#the word is attempt

[night-orchids]

the fact that you can see the exact moment tears appear in his eyes

[anbaisai]

Mayu's feelings regarding Jamil's OB look is a mix of "that goatee looks awful" and "those snakes are adorable"

[ofswordsandpens]

This Kid's Not Alright

perseus // unknown // The Battle of the Labyrinth, Rick Riordan // unknown // The House of Hades, Rick Riordan // unknown // @ vialjarhorn // The Last Olympian, Rick Riordan // The House of Hades, Rick Riordan // @ dying-dog // The House of Hades, Rick Riordan // brutal, Olivia Rodrigo // The Mark of Athena, Rick Riordan // unknown // The Gods Show Up, Michael Kinnucan // The Chalice of the Gods, Rick Riordan

[choccy-milky]

💖🎊the end, & thank you for reading!!🎊💖

im so thankful for all the support i got on this story, and i wouldn't have finished it if not for all of you, and for the love i got for seb and clora. so thank you again for giving me the motivation to write this 600k+ monster, and to see it through to the very end. LOVE YALL💖🫶 (ao3/wattpad)

[benevolenterrancy]

@ladyprophet thank you!! (,,> ᴗ <,,)

I feel like SQH's quality of writing would be right up WWX's alley - kinda trashy, kinda hilarious, very horny! he would very happily follow along with all new chapter updates! on the other hand WWX's willingness to do completely insane things with no sense of self-preservation would probably be stressing SQH out a bit xD

[madbard]

I just played through Slay the Princess for the first time, and… I cannot stop thinking about the Cage.

To be profoundly and finally severed from the illusion of your autonomy. To look on, from a prison of your own making, as your body acts out a legacy of violence against the body of the only other person who can or will come near you. To see their body perform that same violent dance. To be bound to this person, and in your limited state not to understand why. In that moment, as the silhouettes in the shadows act out the story of the princess and the slayer, to share a moment of peace with the one sent to kill you.

Intertwined. Diminished. Reductive, mutually destructive. Trapped in an infinite dance.

Beautiful.

To have been so determined you never had free will, never could have found another way. To realize you may have been wrong. To be trapped in a pattern, but unaware of what that pattern truly is.

Still, for that finite and watchful moment, not to be alone.

(Mild gore under cut.)

(Also this art from the game haunts me.)

[vanillapervert]

merry yearly festivities or something

[juan-francisco-palencia]

𝘼 𝙁𝙡𝙤𝙬𝙚𝙧 𝙤𝙣 𝙏𝙝𝙚 𝙋𝙖𝙩𝙝.

Sometimes a simple detail, found in a deep look, unleashes an unexpected surprise, creates a great space, a place where you feel that nothing inside you will be the same again and you will feel that it grows and will remain in your heart.

— 𝙅𝙪𝙖𝙣 𝙁𝙧𝙖𝙣𝙘𝙞𝙨𝙘𝙤 𝙋𝙖𝙡𝙚𝙣𝙘𝙞𝙖.

[odetojupiter]

uhhh so the number four is associated with death in certain cultures, including japanese, which is fitting for the butcher’s son, yes but just remember neil was supposed to be number three and jean was supposed to be number four ,and in every draft but one jean dies. he is symbolically saved from that fate by dodging the number four (being given, instead, the number three which represents REBIRTH of all things - i made a whole post about that if ur curious) because it means he was never marked for death. so in this draft, where he’s number three, but was supposed to be number four, he comes so close to death - to the point where renee doesn’t know how he’s still alive - because he was supposed to die, doomed by the narrative, but that number three saves him. that number three represents resurrection, and so he doesn’t die like he was supposed to. because he’s not number four, he’s number three. he comes back. he transforms, he heals. he becomes number 29 (i will eventually make a post about jean and the 29)

neil, though, was marked for death. he had the number four tattooed on him, and he goes through his own narrative believing he will die by the end of it. his survival, however, is foreshadowed in the very moment neil thinks he’s about to die - when he is kidnapped. lola burns the number four - the signifier of death - off his face, leaving him scarred, yes, but not marked for death anymore. and so he lives. and guess what: the number 10 represents the start of a new chapter, that one cycle is coming to an end and a new life is starting, one that you’ve worked hard for. so for the number four to be burned off of neil, that tells us neil is going to live. and when neil becomes neil legally, he settles into the number 10 properly. and his new life begins.

