#at least i feel better about myself

[coffeeworldsasaki]

Once again chanting in my mind "graphic card" to avoid snapping at my mother saying dumb shit

[xxplastic-cubexx]

personal happiness or what the fuck ever

bonus:

[corniart]

Catleb and Essek on a perfect Nidocranas morning

edit: i forgor i wanted to post a close up

[koiifsh]

i found a hatching brush finally yaaaaayyy also i turn 15 tomorrow

[floofanflurr]

I adore him

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[lord-squiggletits]

I think the reason that MTMTE remains the most defining, influential, and loved series in the IDW1 run is fundamentally because, despite its many flaws, MTMTE has the power to make you think and wonder about the world beyond what's shown on the page. The character relationships are so strongly developed that it's easy to care about the characters and easy to imagine further adventures they could go on. While the myriad dropped plotlines, underwritten/underutilized characters, and worldbuilding with weird implications are all fucking maddening at times... even if it makes you mad, MTMTE makes you mad because you care and it makes you want to immerse yourself into a world that feels like it's real beyond what's explicitly shown to you on the page. It's a sandbox of a story where there's so much fertile ground for pretty much anyone with any preferred character archetype, storyline, etc to dig in.

It's just... immersive. That's the best way I can put it. It feels like it could be real and it makes you want to spend more time in it than the constraints JRO had. It makes you want to know more about it and come up with theories on how/why things function or happen the way they do. That's why it's loved and that's why it's the best series in IDW1.

[spaciebabie]

at first getting diagnosed with cptsd was like, "yay my trauma has been validated (it always was valid)!" and i really thought that was going to be it, but then i started to do research as i do whenever i realize i have something and learned that!! the way i experience socialization is!! quite horrid actually!!

[anotherlibrocubicularist]

Pjo movies: exist

Pjo fans: the movies are shit for inaccuracies like the actors' ages, Percy and Annabeth's romantic chemistry too early on, Annabeth's hair colour and many changes in scenes and plots from the books

Rick Riordan: hates on the movies (despite him never having seen them in the first place) and promises an adaptation more faithful to the original source material

Pjo fans: thrilled

Pjo series: exists

Some pjo fans: the actors look nothing like the characters we grew up with (and with the pace things are going, will be way older than the movie actors should the series continue beyond s2), there are Percabeth romantic scenes added in the first season that weren't there or weren't romantically charged in the books, Annabeth isn't blond (and with the way the fans treated the movie actress I am side-eying that not more people were upset Leah didn't go blonde), and many things were changed from the books

Rick Riordan: I'm the author, these are my decisions, deal with it.

Other pjo fans: the changes are great, just stop watching if you don't like it.

Some pjo fans: stop watching show

Pjo show: ratings go down, won't make it past s3 or 4 (my prediction, but still)

This is a more or less humorous take on what I've witnessed in the pjo fandom when the series ws announced to when it aired. Personally, I think Rick shot himself in the foot when he hated on the movies for not being faithful to his work and got the fans' hopes up for a more book accurate adaptation that he ultimately failed to deliver. He would've probably received less backlash and the fans would've been more open to changes if he hadn't hated on the movies for exactly that, changes to his source material.

[waketoearth]

20 POSTERS FOR JUNGWON'S 20TH !!!

[seaofreverie]

Sparkstember Day 18: Balls (Bullet Train)

Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!

So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.

I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.

One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.

Favourite songs (and other highlights):

Balls: I mean. It's Balls.

Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)

The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too

How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually

Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck

It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)

The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)

[ankiebitez]

need to see more amon stuff soon i miss my husband. accidentally walked the wrong direction like a dumbass after seeing a cute guy today and thought of him

[surreal-duck]

yearly art summary time o(￣▽￣)d didnt draw much for some months so i just lumped whatever doodles i could find (template here!)

[unopenablebox]

i admit that i find it a little bit frustrating how Wildly Astonished other antizionist jews act when i tell them my israeli jewish family have lived in the region since [some unknown length of time before 1800 when there start being records about it]

[i-cast-zone-of-truth]

So something I really like is how Thich Nhat Hanh defines love in Teachings On Love (I mean, it’s Buddhism, but that comes in a lot of varieties, many of which center concepts differently than this one, etc).

Any way. Pretty much the first thing he does in the book is explain The Four Immeasurable Minds: love, compassion, joy, and equanimity. None of those are defined exactly the way i’d have thought, from a culturally Christian perspective. And in more than one of them he stresses the importance of understanding the beloved. In fact, to the point that understanding is a PREREQUISITE to being able to love someone at all well. And seeking that understanding as a skill that can be cultivated.

What I’m getting at is: the more Zhuo Yichen understood Zhao Yuanzhou, the more he loved him. Even more so, the more Li Lun understood Zhao Yuanzhou, the better he was able to love him. Zhao Yuanzhou, although he came at his new friends with a lot of benevolence, hurt them by assuming about them instead of trying to understand. And that’s really real. (Wen Xiao was miles ahead of everyone with this skill).

I’ve tended to think, ok if I love someone I’ll want to understand them. But it’s really turning out to be that understanding is necessary for love that feels like love to the other person to be possible in the first place.

[theswedishpajas]

The man truly can’t take a genuine compliment 🙄