#suppose there's something there prob

[sarucane]

OFMD Spiral Narratives 43: Stede's Fantasies Creating Reality

Intro: What I love most about how season 2 builds on season 1 of OFMD is the spiral narrative structure. Ground is repeatedly and explicitly re-trod from season 1 to season 2, but in season 2 everything goes deeper than season 1. Meanings are shuffled, emotions are stronger and truer, and transformation is showcased above everything. The first season plucks certain notes, then the second season plucks the same ones--but louder, and then it weaves them together to create a symphony.

---

At the beginning of each season of OFMD, Stede is living in a fantasy. In the first season, it's a fantasy of being "the greatest pirate who ever lived." In the second season, it's a fantasy of romance (and a bit of uber-pirate fun). In each season, the fantasy is tempered over time by reality. Stede adapts, changes his expectations, and figures out how to keep moving forward. But a funny thing happens: over time, his fantasy ideas of reality reshape reality around him. It's not the perfect reality he once imagined and projected on the world. By the end of each season, it's a fantasy that has outgrown him, spread from him to others and enriched their lives, and the result is imperfect, hard-earned, and absolutely beautiful.

In season 1, Stede is blissfully unaware of how out of touch with reality his fantasy is. By all signs, he genuinely seems to believe his first "raid" goes well, and that he came off as a "real" pirate while stealing a plant.

And he thinks he's doing a great job as a pirate captain, even though he's totally unaware of what's going on in his crew. They don't remember his crazy shit about "talking it through," and they don't care.

They don't really get what the hell he's trying to do with his "amenities," (Pete demands to know what game he's even playing), and Stede's attempts to overlay his class-shaped fantasies onto reality lead to a "ballroom" and a library full of books the crew can't read. He doesn't think he's living in a fantasy world, but he is.

Stede's fantasy world of Season 2 is spiraled in to become more intense: he's literally in a fantasy when the season opens.

The fantasy starts with the season 1 fantasy: he's a super-pirate, complete with sword skills to match Izzy's, one-liners, vengeance for betrayals, and an earring. Then the older fantasy merges with the more recent fantasy, as references to Ed appear--followed by the man himself.

But this isn't the real Ed: this is a fantasy super-pirate version of Ed (hence the return of his beard, even though Stede last saw him completely clean-shaven). And this is a fantasy version of Ed who isn't mad at all over what Stede did last season. Love conquers all and sunset bearded* beach sex awaits. Fantasy (adolescent) romance.

And then the reality of Stede's situation attempts to suffocate him to death: Ed marrooned his crew and went off to chase madness in Stede's ship (largely as a consequence of what Stede did to him, although Izzy gets a hunk of blame for that one too), so now Stede and the gang are living in squalor.

Just like, in Season 1, Stede was lost in a fantasy that Lucius was inscribing (a literal example of Stede imposing his fantasy on reality, the idea being the this book of shit will be what future generations think of him) so it would eclipse any reality--right up until Buttons intervened with bad news.

In season 1, Stede is able to avoid reality tossing him overboard by imposing a second layer of fantasy over reality, claiming he killed Nigel so the crew will respect him.

In season 2, Stede is also using writing to avoid reality, also presenting a narrative of what's happening around him that only bears the most basic resemblance to reality (like the book Lucius wrote).

But this time, his relationship to the fantasy is more complex: it's his way of trying to cope with how quickly his life spiraled out of control; to cope with the distance between him and Ed right now; to banish the insecurity-birthed fears of his past.

But despite the fact that Stede is still struggling with the mismatch between fantasy and reality, he also demonstrates real growth in the second season.

In season 1, Stede really believed that his fantasy would come to life in front of him, as soon as he arranged it so the conditions would be right.

But in season 2, Stede knows he's creating a fantasy. He knows the fantasy that things are going well is pure copium. And that fantasy is an evolution of his "perfect pirate" fantasy from season 1, the fantasy that meant Stede's dream started with dueling and defeating Izzy, not with reaching Ed. But in season 2, Stede is able to recognize and set aside that fantasy before it takes over his life and gets him killed, like it almost did in season 1.

But the second part of Stede's season 2 fantasy is Ed, and his desperate belief that their romance will survive what's happened since they last met. Stede could have written these letters and then set them aside, to give to Ed when they meet again. Instead, even after acknowledging that the odds of Ed finding the letters are slim, even after acknowledging reality, Stede chooses a fantasy. Chooses to hope, and defies reality to hang onto that hope.

Stede's different relationships with his fantasies foreshadow his resolution this season: his fantasies about being a super-pirate captain will fade, but his romantic dream of Ed will not. And by the end of the year, of course, he'll set aside one in favor of the other.

But in the meantime, as the seasons unfold, Stede's fantasies run up into reality and lose--but not before they get him where he needs to be.

