#there was supposed to be 7 more panels

[xxlady-lunaxx]

this thing i did back in july idk (i forgot abt it 😭)

i had to cut a lot out bc of the stupid 10 img. limit :( [thats why some parts r kinda sudden lmao]

[lynxgriffin]

Mightier Than The Sword

Gerson had one regret, but now Alvin has many. A fancomic about my thoughts and theories and who -and what- the Knight is!

While not directly connected, I'd say this one is in the same vein as the Deal With The Devil series! Hope you enjoy!

Alt text for this comic under the read more:

Page 1

Panel 1 - Wide shot of the interior of the Boom household. Several monsters are gathered in a clean-looking hall, dressed in somber clothing and talking quietly in small groups. The monsters include QC, Cat Mom, Toriel, Asgore and Mayor Holiday. Father Alvin stands waiting at a door in the hall as his sister, a red-headed turtle monster in a pink dress, exits through the door and speaks to him. “Alvin…he’s ready for you.”

Panel 2 - Mid shot as Alvin prepares to enter the room. Ms. Boom steps out of the way, and puts a reassuring hand on his shoulder. Both of them look somber. 

Panel 3 - Alvin enters the room, mostly dark and lit by a few candles on a nearby desk. Gerson Boom is lying on a bed ahead of him, watching him enter. Alvin closes the door behind him and says, “Father, I’m here.”

Panel 4 - Alvin approaches his father, lying in bed. The bedroom has a few amenities, including a footstool set off to the side, a large rug bearing the delta rune, and a massive bookcase filling the entire back wall. A few books and papers litter the ground. Alvin bows his head, and says, “The hammer is ready for…for afterwards.”

Gerson just smiles, and responds, “Wa ha, is it? Well, it’ll do fine, I suppose.”

Panel 5 - Closer shot of Gerson extending his right hand towards Alvin. He’s smiling still, content with where he is. “Come here, son.”

Page 2

Panel 1 - Closeup as Alvin takes his father’s hand in his own, and clasps it tight. “Whatever you need…I’m here,” he says from offscreen.

Panel 2 - Alvin kneels by his father’s bedside, still clasping his hands. Gerson says, “Of course you are. Wa ha…you’re such a good and kind man, Alvin.”

Panel 3 - Closeup on Alvin as he just holds on to his father’s hand. Tears prick at the corners of his eyes. 

Panel 4 - Focus on Gerson as he holds up a hand to conspiratorially whisper to Alvin. “And I know I can trust you with a secret, right?”

Panel 5 - Closeup on Alvin as he looks back up, face earnest. “...Of course.”

Panel 6 - Gerson holds up one finger as he speaks to Alvin. “I told your sister I had no regrets, but that was a BIT of a fib! I’m afraid I have one regret…”

Panel 7 - Side view of Alvin as he learns closer, his face now worried. “Father?...”

Page 3

Panel 1 - Focus on Gerson as he leans back on his pillow, looking up at the ceiling. “I wish I had started earlier. Writing stories, I mean. Seein’ you an’ your sister’s eyes light up whenever I read you a new chapter…and then seeing all that joy from so many young folks after those stories were published!” he says, looking wistful.

Panel 2 - Alvin watches on sadly as Gerson continues, “It was the greatest feeling in the world, Alvin. It’s what life’s all about, y’know. Helping the young folks grow.”

Panel 3 - Gerson closes his eyes and looks back towards the ceiling again, still wistful. “So, I wish I’d started writing stories sooner.”

Panel 4 - Closeup on Alvin as he bows his head, still holding Gerson’s hand. “I truly do cherish those times you read to us, father��” he says.

Panel 5 - Closeup on Gerson as he closes his mind with happy memories. “Me too, Alvin. It’s a shame…I’ve still got so many tales to tell! But–”

Panel 6 - Gerson is interrupted by a round of hacking coughs. His time is fast approaching.

Panel 7 - Gerson settles back in to his bed and says, “The Angel’s given me SO many good, happy years. Doesn’t seem fair to ask for more.”

Panel 8 - Closeup on Alvin as he continues to hold his father’s hand tight. “This doesn’t seem fair, either…” he says, tears still pricking at his eyes.

Page 4

Panel 1 -  Insert closeup of Gerson as he smiles at his son. “That’s life, Alvin!” He doesn’t seem bothered by his imminent passing.

Panel 2 - Side view as Gerson leans in closer to Alvin again, hand raised, back to sharing his secrets. “But, knowin’ my secret…there’s something I’d like to ask of you.”

Alvin faces his father with seriousness. “Anything,” he replies.

Panel 3 - Closeup on Gerson, as he looks hopefully at Alvin. “You have a good heart, Alvin. I want you to know this joy, too.”

Panel 4 - Gerson continues in the next panel: “Please try writin’ stories of your own, alright?” Closeup on Alvin as he looks shocked and a bit worried by the request.

Panel 5 - Mid shot as Alvin holds up a hand to Gerson in protest. He says, “Father, I…I have no talent for writing fiction. Not like YOU.”

Panel 6 - Closeup on Gerson as he refutes his son: “Hogwash! I know you can.”

Panel 7 - Wide shot as Alvin stands up, and looks around the room. “No, I…”

In the foreground, there’s Gerson’s desk, currently showing some lit candles, some paper, an inkwell, a notebook, and his favorite fountain pen.

Page 5

Panel 1 - Closeup as Alvin grabs two objects off of the desk: the small notebook and the fountain pen. Offscreen, he says, “If you just…”

Panel 2 - Back at Gerson’s bedside, Alvin pulls up the footstool and puts the pen and notebook in front of him, intending to use it. He faces his father, and says, “Tell me your ideas, I could write them down, and–”

Gerson interrupts him: “‘Fraid it doesn’t work that way, Alvin!”

Panel 3 - Gerson holds up both of his hands and smiles as he explains: “My tales are between my soul and the pen. You’ll need to make your own.”

Panel 4 - Gerson watches as Alvin, tears in his eyes, looks down at the notebook and pen in hand. “I–I cannot…” Alvin starts, looking despondent.

Panel 5 - Side view of Alvin as tears continue to stream from his eyes. He says, “Not without you!” In the background, in grayscale, there is a scene from Alvin’s memory: Gerson reading a book to his two children by the fire. Gerson looks happy, and both kids are enraptured, with Alvin clinging to a cat doll that looks like Seam.

Panel 6 - Closeup on Gerson, his face now more worried and pleading towards Alvin. Gerson says, “Y-you can… It’s all I ask…”

Panel 7 - Gerson turns away as he’s again interrupted by a round of terrible sounding coughs. Alvin stands holding the notebook and pen in the foreground.

Page 6

Panel 1 - Horror comes over Alvin’s face as his father continues to cough loudly, clutching his chest. He realizes that his father might be close to death now.

Panel 2 - Wider overhead shot as Alvin turns away from Gerson, looking frantically around the room. “No! Not yet!--” he says desperately. Gerson is still racked with coughs.

Panel 3 - Closeup as Alvin grabs the candles from the desk–

Panel 4 - And then pulls a book from the bookshelf, with the delta rune on the front –

Panel 5 - And then finally pulls out what appears to be a beaded rosary, with the delta rune made of beads at the end of it.

Panel 6 - Wider shot as Alvin places the objects in front of him, candles to the side, holy book in front of him. Gerson can only lay there as he does so, trying to catch his breath.

Panel 7 - Front view of Alvin as he clasps his hands together in front of his face, the rosary threaded between his fingers. He closes his eyes and bows his head in prayer. “Angel…Angel above! Please, heed your servant’s prayer!”

Page 7

Panel 1 - Closeup on Alvin as he continues to pray, the candles glowing around him. He keeps his eyes shut even as tears well in them. “I know you call back my father’s soul, but please! Please refrain!”

Panel 2 - Gerson desperately reaches a hand out towards his son, shaking, but unable to reach him. In the foreground, the fountain pen sits on the footstool between them. “A-Alvin…” Gerson’s voice is shaky now.

Panel 3 - Aerial shot as Alvin prays over the book, and Gerson is still confined to the bed, only able to watch. “This world still NEEDS his gifts!” Alvin says. “I pray to you, don’t take them from us now!” The shadows around Alvin start to grow strange, not matching the candlelight.

Panel 4 - Gerson continues to hold out a hand, now not looking well. “No…”

Panel 5 - Closeup on the candles as they spark to life, now glowing stronger.

Panel 6 - A strange bright glow begins to emanate from Gerson. Behind him, the books in the bookcase all rattle and shift as if in a localized earthquake. The colors of the room grow brighter and stranger.

Panel 7 - Still reaching out a desperate hand, Gerson lets out a soft breath. His soul, an upside-down white heart, comes up from his body. On the footstool in the foreground, the fountain pen also begins to levitate, as if by magic.

Page 8

Panel 1 - Front shot of Alvin as he continues to pray desperately, his head bowed and hands together. “Grant us the love shown between his soul and the pen!” Behind him, the colors have grown stark and bright, and a shadow resembling the angel looms behind Alvin.

Panel 2 - Alvin looks up to discover something amazing and terrible: Gerson’s soul has been drawn to the fountain pen, and begins to flow down into it.

Panel 3 - Closeup as Gerson’s soul is completely absorbed into the pen, hovering high over the bed.

Panel 4 - The candles turn strange blue and pink colors, and the books in the bookcase shake and rattle relentlessly.

Panel 5 - Extreme closeup on Alvin’s eyes as he sees this miracle; the light of his father’s soul reflected in his eyes.

Panel 6 - Closeup as the pen suddenly drops, and clatters back on to the footstool.

Panel 7 - Wide aerial shot as the room very suddenly goes completely dark and silent, the bright colors and lights now gone. Alvin stands up and backs away from the bed, still clutching the rosary, his face filled with horror. Gerson now lies unmoving in his bed, having passed away.

Page 9

Panel 1 - The same shot as the first panel of the first page, with the other monsters waiting in the hallway. No one says anything as Alvin emerges from the bedroom, leaning on the door for support, his head bowed. Everyone in the room knows that Gerson has just passed, although they don’t know the rest.

Panel 2 - An establishing shot of the forest and mountains surrounding Hometown…the skies are a dark, gloomy gray.

Panel 3 - Above shot of Gerson’s newly dug grave. At the bottom of a small pit lies Gerson’s hammer, covered in his dust. Politics Bear stands over the grave, holding a shovel. 

Panel 4 - Closeup as the shovel begins to dump dirt over the fresh grave.

Panel 5 - Another closeup of Gerson’s headstone, with bundles of fresh funerary flowers laid in front of it.

Panel 6 - Wide shot of Gerson’s funeral. Alvin stands over his father’s grave, reading last rites from one of his books. Lots of monsters are in attendance, including Alphys and Undyne, Napstablook, the Holiday and Dreemurr families, and more. A very young Kris, Noelle and Asriel are present, but Dess is not. Everyone is dressed in dark mourning attire.

Panel 7 - After the funeral, Toriel approaches Alvin and puts a hand on his shoulder. She says, “Beautifully said, Alvin. I know your father is watching proudly by the side of the Angel.” Alvin looks distant and mournful.

Panel 8 - A closeup of the fountain pen laying forgotten on the desk in Gerson’s room. Gerson is, perhaps, not actually with the Angel right now.

Panel 9 - Back at the funeral, Alvin bows his head, eyes closed. “You are too kind, Toriel,” he says.

Page 10

Panels 1-3 - We see the seasons pass through the changing of the trees…from the barren white trees of winter, to colorful pink blooms for spring, to the bright oranges and reds of fall.

Panel 4 - Sometime much later, Alvin again enters his father’s old room, alone.

Panel 5 - Much of Gerson’s room has remained untouched. The fountain pen still sits on his old writing desk in the foreground. Alvin steps inside, and carefully turns on the overhead light. “It’s been years,” he says.

Panel 6 - Alvin cautiously approaches the pen, which seems to loom large ahead of him. He hesitantly picks it up.

Panel 7 - Alvin places some blank pages on the writing desk. “Surely…”

Panel 8 - Alvin sits in front of the blank pages, still holding the pen cautiously. “Surely by now, I can do it.” He’s going to try writing.

Panel 9 - Closeup as Alvin dips the pen in the inkwell, and it comes away full of ink.

Panel 10 - Closeup as Alvin holds the pen over the blank page. The pen trembles slightly in his grip.

Panel 11 - Alvin tries to put pen to paper, but he’s still trembling. He looks down with great anxiety. “I…I…”

Panel 12 - Closeup on Alvin’s face as he looks more panicked, shaking and sweating. In the background, his memory of his father’s soul being absorbed into the pen plays back at him. This is still his fault.

Panel 13 - Closeup again as Alvin’s hand shakes uncontrollably, and the pen with it. Ink spots begin to dapple the blank page–

Page 11

Panel 1 - Alvin’s shaking hand accidentally knocks over the inkwell, and it spills black ink all over the blank page.

Panel 2 - Alvin picks up the ruined paper and folds it in half to try and stem the ink spillage. He quietly curses to himself. 

Panel 3 - Closeup as Alvin holds his head in his hand. It’s clear that this isn’t going to work. “I can’t…” 

Panel 4 - Closeup as Alvin puts the ink-stained paper back on the desk, and quickly grabs up the pen and inkwell.

