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letmetellyouaboutmyfeels · 1 year

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Well. I guess today is the day I post this.

Putting this all below a cut to spare your dashes.

This statement will seem dramatic. I apologize. I don't know any other way to put this.

For a long time, I've felt unsafe in this fandom as a bisexual person.

At some point we got a new wave of people in this fandom (I can't pinpoint when since I never know anything that goes on in this godforsaken cesspit), and we started to get a growing wave of people talking about Eddie as a gay man, rather than bisexual or queer or ambiguous/unlabeled in his sexuality.

It was something I could easily ignore at first. I didn't agree with it, but I rolled my eyes and kept on keepin' on. It didn't really affect me. I had my own little corner and that was that.

But as time has gone on, it's become so popular and pervasive that every time I turn around, I'm running into it. It seems to be (but might not be, I could be wrong) the more popular interpretation of Eddie.

For example, I got an ask at the beginning of February, asking me what was wrong with gay Eddie, since it seems to be the "general consensus." Additionally, there was a podcast episode an anthropology student made where the host said that they have also seen people have generally decided Eddie is gay, not bi or queer. I'm not the only one who's noticed this and decided this is the general/most popular opinion of the fandom.

And I'm here to say that it's unbelievably hurtful.

It's not a new thing for people to dismiss Shannon. And let me tell you, it brings me no joy to defend her. I deeply, deeply dislike her and always have. But I must, because whether I like her or not doesn't matter as much as her importance to Eddie and her role in his life. Not just as Christopher's mother, but as his first love and as his wife.

However, over the past year or so there's been a serious shift within the fandom to ignore or gloss over Shannon, and to paint Eddie as a gay man who has always been gay, and never been attracted to women, and never wanted to sleep with one. Even though, canonically, he and Shannon jumped right back into bed together and wouldn't stop fucking every time they met up, despite that choice being detrimental to their relationship and preventing them from discussing important things.

Eddie was so busy fucking his wife like a rabbit in springtime that he couldn't settle down and talk with her. He fucked her repeatedly even though he didn't fully trust her with their son anymore. If that's not thinking with your dick I don't know what is.

Eddie's grief over Shannon's loss and his complicated feelings about her (his love for her vs his anger at her choices vs his own poor self-esteem) haunted him throughout season three. It's why he joined the fight club. It haunts him in season four, when he chooses to date Ana to give Chris a substitute mother even though he is not yet ready to date/move on from Shannon.

Even if I put on my Buddie shipper goggles and say, "what about Buck?" I do not think it makes any sense whatsoever for Eddie to be aware of his feelings for Buck pre-shooting. I think that is the moment he realizes what his heart wants and where he's chosen to love again. Not before.

Bobby moving on with Athena does in no way erase his love for his previous wife, and he went through a process similar to Eddie - in fact that similarity is part of why Bobby sees so much of himself in Eddie and why he tries to give Eddie advice on the subject. But I have to wonder, if Bobby had dated Michael instead of Athena, if the fandom would react the same way they do with Eddie - if they would claim Bobby was gay the whole time, and never truly felt sexual attraction for his wife.

I know Shannon is a disliked character by and large (I'm one of the people who dislikes her) and that her relationship with Eddie was complicated. Eddie wasn't always happy in his relationship with her. But neither was Athena, and yet the fact she was once attracted to and in love with Michael is never questioned.

Eddie is simply not allowed nuance in his relationship with Shannon. He is not allowed (as Bobby and Athena are) to have a complicated relationship with his spouse or to move on with another character while not denying his previous attraction to her. Eddie's relationship with Shannon is reduced to something he did because he had to, without any genuine sexual attraction, and without any sexual enjoyment. He is allowed to love her, but to never have been in love with her.

Eddie's biggest arc and piece of character development for two whole seasons (seasons two and three, arguably parts of season four) are erased.

The underlying message, whether intended or not, is that they are erased because they do not matter. And they do not matter because if they did, Eddie would be bi, or queer, or anything except 100% homosexual. And that means that the underlying message is that being gay is more important, more valid, and better than bisexuality.

I'm not saying this message is intentional. Frankly I don't think it is. I'm saying it is there.

