#the word is attempt

[ofswordsandpens]

This Kid's Not Alright

perseus // unknown // The Battle of the Labyrinth, Rick Riordan // unknown // The House of Hades, Rick Riordan // unknown // @ vialjarhorn // The Last Olympian, Rick Riordan // The House of Hades, Rick Riordan // @ dying-dog // The House of Hades, Rick Riordan // brutal, Olivia Rodrigo // The Mark of Athena, Rick Riordan // unknown // The Gods Show Up, Michael Kinnucan // The Chalice of the Gods, Rick Riordan

[choccy-milky]

💖🎊the end, & thank you for reading!!🎊💖

im so thankful for all the support i got on this story, and i wouldn't have finished it if not for all of you, and for the love i got for seb and clora. so thank you again for giving me the motivation to write this 600k+ monster, and to see it through to the very end. LOVE YALL💖🫶 (ao3/wattpad)

[benevolenterrancy]

@ladyprophet thank you!! (,,> ᴗ <,,)

I feel like SQH's quality of writing would be right up WWX's alley - kinda trashy, kinda hilarious, very horny! he would very happily follow along with all new chapter updates! on the other hand WWX's willingness to do completely insane things with no sense of self-preservation would probably be stressing SQH out a bit xD

[odetojupiter]

uhhh so the number four is associated with death in certain cultures, including japanese, which is fitting for the butcher’s son, yes but just remember neil was supposed to be number three and jean was supposed to be number four ,and in every draft but one jean dies. he is symbolically saved from that fate by dodging the number four (being given, instead, the number three which represents REBIRTH of all things - i made a whole post about that if ur curious) because it means he was never marked for death. so in this draft, where he’s number three, but was supposed to be number four, he comes so close to death - to the point where renee doesn’t know how he’s still alive - because he was supposed to die, doomed by the narrative, but that number three saves him. that number three represents resurrection, and so he doesn’t die like he was supposed to. because he’s not number four, he’s number three. he comes back. he transforms, he heals. he becomes number 29 (i will eventually make a post about jean and the 29)

neil, though, was marked for death. he had the number four tattooed on him, and he goes through his own narrative believing he will die by the end of it. his survival, however, is foreshadowed in the very moment neil thinks he’s about to die - when he is kidnapped. lola burns the number four - the signifier of death - off his face, leaving him scarred, yes, but not marked for death anymore. and so he lives. and guess what: the number 10 represents the start of a new chapter, that one cycle is coming to an end and a new life is starting, one that you’ve worked hard for. so for the number four to be burned off of neil, that tells us neil is going to live. and when neil becomes neil legally, he settles into the number 10 properly. and his new life begins.

[rottmnt-residuum]

Hi, I've read the Residuum comic, and I think the characterization of the boys is really good. I was wondering if you have any tips on how to write them? Especially Mikey, please.

I'd actually recommend re-watching the show with one character in mind. All my notes on the turtles come from doing separate re-watches for each of them. The key is to ONLY watch the character you are focusing on.

In the end, you'll probably be happier with your own personal interpretation. As we are with ours lol

TL;DR

Massive post under the cut

To preface: we'll be contrasting (this Mikey) against the fandoms version of Mikey, as our interpretation is very different. Don't worry if you prefer the fandom version, there's nothing… wrong per se with writing him this way. We just find him flat and uninteresting. (Main author: not me, I just hate him, lol).

Every reader or fan comes into a story with their own biases and experiences. A ton of our view of Mikey is based on how our siblings acted. We see Mikey as the young sibling that got preferential treatment from the whole family, simply due to being the youngest, but is now aging out of the privilege. Which all youngest siblings do at some point or another.

The fandoms version of Mikey is empathetic, naive, vulnerable, co-dependent and quite often a door mat who cries at the drop of a hat. And as much as the fandom like to say that people love him… when this particular character archetype is in other media, they seem to attract the most criticism. Mable pines, Bolin from Korra, people rag on Aang all the fucking time, and Steven Universe is a whole other bag. These characters don't deserve it, and yet it happens anyway.