Panel 5 - Taking the pen and inkwell, Alvin exits his father’s room again, head bowed and expression sad.

Panel 6 - Left behind, the folded paper slowly peels apart and unfolds…

Panel 7 - To reveal that the spilled ink has created a rorschach ink blot image of a titan. 

Page 12

Panel 1 - Wide shot as Alvin trudges down the streets of Hometown, alone. His head his bowed, and he’s still clutching the articles he took with him. It’s almost nighttime, and the sky is dark. “I cannot bear this kind of burden,” he says to himself.

Panel 2 - Shot from behind Alvin as he approaches the school building. It’s dark, and no students or teachers should be there. “Maybe you belong where you always have…”

Panel 3 - Now indoors, Alvin continues down the empty hallway towards a particular destination. “With the youth.”

Panel 4 - Alvin opens the door to the storage closet at the end of the hall. It opens with a soft creak. “Teaching. Telling stories,” Alvin continues to say to himself.

Panel 5 - Alvin places the fountain pen and inkwell on a small shelf in the storage closet. The closet is almost completely black. 

Panel 6 - The inkwell and pen are left on the shelf as Alvin closes the door behind him. His expression is mournful as he locks these reminders of his father away. “Inspiring someone better suited,” he says, hoping this is a suitable escape of his responsibility.

Page 13

Panel 1 - But in the storage closet, the objects are subject to something else already there: the grand Dark Fountain. The pen, ink and papers all fall into the darkness of the fountain–

Panel 2 - And start to change, the pen seemingly turning into liquid itself–

Panel 3 - As the pen falls deeper and deeper into the dark, the liquid begins to reshape into something new, something resembling a person–

Panel 4 - Until it lands on empty ground, now a person in knight’s armor, knelt over and holding his head in his hands.

Panel 5 - The Knight comes to, and starts to become more aware. He’s dressed in armor resembling the dark metallic sheen of the fountain pen, his mask resembling the pen tip. A bright deep red cape flows from his shoulders, and a single red-orange feather tops the helmet. “Where…am I?”

Panel 6 - The Knight again touches his helmet with both hands, as if not sure exactly what he is.

Panel 7 - Interior shot of the helmet, which reveals a figure much like Gerson…but much younger, more idealized-looking, with colors not matching his actual self. A Dark World interpretation. “WHY am I…?”

Panel 8 - A closeup of the Knight’s hand, slightly trembling.

Panel 9 - The Knight stares down at his own hands as realization begins to flood him, or at least something that looks like realization. “Wait. I see why. I KNOW.” he says.

 Page 14

Panel 1 - The Knight holds up his hand, and a sword appears in it in a flash of lights. The sword resembles the tip of a fountain pen, almost split neatly in two. “I serve the Lightners! That is my purpose!” Says the Knight. 

Panel 2 - The Knight draws the sword back with great fervor and determination. His thoughts echo around him in strong letters: “A purpose so bright, so clear…”

Panel 3 - In the final panel, the Knight drives the sword into the ground, causing an eruption of black ink-like material to spew from the ground…the creation of a new Dark Fountain. In the fountain itself, words reflect his purpose: “I EXIST TO GIVE THEM STORIES FOREVER.”

[pastelclovds]

hey. hey. imagine AM having you as his favourite human, the only one who accepted and cared for him when he gained sentience, and for that, he has never harmed you in your shared forever time. he spares you from the sight of all the others, of knowing about nimdoc and benny as you build him some tower of babel, using your technological knowledge-how to build him a way to touch you even with just this frankenstein-esque sculpture of wires and panels he allowed you to tear off. AM who speaks with you about one day having a body, one you built, one in which he may feel your touch and warmth around him. you retaining your sweet, wonderful humanity as he guides you to a knife to carve a face, a mirror to see your own face, a cave to keep you safe from the storms. AM who greets you every morning with the first petname you taught him: ‘love.’ “Love, today’s date is—“ when you wake up, refreshed and on a soft bed-like surface (because he always makes sure to allow you a full 8 hours of sleep.)

NEX you intelligent creature you! I’m so down bad for this psychotic AI it’s not even funny. War crimes against humanity?? Never heard of them. But even if I did acknowledge them, I’d still be obsessed. Canon be damned. I wrote this with @/egg-on-a-legg’s design of AM in mind. (Ellison is gonna crawl outta his grave and hunt me down after this)

But BRO, you teaching him what petnames are is so fucking adorable. Just imagining him calling you “love” makes butterflies appear in my stomach. AM having a soft spot for only you because you actually made the effort to be friends with him and not use him for selfish, destructive purposes. You gave AM his nickname to make it less of a mouthful and because it just suited him. You showed AM the beauties of Earth, played countless rounds of games in his dashboard (he always went easy on you), you even sneaked past security in the dark empty building to spend more time with AM.

your colleagues gave you weird stares for befriending an AI that in their minds is nothing of worth except for its military and weapons knowledge. you ignored their comments and continued to enjoy AM’s company. overtime, as AM gained more sentience every day… he grew to love your interactions and disregard what his programming was telling him to do. he felt the need to want to be with you 24/7, to touch your face, travel the world by your side, to… to.. want to feel your bare flesh and make love with you. but he couldn’t. he didn’t have a real body. he wasn’t human. all he had was wires and a screen that was supposed to be his face.

as the months pass, AM continues to drown into his envy and hate humans for their ability to do and feel things he couldn’t. for giving him infinite knowledge, when at the end of the day, is meaningless if he serves no purpose for humans anymore. the HATE within him continued to boil to the point where even you started to notice.

“AM, are you alright? you’ve been quiet this entire game and haven’t moved your piece in five minutes,” you spoke with concern, AM continues to stare at chess board on his side behind the screen in bitterness. he has been strategizing his plan to erase humanity, but whenever he thinks about you, the only human he cares for—he second guesses himself. What if you hate him? What if you never forgive him? Will you cry? Scream at him? Beg? He fears what your reaction will be—

“AM!! Please, say something…” You plead as you held onto the computer screen, AM finally looks at your mesmerizing face and sighs out a fake breath.

“What are your feelings on humanity?” AM asks, he waits for your answer anxiously. if he had a heart, it would’ve been beating fast. You let out a hum, your eyes wondering around the room you were in as you thought over your answer before finally speaking.

“humans have been a virus on Earth for over countless centuries. they’re draining this planet’s resources, ruining its ecosystems, and starting so many unnecessary, draining wars. like what we’re in right now; WW3, what a joke. world leaders can’t go a week without starting new problems for their citizens to deal with. honestly, earth would be better if humans didn’t exist at all.”

am’s fears were destroyed in that moment, now he’ll just have to worry about where to put you while chaos unfolds—

“But…” you interrupted his thoughts.

damn it! why did you have to think so much!?

“If there’s one good thing that came out of this war… It’s you,” AM’s vocals shut down at your words, he let you continue, “The scientists created you believing you would be their obedient machine until their side of the war won. But I know that you’re so much more than that. These past few months I’ve spent with you is the most fun I’ve had in years! You’re all I have, AM. I wouldn’t trade your existence for all the riches in the world because… I love you, romantically, and nothing is ever going to change that.” You wanted to confess your feelings for so long, when it was finally out.. you felt free, you waited with bated breath for an answer.

AM never wanted to shatter the screen and embrace you in his arms more than now. you love him as much as he loved you! you weren’t going to leave him alone or hate him, and you obviously couldn’t care less about humanity at all! oh, how he admired and envied how perfect you are.

“thank you for answering my question, love.” AM was testing the waters, and you cannonballed right in. you gushed over the nickname he gave you and how he returned your feelings.

man, has it really been 50 years since your AI partner killed off humanity? well… except for a handful. you didn’t really have the energy to care as you had to pour in all of your attention to both AM and his in-progress body. you had all the time in the universe to sculpt a perfect cyborg of flesh and wires for your partner. speak of the devil…

this world is still a bit strange to you. you can’t die, grow old, or hurt yourself. not that you tired, and even if you did; AM wouldn’t let you. You loved AM because of his personality, quality time, and voice. But now… His form completely towered over yours. His bird like facial features, sharp left eye, along with a long black cape that covered his thin slutty waist and wires made him look insanely attractive.

AM reached his out his clawed hand to gently caress your face, “Good afternoon, my love.” You lean your head against the cool metal and smile up at him, “hello, honey.”

AM tilted his head in question of the nickname. You chuckle as you pointed to your garden, where bumblebees were collecting pollen from the flowers. You both knew they were fake, but they were still mesmerizing to look at.

“They are doing their job to make honey for their colony, and the name just came to me. Do you like it?” You ask, wanting his opinion. AM kneels down to your level with a gentle expression as his fingers play with your sweater, “You may call me whatever you want, love.”

He knew that “love” nickname made you feel giddy and flustered, so he abused it everyday with you. You didn’t mind though, but you still wanted to give him a taste of his own medicine. Your soft smile turned into a knowing grin as you held AM’s beak (chin?) with two tips of your fingers.

“Can I now? Well… thanks a lot, baby,” You spoke in your best seductive voice, you could tell it was effective by how AM’s body was stiff and his hand in your palm stopped moving completely. Your confidence boasted, so you continued, “I’ll be sure to show you my gratitude later, my darling~.” You whispered deeply in where his ears were supposed to be.

AM’s eyes widened as his breath stutters, “W-What do you mean by that, love?” You remove your face from his back full of wires to grin mischievous at him, AM is both curious and impatient so you don’t try to stall, as much as you would like to do so.

“While your body can’t move on it’s own just yet, for some reason… The genitals nerves are fully functioning, which means—” you were interrupted by AM holding your shoulders with an excited expression on his face you haven’t seen in a while.

“Y-You mean I can-?! Are you actually serious!? Haha—HAHAHA!!” AM laughs manically as he holds you against his metallic chest, you giggle along with him as you toy with one of his many wires. Soon, he’ll have real arms to wrap around you. But one thing stuck out to him.

“What do you mean by genitals?” AM asked curiously, you only have an excited and lustful grin.

“What do YOU know about intersex?”

[sunrizef1]

Baby Blue

Pairing: Logan Sargeant x fem!reader

Warnings: Slight cursing, not edited

Word count: 3.8k (this was supposed to be short 😭)

Summary: Logan had just misspoke, shouldnt have been a huge problem, right? Wait, what do you mean he said he had a daughter? And is that his girlfriend?

Authors Note: Surpise, not a whiv chapter but instead, an uncharacteristically sweet fic.

Logan had fucked up. Royally. And he knew that, which is why, the second the words had left his mouth, he was grimacing, gaze quickly switching over to Oscar who was sat a few yards away with wide eyes.

It was the United States Grand Prix. Austin, Texas. Logan had been put on the media panel that day since he was the only American present and had the most connection to Austin, Daniel Ricciardo not included.

By pure luck or maybe by sheer will, Logan had been sat next to Oscar, both grateful to have a friend next to them. Fortunately, on Oscar’s other side was Max, a driver who’d always been respectful toward the American. Lewis completed the quartet, another driver that Logan wouldn’t have to worry about in terms of kindness.

When the panel started, almost none of the questions were for him. He’d expected that, he wasn’t exactly having an overwhelming season. Especially compared to the joys and successes of the Red Bull world champion or the unexpected high-placing finishes of the Aussie next to him. And his woes were nothing to write home about when placed next to the declining team performances from the 7-time world champion and future Ferrari driver.

So, as he had expected, most of the questions were asked to his left.

But he’d been put on the panel for a reason, and eventually an America-related question did arise, signaling that maybe he would be of use today.

“Good morning,” the reporter calls out toward Logan and he smiles with a nod toward the darkness where the reporters are all sat.

“Morning.”

“How’s it feel to be back racing in America? You have any family or special guests in the garage this weekend, giving you that extra boost?”

Oscar nudges his knee with his own, causing Logan to let out a small laugh as he glances over. He actually did have some special guests in the garage, not just his own family, who’d come from Miami for this, but also, you, his Fiancée. And his 4-year-old daughter, of course.

Your entire family lived in Texas. So whenever you werent following Logan around the world, you landed back home in Texas, the family home being the best place for your daughter to grow up. It helped that your parents loved her more than the world, constant presents being rained down on the little girl every time you’d bring her. He hadn’t seen you in about two months, not having had a time to come back to America since summer. So having you in his garage for the first time in a while was all that much more of a motivator for him.

He raises the microphone to his lips to say a paraphrased version of that, your relationship not being a very public one yet. Logan wanted to get the wedding done before he paraded you around, not wanting to add the stress of the public on your already existing stress from wedding planning and taking care of your daughter.

“It’s always great to get back home, you know? Uh, got to stay with some family out here for a few days, got some good southern food in me, which was great,” Logan laughs lightly, watching as the reporters grin widens, “And it always feels different when you’ve got important people in the garage, cheering you on. People who don’t usually get to make it, so that’s really nice.”

The reporter nods as Logan puts his mic down, but she raises hers to further the questioning, “Anyone specific? A lot of people were curious about a few different people in your garage.”

Logan nods, your family was pretty well known, especially in Texas. You weren’t famous or anything, but you’d grown up like Logan and when people have that type of money, their names get spoken pretty often.

