human brain, especially a young one (like, maybe, 14?) is going to block out a traumatic event, especially the finer details. Max's brain is literally rewriting what he's seeing in front of him and during the actual crash, in order to try and minimize the psychological damage.

- This ties into the way that Max struggles to even refer to the accident later on- he cuts himself off before he says "Jos", he won't call it "the accident" or even really think of it at all. Max divides his life solidly into a "before" chunk and an "after" chunk.

- "But issi/sunny, why was Force India even there?" Honestly, the way GP and Max meet in this fic is complete chance. There are so many spots where it could have gone otherwise, but it doesn't. I mention at the beginning of the fic that it's leading up to the race weekend, but it's still a wednesday, so there's a lot of the support staff driving around. A group of the Force India guys, including GP, were carpooling back to the hotel when they see the accident site, and they're genuinely just being good samaritans when they stop their car and start trying to help people.

- Max's arm is bothering him a bit while he's still stuck in the seatbelt, but the way that it has him restrained, (which he can't see) is actually doing him a bit of a favor at that point in the fic. It's cutting off blood flow, so Max isn't feeling how majorly fucked up his own bones are. (For curious minds: in this fic, Max has a spiral fracture down the body of his right distal ulna, comminuted fractures across his fingers in a few spots, and an impact fracture on the distal end of his right radius. There's some impact damage on the proximal ends as well, where the elbow joint forms, but it's not as severe as the fingers and wrist.)

- Because of the way Max landed, Hayden isn't able to see the way his arm is caught in the seatbelt until he asks Max to start moving, at which point he asks for the knife. Hayden does have a moment here where he's looking at the injury and wondering if it might be better to let EMS cut Max out, but he's worried they won't get there fast enough, and this is a kid, trapped in a metal van, when there's lightning out, and he makes the decision to cut Max out, and whatever those consequences are he's willing to live with them. (Triage is traumatic and stressful and for those of you who care about original side characters, yes, Hayden goes to therapy.) ((also because he saw a dead man))

- When Hayden cuts Max out of the seatbelt to pull him out, Max gets that blood flow back, which allows his arm to tell his brain "we have a problem!" Which is why he starts screaming. Rough night for him.

- Max is having such a genuinely awful night the entire time that that as soon as he's out of the car and someone (GP) is being kind to him, he decides he's going to cling, and he's not going to let go, and there's nothing anyone can do about it. GP is such a genuinely nice guy, and Max is tugging at all of his heartstrings, that he's like "sure I'll go to the hospital" because GP and the Force India crew could see Jos, and they know that Max is alone now.

- Max gets morphine in the ambulance. yippiee!

- Max is terrified in the hospital, because of everything that's been happening, and his arm, and all he has now is this unfamiliar stranger he'd decided to cling to, so he's like "fuck it, all in, I'm attached to this guy now" and then he doesn't want to even let GP consider leaving, which is why he makes life harder for the hospital staff by refusing to let go of GP.

- The Force India guys called Colin as soon as they pulled over, letting him know about the accident and that they were going to help. Colin keeps in touch with all of them throughout the night, finds out from one of the other guys that GP is with a random kid in the hospital, and acts accordingly. (Has people collect emergency supplies for a teenager and put it in GP's room)

- GP has a reputation in the garage for being soft hearted, so no one is at all surprised about how the situation actually ends up, because of course the guy who always breaks for squirrels and gets out of his car to carry a turtle across the road takes in a child in an emergency, that's just how Gianpiero is.

- When GP first calls Colin is the hospital, he's mostly just getting reassured that it's all okay, and to do whatever he needs to do for the kid. Colin tells him that if Max needs to come to the garage with him for the next few days, Force India can accommodate that.

- Max isn't really thinking about the "not talking" thing until he's confronted when the social worker, where he makes the conscious decision not to speak, both because "that makes everything real" and also because he's in an unfamiliar country, and he doesn't have a legal adult taking care of him, and he doesn't want to say the wrong thing and accidentally back himself into a corner.

- "He didn't get letters for very long" is one of the subtler more heartbreaking lines, because Victoria continues sending him letters for months, Jos just doesn't let Max know about them, so Max thinks Victoria stopped sending them, and Victoria thinks her older brother doesn't like her.

- GP goes through the legal hoops in the background of this fic. Colin has to vouch for his employment status a million times, he has to call the British Embassy in Germany to get the ball rolling on emergency foster certification and then standard foster certification, he has to get the emergency foster certification from Germany, and he has to juggle so many emails. Your average person would be completely overwhelmed, but GP is a race engineer, and being overwhelmed is kind of his job, so he handles it pretty well.