To flatten Mikey to simply 'the baby' is a disservice. We don't see or write Mikey as the fandom “baby” version (cinnamon roll uwu). Part of this comes from having multiple siblings, so we interpret the times when Mikey does the puppy dog eyes as typical younger sibling bullshit, mostly by the way that the other turtles rarely react to it, if at all.

The other turtles traits can also get projected onto Mikey. Mikey being the fandom therapist is in the same category as this. He isn't a therapist, he's a psychology nerd who likes to psychoanalyze people and meddle in their relationships. (Donnie and Shelldons relationship, Splinter and Draxums...) he's not trying to resolve your emotional issues. Of the turtles, the character that cares the most about people's feelings is Raph. And Leo is more of a consoler than Mikey ever is. It flattens all the turtle's characterizations when you start doing this because you are ripping out parts that are integral to another characters' complexity.

Co-author has told me that they've seen people become confused when going into the show after only reading fan fiction or coming from the movie. They see his characterization as inconsistent and become upset when their view of him is contradicted. This also happens when a fandomized version of him becomes the primary characterization that they use. Sometimes when this disconnect happens (or if they just don't like the character), Mikey characterization is swung in the complete opposite direction.

They make him manipulative and abusive, or someone who is hyper violent and avoids being held accountable for anything. This is an uncharitable interpretation of him and can come off as pretty racist depending on the circumstances. (like if someone considers the turtles black or not)

Every version of Mikey is a shithead (affectionate), even this one. Especially this one, really. When Mikey not doing the "baby schtick" hes mean. If you pay attention to what he's saying, and just not his tone of voice, he's consistently saying pretty mean or condescending stuff. (You could take this as simply naïveté, but he still says mean shit pretty often regardless)

The times he does say genuinely nice stuff the turtles don't exactly expect it from him, at least, in the early season. And while he is mean, and seems to find saying mean things to be funny, Mikey isn't cruel. Nor will he ever be.

This shit-headery behavior is found in both 2003 and 18 Mikey. They have a degree of social intelligence that lets them use it to annoy people into doing what they want. 18 just has the advantage of being baby faced and having better tonal control. He's good at using people's perception of him to get what he wants.

Let Mikey have his problematic traits, but don't overexaggerate them. He doesn't revel in fooling people. He loves doing character bits, and the baby faced one just happens to be one of them. However, to infantilize or to deem him incompetent is to piss him off, he wants to be viewed as a competent part of the team and competent as an individual. He's not insecure about being young, he just doesn't want to be treated like he can't do anything.

Mikey above all is an optimistic character, he sees the brighter side quite often and is conscious of the harm his actions have on people. Mostly after the fact, but he consistently attempts to rectify the harm he has personally done to peoples lives. (Todd, Bullhop, Draxum). Food and shelter seems to be a thing that he considers to be a right. He doesn't cross a boundary twice once he learns of it, and he never pushes people too far (if he likes you, that is. if he doesn't know you or doesn't like you, he doesn't give a singular shit. But that is standard to most people.). He doesn't care about people's stuff, though. He breaks things all the time.

Mikey understands boundaries, but he doesn't automatically recognize them. He needs them to verbalized or for there to be a very obvious reaction to the boundary being crossed (unfortunately, for Todd and Donnie). Sometimes people mess up (esp. younger people), and it can take a while for teens to learn where boundary is, but he fully respects the boundaries he does know about. He doesn't act petulant when he's told about boundary, he apologizes, accepts it, and moves on. He doesn't dwell.

Mikey doesn't hold on to distressing emotions. He bounces between emotions quickly, but isn't effected in the long run. One thing Iv'e seen people often conflate is the difference between sensitive and vulnerable. Mikey is sensitive, but I have never seen him vulnerable to others. To be sensitive is to be easily influenced by the current situation. To be vulnerable is to hold that influence for a long time. Characters can have one, both, or neither of these traits. But Mikey is not vulnerable. It is the difference between compressing memory foam and a piece of metal until they deform. One will pop back, the other does not.

