#tagging to keep track

[nicholas-wolfwood]

Your Animal Familiar

The Tiger, though very, very powerful, is a dangerous, mysterious, and unpredictable familiar. They are often the companion of one who has strong feelings of vengeance or hate to another person. However, you are most likely very independent and sure of who you are, and strive to be yourself and not conform to others. You are pushed through even the toughest of situations through willpower and wise decisions, if you are able to keep your feelings of anger in check. A Tiger familiar is a very strong, vicious partner in battle, helps their master through mental stress, and gives them the will to continue on.

__________________________

“Dunno what that is, but it SOUNDS pretty cool, I guess.” And he can DEFINITELY use the help through mental stress.

[eyes-of-nine]

pls assume i'm thinking about this moment 24/7 all week every week

[iztea]

farmer aku can be something so personal,

[willgrahamscock]

they should invent a way for me to appear feminine in a masculine way, and masculine in a feminine way

[ryemiffie]

Guys.. Stan canonically writes fanfiction, presumably posting it to ao3.. I bet that man has got the ultimate author's curse notes

"Sorry I'm late to update guys! Got arrested by the federal government for stealing materials from them to rebuild an interdimensional portal to save my long lost twin brother! But hopefully things will be more consistent now that I'm done saving him!"

"My bad for this being so rushed, currently living through the literal apacolypse!"

"Didn't mean for this too take so long y'all, had to reread the whole fic to refresh my memory after getting my brain wiped to kill the demon who used to date my brother, y'all know how it is!"

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[sail-not-drift]

Alex "it's all in the hips" Claremont-Diaz:

[metalmachination]

push that stupid bot off a cliff. details abt dog beneath the cut

holy shit watch out for the words

"dog" is a later model of the DCA, part of a group that was mass-produced for a short period. he uses the same base code & design, but he's lost the majority of his original characteristics from repeated rebuilds and heavy modding. he's a heel for a bot fighting ring.

once made for much lighter showbiz, dog uses his loud announcer's voice to hype up fights and taunt the audience. his job is to make them hate him, it's all part of the show.

outside of the ring, all that put-on energy and bravado vanishes. sirius avoids talking and direct eye-contact, his pupils always looking up and away in any direction other than the person who's addressing him. it tends to give him a sneering, sarcastic look, even if the rest of his face is entirely immobile. his passive-aggressive remarks and constant deflections don't help.

he's an antagonist(*?) in a fic im working on, but its not in any kind of presentable state yet. i'll be honest. its dca/reader. my bad

as a bonus for reading this far: here's a part of (another) dca design. he's in the same universe

[bacchuschucklefuck]

doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what

[timethehobo]

Sketchy sketches. Old followers on here know I’ve always been a rogue person. 😤

[strayswolf]

Jason slowly falling into a flashback gave this issue so much life and a greater purpose. They’re once again acknowledging harm Jason suffered at the hands of the Joker, and how he continues to deal with the mental scars left behind, an aspect that isn’t addressed enough in comics and is so appreciated here.

Also, the artistic decision to have Dick’s word bubble, “He’s taken too much from this family. We can’t let him take any more.” inlaid over introspective Jason was perfection.

Batman: Wayne Family Adventures, Season Three, Ep. 119, We’re Not Gonna Take It

[nicholas-wolfwood]

// legit saw your posts on my dash and this meme popped into my head so I will share the funny enjoy //

Hah! Yeah sounds like it after she got over him (acting like) an idiot! XD

At least in the anime.

[yuurionviktor]

Back to my meme redraws

[dollya-robinprotector]

Dress me up, make it tight, I'm your dolly You're my doll, rock'n'roll, feel the glamour in pink Kiss me here, touch me there, hanky panky~

Inspired from This post of @just-dol-headshots and this ask from @hakusins. Don't worry I'm still aiming for your ass Haku-Dean :) References and something under the cut

We all have to agree Bully Robin should have some softer and caring sides. When there's only them two and no one else is around to judge, he can let loose and slip back into that kinda of "Original Robin" we know and I love. I mean, that's what JDOLH made that got me into these swap messes from the beginning jsjkhskjhd you knowww the HUG!!

Reference: Barbie Girl (Aqua) and this cute ecchi Clamp Chobit piece

All in all I'm a pink bietch and Dollya won't be losing her V-card anytime soon that I can promise so hang in there okay mr.Bully.

edit: OMG THIS IS MY 1000TH POST TTOTT)) JKSDJLASKJKDLA

SELF-INDULGENT HERE WE GO

[quicksilversnails]

Making a post compiling some of my thoughts on the new Pristine Cut music broken down by chapter because I have. many thoughts and thought maybe people might find them interesting!