- Max goes into emergency surgery to handle some of the worst parts of his arms and fingers, but the hospital is still super clear with GP that Max needs to have some follow ups. (Max ends up with some serious hardware in his hand. He still has struggles with fine motor skills, and he's got killer osteoarthritis in his fingers, wrist, and forearm, but the brace helps with it.

- "issi/sunny, any hospital that lets a pediatric patient leave that soon after a surgery of that magnitude without a thorough welfare check should be ashamed of themselves!" IM NOT HERE TO BE REALISTIC IF I WANTED THAT I WOULD GO TO WORK.

- Max not looking in the mirror goes hand in hand with him not speaking, or acknowledging the accident. He knows he's injured, he knows as soon as he sees himself in the mirror with his injuries that he can't fool himself anymore, so he's not looking at all.

- GP has no idea what to do with a teenager, which is why he's kind of awkward at first. It's important to note that GP, again, has zero clue who Max is. GP thinks he's taking care of a kid who had a normal home life before a traumatic accident. GP does not think he's taking care of a kid who was already traumatized even before the accident, and he's not able to pick up on some of those warning signs until he and Max are living together.

- "Why doesn't Max go straight to Michael?" Max is 14, and has been told his entire life that nothing is more important than racing, and so of course this would be true for a world champion as well, and Max is so petrified of being a burden that he doesn't want Michael to know at all, because he knows Michael will drop everything to take care of him. (He's been raised to think that kind of behavior is soft and he doesn't need it.) He especially doesn't want to tell Michael right before a race as well. Max is also still trying to pretend it's not real, so the less familiar faces he's around the better.

- Max gets really into the data partially as a coping mechanism, because if he's looking at the data and trying to learn then he's not thinking about the accident. This is also why listening to GP read it out loud is soothing to him. GP has a nice voice, and Max can listen to him rattling off numbers and variables for hours. This is also the beginning of a little routine for the two of them when one of them is having a hard time, where they sit and they go over data together. (nerds)

- The Force India engineers are so excited to have someone genuinely interested in what they're doing that they fall in love with Max immediately.

- The Force India garage also knows why GP has Max- they know that Max is from the accident, and they know he's very grim and quiet, so they actually do kind of make a game out of trying to make him laugh, or at least smile.

- Yes, that is the actual qualifying and race results for Force India in the 2011 German GP.

- I don't actually know if Paul di Resta is a good guy or not, and I didn't want to look it up. ignorance is bliss and all that.

- Max taught himself to be ambidextrous because he thought it would be a cool party trick, and instead it's totally saved his ass now that he literally can't move his right hand.

- "issi/sunny, did you actually look at places for rent in Buckingham for this fic?" guys, I ended up on one of the Buckingham city council's 117 page documents detailing next years public transportation plans from like 2013. do not underestimate the depths I will go.

- Max trying to figure out what he would even want in his room is a bit heartbreaking, and GP doesn't understand why Max struggles with it so bad. (Again, GP is assuming Max lived in a house somewhere, when Max's house was the van, and the van is gone.)

- GP gets attached to Max almost immediately. Here is this quiet kid, from a horrific accident, and he's so scared, and for some reason he's putting his trust in GP, so GP isn't going to betray that. And then GP finds out that his quiet kid is so smart, and that he likes looking at the data, so of course GP is like "give him all the data he wants" and the garage loves him because he's quiet and well mannered and genuinely interested.

- Word gets around the paddock pretty quick about the accident in general, because it made local news, and then it also spreads that one of the race engineers from Force India is actually taking care of a kid from the accident site, so Max has always got people looking out for him when he's around the paddock. (Max doesn't realize this in the fic) he's quite literally a grid kid, in the realest sense.

- GP spends the entire time he's driving from his old flat to the new house freaking out about the whole thing. He's very careful and responsible to not ever show that in front of Max, but trust that there are multiple points in this fic where he is internally flipping his shit.

Feel free to ask questions/request clarification on things! If you actually read to the end of this 🫶

[wishful-thinking64]

One Hell of an Unpopular Opinion #07

I think how the Seven Deadly Sins are respected should vary depending on how sinful they are. _________

I'm going to be completely honest here. I think the Hellaverse's version of the Seven Deadly Sins are jokes due to how far off they are from their Demonolgy & Theology counterparts. With that being said, something the Hellaverse did get right is how Lust and Gluttony are often considered to be the two weakest sins out of the seven.

