#this is really just a random shot here

[mask131]

The thing that I always found abominably fascinating and insanely mind-blowing with the Earthsea series is that it breaks all the worn-out, over-used, “seen everywhere” cliches of fantasy people complain about today and try to avoid. 

Tired of your typical Europe-setting? Here is a world of islands influenced by a lot of various non-European civilizations!

Tired of having a white-predominant cast? Here is a series where people of color are the dominant ethnicities and the white are the minority and bizarre barbarian foreigners from far away!

Tired of having the heroes go on grand and perilous monster-slaying quest to fight some dark overlord or fetch a magical item? Here are books where the villains are elusive, abstract and philosophical threats, where the quests to defeat them are very down-to-earth, solitary and rely more on self-search and the understanding of human nature rather than great exploits. 

Tired of seeing the same old-worn out fantasy races tropes? None of this here! 

This book series was created with the intention of subverting, avoiding or breaking the new tropes and stereotypes that were rising up with the success of Tolkien’s work. It was made to be different and ground-breaking and stereotype-crushing, and it worked extremely well, becoming a classic of fantasy literature and influencing the genre massively... And yet, people only rediscover it today, and know about it today somehow. (Well a “large” today including the dozen of last years of so).

This series is the perfect example of the “new” fantasy that rises up in the modern era, as an attempt to “break off” from the “traditional” or “cliche” fantasy... And the first book has been sitting there since the END OF THE 60s!!! 

There are more examples I could point out of books that present to us a completely out-there, trope reinventing, stereotype breaking form of fantasy - and that yet have been there since the 70s or the 80s, or even before! As I went back in time to see several of the “classics” of fantasy literature, I came to understand something - a lot of the “cliches” and “stereotypes” and “over-used tropes” of fantasy people complain about today were not at all dominant for a very long time. If you believe the words of many people out there, you imagine fantasy never had black characters or queer characters or non-European settings or non-Tolkienesque plotlines until the 2010s or something... Which is not true. Fantasy was such a varied, bizarre, diverse genre in its literary form all throughout the 20th century, and many “old” works of the first generations of the post-Tolkien fantasy are basically what people want to see today as “pattern-breaking and fresh new fantasy”. 

The Tolkienesque-fantasy and all of its cliches and stereotypes were not so much dominant as just present in a handful of massively popular and widespread works - the case of the Shannara series can be pointed out, as its first book was PRAISED at the time for being able to recreate a Tolkien story in the 70s, and it was because it was mostly a copy of the Lord of the Rings that it got so popular (and why it is not well-liked today). And then the 80s rolled and early D&D reignited the flame of the Tolkien-inspired fantasy. By the 90s, it seemed Tolkien had been used and over-used to death, and people didn’t trust it all anymore... Which is why David Eddings’ Belgariad series was created. Its key point was to take back all the elements of the traditional epic fantasy story, but reassemble them, freshen them up, twist them slightly, all of that to re-create a by-the-book BUT fresh, new and interesting series. It was an attempt at prooving that, with innovation and some twists and modernization, the Tolkienesque fantasy would not die - and it worked massively well. And then in the 2000s, the Lord of the Rings movie sealed the deal. 

All these works make it look like fantasy had always been copying or taking inspiration from Tolkien. But it is false. It is true that most of the classics are tied to Tolkien, but not always in imitation or re-creation - in the case of “Earthsea”, there was a willing attempt at getting away and inverting the Tolkienesque fantasy to create a fantasy that went the very opposite direction. Same thing with the Elric Saga, also designed to be the reverse or opposite of The Lord of the Rings, and which in turn became the classic of another new genre of fantasy: dark fantasy. And Conan in all that? People forget that the Conan the Barbarian series were just as influential for fantasy works as Tolkien’s Lord of the Rings was. The Elric Saga, again, was created to completely reverse and avoid the Conan-like fantasy. A similar thing was done with Leiber for his “Fafhrd and the Gray Mouser” series, which was designed to break away from the Conan “heroic fantasy” style and reinvent the genre in a new direction. 

