#this one does have more but I'm rewriting the ending because it could be better (significantly worse for Jason)

[autisticrosewilson]

Spiral! Jason origin ficlet! @perseus-jackass this is the one I was talking about, part of it at least.

Characters: Bruce Wayne(?), Spiral! Joker, and little! Jason

Tags: Jason has a no good very bad time, Spiral-typical nonsense, hints of body horror at the end, blood and injury, Bruce may or may not actually be Bruce but Jason believes he is

The snow that isn’t there crunches under his boots as he follows Bruce into the land that Isn’t. Sannikov Land doesn’t exist, but it is beautiful. It’s terrifying. It’s impossible. It shifts and bends and melts and reforms. Staircases to nowhere claw themselves from the ground and doors open and close and beckon with bright colors and glimpses of hallways. 

How would a melody describe itself if asked? How does Jason describe everything he sees, everything he hears? The cold seeps into his bones, warms his marrow, generates static at his fingertips that makes his hair stand on end. He has to drag his eyes away from the neverending, shifting spirals that threaten to enclose him, and his gaze lands on the snow. It’s too bright, dull gray. It’s pale and has the opalescent sheen of an oil spill in sunlight. It shifts beneath him more like sand and pulls his boots down like soft clay. The footprints they left behind disappear, erasing the only proof that they are here, not covered by new snow but simply fading from existence. You can not tread on land that isn’t. 

The snow falls, disappears before it hits the ground, shifts colors mid-air, flickering like an idle TV. It bounces off his cheeks and curls and sends static up his spine, then the feeling settles like bursts of hot oil, like sticking his hand too close to boiling water.

Bruce tells him to keep pace, voice tight and eyes straight ahead. He doesn’t seem surprised about any of this, there is no fear, or surprise, or awe, not even the cutting, distant curiosity that usually lingers in his eyes. His face is blank and he will not look at Jason. 

Jason follows dutifully.

Jason is lost. He knows exactly where he is. The map he was given does not make sense. He follows it anyway. He thinks he’s been here a few days, maybe a week. There is no day or night in the endless hallways, his watch is different every time he looks at it. 

Had Bruce known it would be like this? Would he have asked Jason to go inside if he did? Jason would have, if Bruce had told him. He justs wants to help. He keeps following the map.

He can't tell up from down, he doesn't even remember lefts from rights but he stumbles through the disjointed halls anyway, trying to keep to the overlapping scribble of lines that wind around and through each other in a somehow boxy circle.

The laughter starts following him.

The sound will not stop. The hideous laughter keeps pace with him, distorted and sharp and ringing and blurring the edges of his vision with kaleidoscope colors. The floor shifts below him, wood slipping from beneath his feet as he’s thrown bodily on concrete, the floor-ceiling spinning around him, like he’s in a drying machine. He hates the warehouses more than the hallways, the boxes of things that sing awful, luring songs and the unbreakable windows that tease glimpses of the world outside. 

And of course, there’s the host. The thing with the long sharp fingers and the face that blurs and twists, it’s body moves like a centipede and then melts into greasy puddles before reforming into dense fog, too many mouths and they are all laughing. It does not kill him, but Jason wishes it would. He does not heal but he cannot die, the pain lingers and burns but he cannot rest, so he keeps walking, looking for the door-window-mirror that will let him go back to the never ending maze, to start the chase again.

He thinks it’s been a month now. He hasn’t slept in a while. The hunger gnaws at his gangly body as he drags it forward. He will not succumb to it. He wishes he would.

He is in a hospital, the fluorescents are too bright and the buzz is too loud and there has been no respite from the piercing laughter, an overplayed laugh track that gets more unrecognizable every minute. The smell of disinfectant makes his headache worse. He’s always hated hospitals. There’s a winding trail of red dragging through the center of the floor, dipping under the out of place doors in shakey, dissimilar lines. It would be more normal if it were blood, but it’s dry and smooth and not the right shade. He shambles through the unending halls towards the sound of cries he’ll never reach, eyes tracking the world's worst paint job and he leaves his own trail of red. 

The blood that pools behind him dries up as quickly as it hits the floor, the ground seeming to suck it in hungrily.

His socks are dampening from the moist brown carpet, his shoes having long fallen apart. He’s been walking for daysmonthsyears and he hasn’t slept for longer. He has a map, it does not make sense but he has nothing else to do but follow it. Why is he here? Where is he? He doesn’t remember anything but static in his veins and grating laughter that only got louder when his ears started bleeding. He keeps walking and the pictures on the walls change. Are they mirrors? They all show the same hallway from different angles, he is in all of them but he can’t see his face. He doesn’t remember what color his eyes are. Blue or green or purple. Can eyes be purple? It doesn’t seem…right but the thought drifts away as soon as he gets it, slipping through his fingers like snow.

Breaking up the maddening yellow wall-paper is a heavy metal door proclaiming EXIT in big red letters. It is lying. He keeps walking and ignores the scratching from the other side.

The hallway with the green striped walls has no right turns. Left after left after left and there are no doors, or mirrors, or pictures. He doesn’t know what the map is trying to tell him anymore. He starts scratching at the walls when he hears something moving on the other side. His nails are longer now. Or maybe just his fingers? They are sharp at the ends and the walls shudder when he drags his hand down through the rotted wood and plaster. There’s a scream from the other side, panicked and human. His stomach growls. He breaks through into another hallway, with tan walls and patterned brown carpet, lined on either side by rows of doors he knows are locked. He tries them all anyway. The numbers are out of order. The door at the very end of the hall has RUN etched crudely into the door instead of a room number. The handle gives when he tries it.

[deviousdiesel]

.

[duke-daemon]

hazbin hotel redesigns wooooooooo

okay so. i'm gonna discuss my thoughts about them n shit, putting under a readmore bc it's gonna get long and rambley. sorry in advance for the shit formatting, i'm on mobile </3

just some general shit about how i would rewrite it. i think the premise of redeeming sinners is entertaining but is executed horribly. i also am a fan of the "heaven isn't great either" idea but again, executed horribly. i'd make the hierarchy of angels more accurate because it's cool as hell and i have autism about it. the characters from hell would swear still (albeit not as much), but the angels would outright refuse to swear or make vulgar jokes ever. this would be partially to further the gap between heaven and hell and make the differences more stark.

hell would also be more like dante's inferno (again because i think its cool). the ars goetia would get a full redesign and would be more prevalent in demonic society.

now for the characters!

---

VAGGIE VALTIEL:

starting off with vaggie, or Valtiel as i've renamed her because let's be honest her original name sucks. Valtiel (Val for short) was an aspiring power angel who wanted to be an exorcist. she looked up to lute and thought the idea of killing demons was really cool and badass. however when she actually was on the field for the first time she discovered how awful this actually was. she tried to help a few demons but lute figured it out and felled her right then and there. the rest of her story is relatively the same. personality wise she's more stoic and less prone to all-out aggression. she still get angry, sure, but it's in a quieter and more menacing way. you DO NOT want to fuck with Valtiel.

CHARLIE:

next up is charlie! i had two ideas for her. the first one (unsettling drawing) has her as a mannequin/doll type demon. lucifer and/or lilith was unable to conceive and as such they built a kid from scratch. she's overall similar to og charlie personality wise, very kind and cheerful despite her unsettling appearance. she struggles with empathy sometimes but really does mean well. her motive for rehabilitating sinners is so they get to see their family again. being able to see heaven from where they are in hell must make them sad, so she wants to help make them happy again!

the second idea for charlie has her as an angel. specifically i casted her as a dominion angel due to their reputation as holy judges. she was once a demon but has been rehabilitated and has risen into angelhood! she now wants to help her former kin do the same and redeem themselves in heaven's gaze. again, similar cheery personality, but a bit more prudish in this rendition

tangent time!

as a side tangent, valtiel and charlie would have a different relationship in this rewrite. their relationship felt shoehorned in in the original show, like it was just there for the hell of it. we didn't see much development between them and it just felt kinda bland. so in my rewrite, charlie and valtiel are amiable exes. they tried dating when valtiel first fell (when charlie was still a demon in the charlie-angel version) but realized their feelings for each other were much more platonic than romantic. they ended things off on good terms, deciding they were much better as friends. they are still besties to this day! later charlie ends up with emily (or 'ellie' as i plan to rename her)

back to the characters

Alastor:

note: i made alastor mixed-race, which could be seen as bad by some due to vivzie saying he's black. however, as many have pointed out, he has no ethnic features whatsoever and i honestly wouldn't be surprised if she said that just to get away with using voodoo symbols (a closed religion) in his imagery/design. like viv, i am incredibly white and have little to no knowledge of voodoo, and even if i did i would not use it for something like this anyways due to the stigma the religion already has and (again) it being a closed practice. as such i removed it from his concept altogether, but made him mixed race (white passing) because.. why not i guess, i forgor my actual reasoning

with that being said...

alastor is by far my favorite of the redesigns and i'm honestly tempted to turn him into a legally distinct oc. i imagine he's somewhat reserved, along the lines of norman bates albeit a bit more extroverted. during his life he was a serial killer with a day job as a radio announcer. he took pleasure in reporting about his own murders on the radio, but that is eventually what got him caught (ie accidentally letting slip info that wasn't released to the public). as a result he was sentenced to death. upon arriving in hell, he quickly rose through the ranks to borderline overlord status and is a feared presence by demons and sinners alike. why is he bothering to assist in the hotel project? who knows... his motives are a mystery, like the rest of what he does

(he isn't actually alastair crowley i just thought the naming convention was ironic. however he may have also dabbled with satanic magic in lifetime..)

Angel Dust:

TW: brief discussion of SA

this is definitely my second favorite redesign. i loooove insect themes and wanted to do more than just Extra Arms, so he now has fucked up legs and a lot of eyes too! story-wise, angel used to be a criminal mastermind, hated by both the mafia and the feds. he was a gentleman thief, arranging massive heists under the cover of night while also partaking in the occasional drag show. he ended up a cocaine addict later in life, which caused his work to become sloppier. eventually he was killed in a heist gone wrong, specifically shot by the police.

i'm not gonna go too in-depth on the SA part of his story, but he is hypersexual due to being assaulted in both his life and afterlife. it would be something he'd be working on in the rewrite. his reason for coming to the hotel in the first place may have even been for help with this trauma. underneath his sultry exterior is a broken guy who really just needs someone to care about him for who he really is and not for what his body can do.

LUTE:

so lute and adam are some of the characters i have the most gripes about. the biggest one being why viv chose adam as the leader of the exorcists in the first place. if she wants a biblical figure tied to demon killing, Archangel Michael is RIGHT THERE, aka the one destined to kill satan during the events of Revelations. if she wants the first human to die, that would be Abel, not Adam. and i kinda doubt abel would want to do the stuff that HH!adam has been doing. if she wants an angel related to torture, Dumah is her guy! an angel that rules over wicked souls and tortures sinners every day except sabbath. so many better options...

with that out of the way, Lute is still the lieutenant of the exorcist, who are a specially chosen group of powers sent to purge hell once a year. think navy seals. she's pretty much the same as in the show, albeit more muscular and visually different from other exorcists (seriously why do they all look exactly the same?????) she's a very repressed lesbian who hasn't had time to work on that due to her duties

i also redesigned the exorcist uniform/armor because those LED purge masks are fugly as hell and their clothes don't even look remotely like armor.

Adam + Final Thoughts

i did start a redesign of adam but got bored of it. regardless, i think he'd be the head of C.H.E.R.U.B. instead of the exorcists. he doesn't want his children to make the same mistakes he and eve did, so together they started C.H.E.R.U.B. to help lost souls stay out of hell

final thoughts uhhhh i'm tired. show sucks, it had so much potential but viv ruined it by being a shitty writer and an even shittier person. the designs are fine i guess but they all look exactly the same and are in desperate need of variety. the humor is dogshit, saying dick and balls and penis over and over and over again doesn't make it any funnier than the first three times you made that joke. anyways that's it, i hope you liked my inane ramblings. gonna go vanish for another forty years or so, adios

[physalian]

“How do I know if my story needs work or if I’m just being hard on myself?”

As I sit here accepting the fact that at 70k words into Eternal Night’s sequel while waiting for my editor for Eternal Night itself, that I have made an error in my plot.

Disclaimer: This is not universal and the writing experience is incredibly diverse. Figuring this out also takes some time and building up your self-confidence as an author so you can learn to separate “this is awful (when it’s not)” and “this is ok (but it can be better)” and “this isn’t working (but it is salvageable).”

—

When I wrote my first novel (unpublished, sadly), years ago, I would receive feedback all over the chapters and physically have to open other windows to block off parts of the screen on my laptop to slow-drip the feedback because I couldn’t handle constructive criticism all at once. I had my betas color-code their commentary so I could see before I read any of it that it wasn’t all negative. It took me thrice as long as it does today to get through a beta’s feedback because I got so nervous and anxious about what they would say.

The main thing I learned was this: They’re usually right, when it’s not just being mean (and even then, it’s rarely flat out mean), and that whatever criticisms they have of my characters and plot choices is not criticism of myself.

It did take time.

But now I can get feedback from betas and even when I hear “I’d DNF this shit right now unless you delete this,” I take a step back, examine if this one little detail is really that important, and fix it. No emotional turmoil and panic attack needed. I can also hear “I didn’t like it” without heartbreak. Can’t please everyone.

The only time I freak out is when I'm told "this won't need massive edits" followed up by, in the manuscript, "I'd DNF this shit right now". Which happened. And did not, in fact, require a massive rewrite to fix.

So.

What might be some issues with your story and why it “isn’t working”.

1. Your protagonist is not active enough in the story

You’ve picked your protagonist, but it’s every other character that has more to do, more to say, more choices to make, and they’re just along for the ride, yet you are now anchored to this character’s story because they’re the protagonist. You can either swap focus characters, or rework your story to give them more agency. Figure out why this character, above any other, is your hero.

2. Your pacing is too slow

Even if you have a “lazy river” style story where the vibes and marinating in the world is more important than a breakneck plot, slow pacing isn’t just “how fast the story moves” it’s “how clearly is the story told,” meaning if you divert the story to a side quest, or spend too long on something that sure is fluffy or romantic or funny, but it adds nothing to the characters because it’s redundant, doesn’t advance the plot, doesn’t give us more about the world that actually matters to the themes, then you may have lost focus of the story and should consider deleting it, or editing important elements into the scenes so they can pull double-duty and serve a more active purpose.

3. You’ve lost the main argument of your narrative

Sometimes even the best of outlines and the clearest plans derail. Characters don’t cooperate and while we see where it goes, we end up getting hung up on how this one really cool scene or argument or one-liner just has to be in the story, without realizing that doing so sacrifices what you set out to accomplish. Personally I think sticking to your outline with biblical determination doesn’t allow for new ideas during the writing process, but if you find yourself down the line of “how did we get here, this isn’t what I wanted” you can always save the scenes in another document to reuse later, in this WIP or another in the future.

