#this card is obviously not a problem

[historicallyaccuratecheese]

i’m never getting over how shovel knight decided to make a love story about a socially anxious mad scientist plague doctor bird guy trying to impress a hot goth girl by crafting a potion of unlimited power and then it ended up being the greatest romance ever conceived.

please play these games.

[rearranging-deck-chairs]

Hi hello I watched all of carmilla in a weekend when I was 17 because a student teacher who in retrospect I had a bit of a crush on mentioned that she knew one of the actresses. also I am pretty invested in all your recent vampire stuff because I watched iwtv in 2 days last week because your edit intrigued me

oh hiiii 🫶 thank you for indulging me. thats so cool that you watched iwtv! did it live up to the expectation?

i also watched carmilla at 17! or like, 17-19. i found it when s2 had just started and followed it to the end. did something permanent to my brain but i think it was a good thing. on rewatch now im like, i was right to like this. like it's a solid show, it's good. it has its flaws obviously but it's well written, the emotional moments still get me, i can see why i liked it and i still like it now even when it's not anymore, you know, meeting every need that baby gay me didnt even know they had

what it doesnt reaallyy do though - i dont remember if i posted abt this or if i left it in my drafts but - is explore vampirism as a concept. their subject matter is more lesbianism than vampirism. which is great! thats what they wanted to do and they did it and it's very good. but reading interview with the vampire the book rn im realising how much potential vampires have to be metaphors for like so many things and i started wondering like 'wait, did carmilla just not really engage with it or did it all go over my head'. but it just didnt really engage with it all that much. which again is fine bc that wasnt what they were doing. im glad they were more about the lesbianism than the vampirism

but there's this interesting difference in framing, because in iwtv they keep calling armand 'ancient' right? and emphasising how old he is. and he's like 500? and i was like 'wait isnt carmilla like 400?'. she isnt, shes 340, but still, thats getting there, you know? and we know quite a lot about her history, but kind of just the Big Events. when she was turned, the events of the novella, coffin of blood, silas. thats sort of what we know. but none of the long lonely slog of history day to day you know? with armand i feel like we can really feel how much time everything takes. how every one of those years is made up of single days. with carmilla i dont feel that as much. i keep kind of thinking about daniel, when louis calls him a boy in the first episode, saying "im an old man, with all the triggers that come with it"

because carmilla might look 18 (or mid twenties at this point) but she has lived all that time. shes also seen her native land be claimed by like a succession of ruling powers, right? like armand. shes been buried alive, like louis. when lestat is born, shes already 80 years old, shes lived a whole human lifetime, and the entire adult part of it shes been a vampire. shes lived through 1680-1870 being a lure. i compared her to abigail hobbs in some tags on a post, i dont know if youre familiar with hannibal the tv show, but i do also kinda keep thinking about that comparison

if youre not familiar, in the first episode of hannibal the murderer of the week is this guy garrett jacob hobbs who kills and cannibalises girls who resemble his daughter. and later on it turns out she was made to be his lure. like they'd go places and he'd sent her to the victims to make friends and maybe get them back to their home or smth. not sure if they specified all the details. but that's what carmilla did for mother. and in s2 we hear from mattie that while every couple of decades carmilla had to lure victims for the fish god, she also seemed to just enjoy humans between those times, right? like the doctor, gets lonely, gets a new companion. but we've only sort of got mattie's mocking word for it ("dont eat him, hes a poet! or her, shes got such a wonderful voice. or that one, shes just too pretty to ruin"), we don't know exactly from carmilla's point of view what she was doing or why. if mattie's talking about stuff that happened after the blood coffin, 1950-now, then i think it's a fair assumption based on what carmilla says in the s1 sock puppet show that after she'd figured out what the real situation was and what her role in it was, when she'd started trying to save girls from being sacrificed, that she mightve been doing the same trying to save people from becoming mattie's victims. it's probably more likely that she was just trying to find excuses to stop mattie from sucking someone dry rather than actually having like an aesthetic based morality. but it might be a bit of both. im still trying to figure out what her philosophy actually is, like i dont know what existentialism actually means ghkfjghkj but i will

i also found it pretty striking in the movie when shes turning back into a vampire she says like "this was supposed to be done, you know? the blood lust, the self-loathing, the sleeping tied to a chair in my own bedroom". thats what defines her vampirism, wanting blood and hating yourself for it (the third part is a joke/reference to s1 but also i think meaningful for how she sees her relationship with laura when she IS a vampire. little bit of that 'she will reject me for my monstrousness' shining through). and thats what defines vampirism for lots of vampires across the genre obviously, but i dont know, it struck me. we dont get a lot from carmilla's pov, we know a fair amount about her, but the story is always told through laura. we get laura's diaries, but just snippets here and there from carmilla, what shes thinking, how shes feeling

