#thinking thoughts

[tiny-b3r]

Okay but are we talking about how at the end of Act 2 Viktor has achieved his “evolution” and now Jayce is the “disabled” one with the leg brace. And how that role reversal parallels how they were during act 2 of season 1 where Jayce was ascending to counselor and was this “perfect” figure?? And now it’s Viktor as the herald?

I just think their parallels are so

Pardon my liberal use of quotes lmao.

[tiredsurvivoronmain]

Been thinking about Chris not having as much connection to Piers compared to Wesker post RE6

Piers meant a lot to Chris and still mourns for him years later, he's still affected by his death, yet he doesn't carry or have something connected to Piers on him like he does with Wesker.

I imagine he kept Piers' BSAA badge but other than that, nothing?

Chris has been seen to use replicas of Wesker's weapons, then having a resemblance to him in RE8. Despite his and Wesker's vicious relationship, he's more part of Chris than Piers it seems...why keep the ties to Wesker but not Piers?

Yes he's in pain when it comes to Piers but surely he would have something to serve as a reminder or to honor his memory? Yet he's using the Samurai Edge of the man who killed Enrico and was threatened twice at gunpoint with it (it also once saved his life though, twice/thrice if Wesker shooting Enrico (who was seemingly going to shoot Chris) and Wesker protecting him from Lisa counts).

I don't feel like the sole reason he uses the weapon is because it's a good one, surely there would be other/better ones that WEREN'T connected to Wesker. And surely he would have had to choice to use it, right?

It just baffles me that considering the things Wesker has done to him, his sister, Jill, STARS etc. he would use his weapons...and who commissioned them in the first place?

[stagefoureddiediaz]

Something something bathena looking for houses but not finding what they are looking for - Athena going back to what she already had - with Michael’s design - but it not being right because it doesn’t include bobby or what bathena have themselves built together as a couple - so they decide to build something different - something new that is based on the foundations they already have.

Something something about how that parallels with madney and their house hunt and eventual success in season 6 - because they essentially built their own home even if they didn’t start from scratch (and let’s not get into the fact that Tatiana was shown to be in the apartment before Maddie came into chims life and fills the role Michael did for bathena)

And something something about those both paralleling with buck and Eddie.

Eddie is looking at houses (and buck is going to help - in the same way Bobby was doing most of the looking Athena just went to the showings)

- he’s trying to find what he has in LA - but non are right

- until he discovers (and if they do this I will actually die) - the house he shared with Shannon before she left is on market - but it isn’t right - it’s not a fit for who he now is.

He realises that he’s been building something - in LA - with Buck.

His old LA house is no longer available so we get him staying at the loft (a space that has always been transient and not a home) until he can find somewhere new.

- working on the theory that by

His point they’ve

Gotten together - they realise they want somewhere new and together - to start their life as a couple in a space they chose so they set out to find or build that somewhere together

And we get a wonderful parallel to bathena with the Eddie bobby parallel and the buck Athena parallel and one with madney - with Chim paralleling Athena and buck and Maddie paralleling bobby and Eddie!

[safetypinxtales]

It’s been snowing all evening and it’s so cosy being inside watching the snowfall and it just makes me want to writeee

Like imagine waiting out a snowstorm with azriel, maybe super impromptu in a cave, or in a small (but freezing cold) inn with only one available bed

Whatever scenario it involves lots of cuddling for body warmth

Maybe cuddling for other reasons too

He’s a literal furnace under his wet and cold leathers and so it only makes sense that a bit of skin to skin contact is a necessary move to make. We don’t want you freezing to death, you know?

And maybe it’s still cold and snowy and miserable the next day when you continue your trek, but it doesn’t really matter.