4. You’re spending too long on one element

Even if the thing started out really cool, whether it’s a rich fantasy pit stop for your characters or a conversation two characters must have, sometimes scenes and ideas extend long past their prime. You might have characters stuck in one location for 2 or 3 chapters longer than necessary trying to make it perfect or stuff in all these details or make it overcomplicated, when the rest of the story sits impatiently on the sidelines for them to move on. Figure out the most important reasons for this element to exist, take a step back, and whittle away until the fat is cut.

5. You’ve given a side character too much screentime

New characters are fun and exciting! But they can take over the story when they’re not meant to, robbing agency from your core characters to leave them sitting with nothing to do while the new guy handles everything. You might end up having to drag your core characters along behind them, tossing them lines of dialogue and side tasks to do because you ran out of plot to delegate with one character hogging it all (which is the issue I ran into with the above mentioned WIP). Not talking about a new villain or a new love interest, I mean a supporting character who is supposed to support the main characters.

—

As for figuring out the difference between “this is awful and I’m a bad writer” and “this element isn’t working” try pretending the book was written by somebody else and you’re giving them constructive criticism.

If you can come up with a reason for why it’s not working that doesn’t insult the writer, it’s probably the latter. As in, “This element isn’t working… because it’s gone on too long and the conversation has become cyclical and tiring.” Not “this element isn’t working because it’s bad.”

Why is it bad?

“This conversation is awkward because…. There’s not enough movement between characters and the dialogue is really stiff.”

“This fight scene is bad because….I don’t have enough dynamic action, enough juicy verbs, or full use of the stage I’ve set.”

“This romantic scene is bad because…. It’s taking place at the wrong time in the story. I want to keep it, but this character isn’t ready for it yet, and the vibe is all wrong now because they’re out-of-character.”

“This argument is bad because…. It didn’t have proper build-up and the sudden shouting match is not reflective of their characters. They’re too angry, and it got out of hand quickly. Or I’m not conveying the root of their aggression.”

—

There aren’t very many bad ideas, just bad execution. ��Only rational people can think they’re crazy. Crazy people think they’re sane,” applies to writing, too.

I just read a fanfic recently where, for every fight scene, I could tell action was not the writer’s strong suit. They leaned really heavily on a crutch of specific injuries for their characters, the same unusual spot getting hit over and over again, and fights that dragged on for too long being unintentionally stagnant. The rest of the fic was great, though, and while the fights weren’t the best, I understood that the author was trying, and I kept reading for the good stuff. One day they will be better.

In my experience beta reading, it’s the cocky authors who send me an unedited manuscript and tell me to be kind (because they can’t take criticism), that they know it’s perfect they just want an outside opinion (they don’t want the truth, they want what will make them feel good), that they know it’s going to make them a lot of money and everyone will love it (they haven’t dedicated proper time and effort into researching marketing, target audiences, or current trends)—these are the truly bad authors. Not just bad at writing, but bad at taking feedback, are bullies when you point out flaws in their story, and cheap, too.

The best story I have received to date was where the author didn’t preempt with a self-deprecating deluge of “it’s probably terrible you know but here it is anyway” or “this is perfect and I’m super confident you’re going to love it”.

It was something like, “This is my first book and I know it has flaws and I’m nervous but I had a lot of fun doing it”.

And yeah, it needed work, but the bones of something great were there. So give yourself some credit, yeah?

[satorusugurugurl]

I Think He Knows: (Chapter Four)

Summary: When your novel takes off and becomes a best seller, doors of opportunities open for you. You can work on the series you have dreamed about all your life. And you’re also given the chance to stay in a tiny cottage in Europe for two years to help with inspiration! Your best friend, Geto Suguru, shatters at the news. How could he tell you how he feels when you leave him? His opportunity appears right before him when you confess that your editor thinks a change of scenery will help with your not-so-steamy romance scenes. They’re lacking a particular spice because you’re a virgin. So, Suguru does what any best friend would do. He offers to teach you how things work. Will you cross that line as friends? Or will you both say goodbye?

Pairing: Geto Suguru x FAB!Reader

Word Count: 4,954

Warning: Language, fingering, hand-job, kissing, heavy description of genitals.

A/N: Here’s the update!! I'm sorry its so late. My wrist feels a lot better today!! 😘💚💚 thank you for your patience!!

Part One Part Two Part Three Part Five Part Six Part Seven Part Eight Part Nine Part Ten Part Eleven

You were glaring at your computer screen; the words struggled to come to you. Nanami was pleased with the changes you had made to your latest chapters; he said the kiss scenes were much more realistic, all thanks to your best friend, but as much as he liked it, it still didn't change the fact that your smutty mutual masturbation scene sucked balls.

“It’s getting there.” He glanced back at the words. “You’ve moved on from using meat stick to penis—while is anatomically correct, it’s not quite rousing. Perhaps try using the words shaft, dick, maybe cock.”

“Kento!”

“I’m being serious, how many erotic novels have you read where the writer uses ‘she grasped his penis in her hand�� no ‘she grabbed his cock’.”

“Right—”

“Then there’s the climax.” Nanami sighed, flipping through the pages. “Be honest with me; have you ever seen a man have an orgasm? It’s not like a fire hose in hentai—” A judgmental look was shot in your direction, which was well deserved. “It’s more like spurts.”

“Ugh, seriously?”

“Yes, and Oaklynn’s orgasm, you just described her facial reactions and breathing. Get into the pulsing or contractions she feels. Hell, make her squirt. Ilsan is a knight; he's been to brothels so the man would know how to please a woman.”

“Squirt—?”

The way Nanami deadpanned at you before running a hand down his face told you he had figured it out. He must have finally put the deli meat sex scenes, terribly written orgasms, and your lack of knowledge of female orgasms. You slowly sank lower into the booth with a flushed face.

“You’re a virgin.”

“You’re a virgin~” You mocked, sticking up your nose as the nightmares and flashbacks of your luncheon came to an end. Nanami’s suggestion to watch porn gives it a better understanding of how orgasms work. There was no way in hell you were doing that. “I don't need to have sex to know how to write a good sex scene!”

That statement was true, and having some experience would benefit you. It had kissing scenes. And it most definitely would help you with the grinding scene in the alley you were adding in. Suguru made things comfortable for you; he wasn’t pushy or manipulative. He was so gentle and kind, making sure you felt okay. You were so grateful for him, but after you started feeling weird last night and told him to stop, maybe he didn't want to keep doing stuff with you.

If you were honest with him, maybe he'd understand. But it wasn't very comfortable. It felt so intense, and you were all tingly.

Once you finished your rewrites, you would have to sit down and talk to him. You just hoped he didn’t think you were avoiding him after what happened. The sooner you finish, the sooner you can talk to him, get things back to normal, and maybe ask him to help you more. His lessons truly were helping you.

If only we weren’t having such a hard time with the stupid scene!

“Come on, just type it, dick, just type out the letters. DICK.” Your fingers hovered over your keyboard, your eyes narrowing at the screen. “It’s just a word!”

Before your fingers could even touch the ‘D,’ a fist pounded against your door. At first, you were startled; your heart lurched into your throat as your hand rested against your chest. The fist slammed against the door once again. If someone knocked at your door at 2:30 in the morning, it wasn’t a good sign. You were about to grab your phone to call Suguru when you heard his voice at the door.

“Answer, answer god, please.”

He repeated the exact words as you shove your lap desk off to the side before jumping up for the door. You open the door just as Suguru pulls his fist back to knock again. His face was pale, and his dark bangs clung to his forehead with sweat. The dark circles under his eyes were the evidence of the nightmares that he had been having and the lack of sleep.

Regardless of his appearance, your eyes still frantically searched him up and down. You were trying to find evidence of injuries or something that told you what was wrong. You could find no traces of anything other than his insomnia. He was in a white T-shirt and baggy gray sweats and stood there silently. Look of relief washing over your face. He just stood there. A look of relief washed over his face at the sight of you.

“Suguru? What’s wrong? What happened?” He doesn’t answer your frantic questions; instead, he grabs you, pushing his way inside your apartment and kicking the door shut. “Suguru?!”

You yelp as you both fall to the floor, his arms wrapped firmly around you as he holds you flush against his chest; your best friend is shaking, his breath heavy as he clings to you as if you would vanish if he let go. Seeing him in such a state made you sick to your stomach. He didn’t deserve to be plagued with the pain of what happened years ago. You knew he blamed himself for what happened with Riko. You wish you could take the pain away from him.

While that was impossible, you could be there for him when he needed you the most. So you wrapped your arms around him and squeezed, hugging him as tight as possible. “Thought I lost you.” He whispered, his hands clinging onto your tank top.

“Suguru—” you whisper, hands gently caressing his back. “You’re not going to lose me.” You feel him relax against you, shaking softly as he pulls back an inch. “Nightmares again?” His dark strands of hair cover his eyes, but he nods. “Sugu, oh sweetie—do you wanna stay the night with me?”

Your words seem to hit him like a freight train. The panic and fear in his eyes turned into relief. His muscles relax as he exhales through his nose. You reach up and caress his cheek, letting him know you are there, and he leans into your touch, nuzzling his cheek into your palm.

“Yeah, can I please?”

“Of course you can.” You lock the door before grabbing Suguru’s wrist and pulling Jim into your bedroom. “You can go to sleep. I need to finish editing this page before I lay down.”

As you sit back down, placing your lap desk in front of you, Suguru takes a moment to look around your bed. There are tiny Post-it notes and looseleaf paper spread out over your comforter, along with the mini spiral notebook you had in your purse. He had teased about it initially, but he realized that you need to jot down your ideas when inspiration hits you. So your stocking was full of the little mini notebooks you loved to carry.

Seeing that blissful smile tugged at your lips, in the warmth of the flush in your cheeks, made Suguru float with happiness. That joy that was brought on by notebooks was something he would never forget. He wanted to make you happy for the rest of your life. Not just with notebooks but a life you both could build together in a romantic relationship. Suguru wanted to give you the world on a silver platter because you deserved it and much more.

“Oh fuck, sorry, Sugu.” Small hands quickly removed the notes and the papers covering the other side of your bed. “Just transcribing and everything.” You motioned for him to lie down, patting gently on the mattress.

Suguru crawled into bed with you, covering himself with the sheet, before snuggling his head against one of your pillows. The smell of your favorite shampoo and conditioner had his nerves relaxing as he watched you glare at the screen. From the way your nose was turned up, you were deep in thought. His curiosity got the better of him, and he learned in closer, his eyes roaming over the screen.

‘Oaklynn’s face scrunched up in pure pleasure as her orgasm hit her. Her breathing was heavy, and Ilsan growled in her ear, pumping his fingers in and out of her vagina.’

Vagina?

‘That’s it~ such pretty sounds—nngh!’ Ilsan’s voice cracked as Oaklynn’s soft hand squeezed his penis, twisting her wrist as she stroked. ‘O-Oh gods! Oak~ Oaaak!’ A spray of cum coated Oaklynn’s hand, his sticky seed spraying all over her, pooling onto the mattress below them.

“PFFT!” Suguru tried hard not to laugh, his hand flying up to muffle the chuckle. But god, it was too funny!

Upon hearing the laughter from your best friend, your eyes snapped down. There he was, tears in his eyes, tanned skin flushing a rosy color as his eyes remained glued on your screen. With a tiny gasp, you slammed your screen shut before hiding your face in your hands. Your jerky, panicked motions seemed to set Suguru off more as he threw his head back, barking out in laughter.

“Oh my god! Stop!”

“W-Why was he cumming like a faucet?!” Suguru rolled onto his back, wiping at the tears.

“Stop it!”

“And using the words vagina and penis? I preferred it when you called it Meat Stick and Fairy Cave!”

You grumbled before moving your hands to push him. “Could you please stop talking!? Please, I know it’s bad!” Those words had Suguru jerking his head up, finding you flushed cheeks and glimmering eyes.

“It’s not bad—”

“Yes, it is! This screams, ‘A virgin wrote this! She’s never gotten any action,’ Which is true! How can I describe an orgasm when I’ve never even had one?!”

The truthful outburst left you panting as Suguru’s laughter abruptly stopped. His dark eyes were transfixed on your face before you got up, putting away your notes and laptop, and as you silently moved around the room, you could feel Suguru’s eyes on you. And they stayed locked on you until you crawled into bed with a sigh, curling onto your side.

The self-doubt was in your every move, from how your body tensed to your shallow breathing as you fought back tears. You knew Suguru didn’t laugh to be malicious, but it wasn't a confidence booster either. At times like these, you questioned if you were good enough to do this and if writing a smutty fantasy was what you were capable of.

Suguru frowned as he watched your body tremble, soft whimpers sounding in your chest. God, he felt like an asshole. With hesitant movements, Suguru inched himself closer to you. His hand gently inches itself around your waist, pulling you into his chest. Seeing that you didn't fight him or verbally tell him no, Suguru wrapped his arm underneath you, spooning you.

“I’m sorry.” His breath was hot against your cheek. “I shouldn't have been snooping, especially when you were in rewrites.”

“I-It’s okay. I’m struggling with it; I want to be the best I can, ya’ know?”

“Mhmm, I know princess.” The warmth of his body had you relaxing. “Can I ask you a question?”

You turned your head and pressed your cheek against his. “Yeah, of course you can.”

“You’ve never had an orgasm?” His voice was so smooth and sultry, making you shiver. “Like ever?”

It was true; you struggled to reach the mythical ‘Big O’ since you started masturbating. You felt like you would get close, it was within grasp, but you would fall short. There was a time you thought maybe you did, but the fact you had to question yourself was the only answer you needed to know that you had, in fact, not had one.

“No, I haven't; I think my fairy cave is broken.”

Suguru’s chest rumbled as he laughed loudly, giving you a tight squeeze. God, he had it so bad for you. You were so innocent and cute; you had such a good sense of humor.

“I don't think it’s broken.” His statement had you rolling so that you were facing him. “You just need to explore it some more.” His hand reaches down gently, resting it on your ass. “I could talk you through it if you want.”

Tingles ran down your spine as he squeezed the fat of your ass. It was a mixture of relief and excitement that your reaction didn't turn him off from the night before. Your hands moved, gripping his shirt gently before biting your lip. You had tried so many times before, but Suguru—he knew what to do.

“I don't want you to talk me through it—I want you to do it.” Suguru’s dark eyes went wide, his pupils the size of pinpricks. “If you want to.”

Your best friend leaned close to your ear before placing a kiss against it, and he moved further down to your neck, his tongue past his lips, kisses and little licks over your sensitive skin. The sensation had you squirming, your pulse racing in your throat, and a shuddering sigh left your mouth. Suguru sucked on your neck as his hand groped and massaged your ass. Your body felt like it was kindling with fire, a low burn in the pit of your stomach as he continued to pepper kisses over your neck.

“You want me to make you cum?”

“P-Please.”

“I’d do anything for you.” He grunts gravelly into the crook of your neck. “I’ll make sure you know what an orgasm feels like. That way, your already amazing writing is more accurate.” Teeth grazed over the skin, leading to your shoulder, as one of Suguru’s hands slipped under your shirt, trailing over your belly. “Can I touch you?”

“Y-Yea—aah—” his hand groped your breast the second he heard ‘yeah’ leave your mouth. He gently squeezed it, massaging it between his long, thick fingers. His thumb gently brushed over the nipple with every squeeze. “Mmm—” you pressed your lips together as your eyes tailed down, watching his hand move underneath your tank top.