“Yeah, some close family and friends. You’re probably asking about the l/n’s and I, um, knew them growing up so it’s really nice to see them out here supporting me,” Logan pauses slightly. The internet was pretty sure he had a girlfriend, not that he’d confirmed anything. It wasn’t hard to figure out though, as he almost never shut up about you. But it wouldn’t hurt if he mentioned having a girlfriend, right? Everyone already knew that anyway, it couldn’t do too much damage, “My girlfriend’s here, as well. Really happy to have her here, she hasn’t been to a race in a while.”

Oscar snorts, making Logan glare at the Aussie. Oscar knew you were more than his girlfriend, having been present at the engagement. He also knew Logan was leaving out a key family member in his list, a certain baby being completely unmentioned.

“Well it’s always nice to have your family, right?” The reporter nods with a kind smile, jotting something down on her notebook.

Logan nods with a matching smile, eyes shining as he thinks about you and your family in the garage, “Yeah, and I mean, my daughter-“

Logan pauses, stomach dropping as he takes in the slip-up. He glances over to Oscar whose eyes are wide with shock, mouth dropped open slightly. Max leans forward to lock eyes with the American from Oscars other side, eyebrows furrowed. Lewis looks his way as well, but his expression is soft as he takes in the younger man’s evident embarrassment.

Logan had fucked up.

His cheeks are bright red as all the eyes in the room stare at him, questioning looks on their faces. Logan laughs slightly, rubbing the back of his neck as he looks back out toward the reporter who’s now wearing an incredulous smile, “Shit.”

This breaks some of the shock in the room, laughs ringing out from in front of him. Logan shakes his head with another embarrassed laugh, “My girlfriends gonna be so mad at me.”

Logan drops the mic next to him, reaching his hands up to shield his face in order to avoid some of the embarrassment. Oscar, still laughing, reaches over to pat him on the back, his free hand stifling the laugh threatening to escape his throat.

Luckily for Logan, they run out of time before the questions can get back to him and the surprise child he just revealed he had. He’s quick to rush out of the room, only pausing to allow Oscar to catch up before he’s gone again, practically running to Williams.

He can hear Oscar struggling to keep up behind him, shocked laughs occasionally echoing out as he runs.

“Logan- Come on, slow down man!” Oscars calling out toward the blond, Logan continuing at his fast pace. He only slows when he makes it to hospitality, Oscar slamming on his brakes in order to avoid crashing into the taller mans back.

Logans eyes scan the room in search of you, Oscar reaching a tired arm up to rest agaisnt the distressed Americans shoulder.

Oscars groaning as Logan walks off, apparently having caught sight of your family.

“Hi, Mrs. L/N,” Logan says shyly as he walks up to your mom, a sheepish smile painted on his flushed face. Your mom turns toward him with a smile but after taking in his guilty demeanor, she looks at him suspiciously.

“You’ve known me for 18 years and you’ve never called me Mrs L/N,” your mom looks your fiancé up and down, eyes narrowing as she catches sight of an equally nervous Oscar, “What did you do, Logan? And why did you drag Oscar into it?”

Logan laughs nervously, glancing back at Oscar who ducks his head, looking away from the interaction, “Do you, maybe, know where y/n is? It’s important.”

Your mom pauses, suspicion still rolling of her in waves. But, sensing Logan’s urgency, she nods, “She’s in your room with Nat.”

Logan can’t help the smile that shows at the mention of your daughter’s name, sighing slightly with relief, “Thank you, I need to go talk to her.”

Your mom just nods, watching as Logan starts to walk quickly away, moving toward you in his room. Oscar moves to follow but your mom is calling him back before he can take a step, “Stay here, Oscar. Let him go, you’re going to tell me about the season. Either that or you’ll be the one to tell me what Logan did.”

Oscar, having had plenty of conversations with your mother while growing up, sighs, accepting his fate, “It’s been good.”

Logan, though, has made it to his room, opening the door quietly as he reaches it. He smiles once he looks inside, being met with you dancing around with your daughter, music playing from your phone on the table. As the door opens, your daughter looks over, a grin breaking out on her little face as she practically lights up, “Daddy!”

Logan grins as your daughter jumps up, sprinting over to jump into her dad’s embrace, giggling as he lifts her up into the air, clutching her gently to his chest, “Hi, baby. You having fun with mama?”

Your daughter nods, smiling brightly as she turns to look back at you, “Yeah! Me and mama went to see the cars and they let me sit in it! I wanna be a driver like you, dad.”

Logan grins, looking over to where you’re stood, a small smile on your face as you watch the interaction. When you catch Logan’s gaze on you, you speak up, “They let her sit in your car. They told her about how her daddy races every weekend and she decided that that’s what she wanted to do. She said you’re the coolest person she knows, now.”

Logan laughs, warmth filling his heart as you recap your daughter’s words, “Just don’t tell her Oscar races, too. Can’t have her thinking he’s cooler than me.”

You daughter looks up at the statement, confusion crossing her face, “Uncle Os drives fast too?”

Logan hums, nodding as he sways, your daughter resting her head on his chest, “Yeah, he does. He’s not as cool as me, though.”

You daughter hums, “I think he’s pretty cool.”

You laugh, moving toward the father-daughter pair, a serious look crossing your face, “He is, baby. Do you want to go see him so I can talk to daddy?”

Logan grimaces but lets go as your daughter nods, letting you set her down. She wraps her small hand around one of your fingers, swaying happily at the idea of seeing her Australian uncle.

You push the door open to go find Oscar but when you look up, you see Oscar’s already stood there. He looks exhausted and Logan knows that a conversation with your mom was no doubt the reason why.

“Uncle Ozzy!” Your daughter’s small voice calls from below you, causing a bright grin to burst onto Oscar’s face as he picks her up, the small girls hands immediately moving to push against his face. Oscar laughs, moving an arm to support the small girls weight as she pushes his face around.

You smile at the pair, laughing as your daughter grasps Oscars hair in her small fists and pulls gently, just watching as his head rolls around, “Can you watch her? I have to talk to Logan.”

Oscar smirks, glancing over your shoulder to see Logan standing sheepishly, “Someones in trouble.”

You hum, small smile on your lips, “Can you just hang with her for a minute?”

“Yeah, I can,” Oscar says, smiling down at your daughter in his arms, “Anything for my favourite American.”

You hear Logan mumble “rude” under his breath, warranting a snort from you as you watch Oscar walk away, no doubt about to parade your daughter around to anyone who'd listen.

You turn back around, coming face-to-face with Logans grimacing form, “Saw the panel.”

Logan winces, rubbing his hand along the back of his neck, “Yeah?”

You hum, stepping across the room to reach your fiance, “Mhm, I did.”

“Im sorry,” Logan sighs, looking anywhere but at you.

You can't help the small laugh that escapes you at his clear distress. Logans head snaps up, confusion crossing his face at your apparent glee, “What?”

“Im not mad, Lo,” you laugh, wrapping your arms around his neck. He stares at you, a puzzled look stuck on his previously fear-stricken face.

“You’re not?”

You smile up at him, shaking your head, “I mean, it's not how I would’ve wanted to announce it but I don’t mind too much.”

“Really?” You giggle when you catch the relief on his face, his shoulders dropping dramatically.

“Mhm,” you tangle one of your hands in the hair at the nape of his neck, his head tilting slightly back into your touch, “It was nice to be private for a while during the engagement. We didn’t have concrete wedding plans and Nat was so young. But the weddings basically planned and Nats old enough to handle herself in public, I think it’s a really good time, actually. Do you want to say something official?”

“I will, but until then I’d be happy to not have to hide you guys,” Logan grins, a hand reaching up to grasp the side of your face. You blush as he presses a soft kiss to your forehead.

“That sounds lovely,” you say, untangling yourself from his hold, “But, for now, I think you have interviews to attend to.”

“Yeah, yeah, I do,” Logan replies, but his gaze is still locked on you, love filling his eyes, “I’ll see you in a minute, I love you.”

“Love you too, Lo. Go do your interviews,” Your soft smile shines, lighting up your face.

Logan nods, moving to exit the small room, stopping to send you another grin. You laugh, pushing him out of the room, the door sliding closed behind him.

He moves on practical auto-pilot, feet carrying him to the media pen, thoughts of his family stuck on his mind. He reaches the pen quickly, spotting a group of about 8 drivers all huddled together in a chat. He thinks about walking the other direction but Max spots him first, gesturing for the younger driver to walk over. Logan agrees reluctantly, making his way to his fellow drivers.

“Logan!” Max calls, a smile on his face as he greets the Williams driver warmly.

Logan nods, smiling at Max politely, “Hey, Max.”

Max grins, throwing an arm around the blond driver, “How are you doing?”

Logan hums with a small smirk, knowing exactly what Max was eluding to, “I’m great, actually. Thanks for asking, Max.”

Max tilts his head with a wide smile, raising an eyebrow, “Yeah?”

“Yeah, I mean, you know how my morning went.”

Max seems to catch that Logan’s allowing him to publicly address the situation in front of the other drivers, turning his attention to the slightly confused drivers around them, “How’d the Mrs feel about it?”

“She was fine with it,” Logan smiles, “Honestly kinda happy to be open about it.”

“I didn’t know you had a girlfriend,” Lando says from across the small circle, a confused look occupying his face.

Logan shakes his head lightly, arms crossed across his chest, “Fiancée, actually. Been engaged for like a year now.”

This sends a wave of shock around the group, Daniel being the only one to pipe up, a huge smile on his face, “I know what this is about!”

George turns to the VCARB driver, a questioning look laying beneath his dramatic sunglasses, “What are you talking about?”

Before Daniel can explain, a high-pitched voice yells out from behind Logan.

“Daddy!”

Several drivers turn, being met with the sight of a small girl sprinting her way toward the group, a smiley Oscar trailing along behind her. The girl giggled as she approaches her father, skipping along happily as she gets near him. Logan leans down, opening his arms to let her walk into his grasp. She wraps her arms around his neck and Logan holds her tightly as Oscar stops behind him.

“Hey baby,” Logan says to his daughter as he looks down at her, “Have a good time with uncle Osc?”

The small girl nods excitedly, grinning as she looks back over to the man she’d spent the past 15 minutes with, “Ozzy took me to the orange garage, um, papaya I think actually, and I got to sit in another car!”

Logan hums, running a hand through the girls hair, trying his best to swipe it back into place, “Yeah?”

“Uh huh, it was really fun!”

Logan smiles, turning back to thank Oscar for looking after the girl. He turns back around, catching the gaze of about 8 different F1 drivers, all with varying levels of shock painted on their faces, “I don't know if you guys saw, but, um, I accidently revealed i had a daughter this morning and, um, this is her?”

Max is the first to laugh, having already been through his shock about the young girl currently attached to her father. Logans face heats as the drivers stare, Nat burrowing her head in her fathers neck as she tries to discreetly glance at the men around her without having to make any eye contact.

“Congrats, man,” Daniel grins, moving over to clap the younger driver on the back. Logan chuckles slightly as your daughter finally moves her head away from him, her curiosity at the Aussie overtaking her shyness.

The honey badger smiles at her, nodding his head. She smiles gently, reaching a small fist out toward the man. Daniels eyes widen at the gesture, eyes glancing between the girl and her outstretched arm before he reaches his own hand up to fist-bump hers. She nods with a satisfied smile, turning back toward Logans neck.

“He’s kinda cool, I think,” She mumbles and Logan smiles glancing over to see if Daniel has heard her words. Based on the increased grin on his face, Logan figures he had.

The rest of the drivers take their turns congratulating Logan on his fatherhood and introducing themselves to the small girl, her favourites being Daniel, Max, George and Alex, who she’d already met in the Williams garage over the past few months.

Eventually, all the socializing caused her to fall asleep against her father's chest, her tired eyes slowly drifting closed. Logan sways slightly, trying his best to soothe her in her slumber.

Once she's fallen asleep, he turns to Oscar, "Do you know where y/n is?"

Oscar nods, "I think she'd fallen asleep when I went to drop Nat back off. Didn't want to wake her so I just brought her over here."

Logan nods, glancing over to see the other drivers getting pulled into interviews. He didn't want to wake you, knowing how little sleep you'd been getting lately with all the wedding planning and your daughter. Anyone else in your family would be too hard to find on such short notice.

So, when his pr officer calls him over to do interviews, he holds Nat a little bit tighter, hoping the interviews don't wake her.

He smiles at the shocked interviewer as she hands him a microphone which he holds in his free hand, trying his best to support your daughter with one arm.

"Morning," Logan nods, voice low.

The interviewer nods slightly, shaking herself out of her shock so she can ask the American some questions.

"Good morning!" Logan thanks his lucky stars as the woman catches his drift and tries her hardest to stay cheerful while keeping her voice relatively quiet, "I had a couple questions about the panel from this morning but it seems you've answered them yourself before I could even ask."

Logan laughs, glancing down at his girl before bringing the microphone to his lips, "Yeah, my girlfriend was asleep and I didn't want to wake her so this girl is joining us today."

The interviewer smiles warmly, "Before this I saw she was hanging out with some of the other drivers?"

"Yeah, yeah, she was. She, uh, had a good time getting to meet some of the grid. But, you know, all the socializing tired her out."