And of course, when others have pointed out that this is hurtful and erases a big part of Eddie's history, and that therefore makes them feel ignored and erased as a bisexual person, there's been hostility. Some of it's been openly hostile and frankly feels like fighting for the sake of fighting, the kind of self-righteous love of blood in the water that has kept me a lurker in fandoms for so long.

The more insidious hurt, for me, is the people who refuse to publicly support people who call out the biphobia. They say nothing when people talk about how they're attacked for pointing out the issues with gay!Eddie, or they support both gay!Eddie and bi!Eddie sides, depending on the time of day and who's saying it. It makes me distrusting of a lot of people who try to tell me they support me. How can I believe you when you turn around and agree with the people saying Eddie's gay? Reblogging posts and championing it?

At best it feels like being accidentally hurtful while supporting/being open to multiple headcanons. At worst it feels like lying to placate me.

I don't appreciate being placated.

Fandom can give a skewed perspective on things such as representation in media. I understand that many people who identify as 6 on the Kinsey Scale have struggled deeply with repression, self-loathing, ignorance, and compulsive heterosexuality. I understand wanting that representation, especially in an older character when it feels like a lot of our media is still about queer teenagers rather than queer adults (especially queer adults over the age of thirty). And so with many slash ships having to deal with the existence of opposite-sex love interests in the characters comprising that ship, bisexuality can feel like the norm when in reality, characters who are gay (whether they always knew it or discover it later) are still much more prevalent than bisexual characters in media.

For example, in Our Flag Means Death we have Stede. In IT, Richie is inferred to be gay rather than bi (god forbid they confirm Eddie K's gayness but that's another matter...) In fact, in 9-1-1 alone, we have Michael. There's also the matter of who gets to be gay and who gets to be bi. In Glee, for example, Santana is the one who gets the nuanced coming-out story with drama and depth. Brittany, her bisexual girlfriend, doesn't get nearly as much attention or thought, and off-screen cheats on Santana in a staggering moment of biphobia (a decision the likes of which Ryan Murphy is not-so-affectionately known for).

Yet from people who headcanon Eddie as gay I repeatedly see the rallying cry of "letting us have this," as if 'this' is something they never get, or get less than bisexual people. Again, I understand the way fandom might skew things. But we cannot allow the broken goggles of fandom to, in turn, blinker our reality of the media landscape. Bisexuality is still less represented, and the wounds of "oh being with X man is nothing like all those women I was with, this is special and real" are still fresh (looking at you, Destiel shippers circa 2009-2012).

In fact as I out myself here as uh one of those veterans, I implore people to understand how this was the norm for so, so many years. Fandom has a short memory, I get it. It's hard to keep track of everything. But this embrace of bisexuality is rather recent. You look around and you see, for example, people happily joking about Dean Winchester's bisexuality. That was not always the case. For a long time, it was about perpetuating biphobia and casual misogyny as shippers wrote meta and fic about how no woman could ever make him feel like Cas does.

*pause for war flashbacks*

This was not the only instance or fandom. But I don't have time to name all the examples. My point is that there is a false collective narrative. My point is that when you are hurt, and have struggled, it can be hard to see that others have also been hurt and have also struggled. My point is that there is a continued instinct to put a certain type of character in one box and another type of character in a different box, and to try and expand the boxes, or move one character to another, is treated as a personal attack rather than an expansion of our understanding and a dismantling of our stereotypes.

Why is it always the character who has a lot of sex and/or is super comfortable on the subject of sex, or is very casual about sex, who gets to be bi/pan/fluid in sexuality? Why are bi people never allowed to be reserved, or have only one or two partners in their life?

Why is the character who is casual (or seems like they will be casual) and relaxed about sexuality the one who is labeled bisexual? Why are bisexuals never allowed to have angst around their sexuality or come out later in life? Why is our pain, our internal struggle, never allowed to be discussed?

I'm not saying Buck should be viewed as gay. I think it's correct to talk about him as bi/pan/queer. But I do think it's fair to examine why Buck's relationship with Abby is viewed in its proper important context while Eddie's relationship with Shannon is diminished and ignored.