There are so many “old” and “classic” works of literary fantasy that actually do not feel like a “classic” at all because they have all the vibes, elements and expectations one has from a non-classic, non-traditional fantasy... BUT THEY ARE THE FOUNDATIONS, they are the basis and classics and inspirations of fantasy. And it all shows this huge gap between what people think fantasy is, and what fantasy really was - it is a fascinating case study of how one specific trend somehow got over the entire genre. Imagine a world where people think Gothic novels can only have a vampire or the ghost of a judge, and must be Bram Stokers-inspired, and that everybody points out they are tired to see Dracula-expies everywhere... Only to discover the stories of Edgar Allan Poe and be baffled by them and their “inventivity” and “breaking of patterns”. I’m sorry, that’s the fastest comparison I can make, but this feels just like that. There is this strangely specific idea of what fantasy is today forged on a few items... I think, beyond the massive success of Tolkien and imitators, D&D probably is also to “blame” for how people see fantasy today.

But even then, D&D took inspiration from so many non-conventional works of fantasy... Yes many became “classics” now, though often ignored by the masses - The Elric Saga, and Fafhrd and the Gray Mouser were big influences. But take the Jack Vance series “The Dying Earth”, another big inspiration on early D&D. Take that. This series is from the 50s - FROM THE 50S - and yet it is a unique genre of sci-fi fantasy that I haven’t seen much being done around, and it creates such a weird, whimsical, bizarre, surrealistic fantasy world, it feels completely unique. And again, it is a classic of the 50s and 60s. 

I don’t really know where I try to go with this but the important thing is: when someone wants to read “non-traditional” or “non-Tolkienesque” fantasy, or “non-stereotyped” fantasy, it is possible, instead of searching for every new author nowadays (not a bad thing to do that though), it is possible to just go back in time, look back at the books of the 70s, 60s and 50s, and find there a novelty, a freshness and an inventivity that is lacking in a mass production of modern day fantasy. And that such a thing is possible is truly crazy for me. I don’t know if such a thing happened with other literary genres, but it is insane that sometimes in fantasy, to see “new” things you just have to look back into the past. 

[skippingthroughfields]

one thing that's missing from these convos about amc not submitting assad zaman for a golden globes nom that makes it 10x more malicious on amc's part is that a nomination isn't just like oh... ~simple appreciation for an actor's performance. even if there's no win, it results in a profile boost for these actors & them being able to command a higher salary when it comes to future projects. it's something that gets notice on their CV. these studios and networks love being able to market their shit with things like "starring golden globe nominee john doe" or "emmy winner jane doe." the emmys are more prestigious than the golden globes which are more prestigious than the critics choice awards (the one they submitted him for with two other actors lol). actors get nominated and have the opportunity to get attention from social media posts, article mentions, attending the red carpet, having their name announced and a little clip of their acting shown. that's not nothing! attention from possible new fans, publications, execs, peers, producers, directors, fashion houses & other industries which could lead to $$$ and sponsorships. I won't make any presumptions about the cast's finances but I do know amc is probably not paying them their worth, least of all the bangladeshi muslim who barely had any major roles in tv/film prior to the show.

there are fees and costs associated with submitting for awards consideration and FYC ads. the network basically took a look at assad's brown skin and name and said they don't think he's worth the money over the white actor who had less screentime and narrative importance (to the season ig) which is absolutely crazy lmao. it shouldn't be controversial to say that and you can't not discuss this without bringing up sam's name. this has nothing to do with whether he "deserved" to be submitted (and even if I said he doesn't deserve it over assad who's gonna beat my ass?). this white man isn't being persecuted by conversations about blatant racism. but I'd expect nothing less from this fanbase x.

[ruvviks]

Following the chilling conclusion of All That's Left's first season, Mac and Layla and their friends find themselves scattered across a divided Los Angeles a year after their successful return to town. Matrix Corp has taken control— "With humanity's best interest in mind"— but with our protagonists' knowledge of Opportunity's destruction and Houston's unexpected fall, they know better than to trust the corporation and its near military-sized security force. Closed district gates separate them from one another and a new threat lurks just outside the city's walls— but resistance is on the rise, and it is only a matter of time before truth comes out. [SEASON ONE HERE]

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @roseeway, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@kanos, @swordcoasts, @ordinarymaine, @claudiawolf, @strafethesesinners

[megumi-fm]

.