Lust is depicted as the weakest of the Sins because it's TYPICALLY the least malicious. As when people hear about a crime related to lust the majority will think of an infidelity having been committed. Does infidelity suck? Absolutely, you were cheated on by your partner with someone who either knew of the situation or with someone who’s in the same boat as you and didn’t know until it was too late. However, I would hope that most of us would rather hear/learn about one of our friends or family members having a partner who cheated on them over other lust filled crimes.

As for why Gluttony is seen as the second weakest out of the Sins would probably be how common it is to commit it and, again, it’s less malicious especially compared to sins like Wrath, Envy, and Pride. Think about it, you probably know at least one person in your family with a really bad habit related to overindulgence whether it be a raging alcoholic, a chainsmoker, a drug addict, or someone with Binge Eating Disorder aka BED (yes, Binge Eating Disorder is an actual diagnosis that many people have and struggle with in their day to day lives as it can cause them to eat excessive amounts of food even when they’re not hungry.) The point is, you likely know someone who has some kind of bad habit that they need to break and should get help so that they don’t end up digging themselves an early grave.

Now, back to my original point, having the Seven Deadly Sins be respected by least sinful to most sinful would make it to where we can not only get a good idea of what the Sins are like before we meet them but more importantly it establishes order and coherent world building which is what the Hellaverse’s hierarchy lacks the most. If I were to order and rewrite the Hellaverse’s Seven Deadly Sins it would be Asmodeus, Beelzebub, Belphegor, Mammon, Satan, Leviathan, and Lucifer.

That way lower class demons could be shown being less tense around Ozzie and Bee as they’re more approachable and sociable compared to other Sins like Satan and Leviathan. From the one image we’ve seen from the Hellaverse’s Satan, I can only assume he’s a tough bastard who would rather settle things in a good old fashioned brawl compared to negotiation. 

As for why I think a lot of demons would fear Leviathan more so than Satan is because of most how religious texts describe him as being some kind of giant sea monster (depending on the religion some say he’s a hydra, water dragon, or a water serpent) that could only be slain by God as there used to be several Leviathans but when God realized how destructive they were, he killed all of them except one. If God hadn’t interfered, the many Leviathans would’ve destroyed all of creation. 

So why did I place Leviathan lower than Lucifer when he sounds more evil than he does? Well, the answer lies within their intended purpose. Leviathan’s intended purpose was to destroy all who cross his path whereas SAMAEL’S intended purpose was to HELP not to HINDER. Leviathan was released into the ocean and was told, “Annihilate anything and everything.” Meanwhile, Samael was created and lived in Heaven as an Archangel who was instructed to assist God’s creations by watching over them, teaching them, disciplining them, and protecting them. That’s all he had to do but he threw away his title, his dignity, and LITERAL HEAVEN by letting his own hubris get the better of him. Truly, pride goeth before a fall (and apparently before a future name change.) _________

I thought that it'd only be fitting for my 7th opinion to be about the Hellaverse's Seven Deadly Sins. Also I don't hate the Hellaverse's canon Lucifer but I do think his character is a massive disappointment. There are ways to make a dastardly character likable without infantilizing or woobifiying them.

[luigiblood]

Why Nintendo 64 - Nintendo Switch Online is shit

I have been very critical of Nintendo 64 - Nintendo Switch Online since the beginning, not only the very noticeably broken graphics emulation was certainly a case that everyone understood, but it did certainly make me completely avoid the Expansion Pack subscription entirely for a year because that was genuinely shit in 2021.

Now how is it in 2024? Well, it's not that much better. They did fix a lot of problems during that time for sure, and that's something that we do need to acknowledge to do at least something resembling fair criticism.

Current context

That one Dark Link room in Ocarina of Time was fully fixed, as the fog and even transparency emulation was just outright broken, somehow worse than its Wii U Virtual Console counterpart (which was already not very good), it also affected other games like Super Mario 64 where the fog was actually not correct, but oddly enough, it's not as much of a problem in Super Mario 3D All-Stars, and I'm not entirely sure what happened between that and Nintendo Switch Online for it to have such a massive emulation downgrade.

I've done some analysis of the software, though not a ton because I don't have that much time to waste reverse engineering emulators. Through that, I found out that iQue was responsible for the Nintendo 64 emulator on Wii U and Switch, because of the emulator framework, named "TRL," being 100% identical to their NES and GBC emulator for 3DS, confirmed to be iQue through leaked source code among other things, and the debug menu is seen on Wii U if you have more than one game ROM in the folder, and it's just like the 3DS one.

