#symbolic meaning of animals

[quornesha]

Belgian Hare Prophecy And Symbolism

The Following Channel is from higher powers, Divine, the ancestral plane and is prophetic through Quornesha S. Lemon|

Whether the Belgian Hare appears in dreams, visions, waking life or synchronicities, it is a sign and message that you’re about to make a wise choice. Someone/Something or a combination of both, is getting ready to come into your life. And this will be the best decision you have made. As it will be for the good of all involved for this union. You’ll be handled with care from this moment forward. You’re done with chains/cycles that have you confused and discombobulated. 1258.Some luck is also entering your life. So, don’t try too hard, as what’s coming will be effortless. Your intuition is spot on, so this is where the majority of your luck will derive from as you’ll listen to your own guidance and follow through on it. You'll have chance encounters and you’ll be in the right place at the right time. You may not even try that hard and would win big on a poker play or other game of chance.

Great healing abounds for you and your ancestry. The Winds of change are in the air. There were opposers that bet against you, but this time, you have supernatural forces on your side. You’re in a winning season and everything that you touch will be blessed. The scales of justice are tipping in your favor. Everything in the universe must bring balance. No longer are the “underdogs’, those that have helped others, go without reward. It’s different now.

If you’re considering marriage, what seemed distant will be expedited, The batch of choices will not be like before. Your vibration has been raised and you’re vibrating on a whole new level. You can never be with powerless counterparts. The one whom you share your body with must also be of higher power than what is normal.

The Belgian Hare is a reminder that you’re more cunning now. Precise, and you’re on your toes. It’s not that you’re dishonest. But you make the play that others were thinking of using against you on them. You’re reversing the odds and traps that they laid out for you to fall for. Now, the forces that are for you outweigh the forces that were against you. The Odds, are ever in your favor now. 201. What happened to you was radical. Life Shifting. Now, your legacy will be lived and will be known long after you’re gone.

The Belgian Hare is also a prophecy that you will be called upon to teach on platforms you may have never even dreamed of. You may be a professor for a week, Be featured in a Ted Talk, or the like. You are the blueprint that others use to be what you are and like you. Divine has changed your story. You’re no longer a victim but the victor. The Belgian Hare gives you rare, random and spot on insight into things that others are trying to hide from you.

On the flip side, it denotes that your enemies/enemies of the divine will face the consequences of the actions now. And some of those enemies will now face prison/jail time. For previous bad actions. They’ll get arrested and will look to you for a solution. But that door has closed now, and you’ll walk away shaking your head, saying what a waste. It is imperative that you move forward without guilt, especially if you’ve done all that you could to aid them in putting their life on track.

You’ll receive a letter in the mail soon, this will be an invitation to an event, for you to speak. The ‘cards’ you’re dealt with now, are ones that justify for all of the lost time that God/Divine didn’t help you out of. You’ll receive help from the unlikely of sources. Even people you’re suspicious of. This is the hand of God/Divine at work in the universe. An increase to your net worth is forthcoming. Your day to day revenue will also increase. You’re reversing the chains onto the people who tried to bind you. And you should know that you have very powerful sources on your side.

Your silence is a weapon, because you have grown telepathically. You are able to tell folks off with just a look now. It’s not a condescending tone or vibration, but rather, God’s wrath flowing through you. Those who oppose you their karma is sped up. You may witness them being decapitated, or robbed of all that they have for threatening your life. You will make a bold move in the game of life and win. Some new things are about to be gifted to you. This isn’t mere luck but blessings from upon high. Everything you need to carry out the rest of your mission, will be granted to you. You or some one in the family will be celebrating a Jubilee soon. Congratulations and continued blessings.

This message isn't, obviously resonant with all whose paths it crosses, as perhaps you may encounter someone of this vernacular, mastery or skill. Therefore, it is a sign from the universe that you're meant to work with such a person.  Need further clarity or your own queries answered? Book your own reading as my schedule is full and I do not guarantee a reply on social media regarding this post.