Those who are vulnerable but not sensitive will take longer to effect, but once you do, they will hold on to that emotion for a very long time. The vulnerable, are grudge holders. (leo). But like I've said, Mikey bounces back. What a character does has an effect on his emotions, but it doesn't make a lasting impression.

Forgiveness is another thing people like to push on him. It is not that Mikey forgives people easily, it's just that he doesn't hold grudges. He neither forgives nor forgets, but he does not ruminate. He's generally affable, first impressions seem to be a big part of how he views people. He is idealistic, and doesn't assume people are unchanging and/or evil, but he's not a mark.

Mikey isn't so much as naive or overly trusting… it's just that he's inexperienced. He doesn't get fooled by anyone in the series except meat sweats, and that's because Meatsweats is on Todd drugs. Mikey just didn't notice when he started faking. He's not… actually all that aware of people's emotional states, passively. He has to tune in to notice things like that.

Mikey isn't someone who really tries to regulate others emotions, either. The fandom like to make Mikey afraid of his brothers fighting and others being upset, but Mikey doesn't actually care. The most distressed we ever see him in a fight is in the movie, and he's not SCARED, he's just concerned (and then alarmed once it turned physical). If anything, outside extenuating circumstances (like the movie), Mikey actually seems to find their fights annoying.

(Mikey actually seems to have a pretty short fuse, but his bounciness doesn't really let it linger very long, lmao)

(One pet peeve of fandom Mikey is the constant crying, crying at fights, crying at insults, crying for no reason all the time. Sure, he tears up when he gets emotional, but when Mikey is genuinely crying It's when he's desperate, like when he's hungry, or when he's trying to save Leo from certain doom. Same thing, really.)

Mikey respects no one (we love him for this). He admires people, he admires his family: April, the turtles, his dad, Lou Jitsu. He admires Rupert Swaggert, but he respects none of them. No one is sacrosanct to the Mikey.

Above all, the way we write characters is to give them a past that informs how they act now. We view Mikey and the other turtles as teenagers that were kids, and that will be adults. Yes they all have “problematic” traits, but 1) good characters need flaws, and controversial traits are one of the best to use, and 2) they're teenagers, don't expect adult behaviors from them, also don't expect them to be kids. They're minors, not toddlers.

This is getting as long enough as it is, so we'll stop here, but this is a very broad overview of how we characterize him. There's a lot we didn't cover here, but if we even started on hobbies, or the real minutia of his quirks and ticks, or even how he feels about other specific characters... we'd be here all day. So I hope this is good enough lol

If there was something you wanted to know in particular, you'll need to get specific. Feel free to ask again ahahh

[juan-francisco-palencia]

𝙌𝙪𝙤𝙩𝙖𝙗𝙡𝙚 𝙌𝙪𝙤𝙩𝙚𝙨.

❝seem at times, we have to accept that some people can only be in our hearts, not in our lives.❞

—  Juan Francisco Palencia.

[izuke-the-zombie]

🌸 A little bit half-ass, not much effort into this little comic🙃 but I think we all know where all that attention went to😘✨lol

Kind of got the idea from that spider Virus game from that one episode I don't know what it was called but I thought it'd be funny

🐵Monkey King SiMpInG for Mac, You know our Monkey King is going to download it and play on HARD MODE! 🎮( lmao😆💖✨)

[queerly-autistic]

Screeching my way back onto tumblr to yell about the fact that Ed is clearly devastated by Izzy's death but he chooses queer joy and peace with the man he loves over running off to sea for vengeance and that's an im-fucking-portant sign of his healing and recovery.

When Zheng offers him revenge, he sort of half-heartedly agrees with 'yeah I suppose I wanna kill that guy', and that half-heartedness comes from the fact that he's not feeling it. He's feeling SAD, he's feeling GRIEF, but rather than quashing them under the boot of anger and violence, he's letting himself sit in those emotions and FEEL them, properly.