The Wii U Virtual Console N64 emulator was already seen as worse than its Wii VC counterpart, mainly due to the dark filter, but that thing has nothing to do with the emulation quality it was providing, aside from apparently some additional slight input lag on top of the already massive input lag which I find mindboggling, the graphics emulation was already considered worse than on Wii, a lot of issues that people saw on NSO were already on Wii U VC, which turned into a massive mess of complaints because, yeah, it turns out the Wii U was just not successful, but the Switch is, making obvious complaints very much more important.

The Dark Link room just happened to be using a bunch of graphical features at once which made it very noticeable when they don't work as intended. When I discussed this with other people, I couldn't help but feel terrible at the answer I get: "It's good enough."

This response annoys me to no end, but in truth, yes, the games are playable, nowadays graphically you probably wouldn't tell the difference from the real N64 with an untrained eye, and in fact, so am I at times too. But the problem is that it now becomes an actual history rewrite of how the game actually was, and you could still say that you would prefer the N64 games now than before with better framerates, better resolution, all that.

Better performance is always better?

Now this is still more of an opinion piece so here's my opinion about better framerate and better resolution: It's fucking misguided. Doing better framerate and better resolution works a lot better for games after that generation than the 32-bit and 64-bit era of the mid 90s to 2000, because the graphics looks a lot better for it and the standards are closer to the current era that we're in.

For N64 however, simply running the game better does not work as well as it should most of the time, and, frankly, seeing big polygons in 720p does not work as well as it should for most games. 2D games especially suffer from this and get some really weird filtering that just bothers me, especially in games like Yoshi's Story and Harvest Moon 64, where the emulator seemingly can't decide whether the graphics should be almost pixel perfect, or become vaseline.

Speaking of vaseline, where's the anti-aliasing? The N64 is very much known for its blurry anti-aliasing! While I'm pretty much immune to aliasing myself, I can still see it's not really respecting the original N64 very well about that, and it only deepens one of the biggest history rewrite of the N64 nowadays, where most people is more likely to look at badly emulated footage of a N64 game than seeing the game running on the original system, and this really bothers me that when you have every single other system on the service to care about this to the point of having a CRT screen filter, and even outright and pretty faithful reproductions of the Game Boy series' screens, N64 is the only one that forces you to play in its uglier HD resolution with no actual option to play games in their original resolution with some CRT filter or not, and that is just a real evidence of a lack of care to me compared to the rest of the systems.

When it comes to better framerates however, as much as I love that (Pilotwings 64 on NSO is actually one of the few experiences I can recommend on it), a lot of the games' speed are tied to the framerate, potentially making games harder than they should due to its speed being more accounted for the actual system, and sometimes, causing actual desync problems that iQue had to implement ways to manually slow the framerate down in specific moments of games just to account for it, but this only works for games that can run faster than intended. A lot of games sometimes have their framerate completely capped and doesn't run any faster.

But emulating the N64 lag is genuinely complex, and it's a problem that's not fully solved to this day even on unofficial N64 emulation, because there's way too many factors to take into account that it would probably take too much performance to figure out where it should take more time to process or not, so, on this one, I have a bit of sympathy about that as a developer, but it is still possible to roughly approximate that, even if the result can be weird; but I don't seem to notice any legit attempts about that.

Besides, a lot of people would be annoyed about the N64 lag and bad framerates, but to me if you want better framerates, in my opinion, it would be done differently, and unofficial emulation absolutely can deal with it in ways that isn't intrusive to the game's performance: If you played the N64Recomp PC port of Majora's Mask, you would know this, as RT64, the new graphics plugin powering this port (and hopefully emulators soon), actually handles interpolation between frames, allowing better framerate without sacrificing the game's performance to be better or worse than intended, and it makes for some real impressive results while still being relatively low in cost. For me this seems like a potential avenue to attempt to ease in comfort with N64 games.

Is N64 emulation really that hard?

…frankly, if you asked me this question 10 years ago, I would have said yes, at least to my understanding back then, but also now. But if you ask me this same question now, the answer is no, mainly because of brand new standards that actually makes a huge difference in how to handle N64 emulation in current systems, even through unofficial emulation.

I know it's very easy to mock unofficial N64 emulation as relatively hard to play, and this I would agree with, but this problem is purely user faced now. The old problem of unofficial N64 emulation was mainly that not many people were doing work on it and their time is just not infinite, but that is very much changing nowadays.