[prudentfolly]

Day 24: Party

One of the perks of Prudence's current position is that she can attend balls thrown by her Lady. It is a game for her, seeing how well she blends in with the crowd, eaves dropping, building a persona for the evening.

[wanderingmind867]

I know I shouldn't care about my posts getting notes. But when I see some of them still have 0 notes, my brain seems bothered by it. Thankfully, I have more sense than I used to have (years ago, I would spam reblog my posts til they got noticed). Now I don't spam reblog things, but I do tend to make constant posts like these, where I worry about not being seen and where I pretty much seem to beg and panhandle for some stupid notes. I don't get it. Am i trying to lose what little friendships i have by guilt tripping people? Because i feel like i'm guilt tripping people.

Still, I can't stop myself from making these types of posts. The stupid desire for attention seems to be overpowering, and that really confuses me. I don't have any reason to be this hard up for attention. But since I have no answers, let's end with some more guesses. Do I make these posts out of habit? Out of a desire for attention? Just because I overthink everything and stress myself out? The answer may be yes to all of these, or it may be no to all of them. I legitimately don't know.

[keeps-ache]

linelesssss oohoohoo !!

[cynicalmusings]

‘the most crucial skill that a good drinksmith needs is listening… drinksmithing is all about having conversations with your guests’

tea house owner!reader energy for real

[hunsa-jars]

I hate myself fr, it's the second day of my movie nights and I really just put the gilf Scrooge movie on priority when I only found ou it exists like... yesterday

I FOUND OUT YESTERDAY THAT IT EXISTS AND IT ROTTED MY BRAIN SO HARD BECAUSE I WANTED TO SEE MORE OF SCROOGE I'M 💀

Shame me now

[rancidarling]

it's probably such a good thing I didn't grow up in America because anytime I went to someone's house and they had a bb gun, I'd just be obsessed with it and trying to be subtle about how interested I was in using it and also wanting to know what it would be like to shoot someone with it 😍

[fingertipsmp3]

Playing a game called ‘how long can I put off talking about my various mental problems with a medical professional’. It’s going badly. I recommend no one play this game, 0/5 stars

[hauntingblue]

Pluton lore: it can be used to make islands disappear. But why would crocodile want that

Zoro no learning that a swordsman is worth nothing if he can only attack and can't protect... yeah yeah yeah

Water luffy is so silly but makes so much sense like this is how we got to gear 5... also robin laughing.... this is where she thought she might join... like at least she will laugh with them. Also crocodile gets mad right after so it works to rile him up too!! Magnificent plan luffy

[strawbuddy-luv]

Trans Tim off handedly mentioning random things that just confuse people more and more because he never told them he was trans (only Bruce and Alfred know)

Tim: "For the mission I'm thinking I'll go undercover, but it'll take some work to hide the bruises I got earlier. They're everywhere"

Dick: "Oh I think Steph is free right now!"

Tim: "...Ok?"

Dick: "Don't worry I'm sure she'll help you out with this! "

Tim: "That's awesome but I don't think I'll need help. I know how to use makeup."

Dick: "Really-? Ohhh, yeah your public image is like, way more public than ours. That must be tiring, having to hide the bruises all the time."

Tim: "Well yeah but I knew how to use makeup before that. For like, galas as a kid and stuff"

Dick: "...yeah..."

-----

Steph: -Complaining about a man- "And then he said "Oh you should smile more" like "you look like you don't want to be here" like what- what the fuck-??? Maybe I fucking don't dude."

Tim: "Oh yeah I hate when they do that. Like you've spent the entire time bitching about the consistency of snails, I can close my mouth for a few seconds."

Steph: "..."

Tim: "...What-?"