The Cage's whole sound was so instantly memorable to me. I love all the different metallic percussion used: perfectly in-theme for a world envelloped in chains

There's soft yet eerie metallophones like the mock birdsong of chains, clanging bells like a death knell

It's mixed with shrill strings: reminscent of the scraping sound that plays in All Eyes On Me as the Prisoner cuts her head off, but quiet and distant, like a haunting memory that repeats itself in your mind

I also love the way the sound echoes - giving the impression of the emptiness of the woods & cabin

An Open Door pulls at my heart: the soft piano and drawn out sound stands in contrast to everything leading up to it

It plays whether you break the pattern by leaving or perpetuate the pattern and watch your dance, so the contrast of it feels representitive to me of a shift in perspective (either the Princess realizing her own control, or you realizing your lack of it)

Our Happy Ending is so damn evocative I need to break it down

It's so. drawn. out. Every note drags, with every instrument coming in at slightly different times

It has a really hollow sound to it: where Damsel's tracks have piano, strings, and woodwinds, Our Happy Ending is reduced to only the strings. There's a lot of full and rich music out there written for strings, but this (intentionally) isn't one of them.

Instead of playing every note in each chord, the instruments frequently double the same notes (just in different octaves) and omit other notes, making the sound even emptier

The arpeggio of the Princess' motif (which is prominent in Damsel's tracks) does appear around 1:30 in, but for a lot of the track the melody is very static, mostly stepping between a few nearby notes, as if it's too exhausted to do anything more complicated

It doesn't even loop smoothly in-game: there's a record scratch and a few seconds of silence before it continues, like it's forcing itself to keep going through the motions

It all sounds serene when the chapter begins but the more you listen the more deeply lethargic it becomes. It did so much to make this chapter even more viscerally uncomfortable for me

And then there's I Meant It. What is there to say. (Actually I do have some things to say)

It's noticeably in 3 (which I think is unique to this track), giving it an appropriately dance-like feeling

While it starts beautifully simple, the embellishments added to the theme as it goes on bring a sense of playfulness, reflecting the energy that grows in your dance the longer it goes on

The Princess & The Dragon!!! I speculated about this one when it was teased a few months back and it was so gratifying to hear it in context! I was very wrong about the route it plays in but I absolutely caught onto how it's an inversion of the typical setup!

The biggest example of this is how the main melody of the theme is the same as The Princess' main theme, but played in reverse! (and with a different rhythm)

The piano also plays descending lines, as opposed to the ascending lines usually heard in other tracks in this game (a good example is in The Unknown Together)

This all reflects how the chapter itself reverses the setup of the game by putting the player in the perspective of the Princess (maybe this is the melody she's used to hearing?)

The call and response nature between the humming (done by Amelia aka the Shifting Mound vocalist!!!) & flute invokes the Princess & Dragon themselves: the melody would be incomplete without both parts

It's such a warm theme too - where The Princess has a quiet somberness to it, The Princess and The Dragon feels rich and vibrant - it feels right

The Life-Taker takes the new motif from The Princess and The Dragon and puts it in the minor key of the World-Ender (I also really like the way the names of these tracks parallel each other)

Like World-Ender it's tense and uneasy, but it plays at a slower tempo, with plenty of long pauses and empty space in the melody: it feels appropriate for the silent, staring body standing in front of you

It also feels more static to me than World-Ender does with its constantly moving piano, which is reflective of how little power you have in the scenario. As TLQ, you have to make the decisions, but as the Princess, the most you can do is watch and wait in suspense

Also this is more of an audio editing thing but I ADORE the way World-Ender cuts in when you switch back mid-chord - really hammers in how your perspective is being forcibly shifted right in the middle of the action

The reversed motif returning when you leave with the Princess or merge with her again is also very sweet: whether you're sharing a body anymore the connection and understanding you've gained remained :)

I love all the new Fury tracks! They're so gritty

I'm happy they kept a similar sound to The Fury's track in the base game because it has such a cool and unique vibe and I was mildly worried that the process of being unwound would just lead the droning sounds of TLQ (still cool, just less unique)

I like how the music still cuts out when you get initially unwound, leaving just faint buzzing - it keeps the shock of that moment from the base game but keeps you grounded in the present by denying you the silence of death. Where in the base game Fury denying you death barely mattered, now you can feel it down to the unwound yet still present soundtrack

I like how Hand In Claw (which plays when escaping the tunnel with Den) introduces this growling sort of guitar sound, rumbling like the sound of caving rocks

It keeps the fast, driving percussive elements of the other Den tracks but gives it a more obvious melodic shape, as you realize that there's more to her after all

It sounds totally distinct from the other Den tracks in general, and that makes sense since its respective path is also unique among the many, many variants of the chapter

The live rendition of The Apotheosis was a fun surprise - I heard it play and just went "...that's different right?"

I still love the way the theme begins as the Apotheosis herself unfurls from the cabin: it's just as breathtaking as it was the first time

I was wondering before release how this track could be expanded on when it felt like such a transcendent and insurpassable theme (it's also used for The Shifting Mound after all) - but the game actually doesn't build on it, just letting it play, only cutting from it in extreme moments. I think that's kind of nice: the power and awe of the track speaks for itself

Meanwhile A Tapestry Undone is essentially The Apotheosis without the piano, orchestra, or any of the instrumentals that give it its sense of power

The vocals sound hollow and distant - she seems farther away, her influence less overwhelming, whether due to dissociative pain or because in that moment you're compelled to lash out at her in spite of whatever godlike power she might have had over you

In-game, the drones of TLQ are also faintly audible, which makes sense since the Apotheosis is tearing at the walls of the construct (ie. you)

[spirk-trek]

Common Ground Fanzine Covers | Lorraine Brevig, 2009