The Nintendo 64 is actually a well understood system, additional research are still being done, but for the most part, we can understand the N64 to a decent degree. The actual bottleneck of N64 emulation was actually how to emulate it on current systems, when we were stuck to older graphics API standards like OpenGL and DirectX 9.

However, a shakeup happened since with Vulkan and DirectX 12, allowing deeper GPU control. This, is actually one of the most important events of computing that actually unlocked bigger N64 emulation potential and finally get rid of problems that plagued N64 graphics emulation and it started with an adaptation of THE most accurate N64 graphics plugin as Parallel-RDP, and its extremely good, but its pretty much asking on performance and requires a decent GPU (no need for the latest stuff though).

Unfortunately, not much happened since on that field, due to as I said before, a lack of developers, but now RT64 exists, and is made to be extremely performant, and especially made to be accurate without relying on any game specific code for it, which is extremely impressive and shows a lot of potential for the future, while providing tons of new features that allows enhancements like frame interpolation and more. RT64 was fully enabled because of Vulkan and DirectX 12, else it would simply not exist!

Now why did I talk about this stuff that's seemingly unrelated to NSO? Well remember that Majora's Mask PC port I talked about earlier that uses RT64? I saw that thing running on Nintendo Switch, seemingly perfectly fine, with enhancements as well.

This makes me look at N64 NSO differently, and with even more criticism than before. Instead of making good graphics emulation through Vulkan, they seemingly instead just ported the graphics emulation from Wii U VC's GX2 API to Vulkan. That isn't without effort, but it is quite frankly lazy, and means that whatever they're doing, they're not using the technology at their disposal to the fullest, especially since Vulkan is a standard that applies to pretty much every current GPU under the sun now, whatever the work is done here, it would likely work on the long term, especially the next systems after the Switch. Why Nintendo did not allow that is just sad, and a waste of time. RT64 was done by mostly a single developer, and while it took many years to be developed, these years could have been reduced a lot more if it was handled by a team fully dedicated to this, with possibly even more cutting edge to it. The ingredients are there, but the recipe was just botched.

Genuine trust issues with the quality

But aside from all this stuff I just talked about, if you didn't understand much of it, hopefully this part should help you understand other issues that I have with N64 NSO.

Remember that the first version of N64 NSO was graphically buggy, and while they did fix that over time, new games sometimes were outright buggy and possibly game breaking:

When they added Paper Mario to the service, while the game did actually receive some improvements over the Wii U VC emulator, the game, somehow, was more prone to crashes. If you game over with Watt as a partner, the emulator crashes, and you lose your progress. If you have the curiosity of hitting trees with your hammer, one of them in the snow town actually crashes the game too! Thankfully both were fixed, but you still needed to wait months! If you had no idea why crashes could be caused as Nintendo just never warns about that stuff, that is genuinely inconvenient.

When they added Kirby 64; the western version actually had a game breaking bug that makes you softlocked if you get hit in a particular way underwater. That is genuinely a terrible bug that could affect just about anybody playing the game. Thankfully, they fixed it the next week, but that REALLY shouldn't have happened to begin with!

There's also the smaller problems like Yoshi's Story's boss, Inviso, where the point of the boss is to be invisible. Except he's very visible at all times making the point of the boss moot and any respect to the original game gone. For some fucking reason, they took more than a year to finally fix it, and that's just a huge shame.

There's also how Jet Force Gemini had a worse widescreen mode and somehow thought it was good for release, thankfully fixed 2 months after, but you still had to wait 2 months!

And then F-Zero X still has genuine framerate problems to this day where the game just runs worse over time. That game is known to run a perfect 60 FPS on the original system, so there's no excuse here.

I could also mention Goldeneye and Perfect Dark, but just look up Graslu's videos on them, he has done a full comparison, showing what's wrong with them with enough detail.

For these, I just mentioned the glaring issues plaguing several games, but a lot of times these issues just comes on their addition to the service, and then only gets fixed months later; and for me, that's an actual disrespect to the player. I understand the developer is doing their best here, but frankly, what that looks like to me is a legit constant: they visibly seems just scrambling to get games to work to a "good enough" state. I am NOT accusing iQue of this, however I accuse Nintendo to not have taken any measures to stop having these kinds of problems to begin with.

To speak better of iQue, they seem to be good at reverse engineering, as they do patch games to fix issues, or sometimes just modifications like anti-epilepsy measures or other kinds of hacks.

The controls

I had some really bad things to say about the controls, but it got partially invalidated when I played Perfect Dark on the service to see how bad it got. I think I simply overthought about it.