and i love that shes a philosopher. i love that thats how she seems to try and find something to hold onto, in a world that kind of moves around her, having been murdered, kidnapped, turned and groomed to be a lure on the cusp of adulthood, never having been properly loved (the relationship with her father wasnt good she says in s3, and her mortal mother i dont think has ever been mentioned (like laura's)). the only good relationship she seems to have had for the better part of 3 centuries seems to have been mattie, and mattie seems to love being a vampire. i can imagine carmilla just sort of going along with anything mattie wants to do just because shes so desperate for that friendship. not like, against her will necessarily really. but more like, she hasnt even had the space to develop her own will, you know? and philosophy lets you do that. philosophy gives you frameworks to understand the world and to develop your own opinions on it. and by the 21st century she seems to have developed those opinions, she has a sense of her own values, but shes also still stuck in that same situation. shes jaded and cynical in the face of laura's optimism and strong moral code a lot of the time in s1 because she feels probably pretty powerless. like she does what she can to save some girls but at the end of the day shes scared of her mother and she has nowhere else to go really, right?

i like how she grapples with that over the course of the series, in tandem with laura grappling with her black and white morality. she sort of jumps ship from her mother to laura bc theyve fallen in love, but then laura still stuck in her hero thinking refuses to see her monstrous side. not literally bc i think the biological vampirism never seemed to be a problem for laura, but morally. the having murdered. carmilla needs laura to see that and love her while seeing it bc the last girl she loved rejected her for being a vampire.

but you see her kind of swing back and forth in s2. she softens first with laura but then they break up and she leans back hard into the sarcastic cynic defense mechanisms, leans hard into "im a monster, dont expect heroism from me". but thats like, it's sort of learned helplessness i think. it's powerlessness, resignation. bc morally shes not a monster. maybe she doesnt have as strong a drive to help other people as laura does and is a little more selfishly hedonistic in that she just wants to enjoy her/their life, but she doesnt hurt people for fun, she never has. she just sort of didnt have another option for a Really long time. so she pretends she doesnt care. "im a vampire, this is what i do, this is who i am". but clearly from the way she talks about it when she turns back into one, she doesnt enjoy it

and i like how she goes even further in s3, where she starts swinging even more to the heroic side, bc she sees hope. shes like "wow if we kill my mother, i'd be free". theres hope and she becomes like a lot more active. and shes like that at the start of the movie too, a lot happier, a lot more relaxed, and then vampirism is back and bam depression gfhgkjh like shes immediately more gloomy, ashamed of her past and her self, retreats into herself

sorry i just took this as an opportunity to dump all the carmilla thoughts floating in my head on you. you didnt ask fhkghgjh consider this an open invitation to you or anyone else to come talk to me about carmilla

[coredrill]

“there’s a lot left unexplained in bravern” this may be true however have you considered. that much of it can be explained by the fact that lewis smith is just a fucking weirdo

[coffeeandcalligraphy]

so what if harrison met a guy at ANOTHER party who sees him for who he is & makes him confront his internal demons <3

The man steps forward. Harrison recoils even though no one has touched him. Some partygoers have entered the kitchen now, all congregating around the punch bowl like he had been. The bang of music from outside follows them as they chatter and the noise is like an ice pick to the brain, and Harrison wants to tell them all to leave, Harrison wants to bolt from this city, Harrison wants to be someone else’s son for a day just to see if that might fix him.

“Who shamed you?” asks the man.

Harrison inhales, aware he feels like a deer just about to be shot. He glances at the others here with them—their golf ball eyes, their pearl necklaces, then eyes the door. He can’t look at the man again. If wisdom is a weapon, Harrison’s a prey animal, so gullible, death a requirement of his life.

The man opens his mouth again.

