#the desire to be together at all times

[lyricalchrysanthemum]

thinking about the sinnoh trio when they came out of the distortion world

they didnt come through the spear pillar

they fell out of the sky

and during those moments surrounded by a sunset

they all just held hands together. watching the sky.

announcing to each other how much they treasure each other and want to be together and how much they think their lives have changed because of the journey they had together

and even if they're doomed to live eternally

they'll all be ok

because all they need is each otehr

[roomba-mangga]

Curry pt. i // Curry pt. ii

yeah alright okay. fine. cool. alright. yeah

[blossoms-phan]

many people are afraid to be real lovers. dan and phil are not

[serpentface]

This was going to be a panel of a little comic but I got too invested in drawing minute background details so, here.

[fascinationstreetmp3]

personally i think they can do 70s/80s devil's minion while keeping it so that modern dm still needs a ton of development to Work, because they both have to navigate their feelings now even if daniel gets his memories back. there's the layers of betrayal and resentment they both feel; the fact that they've been apart for decades and have gone through life since then being shaped separately; the circumstances of daniel's turning— theyre all things they still have to work through, with or without an extended history between them.

for daniel, just because he might remember what he felt back then, it doesn't mean he automatically feels the same because of it now. maybe it could even be that he doesn't remember everything all at once; only the cat and mouse game at the beginning of their relationship, or the hopelessness and ruin at the end of it, or the addiction, and for a long time that's all he can remember. maybe he remembers it all but he can't connect what he felt then to what he feels now. it doesn't have to be a switch that flips and suddenly brings back all his old feelings and erases everything else.

for armand, there's an aspect to it that he has to come to love this more experienced version of the boy he once knew, one who is extremely sharp and much better at seeing right through him, one who is not dependant on him or his blood, one who has utterly dismantled everything he was clinging onto for decades, and, now armand's turned daniel, one he can't read the mind of like he used to. even if some things have stayed the same, their entire dynamic has shifted from what was once familiar.

so, even though past dm could be an easy way to go "they were in love once so of course they'll fall in love again", i don't think that's what would happen. in my opinion them having a history would add to their present dynamic but things are so different now it's pretty much brand new territory for them going forward.

[hadesknockedupintheunderworld]

I have all of these extended thoughts on my head about the amazing way themes and character relationships are handled in Iruma-kun and the inclusion of queerness and the handling of the coming of age narrative in this shonen manga/anime

And every time all that comes out when I'm reccing it is "You should watch/read it"

Do it. Go watch/read Mairimashita! Iruma-kun/Welcome to Demon School Iruma-kun

Please.

[wish-upon-the-universe]

Catch me gripping the universe with my bare hands. What do u mean u listen to intent and follow the spirit of the request to the best of your ability and don't monkey's paw the wording. What are you, kind??

[liesmultixxx]

being the ugly friend is really humbling

[narcissusbrokenmirror]

i just think it'd be hilarious if one day, in the universe where jatp got back, madison and charlie went like "yeahhhh they are not for romance guys" about Julie n Luke. as if they were meant to be only friends all along.

Canonize luke and julie as aspec.i don't give a shit.

Luke aromantic and julie asexual. Together they are. platonic beyond life.

canonically holding each other's faces and gazing into each other's eyes like homies.

call that allobaiting.

[elisaenglish]

By the Ache of Our Sprawling Habitations

“Beautiful, sobbing, high-geared fucking and then to lie silently like deer tracks in the freshly-fallen snow beside the one             you love. That’s all.”

-Richard Brautigan, Deer Tracks-

That slow rock of a mounting phantasmagoric ride, death by differentials binds the lightning—oh and God, your eyes that style us into sleep...

[the-woman-upstairs]

Honestly, even without Art’s attempts at manipulation and sabotage, I don’t think Patrick and Tashi’s relationship would’ve survived anyway. Before they started dating, Patrick was criticizing her career plans and Tashi was never interested in entertaining his massive ego at her expense. Passion and chemistry are important to relationships, but if that’s the only foundation, it’s gonna crumble quickly.

The only difference between Patrick/Tashi vs Art/Tashi is that the relationship would’ve ending with a bang instead of a whimper.

[gayofthefae]

If season 2 were about El and Mike fighting to get back to each other they wouldn't have had El almost not come back.