Buck gets to talk about Abby. He gets to have genuinely been in love with her. He gets to retain that piece of his character. Eddie does not. Eddie's relationship with Shannon ended up hurting him just as much as Buck's relationship with Abby, in fact even more so, and yet people handwave that away as compulsive heterosexuality (which is not restricted to gay people, by the way, bi people experience that as well) and act like he didn't actually fall in love with her and have repeated enthusiastic sex with her.

People love to tout Ana as proof that Eddie is gay, but it doesn't matter what your sexuality is - if you aren't attracted to someone and you don't want them touching you, then you don't want them touching you. If you don't want to have sex with someone, you don't want to have sex with someone. Your sexuality doesn't matter. Just because a man is straight doesn't mean he wants to have sex with all women. Just because a man is gay doesn't mean he wants to have sex with all men. Just because a person is bi doesn't mean they want to have sex with everyone on the planet. And just because someone is asexual doesn't mean they have no libido or would never have sex at all for another reason (intimacy, fun, etc.). Sexual desire and drive are a very personal things, and both romantic and sexual attraction can play various roles or no role at all depending on the individual.

Eddie’s refusal to sleep with Ana or touch her is not a sign of him being gay as opposed to bi or queer or any other sexuality. It’s not a sign of any sexuality at all. It’s a sign that he was forcing himself into that relationship. He didn't want to be with Ana. He didn't love Ana. He didn't want to have sex with Ana.

Now, do I think how he broke up with her - his words about "the idea of us" - is insanely queer? Yes. Yes I do. And yes, for the record, I think that was deliberate on the part of the writers. But that simply says to me that he's queer. Not gay, not bi, not pan, not demi, not anything other than not straight.

To take that speech and those words and to say they could only possibly apply to a fully 100% gay man as opposed to anyone under the queer umbrella is hurtful. People's experiences as gay people are valid, and often, sadly, painful and just like Eddie's. But so are people's experiences as bi people, as pan people, as unlabeled people, as 'queer as in fuck you' people.

To wit: People ignore canonical evidence about Shannon, and claim canonical evidence about Ana as their own and no one else's, in order to support their interpretation of Eddie's sexuality.

That erases the rest of us.

I know that's hard to hear. I know that sounds like it comes with judgment. You are trying to speak your own truth, and you are identifying strongly with a character that you love, and it's hard to then hear that in doing those things, you are hurting or erasing others. I've had to hear that in my time, and I'm sure I'll have to hear it again, and it's never easy. But we must sit with this discomfort as our friend, not our foe, and use it to grow.

However, since fandom is our safe space, we often view anything and everything as a personal attack, and we often make judgments and interpretations based too strongly on our own experiences. Sometimes this is a good thing - I think the number of people who say Buck reminds them of their own ADHD are correct and that it adds great depth to his character. I'm glad Oliver has embraced it. I think the people who say Eddie speaks to their own demisexuality have a great point and I think it adds nuance to his character and behavior.

(In fact I also love trans!Buck headcanons! I think they're neat and I've read some fics I enjoyed that featured that.)

On the other hand, however, it often leads to people adding interpretations onto things that do not reflect canon or the actual character. They then view others pointing out the lack of support for this in canon, or the contradiction with canon, as a personal attack (looking at you, "Chim is abusive" people, go jump in a lake). It's hard to take that breath and recognize that not everything a character is or does or experiences is the same as what you are, or do, or have experienced. Especially when it touches on something as personal and important as our sexuality.

Because of this, I debated a long time on whether I should say something. I tried to identify the difference between what hurt me because it didn't line up with my thoughts and what hurt me because of actual stereotyping. I worked to make sure that this was more than simply taking an innocuous difference of opinion and twisting it into a personal attack.

Which brings me to why I say the word 'unsafe'. That seems like an extreme word. But I've seen people say that they "got a brain" and realized Eddie was gay, not bi. I've seen people take gifsets that mention Eddie being bi and tag them 'okay but I believe in gay!Eddie' or 'I'm a gay!Eddie truther'. I've seen people go out of their way in fics to mention Eddie disliking/being grossed out by female genitalia. I've seen fanartists put Eddie in gay colors/flags as opposed to bi/demi/etc colors/flags, on art that really didn't need it to convey the story - as if one cannot make a piece of art with Eddie on it without declaring one's opinion on his sexuality.