ED IS SAD AND HE'S SITTING WITH HIS SADNESS AND ALLOWING HIMSELF TO BE SAD AND THEN HE CHOOSES LOVE AND AN ATTEMPT AT SOME SORT OF PEACE RATHER THAN BLOODSHED AND VENGEANCE I DON'T THINK YOU UNDERSTAND HOW IMPORTANT THAT IS.

[itslilacokay]

nahhh bro 💀💀💀💀

[bumblingbabooshka]

I think Vulcans should nuzzle their faces together when they like each other but it's like, not something you do in front of other people. That's something to do in private or if you're a little kid. Babies don't really know how to do this properly and are prone to just headbutting their parents/siblings instinctually. They want to 'get closer' to what they feel telepathically emanating from the people around them. This nuzzling is a form of telepathic communication but it's very unskilled (a baby can and will do it) and you only get broad feelings/thoughts from it. But that's alright bc typically the only feeling/thought you're hoping to get from or communicate with such an action is 'I like you'.

[sableeira]

accidentally flirts in an attempt to bully: dazai

accidentally bullies in an attempt to flirt: chuuya

[slutforpringles]

Yeah, it was a strange one the way it played out. To be honest, the more I've spoken to some of the parties involved and the more has kind of emerged, the less clear it's got actually how it's been handled, which I'd like to say is unusual in Formula One. Maybe it's not because people don't always act in F1 with their true intentions upfront. But I think the way you described it as [Daniel] processing it in real time and learning it at the same time as us, I think it's pretty much how it happened. The key thing was that Ricciardo was aware that something was going on. He's not immune to speculation. He tries not to engage with it too much, but obviously either he or the people around him are feeding him the main things. He knew that there was a deadline approaching for a decision, which primarily he thought was all about 2025. The main thing that changed was going into the Singapore weekend, the speculation had intensified that it could be about right now, a change right now. But when they went into the Singapore weekend, I know there's been a few reports and claims and counter claims around this, Helmut Marko, for example, has said that Riccardo did know because Lawson had known for two weeks already. But I don't think that's true. Bear in mind, Marko has been saying at various points this year that it could be Ricciardo's last race … I was on the phone to someone close to Riccardo last week and he joked that 'we've been sacked since April, so this hasn't really come out of the blue', that's what they've been dealing with. But I think what happened was that Ricciardo took control of the narrative over the course of the Singapore weekend. As far as I can understand, the best I can make out, nobody told Riccardo explicitly, this is your last race, we will be replacing you after this. He knew that there was a very, very good chance, probably 99% chance he was losing his drive for Lawson for the following year. And then there started to be more and more noise about it being a change for now. But he had been told during the summer break that he was good for the rest of the season, basically. So I think he was reacting to the speculation. Nobody gave him an absolutely explicit, this is 100% done and we are going to confirm that Lawson's in and you're out. So Riccardo went into the Singapore weekend saying everything he said on the Thursday, which was, you know, I wouldn't bet my house on being here at the end of the year, but that's what I expect. As far as he was aware, it was all about 25, nothing else, blah, blah, blah. But then through the weekend, you saw that change. You know, he was kind of as you said, processing it, the speculation was more intense than ever. Some of the broadcast, like the Sky Sports F1 stuff was very much laying it on thick that they understood this was his last race, etc etc. And I think Riccardo just rolled with that and just went right, Red Bull aren't going to do anything here, they're not actually going to make this official. I need to act like this is my last race weekend because I think this is going to be my last race weekend. And if I don't do it, no one's going to do it for me, which is a really sad way for it to have played out, but it just speaks to how confusing this whole mess has been.

Scott Mitchell Malm discussing how Daniel's Singapore exit was handled by Red Bull and the subsequent false media narratives that have since emerged from various players involved.

via: The Ringer F1 Show

[veilkeeper]

*double checks that i have "18+ preferred" in my bio* at a certain point the obsession in fandom to portray every male romantic interest as a super sexually proficient daddy dom top does start to make me think that maybe people don't see sex as a mutual activity, but rather as a period where they are completely passive while a fantasy object Does Sex To Them

[puppetmaster13u]

Prompt 264

Danny squints at his tiny hands, eyes narrowing as Clockwork hums in the kitchen. Which he wasn’t even aware of having been in LongNow. Maybe it wasn’t. He huffed, voice too squeaky for him to continue complaining. Stupid time accidents. 