In the first season, Stede hangs onto his fantasy and hangs onto his fantasy and ends up on a Spanish warship, where he's stabbed and almost dies.

But even though riding his fantasy here was insane and misguided, it's changed his life forever--for the better. Because Stede's fantasy of being the Gentleman Pirate had a measurable effect on reality.

If Stede hadn't held onto his fantasies well past knowing "I'm not a pirate, I'm an idiot," if he hadn't imposed one layer of fantasy after another on reality, he never even would have met Ed. The odds were slim, as Stede said, of him and Ed finding each other in the first place--but Stede grabbed reality with both hands, closed his eyes, and hummed, and here they are.

And something similar happens in season 2.

If anyone had asked Ed at this point whether he wanted to see Stede--that Stede wanted to apologize--the answer would probably have been a deafeningly loud "NO." Stede's been wandering around telling anyone who will listen how crazy he is about Ed and how they're "on a break" but it'll all be fine, and if anything the obstacle will be that Ed's doing so well without him that Stede'll disrupt his life. All of this is ridiculously out of sync with reality. But it all got Stede where he needed to be. Stede believed so hard, and so long, that he was in the right place at the right time to make something fantastical really happen.

The structure gets a bit tricky here, because Stede's reckoning with his fantasy in season 1 comes before it works out for him (with Ed's arrival), but comes after it works out for him in Season 2.

In season 2, first off, just as Stede's pirate fantasy led straight to him being stabbed, his romantic fantasy leads right to him being headbutted.

Reality asserts itself, and Stede has to deal. Both times, he starts dealing with some denial.

And both times, his attempt to deny is punched in the face by reality.

In season 1, Stede's development balancing fantasy and reality is fairly straightforward--Stede believes his fantasy long enough to attract Ed, who then helps Stede not get killed by his fantasy. In season 2, Stede sits and talks to Ed and does the relationship work that lets them move forward, embracing real communication instead of romantic fantasies. He works with Izzy and learns how to bring his piracy closer to reality, to respect other people's fantasies (the cursed suit)

But here's the thing: even as Stede adjusts, sets out to become a better pirate (by taking notes, but still, he is trying) and to become a better partner, the seeds of his fantasies have been sown.

The fantasies Stede tried to impose on reality return, and they serve to reshape reality--to save him, and to give hope in darkness to the man he loves.

In season 1, Stede's fantasies of being a bloodthirsty killer and having murdered Chauncy almost get him executed--but they also get him saved. And in season 2, Stede's fantasies and resulting brief reign as a "super-pirate" may be gone, but he's still gained enough skills in pursuit of that fantasy to survive for this:

It's hardly equivalent to defeating Izzy Hands in a duel, but Stede's fantasy followed by his work has gotten him where he wants to be.

And then, in both seasons, Stede's Episode 1 fantasy appears in his Episode 8 reality. His dream of being a different kind of pirate captain is animated by his crew. His fantasy of creating a place where traumatize pirates can grow as people has come true, because other people came to want it as much as he does.

And in Season 2, going deeper as usual, the same music as in Stede's dream plays as Ed and Stede reunite. And when this fantasy becomes reality, it's more complicated than it was in Stede's dreams. But it's shared, and so it goes deeper--and it's all the more true for being earned by two imperfect men who defied the world and their own fears for each other.

And of course Stede knows. After all, his knowing made all of this happen.

[todayisafridaynight]

call him cake cause he's got layers baby

[cobaltfluff]

happy april fools' from your big brothers, dumbass (affectionate)

[atanxdoesstuff]

i drew a furina in a modern fit :3

rb >>> like

[flufflecat]

Can someone explain what the narrative stakes are even supposed to be anymore in jjk. All the characters are essentially guaranteed to die, the current cast is comprised almost entirely of characters who showed up 2/3rds into the story and we're supposed to care about them for some reason, and I do not even know what the threat is supposed to be anymore. The apocalypse? Destruction of an amorphous innocent society? Like has ANYTHING been shown of "here's the regular world that apparently needs to be saved" or are we just supposed to assume "this society is just Real Life+, so you're REQUIRED to care if some guy threatens to kill all humanity, because one of those humanities may be... a child" or something. Can you spare two seconds to show anything other than some magic randos fighting, or is it just a superhero story all the time now, minus the fun. Remember when yuuji had friends.

[madebycoffee]

OC Evolution Tag :3

i think i was tagged by @nilonne and @daniigh0ul maybe not idk

Who else would I do but my favorite boy Gian? However I think he's particularly good for this because manz has gone through such an evolution.