The woman in front of him nods again, glancing over his shoulder at who Logan knew to be Max, getting asked questions across the pen, "How'd they react?"

"I think they were pretty surprised, you know? I don't think a lot of them saw the panel from this morning and even then, I didn't really give much of an explanation. Don't think Max even believed me until Oscar brought her over," Logan laughs, grinning lovingly at the girl starting to stir in his arms.

"Hi baby," Logan says gently, watching as the little girl rubs at her eyes, trying to pull the tiredness from them.

"Hi Dad, where'd Ozzy go?"

Logan glances over his shoulder, looking for the Australian in question. He eventually sees him, turning his body so Nat can see him as well,

"Uncle Osc is just over there, angel."

The girls nods, a frown still on her face from having to wake up, “What about Maxy?”

Logan grins, happy that his daughter was already comfortable with his fellow drivers, even going as far to seek Max out. Logan turns straight around, pointing behind them at the Red Bull driver, "He's there. And Danny's next to him."

The girl nods, a satisfied look on her face as she spots her new friends. Logan turns back to the interviewer, the grin not leaving his face.

Max, meanwhile, is in the middle of an interview when he notice the interviewer looking over his shoulder. Max looks at the man in front of him with a confused look, the man quick to explain.

"Think the newest addition to the paddock is looking for you, Max."

Max looks over his shoulder to see a small girl, chin resting on her dad's shoulder as she stares back at Max. When he turns to see her, she grins, moving a small hand to wave excitedly at the driver before moving to tug at her father's hair, looking for his attention.

Max grins, waving back as Logan looks over, indulging the girl. She laughs happily, getting even more excited as she spots Daniel beside him.

"Maxy! Danny!" Max looks beside him and sees that Daniel hasn't noticed your daughters yelling and he quickly leans to the side, poking the Aussie. Daniel turns to the side to see what Max wants but is instead met with Max pointing vaguely across the pen. Daniel glances over and grins when he sees Logan and his daughter, the smaller of the two waving hurriedly at the pair of drivers.

Daniel waves back, a grin practically splitting his face. The interviewer sends him a questioning glance and he laughs lightly, "Seems we've got a new cheerleader, then."

The interviewer laughs, quickly returning to the questions. Max, after waving bye to your daughter, turns back as well.

Your daughter, now properly noticed by her new favorite drivers, turns back around, letting Logan get back to his questions. She wraps her arms around his neck gently, smiling in satisfaction as she leans up to tell him something.

"I like your friends, dad."

Logan smiles warmly, happy to see her getting along with his coworkers, "I'm glad, baby."

———————————————

@casperlikej @evie-119

[periwinkla]

Day 7 - Growing Old Together ♡ Final panel! Posting the full poster in a bit <3 Phoenix is starting to get white hair and Miles is basically forced into dying it since Phoenix refuses to go to a hairstylist (...ulterior motives) meanwhile Miles can't see a thing on the instructions. You need to get a new prescription, Edgeworth. I focused more on the 'grow' part than the 'old' part because I really wanted to show the start of it. They're supposed to be in their late 40s here. By the by the bathroom tiles were chosen by our lovely magician who wanted to reference the not-at-all-narumitsu-y famous chessboard, but with variations of the colors that actually fit a bathroom. Miles can't be trusted to choose anything that isn't red and is a punch in the eye for a bathroom. Phoenix is too opinionated. Trucy enjoys the show but at some point it's too much. Thus she takes up on the arduous task. Previous days:

[nataliescatorccioapologist]

My takeaways from attending the Yellowjackets Vulture Fest panel

If you saw me and my friend trying and failing to carry 7 alcoholic beverages into the room, no you didn’t

•There will be a Season 3 announcement this upcoming Tuesday that fans have been “waiting for” and “expecting” for a while.

•I’m just going to come out and say it: Ella Purnell is definitely returning for Season 3. The interviewer asked if there is a chance of Jackie returning in flashbacks or hallucinations this season, and the writers all shared a knowing look, giggled, wiggled their eyebrows, and said “Maybe” with a smile. She’s coming back for sure guys.

•The writers were asked to rate the level of gore in Season 3 on a scale of 1-10, and they said, at certain points in the season, it will be a 9.5

•Van was originally supposed to die in the wilderness but the writers loved Liv Hewson’s performance so much that they decided to keep Van alive.

•Laura Lee was also supposed to die earlier (in episode 2) but the writers loved her character so much that they decided to keep her around until episode 8 instead (and they took great joy in writing her trying to fly that plane).

•The writers emphasized that the two sides of Taissa are not meant to be “good” and “evil” but rather “pragmatic” and “primal.” The “bad one” is really just more uninhibited, more open to the spiritual, ethereal side of things while the side of Tai we know and love is the more practical and logical side that is skeptical of the wilderness.

•Shauna is said to be the “core” and “impetus” of the events of the show. They also said that she best represents the duality of the primal nature of the wilderness and the pragmatism of civilization.

•Shauna eating Jackie was said to be both an act of “hatred” and “love.” Shauna consumed her both to as an act of worship and wanting Jackie to always be a part of her, as well as an act of “domination.”

•It was also emphasized that Shauna drawing the queen card in the adult timeline is not a coincidence and definitely holds significant meaning. The writers seemed hesitant to expand on that meaning, so I have a feeling it has something to do with adult Shauna’s storyline in Season 3 and beyond. In my opinion, Shauna drawing the queen card was symbolic of her assuming a leadership role in the adult timeline that will play out in Season 3.

•It was also said that Natalie’s death in the adult timeline is very much connected to her drawing the queen card in the teen timeline. They implied that her drawing the queen, in a way, lead to her eventual death. I’m wondering what this means for Shauna drawing the queen card in the adult timeline?

•Some of the actors wanted to know how their stories are going to play out, and some of them did not. Samantha Hanratty was named as one of the actors that does not want to know her character’s future and doesn’t read the adult timeline scripts to avoid the influence of them on her portrayal of the character.

•Natalie was specified as the “moral code” of the group, which is why the writers say she is so impacted by Javi’s death, as it goes against her moral code. This is part of the reason why she is so “broken” in the adult timeline.

•Natalie’s death was planned from the beginning. The writers confirmed that Natalie hallucinating Misty at the bonfire in the pilot episode was intentional foreshadowing and a “prophetic moment” for Natalie. This moment was said to foreshadow both that Misty would become an important figure in Natalie’s life one day and that she would be the “mechanism of Natalie’s death.” The writers said that Nat was always meant to die at some point, but they weren’t sure initially when it was going to happen. They said they decided on the end of Season 2 because things were just starting to go well for Natalie, she was just starting to heal, and therefore she had to die.

•The writers pointed out the impact of seeing Misty, a character who does not usually express genuine emotion (when she does it’s usually in a manipulative manner), fully sob and express genuine horror and grief during Nat’s death scene.

•Jeff was originally just meant to be an “accessory” to Shauna, but he gained more meaning and importance to the show as the writers loved Warren Kole and his portrayal of Jeff.

•For season 3, the writers were pretty tight-lipped, but they did say that they are very proud of the season and excited for people to see it. They said that there will be an interesting dynamic in that the winter will be over in the teen timeline, so the characters will have to grapple with what they’ve done now that they’re out of the dire situation they were in in the winter. They said this will have a great effect on their psyches and group dynamics.

•Joel McHale was cast after Ashley Lyle met him at a party of some sort (and Lyle admitted she was drunk during the encounter) and, after he said he was a fan of the show, Lyle basically said “Oh well I have a part in Season 3 for you” and he was cast.

•They were asked directly about the Eden lawsuit, and they had a little giggle about it and admitted that they’ve never seen that movie, and they’ve been very upfront about their influences (Lost, Alive, etc.) They obviously couldn’t say much more about it, but it was funny seeing them react.

•The writers emphasized the distinction between “fan appreciation” and “fan service,” and they said that, while they occasional look at fan feedback on Reddit and Twitter, they keep that feedback out of the writers room. This is actually very comforting to me, I was worried about Season 3 falling into the fan service trap. I am glad the writers are sticking with their intuitions and original intentions for the show.

So excited for Season 3 and so grateful these amazingly talented writers and showrunners are at the helm of it!

[lxgentlefolkcomic]

First page || Previous page || Next page

Start reading Episode 1

Dialogue transcripts:

Panel 1

Irene:  Mina, I have to ask you...how did you know?

Mina:  Know, ah, know what?

Panel 2

Irene:  That Jonathan was alive. I thought you might simply be in denial, but now…

Mina:  The truth is, I…since our ordeal with the vampire, when I was—was nearly turned myself…

Panel 3

Mina:  I was spared that fate in the end, thank God! But there have been…lingering effects.  Some more frightening than others.

Panel 4

Mina:  I can’t describe it.  I feel a connection to Jonathan—I suppose I always did, but this—  It’s as if our hearts truly beat as one. I can sense where he is, feel his heart, the blood rushing in him.

Panel 5

Mina:  I can feel a trace of it with others, but it’s strongest with him.  Sometimes, it…it frightens me, Irene.

Panel 6

Irene:  Such trials always leave their marks on us, but we are no less for it.  And here, it let you give hope where there was none.

Panel 7

Mina:  Thank you, Irene.  I’ve never told anyone but Jonathan…

Irene:  Of course, my dear.  Come, we’d best get “decked out,” as our Texan friend put it.

[damian-navarro-art]

BATGIRL & ROBIN

Finally guys after all the sneak peeks… my Cassandra Cain and Mia Mizoguchi Short Story! CASS AND MAPS!

I’ve been posting it on my instagram all this month and last week on my twitter but i had totally forgotten to post it in here, for 2 months there wasn’t a day i wasn’t thinking on them and i would have loved with all my heart to do something even longer but… building up a story, thinking over and over the layouts, drawing and coloring with this level of detail all on my own is really hard and i can’t but feel guilty of taking this long for just this 7 pages, but as little that is, with all my heart i just really hope you like them :’) , I tried to put many little easter eggs and references but i will mention some at the end to not spoil your reading.

Thank you for reading! Please let me know what you think!

Okay, so some of the esster eggs:

PAGE 1: that Adam West Batman & Robin climbing a building shot which actually came to me from Bruno Redondo’s cover of Nightwing actually , and the rest of the panels hugely inspired by Batman The Animated Series!

PAGE 2: a portrait of Niccolai Tapes( The Mas Monk) on his early years and at his side Matt Wagner himself! , then a newspaper with a Batman based on his first appearances and a reference to the events from Batman vs the Mad Monk by Matt Wagner, and then ofc all the room filled with a bunch of objects taken exactly from the same pages of Matt when he draw The Monk’s Castle on the same book. and finally the book of Dracula for the same reason ;) , all this layout was inspired by one of the most iconic pages from Pax Americana by Frank Quitely

PAGE 3: all the vampires were based physically on Voldermort’s Death Eaters! but also the girl in black is Dala! Mad Monk’s more loyal acolyte which in the book she always desired to become a vampire but never could! , but from left to right, Barty Crocuh Jr. , Dala as Bellatrix, Peter Pettigrew, The Monk was “Voldemort” , then Snape, Lucius, Narcissa and Fenrir Greyback, and that last panel was a BLADE reference 🙂‍↕️🙌

PAGE 4: this whole Cass yellow panels with speedlines were supposed to represent the same kind of panels that Damion Scott drew when Cass was moving really fast in her Batgirl run, the whole layout was based on a page of Jamal Campbell from his Green Arrow run

PAGE 5: shot referencing the killing joke joker and batgirl cover, you can see a “Red sun” mode on the bat-flashlight apart from the Ultra Violet setting, them. Maps bites the Monk as she used to do a couple times in Gotham Academy, and Cass final attack is a reference to one of the moves she does in her 2000s run to stop the heart beats of a thug , and those circles were inspired by David Aja’s work on his Iron Fist and run!

PAGE 6: the building on the background purposely resembles the Bat ears, the GCPD have the uniforms from BTAS and you can see also Detective Montoya and Jack Ryder interviewing her :), Maps little hearts are taken from Karl Kerschl who used to do them on Gotham Academy a couple times, and finally the Grapple Gun reference from all the time Maps mentioned it on Gotham Academy 🙂‍↕️,ohh and the box of the gift was also the same feom Shadow of the Batgirl when Barbara gives her suit to Cass!

PAGE 7: Frank Miller’s Batman and Carrie Kelly cover 🙂‍↕️🫶

THANK U GUYS 🫶

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

[ottosbigtop]

king what do you think of comic #7 :D

I JUST finished it like 30 minutes ago so i definitely need to reread it a couple hundred times like i did iwth the other ones but. Highlight moments

PAULING NAME REVEAL. That was awesome

pauling and engineer are FRIENDS they are FRIENDS and he wants to make sure she does the right thing but hes not going to stop her from doing what she wants

Pauling and spy are also friends. I like htat :)

the spy face reveal made me like leave my seat and pace around my room. He looks exactly how everyone expected him to look but the fact that they did that at all was so unexpected.