If this is not you, then it is time to get clear to rejoin your tribe or the rest of the world of infinite beings. It's time to bring your light to the forefront. However, if you aren't able to invoke, heal or otherwise on your own, call on the assistance of shamans, healers, intuitive people, etc. to assist you. This synchronicity can possibly have specific meanings for you, it's time to get insight. 

The Gift that Quornesha Has can never be duplicated, She is a Shaman, Writer, Healer,  And Teacher with incredible prophetic/healing gifts. Please do not infringe upon her rights as the author. You are not permitted to reuse, nor are you to sale as you wish. This information has been made available to you for the purpose of introduction and demonstration. All rights reserved. If you'd like to use this in a magazine, online publication, or other, please ask for permission first. Legal actions will be taken if you proceed to impose. Be blessed, bless others and be at peace on your journey. What you do is coming back on you. Make sure that it is good, and all is well within you, through you and around you.  The source sees all and knows what you think it does not.  Photo Credit

[bixels]

I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.

[skialdi]

🌻Sabo + sunflower and symbolism

A little self-indulgent Sabo I drew for myself for my birthday.

[ranticore]

someone asked me ages ago for more anatomical drawings of harpies so i deliver. the feathers are laid out in tracts and can hide a lot of detail under the contours, and the fact that the body is usually smaller than people think (and much lighter). The neck usually blends in pretty well with the body, unless the feathers are raised or the crop is full.

they do not have hands whatsoever, all manipulation of objects is done by the feet and mouth. even with their lack of hands they do not at all suffer a lack of dexterity. in the kosa region the eagle harpy flock is famous primarily for its weaving culture - weaving is so integral to their society, in fact, that they view the world itself as nothing more than a large and complex tapestry, woven by some unknown artist. this is evident in how they orient themselves in the air, referring to a tailwind as 'warp', while a crosswind is 'weft'.

these aren't like actual muscle groups or anything it's more of a drawing guide to show which areas have mass & define the form

the thing that gets me a lot about drawing birds & birdlike guys is how high up the leg can articulate, in real birds it's like pretty much in their armpit. harpies have a more humanlike torso which means more space between the rib cage and the hips, and more articulation of the spine in this area as well (though i realise now that i didn't actually draw that in any of those poses). it also means they have a more defined belly area below the pectorals/ribcage.

a king is pictured here but there's no real difference under the feathers between a king and a regular harpy, aside from kings being generally more robust and more heavily built (by harpy standards).

harpies are the descendants of humans who were cursed to be birds thousands of years ago. those humans, who aided the apocalypse, were primarily messengers and chanters, assistants of the wizards who ended the world. their relatively unmonstrous cursed form reflects their general lack of importance to the crime - petty criminals, accessories, not perpetrators. their behaviour is strongly informed by the birds they were blended with to the point where there is very little about them that's even remotely human and their cultures and societies are almost wholly birdlike.

[serpentface]

What are the three different afterlives, on the moons?

The afterlife consists of three lunar lands, conceptualized as being literally on the moons (which are correctly understood to be spherical bodies in a rounded orbit). The world is, in the common imagination, effectively a floating island and seabed in the middle of a vast cosmic sea. The seabed eventually drops off somewhere far into the open sea, and the cosmic sea in its totality is beyond and beneath this and and goes on infinitely (though if creation stories are taken literally, it can't actually be infinite considering that God is cited as dredging up muck from the bottom. This is a philosophical problem for the literalist minority and no one else). The moons, sun, and stars travel through the cosmic sky and sea in their daily cycles, in an orbit around the earth. 

The lunar lands are usually dark (they only experience full light in times when the moons can be seen in daytime hours), but they are much closer to the stars, so they never experience the same darkness as night on earth. In some branches of folk thought, the light of the moons comes from the torches and fires lit by the dead. The moons are protected from the extremes of cosmic sea and sky that they orbit through by the continuous presence of God’s soul (at the most dead-literal, this is conceptualized like a spherical bubble that surrounds the land/earth with the moons orbiting on its plane, but is mostly understood in a more spiritual, less logistical capacity) and do not experience the terrible heat and cold of each primordial extreme. 