(Yes, I think there's a strong possibility that Eddie is demisexual. I wish people would embrace that idea more. Personally, I think he wouldn't label himself at all and simply say he was queer if asked. But given the discussion we're having right now on this post about gay/bi headcanons, I think it's clear a lot of people actually aren't as ready to embrace or consider minority sexualities as they might like to think.)

I repeat: this is not just happening on a person's own art or post or fanfic. People are reblogging posts, gifsets, and so on that mention bisexual Eddie and saying, okay but I see him as gay. They are not content to live and let live. They are actively saying they disagree. If you disagree, then why reblog the thing that talks about/mentions Eddie as bi? Why not simply leave it be?

I cannot overstate how hurtful this is; how much it feels like erasure, dismissal, and condescension.

You cannot tell me if that was something you saw about your gender, or sexuality, or so on, that you wouldn't begin to feel unsafe. That you wouldn't begin to question if you would be unheard, or dismissed, or viewed as less-than. Tell me you wouldn't start to wonder, if you were a character on a TV show, if people wouldn't erase your sexual and romantic history and ignore a big piece of yourself because certain sexualities just weren't good enough for them.

You cannot tell me that in seeing these things you wouldn't walk away with the idea that bisexuality (or other sexualities in general but bisexuality is the one brought up and to which being gay is compared in regards to Eddie) is viewed as lesser to these people, and to the community at large. You cannot tell me that some people are not internalizing this narrative, no matter what their own sexuality might be.

And, yes, reading that earlier paragraph you might say, "Mads, are you vagueing?" That is not my intention. I want to head off at the pass the rebuttal that this isn't happening. I want to cut off the demand for examples. However, I'm also not going to name names, because I don't wish to cause harm to people who I think, by and large, are well-meaning.

That's what I'm hoping is true, in writing this. That most of the people reading this, and pushing the Eddie-is-gay narrative, are well-meaning. "I'm bi myself!" many of you will say.

Yes, well. I'm a woman and I was perfectly capable of a lot of misogynistic thinking growing up, and I often fell into sexist stereotypes in my headcanons and writing and so on.

But I hope, since most of you are well-meaning, this post will instead cause you to think, and examine, and ponder.

I'm sure many people reading this are rolling their eyes and thinking, "what about the first rule of fandom? Ship and let ship? Kink tomato? Etc? Let people have different headcanons." I've certainly seen such flippant remarks from people before on this very subject in this fandom.

And the thing is, I have really tried to do that. I have tried to take it that way. But I think that it's also entirely fair for me to be hurt when a person's headcanon/interpretation ignores canon and erases a big part of a character's life and history.

I know, I know, we could get into a big philosophical discussion about how slash and femslash shipping by nature does something along those lines. But I feel that in the now-common interpretation of Eddie as gay, there is a pushing of stereotypes about both gay and bisexual people. There is a splitting of hairs on queerness. There is a subtext, whether acknowledged or not by those who push this interpretation, that being gay as opposed to a more fluid sexuality is more painful, more fraught, more challenging. That bisexuality, pansexuality, queerness as an umbrella term - those are less fraught and inherently easier. It's one of the pillars upon which exclusion in the queer community is based.

It also, generally, ignores the idea that one's sexuality can change over time. Maybe I'm wrong and maybe most people with the interpretation of Eddie as gay actually view him as being gay now and that's how he identifies now without erasing his canonical (and important) sexual and romantic attraction to Shannon. But that doesn't seem to be the case, and I certainly don't want to risk myself emotionally by trying to find out.

Not to mention that hey, when people are saying something is hurtful to them, seeing people make posts hand-waving and saying "get over yourselves, relax, take a chill pill" feels beyond condescending and dismissive.

I'd like to make it clear, I'm not asking for people to never write Eddie as gay, and that we should never see Eddie as gay again in this fandom, or that anyone who writes Eddie as gay should be dogpiled. I'm not the boss of anyone, I'm not the fandom police, I don't make the rules. But I think, when a certain behavior brings people pain - and more people than just myself, as I have learned in many private conversations - there comes a time when the least one can do is speak up about it.

Sometimes someone needs to be the one to stand up and say, "this hurts me. I am in pain, and this is why."