[rottmnt-residuum]

Hi, I've read the Residuum comic, and I think the characterization of the boys is really good. I was wondering if you have any tips on how to write them? Especially Mikey, please.

I'd actually recommend re-watching the show with one character in mind. All my notes on the turtles come from doing separate re-watches for each of them. The key is to ONLY watch the character you are focusing on.

In the end, you'll probably be happier with your own personal interpretation. As we are with ours lol

TL;DR

Massive post under the cut

To preface: we'll be contrasting (this Mikey) against the fandoms version of Mikey, as our interpretation is very different. Don't worry if you prefer the fandom version, there's nothing… wrong per se with writing him this way. We just find him flat and uninteresting. (Main author: not me, I just hate him, lol).

Every reader or fan comes into a story with their own biases and experiences. A ton of our view of Mikey is based on how our siblings acted. We see Mikey as the young sibling that got preferential treatment from the whole family, simply due to being the youngest, but is now aging out of the privilege. Which all youngest siblings do at some point or another.

The fandoms version of Mikey is empathetic, naive, vulnerable, co-dependent and quite often a door mat who cries at the drop of a hat. And as much as the fandom like to say that people love him… when this particular character archetype is in other media, they seem to attract the most criticism. Mable pines, Bolin from Korra, people rag on Aang all the fucking time, and Steven Universe is a whole other bag. These characters don't deserve it, and yet it happens anyway.

To flatten Mikey to simply 'the baby' is a disservice. We don't see or write Mikey as the fandom “baby” version (cinnamon roll uwu). Part of this comes from having multiple siblings, so we interpret the times when Mikey does the puppy dog eyes as typical younger sibling bullshit, mostly by the way that the other turtles rarely react to it, if at all.

The other turtles traits can also get projected onto Mikey. Mikey being the fandom therapist is in the same category as this. He isn't a therapist, he's a psychology nerd who likes to psychoanalyze people and meddle in their relationships. (Donnie and Shelldons relationship, Splinter and Draxums...) he's not trying to resolve your emotional issues. Of the turtles, the character that cares the most about people's feelings is Raph. And Leo is more of a consoler than Mikey ever is. It flattens all the turtle's characterizations when you start doing this because you are ripping out parts that are integral to another characters' complexity.

Co-author has told me that they've seen people become confused when going into the show after only reading fan fiction or coming from the movie. They see his characterization as inconsistent and become upset when their view of him is contradicted. This also happens when a fandomized version of him becomes the primary characterization that they use. Sometimes when this disconnect happens (or if they just don't like the character), Mikey characterization is swung in the complete opposite direction.

They make him manipulative and abusive, or someone who is hyper violent and avoids being held accountable for anything. This is an uncharitable interpretation of him and can come off as pretty racist depending on the circumstances. (like if someone considers the turtles black or not)

Every version of Mikey is a shithead (affectionate), even this one. Especially this one, really. When Mikey not doing the "baby schtick" hes mean. If you pay attention to what he's saying, and just not his tone of voice, he's consistently saying pretty mean or condescending stuff. (You could take this as simply naïveté, but he still says mean shit pretty often regardless)

The times he does say genuinely nice stuff the turtles don't exactly expect it from him, at least, in the early season. And while he is mean, and seems to find saying mean things to be funny, Mikey isn't cruel. Nor will he ever be.

This shit-headery behavior is found in both 2003 and 18 Mikey. They have a degree of social intelligence that lets them use it to annoy people into doing what they want. 18 just has the advantage of being baby faced and having better tonal control. He's good at using people's perception of him to get what he wants.

Let Mikey have his problematic traits, but don't overexaggerate them. He doesn't revel in fooling people. He loves doing character bits, and the baby faced one just happens to be one of them. However, to infantilize or to deem him incompetent is to piss him off, he wants to be viewed as a competent part of the team and competent as an individual. He's not insecure about being young, he just doesn't want to be treated like he can't do anything.

Mikey above all is an optimistic character, he sees the brighter side quite often and is conscious of the harm his actions have on people. Mostly after the fact, but he consistently attempts to rectify the harm he has personally done to peoples lives. (Todd, Bullhop, Draxum). Food and shelter seems to be a thing that he considers to be a right. He doesn't cross a boundary twice once he learns of it, and he never pushes people too far (if he likes you, that is. if he doesn't know you or doesn't like you, he doesn't give a singular shit. But that is standard to most people.). He doesn't care about people's stuff, though. He breaks things all the time.