Harrison runs.

yeah i'm awful for this <3

[fingertipsmp3]

Ughhhhhhh I hate writing and I hate not writing and I hate myself

[ncityzen]

no because why did I just have to run to the supermarket when I really wasn't feeling like leaving the house anymore and proceeded to get treated like a liar a cheat and a swindler with no money when the self check-out machine kept mistakenly declining my payment 😭😭😭😭

[bittwitchy]

see the reality is i post on my rps usually when nobodys been there a bit and nobody is probably online, but the mental illness in me keeps saying its bc everyone secretly hates me and i dont deserve love, and when i tell a gov doctor that, they basically just say ‘take your antidepressant’s and shut up’ which is also funny when said gov doctor wont refill my fucking antidepressants in the first place

[furryprovocateur]

kind of insane that "joe biden literally has to have reporters' questions written on a cue card in advance so he can answer them vaguely coherently" is not a bigger news story. like i know it happened about 3 weeks ago now but it feels like having politics be so transparently shown as bread and circuses and the only response i've seen to it is snide twitter liberals going "okay and? trump used cue cards too" and it's like do you not see how fake interviews meant to placate the masses is not like. a big deal.

[coffeeworldsasaki]

Once again chanting in my mind "graphic card" to avoid snapping at my mother saying dumb shit

[thistlekiss]

Me: starting to make lunch in the kitchen

Mother: comes in after me and makes it VERY clear that *i* am in the way

Also mother: gets pissed off when i say i'll make my food later

[shivunin]

⚡⭐ and I can't do the emoji for it but the top one about voices for Wen pretty please ☺️ and maybe also Maria?

Hey you! <3

(Headcanon Meme)

Alas, I have answered ⚡⭐ and ⍤ for Wen already here, but as for Maria's voice:

I think Maria sounds kind of like Dessa (in this TedTalk about whether it's possible to make yourself fall out of love, or this song, chosen not at all because it's on my Maria/Fenris playlist and it describes their relationship perfectly c:), except with a light Spanish/Antivan accent (which she picked up from her father) (though, tbh, i do think in the canon Hawke voice when I write her dialogue)

(If you meant all of them for both, Maria adores the stars. She and her dad used to chart the stars together and talk about the stories attached to them. Sometimes when they go up Sundermount, she sits a little away from the others and finds the constellations she used to track with Malcolm.

She also sunbathes naked, so she has a solid fondness for the sun, too, especially after the winter, but the sun is technically still a star, isn't it?)

[dravidious]

You're more amazing than 3D models

I haven't made any 3D models in months, but I have made 3 Differentcolorsofcommoncards! Here's the greens

I renamed a few that I showed previously because I think I've figured out the flavor I want to go with. Still placeholder names obviously, but slightly more fitting placeholder names

[thesewordsareallihavetogive]

normally I'm not very critical of movies but oh my gosh. the one I just watched was so bad (I sat here for a while trying to figure out the best way to word this but the benadryl has already kicked in. no thoughts head empty). like genuinely how the fuck did this get funding. How did it make it into THEATERS?

[suswous]

I will say, something that’s kinda convenient for guys, is that you can just grow a beard and look significantly older. I can’t grow a beard w/o help, and if I did w/ that help, and still otherwise presented as I do now, ‘oh she must be older than 25’ is not going to be people’s first impression.

[chuluoyi]

✎ baby to the rescue

- gojo satoru x reader

in which gojo recruits your baby son to “save” you from a credit card salesman

genre: immense fluff !! baby gojo and dad!gojo shenanigans~

note: based on this and this reel. with this i hereby declare that anything past chapter 235 is null and void HAHA anyway, i truly want to post remarried empress au by this week but since 261 leaks hurt me so much, i need more fluff so have to postpone it to next week :') tagging @karikari19hikariiii <3

a part of gojo's love entries

general masterlist

Your husband Gojo Satoru... is handsome as hell, which means your baby son is also undeniably good-looking.

"Why do you pout at me?" Satoru poked his squirming baby's cheek while pursing his lips too. "C'mon, smile! That auntie is smiling at you!"

Everyone who passed by them in Shinjuku shopping district turned heads to admire him and his pumpkin just a little longer, and Satoru visibly enjoyed the attention. He smiled back at them, occasionally winking even.

If only they knew how pretty his wife was too...

Wait, no! On second thought, if they know how hot you are, there will be problems!

You had left him to go to the nearest pharmacy to restock some things, while Satoru decided to entertain his baby in the toy section. He basked in the starry-eyed looks people were giving him... until he heard some strange sounds and turned to his baby boy—

—who was chewing the beak of a duck toy with all his might. Satoru was mortified.

"—! Let that go! Your mama will beat me if she sees you eating this!"

Your baby paid him no mind though, desperately pushing the duck into his mouth. Satoru sat him on one of the empty racks and began the tug of war—

"Let go!" he reprimanded. "You're so naughty, gods—!"