Suguru continued to kiss and nip at your neck, trailing kisses so gently over your skin; well, his other hand pinched and pulled at your nipple, rubbing the bud between his fingers. The way your body twitched and jerked underneath his touch had his cock throbbing hard within the confines of his sweats. The breathless gasps, the way you took your bottom lip between your teeth, gently gnawing at it, you look so fucking hot; he wanted to do more to see what other reactions he could draw out from you.

Suguru’s hand left your breast, slowly trailing down past your stomach before pressing his whole palm over your clothes-clad pussy. Being touched intimately for the first time had you jerking, eyes snapping shut. Suguru groaned, rubbing his hand over your pussy, feeling the warmth of your sex. You gasped as he pulled his hand away to his index and middle finger over your clothed clit. Your body jerked forward, your arms wrapping around his neck, hands sticking into his hair as he brushed over the sensitive bundle and the nerves a second time.

“Does that feel good?” Suguru asked, his mouth pulling away from your sensitive skin.

Your mouth fell open as your eyebrows knitted together. “F-Feels r-real good.” His fingers began rubbing against your clit in slow circles, drawing out a whine from your chest. “O-Oh fuuuck S-Suguru.”

“I got you~ I got you, don't worry.” His fingers rubbed faster, memorizing how you jerked and reacted, repeating the same movements to get you to respond more.

The intensity of everything was becoming too much for you to handle. It felt like your whole body was on fire, like a pot on the stove roaring to a boil. You needed more; you weren’t sure what, but you needed more of this, of Suguru. He needed to quench your thirst, to put water on the flames burning with every nerve of your body, and you knew that his fingers would be the only thing that could help you.

“I-I want more.” Your voice was so timid, making Suguru’s hand seize up momentarily. “Please.”

“You sure?” he asked, his voice dark and husky.

With a nod, you grabbed his wrist, bringing it up to the waistband of your shorts. “Yes, I’m positive.” You gently pushed his wrist down, allowing his fingers to slip under the elastic band. You could’ve sworn Suguru choked on his breath, his eyes widening in the low light of your bedroom as they glanced down to his hand that had breached your shorts.

Suguru wrapped his arm around you, holding you steady as his hand dipped lower, brushing against your slick folds. The initial contact has your head tilting back m as he groaned, feeling your delicate skin before rubbing at your clit gently. You gripped the fabric of his shirt, digging your nails into it. Your body trembled as you buried your face into his neck, whimpering against his skin.

“S-Suguru—”

“Is this okay?” Suguru moved slowly, carefully listening closely to your breathing and noting how you shook—memorizing each twitch, saving it for him to jerk off to when you fell asleep. All you could do was nod your head as you lost yourself in the pleasure. Seeing that you were doing so well, Suguru slipped his hand back further, his thumb rubbing against your clit before slowly sliding two fingers into you.

“Nngh!” You gasped out, pressing your lips against Suguru’s neck as you mewled. “Sugu~! Sugu~!” Your walls were beginning to flutter and convulse around him as he slowly curled his fingers in.

Feeling your hot breath against his neck, how your lips gently traced unintentional kisses over his sensitive skin had his cock throbbing hard. Suguru pressed into you, rubbing his hardening cock against your thigh. He slowly began thrusting his fingers in and out of you, wet squelched flooding the room as he rubbed your clit harder.

“I want to make you cum Princess.” He snarled against your cheek.

The vulgar words had you clamping down harder on his fingers. Your body was getting hotter, from your toes to your pussy, all the way into your stomach. That coil from a few nights before began tightening, coiling deep inside you. The intensity had you tugging on Suguru's shirt.

“S-Sugu~ f-feels intense a-again—Ah oh fuck it’s l-like before.” There was a twinge of uncertainty and fear in your voice. “I-I—”

“I know it's weird, but just let go. I got you—it’s going to feel so fucking good in a second.” His fingers moved in and out of your tight, wet heat faster, drawing out more gasps from you. “Trust me.”

“I-I do feel good, b-but—” Suguru hooked his fingers up, moving them in a come hither motion, causing your legs to shake. “Fuuuck! Oooh fuck!”

“God, you sound so good,” he whispered so softly you couldn't hear him over your moans. “So good.” Suguru had dreamed about doing this to you for so long, to have you underneath him, showing you how much you meant to him. It was a dream to have you clinging to him, gasping his name.

“Sugu—Suguru—” You could feel something coming; it was intense, making your toes curl. “S-Sugu—I-I—I think—!”

“That’s it~ that’s it, let go~ you’re gonna cum.”

His fingers pressed into the sponge spot inside of you. The pressure of his fingers and his thumb rubbing your clit had you seeing stars. You screamed into his neck, shutting your eyes tight as your thighs clamped around his hand. The pure fiery pleasure had your whole body and pussy convulsing as you cried out loudly, so loud Suguru heard your neighbor hit the wall with a ‘shut up.’

Suguru couldn't care; he wanted you screaming his name. He groaned as he felt your slick on his fingers, slowing down to help you ride out your first orgasm. "Shhhh, shh—princess, don't be too loud~" You panted heavily against his neck, tears in your eyes as the last waves of pleasure washed over you.

“Oooh fuck.” You wheezed out as Suguru gently pulled his finger out of you. “Oh my god.” As you rolled onto your back, Suguru quickly slid his fingers into his mouth, sucking your cum off with a satisfied growl. You tasted sweet with a tang of citrus; it was addictive. God, what would he do to taste it firsthand?

As he pulled his fingers out of his mouth, you rolled back onto your side and stared at him. Suguru smiled cocking an eyebrow at the almost unreadable expression on your face. “Yes? Can I he—eeegh!” Your hand brushed over his hard cock, catching him off guard. “W-What are you doing?” you say up on your knees, cheeks flushed with post-orgasmic glow and determination.

“I-I've never seen a man cum! A-And seeing that you offered to help me, c-could I watch you jerk off? O-Or maybe if it’s okay, could I touch you? Y-You’re hard, right?”

Your bluntness and straightforward request left your best friend gaping at you. You wanted to touch him? God, this was like two dreams coming true. But as much as he wanted to have your hand on him, he was afraid he’d blow his load the second your fingers wrapped around him. So he's going to have to compromise for now.

“How about I jerk off, and you can wrap your hand around me?”

“Okay! Um! Let's start.”

You sat back on your heels, swallowing hard as Suguru pulled the sheets off his body. You could hear your pulse pounding in your ears as you watched your best friend sit up, resting his back against your headboard, dark hair falling over his shoulder with every movement. Why were you so nervous? It was just Suguru’s dick, just your best friend, who just made you cum your brains out. Nothing about this should make you anxious! He was helping you! This was research!

But your research had your pussy throbbing as Suguru hooked his thumbs under the waistband of his pajama pants and pulled it down. When he did, his thick erect cock bounced, landing against his stomach with a hardy thump. It was heavy and thick, and it had you pressing your thighs together. The tip was a deep, dusty, rose color, dribbling out a clear substance from the tip. His shaft was tan; thick veins ran up and down as it twitched.

“Oh—” you whispered, taking in his well-trimmed pubes, admiring his happy trail that went from the bottom of his belly button down to the base of his cock. “Oooh fuck.”

“Yeah—” Suguru groaned, tilting his head to the side as he watched you with dark, knowing eyes. He saw the way you looked at him, your gaze lingering on his cock. “this is it.”

Suddenly, it became crystal clear why he had so many romantic partners. He was thick and big. You’re sure it would hit every place inside you that would feel good. Wait a minute, not you, his previous partners! It must’ve hit all the right places inside of them. It probably felt so good. Like how his fingers felt pressing that spot inside you. His cock had the perfect curve that would hit it just right.

“You good there? Did your virgin brain malfunction?”

In a way, it did, but you wouldn’t acknowledge that it had. “W-What!? No, of course not!” your eyes started to burn with a visible flush. “No.” Suguru just laughed breathlessly.

“I'm just teasing you, come here, I’ll show you what it looks like when a guy cums.” Your eyes slowly drifted back towards him, your breath catching in your throat at the sight of him stroking his shaft. His hand moved silly up and down, smearing what you could only assume was pre-cum over himself. “Fuccck.” he grumbled, “I’m so hard, I-I'm probably not going to last long.” That was okay with you. “You can wrap your hand around mine.”

With his invitation, you placed your hand over his moving your arm up and down as he stroked his cock. He didn’t go all the way down to the base. Instead, he focused his attention on the head of his cock. Each time, he stroked his cock, his head tilted back against the headboard as his legs spread. The muscles in his upper thighs constricted with each jerk. He looked so fucking good, like some sex god.

Seeing him in such a state had you trying to match his movements as best as possible and attempting to keep up with his steady but jerky pace. Your eyes wandered to where his shirt pulled slightly up, just enough for you to see the bottom half of his abs that were clenching with each stroke that focused on the head of his cock.

While his movements utterly entranced you, Suguru’s eyes were drawn to you. The way you took your bottom lip between your teeth, how your eyes roamed over him, focusing on the muscles in his stomach, before trailing back towards his cock. Your presence was enough to have him dribbling more pre-cum out. Suguru straightened his legs out, toes curling as his hand moved faster up and down over the head of his cock. He had it down so bad for you that it was going to be enough to send him over the edge.

“Oooh fuuuck~ fuck fuck fuck~” he growled through gritted teeth. “Fuck yeah.”

Fuck, oh God, he looks so good. Watching him pleasure himself had you feeling warm and fuzzy deep inside. He was really into jerking his hand up faster, squeezing himself hard. He looks so fucked out of his mind, and you were sure if you could see your face, your expression with mirror his. There was something about watching him getting off that had your pulse racing in your pussy throbbing, your shorts were already wet enough, and you could feel more slick coating them.

Moving your hand with his wasn’t enough. Biting down on your lip, you pulled his hand away. “Hey, what ar—aah—” Suguru’s head lolled back as you wrapped your soft hand around him, jerking your hand up and down at the same pace he was going.

“O-oooh.” You were not expecting it to be as velvety smooth as it was. The feeling of his cock in your hand had awakened something in you. You leaned over him, resting your free hand on his upper thigh. Stroking your hand over his cock up and down faster and harder, squeezing it like he had done to himself.

Suguru threw his head back against the headboard, hissing through his teeth as his eyes watched your hand move up and down over him. He had the scenario so many times in his head and his wet dreams when he would stroke himself until he would cum all over his hand. The final push was to feel you touching him with such enthusiasm.

“C-Cummin! Fuck! I’m cumming Princess!” Spurts of thick white cum shot out of his tip, lashing out over his stomach and his T-shirt. It wasn’t all like a hose; it was small ropes, for it to be exact, that lashed out over him and your hand. “A-Aah!” His whole body jerked his abs, clenching as his eyes rolled back, and you continued jerking your hand, milking him for all you could.

“W-Wow, tha-that was hot.” at the sound of your voice Suguru shot his hand forward, grabbing your wrist, stopping you from continuing to move over his cock. “O-Oh, sorry—“

“N-No, you’re okay, just sensitive.” He grunted as he let you go, allowing you to pull your coated hand back.

You both sat in your bed, traces of your orgasm coating both of you as Suguru came down from his high. Silence filled the open air between you, but it wasn’t at all awkward; instead, it was thick with tension, sexual tension. A tension Suguru was familiar with while the feeling was alien to you. Part of you wanted to reach out and kiss him, but something inside you prevented you from moving forward. Because this wasn’t a relationship, this was just your best friend helping you when you were struggling. It was nothing more than that.

Seeing as you were the only one capable of functioning, you got up and headed into your bathroom, grabbing a warm wet rag to clean you both off with. “Thank you for letting me do that.” You whispered as you cleaned off your hand before gently handing him the rag. “That was very informative, and I think it will help me with the pages. I’ve been struggling with it.” Suguru stared blankly at you, taking in your words as he wiped his cum off his stomach and shirt.

“Of course, I’m glad I could help you out.”

“Uhm, so do you wanna go to bed?”

“Yeah—yeah, that sounds good.”

“Awesome!”

After snatching the rag from him and tossing it in the bathroom, you crawled back into bed with your best friend. A man you had known since your childhood who you had grown up with. The two of you had been through thick and thin together, always there for one another no matter the circumstances.

As you lay down on your side, Suguru wrapped his arms around you, pulling you flush against your chest. You couldn’t help but wonder if you both had crossed the line tonight. Or if you had taken a step towards a new chapter of your relationship? Those questions could wait until morning because you were only concerned about how good it felt to be wrapped in his arms, listening to his heartbeat as you both drifted to sleep.

Forever Tag List:

@darkstarlight82 @pandoness @nealeart @simp-plague @sugurubabe @chilichopsticks

Tag List (TO BE ADDED AGE MUST BE IN BIO)

@lemonintrovert01 @spankmydepression @renttheannihilator @witchbybirth @missmuffinr @lialia3945 @theobsidianempress @aquasan29 @toffeebrat @aussiemeerkat @chimichangagirl @zoroisminty @spankmydepression @em-aizawa @gojosimp26

[f1goat]

his teammate + lando norris x part three

In which you find yourself getting closer to your brothers new teammate who's a dick.

lando norris x fem!verstappen (sister) + cursewords + eventually smutty i wrote this before, but i'm rewriting it because i missed somethings. you can comment if you want to be added to a taglist :) thanks for reading!

masterlist x playlist

Lando has always been impulsive. When he was younger, he tried to control his impulses. Just like his parents told him to do. Since his successes in the racing world, he doesn’t try to control them anymore. His impulses make him stronger on the race track. He likes to say and do anything he wants without thinking about the possible consequences like hurting someones feelings. As if he cares about something like that. He’s aware that he turned a bit arrogant, but he blames his succes for that. Who wouldn’t be arrogant if they were him? Every girl wants to be with him and every guy wants to be him. He likes that. He knows he’s good looking and that the girls want him for his looks, money and fame. But he doesn’t care about that. He likes it most of the time to be himself. When he takes the time to overthink everything, he doesn’t know what to think about it. 

Sometimes he wondered how it would be if he was still in contact with his parents. Other times his friend Max tells him that he’s getting too arrogant and needs to think a bit more. He knows he has an attitude, but doesn’t that make him himself? Who would he be without his rude behavior? Lando doesn’t even know anymore. He does know that he doesn’t want to think about that. He likes himself. End of discussion. 

Lando knows that he’s one of the most hated guys in the motorsports right now. It’s hard to miss. Although he tells everyone that he doesn’t care about that, he sometimes finds himself thinking and caring about it. Sometimes he even thinks about bettering himself, but most of the time he doesn’t act any different. Until tonight. 

You have made an impact on him. It was an impulse to text you. After you saved his ass - by offering yourself, he felt the sudden urge to thank you. When he came home, he texted Christian for your number. When he didn’t respond quick enough, Lando called him awake. The short text conversation that he had with you, made him feel good. Of course Lando is well aware about that being a bad sign. He can’t even remember the last time he felt good after texting with someone. He keeps telling himself that he only likes it because you talk back to him. It’s been a while that a girl was actually honest with him. 