Which wasn’t even starting on the other figure awkwardly sitting at the table. 

He glowered at the Ghost King, who kept glancing at him with an unreadable look in their eyes, then looked back towards where Clockwork was. His scowl deepened over his cup of tea- which wasn’t fair, he wanted coffee but nooo, that’s not healthy for ‘little ghostlings’. Ugh.

Sometimes he wished he was fully ghost so he didn’t have to apparently worry about his living body having to grow back up.

[juan-francisco-palencia]

𝐴 𝑓𝑙𝑜𝑤𝑒𝑟 𝑜𝑛 𝑡ℎ𝑒 𝑟𝑜𝑎𝑑.

With you... I found out it's worth it break the routine, and enjoy of little things that bring love, peace and happiness.

—  Juan Francisco Palencia.

[serpentface]

A braithuvi horse at rest under the close protection and watchful, scary, pale-eyed gaze of her herd's guardian, a dírgrahdain. Both are landraces developed within the Highlands. The ancestors of braithuvi (and other Highlands native horses) were brought overseas by the ancestors of the Hill Tribes, while the dogs were obtained from native livestock guardian landraces used by proto-Wardi tribes. Each have become distinct over their centuries of living in the Highlands, and dírgrahdain are have a particularly unique place in the cultural schema.

Braithuvi are a woolly horse breed (and one of many, wool horses are widespread, second only to camala in value for textiles) that are also somewhat specialized for milk production. Their meat is relatively poor (other horses are preferred), but they produce high yields of milk and thick, continuous growths of wool.

Horses are not as culturally significant as cattle to most in the Highlands, but are still highly valued animals that are critical to subsistence. Few plant-based textiles can be produced in the Highlands, and almost all in the region are made with braithuvi wool. They can eat a greater variety of forage than cattle, more efficiently converting energy intake from pastures into milk and wool. Their milk is considered to be the very best of all livestock, and is usually what is used to make the prized murre beverage.

Dogs have a very small specific place in the cultures of the Hill Tribes as utilitarian working animals (specifically for livestock and occasionally as home/village guardians), and rarely ever fill other functions. The practice of keeping dogs purely for companionship is virtually nonexistent (though affectionate bonds between people and their herding or household guard dogs will be fairly common), and their meat is considered worthless. Most dogs are not elevated within the cultural schema, and tend to be merely appreciated as useful, loyal animals. Livestock guardian dogs are an exception to this, and tend to be of more significant cultural import. They are animals that exist to protect the herds on which all subsistence depends, and thus have an elevated cultural status and roles in religion and folklore as uniquely protective entities.

Dírgrahdain are the key livestock guardian dogs in the region, and the only natively developed LGD. Their name means 'lion dog', both in reference to their maned appearance and their ability to fend off and even kill the largest of predators. The dogs are characterized by tall, long-legged builds, deep chests, a curly tail, thick hair (and a thicker winter coat), and a shaggy mane. Their bodies tend to be thinner and lankier than their fur coat suggests, but still well-muscled and powerful. Their coloration can vary wildly, but a black mask with a brown or reddish body like this is most typical. Unnerving, pale eyes are prized in these dogs, with the belief that they not only intimidate predators but are uniquely potent at fending off malicious spirits.

The dog's exclusive function is to protect livestock. They are used primarily for the defense of horses, which are small and very vulnerable to predators (lions, hyenas, king hyena, wild dogs, jackals, nechoi, and even eagles can be threats), though some dogs will usually be posted up with cattle herds to deter raiders.