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The blue moon (second largest in the sky, has a very slight bluish tinge) is the best of three afterlives and the place for the most honored dead. This place is limited to people who performed great deeds in life, and very few people ever go here.

The only completely predictable way to get here is to be the dry season human sacrifice (which also makes you a saint), or being the Odomache. It takes great deeds to be declared a saint, so all canonized saints have gone here, as have most legendary heroes. There’s some doctrinal division over whether royalty goes here automatically or they too require the actual accomplishment of great deeds. Public opinion and general consensus veers, quite heavily, towards the latter. It’s resulted in a tendency for kings to perform lavish public works and building projects and instigate expansionist campaigns to better their chances.

The blue moon is a lush garden with palaces and homes built with lapis lazuli. A mythical blue lotus grows here that is said to grant everlasting life (*until the end of the world. there is no true immortality). Some mythical heroes (and characters in animal folktales) have been said to reach the lunar lands while still alive in pursuit of the lotus, but it has remained entirely elusive for the average joe. These lands are comfortably warm year-round, the rains are gentle, all plants grow in abundance and are always in fruit. It is thought that the souls of great sacrificial animals (those offered up in public rites, limited to animals that are specifically sacred) go here as well. The dead do not have to labor and all their needs are met with ease. It is a place of great serenity, rest, and happiness.

This afterlife is, notably, where the first men are enthroned (And Also Their Wives Are There). The eldest brother of this set is considered the most important saint (he is the one who actually performed the sacrifice of God), and all are effectively semi-divine (though not venerated), being the direct offspring of God via Its insemination of the cosmic sea. These first men are credited with actually shaping the world as it is today via the division of God’s body, and they now rule over the afterlife.

This is the best of all afterlives, but comes with profound responsibilities. The souls of the dead here are bound to survive the end of the world and will someday will be the ones to sacrifice the bodily reborn God, shape the next world, and become the progenitors and guides for the next people. All other souls in all other afterlives will not survive the end of the world in their present state, rather they will be returned to God and await reincarnation into a new human body after creation.

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The white moon (visibly largest in the sky) is where people who died honorable deaths and/or have spirits weighted as pure go. The easiest guarantee of getting here is to die in battle, or in childbirth (which is fortunate given the high rate of pregnancy-related mortalities). People who live honorable and virtuous lives, maintain spiritual cleanliness to the best of their ability, and follow right practice are otherwise the main demographic. This is the best afterlife the average everyday person can hope to end up in.

It is vast grassland eternally in flower, with ten rivers running through it. The sacred (and actually real) orange lotus grows here in abundance. Homes are built of moonstone, gardens of crops run between them and the maize can be harvested year-round and provides eternal and easy sustenance for the dead. Most time is spent at rest and leisure.

It’s thought the souls of ‘petty sacrifice’ animals go here (those offered for individual benefit, rather than in public rites for the good of the people/world itself). Animals considered to Have Value without necessarily being sacred are appropriate for these petty sacrifices (horses and fowl are very common) so there’s plenty of livestock here for milk, wool, and eggs.

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The egg moon (named for its slightly ovular shape to the naked eye) is the lesser afterlife, where people whose spirits are weighted unclean and/or did not die honorable deaths end up if they succeed in their death-journeys. Most people go here. This is not a Bad afterlife, just the Mid option of three pretty good ones.

It’s described as a vast grassland with five rivers running through it. It is very much like the world of the living, with normal seasonal change and cycles of plant growth. The dead have to labor here as they do in the world of the living, but without the risk of starvation or need to fight for resources. The land is fertile, the rains come and go as needed, the harvests are always good and the livestock are always well fed. All in all, it's far easier and more peaceful than life on earth.

It is thought that the souls of most sacred animals that did not die in sacrifice go here (so the majority of the world’s cattle, aurochs, khait, lions, cobras, hespaean, reed ducks, skimmer gulls, and albatrosses). The cattle and khait tend to be the center of focus, and there isn’t really a set concept of what the carnivores are eating, or whether the lions and venomous snakes pose any danger to the people there (there IS at least loosely a notion that the dead can die a second time and will be sent back to the cosmic sea to await reincarnation, though this mostly plays into eschatological beliefs and not into concerns of 'what if I get to the lunar lands and am immediately mauled to death: 2 by a lion').