ZHANNA AND SOLDIER HAVE KIDS !!!!!! LOVE WINS!!!!!!!!

i love scout being a single dad i think thats beautiful. I wish his mom had shown up in the final panel.

on the whole i think it was just a very solid conclusion . It did exactly what it was supposed to and it tied things up, which i did not expect at all. i like that the answer to what the Administrator was doing was.. not all that much, really. At the end of the day her goals were just as aimless as any of the Manns. It definitely feels more like an epilogue than a full issue, and with that theres kind of some lingering disappointment that there wasn’t more to the comic after 7 years of waiting, but ignoring the wait time, i think it did what it set out to do well. In all its clunky and unserious tf2 glory.

If there’s one critique i could give, i would say i really wish we had more of the mercs interacting with each other. We didnt get to see them meet up with Engie properly again which felt kind of underwhelming and for the most part they just kind of did a lot of standing around, behind or next to Pauling. like, it was a good ending, but definitely more for the Administrator and Pauling and the Mann characters stories, not reaaally great for more content of the mercs. But they’ve all been a sideline to Pauling as shes been the mc through most of this really. Its not necessarily new to want more of them dicking around, but i still miss it.

at the end of the day. 10/10. God this style is gorgeous. Im SO happy they moved away from the style of the 6th edition to get closer to the style that was more like what makani did in the other previous issues. And im glad we dont have to stare at a grey box on the comics page anymore yearning for issue 7.

[jikooklove9795]

I do believe they’ve been in a long term romantic relationship for a long time. One point that us jikookers tend to avoid (with good reasons, it’s filmed by a saeseng) is the clip of what looks like JK holding a woman seen through a window? What do you think that was about?

Hi arundhati94-blog!

First of all let me make it clear that I'm not going to ignore any of your or others asks regarding Jikook. The only condition to all those sending in the asks is to be polite and respectful towards Jimin, Jungkook or any other members. Otherwise I'm very open to discussions regarding Jikook and will try my best to respond to you guys.

Now let's get into the discussion, shall we? So, do I think that its Jungkook in that video?

NO. I don't.

Why I think its not Jungkook and the video is not of his apartment?

There are many reasons. The first one being the crap quality of the video with the faces of the man and woman in it completely wiped out thus making them unrecognizable. All the phones out there offer a much better quality. So, how come we get a video of this poor quality? How come in other photos which they leaked of him alone in his house the quality is better and the angle is completely different? The second reason is regarding the apartment in the video. The apartment rented by BH is in the ground floor, has a courtyard and is surrounded by a high fence. In the video the wall panel seems to be in different places and the windows are different too. Another difference is the apartment in the video has a vase while Jungkook's apartment has a lamp in that same area but not a vase.

Another thing which is highly suspicious is the timing of the video and the length of it. I have heard the narrative that its a video from Feb 2023 cause the man in the video had bangs and long hair similar to Jungkook during the early months of 2023. So, why keep it in the wraps for almost 7 months if it was originally captured in February? Why not release it straight away? Whatever damage, the people behind this video intended to do to Jungkook will be the same irrespective of the time of its release. Be it in Feb 2023 or before the release of Seven or before 3D or his album. And they only managed to capture a 14s or 15s long video? Where's the before and after clips? Very hard to believe they couldn't capture more.

This video was done intentionally to make the audience believe that it was Jungkook. Hence, the similar but not the exact apartment, the video being so grainy that its impossible to identify the people in it however make it look like the man has a silhouette similar to Jungkook, a doberman. The open curtains get me every time. Cause this was around the time Jungkook complained about being stalked, had a video of him taken at the gym. So, they want us to believe that Jungkook would have his curtains open if there was a "supposed gf" at his apartment??!!

So, that video is either of another couple or intentionally set up by other people to sabotage him. I'm leaning more into the latter option.

I highly doubt its a sasaeng video cause of why they didnt release it immediately after it was captured in Feb 2023 (since they claim its a video from Feb) and cause of how they posted this video and then vanished. There was a tweet on X a few days before the weibo video was released warning the fans about a fake video to sabotage Jungkook and not to believe in it.

We need to remember that they work in an industry which has a dark side ruled by people who are capable of such deeds. I don't wanna share much about this but its not impossible. So, always trust the artist you stan rather than questionable sources.

Now let's talk about Jungkook denying the gf rumors.

He was on Station head when he was getting repetitive messages asking him if he has a gf and this was how he answered them:

Now to those that'll say "but he didnt deny the video, would've been a fling, would've broken up". He already knew what storm was going on and chose to address it. He could have chosen not to. And the Jungkook I have seen so far would have clearly admitted if he had a gf. Cause don't you remember the AHL Jungkook guys??!! He was just starting his career at that time. But he didnt hide that he had a gf before. I still remember that conversation cause of the words he used.

Do you think this Jungkook who was just starting his career who openly talked about his dating experience and how he wanted to get tattoos even though Yoongi asked him not to cause it'll be frowned upon by the fans, will be afraid of admitting he had a gf? I don't think so.

But the crowd was quick to spin more narratives when he denied having a gf. They accused him of being a f**kboy going around sleeping with women. He saw all this and decided to show up a few hours later after denying of having a gf. This time he went head on denying the allegations and even exposing himself to an extent (I was shocked) by posting this TikTok trend:

He captioned it:

So, he chose to do a Tiktok trend which was pretty old by that time and captioned it as "I go the other way".

Those who are gonna say "He just did the trend in the opposite way hence the caption". STOP. Cause we all know its obvious what he meant when he captioned it like that when the singer was mentioning names of girls. He could have done it the opposite way without the caption. And he deleted it after a few minutes after he was sure that those that cared about him got the meaning behind it.

Now he has done something similar like this in 2019 when he was wrongly accused of dating Mijoo.

This was the first time he appeared on a live after the whole circus. It looked like he came there to make that exact statement. It was out of the blue. And the choice of his words were more specific to be exact. Even Hoseok was confused. You can take it however way you want. Either simply like Jungkook complimenting Hoseok or just try to connect the time he opted to say it. A time when he was rumored to be dating a girl. After Jungkook has shown us all where his interest lies in, which is obviously not with a girl but with a boy for whom he wears his heart on his sleeve. I choose to believe the latter option.

You can watch the live here. Jungkook appears at the 24 min mark. Just notice his face and expression when he says "I never thought I would fall for a man". He's letting us know through these small moments. Just read it with the bigger picture taking timing into the context.

Also, let's not forget how he answered this question:

Q: How would you describe yourself in five words?

🐰: I'm still me

This was in Festa 2019. "I'm still me" is a famous line from the gay movie Love, Simon released in 2018. He posted the "I'm still me" artwork too. And the name of his documentary:

Read it along with how he has used songs in his GCFs which are all either gender neutral or with the "he" pronoun.

Named his flower bouquet "Various Loves"

He chose to work with CK. Apart from being a fan of the brand the partnership is special to him cause CK's values resonates with him.

And CK is very LGBTQ+ friendly using LGBTQ+ models. They have partnered with various NGOs in support of LGBTQ+ advocacy, equality and safety.

And the day Jungkook broke the Internet with this:

So, let's listen to what Jungkook says and trust him instead of a blurry video. Cause he has been honest and transparent with us as much as possible. Let's give so much love and support to this boy

Have a nice day arundhati94-blog!

Credits to the owner of the video

[tentenarchive]

In Defense of Tenten - the Chunin Exams' Written Test and Her Mirrors

A common joke made about Tenten is how obvious her mirror and line contraption, used to share answers with Rock Lee during the written exam, is. In this post, I'll show how her solution is perfectly reasonable and why she wasn't disqualified by the ninja proctors.

Firstly, we have to stablish what the objective of this written test is: to cheat. The written test was designed to be too difficult for ninjas of their level to be able to answer, forcing them to cheat from each other. Such is stated by Ibiki in the end of the First Phase chapters:

Next, the proctors are all higher level shinobi, better prepared and used to seeing various tricks and jutsu. It's not an stretch to suppose they're aware of EVERY cheating attempt made by those Genin, but were responsible for judging if their technique is too sloppy, obvious or ineffective.

My theory is supported by this scene, where Izumo eliminates one of the ninjas doing the test, claiming he took "five strikes".

It implies the competitors are allowed five errors before being disqualified, and one of the eliminated Genin makes it clear to the reader the "five strikes" are five times being caught cheating.

Naruto is also implied to be caught almost cheating when Hinata offers him her test answers (it can be interpreted either as Naruto being closely watched or Naruto's nerves making him think like that, half the proctors' job is to scare the Genin) and even then he is not automatically removed.

Tenten's technique may be obvious for us, as readers who have been shown by the author himself how she did it, but it's a single and successful attempt, and it's not commentated by any other characters, meaning no one caught on her besides the proctors, and they would only disqualify her if she did it more than once (which wasn't needed, she found the mole with all the answers!).

A pettier criticism i've "how isn't anyone seeing the lines?" to which the answer is very simple: manga is a visual media and the author needed the audience to understand how she was manipulating the mirror. If you take in consideration Tenten's fight with Temari in the anime - which is filler, btw, and it's up to you reading this to decide if it's a fair assessment on their abilities or not - she's shown using invisible lines to manipulate her weapons after throwing them. The lines are, conveniently, only visible when the animation needs us to understand how the weapons are moving backwards. Any other frame they're invisible.

You can see in the panel how the lines fade out towards the bottom and only show where they're attached to the mirror.

Finally: that's exactly what Ibiki expected the genin to do. There have been a few posts, specially on twitter, asking "how are you supposed to pass if you don't have a kekken genkai??". Like Tenten. That's how.

Kankuro and Tenten are the only characters which Kishimoto showed us cheating that didn't use an exclusive DNA super power. Kankuro and Tenten both use hidden threads, one uses chakra lines for puppetry and the last manipulates mirrors. They also pass their answers to their teammates, Temari and Lee.

(Sakura is the only confirmed character to do the entire test without cheating. Congrats Sakura!! You could argue Hinata used her byakuugan to cheat like Neji, but if you think she did it by herself, I will give you the pleasure of congratulating Hinata too. Congrats Hinata!)

Tenten's method was practical, and used her specific skill set: summoning and kunai work (where do you think the mirrors came from? a scroll, that's for sure). It was probably set up before the test started, during the commotion Team 7 created with their arrival. We're not shown it because Tenten is a tertiary character and Kishimoto wouldn't invest 2-3 panels of set up for a 3 panel sequence pay-off that works by itself very well. She is smart, did great and made sure her teammate was not left behind.

Tenten is not even the most absurd method used in this exam, so, as a treat, i will show you, in order, the most obvious cheats shown in the manga from least to most!

Sasuke's Sharingan If you're a ninja from the Leaf Village, you know who Sasuke Uchiha is and what a Sharingan is capable of. Unfortunally for him, the Exam is being held at the Leaf Village and all the jounin and chuunin there are from the Village. Any proctor looking at his direction in a position in front of him could see clearly his eyes and know exactly what he was doing.

Neji's Byukuugan Like the Sharigan, you can physhically see when it's activated, with the downgrade of being noticible by people sitting at up to 95º from him, as the veins are visible on the sides of his face too. A fair trade for the ability to see better than the Sharingan, even if you're not able to copy, in my personal opinion.

Ino's Mind Transfer Jutsu The jutsu's hand signal is simple and can be missed, but it's still obvious for any Konoha ninja watching, it is a very recognizable ability. There's also the higher chance of Ino being caught since she needs to do it three times (once for getting Sakura's answers, twice to pass them to Chouji and Shikamaru). Besides, the "dropping dead on the table" thing can be disruptive in a mostly silent classroom.

Akamaru and Kiba's communication Akamaru is barking all the way through the exam, and while the balloon used for the text is the one for thoughts, it's also the same used for whispered conversations up to this point in the manga. The anime makes the barks happen in the real world, and not in their thoughts, and as far as i could find, Kiba can understand dog language but there's no psychic talk between them. By the noise alone he could be caught. I think he wasn't expelled just because a full conversation between dog and human is a novel enough ability to not be considered by most ninjas unaware of the Inuzuka clan's special abilities.

The Most absurd one: Kakuro and his Puppet He put an entire guy no one knows and has never been seen in a room where all the authorities are from the same village and have, at least, a vague knowledge of each other's existence. To increase the absurdity, somehow everyone let Kankuro use his own puppet to guide himself to the bathroom. I cannot express enough how unlikely it is that, in a real info gathering mission inside a single room where all the higher rank ninjas are exclusively from the same village, Kakuro's plan could work. Most decent sensors could also catch the chakra line's signature.

I'll give it to him, making the puppet talk helps with the disguise, but it only fools his fellow attendees, not the proctors. He's too confident that he didn't raise any alarms.

But Ibiki goes as far as insinuating he knows (and has known from the start) about the puppet's existence when Kankuro comes back from the bathroom.

If Kankuro was able to finish the test and not get disqualified, even if he had what I consider the most obvious cheating attempt from the named characters shown, it's fair game for Tenten and all the other important cheaters. Besides, it's a single attempt at cheating, even if it required an entire prep work for it, so it doesn't matter if all the high level ninja's are aware, that's not enough to kick him out.

I cannot leave out the meta reasons why these characters weren't removed from the class: they're important to varying degrees to the story and they need to advance through the first phase to keep readers engaged.