Because you don’t quite feel as cold inside anymore

Not when you’re walking beside him

Not when every smile you share and every step you take feels as feathery light as the freshly fallen powder blanketing the ground

:)

I wish I wasn’t in the middle of moving and simultaneously falling further and further behind on my coursework

I wish I had time to write

But alas, I’m at least putting this out there hoping I’ll have the time to write it some other time

[honestlydarkprincess]

i love this character so much......i hope they get seriously injured and almost die

[teddybeartoji]

18+ mdni; gn!reader

btw toji loves fucking you in prone bone. and he likes to just put all of his weight on you, trapping you underneath him and he likes to just grind into you. he's so fucking big and it's just so much and you feel like you're going to pass out from the sensation. he doesn't even pull out, he just slowly rolls his hips into yours while sloppily kissing away the tears that fall from your pretty eyes.

you can't even properly moan anymore, the only sounds that slip from your lips are broken mewls and shaky breaths. his one arm is curled around your neck, supporting your heavy head with his forearm and bicep. toji feels your drool on his skin and grins to himself.

his hot breath warms your already scorching flesh and you can't keep eyes open either – the feeling of toji in your guts being too much to handle. hazy and delirious, he loves seeing you like this; he loves watching you crumble underneath him. he loves to fuck your pretty little brains out and he will keep doing so as long as he gets to see you like this.

he hisses when you clench around him, his own breath hitching. his free hand finds yours holding onto the crumpled bedsheet below you and he interwines his bigger, rougher fingers with yours.

"does it feel good, hm?" he rasps right in your ear. your body trembles at his voice, at the proximity and he feels like he's in heaven. "tell me."

but instead of an answer, you let out a defeated little whimper from the depths of your stomach. he's so heavy on top of you and you just can't bring yourself to open your mouth again. you just can't do it; you don't have the strength nor the brainpower.

he squeezes your hands before pushing himself deep inside, his tip kissing your most sensitive part. a broken cry tumbles from you accompanied by another few tears—

—but then he just stays there.

he doesn't pull away, he doesn't move at all. he's crushing you under him, he's forging your bodies together. his heart rests above yours, his warm skin sticks to yours just like it's meant to.

"toji- "

he hums and presses his lips to your sweaty temple. he can feel your body trembling, the overstimulation taking hold of you before his very eyes.

"move." your voice is almost as raspy as his is. he's proud of that too – you're giving your all to him and he welcomes you with open arms. this is his way to show you how much he really cares for you, his way of showing his love. "please."

toji chuckles darkly; even the slightest movement makes the knot in your stomach tighten in this position and you feel like you're going to cum... just from this – you're going to finish with him lodged deep inside you, exactly where he belongs.

"i asked you a question, sweetheart."

you try to wriggle yourself under him, desperate to make him move but he's way too heavy. he moves your both hands closer and tucks them right beside your head – he's making you feel smaller and smaller. it feels like you're suffocating. in the best fucking way possible.

the hand that's been resting below your jaw goes to turn your head to the side, so toji can finally kiss you. open-mouthed and sloppy, he pushes his tongue inside and groans at the taste of you. his angel. you can barely keep up with him but he doesn't mind.

he's still not moving his hips though. if anything, he spreads his big thighs a bit wider so he can burrow himself even deeper. your mouth falls slack against his and you can't fucking breathe.

"tell m', how ya feel."

cracking open your eyes, you peer at him from the corner of your eyes and he coos at you. he doesn't let go of your face, keeping you right there so he can look at your perfectly fucked out face.

"so- so good." you hiccup. lips covered in your own drool, you look like a mess. you look like you deserve a reward. "please...."

toji gives you another rumble of a hum and a soft little smile. a lovesick one. he brings your hand to his lips and he presses a kiss on the inside of your wrist while keeping his eyes on you. his lips tug upward when he feels you pulsate around him again but he doesn't tease you for it this time.

it doesn't take much for him to have you twitching and spasming below him. he drinks up every single gasp and mewl, every single whimper and moan as he keeps rocking his hips into you. he helps you ride out your earth-shattering orgasm with rougher and rougher thrusts, his own desire to fill you up and mark you as his taking hold of him.

you cry into the pillow as he growls praise at you. the air in the room is thick and the messy, slick sounds of your bodies grinding together fills the space with ease. you can hear yourself, you can hear him and it's like a perfect melody. everything is so fucking messy, it's so fucking dirty and you wouldn't want it any other way.

he gives your hand another strong squeeze as he cums. his hips stutter flush against you, skin to skin, and he lets out the most beautiful moan. he doesn't hold back anymore – he wants you to know how good you make him feel, too.

his body relaxes on top of you as he listens to you trying to catch your breath. he pulls you as close as he possibly can.