This one HEAVILY overlaps conceptually with the Celestial Fields, with these aspects likely being influenced by a history of cultural exchange between proto-Finnic and proto-Wardi groups. In some folk traditions this syncretism is even more obvious via inclusion of Mak-Urudain guard dog figures (most Ephenni folk-traditions say that funerary guide dogs stay there to protect the cattle and khait from the lions, Ephenni Riverlanders straight up have a Mak-Urudain figure present as the First Ever guide dog who now protects the cattle all by himself, Erub provincial folk traditions state the dog constellation guards the cattle in all afterlives, etc), though this has no presence whatsoever in official doctrine. (On the reverse side, the heavenly cattle that the agricultural goddess Od brought to the Fields (to ensure ancestors can never starve if their shitty descendants neglect them) is probably at least Partly Wardi influenced).

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SOME NOTES:

-This religion technically views reincarnation as the ultimate fate of the dead, but considers this to only occur after the end of the current world. Eschatological beliefs are not even remotely central to this belief system (it's not a concern of the average practitioner like, at all, though raises to greater prominence during lasting droughts), but it’s assumed that the earth itself must eventually die and be reborn like all other created things. It was born from water and so will end in drought, then fire. All life and all souls but those of the most exalted on the blue moon will perish again and be returned to God.

God will be bodily reborn, and begin the process of self-sacrifice and creation over again. The survivors from the blue moon will become the first people, will sacrifice God, and build the next world from Its body. God will again inseminate the cosmic sea before Its death (releasing human/sophont souls to await rebirth), and will spill Its blood on the earth (releasing animal souls to await rebirth), and the world as we know it will begin again (but perhaps better, with the guidance of leaders from the previous world).

-most animals do not go to the lunar lands. All animals are regarded as having souls, but non-sophont animals were born from the earth (fertilized by God's blood) and are more intimately tied to it. The standard view is that most animals immediately return to the earth to be reincarnated upon death, though some can persist in the form of ghosts (not regarded as torturous for them like it is for humans, they're meant to be tied to the earth). Animals that make the journey to the lunar lands do so ultimately as assistants to humans (in the form of funerary guide dogs) or due to their sacredness (which also is functionally a form of assistance to humans).

-The afterlife status of any dog killed to be a funerary guide for the deceased is somewhat ambiguous. Funerary guide dogs are thought to at least Get To the lunar lands, but there's no consensus opinion on whether they can Stay There (unlike funerary khait and lions, guaranteed a spot due to sacred status). Most interpretations see the dogs returning to the earth (often to continue serving as funerary guides), but some death-journey stories describe the noblest and most loyal of dogs gaining entry along with their masters.

-All sophonts Recognized as sophonts (via the capacity for forms of intelligent speech obvious to humans) are understood to have been created the same way as humans and have the same type of soul, and to theoretically have access the lunar lands if they follow the same methods.

-The majority of people in this world, obviously, do not practice Imperial Wardi standard funerals, and are therefore regarded as Probably Fucked. It's accepted that any form of cremation is sufficient to at least send the dead on their way, but the dead who don't get the full Materially Correct Wardi Funeral Treatment will surely have a MUCH harder time completing their journeys (THEY DON'T EVEN KNOW THEY'RE SUPPOSED TO GO TO THE MOONS LOL!!!!!).

-The dead require substantial help from the living in terms of actually getting to the lunar lands (proper funerals, grave goods and animal guides to assist their journey, etc), but are considered fully provided for once they get there in the doctrinal Faith and most of its folk variants. Maintaining and visiting family tombs (holding cremains and grave goods) is usually regarded as being a matter of familial piety and honorable behavior (and also just being like, a way to grieve), rather than something that directly benefits the dead in any capacity.