He can tell himself that, but deep down he knows it can be more. He just hopes that it’s not.

Lando can’t sleep. He decides to search for your Instagram. It’s not hard to find. Lando barely uses Instagram anymore. His notifications are making him crazy, just like his DMs. In the end he handed over his login to some mediaperson from McLaren, who passed it on to someone at RedBull. He cringes if he sees his own posts. Lando takes his time to look at the photos you have posted. He notices you post a lot. He reads your captions, cringes a bit at the sponsored posts but he secretly love the real captions you post. Before he knows it he’s many years into your Instagram feed. 

Lando smiles when he reads the caption you once posted after your brother won his first formula one championship. Now he thinks about his new teammate, he regrets how he acted towards him. Maybe Max and him could have gotten along if he tried a bit harder in the beginning. It often surprises Lando how much he has in common with his teammate. He discards the thoughts and scrolls further. 

He notices all your highlights on your profile as well. There are many of them. Without even thinking about it, Lando watches all of them. Because of those highlights he finds out that you’re having a free year after graduating from your study. Apparently you’re spending the whole year visiting races with Max. Lando likes that idea. It means he will see a lot of you this year. After watching all of your highlights he decided to follow you. 

He scrolls a bit on his Instagram feed. It’s full with photos of you now. It doesn’t take long for him to be distracted. He sees your name popping up on his screen with a new text notification. 

Y/N: should I feel honored to be one of the twenty people you follow on Instagram?

Lando can’t help himself and laughs at your text. It seems like he isn’t the only one with an attitude. 

Lando: I think you should

Y/N: I think you want to fight with my brother again

Y/N: he’ll notice this soon enough and will question you about it

Lando: so?

Y/N: don’t make him mad on purpose by using me pls

Lando: i just wanted to follow you princess

Lando: no secret agenda 

Y/N: okay, but Max will still question you about this

Lando: I’ll just tell him that I like to follow hot girls ;)

Y/N: that’s even more stupid

Y/N: but thanks x

Lando smiles at his phone. 

Y/N: how did you get my number Lando?

Lando: goodnight princess

Y/N: ur annoying

Lando: goodnight princess xx

Y/N: fy

Lando: gladly ;)

Lando keeps smiling at his phone. He feels stupid because of it. You don’t react anymore. He gets it, his last message might have been a bit bold. It was the truth however. He would gladly fuck you. Maybe then you would get out of his system. He knows it isn’t a solution. And to be fair, now that he thinks about it. You would probably never get out of his system when he can fuck you. Lando imagines you standing in that short white dress. Why did you wear white? The innocent color makes him feel all kind of things. He tries to shake off his thoughts, but can’t succeed. Mindlessly he scrolls on his Instagram feed again. He refreshes it. 

A new photo of you pops up on his feed. Oh for fucks sake. It’s a picture of you in that godsaken white dress. He takes his time to look at the picture. Since when has a simple picture this much influence on him? Lando decides to leave a comment on your post. He comments a simple heart eyed emoji. After that he puts his phone away and tries to fall asleep. 

+++

When Lando wakes up the following morning, he first looks at his phone. Why does he have this many texts? He also notices a lot of Instagram notifications. Didn’t he put them out? He sighs. Firstly he looks at the different texts he has gotten. 

Max Verstappen: Don’t use Y/N to annoy me. Leave her out of this.

Christian Horner: Online meeting with Max & me at 13:00. I’ll send you the Zoom link.

Social media manager: This is why you don’t do your socials yourself!

Social media manager: Please don’t let the internet think that you’re dating Y/N

Dating Y/N? Is this because of his simple comment? Lando sighs. He actually doesn’t get social media anymore. It was just a comment. Not some love declaration. He notices that you have also text him, the only text he’s actually excited for.

Y/N: you’re such an idiot that it’s actually funny

He’s quick to respond to you. 

Lando: What did I cause? 

While waiting on your reaction, he checks his Instagram. He sees over a thousand notifications and the most of them are all from his reaction under your post. Was his comment so weird? He reads some of the comments underneath his own. 

User1: ariana whatcha doing here?

User2: ooeeh what if they’re dating and that’s why Max doesn’t like him???

↳ User3: ur delulu 

User4: she’s too ugly for Lando

User5: why is everyone so obsessed over this???

↳ user6: because Lando never uses his insta

↳ user7: he never leaves a comment 

↳ user8: so this must mean something :))

User9: jealous

User10: first he pushes his new teammate off track and now he flirts with his sister, poor Max

↳ user11: this season of DTS is going to be insane!

Since when is Instagram like this? Lando has no clue what is happening. About what are all those comments talking? He just wanted to get a bit of your attention with his comment. Not the attention of the whole world. Lando closes the app and opens his messages again. He’s right on time to see your text pop up. Before answering you, he sends a thumbs up to Christian his message. He ignores Max and his social media manager. 

Y/N: i already thought you didn’t understand instagram anymore lol

Y/N: your fangirls are monitoring everything you do on your socials

Y/N: so the fact that you’re commenting for the first time in months (?) means something to them

Lando: oh fuck

Y/N: ur an idiot

Y/N: succes with my brother and christian

Lando: thanks princess x

+++

Lando is glad that his meeting with Christian and Max is online this time. Max looks like he’s ready to fight with him again. He’s surprised Christian doesn’t ask any questions about his nose, which is a bit bruised up since yesterday night. Maybe Max already informed him. He wouldn’t be surprised, Max and Christian are like a father and son. Christian spend his time by lecturing Lando about how to use Instagram and what impact a comment can make. Lando bites back his tongue sometimes. He nods like a schoolboy at everything Christian says. Later Christian informs him over the online harassment girls have to deal with when they’re linked to a formula one driver. This time Lando is actually paying attention. He never knew about all this hate on those innocent girls. He wonders what this will mean for you. Is your inbox already full with all kind of terrible messages? Hateful messages about his comment? Lando starts to feel guilty of his impulse action. Without asking it, Max already answers his question. 

“Y/N her phone is blowing up because of this,” Max states annoyed, “I told her to ignore the messages, but I don’t know if she listens. This is all because of you Lando!”

Without thinking about it, Lando responds truthfully to Max. “Fuck,” he sighs, “I didn’t know about any of this. I’m sorry. I just wanted to leave a comment.”

“Why did you even want to leave a comment?” Christian asks, “I thought you didn’t like her.”

“Yeah, is this to annoy me? Because you really need to leave her out of that,” Max adds angrily. 

Lando sighs. He thinks about a good reason to justify his comment, but he can’t make one up. He just thought you looked hot in the picture. He still thinks so. He just wanted a bit of your attention. Is that so bad?

“I thought it was a nice photo,” Lando eventually says.

“Since when do you even follow her?” Max questions, “And why do you follow her?”

“Yeah, you don’t even follow me,” Christian adds. 

Lando feels himself getting annoyed. “I like to follow hot girls,” he states annoyed, “and you’re not a hot girl Christian. Be glad I follow the RedBull teampage.” 

Max starts to look even more angrily. Christian just sighs defeated. Before Max can say anything, Christian speaks up again. 

“Listen boys, if you both keep behaving like this things won’t work,” he explains, “We need to fix this tension between the two of you.” Neither of them say anything back to Christian. Max is still sending angry glances through his webcam. Lando is pretty sure they’re meant for him. “I chose you Lando because you can challenge Max, but this isn’t what I meant with challenging. I don’t even know how everything went this wrong. You two have a lot in common, just act friendly with each other and you will notice soon enough.” 

Max sighs defeated. “I’ll try,” he says, “but you need to leave my sister alone. I don’t want her to be dragged into this mess and I certainly don’t want you to hurt her. I know your reputation Norris.”

Lando almost confesses that Y/N is different from any other girl. This isn’t some meaningless flirt with even more meaningless sex. He’s actually interested in the sister of his teammate, but now doesn’t seem the right moment to confess something like that. So he keeps his mouth shut. 

“She’s always with you, it’s hard not to speak to her you know,” Lando states eventually, “and if I need to get closer to her, I’ll probably get closer to her as well.”

“That’s right Max,” Christian agrees with Lando.

“Just don’t see her as another one night stand girl,” Max mutters, “and please don’t try to date her.”

“I don’t see her like that,” Lando confesses, “and I promise you I won’t use her and won’t hurt her. But I can’t make any promises about dating.”

Max lets out a big sigh, but nods defeated. 

“I’ll find you when you do hurt her,” Max threatens. 

“I think I’ll find myself first,” Lando mutters. He doesn’t even know why he said something like that, but he feels the truth in his own words. Where is this feeling coming from? Max seems interested in his answer as well. Before he can question anything, Christian talks again and ends the meeting. 

part four

[thesupernaturalhouse]

So I cant.....I can't anymore, Stolas fucking sucks

Season 2 as a whole sucks and gets rid of a lot of character depth that characters had in s1. But this post isn't about that-

I was recording clips for an edit, and you know in ep9 s2 when Stolas tells Blitz about "you couldn't be bothered to come save me"

Yeah.....Blitz TOLD him why he was unable to go and save him. He was even genuinely concerned and sent milly and moxxie in his place

You wanna know what Blitz said??

"Ah shit Stolas I can't today- I'm sorry I am literally on my way to take loona in for her very important hellvis S-H-O-T" and "it takes years to book it, it took 5 for me to get this one"

Aka, a rabies shot, which, racist will immediately kill you. You DON'T survive that once you get it and symptoms start showing up, it's a death sentence, and considering Loona is basically a sentient/anthropomorphic dog, if she catches it her survival rate is probably 0 percent

And you know what? Stolas gets it, and then in ep9, "the one who tried to kill em and you couldn't be BOTHERED to come help me"

Bitch he told you?? He sent people in his place?? He was getting his kid a really important shot?? Yiu selfish motherfu-

I hate this bird

I hate this fucking bird so much more now

This is just the finale straw for me that breaks the camels back tbh like......

Apology tour is just, Stolas and the narritive/writing basically gaslighting Blitz and its gross

I liked Stolitz and Stolas in s1, it wasnt a healthy relationship. The circumstances for both characters weren't super good, but it understood that and actually showed those flaws, It set up these characters future arcs

Season 2 is, frankly, a shit show. It has its moments, but ep1 ruined Stolas and Stolitz for me, and it just keeps on getting worse and it isn't even in a way of "Oh its rough, but they can bounce back

This is gaslighting. This is hypocrisy. This is guilt tripping. This is abuse.

Instead of building off of season 1 it is retconning it, it is destroying the continuity and timeline, it's making these characters so much worse then what they were

Instead of having Stolas face actual consequences for his actions the narritive is backtracking and going "Oh actually its not his fault" over and over again

Oh he cheated in the marriage? No worries Stella is a bitch so it's okay

Oh, he's neglecting his daughter despite them already having this arc? Oh, it's fine she just needs to cut him some slack

Oh he constantly belittled Blitz and made him uncomfortable in season 1? Actually it was all of Blitzs fault for misreading the signs of love!

He is constantly shown looking down and abusing other imps like his butler? Oh its fine, they aren't the main characters so what he does to them isn't important!!

Another thing is that Blitz tells Stolas how he feels. He points out his shitty actions. And what does Stolas do? He fucking cries like Blitz is being a big ol means for no reason

This trial is just going to further victimize him and make him seem in the right. The fact the sins might even be brought into it is also so fucking stupid.

The writing went from a 8 to a 1 with the characters. And it's only a 1 here because there are some good ideas in s2.

Their basically trying to cover up, retcon, Stolas's actions instead of having him deal with consequences and go through real development

Honestly the best ending for Stolitz would be Blitz realizing Stolas is toxic as fuck to him and just, not contacting him again. Stolas could get some real consequences in that trial and move on and become better in his own right

Butttt of course since Viv likes them so much it's gonna be dragged on for fucking seasons and then their gonna get together.

If I were to rewrite the season, I wouldn't even try to rewrite Stolitz.

[sunflowerandstrawberryspice]

CARMEN SANDIEGO? In 2024? It's more likely thank you think! Please excuse the shit quality for some reason I wasn't allowed to upload the normal pdf and I had to upload a fucking screenshot???

So my friend convinced me to watch Carmen Sandiego and since he's watching ALL of Ninjago for me I thought it was the least I could do to watch four season of a show with a pretty decent concept but uh... yeesh, don't get me wrong the show is really fun but lord have mercy does it have problems especially the last two seasons which were just so wildly disappointing to me. It went from a show with an interesting look on morals to pure pro-cop and mostly black and white thinking so quick (that not mentioning the breaking up a found family full of people with abandonment issues) it was honestly just so disappointing so me and the friend who introduced it to me decided to rewrite it! (I will not be animating nor do I plan on doing more than MAYBE a comic or art piece here and there because my chronic pain ridden ass can not handle that much lol)

The main goals are to:

1) Flesh out characters that aren't Carmen and actually give them reactions based on their lived experiences and how they might realistically react instead of what the show needed to move the plot along

2) Having characters other than Carmen be actually relevant to the plot the main one being Chase Devineaux who we're gonna kind of have as a parallel to Carmen (trust me yall) as kind of a "What if Carmen didn't have her friends/family to ground her and fall back on" but for all the Chase fans out there (gods I hope there's some other than me) he will be getting a happy ending but bro is getting put through the RINGER first

3) Have both A.C.M.E (now standing for Administration for Containing and Monitoring Evil) and V.I.L.E be the bad guys. Also just as an extra bit of fun we're making VILE a full blown cult, they were very cult like in the show so we're just gonna make it one. Both are going to be very morally questionable and while it'll take a bit longer for ACME to show it's true colors don't you worry they definitely will ;)

4) We're doing canonical lgbtq+ rep, I know the show teased a lot of relationships and really only gave yall background gays not to say thats bad but we can do better than just a brief shot of a damn taco truck. I mean like come on in a story about a young woman going against the government for the greater good why not put some rep into it ya know!

5) We're making it light sci-fi, not like SUPER high tech but definitely beyond what we've got currently, as shown with Carmen's prosthetic, and don't worry I'm doing my research as a disabled person I know how it feels to be misrepresented or ignored so I want to make sure I'm being realistic

6) PLAYER ISN'T GOING TO BE A CHILD! I don't know if this bothered anybody else but to me it was really weird that this 16 year old's only friends were in their 20s!

Alright I think that's what I'm gonna say for now, I'd love it if yall tuned in for updates if your curious since this is a passion project for me and my friend and we're having a blast writing it!

As always I am still working on stuff for Ninjago cause I could never abandon my one true love, currently there's a Pixal drawing in progress (it's giving me hell T-T) something for Cole and Geo, and something of Sora MAYBE even Euphrasia if I'm feeling up to it.

Having said that I hope yall have a great day/night and PEACE OUT!

[erinwantstowrite]

Erin I have a question ⁉️

How did you start writing LoF? Like,.not writing it in general, I mean like how did you get—or learned—or studied—all the information regarding the Batfam and their backgrounds, and also about Peter and the Avengers, etc.

Currently, I'm honestly planning on writing a small fiction about Peter ending up in Gotham (You must know your words hold a very dangerous power to inspire) but unfortunately, I don't have the right information to actually START writing it TT_TT. Do you have any tips on how I can start?