Again, especially when people are going out of their way to say "but I disagree, he's gay" on posts, gifsets, and so on mentioning Eddie having a different sexuality. You might feel this post is unnecessary. You might feel it's preachy. You might feel I should shut up and get off my high horse.

But the fact of the matter is when you come into someone's house tracking mud and they tell you to clean it up, you don't get to yell at them and claim they are trying to stop you from playing outside.

I kept my silence on this for a long time and part of that was I didn't want to police anyone. Now, however, we are at a point where people who think Eddie is gay are invading other people's spaces. It's not just that this headcanon is everywhere. It's not just that people are using such dismissive language when the possibility of Eddie liking women comes up. It is also that people are going out of their way to dismiss Eddie's bisexuality and argue that their interpretation is better on posts about Eddie being bi.

So frankly, I don't think anyone gets to walk away from this scoffing "don't like don't read" at me when nobody else around here is offering me that courtesy. If I could avoid reading it, I would. You came into my house, and the house of everyone else who makes a post, a fic, a gif, about Eddie being anything except a Kinsey 6.

Yes, reblogs are turned off for this. Anon is also turned off. You might say that's cutting off discussion, and you would be right. The blunt truth is I don't trust people online to respond with thoughtfulness, good faith, and care. I don't trust people to take their time and think before shooting off an emotional, defensive response. And I don't care to spend my time and energy educating people.

Maybe if I was a better person - a more social, more patient, and less private person - I would be the kind of person who would have the long hard discussions to educate and share my thoughts, to help you see my side. But that's not who I am, and I certainly don't owe it to anyone, not a single person here, to scrounge up my nonexistent trust and goodwill to have that discussion with you.

I've said my piece on this. I'm sure my tone seems harsh. The tone with which this is actually written is weariness, exhaustion, and, yes, nausea. It makes one sick and wears one down, to feel so on edge in a space and yet to try and ignore that to find joy anyway. Because I get a lot of joy in sharing my fics, and reblogging gifsets and meta, and I don't want to lose that joy.

But I suppose it needs to be said. I know others have said it, but I hope that I have said all this with enough calm and articulation that it will truly be understood, and it will not start drama or discourse, because that's not what I want. Truly. I spent enough of 2020 being dragged into one piece of bullshit drama after another. I'm not interested in wading back into that. I've kept pretty extreme radio silence for a reason.

My hope is simply for people to step back and take a long hard look at why they've decided one half of our ship is gay, and one half is bi, and what that might say about their subconscious stereotypes about gay and bi people.

If I've gotten you to do that, then this post is worth it.

I'm sorry I don't have any answers. I'm sure this would be a lot easier for people to read if I ended it with "and here's what to do moving forward." I think the desire to provide answers - for themselves and for others - is what drives people to make posts that condemn, or get aggressive, or seem to simply be out there to shut people up. People want to have a solution. They want the problem to go away.

I don't have a solution. I don't have answers for anyone. I truly wish I did. Part of why I've waited so long in posting this is trying to come up with a way to end this that would give people actionable steps. But at the end of the day, all I can really say is that I hope the people reading this will do some internal searching, and thoughtful discussion, and understand better the subconscious choices we make, the biases we hold, and how we can hurt people without meaning to.

I don't want apologies. I say that with love - I'm not looking for people to self-flagellate before me or make some kind of mea culpa post. I don't think that would help anything, and I don't think anyone owes that to me. Frankly I'm not interested in public discussion, and if there are posts others make about this, I don't want to see them.

You can make posts on your blog ranting about me (just please don't tag me, again, I don't want to see it). You can discuss this in your discord groups. You can vagueblog about me and chat about me in DMs. I don't care. I'd just like people to hear me say, "I am hurt, and you are hurting me, and I know it's not intentional, but this is why." Anything else is up to you. Any changes, in thought or behavior, are up to you. Probably nothing will change. But at least I've said something, and I've tried.

Thank you for reading this far, and I hope you have a great day. Stay safe and take care of yourself.