Ancestor-worship practices requiring the dead to be continually provided for were Possibly first brought to the region by Proto-Finnic migrants (though it's not beyond question that some groups with longer histories here had similar practices) and have had impacts outside of this immediate sphere. The biggest and most obvious is a 'feast of the dead' holiday being nearly ubiquitous across the cultural spheres of almost All groups here. Among most of the Hill Tribes and some of the North Wardi, this is specifically a holiday where all ancestors return to the earth and are provided food, gifts, and warm clothing (it occurs on the winter solstice). Most in the Imperial Wardi sphere do not have 'the dead are capable of coming back down to earth and also need continual support in general' as a part of their religious worldview, but variants of this holiday have been so widely adopted that it's celebrated anyway. The most ancestor-worship free version frames it more as a celebration of life and a time to remember the dead, and doesn't involve the feast being left untouched until morning so that spirits of the dead can eat its essence before the living get to it.

-In all three afterlives, the dead are perpetually in the presence of the Soul of God (the body is the earth, and the Faces are Its living spirit, god fucking damn it I made a trinity,). This cleanses them to become spiritually pure beings (a state impossible to be in and only possible to Approach while alive), any sufferings of disease or curses they experienced in life are removed. This is regarded as a very peaceful and restful state of being.

-There’s no discrete Bad Place afterlife, but there's still religious avenues to regulate behavior via threats of a Bad Afterlife with the notion of being trapped as an earthbound ghost. Per doctrine, it's possible to have one's connection to God severed (usually via extreme spiritual pollution, which just so happens to mostly come from behavior considered morally unfavorable) which can result in the soul being unable to complete their journey and being trapped as a ghost. A dead body being allowed to rot or be eaten will result in this automatically, whether by neglect or 'incorrect' funerary practices (cremation is the only funeral method considered safe). Very widespread folk belief additionally holds that people who die from drowning or non-ritual suicide are also trapped.

Burial of the dead and sky burials are regarded as horrific barbarism, damning the dead to suffering throughout the afterlife. Cannibalism/consumption of the dead in any form is regarded as almost unspeakably evil. Mummification is Okay as a temporary solution if cremation is impossible, but not as a permanent one (it's not as strongly condemned since the dead can stay with their intact, un-rotten and un-eaten body and in theory eventually be saved, but it's on thin fucking ice).

An earthbound ghost is stuck in the location of their death, deprived of rest and feeling their body rot around them, and usually becomes dangerous to the living. It is believed that some earthbound ghosts can be saved, but this requires extensive intervention and is not considered to work every time. Many evil spirits started out as earthbound ghosts, and at this point are warped beyond any possible human intervention. Doctrinal end-times consensus holds that all earthbound ghosts will Eventually be delivered from their nightmare at the death of the world when their soul is returned to God for rebirth, but the average person is not all that concerned with the end times and being a ghost is probable millennia of suffering either way. The average person is very, VERY strongly motivated to avoid this fate.

[xinyuehui]

⁺‧₊˚ ཐི⋆ Where Drakeshadows Fall ⋆ཋྀ ˚₊‧⁺

[stargirl230]

Nimona!!!

I need to go reread the book and then rewatch the movie and then-

(no reposts; reblogs appreciated)

[velvet-games]

I think I've said a couple times that seeing too much radiosilence angst made me want a fluffier qpr version, but tbh I still want all of the angst; it just needs to be framed as eventually leading to a happy ending.

alastor and vox hating each other is thematically inevitable. I am in love with the fake enemies trope; I tried playing around with that, but there is no universe where these characters are remotely close to canon and actually like each other lmao. I think it needs to be more "vox pretends he only hates alastor and alastor pretends he doesn't care about vox but they actually both understand that they really had something and destroyed it because of mutual differences." like, symbolically, it's old vs. new, right? and alastor is good because he values what worked in the past and cares about artistic integrity but bad because he refuses to see progress or accept change; vox is good because he's innovative and ambitious but bad because he's tacky and too profit-driven. that dynamic has way too much potential for us to skip the part where they grow to see the good side of each other's perspectives while keeping their own identities intact.