Now I have an opinion about the controls of Goldeneye and Perfect Dark that will not please people: They're… fine. The default controls I mean. I know people have some real aversion to FPS that doesn't use a double stick, but frankly I dare say those controls didn't age as badly as you'd think. Some people say it's best played on a N64 controller but I don't agree about that, it's also okay on a regular Switch Pro Controller.

Turok however, oh boy, the default controls can be a double stick FPS… except it's reversed. That's where the ability to remap controls would be very useful here, or possibly just one moment where better forced control setups would be actually nice here.

Or how Pokémon Stadium has minigames that uses actually both the D-pad and the Stick, it could be great if the right Stick acted like the N64 Stick at that moment on a Pro Controller instead of the C Buttons!

Instead, I sometimes get told it is an excuse to get the (frankly expensive) N64 controller. Fuck no. I should not be forced to buy that, and I actually dislike using that controller, and I played tons of N64 games through emulation with different controls without having serious issues either, so for me, this isn't an excuse. Wii U VC also provided button remapping!

The forced use of ZL as the N64 Z button, and L for N64 L button for every game, also bothered me. I know they care about consistency, but then, I got actually curious to check how they handled Z and L on Wii and Wii U VC… and holy shit. They handled it right from the start. On Wii they actually just used the L button for the N64 Z button! But, the N64 B and A buttons do correspond to the B and A buttons on the current controllers regardless. Though, on that one, for most games, it's not as much of a bother, but if you're playing games like, let's say Wave Race 64 or F-Zero X, this is particularly worse.

F-Zero X has the use of strafing left and right, so I'll let you imagine how worse that sounds if you use ZL and R. NOT ZR, that's for C Buttons macros on the face buttons. It feels horrible and unintuitive, but also there's how the B and A buttons on N64 are vertical, and you just use your thumb on both buttons, making it easy to boost or to soften bounces on waves in Wave Race 64, which is a pretty darn important thing to understand, but instead you have to handle it on horizontal B and A buttons, making it a slight bit more annoying to your thumb, physically speaking. It just feels unintuitive and actually bad for your thumb, frankly.

It's where I wish games would actually make either ZR or R buttons to be swapped depending on the title, to be the R button and C button macro, and also offer an option to rotate the face buttons so that B and A would be placed on Y and B instead, corresponding more to the actual feeling of the N64 controller.

Sin & Punishment is oddly enough the only game of the bunch that comes with slightly custom controls, more adapted to the game, and I'm sorta glad that they bothered.

Just to go back to the N64 stick emulation, I also wish the sensitivity of it was managed better on current controllers. It really seems like when some games run faster than intended, added with the fact the stick isn't reproduced faithfully, some games are a lot harder to play, especially with Joy Cons if that's your only and basic options, where for example, turning the camera is way faster and you just keep wanting to reposition all the time.

Missing features

Man, imagine emulating the Controller Pak for the ability to save in games that only uses it instead of battery backed save memory in the cartridge, but then, literally never use it, ever.

Well that's what happened to Wii U VC and N64 NSO. iQue has actually emulated it, but for some reason, they never use it, and I just do not understand why, especially in games where the Rumble Pak isn't supported.

Speaking of the Rumble Pak, it is emulated, but there's one thing I just do not understand: Why isn't there code to automatically swap the Controller Pak and Rumble Pak? They have the best ways to actually handle this in ways that is pretty transparent and unobtrusive, but somehow, they don't bother with it, and it's just very strange. I know the N64 games are weird about it, but some outright allow to swap them, sometimes they even bother to remove the No Controller Pak message in Winback, but in other games they don't even bother removing the Rumble Pak swap message. It's just inconsistent and weird.

We don't have Transfer Pak emulation unfortunately, but that one, I can partially understand, it's definitely a bit messy, but it would still have been cool to play Mario Tennis and Mario Golf with your GBC characters and to level them up on the N64 games. Instead, in Mario Tennis GBC, you actually get the Transfer Pak content unlocked from the start, which is still pretty cool of Nintendo to care, and a mere reminder that they do care about these details in other apps. But in Mario Tennis on N64 NSO, the Transfer Pak courts are yet to be unlocked.

Then there's the wish to see 64DD emulated, which they initially did some work towards that back on Wii U VC, but then simply never touched in years, and then removed the code after I noticed they tried to support the fanmade cartridge ports of them. It's probably just for testing though, I don't really care that they do it like that, but I would think it's particularly crass had they used them officially on the app. This has yet to be seen again, so I don't have my hopes up. Here's hoping the Nintendo Museum made them care though, considering Doshin The Giant 64DD actually showed up there.