#I am so sorry this turned into such a manifesto #I tried to keep it succinct while also covering every possible base #to avoid misinterpretation or unkindness #but I suppose at the end of the day I am a long-winded person #who tends to over-explain everything #hopefully that over-explaining has cut down on bad faith assumptions #but with this fandom who knows #I'll probably be off tumblr for a bit because my anxiety is through the roof posting this #lincoln rants

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marazhai · 8 months

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why do you dislike bg3 so much? just curious, no judgement. all i've seen for the game so far is praise, so that's why i'm asking!

Oh, I don't dislike it, but I do think it's very much overrated. The only thing that separates it from the other cRPGs is that it has full voice acting (love it!) and mo-cap (I wish all that money and resources went into writing instead) but those two qualities are not what makes a cRPG good. Not to mention, they keep changing and adding stuff here and there to cater to their loudest fans and Reddit bros. Good for them, I guess?

#okay maybe I do dislike it a bit #but not like “this is the worst game ever”#but more like “I've been following BG3s development for years now I'm just disappointed the way it turned out because I had high hopes”#I also hate how the other cRPGs get so much shit now because “fans” want other games to be just like BG3 #it's like asking an artist to change their art style because you like another artist better #Sorry for the late reply!#I had a whole ass essay written down but it turned into a negative rant so I decided to delete it 🫣

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radiokathryn-if · 1 year

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how would the RO’s be in a red string of Fate AU? (cut to Nate desperately trying to cut the string off his finger bc he’s engaged lmao)

So the Red String Of Fate is one if my favourite AUs because if the origins of the myth!

In the ancient Chinese myth (and please correct me if I'm wrong!) the string is actually wrapped around the ankle rather than the pinky finger like in Korean and Japanese folklore! That the string connects you to the fate you're destined to have and with the people you belong with to achieve that fate.

My favourite “take” on this story is how it applies to all kinds of people, and even multiple people! I think that because of my understanding as a person who is not only pan(sexual) and open to polyamory but also demi(romantic) with a unique perspective through my best friend in to an aroace mindset that the thout of soulmates being strictly romantic and forever only one person is a bit bizzare──humans are people people, not person people... if that makes any sense.

I love exploring different 'avenues' of what connection means to people and how to push conventional boundaries as to what fate and destiny could be. That you have thousands of strings and they are woven together to create your tapestry of Fate (and this is where my favourite mythology comes in──greek mythology!) that is ever changing because the threads fray when you lose a connection or they gray out when someone dies, not fraying because even though they're gone they're still important to you, that the brighter strands are the people who mean the most to you.

I adore it──the introspection into human connection. (I love reading through aroace and poly story's for that exact reason!)

But back to your question! In the classic sense of the Red String Of Fate AU where it's Romantic Soulmates:

You're right, Nate absolutely detests his string──the whole concept of soulmates really. What really gets him is that he hates the feeling of no control, that there's no choice to be made that his string doesn't lead to the one he asks to marry him. He learnt a long time ago how to ignore his string, how to ignore the tug when you leave his side, how to ignore the tingles on the tips of his fingers when you're closer, how to ignore you... it's sad more than anything else──that his need for control, his vision of life, deprives you of a soulmate connection too.

As stated before, Eva truly is a romantic at her core and the thought that she has a soulmate is something she dreams of. Life, however, isn't a dream world and she also believes in agency and making decisions for herself. Though if there's anything Eva regrets it's saying yes to Nate when he proposed to her. Young naivety can only go so far as an excuse when she long for the tiny ounces of warmth you bring her when you cross paths. She keeps it a secret, but the hope that you'll snap her out of the predicament she's in keeps her heart pumping and her fingers tingling!

Mica is a little bit of a different story, considering your connection to each other already. In terms of the Original Universe, Mica might be the closest thing MC has to a soulmate that universe has, platonically or romantically. Mica loves you. Full stop. The fact that fate says you're destined to be in each others life is just the cherry on top for them. It's always been easy to be in their presence, and they will never push romance on you──if you get there, that's where fate has taken you!

The concept of 'soulmates' is... strange to Detective Han, to say the least. They don't... not believe in it but they aren't particularly bothered to chase it either. I think when they finally actually realise what the tugging and the warmth and the tingling means is when they'll get a bit... tense around MC. They don't know how to navigate this and they'll eventually be ready to try──all they ask if for your patience and with time comes their love tenfold. (As fate would have it, it turns out.)