Steph: "Well- I mean yeah but- you know I have to deal with it like...way more, and it's just a bit weird that like, you as a guy are, I dunno, trying to relate? I mean you don't have to deal with it litreally everyday"

Tim: "Well yeah not anymore, but, you know...I still did."

Steph: :...What-"

-----

Tim: -Resting against one of the rooftop ledges-

Jason: "Woah, I can't believe it, Red Robin, slacking. What would Bruce do if he saw this!"

Tim: "Fuck off, it's just period cramps." -Jumps off the edge of the building-

Jason: "Yeah whatever Timblina...

Your fucking what-"

-----

Bruce: "And for this mission, we'll be needing someone for the Caroline disguise, but we already know who that is so-"

Dick: "Wait does Steph actually know how to fight in heels-??"

Bruce: "...N-"

Steph: "Yeah Bruce, I mean, you could at least actually ask me before volunteering me to go fight crime in that dress."

Bruce: "You-"

Jason: "I mean no offense, but literally who else would do it? Cass isn't here right now and I don't think any of us are willing to get a boob job for the mission"

Bruce: "No one's getting a boob job-"

Steph: "Yeah! This is bat tech, Bruce probably has ultra realistic titties in everyone's color and size! Jason you wouldn't even need an attachment."

Jason: "I don't think Caroline Hills has fifty gun shot wounds and muscles the size of most those guys heads."

Steph: "Yeah bu-"

Bruce: "None of that will be necessary because none of you" -Pointing at the right side of the table- "Will be going. No one at this table will be needing any prosthetics...Or boob jobs."

Steph: "...Ok but who the fuck is going then-"

Bruce: "Tim."

The entire table: "..."

Steph: "Tim are you really willing to put on boobs for this-"

Dick: "I don't think that's the best idea-"

Jason: "You just said no prosthetics- Oh this'll be fucking rich"

Tim: "...

I...wouldn't need a boob job?? Or prosthetics?"

Jason: "Timbo, that dress is a pretty low cut, and, no offense, your training hasn't given you that many enhancements."

Tim: "...Thank you for the binding compliment?"

Dick: "The what-"

Tim: "Guys I- I already have boobs-"

The Table: "..."

Steph: "WHAT-"

Dick: "You do-?!"

Jason: "Bruce if you made Tim get boobs for some weird mission-"

Tim: "What- No! No one made me get boobs??? Besides, I don't know, biology I guess??? Genetics maybe???"

Dick: "...I'm extremely confused"

Steph: "WHO GAVE YOU BOOBS-???"

Tim: "I'm not really sure seeing as I was born with them"

Dick: "...

OHHHHHH-"

Steph: "What- is this like a birth defect or something???"

Dick: "Tim- Tim I think you're just gonna have to-"

Tim: "I'm trans."

Jason: "...That's-

Yeah

Ok yeah no that- that explains...a lot."

Steph: "..." -Head in hands- "I am such a fucking idiot"

[florisa6s]

a idea- mainly Bruce

I like the idea of Bruce being really weird and random at the most surprising times just to mess with people and Damian, Dick and every other kid sadly got that trait too.

----

Damian: as a child of divorce-

Talia: me and my beloved is not divorced.

-----

Clark: Bruce why didn't you say anything about them?!

Bruce: What they look at me first it's not my fault I'm a snack

Clark: Bruce you have kids.

Bruce: A Dilf snack

Clark: No!

Bruce: Listen as the hottest one here-

Hal: What you not that hot-

Bruce: AS THE MOST SCRUMPTIOUS SNACK HERE!

----

I swear all his kids got this trait from him, they watched and learned from the best so they all do it too

----

Jason: one time I got stuck in a hole for months

Roy: A hole why'd you get stuck-

Jason: I kinda like....died so yeah kinda got stuck in a hole for months I'm lucky they didn't cremate me.

------

Dick: if Damian ever had a date I'd kill them

Wally: Dick you can't just kill someone because-

Dick: if anyone lays a hand on my baby brother they are dead.

Wally: I thought bats don't-

Dick: I'm not a bat I'm a big brother first.

------

Tim: why did my camera break? It lasted two years falling off fire escapes and getting shot at but it died when I knocked it off my desk...why did it have to leave me in this cold cold world...