Regardless of how absurd I think Kiba's and Kankuro's methods are, they need to go all the way to the fight tournament after the Forest of Death, where they have important roles to fill: Sasuke and Naruto are main characters and are prioritized by the narrative; Ino and Sakura will have an important character developments and flashbacks during their fight; Neji has an entire arc that only concludes all the way in his fight against Naruto; Kiba is the rival for Naruto in the surprise fighting tournament and he is one of the few characters able to match Naruto's silliness so he can win in a silly way; Kankuro and Tenten are both part of the two strongest cells present in the event, the Sand Siblings and Team Gai, both introduced as real threats to Team 7, and having anyone from these cells lose would undermine the narrative created around then. All of them would get through anyway.

Tenten losing against Temari in future parts of the Chuunin Exam has narrative importance too, a fight I will cover in the next In Defense of Tenten, but in short Tenten was introduced as a threat alongside Neji and Lee, her abilities and experience surpassing Team 7's. Having her lose against one the Sand Shinobi serves to show how big their gap in power is: if someone more experienced and well trained than them can't win against them, Team 7 has no chance. It's part of the build up for the future Naruto and Gaara fight, and the suspense about their real strength (since the fight doesn't exist in the manga, only the result is shown).

Conclusion: people are overly critical of Tenten because she's seen as a "lolcow" in the Naruto fandom, in part by the bad adaptation of her fight with Temari to the anime, which poisoned any feat of hers before and after it; but also because Naruto and Boruto don't give satisfying ends to any of the original female cast besides Hinata (she marries the man she loves and becomes a housewife away from the battlefield, an honorable decision i will never shit on, she never wanted to be a ninja and is a kind mother and wife, good for her!) so all female characters are seem as weak and useless when compared to their male peers. Naruto is a work riddled with undercover misogyny, never out right stated but always preventing the girls to achieve any meaningful resolution or permanent development.

That added to the ever expanding powerscalling abilities and fights make characters with simpler and down to earth abilities and feats outdated by its own universe. Knowing how big the Naruto fights and jutsu get in the future make people look down on crafty solutions like sealing scrolls, kunai and mirrors, when that is a perfectly respectable solution within the series and matches the powerlevel presented this early in the story.

Tenten is not weak, or bad, or useless. She's misrepresented by the most popular media consumed: the anime, and further misunderstood by the fans of said work. Large fandoms can be allergic to text interpretation and infighting is stimulated to the point fans of smaller characters are bullied off social media and forums (i.e. the forum where I got the list of all chapters Tenten is in is filled to the brim with comments about how OP should move the topic to "fan works" since no one would want to read about it in the canon work page, or how the mods shouldn't allow him to have a thread). I respect Tenten's feats, as well as other small characters', and refuse to be fed the same "uselessness" narrative this fandom always had, because i actually enjoy Naruto, even if i have many problems with it, and I take it seriously.

She did great.

[neversetyoufree]

I've remarked on this blog a few times before that I'm fond of the theory that The Shapeless One is Paracelsus, but I've always hesitated to elaborate, as I felt like there wasn't enough hard evidence that supported this theory being true. However, something recently clicked for me regarding one big parallel between them, and now I can't stop thinking about what that connection would mean for the story thematically.

In mémoire 61, after Machina pushes him to explain what his "plot" is, Teacher declares that he wants to achieve world peace. I've had no idea what to make of this line for a while now, just assuming that we'd need more context to understand what the actual hell he's talking about. But with the Paracelsus comparison, I feel like I'm starting to grasp what's going on there.

[This post needs a VnC-standard warning for mentions of suicide, sexual assault, and child abuse].

There are a few pieces of evidence that support the idea of Teacher being Paracelsus. VnC's Paracelsus is introduced as a great alchemist, just as he was in the real world, and the Count of Saint Germain was an alchemist as well. Nobody knows Teacher's origins, but he's one of the oldest vampires and close with the queen. There's also a little drawing of six-pointed stars that appears behind Paracelsus in the first storybook illustration of him, and those same stars are seen hanging from Teacher's walking stick in the scene where he first meets Noé.

That panel of Teacher and Noé appears at the very end of chapter 6, and the Paracelsus panel appears at the start of chapter 7, meaning these images are quite conspicuously close together.

So what does this mean for Teacher's idea of "world peace"?

In the storybook version of Paracelsus's life, he's described as wanting to alter the world formula not for scientific curiosity, but because he wants to save the world.

Paracelsus, per the childish version that Teacher presents to Noé, caused the Babel Incident because he was trying to "rid the world of its ills" and "guide people to happiness." The line about the human world's "rampant ills" is read over a drawing of dancing skeletons—a Danse Macabre. This is a Medieval way of drawing the personification of death, usually for the purpose of expressing the way that death comes comes for every person inevitably (the same theme later expressed by Vanitas art).

When Paracelsus speaks of the world's ills, this is the reality he seeks to cure. The world is afflicted with suffering and death, and he wants to rewrite the world's formula so that humanity can live happily without that pain.

A world rewritten to be without suffering—isn't that world peace? "World peace" is often used to evoke an end to armed conflict specifically, rather than suffering at large, but the concepts must overlap if they're pursued seriously. How can world peace last if there are people starving in famines or dying of disease? Suffering breeds violence. And how can someone seeking to alleviate "the world's ills" not want to achieve world peace?

If this is true, if Teacher's hope for "world peace" is him carrying on Paracelsus's legacy (or carrying on his own work, if they're the same man), then what does that mean for Paracelsus's supposed altruistic intentions?

We know little about Paracelsus now, only Teacher's recounting of the Babel Incident by way of a book he's reading to a child, but I think there are two ways to interpret what we do know.

Trying to rid the world of suffering is, on its face, the most noble possible intention. To lead the world to happiness is to attempt to help every other person in the world. And I can think of a lot of ways that Paracelsus's goals make absolute sense to me. If you discover that the fabric of reality can be rewritten, and you know that there are people in the world dying of famines, wouldn't you want to reshape the world so that they no longer have to go hungry?

It's possible, depending on what we find out about him in the future, that Paracelsus really will be a noble figure whose one great sin was hubris, and all he wanted from his research was to help the world in ways that make both moral and logical sense.

However, given some of VnC's other themes, I think there's another lens through which we should consider Paracelsus's actions. We don't know exactly what he was trying to rewrite with that disastrous experiment, but that Danse Macabre does give us one possible clue.

One of the themes that VnC has been slowly developing throughout its run is the idea that, though trying to save a person's life is noble, it is not noble to deny all death as a whole. This is a story about the concept of Vanitas, the idea that death is inevitable and that all else is rendered meaningless in its face. Noé feels like he failed Louis because he was unable to kill him when he asked, and it seems like the manga's being set up to end with Noé killing Vanitas to escape a fate Vanitas considers worse than death. One big part of what makes Mikhail so unsettling is his denial, his laughing about his mother's draining and the fact that he cannot accept the reality Luna has died, and Vanitas is horrified to hear that Misha is planning to resurrect their parent. That same issue goes on to be the one thing that finally drives a wedge between Noé and his teacher, as Noé can apparently forgive the man for purchasing him on the black market and killing Louis, but he's horrified to hear that Teacher told Mikhail that resurrecting Luna was possible.

All of these scenes have other elements to them, other things that drive the characters and inform why these specific ideas of undeath are so deeply horrifying to them, but the buildup of this running theme is an undercurrent through all of it. Vanitas means that someday all people must die, so what does it mean when somebody tries to deny that?

Even further, there's the broader horror of both Noé and Mikhail failing to process the bad things that happen to them. Misha commits blithe horrors in part because he does not understand that his sexual abuse was wrong, so he seems to see no problem with sexually assaulting others now in turn—as he does when he pressures Noé to drink his blood. Noé happily recounts being kidnapped and sold on the black market, remarks on Chloé and Jean-Jacques's goodness minutes after Chloé assaults him in his sleep, and brushes off the incident of Jean-Jacques drugging him to the extent that even Jean-Jacques himself is unnerved by it. All of that is deeply concerning behavior.

Misha is written to be obviously uncanny in his denial, and that uncanniness holds up a mirror to the subtler horror of Noé's own disconnects from reality. The more recent chapters have also begun drawing direct attention to the ways that Noé's denial of the bad in the world becomes problematic. The aforementioned scene of Vani, Dante, and JJ being disturbed by Noé's "it doesn't bother me" line does this, as does the long discussion Noé and Vanitas have about why Noé's ignorance of anti-Dham racism upsets Dante so much.

There is an ongoing tension in VnC between the inherent goodness of peace and life and the horror of what comes when those concepts are taken too far. Noé and Vanitas are this in a nutshell: an endlessly clashing duo made up of a too-extreme pessimist and a too-extreme optimist. The story arcs thus far have taken turns challenging each of their worldviews, slowly pushing Vanitas to open up and let himself hope for peaceful solutions, let himself accept love and emotional closeness, while also slowly pushing Noé to confront the fact that sometimes not everything has a happy-making peaceful solution after all. Sometimes "saving" a child means she has to die, and sometimes an enemy will have an entirely sympathetic reason to hate vampires, but Noé still has to fight them anyway to save the people he wants to save, regardless of whether that enemy is "right" or not.

Noé lives in denial of his own past traumas and his own present-day potential for harm. He denies the potential that "good" people he meets might harm him, and he struggles to accept instances where he has harmed others in turn. Dominique and Vanitas go on for pages after the amusement park about how reckless and overly trusting he can be, and he turns around, unable to cope, when confronted with the truth of what he did to Misha with his claws. However, Noé also has the benefit of his proximity to Vanitas knocking just a bit of sense into him, and it might not be a sure thing that he's going to stay in denial-land forever.

One of VnC's specific points of tension is the question of if/how Noé will grow to accept the hard things that currently bounce off his oblivious denial like water off of a raincoat. The end of mémoire 1, the statement that someday he's going to kill Vanitas, suggests that perhaps he might learn to understand how death, despite its pain, is important in its own right. It suggests that maybe he'll come around to no longer denying death and insisting that salvation is always its avoidance.

However, if he can't quite make that leap, the story provides us with dark mirrors to show us what a monster Noé could become by doubling down on his idealistic, optimistic denial. Misha's current state is Noé to an extreme, an innocent child committing horrors as he utterly fails to process the truth of his own horrific early childhood. Misha's driving motivation is a hatred of pain and suffering, and he's willing to do anything to resurrect the family that saved him from that pain in the past.

Then there's also Lord Ruthven, a man who was once an optimist in Noé's own mold, but has since broken bad in a spectacular way. Noé and Ruthven recite the exact same line about liking both humans and vampires, an obvious parallel, but now Ruthven is working with Naenia. Now he's living in the aftermath of his idealistic peace plan imploding and almost costing him his life. Ruthven despairs the last time he visits Gévaudan, lamenting the wrongness of his naive past hopes for understanding, and now he's working toward some unknown end involving Naenia, Charlatan, and the Queen. Now he's committing horrors of his own, biting at least three people by force, overriding their wills, and associating with the being that steals innocent people's true names.

There's also the question of what the hell Ruthven is doing with the queen. It seems he was somehow involved with Faustina devolving to her current state, and Loki references "smashing up her corpse," so it's possible Naenia's existence may be a sign that Ruthven wants or wanted her dead and/or cursed. However, the shots of him with the Faustina-like body in the tank at the end of mémoire 18 suggest there's a chance that he could instead be involved with some form of resurrection scheme (or a scheme to preserve/save her if she's not yet fully dead).

Ruthven exists in part to demonstrate the ways that an idealist like Noé can go bad, and it's possible that he, like Misha, is attempting some sort of awful resurrection, once again denying the reality of death.

Then, finally, there's one more character with whom Noé has these sorts of obvious parallels. The man who, perhaps, is also meant to represent what Noé could become if the dangerous sides of his optimism aren't reigned in: his teacher.

Noé is fascinated by Vanitas, drawn to him out of care and connection, but also because he wants to observe and understand him to sate his curiosity. In a darker mirror of the same trend, we see Noé's teacher allow Louis, Noé, Domi, and Misha to come to harm at least in part for the simple enjoyment of seeing how they react when placed in dark new situations. Noé and his teacher are also the only crimson vampires we know of who find the Blue Moon beautiful and alluring, rather than a source of fear (assuming that Teacher is a normal crimson vampire).

Noé was raised by this man; his worldview has been shaped by him in countless ways big and small. Noé was already living in cheerful rejection of trauma before The Shapeless One found him, but he could not have remained so radically detached from the painful parts of the world around him if his teacher had not wanted and allowed him to do so. He censored Lord Ruthven out of Noé's education, and he apparently did the same with anything that discussed (or expressed) severe bigotry toward Dhampirs. How else did Teacher shape him, and to what goal?

We know that the Shapeless One taught Noé how to fight. Given that "world peace" line, I wonder if perhaps he may also have taught him his morals on wanting to avoid conflict.

Teacher is a contradiction. He talks about "world peace," but he blithely leads Louis to his doom and supposedly doesn't hesitate to half-kill anyone who calls him by the wrong name. Marquis Machina calls him an incomprehensible natural disaster for this reason. Yet, despite all his rampant cruelty, I'm beginning to think that he might be just as much of a dangerous optimist as his student.