José likes the sentiment of having a Fated One, but putting it in their real world makes them a bit apprehensive. They don't like the thought of not having autonomy and while there's comfort in knowing there's someone out there just for them (and for them to give their heart to in return) the discomfort of not knowing can be a little much. They don't like the weight of expectations. It's difficult, when they make the choice to leave your side before your connection could really bloom─and it was certainly a tough decision─but they must believe that you'll come together when you're supposed to... they're just not sure if they actually do.

Ji Han grew up listening to the stories of these myths from his mother. It's something he yearns for silently. He wants you so much he'd do anything to keep you in his heart. But he's a gentleman first and lets you take the reigns──to go at your pace. In this world he might believe he can have his love at first sight, and if he has his way the sight of his love would be his last, to bless him for his next life to be with you once again.

With Fauve fate is... subjective. In this world she tends to wear gloves. She doesn't like the way she feels when she sees her string while she's... entertaining others. It's not necessarily that Fauve hates the idea of soulmates, it's just that she can't fathom that she'd ever get to meet hers. When she was younger she used to fantasize about her fated one, and her hopes for who they were always came crushing down when it never was who she thought, in the end. Upon meeting MC she may not even realise she just met her fated one until it's too late and after the decisions she's made surrounding you freezes her heart at the thought you wouldn't want her anymore. Dilemmas, dilemmas.

For Jackson, I've chosen to believe Fate gave him a second chance string. That his first red string led him to his daughter, Cilly, and the second will lead him to you. The problem, however, is that that first experience with Fate has left Jackson both weary and jaded to the idea. That while yes, it gave him his most precious thing, the live of his child, it also left him with a shattered heart and scars on his soul. Fortunately, he's not completely closed off, like Nate is, but like Detective Han he needs time to build up trust and let his walls down──for himself!

??? adores his string and the person on the other end of it. Growing up in the way they did left them alone most of the time, betrayed by their family and sent away. They hold out their hopes of love even when their body is cold from being so far away from you and worships the feeling of warmth as the two of you get closer once again.

Bonus! The Poly Routes

Jauve (Ji Han/Fauve)──They balance each other out very well here. Ji Han allows Fauve to accept and acknowledge her feelings towards Fate sooner than she would on her own──coming to terms with it more healthily and giving her more perspectives on how to goes about her choices around her fated ones than she does on her own. And Fauve makes sure Ji Han takes his time to properly love, to savour the feeling with time and introspection and creating connection before blindly jumping into it. They let's each other believe in more ways to love people, to bask in those feelings and to become better people than they thought they were capable of.

Eva&???──for ???, there's that sort of hurt in his chest at just how much they get to breathe when with MC and Eva. ??? never really thought they'd get to even have one soulmate let alone two! The build up of emotion they feel... is like it could burst out if their chest──explode their very being at any second. So they bask in the feeling of you, fingers digging a little too deep into their hold on your connection. For both of them it's all about second chances. It feels like fate has decreed to spare them more suffering and gifted them something so wholely special. Eva especially thanks whichever god's bound her to two beings, the scars and hurt from Nate seem to just melt away when you're around and she can finally relax her heart once again...

#peoplechangepeople🧡

#this might be a bit long... whoops #also sorry for the rant! this is just my favourite myth/trope/au to talk about and think about in ALL the ways!#also most these turned out to be so tragic... wtf me #radio kathryn if #all ros #c: nate nicks #c: eva vidal #c: mica hollens #c: detective han #c: josé danger #c: ji han #c: fauve #c: jackson lewis #c: ???#poly: jauve #poly: evijah

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earthbovndmisfit · 1 year

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I've been seeing lots of takes lately with people feeling hatred towards part 2 Speedwagon for being a greedy capitalist who probably exploited people and done some shady stuff to become wealthy because there was '''no way he could have become rich just from oil money'''... thoughts?

it's so disappointing to see some bad takes about the Speedwagon Foundation being some "acshually nasty organization" and about Speedwagon supposedly becoming some heartless rich man popping up again. And like, I shouldn't even be surprised at this point considering how the average "Jojo fan" mistreats Part 1 and 2 and alllll the misinformation they love to spread about them and about some characters in particular, often bastardizing them into wildly out of character versions and pretending those fanons are canon for whatever reason (being Speedwagon one of the characters that gets bastardized like that the most), sometimes just to make Blorbo Of Their Choice look better by throwing every other character under the bus, sometimes just because people can't be bothered to pay attention to the og if there are no punching ghosts on sight (and even then, Jojo parts featuring stands get misinterpreted a lot too).