-I made him in July 2019 for @colourfullsims big brother challenge, and Cam actually is responsible for his overall style and vibe! When i made him I was like 'eh he's elimination fodder' but as is common with my sims I send people- he became a fan fave lol. (And I think Cam takes most of the credit for that!!! She did such a fantastic job with him!!) -Upon losing big brother I decided to run a bachelor challenge for him, ~The Gianlerette~ era (idk if I'll ever top that as a reality tv show challenge tbh) And 1. he got so jacked like jfc and 2. he really embraced an eclectic style. -Since that ended he's my go to pretty boy to throw new CC on./ just rotate in CAS. He's just living his best life in the gianlerette save with dreama uwu

:3 im late to the party so tag ur it

[bluuscreen-png]

redraw <3 the lyrics have like no relevance to these characters anymore but oh well it’s cute

the original… it’s from 2019 i think

[alrightbuckaroo]

.

[hexados-on-a-string]

mylene is so interesting to me bc like. she just chucks elico out as soon as she gets a mechanical replacement with macubass. and i think she's the only villain so callous about their guardian bakugan???

most villains still care about their bakugan and usually actually share the same goals and are on the same wavelength, birds of a feather and all that. like even characters like kazarina, cruel as she is, still are fond of their guardian bakugan. and theres characters like spectra and barodius who's plans center around their guardian bakugan, and are actively encouraged by those bakugan.

even characters who's guardian bakugan dont necessarily get along with them all the time, like avior and mason's constant bickering, are still friends. meanwhile mylene just. throws elico out. and also takes brontes from volt and throws him out as well. i think whats also interesting, since the show likes to bring up spectra and mylene parallels, is how spectra uses machines to upgrade and evolve helios, while mylene outright replaces elico with a machine.

but it's not like she's shown to be like. completely heartless either. she calls volt her friend even though she threw out brontes beforehand. she stands up for hydron when zenoheld takes his anger out on him. she has some weird friendship with shadow prove.

i think she was the vehicle to show the general vestal opinion on bakugan, since mylene only sees her bakugan as weapons and when she loses she blames the loss on them. (meanwhile i think volt is supposed to show that not all vestals are THAT bad, even if they are part of the king's entourage of fucked up teenage celebrity theatre kids). and i think she's very interesting bc of that. anyways i love mylene.

[scare-ard--sleigh]

okay so speaking of the finale i didn't have time to finish anything new but i rounded up my favorite archer fics for your viewing pleasure, all are rated E <3

💥 no light, no light / 8.8k / While Archer's in a coma, Cyril builds himself a whole new life (for better and for worse.) Messiness predictably ensues when Archer returns. / cyrling

💥 you are everything i want (cause you are everything i'm not) / 4.5k / Archer and Cyril hate each other and are stuck sharing a hotel suite. There's only one bed. / cyrling (vicious hatesex edition)

💥 part of that dream / 7k / There’s an aspect of Fabian’s life that he keeps very secret. / fabicyril, dilf fabian cinematic universe

💥 out of network / 5.9k / Takes place right after 'out of network' (13x05). Cyril has some things to say about Archer's relationship with his therapist. They talk about their feelings later that night. / cyrling (feelies hours)

💥 Prelude, Fugue and Riffs / 3.9k / Takes place before 'fugue and riffs' (04x01), though it's slightly au. Bob and Linda take Archer in after he discloses that he needs a new identity and a place to stay. Tension develops between Bob and Archer, which they happily explore. / insert bob/archer portmanteau here

💥 best friends / 4.3k / Takes place right after 11x05 ("Best Friends.") Cyril helps Archer with his post-coma dry spell. Aleister may have had a point. / cyrling (h/c edition)

💥 like a heathen clung to the homily / 5k / Sterling dresses as a priest for the gang's latest mission. Cyril has some feelings about it, which they explore. / cyrling (priest kink edition)

💥 nothing will feel the same (because nothing will be the same) / 16.5k / This takes place during and then immediately after mission: difficult (12x08.) Life after the Agency takes a toll on Archer. He finds comfort in places that are both novel and very familiar. / cyrilanarcher

[ghostb0o]

A badge on my profile that says "this user hates the refrigerated section in every store they enter for seemingly no reason

[httpiastri]

how about if... i just... don't do my work.....

[microsoftoutlook]

yeah yeah yeah matt wearing shorts in the new episode (slap his bare thigh sound like a screenshot) but what's (conor mcgregor burger king ad voice) got me really fired up is the heretofore unseen leg tattoo....like who are those guys...

[opens-up-4-nobody]

...

[codenamesailordarillium]

Realizing a bit after the fact that 13's comments on the lack of pockets in women's clothing is bothering me like. Just a bit.

Obviously nothing can compete with Gallifreyan bigger on the inside pockets but like, they did have pockets. Actually bigger than the ones we get with modern women's jeans. They were just detachable since historical garments went on in separate layers.

[todayisafridaynight]

so. uhh. any rgg meetups at animenext this weekend or 🥴