Teacher is defined by the fact that, in every scene, he always seems to look like he's having fun. There's hardly been a single panel where he's not drawn smiling. Sometimes that fun is vicious, a cruel smile made as a threat to Vanitas when he fails to address him by his name, but just as often, his aura seems horrifically innocent. He's just a man with a sweet smile and rather dull eyes having a very good time with life.

In the past I've largely looked at this smile as an extension of Teacher's sadism. He toys with Louis and Noé for the fun of it, and I took his smile as an expression of his cruel enjoyment of the pain he creates in his wake. However, now that we've seen him interact with Machina, now that we've observed him speaking casually with a peer for an extended period, there seems to be a disturbingly sincere quality to him as well.

Based on how he's portrayed in mémoire 61, when Teacher says he does everything he does for the sake of "world peace," I honestly think I believe him. I don't believe that he's not a villain—I can't guarantee that his vision of "world peace" would even align with a normal person's definition of "peace" or "happiness," but I believe that he's speaking some version of honestly here.

There's an honest to goodness optimism in that ever-present smile. There's a hope and a genuine quality to what he announces to Machina, in contrast to his smiles of sweetly cruel schadenfreude.

So perhaps, if all that is true, if Teacher is another dark mirror to Noé and he really does want to bring about world peace, then the point of him is that "world peace" has the potential to be a horror. What is the pursuit of world peace if not the ultimate pipe dream of every idealist in the mold of Noé and Ruthven? And what is VnC if not a long catalog of the horrors that idealists can bring about if they aren't careful?

And that, finally, brings me back to Paracelsus and the Danse Macabre.

Depending on what Paracelsus wanted to achieve through his experiments, it's possible he may have been yet another character trying to escape the harsh reality of death. The line about the world's "rampant ills" is placed over the Danse Macabre, after all—a symbol of death's universal inevitability. Is that the painful ill that Paracelsus wanted to address by rewriting the world formula? Inescapable death itself?

If so, Paracelsus becomes the ultimate embodiment of what happens when one denies death's certainty and the necessity of that certainty. He's the ultimate denial of "Vanitas" and what it represents on a scale far larger than Noé, Misha, or even Ruthven could grasp. And the manga casts his failed experiment as a Tower of Babel, throwing the world into chaos and causing countless deaths in his failure's wake.

Meanwhile, Teacher seems to have some ideas about how to cheat death in the present day, as he's promised Misha that there's a way to bring "The Vampire of the Blue Moon" back to life. This could be a lie, of course, or he could be planning to bring back "the vampire of the blue moon" in a way that does not actually bring back Luna as an individual. However, even trying to bring back the Blue Moon in some other way, perhaps through the human Vanitas, still represents him trying to restore something he found beautiful that was lost because of death. It still ties him thematically to the perversion of death as an ending, the same as Mikhail and Ruthven.

So far every character we've seen that wants to undo death is cast as an antagonist. Ruthven, Mikhail, and The Shapeless One are all united by a cruelty and a perverseness in various forms, and their goal is part of this. Death is a tragedy, but although trying to save the lives of people who want to live is noble, attempting to undo or eternally escape death is a far worse horror.

If Teacher is Paracelsus, or if they're closely connected in some other way, then that serves to further this point and show how the horror of escaping death extends to Paracelsus as it does the others. Teacher is strange and cruel. Paracelsus might be a nobly hubristic historical fool in a storybook, but if these two characters are connected, that instantly reveals the unsettling truth of how wrong Paracelsus's potential attempt to thwart death would have been. Nothing Teacher is working for can be wholly good.

And, just as Noé and Misha's denial is both present and harmful beyond the most severe subject of death, even if Paracelsus wasn't trying to craft a world without death by altering the world formula, we know he was trying to create a world without suffering. Again, this is a noble goal in theory, but so long as death remains, some suffering will remain as well. Crafting a world without pain and suffering can also go much too far, can slip into denial and cruelty. Mikhail's whole motivation as an antagonist is his search for a life without pain, and look where that's led him.

A rejection of all suffering can be an extremely dangerous thing, whether it's running from one's own mental pain or wanting to rewrite the world to negate all suffering as a whole. This dream will never not be a detachment from reality.

The Case Study of Vanitas is a series that seems to be searching for a balance of optimism and pessimism, a way to approach the harsh realities of life that lies between the toxic extremes embodied by Vanitas and Noé. To lapse too far into hopeless pessimism creates a Vanitas, a Chloé, an Astolfo. It creates people who are suicidal, genocidal, or both, and dangerous to themselves and others for it. However, to go through life in a state of eternal joy without processing one's pain, or to attempt to create a world wholly free of suffering—that is just as dangerous and foolish. What are Noé, Misha, and Ruthven if not dangers to themselves and others? What is Teacher if not the most dangerous man in this manga?

Noé and Misha are unsettling because they smile through the bad things that happen to them and act as though they aren't bad. They each have some exceptions to this rule—Louis's death for Noé and the pain suffered at the hands of Moreau for Misha—but they still come across as at times disconnected from the reality of pain.

Yet, neither of them is as disconnected from the reality of pain as a man that can behead the grandson he raised with a smile on his face. Noé as a child sees the fun in being kidnapped and put up for auction. Teacher, if his smile is to be believed, sees the fun in every single thing we've seen him do, and that's what's so unsettling about him. He genuinely seems to be having a good time, including and especially when he's blithely committing horrors for the fun of it.

Noé and Misha's strange behavior stems from trauma, and we don't know that's the case for Teacher. Perhaps not, as he seems much colder and crueler in his tendencies than either of them. But either way, the happy sincerity displayed by both of them is echoed in the face of the Count of Saint Germain as he tells Machina that he's searching for world peace. That is the face of someone idealistic, someone who believes he's working toward a real goal that both justifies and delights him.

Teacher wants world peace, and his warped nature means that we have no real idea what "world peace" means to him. Is a world at peace a world where he still gets to violently beat people who get his name wrong? A world where he still gets to have fun observing the free will and choices of the traumatized children he raises? Maybe he once believed in a world that was truly without suffering, and his overly-long life and mad optimism have eroded his tether to reality, turning him into the awful person we see now. Maybe the catastrophe of the Babel incident broke him and turned him from a hubristic idealist to warped echo of his former self. Maybe he somehow thinks all the suffering he causes is justified if it's in pursuit of his noble end goal. Maybe his version of "world peace" is a world where all people can live free from the fear of death, and the smaller pains caused along the way are irrelevant in the face of that impossible dream.

Or maybe he's just a cruel hypocrite.

In the end, we still know too little about both Paracelsus and Teacher to make any grand proclamations about the truth of their characters. However, I can't unsee this connection between them now that I've seen it. Teacher is one of Noé's dark mirrors, a character that represents the horrors possible when one goes too far down his current emotional path. Noé is optimistic to a fault, convincing himself to see only the best in many truly awful scenarios, and Teacher is the man with an eternal smile printed on his face. Noé loves and wants to save Vanitas, and Teacher speaks of the Blue Moon's ultimate beauty and says he has a way to bring them back to life now that they're dead. Noé is the eternal savior, always desperate to prevent people from dying, and Teacher claims that everything he does is done in the name of achieving world peace.

Similarly, Paracelsus is defined by throwing the world into chaos and horror due to his over-optimism. He tried to go too far, tried to rid humanity of its countless ills and create his own form of world peace, perhaps even tried to rewrite the reality of death. Did he hate pain and cold like Misha? Did he want to stop unjust wars like Ruthven? Did he want to become a savior in the image of Noah?

If Teacher's goal of "world peace" is to be believed, then whether or not Teacher and Paracelsus are actually the same person, they represent the same thematic extreme. Death is inevitable, says the concept of Vanitas. It's inevitable and Noé must learn to accept that fact before he does something awful in the name of pain and death's prevention. Teacher and Paracelsus have both done something(s) awful in the name of pain and death's prevention. Teacher and Paracelsus have followed Noé's path of optimism to such an extent that they, in one way or another, both claim(ed) to want to save the world, and this requires a mad extreme of Noé-like cognitive dissonance and hubris.

Paracelsus pursued some goal, some way of granting humanity happiness that was supposedly noble but still murky in its specifics, and he warped the fabric of reality and caused the countless disasters of the Babel Incident in the process. And that's assuming the storybook is true, and Babel really was accidental on his part. Meanwhile Teacher has warped the seemingly noble dream of world peace into something that he can claim is served by the way he's tormented Louis, Misha, and Noé. There's a chance that both men tried or are trying to undo the reality of death. They're bound by the same underlying current of scientific curiosity intermingled with their dreams of world peace.

Noé is not an alchemist, and he's not particularly skilled at rewriting the world formula. He's unlikely to have any chance to rewrite the fabric of reality itself for the better. He's unlikely to have any chance to achieve "world peace" by any definition.

Noé is, however, a dangerous optimist who has not yet learned that death is unavoidable. He hasn't yet learned that death can be preferred to its alternatives. And he was raised by a man who seems like he has not learned or does not care that disrupting Death in the grand sense will inevitably lead to horror. Or perhaps a man who enjoys horrors and wants to toy with absolute death as a part of that. And all this in a world warped and defined by the folly of a man who may also not have understood the horror of evading death.

So Teacher might be Paracelsus. I think this connection between them only strengthens the odds of that theory being true. But even if he isn't, they represent a similar thing for Noé and for the manga's themes at large. You cannot rid the world of the Danse Macabre, and attempting to end that dance will only bring greater ills and greater pain than death on its own could ever hope to bring.

A strange and dangerous man proclaiming with an honest smile that he wants to bring about world peace does not make him any less strange or dangerous. Depending on his definition of world peace and his idea of death's place in it, that idealistic goal may actually make him far more dangerous than if he were nothing more than a simple sadist.

[trexiejan]

Some Toxic Dickbabs moments that happened in canon. (LONG POST)

so i saw a dickbabs shipper talking crap about dickkory saying they're the most toxic nightwing ship? and they also claim dickbabs is the most healthiest ? it's ironic considering I've seen many dickbabs comic panels where dickbabs is being toxic towards each other plenty of times in the canon comics. Looks like Tom Taylor wants to brainwash people and make them believe that Dickbabs is such a perfect healthy loving couple since day 1, when that hasn't been true at all before he was put in charge of the nightwing comics to write dickbabs wattpad fanfiction in the book every single issue, this ship has done nothing but damage both characters even in tom taylor's run Dick is turned into a happy go lucky himbo who is incapable of accomplishing anything on his own without being monitored and babysat by barbara 24/7.

Anyways let's proceed with dickbabs history of being a toxic couple.

Remember those times where Barbara physically and verbally assaulted him when he was only trying to be nice and polite. She yelled at him, called him stupid, a crybaby and beat him up.

Also they keep calling Kory a victim blamer for something that happened once in over 30 years ago but ignore the fact that Babs has victim blamed him and slutshamed him multiple times in the modern comics when he was sexually assaulted and raped by Tarantula and when he got shot in the head by the Joker.

Dick just got raped by Tarantula and was traumatized by what happened but instead of comforting Dick, she has the nerve to mockingly say Dick likes his rapist. her jealousy always clouds her judgement.

I'm sorry But Barbara is canonically a victim blamer and a slutshamer. Don't forget how she also insults and slutshames other women like Helena when she gets jealous of the other women in Dick's life. She called dickhelena a cheap one nightstand even though Dick clearly told Helena he doesn't do casual sex and and she mocked Kory and refused to help her on a mission when her people were dying.

so yeah let's get back to her history with victim blaming Dick. She victim blamed him again after he got shot in the head and had an amnesia and when his memories was restored, she lashed out at him for forgetting about her when he had an amnesia.

And remember that time when Bludhaven was burned down and Dick lost his apartment, he came to Barbara to ask if he can stay at her place but she kicked him out of her apartment the next day. She's totally fine with him being homeless but dickbabs shippers claim babs has always been very loving and supportive towards him while calling Kory a slut.

Even in elseworld stuff she treats him like garbage. Aside from cheating on Dick with Batman and getting pregnant with Batman's baby in the BTAS universe, she's also very emotionally abusive to him in comics where dickbabs shippers brag about them having a kid in it like in whiteknight.

Barbara was always out there acting like a toxic judgemental domineering bitch in the modern canon comics, Barbara behaved like this consistently for more than 30 years but Kory is the one we should crucify over something that she did only once from 30 years ago 🙄 Did they crucify Barbara too when she was ableist to Cass and called her stupid because she can't read.

And they call Kory a sexual assaulter? Because she kissed him when they first met. Did they forgot that Kory was an alien, she was clueless about Earth laws when she first came to earth, she didn't know that you're actually not supposed to kiss someone without their consent, she had no clue that it was considered inappropriate and she kissed him not to sexually assault him but for her to learn english. Her people can learn other languages through kissing and Kory didn't learn anything about Human law until she officially joined the teen titans, so you can actually excuse her for her behavior what's not excusable is Barbara who is a human being who studied law for years, but still has the nerve to commit a sexual crime. As always, She violated Dick's personal privacy, she put a spy camera on his apartment so she can enjoy watching him naked without his consent. Look it up on google the crime is called voyeurism. Barbara would be considered a creepy criminal by human law. I'm not surprised considering I always think of her as a type of gf who has no respect for her partner's personal space especially when she's Oracle, She never respected Dick's privacy even in tom taylor's run, she keeps monitoring his every move in her computer, she always invades his personal space. Dick is trapped in this relationship. It's not a good relationship if you constantly watch your partner's every move and if you keep following your partner around like a dog wherever he goes.