The future

I think I pretty much said what I wanted to say the most in one place. It might have been a little hard to read, but I really wanted to make my points very clear.

When I look at N64 NSO vs the rest of the service, I just cannot help but see how worse it is in general, I have genuine trust issues as it is very badly managed as games get added but then doesn't run properly, only to get resolved, if it does, only months later. It just makes me want to put off for later any time I wanna play a N64 game on that service, and I really want to love that service, I want to recommend y'all the biggest N64 library so far that Nintendo has given us that surpasses both Virtual Console libraries on Wii and Wii U, but I just can't.

Unfortunately, I don't see the future to be that bright. I see no reason to believe Nintendo has done any big efforts to allow a better N64 emulator, and of course, Nintendo has never really addressed complaints, and I partially blame the "good enough" feeling. When I read ArsTechnica to make an article just to complain about the borders after the N64 NSO ordeal, it just makes me feel like no matter what, this bigger complaint of mine across all of N64 NSO just cannot be seen seriously. It's a much bigger problem than borders (though, I agree, they should allow more, including pitch black borders).

I don't see any reason for Nintendo to read this either, but that's my full impressions of N64 NSO so far. Nintendo 64 NSO is just shit, and disrespectful to the legacy of the N64.

I outright accuse it to force people to buy a N64 controller just to play it correctly, which definitely worked as it definitely was out of stock several times, but if that's truly what they aimed for, then it's an app that doesn't know what audience it wants. If it aimed to be played by casuals, they'll be put off by the controls. If they aimed for the hardcore, they'll find problems, no matter what.

And it really cannot be helped when the emulator is clearly designed for the developers to manually fix problems per game instead of having a better emulator overall.

[pleasantspark]

Zoophobia is okay but...

I did it, I finally caved in and started reading ZooPhobia, you know? The Comic that Viv put on hiatus (in the comic industry when a comic is on hiatus it means its cancelled, see: Mega Man Archie Issue 55 for more.)

The series was mediocre at best because it was written by a young Viv, but coming from someone who was from the Hazbin/Helluva Fandom its... Not all that different.

Pros

Color Palettes are varied, you don't have red and black all the damn time. The cast actually has pastel, some of which aren't borderline eyestrainy.

The beginning of the story sets us up to a good premise.

Gustav.

Cons

While the beginning was off to a fantastic start, the middle and \towards the end shifted from Cameron (Our supposed main character) to the High School Drama. There was a subplot with Zill and his girlfriend fighting but just like Chaggie it was resolved and even mocked about for being cliched.

Since it was on Hiatus there was not much left answered and some things are confusing.

What the hell is Zill?

Similarities between Zoophobia and Helluvaverse

It's not any secret that the main characters from Hazbin Originated from ZooPhobia but I feel most of the storylines that existed in ZooPhobia was also repurposed into Hazbin or Helluva or even straight up transferred, most plots that were possibly planned or so would be in this exactly.

ZooPhobia has the same issues Hazbin has, the lack of pacing and rushing through pivotal arcs while introducing characters (and infodumping/abandoning them in the same arc) just to give one backstory and dip.

Just like with Cameron while the story initially started with her it pivoted to random people (literal whos?) and had no ryheme or reasoning, Charlie later became Cameron in her own show.

They force conflict too early in the story especially when we barely got to know any characters (Zill and his girlfriends cliche argument.)

Then there was lost aspects that could have been explored, why does Cameron have Zoophobia? Why was Cameron sent to Safe Haven? Why is Damien so interested in Zill's girlfriend? So many questions and yet no answers, the story had potential but was sidelined for Hazbin and Helluva and both aren't any different from Zoophobia in terms of their own issues.

The fact I decided to cave in and read this only made me even more mad that we ended up losing something that could have marked Viv's actual career, I guess she wanted to be a screenwriter, but webcomics in general are better because at least you can get more out of it.

Zoophobia is okay, but could have potential and it was shelved and forgotten about thus making it free game for those who wants to rewrite it, I'm only taking Gustav and that's it.

[erinwantstowrite]

Erin I have a question ⁉️

How did you start writing LoF? Like,.not writing it in general, I mean like how did you get—or learned—or studied—all the information regarding the Batfam and their backgrounds, and also about Peter and the Avengers, etc.