Steph: are you sure he was only supposed to take 2 pills?

Cass: *shrugs*

-----

[alienssstufff]

smth smth builder’s signature styles whatever - I love how instantly recognisable it is to be in a Bdubs build whilst not be jarring. This shot of both sides of the river is a wonderful example

The custom trees. Are so freaking tall in compare to the default, yet their presence doesn’t feel obstructive. You don’t feel ‘blocked out’ from the environment as the deliberate thinness of the trunks, what height the leaves on the pine start at give just enough breathe room to: look through, catch glimpses of the other side, and be invited to Go Through It.

He says it in his commentary, a lot of what he builds is heavily grounded in realism. This area is not meant to be the centre of attention, the purpose of these trees is to Immerse and act as transition as one leaves the rest of the minecraft world and into Bdubs’ ‘more natural’ one — where the trees are grey, and the water is clear.

I’m so fucking serious this random cut of the river is my favourite part in the entirety of this forest, I like how still it looks, I like how clear it is yet how dark it is not only to imply depth but that illusion that the river is reflecting its surroundings how you can even say the river is a dark green! Being able to come to these interpretations for something so simple to me perfectly captures what he wants in builds like these.

And it STILL doesnt feel out of place because he does something like THIS. The way the stream gets progressively more and more opaque until it meets the actual main river is genius work. It gives the impression the water in Bdubs’ place is fresh in compare to the saltier, deeper water of the larger river it transitions.

😭And a final thing, I know the white glass he used was done to suggest rushing water but I swearrr he has like a sixth sense in how to place them perfectly. (Forgive my shitty camera) From this distance if you squint you can see these dark and lighter shadows made by the trees, and by putting where the white spots are placed now highlights these small rays of sunshine poking through the leaves and shining on the river and I think that’s unintentionally the coolest thing.

whhwwh idk how to end this, I just really liked this new video for reasons above and wanted to tell the world why.

BdoubleO100 you never miss. Forever and ever.

Here’s a shaky picture of Etho on his horse if you’ve made it this far :]

[cybertron-after-dark]

what the FUCK happens in cyberverse

Here's a list just off the top of my head, in no particular order. MASSIVE spoilers ahead.

-Wheeljack keeps making party drugs. This is not only accepted but wholly encouraged by the Autobots. He's made the bot equivalent to cocaine so strong it made grimlock physically unable to stop himself from running around the ship at mach 5. This was the basis for an entire episode. He's also made patches that give you a direct link to the Allspark that he passed out at a party specifically to get everyone as fucked up as physically possible. I cannot overemphasize that Optimus make no effort to stop this until things turn destructive on both occasions.

-Soundwave and Shockwave completely fucking hate each other and have a whole rivalry trying to be a better and more useful follower for Megatron than each other.

-Soundwave is a fucking memelord who will play clown music or dramatic riffs to dunk on people from the soundboard he has built into his hardware.

-theres a sort of liminal dimension referred to as Unspace that you can get stuck in and if you are there for too long you will straight up disintegrate. We see this happen to the entire crew aboard the arc from different timelines several times while the main timeline crew we follow tries to escape this fate, thus dooming dozens of other timelines.

-Cheetor is basically Allspark Jesus, and he's tired of all the fighting, so he tries to have Optimus and Megatron settle their differences once and for all. The chosen method for this was making them both play the Newlywed Game. They were both terrible at it, the MegOp Divorce agenda is alive and well.

-the Quintessons invade Cybertron and stick the entire population into a simulation a la The Matrix, which slowly drains their life force until they die. This kills countless unnamed Cybertronians, both Autobot and Decepticon, as well as Hound, who does not get to appear on screen.

-the Quintessons also catch Starscream, rip his face off, and modify him into an Eldritch tentacle beast with his brain attached to two other aliens, and then appoint that amalgamation as the judge that decides the fate of the universe in regards to whether they exterminate all life within it.

-Shockwave commits suicide for Megatron's approval. He launches his spark straight into the Allspark to taint it specifically as a last desperate fuck you to the autobots.