(P.S Apologies if this sounds a little confusing, I am not entirely the best at explaining 😞🤞)

There's one person to blame for getting me into DC, and it's @alighterwood

I've always been a fan of Spider-Man. He was my first hero, I wanted to be him soooo bad. I had gotten around to sort of writing my own fic for it with my own version of Peter around last year? (Very much inspired by ITSV, LoF Peter came about because he's his own universe and is based on Spider-Man lore from multiple media versions). I had never thought about writing a Spider-Man fic until ATSV, but at the time I was pretty much dead set on rewriting VLD. I got inspired after rewatching ITSV and then watching ATSV.

But it wasn't until alighterwood got me reading their favorite Batfam fics (specifically Tim) that I started to enjoy Batfam or DC in general.

(My favorite Batfam fic is "The Lone Ranger Never Had to Deal with Bruce Wayne" )

From there I started branching out into learning more about Batfam, what is and isn't fanon, and forming my own opinions. It was a natural progression into "I want my favorite characters to meet each other" and alighterwood's evil genius plan ended up working.

I've read a few comics (mostly the Red Robin series, because Tim was my intro to Batfam so I figured I'd start there) but most of my information?

Wikis, reddits, forums from years (a few of them from decades) ago, my father (who was a Batman fan as a kid) and his friends (my uncles, who were all DC and Marvel nerds), my own friends- basically anything I can get my hands on. If I had a question, it was (probably) answered somewhere, or there was someone else with the same question that made me feel better for not getting it. The internet has a BOATLOAD of information about both Marvel and DC.

It's a LOT of research and note taking, to be honest. I have a physical notebook where I take notes on lore so I don't forget it. I comb through fanon AND canon and I decide from there what I want and what I don't want/what doesn't work and what does work for what I'm writing.

But here's something to keep in mind: at the end of the day, you're not writing FOR anyone else. You're not out to please people who are 100% canon, all the time, nor are you trying to accommodate people who only read fanon material. You're writing for YOU. This part is fun for me, but could be very tedious for other people. I'm a little weird like that (I started writing essays for fun since I learned about them in school).

I like doing research. Like a lot of writers, I go down multiple rabbit holes a day. I start by googling a simple question that should take five minutes and then I see something and go "oh! What's this!?" and pick it up, and the cycle continues when I see something else and eventually remember that I was writing.

I enjoy the research and figuring out the balance. Because DC and Marvel do the same shit with their own works! Shit gets retconned, or they bring characters back from the dead, blah blah blah. The fun part for me IS going insane trying to figure out the Flash Family and their STUPID family tree, or learning about characters that were basically forgotten by everyone- even the writers. The best part is that since it's my fic I'm writing, I can go: "What's the most entertaining way I can use this?" And no one can stop me.

But if YOU don't enjoy that part, and you try to do it, you might lose your spark!! Your inspiration!! You might not have fun, and that's what writing is all about!! My thing is, is that basically every fan interpretation, whether they try to stick to the original source as closely as they can or not, IS FANON. And fanon is fun!!

Basically it all stems down to: it's your sandbox and you can play in there however you want to. And sometimes, people see what you're doing and they're like "Can I play too?" and you're like "Yes that'd be awesome!!"

If you find that you do enjoy the research, I think it's well worth it. It's very satisfying to put together all that work and then get a comment from someone where they say "OMG!! I know that reference!" or "I love this interpretation of this very obscure thing!!"

My advice for writing a Peter in Gotham fic is to know where YOU are starting at, before you start writing your fic. If you're a Spider-Man fan and you don't know much about the Batfam, try reading a comic about them, or find some favorite fics and base your information on that. It works vice-versa, if you know more about Batfam and not a lot about Peter.

Imagine there are two people sitting in front of you. One is a Marvel fan, the other is a DC fan, and they know NOTHING about the other comics. But they both want to hear your story where you have combined them. It's important that you don't lean too much into either side: you keep both of their interest by appreciating the details from both DC and Marvel.

The Marvel fan will be happy to see Peter reacting to a new world and situations, even if they don't know everything you're referencing. But the DC fan will be excited because you care about the place that Peter is interacting with enough to make a joke that maybe only they would get.

So: have fun, explore everywhere you want to, and get a little crazy. Don't worry too much about not knowing everything there is to know. I don't know everything about DC or Marvel either!

[malenjoyer]

Hi!

I know right now may not be the best time to say this, but I'm kind of still processing how fast this all happened. As someone who likes to look over artists' past work esp my fav works daily and just suddenly noticed that they're almost all gone: twitter, instagram, and tumblr. It frustrates me that not only has this situation affected you, but how it really takes one selfish and inconsiderate person to ruin everything for others. I truly hope that you can heal from this and maybe we might see those pictures again, but this is just soo much to process. Just love and support for you <33333 🥹🫶😭🫶🫶🫶🫶

Hi. I’ve privated a lot of my work on tumblr and Instagram, so they’re not gone forever. I still have a lot of positive memories with them so I didn’t want to delete them. I wanted to keep all the nice comments and support I’ve gotten over these past few years.. I might unarchive them sometime in the future when I’m more okay with it being looked at. Twitter, I had no choice but to delete it, especially ones with dick, jason, and Peter Parker. My brain freaked out a little bit from seeing evidence of the person saving my art and making fake clip files with them. Logically, I am aware deleting my old art in response is stupid.

But it wasn’t limited to just comic art, it was other interests I had too which was really uncomfortable that someone would go to the extent of pretending they like other stuff I liked. They would also paraphrase tweets I’ve made about my personal life onto their own twitter. That just isn’t okay.

Every interest I’ve ever fallen in love with meant a lot to me. This is probably not publicly known information since I’m relatively private, as a depressed autistic person, a lot of who I am is what I end up liking. My friends and relatives describe me as dressing up like a cartoon character, because everything I like is so visibly obvious. I become utterly consumed in my favorite things. Suddenly, it feels like all of my control was taken away from me. My interests collected over the years were no longer just mine, it was someone else’s because they decided to lie and it was easier to continue lying. I don’t know how much was saved. There was a screenshot of a message with over 8+ of my art works sent excluding the fake files.

I don’t have control over it. The impersonation of my identity and my life experiences.

But I do have control over who gets to see what I put out in the future. I could probably write this better but I’ve rewritten a lot of things within these two days. Rewritten posts over and over so it sounds less aggressive, less hurt, less like I am trying to call for a witch hunt and more just taking extra precautions. I don’t think I have the energy to rewrite this to seem less vulnerable/pathetic.

I want to apologize to everyone who hoped I’d keep my past art public. I know how it feels. I’ve been fans of artists who just blew up their account one day and never came back. I only privated them on tumblr and Instagram. That’s all I can do. Honestly, I’m hoping a part of my brain just forgets some of this happened since depression does come with memory loss.. This post is now too long.. but I hope it gives some insight for what’s happening on my side of the brain. I appreciate all the support so far.

If you see me acting a little weird on twitter, I’m just trying to regain a sense of control over my identity.

[your-ne1ghbor]

Asha's Animal Side Kick

Now presenting...

the one...

the only...

BONSAI !!!!!!!!!

It was either between a possum, ferret, or a great eared nightjar/type of bird, but either way, I had to go with the possum.

I liked the light brown possum a lot personally since I thought it was really cute yk??

It was also based off of this possum:

OKOK, you may be wondering why I changed Valentino, or Bonsai into a possum.

There are 2 reasons:

Numero Uno:

VALENTINO IS FUCKING UGLY

I think my friend @sewerpalette said it best here:

Nothing can convince me otherwise. His design is just SO ugly to look at. It is not pleasing.

And it doesn't help that I wanna punch his stupid fucking face like it is so punch-able

OKAY SURE, the concept versions of Valentino is cute...but ever but I didn't like how I drew goats in my style. It could be just that I'm not good at drawing them, but I also didn't like my color pallet I did for him, which was a lot like what Bonsai has color pallet wise, and it fitted Bonsai more than Valentino.

Numero Dos:

ESMERALDA HAS A GOAT SIDE KICK.

OR BETTER YET, WE HAVE ALREADY SEEN IT.

It is basically a repeat of what we have already seen, which I didn't like.

Just because you aged down a goat does not make it ORIGINAL.

Its okay to have Asha have a pet goat in the other rewrites though I don't MIND AT ALL. ITS YOUR AU U DO WHAT EVER, IM JUST MAINLY TALKING ABOUT MY ICK WITH THE MAIN FILM. IT JUST REMINDS ME OF SOMETHING ELSE.

What I'm trying to say is that Valentino feels like a refrence to Huntch Back of Notre Dom, which this movie has a thing with adding stuck out refrences instead of making it subtle. I mean I know it was a 100 year aniversary, just make it more subtle though so people can rewatch it and find refrences they didn't notice first time watching.

Anyways....

Some fun Facts about Bonsai:

Bonsai is actually a little dwarf, and the runt of his family. Asha adopted him when she found out Amaya told Charo (Charo is a lynx btw) to get rid of them all since she thought they were rats (even though they are fucking HUGE) (PLUS IT IS TO EMPATHESE ON THE FACT THAT THEY ARE MISTAKEN FOR RODENTS WHEN THEY AREN'T, THEY ARE APART OF THE MARSUPIALS FAMILY AND THEY GET RID OF RODENTS/EAT THEM)😭

(I might actually make him slightly bigger than how I drew Bonsai, but who knows yk?)

So Asha took the responsibility of taking care of the little Possum, since she didn't want the possum to grow up alone, and so that she can have some company.

IT TOOK A LONG WHILE for Bonsai to warm up and trust Asha, but in the end, he saw her good nature and swore to protect Asha like how Asha protected him from getting eaten from Charo. Which is why he dislikes Star Boy A LOT (mainly because he doesn't trust how this creature can literally transform into anything and doesn't want him to end up being something like Charo 😭)

He is just a little guy that wants to make sure his friend doesn't get hurt by a celestial force.

This is basically how I imagine how they both would meet:

(Just wait till he finds out Asha likes him. He is going to be so judgemental)

To get this part out of the way, if I end up having Bonsai speak, it would sound like a child, since I DREADED when the goat started...TALKING LIKE A GROWN ASS MAN LIKE NO PLEASE NO. And it would be more adorable yk?? :3

Lastly, here is the first doodle I did of him.

(JUST IMAGINE HIM TALKING LIKE A CRAZY 7 YEAR OLD LIKE THAT WOULD BE SO FUNNY)

@oh-shtars @annymation @signed-sapphire @chillwildwave @spectator-zee @uva124 @rascalentertainments @tumblingdownthefoxden

I might also go with a different color pallet for Bonsai but idk yet

[scaryspears]

MKX's Kung Lao an essay

Notes: I originally wrote this in youtube comment section and decided to post it here. Watch Cynical Warlock's Rewriting Kung Lao video, its super interesting.

Kung Lao seemed pretty badass in MKX, and I'm talking about the old man version that's not seen in the storymode. I first interpreted MKX version of Lao appeared more humble and secure, no longer needing to prove himself as Liu Kang's equal. He even gave me the impression that he could be a mentor figure, appearance wise, whereas Old Liu Kang didn't give me that same vibe. Also, Kung Lao has a special hat that he uses as a weapon... How does he not outshine Liu Kang?

We do see his hat origin in MK1, so we can assume that it's similar to the past timelines on why he uses it. With that being said, he's great at coming up with random weapons, and very effective ones too. In another timeline he might be a weapons specialist, maybe even a maker. He even has another version of the hat that looks like daggers have been glued onto it, which we see in the game (I think it was a variant), and that might have been his first hat before he made a perfected version.

I think if MKX had better writing, then Kung Lao could've been brought back from the dead (like Sub Zero, Scorpion & Jax) and become another mentor figure to the combat kids instead of just being another yes man revenant who obey's revenant Liu Kang.

Both Liu Kang and Kung Lao were playable in MKX, they could've at least brought one of them back. Since they made Liu Kang king of the Neatherrealm, it would have to be Kung Lao.

Just as Sub Zero has a sort of friendship with Johnny, Kung Lao could be the same, separating him from Liu Kang on who they keep close to them. Personality wise, he's less harsh and strict than Liu Kang, and is more friendly, so I can picture him and Johnny having a friendship.

He can teach the combat kids that weapons can be formed from anything, basically ensuring that no one becomes a copy paste of their parents (Cassie & Jacqui), and has something unique about them, like having knives in their shoes and doing capoeira to cut the opponent or something (idk).

Just like Johnny, he isn't treated or spoken to very nicely by Sonya and some others because they keep mistaking his current self to his past self. He doesn't like it when people do this (I certainly wouldn't), but he is mostly civil with cutting remarks every now and then. Think of it as visiting a toxic family you've been in low contact with, and they occasionally make jokes and jabs about you copying your golden child sibling, and how you'll never be like them or escape their shadow. Even though you stand up for yourself, you're still seen as being bitter and jealous.

Another reason why I think Johnny and Kung Lao have a shot at friendship is because Johnny doesn't mention Liu Kang once, or anything linked to the past, or even his personality. Kung Lao is also said to "smile too much" according to Ferra, meaning he has a tendency to smile when he's about to face off with an opponent. Remind you of someone we know?

Here's how he can be introduced: The combat kids have a mission, however, the combat kids cannot go with weapons, at least weapons that are seen. In this au Johnny is with the Wu Shi instead of the Special Forces (as seen in my Havik post), so he sends the combat kids (mainly Cassie and Jacqui) to meet Kung Lao. The combat kids find out that Kung Lao, while still maintaining his teachings, has left the Shaolin and works as a weapons maker in some random town or city in China, and lives in solitude (a metaphor for no longer seeking the validation of others). Instead of giving the weapons straight up, he tests every single one of them. He ends up letting them have the weapons of course, and watches them go on their day.

MK11 made him so cocky to the point he was a Johnny Cage clone, and Kung Lao never struck me as the cocky type during MK9. It was actually Liu Kang that came off as egotistical to me, and the fact that he rebels against Raiden kind of proves that. Liu Kang went against a literal god. There's even an ending that shows he will be corrupt if he replaced Raiden. Earthrealm's champion, ladies and gentlemen.

I never viewed Kung Lao as cocky, so his MK11 version was a complete 180, and the fact that NRS continued that into MK1 disappointed me. Kung Lao is impulsive, but not always. He is capable of being reserved and calculating. While Kung Lao is also quite ruthless, Liu Kang is the hot headed one that refuses to listen to reason at times.

People make all kinds of jokes about Kung Lao and him getting his neck snapped, when Shao Kahn went about it cowardly. I'll elaborate by saying Shao Kahn snuck up on him, it wasn't face to face. In the words of Kendrick Lamar, "when I catch flight, it's gon' be direct". Shao Kahn is Drake in this situation, sneak dissing. When people make fun of Kung Lao's neck snap they're technically meat riding Shao Kahn.

[kaelidascope]

In light of some dirty laundry found, I'd like to set the record straight about a threat that was made against me and my work

Since I'm being accused of stealing or copying a roleplay that was done between 2021-2022, here's the facts. The roleplay started with a concept that I had made about a magic college school for another roleplay that never went anywhere and was then repurposed for this one with a new partner. The question was popped on 2/23/21 and we began on 2/25/21.