Currently, I'm honestly planning on writing a small fiction about Peter ending up in Gotham (You must know your words hold a very dangerous power to inspire) but unfortunately, I don't have the right information to actually START writing it TT_TT. Do you have any tips on how I can start?

(P.S Apologies if this sounds a little confusing, I am not entirely the best at explaining 😞🤞)

There's one person to blame for getting me into DC, and it's @alighterwood

I've always been a fan of Spider-Man. He was my first hero, I wanted to be him soooo bad. I had gotten around to sort of writing my own fic for it with my own version of Peter around last year? (Very much inspired by ITSV, LoF Peter came about because he's his own universe and is based on Spider-Man lore from multiple media versions). I had never thought about writing a Spider-Man fic until ATSV, but at the time I was pretty much dead set on rewriting VLD. I got inspired after rewatching ITSV and then watching ATSV.

But it wasn't until alighterwood got me reading their favorite Batfam fics (specifically Tim) that I started to enjoy Batfam or DC in general.

(My favorite Batfam fic is "The Lone Ranger Never Had to Deal with Bruce Wayne" )

From there I started branching out into learning more about Batfam, what is and isn't fanon, and forming my own opinions. It was a natural progression into "I want my favorite characters to meet each other" and alighterwood's evil genius plan ended up working.

I've read a few comics (mostly the Red Robin series, because Tim was my intro to Batfam so I figured I'd start there) but most of my information?

Wikis, reddits, forums from years (a few of them from decades) ago, my father (who was a Batman fan as a kid) and his friends (my uncles, who were all DC and Marvel nerds), my own friends- basically anything I can get my hands on. If I had a question, it was (probably) answered somewhere, or there was someone else with the same question that made me feel better for not getting it. The internet has a BOATLOAD of information about both Marvel and DC.

It's a LOT of research and note taking, to be honest. I have a physical notebook where I take notes on lore so I don't forget it. I comb through fanon AND canon and I decide from there what I want and what I don't want/what doesn't work and what does work for what I'm writing.

But here's something to keep in mind: at the end of the day, you're not writing FOR anyone else. You're not out to please people who are 100% canon, all the time, nor are you trying to accommodate people who only read fanon material. You're writing for YOU. This part is fun for me, but could be very tedious for other people. I'm a little weird like that (I started writing essays for fun since I learned about them in school).

I like doing research. Like a lot of writers, I go down multiple rabbit holes a day. I start by googling a simple question that should take five minutes and then I see something and go "oh! What's this!?" and pick it up, and the cycle continues when I see something else and eventually remember that I was writing.

I enjoy the research and figuring out the balance. Because DC and Marvel do the same shit with their own works! Shit gets retconned, or they bring characters back from the dead, blah blah blah. The fun part for me IS going insane trying to figure out the Flash Family and their STUPID family tree, or learning about characters that were basically forgotten by everyone- even the writers. The best part is that since it's my fic I'm writing, I can go: "What's the most entertaining way I can use this?" And no one can stop me.

But if YOU don't enjoy that part, and you try to do it, you might lose your spark!! Your inspiration!! You might not have fun, and that's what writing is all about!! My thing is, is that basically every fan interpretation, whether they try to stick to the original source as closely as they can or not, IS FANON. And fanon is fun!!

Basically it all stems down to: it's your sandbox and you can play in there however you want to. And sometimes, people see what you're doing and they're like "Can I play too?" and you're like "Yes that'd be awesome!!"

If you find that you do enjoy the research, I think it's well worth it. It's very satisfying to put together all that work and then get a comment from someone where they say "OMG!! I know that reference!" or "I love this interpretation of this very obscure thing!!"

My advice for writing a Peter in Gotham fic is to know where YOU are starting at, before you start writing your fic. If you're a Spider-Man fan and you don't know much about the Batfam, try reading a comic about them, or find some favorite fics and base your information on that. It works vice-versa, if you know more about Batfam and not a lot about Peter.

Imagine there are two people sitting in front of you. One is a Marvel fan, the other is a DC fan, and they know NOTHING about the other comics. But they both want to hear your story where you have combined them. It's important that you don't lean too much into either side: you keep both of their interest by appreciating the details from both DC and Marvel.

The Marvel fan will be happy to see Peter reacting to a new world and situations, even if they don't know everything you're referencing. But the DC fan will be excited because you care about the place that Peter is interacting with enough to make a joke that maybe only they would get.

So: have fun, explore everywhere you want to, and get a little crazy. Don't worry too much about not knowing everything there is to know. I don't know everything about DC or Marvel either!