"did s'good for me." he gives you another sloppy kiss on the nape of your neck before hiding his flushed face in your hair. you give him a weak hum, the exhaustion hitting you like a truck. your eyes flutter shut but you gather your last strength to raise and pull his hand to your lips. you need to feel him; more, more, more – he needs to be even closer. always.

soft lips against the back of his hands, you whisper. "iloveyou..."

the words all mix together, coming out as a muddled mess... but it's his muddled mess. he can't help but smile lazily at your sleepy confession.

"i love y'too."

he lets you rest for a bit, he knows you need it. he plays with your hair and he drags his fingers over your smaller ones. he doesn't want to pull away, he wants to stay like this forever.

[webshood]

the fact that Bruce made Jason believe in justice and that they could improve the community and better the lives of the citizens by fighting crime, but when he came back nothing had changed, the rogues were still running rampant, and the Joker didn't have a harsher punishment for torturing him, killing his mom and blowing him up, he was still just getting put on time out at Arkham until he decided to escape again

Jason's life was interrupted too soon and he came back to everything being the same shit as always, the only change was that his father had found a substitute for him

[starchaserwrites]

metalhead guitar player latino james who grew up listening to reggaeton and goes viral for adding guitar riffs to some old school songs.

pretentious classical pianist regulus who pretends he can't stand urban music but has spent hours scrolling through james' videos.

send tweet.

[achilles-rage]

NO WAIT

you know how people with adhd tend to bump into corners and walls and stuff more often?

i’m imagining tommy noticing that buck does that constantly around the house. like constantly running into the corner of the kitchen island and table. so tommy takes it upon himself to block the corners if he’s in the kitchen so instead of the corner hitting buck’s side, the blow is cushioned by his hand, or better yet, his whole body. if he sees buck in his own little world as he rambles about his day, or something new he learned as he sets the table, he’ll take a few steps over, pretending to grab something as he cooks dinner, putting his body between buck and the corner. a soft smile on his face as buck apologizes quickly, before going back to his rambling.

AND

you know that video of the guy reaching over to block the corner of the table when the girl leans down to pick something up? tommy does that too. maybe they’re out for dinner with hen and karen, and buck drops his knife. tommy’s voice doesn’t even falter as he leans over to block the corner of the table, continuing to tell hen and karen a story. and it doesn’t go unnoticed by henren, who give each other a knowing look at his actions. it’s second nature to him, and he doesn’t even realize he’s doing it most of the time. anything to keep buck safe, even if it is from something as insignificant as the corner of a table<3

[axeleton]

FINE I'll draw women

[kiirotoao]

I can’t stop talking about Byler fighting. I truly can’t. Because it’s the greatest evidence for me that they’re endgame if not also incredibly compatible.

Their arguments do not ring with an air of “get away from me.” They’re not telling each other, “you’re my enemy.” They sound more like “what’s wrong? Talk to me,” and, “you’re my best friend. I want to keep what we have.” And what’s wilder yet is that they don’t lack in understanding with each other. They understand each other so well that one of them has to retreat.

This is what happens when you become so overwhelmed that you have to step away from the emotion - and would a truly hateful fight end like this? Look, the answer is partly yes, but when you then look at how these two come back together, there’s an active pursuit, a turning back - specifically from Mike both times - where repentance is sought after. And that’s where we veer away from hatred and into love.

Love does this. Love fights and hits right where it hurts and sometimes goes way too far, but then in the end, you don’t pull away. You don’t just leave it or come back angry and want to stake your claim, you think about what’s been done and grow from it. And I think that Mike’s apology in s4e4 was the single greatest moment of growth for him as a character. As was Will’s acceptance of his apology and trying to apologize, too.

I think that where the general audience get mixed up is that Mike and Will’s fights end on a sour note. They always look like they get cut short, they’re obviously talking about El, oh, they’re clearly trying to get away from each other and can’t finish their thoughts.

But you can’t just stop there. You can’t deny that these emotions are reserved for each other alone. When you analyze their fights and really see what they’re talking about - “it’s not my fault you don’t like girls,” “well, we used to be best friends!” - it’s not that difficult to see they’re emotional over each other.

At the heart of it, when you care about something, when you love it. You get emotional. If you didn’t love it, if it meant nothing to you, you wouldn’t react. Mike and Will react to each other.