AUGH the angst would just be too good; vox and alastor kind of being on the same wavelength at first when they weren't too far apart era-wise, alastor not really taking his ambitions seriously and finding them entertaining, vox actually caring at first about making TV as a legitimate creative endeavor and them connecting over a love for entertainment ... but eventually vox gains power, he starts getting distracted by money and takes shortcuts, he stops creating almost completely because it's easier to make contracted souls do it instead. alastor's cute plaything (that maybe was actually interesting to talk to and had good ideas ...) becomes this tacky capitalist that he can't manipulate as easily, so he gets bored of him. vox is so happy when he finally becomes an overlord; alastor is gonna be so proud! only for him to realize that alastor never saw him that way. alastor never actually liked him, did he?

cue them getting mad at each other and starting a feud that is much more comical on the outside than it is privately. vox is still a little confused and very much in pain ... he knows his own flaws but his greed has too much of a hold on him to make him actually change for alastor (vox: I'll do anything! just tell me what to do, what to change, and I will. please just stay. alastor: would you give up your company? power? money? would you stay with *me*? vox: ...). alastor is disappointed and tries to make it seem like he really had no affection for vox, but those memories of drinking together on sunday nights, listening to how excited vox was about a new invention ... maybe, in the very back of his mind, he realizes he misses that. that he feels left behind.

[tumbly-s]

Stargazing

[check out my pinned post if you’d like to commission me for a similar piece!]

[shimexi]

simpler times

animals avoiding malleus while they adore silver... ok aurora and maleficient parallels but have you considered malleus' fireflies settling on silver -> symbolizing malleus' fondness & sense of protectiveness towards him // creatures gathering around malleus when silver is here bc they know silver trusts him = the animals can trust him too daytime: silver's practice sword (which you can barely see) + a flower crown malleus made while silver was training -> nighttime with malleus' book

[noughticalcrossings]

Never Break the Chain

Inktober day 21. Chains

Ed and Izzy are so entwined sometimes that it might hurt more to let go.

[alithographica]

so many people have brilliant things to say about little details in shows, the meaning behind an artistic decision, the symbolism of flowers, hard-to-translate language concepts, things that really add to your understanding of a work

I can't do any of that

all I can offer you is that this skeleton doesn't have enough ribs

but they did get the handedness of their DNA correct (sooo much art has it twisting the wrong direction)

this means nothing, enjoy ❤️

[bixels]

The more I think about it, the more I question Arcane S2's politics and themes, which were so foundational to S1. Like, a tiny example [SPOILERS AHEAD]:

Singed wins. He gets exactly what he wants in the end. All his "efforts" are rewarded. What does that say about people who share his ideology of eugenics? He is the source of nearly every horrible thing and conflict that happened (Shimmer, the factory deaths, Jinx, Vander as Warwick, the corruption of Viktor), and he gets a happier ending than any other character. Not even a 'he got what he wanted but he has become completely unrecognizable/monstrous to his daughter' tag at the end. You can say they're setting him up and need to open his daughter to future shows, but the way you end a character's story says something about what you think about that character. What does it say when the eugenicist war criminal gets the happy ending he doesn't deserve?

[coriander-candlesticks]

I was pouring a promised libation out to Hermes, Apollo, Aphrodite, and Dionysus this afternoon (I'd asked them for help with a personal matter involving a sibling) and as I was looking up at the sky talking about the situation I saw three hawks start to circle something a little ways in the distance. Hawks aren't exactly uncommon here but it had been a while since I'd seen any, let alone three at once, so it caught my attention.

And while I was trying to figure out what type of bird they were (not an eagle, too short a neck to be a vulture, etc) one of them swooped down into a neighbor's backyard and back up along the tree in my backyard, close enough that, if a branch weren't in the way, I would have been able to see its feather markings. While hawks were somewhat usual, experiencing that certainly was not. So, of course, when I got inside I looked up if any Greek gods are associated with hawks.

And, of course, Apollo is.

I've been thinking a lot about the difference between "this is just a Thing That Happens" and a sign so it was nice to see a direct example of how something differs when it's coming from a god.