It lasted the span of a little over a year and went through several rounds of development, a few attempted rewrites, and a spin off sequel revolving their kids. It was a good split between actually roleplaying the characters and also just hours upon hours of talking/plotting as one does. Usual exchanges between creators. We never posted the roleplay publicly anywhere, so it was never officially 'published', nor were any legal steps taken to get rights reserved. I'm fairly certain a discussion happened once about turning it into a book but both parties were not on the same page so it never went anywhere. We did ofc share it with close friends and just talked about it in general.

I also drew quite a bit of art for it, and we both collectively commissioned better artists for art for the characters as well. I did not put in nearly as much money as my roleplay partner did, but I did most of the concept art to provide as reference.

After the friendship ended and the roleplay was put to rest, I pulled the OCs that I had exclusively made to start working on a new concept. I had no intention of using anything that wasn't mine. The new concept was entirely removed from it's original source, meaning different setting, different characters, different everything. It was just repurposed OCs that had new backstories and purposes and new ones that I had made to replace characters I didn't own. However, despite the change, I was threatened with a Cease and Desist form pulled off Google by my previous roleplay partner because I made a vague tweet showing progress of the reworked characters (Rowen, who was in the original roleplay, and her love interest, Lyra, that was meant to be a replacement design for a character I did not own). Lyra shared a physical likeness to the original character, Emi, that was owned and played by my roleplay partner that they designed using an AI generator and then I later drew concepts for [white complexion, black hair, blue eyes]. I took it down as requested, sent it back to the workshop, consulted several professionals to make sure any likeness was scrubbed away, and put it on the back burner for further development so I could be left in peace.

I made this disclaimer post back in December 2023 about any likeness my own OCs would share in future projects and their affiliated partners on twitter. At the time, the names and designs were still being changed so Rowen Santiago was a placeholder while I was waiting to hear back from legal advice. I never said I was taking what was originally written and publishing it 'as is'. I'm allowed to use my original character designs for different purposes.

Ultimately, I came to the decision after a lengthy back and forth to scrap my own OCs original personality and design and start from scratch. Only a few things survived that can have lines drawn between the original roleplay design and the new story concept [the magic collar, werewolfism, Hispanic descent, wolf eyes] but that's nothing new. I have a lot of werewolf OCs. I've got an entire series dedicated to werewolf OCs. The new story concept is more military and racism based set in a fantasy dystopian universe than a magical school romance trope set in English Europe. The new story isn't even set on Earth, it's so far removed from where the original design came from it's not even remotely close to this roleplay. The kind of prose and worldbuilding featured in this new work is similar to the fanfiction I already write and am known for [The new world building will be somewhat similar to a setting I already made as far as fantasy science themes go. See Midnight Menagerie]. I also have several designs that look similar to each other (see MM Blake and Tessa for example. Same hairstyle. And MM Yang's entire physique was scraped from Rowen's whole vibe) though I can say my art style is improving enough to where I don't suffer from same face syndrome anymore (at least I hope!). All my bases were covered, everything was a brand new start over and nothing from the original roleplay was touched.

Well, even after a whole year and a half later post cut-off and small meltdown, it's apparently still living in their head rent-free that I am stealing their work and threats are still being made both anonymously and by name!

So I'll tell y'all what, for anybody who's curious, go ahead and have full access of all the notes and docs that I supposedly 'stole' and you tell me if my future works are stealing lol since you wanna wave it around like it's a big scary threat to get me any time I draw sapphic content that isn't fanart. The only things I will not include on this post is the commissioned work because I don't know who originally did them and therefor I'm not sure what their reposting terms are

Anything listed as [NOT ME] was not written by me. Otherwise everything else is either by me or was collaborated on (like the roleplay exchanges)

Misc Docs

Rowemi timeline 2.0

Figure Skating Practice

Emi/Lauren Relationship Notes

Pregnancy Arc Notes

Project Blackbird Notes

Worldbuilding Notes

Rowen Build Sheet

Rowen Notes

Emi Build Sheet (NOT ME)

Emi/Mom Relationship Notes (NOT ME)

Rewrite Docs

Prologue

Episode I

Shorts

William's Lament

Another Secret in the Pile

Rowen's Invitation

The Meeting (NOT ME)

The Hospital Visit (NOT ME)

Simon's Suggestion (NOT ME)

The Date (NOT ME)

Original Roleplay Docs

Part 1

Part 2

Part 3

Part 4

Part 4.5

Part 5

Part 6

Part 7

Artwork Done By Me

Genuinely I'm not sure what y'all hope to accomplish by obsessively sending me hate mail and empty threats like I'm supposed to care and be effected by it. I haven't even looked at it since I quit Deviantart lol it has nothing to do with my current projects and it died when I cut you off. You never even knew what the new novel project was about, so you really had no grounds to threaten me with that email or the anonymous inbox submissions. You also slipped up and sent one with your actual user after I turned that off, that's how I figured out you were still obsessed with me after all this time. I encourage you to do something with your ideas someday. While you weren't the healthiest friendship I've ever had, the roleplay was fun to engage in. Maybe working on something new will bring you the peace of mind you're looking for and help you move on.

[nvuy]

How do you write so well? I'm trying to get into writing because I YEARN to create, but it is very difficult. Do you have any tips? I try and create, but it feels like there is a brick wall in my brain 😫 I also struggle to come up with ideas 😭😭

oh worm thank you so much im so honoured… i don’t want to just say ‘practise,’ even though that is half of quite literally improving in anything.

i am going to long post now. you’re welcome. this is my little guide to writing. in no way am i saying my writing is perfect and world class five stars, but this is just some things i learned along the way that helped me get better!!!

now this is all assuming considering you read my works that you also want to write reader inserts, but even if that’s not the case, i think all this stuff applies to normal writing as well.

what i do like to think is that ‘good writing’ is very very subjective. for example, i prefer much more philosophical pieces, ambiguous endings, extensive world building, and things like that, and i like to put it in my writing.

however, what you may like about my writing could be what someone else absolutely hates. not everyone can be bothered to read 4 pages on a heavy description of a quiet deserted street in the rain, or a dusty old library , or the bustling atmosphere of a cafe. some writers like to do scenarios without fully developed plots. some do.

WRITING IN A NUT SHELL

what really helps is to find where you lie on this spectrum. do you prefer overtly poetic descriptive writing, or straight to the point, no beating around the bush? or does it depend?

i know it’s sounds taxing to write heavy descriptions and worldbuilding and this and that, but if you like to read it, chances are you may also like to write it yourself.

this is a tip i lowkey thought was common sense, but i’ve spoken to moots on discord and other platforms about it, and a lot of writers just… don’t know about it?

basically it’s that A First Draft is a First Draft. this has been said time and time again. j.r. tolkein didn’t write LOTR in a day, rowling did not write the entire harry potter series in one shot. nobody did that.

as well as this, my first drafts never start out as fully fledged stories. most of them look like this:

notice the obnoxiously large gap in between? yep! two entirely different scenes, but under the same concept. you don’t need cohesion in your drafts. that comes with time. get all your ideas down first.

my first drafts are awful. they’re absolute dogshit. most of the time, i abandon a lot of my works altogether. but i never delete anything, because sometimes i may come back and suddenly get inspiration again.

most of my first drafts look like this:

notice how it lacks with everything. there’s no flavour here. it’s incredibly dialogue heavy, and it’s clearly supposed to have some sort of surreal feeling to it.

come back to it later only when i feel like it and rewrite it only when you feel like it:

same concept, same exact scene, but now it has more emotion. because i’ve written it a second time, or maybe even a third, or fourth (anymore than that, and im sorry, but drop it. it’s doing you more harm than good). so many people hit this writers block because they want their first draft to be perfect and it won’t ever be.

don’t focus on the itty bitty details. get the idea down first. you can always come back later. it really really helps to get out of ruts and stuff.

another thing: You Don’t Need To Start With Writing Fanfics Right Away. and i wouldn’t recommend it. not doubting you, or any other young bright-eyed writers, but fanfics are gruelling work that require lots and lots of planning.

i would honestly recommend getting started and finding comfort with one shots and/or headcanons, or drabbles, or whatever else short fics are called, because they require a lot less dedication, and it’s a lot more fun, because you can spring from one idea to another. majority of my works are short fics for a reason. it’s a lot easier to write, and i personally find it more enjoyable :) try it out!

IDEAS: WORLDBUILDING

(this next segment is assuming your fic wants to take place in a different area than canon) (otherwise, check out descriptions/images/videos of the place your world is supposed to be set in!! same idea!!)

if you’re unsure about worldbuilding and what exactly this place you’re creating is supposed to look like or how it might function, browse pinterest! there’s so many real and/or fake & rendered places on that site. is your area really cold and constantly snowing? search up some art with those key words. it could help you gain a clearer image!

let’s use an example: say the world im building my fic is based in a very cold, always snowing, always icy town. we go on pinterest, have a bit of a look around, and then we go Ooh this looks interesting!!

this is a painting by alexander andriyanov.

who are these people? where are they? what’re they doing? is horseback and carriage their primary mode of transport? do these people have access to vehicles like cars? do cars exist in my world at all? what are the surrounding buildings? etc etc.

TLDR: what im trying to say is if it helps you, look at something, listen to music, watch a movie, and then ask the question How Do I Make This About Me?

this speedpaint by darek zabrocki helped me get an idea of what snezhnaya in my multi chapter fic on ao3 was supposed to look like. obviously snezhnaya isn’t released in genshin just yet, so it allows me a lot of creative freedom in that regard.

you can always always use other people’s works as inspiration. why do you think so many songs these days use samples from older tracks? it’s basically the same thing. obviously, don’t downright copy, that’s plagiarism, but seriously. if you’re struggling to create this world in your head, pinterest is your best friend.

IDEAS: PLOTS & THE CENTRAL CONFLICT

in terms of coming up with actually plot ideas, i said it before and i’ll say it again. movies, shows, games, other people’s stories, other fanfics/books, paintings and other forms of artwork, history, etc.

if you’re writing a fanfic, most writers like to take the canon route, and you’re welcome to do that.

if you’re worried about your own ideas being lacklustre or you can’t think of anything, but the canon storyline is good for your fic, canon divergence is always fun!

for example! i haven’t posted it here, but i always did have this idea of a neuvillette centric fic based on the love letter he received in one of the world quests. so you take something that happened in the game, and then you ask AGAIN: How Do I Make This About Me?

in terms of thinking up an entirely different idea or concept or prompt or whatever you want to call it, there’s honestly no right or wrong way of doing it. it’s really, really difficult though. i have so many ideas that are more suitable for one shots that fully fledged fanfictions.

again, read books you like. read other people’s works. read lore of the fandom you’re writing about, or better yet, sometimes i go off of a fleeting thought that a random NPC said at some point in the storyline that had little to no effect on the story.

what constitutes as a good plot and a bad plot is a matter of opinion. as long as there’s evident improvement (or the opposite, if that’s your fancy) of your characters in your story, whether that be their personality, relationship with others, or whatever, then you’ve successfully written a cohesive narrative.

how most of my works start is actually because i randomly come up with one scene in my head that haunts me. i call them Brain Rots™.

for example, in my scaramouche fic on ao3, the scene that started the entire thing was of some sort of solider that presented a ring to the doctor in a very cold and barren wasteland.

and then i asked, what is the significance of this ring? is the solider injured? should the doctor care? why are they there in the first place? where is this place? where do they go after this?

hopefully you get the picture.

TLDR: figure out what makes your Brain Rot™ about the particular scene that’s playing on repeat in your head, find your inspiration through any sort of media you enjoy consuming that you find directly links to your ideas (because most likely if you enjoy something, you’ll be inspired by it more than you would with something you actively don’t like) (and this ‘media’ ranges from pictures, real life anecdotes/stories, video games, other fics, music, art, etc.), ask questions (How Do I Make This About Me), and then answer them yourself!!!!

and also just practise and practise and practise!!! you will subconsciously develop new skills by consuming media and reading other people’s works that you really like. it all comes with time :) !!!!!

[luigiblood]

Why Nintendo 64 - Nintendo Switch Online is shit

I have been very critical of Nintendo 64 - Nintendo Switch Online since the beginning, not only the very noticeably broken graphics emulation was certainly a case that everyone understood, but it did certainly make me completely avoid the Expansion Pack subscription entirely for a year because that was genuinely shit in 2021.

Now how is it in 2024? Well, it's not that much better. They did fix a lot of problems during that time for sure, and that's something that we do need to acknowledge to do at least something resembling fair criticism.

Current context

That one Dark Link room in Ocarina of Time was fully fixed, as the fog and even transparency emulation was just outright broken, somehow worse than its Wii U Virtual Console counterpart (which was already not very good), it also affected other games like Super Mario 64 where the fog was actually not correct, but oddly enough, it's not as much of a problem in Super Mario 3D All-Stars, and I'm not entirely sure what happened between that and Nintendo Switch Online for it to have such a massive emulation downgrade.

I've done some analysis of the software, though not a ton because I don't have that much time to waste reverse engineering emulators. Through that, I found out that iQue was responsible for the Nintendo 64 emulator on Wii U and Switch, because of the emulator framework, named "TRL," being 100% identical to their NES and GBC emulator for 3DS, confirmed to be iQue through leaked source code among other things, and the debug menu is seen on Wii U if you have more than one game ROM in the folder, and it's just like the 3DS one.

The Wii U Virtual Console N64 emulator was already seen as worse than its Wii VC counterpart, mainly due to the dark filter, but that thing has nothing to do with the emulation quality it was providing, aside from apparently some additional slight input lag on top of the already massive input lag which I find mindboggling, the graphics emulation was already considered worse than on Wii, a lot of issues that people saw on NSO were already on Wii U VC, which turned into a massive mess of complaints because, yeah, it turns out the Wii U was just not successful, but the Switch is, making obvious complaints very much more important.

The Dark Link room just happened to be using a bunch of graphical features at once which made it very noticeable when they don't work as intended. When I discussed this with other people, I couldn't help but feel terrible at the answer I get: "It's good enough."

This response annoys me to no end, but in truth, yes, the games are playable, nowadays graphically you probably wouldn't tell the difference from the real N64 with an untrained eye, and in fact, so am I at times too. But the problem is that it now becomes an actual history rewrite of how the game actually was, and you could still say that you would prefer the N64 games now than before with better framerates, better resolution, all that.

Better performance is always better?

Now this is still more of an opinion piece so here's my opinion about better framerate and better resolution: It's fucking misguided. Doing better framerate and better resolution works a lot better for games after that generation than the 32-bit and 64-bit era of the mid 90s to 2000, because the graphics looks a lot better for it and the standards are closer to the current era that we're in.

For N64 however, simply running the game better does not work as well as it should most of the time, and, frankly, seeing big polygons in 720p does not work as well as it should for most games. 2D games especially suffer from this and get some really weird filtering that just bothers me, especially in games like Yoshi's Story and Harvest Moon 64, where the emulator seemingly can't decide whether the graphics should be almost pixel perfect, or become vaseline.