If it were about Mike and El fighting to come back to each other, it wouldn't have been a decision whether or not should we would.

But she almost stayed in Chicago. And they made a point of her saying she went back for all of her friends, not just him, and for Hopper. She went back for Mike, Lucas, Dustin, and Hopper. It was played as big and loving. But it wasn't played as romantic. That wasn't her reasoning and missing Mike wasn't enough to bring her back in the first place.

In the first few episodes of the season, she fights with Hopper about not being able to see Mike. But as the season progresses, we find it isn't about that. It's about not being able to leave. She goes to Chicago and almost doesn't come back. There is a full stand alone episode about her maybe not coming back and she ALMOST STAYS.

If it were some big romantic payoff of their reunion, they would have simply had an obstacle they had to fight to overcome - like Hopper or the monsters or something. But instead, Mike was hoping she was alive and El was considering letting him come to terms with her death and living out her days with her sister in Chicago.

El almost never saw Mike again. It was a very close decision. She changed her mind last minute. It's valid and it remains loving, but in trope simply put...it isn't romantic.

"I almost never came back to you but I changed my mind" in the context of being separated against your will? Isn't romantic.

And similar is true in their separation in seasons 3 AND 4. She does not reach out after her time with Max. Granted maybe she would have, it was a short time, I will give that. But then she didn't get back together with him until the end of the epilogue to our knowledge. She did not run back to him in grief in need of comfort. She did not get back together with him for the familiarity even in that, she got back together with him to keep a piece of Hawkins. Her priorities would not have been the same of "wait and see if he says it" - and he could have done that in a relationship too, as we saw was an arc for him in season 4. Once again, she waited until the last minute - even almost walking away and leaving for Lenora - before coming back to him at the last possible second.

In season 4, then, she did not include him in her plans when escaping NINA. She only noted Max and her friends. Really, this re-established her priorities from season 2. Her intention was to return to all of her friends, to return to Hawkins, and to help her loved ones out of danger. Not to return specifically to him. When he was out of the equation, he was skipped over. She and Mike had a bad fight. And she still loved him just like she still loved her brothers who were also not mentioned, but her focus was only verbalized as being on Max and Hawkins. The original intention of her leaving was for Owens to take her back to Hawkins. She had zero knowledge that her family and Mike (and Argyle) were coming to get her. She thought they were back at the house in Lenora and that she was going straight to Hawkins and would call them once it was all finished. We have no knowledge that she was going to make a pitstop - unlikely given the stakes and distance between Nevada and Lenora.

In season 2, El almost stayed in Chicago. In season 3, El almost stayed broken up with Mike. In season 4, El almost went back to Hawkins without them - this decision being out of her control when it was changed.

Each and every time they are separated, El only makes the decision to reunite with Mike last minute after seeming to have intended to stay apart from him. Their reunions are always so sweet. But they are never her goal.

She came back for Will.

She came back in her grief over Hopper and leaving Hawkins.

She came back for Max.

The key question ever time she reunites with Mike is: does the story stop there? Or does she do something very important next?

Mike always a sweet stop on her way to her goal. He is never "the point". He is a part of her life as many other people are. But he is not her life and he is not why she comes back.

[grumpygilly]

cool personal perception of lavingo but if they met in modern times under completely normal conditions, ingo wouldnt have developed a romantic interest in him mans too focused on work and glued to his brother. he def leans more into grey aro but theres less time to develop these feelings in the first place

[cent-scratchnsniff]

doodle dump

[northern-passage]

i wrote a 500 word dynamic poem for neo-twiny jam :-)

i rewrote this in a few different ways with a handful of different drafts before settling on just doing a poem; this originally came from a full branching narrative i've had stewing for a while, and i might come back to it one day. but for now i enjoyed channeling that into this poem, which has also been very influenced by the fact that i've been writing hungry vampires for almost 2 months now.... it was also my first time messing with audio in twine, which ended up being way easier than i expected (i'm sure it helped that i only used one audio sample tho)

faith does contain sexual content, and while not super explicit, it is the main theme of the poem.

anyways hope you enjoy and check out the other entries here!

[age-of-moonknight]

House of M: Avengers (Vol. 1/2007), #1.

Writer: Christos N. Gage; Penciler and Inker: Mike Perkins; Colorist: Laura Martin; Letterer: Rus Wooton