[frostfires-blog]

Shiguang Dailiren/Link Click

Hanakotoba Analysis

Cheng Xiaoshi/Toki -> Daisy (Bellis)

Cheng Xiaoshi/Toki’s official flower is the Daisy (Bellis) as pictured on his official birthday artwork. Daisies are known as chú jú (雏菊) in Chinese and hinagiku (雛菊) in Japanese. This flower is associated with the meanings of “innocence”, “devotion”, “justice”, “charity” and “beauty” in English floriography. Its hanakotoba meanings are “peace”, “hope”, “beauty” and “chastity”. In Japanese culture, daisies are also often associated with new beginnings and are thought to bring joy and happiness to those whom it is gifted.  In China, the flower is mainly associated with innocence, purity, hope, and new beginnings. Additionally, they can symbolize simplicity, sincerity, springtime, happiness, and new love.  Cheng Xiaoshi is best described as someone with a good heart whose playful, stubborn and impulsive nature can be interpreted by others as being childish and irresponsible. He is extremely sensitive and deeply empathetic with a strong sense of justice. These characteristics paired with his impulsiveness often not only lead to him making decisions with his heart rather than his head—landing not only himself but also those around him in a myriad of tricky situations—but also result in him doing things that are in the best interest of others but are detrimental to himself. These traits tie into the flower’s meanings of justice, charity and devotion. His seemingly boundless optimism and upbeat personality complement the flower’s meanings of joy, happiness, and springtime. When Lu Guang was asked by Qiao Ling, what attracted him to Cheng Xiaoshi, he stated that it was the other’s naivety. This ties into the flower’s meanings of innocence, sincerity, purity and simplicity. Cheng Xiaoshi has the ability to enter the time of any photo by possessing the body of the person who took the photo. Using this ability, he is able to directly change the events within a 12-hour timeline of the photo (i.e., alter past events). This ties into the daisy’s meanings of new beginnings and hope.  Additionally, when using this ability, Cheng Xiaoshi’s eyes turn gold-yellow which corresponds with the yellow-centre of the daisy.

Lu Guang/Hikaru -> Forget-me-not

Lu Guang/Hikaru’s official flower is the forget-me-not as pictured on his official birthday artwork. The forget-me-not (Myosotis) is known as wù wàng wǒ  (勿忘我) in Chinese and wasurenagusa (勿忘草) in Japanese. As its name suggests the flower is associated with the meanings of “true love” and “memories” in English floriography. Its Japanese name means “don’t forget me” thus associating the flower with its hanakotoba meanings of “true love” and “remembrance”. In China, the flower is associated with not only true love and memories but also fidelity and faithfulness. Lu Guang is typically calm, patient, responsible and uptight. Although not always blatantly obvious, Lu Guang cares deeply for his friends and always does things that are in their best interest. Although typically stoic and cautious, when those important to Lu Guang are in danger, he will break his usual calm façade and show anger and concern as well as pull off precarious manoeuvres to save them. These traits tie into the flower’s meanings of faithfulness and fidelity. Lu Guang has the ability to see everything that happens within a 12-hour timeframe after a photo has been taken. Photographs are able to capture important moments with loved ones in order to be preserved and looked back upon at a later date. Lu Guang and Cheng Xiaoshi’s abilities rely on photographs and are used to analyse and manipulate memories, respectively. This further links Lu Guang to the forget-me-not flower. Additionally, when using their respective abilities Lu Guang’s eyes turn ice-blue whereas Cheng Xiaoshi’s turn gold-yellow which corresponds with the yellow-centred, blue blossoms of the forget-me-not, respectively. Click here for further analysis of Lu Guang given new information from season 2.