Speaking of vaseline, where's the anti-aliasing? The N64 is very much known for its blurry anti-aliasing! While I'm pretty much immune to aliasing myself, I can still see it's not really respecting the original N64 very well about that, and it only deepens one of the biggest history rewrite of the N64 nowadays, where most people is more likely to look at badly emulated footage of a N64 game than seeing the game running on the original system, and this really bothers me that when you have every single other system on the service to care about this to the point of having a CRT screen filter, and even outright and pretty faithful reproductions of the Game Boy series' screens, N64 is the only one that forces you to play in its uglier HD resolution with no actual option to play games in their original resolution with some CRT filter or not, and that is just a real evidence of a lack of care to me compared to the rest of the systems.

When it comes to better framerates however, as much as I love that (Pilotwings 64 on NSO is actually one of the few experiences I can recommend on it), a lot of the games' speed are tied to the framerate, potentially making games harder than they should due to its speed being more accounted for the actual system, and sometimes, causing actual desync problems that iQue had to implement ways to manually slow the framerate down in specific moments of games just to account for it, but this only works for games that can run faster than intended. A lot of games sometimes have their framerate completely capped and doesn't run any faster.

But emulating the N64 lag is genuinely complex, and it's a problem that's not fully solved to this day even on unofficial N64 emulation, because there's way too many factors to take into account that it would probably take too much performance to figure out where it should take more time to process or not, so, on this one, I have a bit of sympathy about that as a developer, but it is still possible to roughly approximate that, even if the result can be weird; but I don't seem to notice any legit attempts about that.

Besides, a lot of people would be annoyed about the N64 lag and bad framerates, but to me if you want better framerates, in my opinion, it would be done differently, and unofficial emulation absolutely can deal with it in ways that isn't intrusive to the game's performance: If you played the N64Recomp PC port of Majora's Mask, you would know this, as RT64, the new graphics plugin powering this port (and hopefully emulators soon), actually handles interpolation between frames, allowing better framerate without sacrificing the game's performance to be better or worse than intended, and it makes for some real impressive results while still being relatively low in cost. For me this seems like a potential avenue to attempt to ease in comfort with N64 games.

Is N64 emulation really that hard?

…frankly, if you asked me this question 10 years ago, I would have said yes, at least to my understanding back then, but also now. But if you ask me this same question now, the answer is no, mainly because of brand new standards that actually makes a huge difference in how to handle N64 emulation in current systems, even through unofficial emulation.

I know it's very easy to mock unofficial N64 emulation as relatively hard to play, and this I would agree with, but this problem is purely user faced now. The old problem of unofficial N64 emulation was mainly that not many people were doing work on it and their time is just not infinite, but that is very much changing nowadays.

The Nintendo 64 is actually a well understood system, additional research are still being done, but for the most part, we can understand the N64 to a decent degree. The actual bottleneck of N64 emulation was actually how to emulate it on current systems, when we were stuck to older graphics API standards like OpenGL and DirectX 9.

However, a shakeup happened since with Vulkan and DirectX 12, allowing deeper GPU control. This, is actually one of the most important events of computing that actually unlocked bigger N64 emulation potential and finally get rid of problems that plagued N64 graphics emulation and it started with an adaptation of THE most accurate N64 graphics plugin as Parallel-RDP, and its extremely good, but its pretty much asking on performance and requires a decent GPU (no need for the latest stuff though).

Unfortunately, not much happened since on that field, due to as I said before, a lack of developers, but now RT64 exists, and is made to be extremely performant, and especially made to be accurate without relying on any game specific code for it, which is extremely impressive and shows a lot of potential for the future, while providing tons of new features that allows enhancements like frame interpolation and more. RT64 was fully enabled because of Vulkan and DirectX 12, else it would simply not exist!

Now why did I talk about this stuff that's seemingly unrelated to NSO? Well remember that Majora's Mask PC port I talked about earlier that uses RT64? I saw that thing running on Nintendo Switch, seemingly perfectly fine, with enhancements as well.

This makes me look at N64 NSO differently, and with even more criticism than before. Instead of making good graphics emulation through Vulkan, they seemingly instead just ported the graphics emulation from Wii U VC's GX2 API to Vulkan. That isn't without effort, but it is quite frankly lazy, and means that whatever they're doing, they're not using the technology at their disposal to the fullest, especially since Vulkan is a standard that applies to pretty much every current GPU under the sun now, whatever the work is done here, it would likely work on the long term, especially the next systems after the Switch. Why Nintendo did not allow that is just sad, and a waste of time. RT64 was done by mostly a single developer, and while it took many years to be developed, these years could have been reduced a lot more if it was handled by a team fully dedicated to this, with possibly even more cutting edge to it. The ingredients are there, but the recipe was just botched.

Genuine trust issues with the quality

But aside from all this stuff I just talked about, if you didn't understand much of it, hopefully this part should help you understand other issues that I have with N64 NSO.

Remember that the first version of N64 NSO was graphically buggy, and while they did fix that over time, new games sometimes were outright buggy and possibly game breaking:

When they added Paper Mario to the service, while the game did actually receive some improvements over the Wii U VC emulator, the game, somehow, was more prone to crashes. If you game over with Watt as a partner, the emulator crashes, and you lose your progress. If you have the curiosity of hitting trees with your hammer, one of them in the snow town actually crashes the game too! Thankfully both were fixed, but you still needed to wait months! If you had no idea why crashes could be caused as Nintendo just never warns about that stuff, that is genuinely inconvenient.

When they added Kirby 64; the western version actually had a game breaking bug that makes you softlocked if you get hit in a particular way underwater. That is genuinely a terrible bug that could affect just about anybody playing the game. Thankfully, they fixed it the next week, but that REALLY shouldn't have happened to begin with!

There's also the smaller problems like Yoshi's Story's boss, Inviso, where the point of the boss is to be invisible. Except he's very visible at all times making the point of the boss moot and any respect to the original game gone. For some fucking reason, they took more than a year to finally fix it, and that's just a huge shame.

There's also how Jet Force Gemini had a worse widescreen mode and somehow thought it was good for release, thankfully fixed 2 months after, but you still had to wait 2 months!

And then F-Zero X still has genuine framerate problems to this day where the game just runs worse over time. That game is known to run a perfect 60 FPS on the original system, so there's no excuse here.

I could also mention Goldeneye and Perfect Dark, but just look up Graslu's videos on them, he has done a full comparison, showing what's wrong with them with enough detail.

For these, I just mentioned the glaring issues plaguing several games, but a lot of times these issues just comes on their addition to the service, and then only gets fixed months later; and for me, that's an actual disrespect to the player. I understand the developer is doing their best here, but frankly, what that looks like to me is a legit constant: they visibly seems just scrambling to get games to work to a "good enough" state. I am NOT accusing iQue of this, however I accuse Nintendo to not have taken any measures to stop having these kinds of problems to begin with.

To speak better of iQue, they seem to be good at reverse engineering, as they do patch games to fix issues, or sometimes just modifications like anti-epilepsy measures or other kinds of hacks.

The controls

I had some really bad things to say about the controls, but it got partially invalidated when I played Perfect Dark on the service to see how bad it got. I think I simply overthought about it.

Now I have an opinion about the controls of Goldeneye and Perfect Dark that will not please people: They're… fine. The default controls I mean. I know people have some real aversion to FPS that doesn't use a double stick, but frankly I dare say those controls didn't age as badly as you'd think. Some people say it's best played on a N64 controller but I don't agree about that, it's also okay on a regular Switch Pro Controller.

Turok however, oh boy, the default controls can be a double stick FPS… except it's reversed. That's where the ability to remap controls would be very useful here, or possibly just one moment where better forced control setups would be actually nice here.

Or how Pokémon Stadium has minigames that uses actually both the D-pad and the Stick, it could be great if the right Stick acted like the N64 Stick at that moment on a Pro Controller instead of the C Buttons!

Instead, I sometimes get told it is an excuse to get the (frankly expensive) N64 controller. Fuck no. I should not be forced to buy that, and I actually dislike using that controller, and I played tons of N64 games through emulation with different controls without having serious issues either, so for me, this isn't an excuse. Wii U VC also provided button remapping!

The forced use of ZL as the N64 Z button, and L for N64 L button for every game, also bothered me. I know they care about consistency, but then, I got actually curious to check how they handled Z and L on Wii and Wii U VC… and holy shit. They handled it right from the start. On Wii they actually just used the L button for the N64 Z button! But, the N64 B and A buttons do correspond to the B and A buttons on the current controllers regardless. Though, on that one, for most games, it's not as much of a bother, but if you're playing games like, let's say Wave Race 64 or F-Zero X, this is particularly worse.

F-Zero X has the use of strafing left and right, so I'll let you imagine how worse that sounds if you use ZL and R. NOT ZR, that's for C Buttons macros on the face buttons. It feels horrible and unintuitive, but also there's how the B and A buttons on N64 are vertical, and you just use your thumb on both buttons, making it easy to boost or to soften bounces on waves in Wave Race 64, which is a pretty darn important thing to understand, but instead you have to handle it on horizontal B and A buttons, making it a slight bit more annoying to your thumb, physically speaking. It just feels unintuitive and actually bad for your thumb, frankly.

It's where I wish games would actually make either ZR or R buttons to be swapped depending on the title, to be the R button and C button macro, and also offer an option to rotate the face buttons so that B and A would be placed on Y and B instead, corresponding more to the actual feeling of the N64 controller.

Sin & Punishment is oddly enough the only game of the bunch that comes with slightly custom controls, more adapted to the game, and I'm sorta glad that they bothered.

Just to go back to the N64 stick emulation, I also wish the sensitivity of it was managed better on current controllers. It really seems like when some games run faster than intended, added with the fact the stick isn't reproduced faithfully, some games are a lot harder to play, especially with Joy Cons if that's your only and basic options, where for example, turning the camera is way faster and you just keep wanting to reposition all the time.

Missing features

Man, imagine emulating the Controller Pak for the ability to save in games that only uses it instead of battery backed save memory in the cartridge, but then, literally never use it, ever.

Well that's what happened to Wii U VC and N64 NSO. iQue has actually emulated it, but for some reason, they never use it, and I just do not understand why, especially in games where the Rumble Pak isn't supported.

Speaking of the Rumble Pak, it is emulated, but there's one thing I just do not understand: Why isn't there code to automatically swap the Controller Pak and Rumble Pak? They have the best ways to actually handle this in ways that is pretty transparent and unobtrusive, but somehow, they don't bother with it, and it's just very strange. I know the N64 games are weird about it, but some outright allow to swap them, sometimes they even bother to remove the No Controller Pak message in Winback, but in other games they don't even bother removing the Rumble Pak swap message. It's just inconsistent and weird.

We don't have Transfer Pak emulation unfortunately, but that one, I can partially understand, it's definitely a bit messy, but it would still have been cool to play Mario Tennis and Mario Golf with your GBC characters and to level them up on the N64 games. Instead, in Mario Tennis GBC, you actually get the Transfer Pak content unlocked from the start, which is still pretty cool of Nintendo to care, and a mere reminder that they do care about these details in other apps. But in Mario Tennis on N64 NSO, the Transfer Pak courts are yet to be unlocked.

Then there's the wish to see 64DD emulated, which they initially did some work towards that back on Wii U VC, but then simply never touched in years, and then removed the code after I noticed they tried to support the fanmade cartridge ports of them. It's probably just for testing though, I don't really care that they do it like that, but I would think it's particularly crass had they used them officially on the app. This has yet to be seen again, so I don't have my hopes up. Here's hoping the Nintendo Museum made them care though, considering Doshin The Giant 64DD actually showed up there.

The future

I think I pretty much said what I wanted to say the most in one place. It might have been a little hard to read, but I really wanted to make my points very clear.

When I look at N64 NSO vs the rest of the service, I just cannot help but see how worse it is in general, I have genuine trust issues as it is very badly managed as games get added but then doesn't run properly, only to get resolved, if it does, only months later. It just makes me want to put off for later any time I wanna play a N64 game on that service, and I really want to love that service, I want to recommend y'all the biggest N64 library so far that Nintendo has given us that surpasses both Virtual Console libraries on Wii and Wii U, but I just can't.

Unfortunately, I don't see the future to be that bright. I see no reason to believe Nintendo has done any big efforts to allow a better N64 emulator, and of course, Nintendo has never really addressed complaints, and I partially blame the "good enough" feeling. When I read ArsTechnica to make an article just to complain about the borders after the N64 NSO ordeal, it just makes me feel like no matter what, this bigger complaint of mine across all of N64 NSO just cannot be seen seriously. It's a much bigger problem than borders (though, I agree, they should allow more, including pitch black borders).

I don't see any reason for Nintendo to read this either, but that's my full impressions of N64 NSO so far. Nintendo 64 NSO is just shit, and disrespectful to the legacy of the N64.

I outright accuse it to force people to buy a N64 controller just to play it correctly, which definitely worked as it definitely was out of stock several times, but if that's truly what they aimed for, then it's an app that doesn't know what audience it wants. If it aimed to be played by casuals, they'll be put off by the controls. If they aimed for the hardcore, they'll find problems, no matter what.

And it really cannot be helped when the emulator is clearly designed for the developers to manually fix problems per game instead of having a better emulator overall.

[cnwolf-brainrot]

I'm curious, what do you think of X-Men: The Last Stand? Are there things you would do to improve it? Besides having Nightcrawler actually in the movie of course. xD

Sorry it took me a minute to get to this ask because I have A LOT OF THOUGHTS, this is a FANTASTIC question because I actually literally just rewatched that movie!! (yes, it was for Weapon by Name. No, it wasn't for anything plot-related, it's cause I've been having a hard time writing Hank McCoy lol)

Very short version: I like some parts of the movie, but I definitely have ideas on how to improve it!

This is going to be a long post so my improvement ideas will be under the cut! But first:

What do I think of the movie? I mean... it's not the best. There are a few enjoyable moments, but it's just genuinely not a super well-written film; it feels unbalanced in a lot of places, leaves out a lot of things I would have liked to see addressed from the first few films (*cough* yes I'm talking about Kurt *cough*) and feels like it doesn't properly give focus to the Phoenix storyline at all. I think one of my biggest problems on a re-watch was the fact that Jean literally does nothing. She has no motivations in the movie and only a handful of dialogue lines. HOWEVER, I do love the mutant cure plot line, and I feel like it makes a fantastic focus for a third X-Men movie! I also think I can blame this movie for my love of Warren Worthington! There are definitely parts of this movie that I do enjoy, there are just things that could have been better! Now, a break-down:

Things that I like/would keep the same: - The Worthington Industries/Cure plotline (I find the mutant cure to be an extremely interesting X-Men plot, and I enjoyed how it was handled here for the most part. I'd make a few small changes to balance it with the rest of the story, but this is something that I'd want to see MORE of rather than LESS of) - Most of Warren's story (again, this is a plot that I LOVED from the movie, but needed to see more of. This goes back to the unbalanced feeling I mentioned, and I'll talk more in a bit about how I'd fix it) - Hank McCoy (honestly I love Hank in this movie, I don't think I have any changes) - Mystique's ending (I actually love how this movie handled Mystique. It's short, simple, shows just how much her abilities mean to her with her casual shifting even while she's captured, and I personally feel that her turning her back on Magneto when he turned his back on her was a very in-character moment. This whole subplot was great, no changes)

Things I would completely take out: - Juggernaut (he was an unnecessary addition to an already packed story, he really didn't add anything and if he's going to be in a movie I think he deserves more screen time) - The whole plot line with Xavier having hidden Jean's true powers from her. (It just makes Xavier a bad mentor figure in my mind, and I'd prefer it if there's just a quick explanation of there being weird energy readings at Alkali Lake or something that could have brought her back.) - The weirdness that was Kitty and Bobby sort of flirting (I feel like this was shoehorned in just to add a romantic tension between Bobby and Rogue. Kitty and Bobby have little to no chemistry and any that they do have just makes Bobby seem like a jerk to Rogue. I have a proposed fix for this subplot, which I'll address in a bit, but I would completely remove romantic implications between these two) - Xavier's death as it was (I feel like there was a strange imbalance between his death and Scott's, so to increase emotional impact I would like to streamline it and get rid of that scene)

Ok, now what would I do to improve it?