Some people were now openly giggling at both of them. His son tried to resist by rolling, and Satoru clicked his tongue. He then yanked the toy away until his baby finally let it go, sniffling sadly that his papa wouldn't let him have the duck.

"Oh, you..." he picked him up again and consoled the pumpkin. "You can't do that, you hear? First, it's not clean. Second, mama will grow two heads to chew you and me both, understand?"

No, your son totally didn't understand a thing. Satoru sighed, seeing his little blue eyes welling up with tears. He ruffled his head and pulled him close. "There, there... I'll get you ice cream, okay? Now let's go."

Satoru was determined to turn his son back into a smiling, happy baby. But just as he was about to head towards the ice cream parlor, he encountered the most unbelievable sight—

"Miss! I guarantee you'll love this credit card features!"

You. That was clearly you, and a salesman (or a bozo, in Satoru's eyes) was trying to bother you.

You raised an eyebrow. "Uh, no— thank you—"

Yet the bozo was still persistent, like the pesky fly he was. "You can use it to pay for your monthly beauty treatments! Someone as pretty as you..." He eyed you from head to toe, blinking suggestively. "Oh my! Your skin is flawless! You have to maintain it this way! I can also give you recommendations for—"

You were wearing a flare dress that made you look so young and petite, and obviously, Satoru too was lusting after you. And true, your skin was smooth like a soft serve of mochi, but still!

You are meant for him and his eyes only! Oho, this bozo would get heavenly punishment.

He had to get to you somehow, but this was public space and if he cooked up some sort of shenanigan, you would put him in sex ban. I can't have that! so Satoru wracked his brain to think of another way...

Once again, his gaze fell on his now calm baby, who was also looking at his mama over there with utter curiosity. And an idea immediately popped up in his mind.

"Hey, kiddo, look at that, a bad man is trying to take your mama," Satoru nudged him as if trying to egg him on. "We can't let that happen. Will you help me to save her, hmm?"

"Mama..." your baby looked back at him so innocently before smiling. "Mamaaa!"

"Good boy." Gods, his baby was so adorable, he almost felt bad for doing this but...

Swallowing his guilt, thinking he would make it up later, he pinched his son's butt a little too firmly—

"WAAAA!" and suddenly, the little boy burst into tears, and even Satoru was surprised by the sheer volume of his wail.

The sudden inconsolable sound of your baby sent you scrambling in panic, your eyes wildly searching for him, completely disregarding the credit card man. "My baby!"

"Eh?" the credit card man was visibly surprised. "Oh... so, you're married...?"

You immediately made your way towards Satoru and snatched your baby from him, hugging him tightly. "Oh, there, there... What happened to you?" you shot your husband a distaste look as your son kept wailing. "Satoru, why is he crying?"

He nonchalantly shrugged. "Maybe missing his mama? Dunno~"

By now, you had completely forgotten the credit card bozo, but he still looked at the three of you in mild surprise. Satoru took this chance to approach him and whisper in his ear:

"You see, my wife doesn't need your credit card," he whistled. "My cards or lumpsum money will do more than enough."

After seeing how pale the bozo looked, Satoru chuckled darkly... before leading you and your son away from the crowd, with one arm possessively around your waist.

Epilogue

"I'm sorry— I'm sorry, okay!?"

Satoru looked down at his son in utter hopelessness, as the little boy refused to be held by him, looking at him with teary, resentful eyes, and backing away from him in his playpen.

Can babies hold a grudge? Satoru didn't know, but his son definitely was not happy with him, and he couldn't think of any other explanation other than his sin against him back this afternoon.

"I've bought you mochi ice cream!" he opened his palm to reveal the treat. "Don't you want some? Papa will give you some, yeah?"

Baby looked skeptical now, and at that moment, he resembled you so much—accusing eyes, pursed lips, exactly like the expression you would pull when you were unsure of what Satoru might do next. He almost chuckled at the resemblance, feeling giddy.

"C'mon, forgive me, yeah?" he patted his son's little beanie and offered his hand for him to take, eyes crinkling in fondness. "Now, here comes your treat, come closer?"

Your baby crawled closer, seemingly accepting him, and Satoru was all smiles, until—

Whack!

It happened in a flash. He could have avoided it, but he was too taken aback. The pain exploded in his jaw, so intense that he grunted loudly.

"What the—?! You... you—! You kicked me— in the face!"

[sillycyan]

Any of y’all who know interact with me outside of tumblr lowkey shouldn’t even be on my blog to begin with..