Mikey understands boundaries, but he doesn't automatically recognize them. He needs them to verbalized or for there to be a very obvious reaction to the boundary being crossed (unfortunately, for Todd and Donnie). Sometimes people mess up (esp. younger people), and it can take a while for teens to learn where boundary is, but he fully respects the boundaries he does know about. He doesn't act petulant when he's told about boundary, he apologizes, accepts it, and moves on. He doesn't dwell.

Mikey doesn't hold on to distressing emotions. He bounces between emotions quickly, but isn't effected in the long run. One thing Iv'e seen people often conflate is the difference between sensitive and vulnerable. Mikey is sensitive, but I have never seen him vulnerable to others. To be sensitive is to be easily influenced by the current situation. To be vulnerable is to hold that influence for a long time. Characters can have one, both, or neither of these traits. But Mikey is not vulnerable. It is the difference between compressing memory foam and a piece of metal until they deform. One will pop back, the other does not.

Those who are vulnerable but not sensitive will take longer to effect, but once you do, they will hold on to that emotion for a very long time. The vulnerable, are grudge holders. (leo). But like I've said, Mikey bounces back. What a character does has an effect on his emotions, but it doesn't make a lasting impression.

Forgiveness is another thing people like to push on him. It is not that Mikey forgives people easily, it's just that he doesn't hold grudges. He neither forgives nor forgets, but he does not ruminate. He's generally affable, first impressions seem to be a big part of how he views people. He is idealistic, and doesn't assume people are unchanging and/or evil, but he's not a mark.

Mikey isn't so much as naive or overly trusting… it's just that he's inexperienced. He doesn't get fooled by anyone in the series except meat sweats, and that's because Meatsweats is on Todd drugs. Mikey just didn't notice when he started faking. He's not… actually all that aware of people's emotional states, passively. He has to tune in to notice things like that.

Mikey isn't someone who really tries to regulate others emotions, either. The fandom like to make Mikey afraid of his brothers fighting and others being upset, but Mikey doesn't actually care. The most distressed we ever see him in a fight is in the movie, and he's not SCARED, he's just concerned (and then alarmed once it turned physical). If anything, outside extenuating circumstances (like the movie), Mikey actually seems to find their fights annoying.

(Mikey actually seems to have a pretty short fuse, but his bounciness doesn't really let it linger very long, lmao)

(One pet peeve of fandom Mikey is the constant crying, crying at fights, crying at insults, crying for no reason all the time. Sure, he tears up when he gets emotional, but when Mikey is genuinely crying It's when he's desperate, like when he's hungry, or when he's trying to save Leo from certain doom. Same thing, really.)

Mikey respects no one (we love him for this). He admires people, he admires his family: April, the turtles, his dad, Lou Jitsu. He admires Rupert Swaggert, but he respects none of them. No one is sacrosanct to the Mikey.

Above all, the way we write characters is to give them a past that informs how they act now. We view Mikey and the other turtles as teenagers that were kids, and that will be adults. Yes they all have “problematic” traits, but 1) good characters need flaws, and controversial traits are one of the best to use, and 2) they're teenagers, don't expect adult behaviors from them, also don't expect them to be kids. They're minors, not toddlers.

This is getting as long enough as it is, so we'll stop here, but this is a very broad overview of how we characterize him. There's a lot we didn't cover here, but if we even started on hobbies, or the real minutia of his quirks and ticks, or even how he feels about other specific characters... we'd be here all day. So I hope this is good enough lol

If there was something you wanted to know in particular, you'll need to get specific. Feel free to ask again ahahh

[izuke-the-zombie]

🌸 A little bit half-ass, not much effort into this little comic🙃 but I think we all know where all that attention went to😘✨lol

Kind of got the idea from that spider Virus game from that one episode I don't know what it was called but I thought it'd be funny

🐵Monkey King SiMpInG for Mac, You know our Monkey King is going to download it and play on HARD MODE! 🎮( lmao😆💖✨)

[queerly-autistic]

Screeching my way back onto tumblr to yell about the fact that Ed is clearly devastated by Izzy's death but he chooses queer joy and peace with the man he loves over running off to sea for vengeance and that's an im-fucking-portant sign of his healing and recovery.