Pups are most commonly born in the field among their herds. They will be carried in their master's coat while still nursing, but will be allowed to join their mother in her duties from the moment they are strong enough to follow. Dírgrahdain live with their herds day and night. Most will never see the inside of a home, and most seem to prefer it that way. They form close and protective bonds with their charges, and will thoroughly integrate themselves into the social fabric of the herd.

These dogs are not human-oriented, and will usually only form bonds with people that they have imprinted on as puppies (and will merely be cool and polite to those met later in life). They are highly aggressive towards strangers, and introductions must be done incrementally and with great care. This is desirable, as this trait makes them an excellent line of defense against livestock raids. Their loud, booming barks can alert of intruders from a great distance, and they can often successfully intimidate khait, causing some mounted raids to end in humiliating failure. Dírgrahdain are often killed in raids, either to fend off the attacking dog or to silence it before its master can be alerted. This is not outright dishonorable, but not something one will be commended for. Cattle raiding culture here values swiftness, stealth, and strategy- such smash and grab tactics are seen as brutish (and will often result in harsher retribution).

Like most LGDs, they primarily defend their herds by displays of aggression and power, using their loud bark, fearsome growl, and powerful bodies to chase and intimidate predators away without physical contact. Even so, it is necessary for all working dírgrahdain to be willing and able to physically confront predators when necessary. A well-trained, well-bonded dog will defend their herds with their very life, and is often effective in combat against even very large wild predators. Their dense ‘manes’ offer a degree of protection from wounds to the throat, and may be supplemented with spiked collars.

If a mother dog kills a predator, it is often customary to open the carcass and lead her puppies to feed on it. This is thought to teach the pups to be fearless against their enemies, and that they will grow up to be uniquely powerful and brave adults. Pups are given names upon reaching adult size, and ones who have consumed the flesh of predators will get unique names related to their mother's kill, or epithets as supplements to a given name (the exact details of this practice culturally varies). One might encounter dogs in the Highlands named things like Lionsbane, Hyena-killer, She Who Bites Jackals, Lion-Fed Shaggy (Lion-Fed being the honorable epithet, Shaggy being the dog's name, possibly given by a very small child)

The mere gaze of a dírgrahdain is said to fend off malicious spirits, and their thundering bark can scare away even the most dangerous of mountain devils. Their shed hair is needle felted into little dolls (usually into the form of dogs themselves) and placed into the cradles of infants and worn as charms by children to protect them from harm (both mundane and supernatural). Manes taken from dead dírgrahdain have uses among some of the Hill Tribes, and are typically only allowed to be used by their masters (unless recieved as a gift). The most prominent usages are being worn to fend off evil spirits and predators while traveling alone, and some traditions involve placing the manes around the necks or across the bellies of women in labor as a means of spiritual protection for mother and child during birth.

The Hill Tribes and Wardi both identify the same constellation along the ecliptic as a dog. In the case of the former, this stellar dog is identified as Mak-Urudain, a gigantic dírgrahdain with fur the color of flame and eyes as bright as stars, who is the eternal guardian of the Celestial Fields. He allows the souls of the worthy dead to pass into the afterlife and for esteemed ancestors to descend back to the land to guide the living, while preventing malicious spirits, devils, and the dishonored dead from entry.

One Bernike tale describes her attempting to fly into the Celestial Fields to steal the heavenly cattle who graze there. She took the form of a golden eagle, pretending to be an ancestor returning from a sojourn to the world of the living in order to get past the guardian hound. Mak-Urudain was not fooled for long, and led her on a long chase through the night sky before capturing her and hurling her out of the Celestial Fields.

She was never able to even touch the ground of the Fields (much less take any cattle), but had just enough time to take a single seed of heavenly grass in her beak. She returned to her mountain (missing most of her tail feathers and much of her pride) and planted the grass in her then-barren slopes. This is why the grass on Bernike's mountain is so tall and abundant and why cattle there grow so fat and healthy, like all cattle will in the afterlife. The howling winds heard from the mountaintops are playfully suggested to be the barks and howls of Mak-Urudain, calling down from the heavens to keep the witch grounded in the world of the living.