Qiao Ling/Rin -> Hyacinth

Qiao Ling/Rin’s official flower is the hyacinth as pictured on her official birthday artwork. The hyacinth (Hyacinthus) is known as fēng xìn zǐ (风信子) in Chinese and haiashinsu (ヒヤシンス) in Japanese. The hyacinth is seen as a symbol of sophistication, refinement, grace and elegance in English floriography. It is also known as a symbol of love and passion. It is also sometimes associated with rashness, games and rebirth. Its hanakotoba meanings are friendship, affection and “love beyond sorrow”. The bright colours of hyacinths are said to represent joy and happiness―and is thus seen as a gesture of goodwill when gifted to others in Japanese culture. In China, the flower is associated with good luck and fortune and is thus often used during special occasions and celebrations as an auspicious decoration. It is said that the hyacinth’s bright colours and cheerful blossoms bring prosperity and good luck to those who see it. Qiao Ling is best described as outspoken, expressive, and compassionate. She deeply trusts those she is close to and is very protective over them. Qiao Ling typically possesses a playful and upbeat personality. These traits tie into the hyacinth’s meanings of joy, passion, friendship and goodwill. Although often seen bickering with Cheng Xiaoshi―she retains an air of gracefulness and ladylikeness and often dresses very stylishly, which fits in with the flower’s meanings of elegance, grace and sophistication.

Official Art Celebrating 400 Million Views

In this official art the flower bouquet that Cheng Xiaoshi is holding might be his official flower the daisy (Bellis) but could also be camomile flowers. Camomile also known as chamomile is a daisy-like plant in the same family as the Bellis genus (Asteraceae family). Camomile is known as  yáng gān jú (洋甘菊) in Chinese and kamomīru (カモミール) in Japanese. In English floriography, the flower represents the concepts of having “patience in adversity” and “energy in adversity”. In hanakotoba, the flower conveys the meanings of “enduring adversity” and the “power to be born in adversity”. Both the English and Japanese meanings derive from the fact that camomile grows like a creeper on the ground and persists even if trampled on―even growing stronger the more it is stepped on. These meanings greatly complement Cheng Xiaoshi’s immense optimism, endurance, and perseverance that persists despite him being faced with difficult circumstances and harsh obstacles.

In this official artwork, Lu Guang isn’t pictured with his official flower, the forget-me-not but is instead pictured with a bouquet of statice.  Statice (Limonium) is also known as sea lavender and marsh rosemary despite not being related to either lavender or rosemary. Statice is known as bǔxuè cǎo shǔ (补血草属) in Chinese and sutāchisu (スターチス) in Japanese. Similarly, to forget-me-nots, this flower is associated with memory and remembrance. In English floriography, this flower represents “longing”, “remembrance”, “success” and “sympathy”. Purple statice in particular represents suppleness and elegance. The hanakotoba meanings associated with statice are “unchanging heart” and “uninterrupted memory”. The vibrant colour of these flowers does not fade even when dried. This attribute has resulted in its hanakotoba meanings “unchanging heart”, “uninterrupted memory”, and “eternal immutability”.  These meanings are similar to that of the forget-me-not and consequently complement Lu Guang’s character in a similar manner.

[If you liked this post, check out my other hanakotoba analysis posts here ❀ There are 2 other hanakotoba posts on Link Click on my blog...]

[P.S. If anyone knows which two flowers are in the very first image in this post (i.e., the season 2 key visual), please let me know so I can add them...I couldn't figure it out for the life of me. Also, if I've gotten any of the kanji, romaji, hanzi or pinyin incorrect, feel free to correct me]

[cxndiedvi0lets]

"Why do you have so many Butterflies in your room?"

Butterflies remind us to trust our transformational process, especially when it feels dark and cramped. It can be painful and difficult when we outgrow a belief, relationship, job, or habit because we are moving from something we understand to the shadowy underworld of the unknown. Growth can feel like intense upheaval and things falling apart. It can feel like endlessly waiting in a tiny chrysalis. During the change of a caterpillar into a butterfly, it is extremely violent and dramatic for the caterpillar to digest itself to undergo its metamorphosis. This process may feel horrifying and confusing, but on the other side are things it doesn't even understand are possible in its current form. On the other side is flight. On the other side is unimaginable insight, expansion, and connection. This is discomfort that is worthwhile and meaningful. Growing pains, like labour pains, usher in beautiful new life. 

BUTTERFLY SYMBOLISM: MEANING, MYTH, AND METAMORPHOSIS