When Zheng offers him revenge, he sort of half-heartedly agrees with 'yeah I suppose I wanna kill that guy', and that half-heartedness comes from the fact that he's not feeling it. He's feeling SAD, he's feeling GRIEF, but rather than quashing them under the boot of anger and violence, he's letting himself sit in those emotions and FEEL them, properly.

ED IS SAD AND HE'S SITTING WITH HIS SADNESS AND ALLOWING HIMSELF TO BE SAD AND THEN HE CHOOSES LOVE AND AN ATTEMPT AT SOME SORT OF PEACE RATHER THAN BLOODSHED AND VENGEANCE I DON'T THINK YOU UNDERSTAND HOW IMPORTANT THAT IS.

[itslilacokay]

nahhh bro 💀💀💀💀

[bumblingbabooshka]

I think Vulcans should nuzzle their faces together when they like each other but it's like, not something you do in front of other people. That's something to do in private or if you're a little kid. Babies don't really know how to do this properly and are prone to just headbutting their parents/siblings instinctually. They want to 'get closer' to what they feel telepathically emanating from the people around them. This nuzzling is a form of telepathic communication but it's very unskilled (a baby can and will do it) and you only get broad feelings/thoughts from it. But that's alright bc typically the only feeling/thought you're hoping to get from or communicate with such an action is 'I like you'.

[sableeira]

accidentally flirts in an attempt to bully: dazai

accidentally bullies in an attempt to flirt: chuuya

[slutforpringles]

Yeah, it was a strange one the way it played out. To be honest, the more I've spoken to some of the parties involved and the more has kind of emerged, the less clear it's got actually how it's been handled, which I'd like to say is unusual in Formula One. Maybe it's not because people don't always act in F1 with their true intentions upfront. But I think the way you described it as [Daniel] processing it in real time and learning it at the same time as us, I think it's pretty much how it happened. The key thing was that Ricciardo was aware that something was going on. He's not immune to speculation. He tries not to engage with it too much, but obviously either he or the people around him are feeding him the main things. He knew that there was a deadline approaching for a decision, which primarily he thought was all about 2025. The main thing that changed was going into the Singapore weekend, the speculation had intensified that it could be about right now, a change right now. But when they went into the Singapore weekend, I know there's been a few reports and claims and counter claims around this, Helmut Marko, for example, has said that Riccardo did know because Lawson had known for two weeks already. But I don't think that's true. Bear in mind, Marko has been saying at various points this year that it could be Ricciardo's last race … I was on the phone to someone close to Riccardo last week and he joked that 'we've been sacked since April, so this hasn't really come out of the blue', that's what they've been dealing with. But I think what happened was that Ricciardo took control of the narrative over the course of the Singapore weekend. As far as I can understand, the best I can make out, nobody told Riccardo explicitly, this is your last race, we will be replacing you after this. He knew that there was a very, very good chance, probably 99% chance he was losing his drive for Lawson for the following year. And then there started to be more and more noise about it being a change for now. But he had been told during the summer break that he was good for the rest of the season, basically. So I think he was reacting to the speculation. Nobody gave him an absolutely explicit, this is 100% done and we are going to confirm that Lawson's in and you're out. So Riccardo went into the Singapore weekend saying everything he said on the Thursday, which was, you know, I wouldn't bet my house on being here at the end of the year, but that's what I expect. As far as he was aware, it was all about 25, nothing else, blah, blah, blah. But then through the weekend, you saw that change. You know, he was kind of as you said, processing it, the speculation was more intense than ever. Some of the broadcast, like the Sky Sports F1 stuff was very much laying it on thick that they understood this was his last race, etc etc. And I think Riccardo just rolled with that and just went right, Red Bull aren't going to do anything here, they're not actually going to make this official. I need to act like this is my last race weekend because I think this is going to be my last race weekend. And if I don't do it, no one's going to do it for me, which is a really sad way for it to have played out, but it just speaks to how confusing this whole mess has been.

Scott Mitchell Malm discussing how Daniel's Singapore exit was handled by Red Bull and the subsequent false media narratives that have since emerged from various players involved.

via: The Ringer F1 Show