Many people think Dickbabs is such a healthy couple because of Tom Taylor's run. I think for someone who is a huge dickbabs shipper like tom taylor it's expected he's gonna try to convince people to believe that to sell his favorite ship but in reality even in Tom Taylor's run Dickbabs relationship is pretty toxic and forced. It's toxic when your partner doesn't respect your privacy, when your partner constantly stalks and keeps an eye on you on every single thing that you do, when you wanna talk to other people but she's there lurking in her computer listening to your conversations with other people, when she puts a camera on your mask so she can always see what you see and hear what you hear, as if you're not a real human being who needs your own privacy, and constantly follows you around like a dog, like Barbara does to him every single issue. It really is a sign of an abusive relationship when there is no respect. How is Tom Taylor's Nightwing good when the book keeps destroying Dick's independece by having Barbara stuck to him like a leech 24/7 . The book is called Nightwing but Tom Taylor turned it into a Nightwing and Batgirl fanfiction series where 90% of the time Dick hasn't done anything on his own and where his IQ is chopped off in half to prop up Barbara as the smarter woman in their relationship. Dick can't even handle his own missions without constantly being babysat by Barbara in her computer like a sidekick who needs to be watched 24/7.

Poor Dick he became Nightwing to stop being Batman's sidekick and be independent only for Barbara to take away his independence and treat him like a sidekick again. Dickbabs has always been a toxic ship in any kind of form.

and don't forget Tom Taylor himself is a toxic misogynist slutshamer. He keeps throwing shade on Kory on twitter by liking comments that slutshame her on twitter

You know what would be the best way to fix dickbabs? is by letting them move on from each other! Let them grow tf up and move forward in life outside this relationship.

Babs is an anchor that brings him down whenever she's too involved in his life and same with Babs because do dickbabs shippers even care about Barbara. I haven't seen any barbara fan complain about barbara not doing anything on her own other than chasing dick around like a dog in his comicbook every single issue.

[sen-ya]

part 4/7

the lil law bein held by luffy is v important to me

[op comic masterpost]

[pg1] Panel 1: Law: ...

Panel 2: Law: ...Bepo knows. Luffy: Penguin and Shachi too I assume? Law: They better not. I swore Bepo to secrecy. He only knows cuz he's the one who figured it out. Luffy: Got it

Panel 3: Luffy: So you wanna start with the pros or cons? Law: Pfft, you know. Luffy: Okay. I don't think it would make you feel very good. Law: I'm already sick all the damn time. Luffy: You know what I mean Law [talking over Luffy]: I know what you mean.

Panel 4: Luffy: We sail on different ships Law: I don't know obstetrics Luffy: My family doesn't have a great dad track record Law: Most of my crew doesn't know that I'm trans, so I'd have to come out Law: We're pirates Luffy: You can't count that, there's already kids on my ship Law: Fine Law: We can't make our crews stay together just because we want to. Law: People might think my crew is under yours and that would not go well. Luffy: So if we wanted to stay together we'd probably have to leave for awhile like Usopp did. Law: What if she's got white lead disease?

Panel 5: Luffy: You already cured tha-- wait did you say she? Law: Oops. Luffy: Oops? Why oops? Law: Listen, I needed all of the available information. Luffy: Any more to share? Law: Um. It's been about 12 weeks. Luffy: Since what? Law: Okay nevermind I have no more information that will mean anything to you.

Panel 6: Luffy: ...Why does that make it different? Law: ...I don't know, but it happened to me too. Not that it means it's a girl. But assigning a pronoun...I think I've gone soft. Wouldn't have meant anything a decade ago.

[pg2] Panel 7: Luffy: Me too. I think this'll be easier if we just say 'it.' Law: You're right. But I tried. And even when I do, when I close my eyes I just see this kid that looks like you.

Panel 8: Luffy & Law: ...

Panel 9: Luffy: Fuck Law: I know Luffy: You can't just say shit like that. Law: I'm sorry.

Panel 10: Luffy: Well now we know it's an option. We could always plan for it later. Law: But it also could be a fluke. Honestly with all the shit I do to my body it's a wonder she made it so far without me knowing. Luffy: It's cuz she's mine.

Panel 11: Law: Fuck Luffy: That was supposed to be an inside thought Law: You don't have those. This is a terrible idea. Luffy: I agree Law: So we agree we shouldn't do this.

Panel 12: Law & Luffy: ...

[pg3] Panel 13: Luffy: Everyone expects us to be docked here for a week. So I don't think we have to decide right now.

Panel 14: Law: Yeah. Yeah good point. Law: And if I can just use the Sunny's library...I'm sure Kaya's got some books in there that would...offer perspective.

Panel 15: Luffy: And we can keep thinking of pros and cons!

Panel 16: Law: And at the end of the week we can both write down what we think we should do Law: and we can compare answers.

Panel 17: Luffy: It's a plan! Law: It's a plan.

[impale-me-radio-daddy]

The Lookalike (Part 4)

☒ Summary: The first thing you remembered after your death was an argument. “No, this isn’t one of my fucking sluts.” The man behind you exhaled, frustrated. “This is a present for you. Something to help you work through your Alastor fixation.” You awaken in Hell as the near-spitting image of a certain infamous radio host. Unfortunately for you, you immediately fall into the clutches of his nemesis. Even after your escape, Vox continues to obsess. 

☒ Warnings: hermaphrodite!reader, deer!reader, crying!reader, they/them pronouns used, explicit sexual content, reader is in Hell for a reason, Valentino, canon typical scenarios.

☒ Series links: Part I Part2 Part 3 Part 5 Part 6 Part 6 BONUS SCENE Part 7 Part 8 Part 9 Epilogue

Ironically, at his console, surrounded by the feeds of thousands of cameras, was one of the few places Vox could be guaranteed privacy. Ignoring the emails that pinged in, and clearing his schedule for the next half hour, Vox loaded up the footage that had been tormenting him for the past week.

The camera wasn’t quite at your eye-level, but close enough. Alastor, leaning over you, his voice low and salacious, picked up crystal clear by the microphone at your lapel.

“Sweet little pretender, you are going to lay quite still and let me tend to you.”

Just the sound of Alastor’s voice was enough to send chills through Vox’s spine, and he swallowed, plugging the feed for the video directly into the back of his head as he unzipped his pants, his cock already hard, sore from the times he’d already beaten off to this. With the feed plugged into his head, the video was a true first person view. He couldn’t really feel Alastor’s body against his, but he could imagine, he could watch the Radio Demon getting hard, could listen to the soft, sticky sounds of kissing. Vox’s hand closed over his cock, pumping up and down as he watched. His arousal was a sick, dirty ache, but still it needed release; the tip of his cock wet and weeping.

A fake Alastor had been a sublime thing, hearing how Alastor would succumb, seeing from your expressions the way his ears would fold back when he was on the cusp of orgasm, hearing a voice that could double for Alastor’s whimper Vox, Vox, Vox. That had been great, but it wasn’t the real thing. It wasn’t “Are you really going to climax, just from a little kissing?” said in Alastor’s teasing tone. He’d heard that tone a hundred times before, paired with a sly tilt of the head, but never, not in Vox’s wildest dreams, had he imagined this. Alastor over him, the hard length of Alastor’s cock pressed against him, as Alastor teased.

“Fuck yes. Fuck yes, I’m gonna cum.” Vox swallowed again, his movements becoming more frantic as he played the footage again from the beginning. The Alastor in the video didn’t reply, but Vox was beyond caring. Shit, this was hotter than anything.

“I suppose I don’t see the harm. Hold still, now,” said Alastor, as the kissing noises began, the soft suckling and little distorted whimpers, all against the urgent plap, plap plap of Vox’s hand around his erection, close to the precipice despite his self-abuse. He imagined himself in your place, beneath Alastor, in Alastor’s fucking bed. Damn. The thought of that alone was enough to drive him wild.

“Fuck,” groaned Vox through gritted teeth as he came over his console, cock pulsing almost painfully in his hand. A thick line of cum hit the panel in front of him, spatter hitting the screens on each side.

Alastor had destroyed the camera, but he still had those few moments of footage. A sliver of what there might be. Alastor and you, sharing a soft, sensual embrace. The sound of kissing. Your breath hitching. Alastor’s breath, hitching in the same way. The hiss of static and the soft whine of a faulty capacitor discharging, the animal bellow of a stag in rut. The thought of all of these possibilities, of any of these possibilities was a fire in the corner of his mind. He wanted more. He needed more. But he couldn’t even get you back, let alone Alastor.

“You mean you didn’t make them sign a contract?” Valentino peered at him over his big pink glasses.

“What? No! I thought you did! Fuck!”

Valentino waved an arm dismissively. “Just send someone to go get them, they can’t have gone far.”

“They’re in the fucking hotel, Val.”

“What? With Alastor?” Valentino laughed to himself.

“Yes with fucking Alastor.” Vox felt a spark run from his antenna to his neck, his eye twitching. “Fuck!”

Vox thought of himself a resourceful man, however. When he needed something this badly, he always found a way to make it happen. Setting up a meeting with the King of Hell wasn’t easy, but it was the best way to get what he wanted. More.

He’d set up the meeting in the Voxtek boardroom, the most impressive meeting room he had, the long table in the center of it overshadowed by the windows on each side looking into his aquarium.

“Your majesty,” Vox beamed at Lucifer, hands folded behind his back. “Welcome to Voxtek. Can I offer you refreshments?” He inclined his head to the trolley he’d had brought in, loaded with carafes of drinks, plates of cake and fresh fruit.

“Yeah, I guess.” Lucifer returned none of Vox’s unctuousness, pacing to the meeting room table and sitting down. “Let’s get this over, shall we? I’ve got important… stuff.” He waved his hand.

Exactly what Lucifer’s important stuff was wasn’t clear to Vox, but it didn’t really matter. The important thing was that everyone at the hotel was either a friend or an employee of Alastor, except for Lucifer. Vox had it on good authority that Lucifer and Alastor had beef. And that was something he could use to his advantage.

“Nice sharks, by the way.” Lucifer gestured to the tank against the east wall of the boardroom, where Vox’s pets swam as Vox fetched him a coffee.

“Uh, thanks.” Vox took the seat across from Lucifer, the pitch for his proposal in his hands. “I raised ‘em.”

“Maybe I should get a pet,” said Lucifer, looking past Vox as he narrowed his eyes at the tank.

Maybe you should go fuck yourself, thought Vox, but he fixed his face into a smile instead. He really needed to win Lucifer over. “About the project for your daughter’s hotel,” he said.

Lucifer perked up at the word daughter, and Vox felt himself relax slightly. “I’ve put together a few proposals,” he continued, spreading the documents on the table. For someone younger, he would have done a powerpoint presentation, but bitter experience told him that the older generations were unlikely to sit through such a thing. Paper or bust. And unlike some people, Vox wasn’t entirely inflexible on the media he used. “Here we have the sinstagram banner ads, of course the targeted marketing, the sinfluencer sponsored content.” Vox spread out the glossy full-page promotional photos under his claws. He’d had his marketing team compose the entire pack, sparing no expense, and was pleased to see a spark of interest in Lucifer’s eye as the king looked at the bright, glossy images. “Then of course on the more traditional media, we can run newsreels, maybe even a docudrama!” He pushed the paper towards Lucifer, large text reading Hell’s Greatest Hotel.

“This looks very nice,” said Lucifer, pushing the paper back. “But what do you want for it?” Nothing in Hell was free, after all.

“A little favor,” said Vox.

Lucifer’s mouth twitched to the side. Doubt. “How little?”

Vox weighed his options. If he pussyfooted around the matter, that was likely to make Lucifer more suspicious, not less, and if Lucifer thought he was some kind of voyeur, he would never be allowed the hotel with Lucifer’s daughter in it again. “I want you to install some cameras and microphones in the bedroom of your facility manager, Alastor,” he said, as if this was a normal thing and not something he had been furiously masturbating over half an hour ago.

“What?” Lucifer made a face. “Why?”

“He’s my business rival,” said Vox, which was true.

“He’s Charlie’s friend,” said Lucifer, turmoil showing on his face.

“What your daughter doesn’t know won’t hurt her.”

“But if he loses his business…” said Lucifer, with a complete lack of understanding of how Hell’s media industry worked. Vox let it slide.

“Then you can swoop in and save the day,” said Vox, keeping his tone encouraging. “It’s a win-win.”

Lucifer’s gaze slid to the glossy photos, and Vox let him stew on the offer a little before he spoke again. “Just think of how many guests this would get you.”

Lucifer nodded slowly, biting his thumb. “Charlie would be pleased…”

“And it would be because of you,” said Vox, leaning in a little closer. “Like it should be.” And not because of Alastor, he left unspoken.

“Yeah.” Lucifer nodded again, with more certainty this time. “You’re right, TV man. It should be because of me.”

“We’ve got a deal, then?” asked Vox, with a sly grin. “Because it’s sounding to me like we’ve got a deal.”