It’s not hard to imagine them continuing to fight and learning more about each other. Facing more of what hurts. I agree that they get cut short, and I think that one jab too deep may reveal something incredibly important to them. But we just don’t get to see it in Mike’s garage nor at the Rink-o-Mania, and I think that that’s wholly intentional and possibly reserved for season 5. And from there, it’s not hard to see their emotions turn into something more, too. Because at the end of the day, they’re passionate about their relationship.

All this is to say, I’m really excited for them to dig deeper next season. Maybe it’s a fight, maybe it’s a confession, maybe it’s both. And just like how their fights don’t truly end in one leaving the other but coming back together later on, their stories aren’t over yet.

[arcticseawolf]

The thing about “aroace people can be in relationships and engage with sexual intimacy” is that we need to absolutely leave room for those that don’t and not put this standard on aroace characters just because we want to ship them with whoever.

The other thing is, as an aroace who does do relationships and sex, there is still something very aroace about my relationships and how I engage with sexual intimacy. You can’t just slap your allonormative standards to an aroace person just cause. If you’re gonna say and aroace person can be in a relationship, then show an aroace relationship. Don’t just make it some allonormative relationship and say “but aroace people can–“ like yeah, we can, but it still different for us.

[la-bruja]

why is he so wiggly

[stagefoureddiediaz]

The way I would pay good money to have Eddie celebrating dia de los muertos rather than Halloween especially with an episode called masks and the symbolism of the sugar mask around regeneration and rebirth

[srslylini]

what made season 1 so stunningly good was that every scene could be explained with stuff that happened on screen.

Why did Vi know where to find Vander after Silco took him? well of course because of Ekko who was established in the first few minutes of the first episode to be the character to be on look out.

Why did Powder follow the others to the abandoned building? why because she wanted to feel useful, she wanted for her stuff to work and she wanted to help. She wanted to not be the Jinx. This was all established through character moments that were natural and normal human interactions.

Why did Mel invest in Jayce? Why because first of all her own mother sent her away so seeing Jayce's mother stand up for her son must've hit her. And we see her talking about having to find new investments. Of course she would. He sounds interesting enough. Why not try it? If it doesn't work banishment is still on the table.

Why did Viktor help Jayce? Because he didn't want to stand in Heimerdingers shadow as just an assistant anymore. He was sick and knew the problems of the undercity first hand, he wanted to help. Of course he would, if there was a chance hextech could do it.

Why did Marcus continue to help Silco even after Graysons death? Why, because of his daughter or course. He could be threatened, molded and used. He wanted to establish big things, and was hasty in his youth, and we see 1. Silco exploit that and 2. Marcus regret that.

Why did a shimmer induced Huck help Caitlyn out? Why because as early as the very first episode in Vanders first speaking scene he gets help from Vander and well why wouldn't he then show that help for Vi, knowing he can?

literally every scene makes sense, everything can be explained with stuff that we SEE in the show. There isn't anything "off screen" or just not there.

Now tell me

Why did Caitlyn suddenly switch sides again in season 2 act 2? Why and how did Mel know that her brother wasn't actually her brother? Why did she know how to solve the puzzle? Why is Viktor suddenly floating in the universe? Why does Ambessa just ignore her daughter being abscent outside of that one throw away line? Why do Maddie, Loris and Isha exist? Every chatacter existed for a reason that wasn't just Plot even if they sometimes were just for Plot in season 1. But Maddie, Loris and even ISHA for gods sake, really are just Plot. Isha not as much as Maddie and Loris and thank god for that but still, her character, while I still hope it isn't true, existed to die and further Jinx's pain.

it's just so ugh

Edit: A lot (and I mean a LOT) of people have told me how Kino did make sense and I agree with that now. Though I stand firm with my opinion that we should've gotten to know him before so we could have figured it out even easier with Mel, there were actually signs I didn't notice myself before. Thank's for that.

Plus I will not back down on the fact that Mel just knowing the solution to the puzzle "makes sense cause sHe WaS ShOwn TO Be gOoD WiTh PuZZLes" is stupid. Yes, I know she is smart and good with that. But that's like a whole different thing. It's such a leap I don't know how some of you don't see it.