HONESTLY if I were to completely rewrite this movie, I would have to go back and rewrite X2 as well because I don't feel like the foundations were set up well for the type of Phoenix Saga that I would have liked to see. HOWEVER, I'm already rewriting X2 in Weapon by Name so there's no way I'm doing that again. Instead, here are just a couple of semi-quick changes that I would make to the movie, WITHOUT changing any of the previous canon.

First of all, let's talk about Scott. Scott Summers is the backbone of the X-Men and he was done DIRTY by this movie, so let's at least make it a bit better. Going based off of what has been established for him by the canon of this set of films, we have basically three character traits for him: he's Xavier's star pupil, he's the leader of the X-Men, and he's in love with Jean Grey. SO, instead of having him sulk and shirk his teaching duties at the beginning of the movie (which goes against two of the three things established about him) we instead go the opposite route. The movie opens up with Scott leading the Danger Room session, and we see that he has basically thrown himself into his work after Jean's death. Storm and Xavier express concern about this, even Logan can tell something is off, but Scott continues to drive himself and the new X-Men (Bobby, Kitty, Rogue, and Peter) into the ground as a way to try and avoid his grief

Speaking of the newbies, let's pause the Summers angst and talk about them for a moment. In the actual movie these four get completely sidelined (I already talked briefly about how Kitty is just used as an awkward romantic device, and Rogue literally disappears for days without anyone questioning where she is/misses the whole final fight scene, and yes I'm happy that Peter and Logan have a Fastball Special, but that's literally the only time he contributes to the movie). I wish that we had gotten a little bit more of the four of them in X2, but again we're not changing anything from that movie here. What I propose as a way to improve them as characters in this movie alone is to treat them as a unit. I think that if the four of them were treated as friends and shown in the first Danger Room scene having a bit of banter/generally joking around and working as a team, it would establish to the audience that these people know each other, like each other, and have a reason for being on the team together. In addition, setting these four up as friends in the first scene with them also helps fix Rogue's whole character arc.

I was genuinely upset with how the movie handled Rogue; it boiled her entire character arc/want for the cure down to "I want to be able to touch my boyfriend". I think this is a huge disservice to her character, and I think it can be hugely improved in just this first Danger Room scene. Instead of having the moment where Kitty saves Bobby, we replace that with a moment where Kitty is in trouble and Rogue reaches out to help her. Bobby or Peter then jump in and pull her back because her gloves fell off in the exercise; if she'd tried to help her friend, she would have only hurt them both. Now Rogue's eventual desire for the cure isn't built on teenage horniness; it's built on a fear of being dangerous to those she cares about.

Now, back to Scott. With this re-written version that focuses more on him trying to drown himself in work rather than just being sad and mopey, I think that a good way to get him to Alkali Lake would be for Xavier to have a talk with him. Xavier pulls him aside and basically says "you're hurting yourself by avoiding this, Scott. Take a few days. Take a breath. Allow yourself to breathe." This is what results in him going off to Alkali Lake and Jean's revival happening.

Personally, I wouldn't kill Scott here. I would let him come back to the mansion with Jean and everyone gets a reunion... however, Scott and Logan both start to notice something is off about Jean. She seems just a bit too on-edge, will zone out occasionally, things will float around her without her even noticing that she's controlling them, and there's the whole fact of she should be very dead.

Scott is concerned for Jean and trying to find a way to help her. Logan, on the other hand, is beginning to wonder if this person even is Jean at all, or if this is just some creature that is trying to look like her.

Now, a quick aside for some thematic values of the movie. I'm sure there are some in the original movie, but I had a hard time finding them honestly. What I would like to be the main theme of my version would be the concept of monster-versus-man or the "beast inside". This theme would primarily be shown in the contrast between Logan and Jean, as they are (or at least SHOULD BE) the main two characters. However, every key character could be shown to be struggling with their "internal beast": - Rogue, who is struggling to be close to anyone because of her mutation (an example of how this "beast" can be harmful to others) - Warren, who tried to get rid of his mutation long before the cure was invented (an example of how denying that beastial nature entirely only serves to hurt himself) - Scott, who keeps his mutation carefully contained to try and please the people and ends up paying for it (we'll talk about his fate in a moment) - Ororo, who is at peace with the wild, natural nature of her mutation (an example of a good balance between the man and the "monster") - McCoy, who is the literal embodiment of the "beast" and can't even attempt to hide, but still contemplates how it would be to feel more human (another example of balance, but with more longing) Every part of the "cure" plotline would help amplify this theme, and keeping that in mind for every character's decisions throughout the film would give it a far more streamlined and dynamic feel

Speaking of streamlined and dynamic, let's talk for a second about Magneto. I'm torn on what to do with our man Erik. Half of me is tempted to completely write him out, because I think he completely overshadows Jean in the original movie and that he's half of the problem with how it doesn't feel like a Dark Phoenix film, lol. However, he's also the best X-Men antagonist and it would feel like a disservice to him to leave him out of the climax of the trilogy, especially when the cure plotline is something that he would never stand to the side and watch.

So, I think that here we still have Eric gather his forces and start making threats over the cure. However, we cut the scene with him and Jean and Xavier in Jean's old house. Instead, we have the X-Men go to confront Eric just before another attack. This is at a public support rally for the cure, and remember Scott is still alive here.

Just before this scene, we should have a scene between Scott and Jean, where they talk about the changes that Jean's been experiencing. Scott's worried about her, and Jean tries to tell him she's fine (and that maybe this new power isn't a bad thing). In this scene we have the moment where Jean uses her powers to let Scott see without his glasses -- only he flinches away the moment he opens his eyes, and basically tells her that it doesn't feel right. He also tells her that the old Jean -- his Jean -- didn't need all of this power. She was content with things they way they were. We see a big example of that "inner beast" theme here, focusing on that contrast of how Scott wants to keep his powers under control in order to fit in while Jean has almost limitless power at her control, and she doesn't see a reason not to use it to make their lives better.

Now, back to the X-Men versus Magneto. As they stare him down, Jean tells Scott she could end it. She could wipe the minds of everyone in the crowd around them, and change them all to mutant supporters. She could change everything with just a thought.

Scott, of course, tells her no. He wants to try and solve this peacefully, the way that Xavier would (it's important that Logan overhears this line).

In the middle of Scott trying to diffuse the situation, one of the anti-mutant protesters tries to take a shot at Magneto. This causes immediate chaos, and another protester takes aim at the X-Men. Magneto deflects the bullet coming towards him. Scott is hit.

Oh goodness I hit a text block limit I didn't even know Tumblr HAD text block limits ok then.

Now, with this being the way that Scott dies, Jean actually has a reason to go berserk and give into the power she feels. She tried to follow Scott and keep it contained, and the attempt at peace got him killed. She ends up killing multiple innocents here, and when Logan tries to reach out to her she turns and leaves the X-Men behind.

Professor X's funeral scene is replaced by Scott's funeral scene. In the original movie it felt unbalanced to have such a focus on Xavier's death and no focus on Scott's, so as previously mentioned I think we should take Xavier's death out entirely. Plus, because of the nature of Scott's death (being killed by an anti-mutant protester), now the whole school is buzzing with unrest about the cure.

This is where we would have the scene where Bobby comforts Kitty, but unlike the original where's it's a "romantic" beat between those two we have all four of the younger X-Men outside iceskating together. Scott was their teacher so they were all fairly close with him, and they talk about it together. They also talk about the cure, and how they don't want to take it after Scott's death... Rogue is the only one who speaks up for the fact that the cure wasn't what killed Scott, it was just the people in support of it. We also have a moment here where everyone ends up knocking into each other as they skate, and that is where Rogue's jealously comes from; simple, human interaction that she isn't able to experience.

She leaves early, and Bobby notices. They have a conversation that only serves to upset Rogue more, and this is where we have a touch of their relationship because yes, it's important to her and she does want to be able to get physical comfort from her boyfriend, but now it's built on top of the other ways it has affected her life. He mutation has hurt her relationship with her family, her friends, and her boyfriend instead of only putting the focus on her romantic life. This conversation leads to Rogue leaving to try and get the cure.

But putting them aside for a moment, let's focus on Warren. I really liked the skeleton for Warren in this movie, but he still feels very flat and stilted because we don't get much depth to his character. To fix this, I would have developed a friendship between him and Leech. Both are prisoners here in Worthington Labs in their own unique way. Both have the illusion of choice (Warren could theoretically say no to his father, and Leech is shown to be comfortable and humanely treated which means he probably had at least a bit of autonomy) but neither have true freedom. I think it would give a level of depth to Warren's character if we see a scene of him sitting with this kid, maybe even moving just close enough that his wings go away, and Leech asking him if this is what he really wants. They could talk about the cure, really give the audience an inside perspective on what would go through the mind of a mutant to make them want to take this, and also bring up another running theme of freedom and what it looks like. ALSO we could have them talk about the complicated relationship between Warren and his dad, which would make Warren saving him at the end of the movie more impactful. Also, it would add another level of depth to the look of pure longing that Leech gives Warren as he watches him fly away after the attempt at taking the cure.

Now, in the original movie I felt like it was a bit awkward for Warren to just show up at the Institute without any real reason to go there. That could be fixed by tossing in a comment about the Institute along with the aforementioned Leech scene, but instead, I think it'd be interesting if Rogue was already heading over to try and get the cure as Warren breaks out. She sees him flying away, and makes the decision to follow him instead of going to get the cure. They end up talking (this could be off screen or on screen, either way) but end up showing up to the final fight last minute together.

Before we get to the final fight through, let's talk more about Jean. Now, at this point I think we've already made her arc better by giving her the earlier scene where she talks with Scott, plus hid death causing an actual emotional impact that would turn her against humanity. I feel like one of the biggest problems with the original movie is that they don't give Jean any screen time, which to be fair they tried to cram a LOT into this movie. However, it is literally supposed to be a Dark Phoenix movie, so I think she should get at least one scene where we really see her struggle with the new beast inside of her. This would start out as a solo scene where we get to see her go somewhere away from civilization, probably into the middle of the woods or something, where she can let go for a minute and literally scream out her grief. We see objects floating around her and turning dangerous in the wake of her anger (maybe she accidentally kills a few animals, something catches on fire, etc), and I'd love for her to have some dialogue that brings into question for the audience whether this really is Jean, or if the Phoenix Force is something else entirely.

Magneto would show up halfway through her breakdown, and try to give her the same "you could be powerful, you could get revenge" speech he does in the original movie to get her on his side. But, Jean doesn't fall for it; instead she says he's going to manipulate her the same way Scott did, and that she's not going to make the same mistake twice. Her reasoning doesn't entirely make sense, but that's where the Phoenix comes in; now that she's latched onto the idea of people hurt the ones I love because I tried to hold back, the Phoenix is using that to make her completely loose control and cause the chaos that it craves.

Magneto attempts to talk her down once he realizes that she's becoming a danger to mutants as well, and this escalates into a fight between the two of them. Honestly, I think it would have been interesting to see Jean kill Erik here; as much as I enjoyed him being de-powered in the original version, I feel like having Erik out of the picture would give more focus to Jean as the climax. She kills Erik, and then turns her sights to Alcatraz to try and take out everything that she perceives as harmful to her people (though at this point, as seen with Erik's death, the Phoenix has blinded her to the point that she can't truly see who her people are)

The X-Men are still in the wake of Scott's death, but they find out Jean is going to Alcatraz and that she killed Erik (because of course Xavier would be able to sense that) and they gear up to go fight. I think we should also get a moment between Bobby and Logan here talking about the fact that Rogue isn't there with a ton of guilt from Bobby, and Logan basically accepting that she's made her choice.

Also, Xavier goes with them to Alcatraz. Everyone is a bit hesitant, but he makes the point that he knows Jean's mind better than any of them, and that at the level of power she's at they might have to take it to an astral plane battle in order to defeat her. Plus, Jean has taken both Scott and Erik from him. He can't sit on the sidelines of this fight, not when he feels responsible for her spiral (again I would like to take out the "Xavier hid her memories from her" thing and focus on the fact that he basically raised her from when she was a teenager, BUT you also could keep that plotline in here)

So now we actually have the final fight, which is just the X-Men and the army VS Jean. For Jean of course this feels like betrayal, since the entire reason she's here and fighting is because humans (like the soldiers the X-Men are standing with) killed Scott. This also gives us a chance to see just how powerful Jean is, because it's literally like 100 to 1.

Now the rest of the fight goes similarly with Kitty rescuing Leech (though she's fighting against the building collapse, not Juggernaut) and Warren coming back to save his father (with the added detail that Rogue comes with him). We also get a reunion between Rogue and Bobby and Rogue helps Kitty save Leech. I'd also like for there to be a sweet moment mirroring the opening Danger Room scene where Rogue reaches out to try and help Leech just like she'd tried to help Kitty, and she's actually able to touch him and save him. At the same time, she also uses her powers in the fight to help, and she doesn't lose her powers at the end of the film.

The fight with Phoenix comes down to Xavier trying to get into her head, and they duke it out in the astral plane. We get to see here that this isn't really Jean any more; Jean is almost completely gone, it's the Phoenix that has overtaken her. We have a bit of dialogue here about how the monster has taken over to reflect that "internal beast" theme, and haha I lies we didn't entierly take out Xavier's death, I think he should die here. It looks like all is lost, until Logan comes up behind her and finishes the job similarly to the movie.

Logan's character arc ends with accepting that he is a beast, and that he can use that to protect those around him. It means he has to make the hard choices, but unlike Jean he's able to come back from that beastial mindset and actually process the grief with the rest of the team.

So THERE WE GO!! I think that's how I would rewrite the movie!! I like a lot of parts from it, but I think it could have been improved! Sorry this ended up being a much longer ramble than I intended and there's still things I could have fleshed out more, but this took way too long to type out so I'm just leaving it here.

TL;DR: If I could make improvements on this movie, I would have given Rogue more of a character arc, Scott a more satisfying death, and Jean the spotlight she deserved. Also, I would have given the film some identifiable themes that actually relate to the character's actions.

If you read this whole thing holy cow thank you this took me several hours lol