-Soundwave acquired laserbeak by just kind of grabbing a random bird out of the sky.

-Soundblaster is an ex-decepticon that left out of shame. That shame being Soundwave beating his ass in a beatboxing competition so fuckin hard he couldn't show his face around his faction anymore.

-The autobots keep starscream captive and try to get him to take a therapy session with the Arc's AI, and he starts out willing to actually give it a shot but said AI is kind of Stupid and screamer ends up tricking him into letting him escape through an air vent to go wreak havoc instead.

-Starscream also starts a suicide cult with the other Seekers, gains control of Vector Sigma and the Allspark, has the seekers forfeit their sparks to him, thus resulting in a cosmically powered Starscream. He uses that power to "remake" his followers into scraplets that he refers to as, with nothing but love in his tone, his "children."

-Shockwave and Wheeljack are shown to be ex lab partners. Shockwave has an army of drones that look exactly like his altmode that Wheeljack helped program. They are programmed to be able to break out into a coordinated dance number at any given time. Originally this was just to make Wheeljack laugh. Shockwave kept that function in throughout the entire war and initiates it the second there's a truce and Wheeljack asks to see it again.

-Shockwave kidnaps Wheeljack at one point for Science Under Duress purposes and Wheeljack is too invested in all the sweet fuckin tech Shockwave's been making while they were apart to really care that he's being held against his will, and then proceeds to escape without too much issue because he knows Shockwave well enough to know exactly how to disable everything.

-Bumblebee distracts the Decepticons by running in front of their surveillance cameras and shaking his ass in the most underwhelming way imaginable.

-Grimlock is only stupid when he's in his altmode because it takes a lot of power to sustain and he has to sacrifice some of his higher brain functions to keep it manageable. In robot mode he talks like he went to an Ivy League college and knows what champagne tastes like. He throws upscale parties every chance he gets.

-Grimlock also helped start an anticapitalist revolution with Bumblebee when he found an underground society of insect transformers that had a rigid caste system. This was within moments of finding out that the ultra wealthy were hoarding the limited energon reserves for themselves. Grimlock is a comrade and he does not fuck around.

-Skybyte is here and he sounds like Skeletor.

-Windblade and Slipstream are nemeses and somehow it's even more toxic yuri coded than Arcee and airachnid in tfp.

-speaking of Arcee, she's besties with Grimlock. They at one point have a physical fight over who gets to die to protect the other.

-hot rod and soundwave are forced to share leadership over the team of bots and cons that escaped the quintessons' simulation and it's packed with so much homoerotic tension its unreal.

-Maccadam is some kind of lovecraftian war machine that can unfold himself into a whole armory whenever he feels like it. We have no idea what his whole altmode looks like, all we see are the ominous shadows of the weapons on the walls. He uses this specifically as a threat to keep anyone from fighting in his bar bc he's insistent it remain neutral ground. He also can kinda just. See into the future. And casually drops prophecies that get written off as spoonerisms until they turn out to be relevant.

-Optimus Prime has horrific social anxiety that he can kind of power through when he's in a crisis, but the second things are chill and he has to give a speech at a party or something he simply does not know how to function.

-the entire planet of Velocitron gets taken over by cosmic rust and everyone inhabiting it that couldn't escape in time was killed horrifically.

-cosmos is a girl and she hangs out with a dude named Meteorfire who is, for all intents and purposes, just robot Steve Irwin.

-Astrotrain keeps closing doors in people's faces for the funny

-Megatron is killed by a version of himself from an alternate universe that went nuts and starting creating a master race of perfect Decepticons to inhabit Cybertron. Said perfect Decepticons were carbon copies of idw Tarn in all but personality.

-Acidstorm is canonically genderfluid and keeps switching between male and female seeker frames whenever they feel like it

-Kup, who had not been in the show at all until this point, decides to show up and narrate an entire episode like hes giving a political speech.

And, the infamous one we all know and love

-Megatron is a twitch streamer and he livestreams Starscream's fucking funeral. The chat has custom Decepticon emotes.