This is gonna be long, so let me start by saying that if y'all really believe that Speedwagon somehow became some nasty ass rich man, then you're completely misinformed and you (and I say "you" in general and not specifically you anon) might benefit from rereading/rewatching the source material and actually paying attention to the plot and details this time.

Like, I've seen people assuming that the Foundation only researched the stone mask and eventually stand stuff, and completely forgetting that one of the literal main goals and also one of the biggest things the Foundation does is seeking for the betterment of the planet as a whole (preserving nature, wildlife, etc) as well as for the betterment of medicine and health care, actually seeking for the best for all humankind, this in addition to all the secret branches it has for the research of supernatural phenomena like stands, stone masks, pillar men, and so on in order to prevent as many incidents with them as possible and prevent the loss of as innocent lives as possible.

Sure, the people working for those latter branches might get into deep trouble sometimes whenever some jerk with a stone mask or a stand starts some shit, but, another thing jojo fans tend to conveniently forget is that those employees are working for the secret/non-public branches of the Foundation. We as audience know about them because we are let into seeing them working as part of the narrative, however, the public in general within the story DO NOT KNOW about the existence of those branches or what they do. Pillar men, stone masks, stands and the research around them are kept in secret in order to prevent any sorts of chaos and ensuing panic, among other safety reasons.

The people working for those branches are specialized or at least have some prior knowledge on those fields they work in (you'd think it is a MUST considering they are being let in on sensitive information that could be super detrimental for the planet and for humankind if it fell in the wrong hands), meaning that those employees already know and are fully aware of the kind of stuff they're going to deal with there from the start. They weren't deceived into it, and the fact that the employees remain loyal to Speedwagon from start to end and respect and follow his will, even long after his death, denotes that there was some deep and mutual respect and appreciation there, something you can't earn through exploitation, and definitely something these people wouldn't have done had Speedwagon been the heartless tyrant rich old man some people with a lack of media literacy want to believe and make others believe he was.

If people paid just a wee bit more attention to earlier Jojo parts, they would have realized it was all spelled out from the beginning too! Speedwagon expressly states from the very start his disgust and hatred towards the rich, being the Joestars the only exception to that due to them being genuinely kind persons, unlike most other wealthy people out there. He was also implied to have been dirt poor for most of his life and was also stated to have lived in the slums at least up to PB's main timeline. There were never any indications or signs that showed that he ever betrayed those roots of his by siding with the rich against the poor over the years. Instead, he's been using his funds to make the whole world a better place for everyone, not only by improving health care and access for all people as well as the environment (which would actually show a sense of duty from him as he is counteracting whatever negative impact his oil company may have had on the planet), but also providing all the aid he can against supernatural threats.

And not just that, but he's also kept some of his connections with the crime world over the years. However, rather than using those connections for selfish goals, he makes use of them to workaround the system in cases like Lisa Lisa's, where he used all those influences he had to help her go successfully into hiding after killing the zombie that murdered George (an undercover zombie that was actually a higher up within the army and who everyone believed to be a regular human, hence their chasing after her to make her pay for that "crime" she had supposedly committed). Additionally, if you know anything about big companies and organizations, you'll know that the law is also not always there to protect regular people, and sometimes, it will cater to the more profitable goals, as well as some businessmen actively being shady af and "hindering" their rivals for their own benefit. The Speedwagon Foundation being an organization that vouches and actively works for the wellbeing of people would have probably ruffled countless feathers among those who seek for a personal gain, to say the least (think of the hijackers that tried to kidnap him, as shown in the flashback in BT, i.e). This is also where those connections he keeps with criminals come into play, as there are never any mentions about Speedwagon doing shady stuff through them nor using them to pursue some personal goal, which hints at the fact that he keeps and uses those nexus as means of protection against actual enemies. Defense rather than offense, if you will.

Also, lets not forget that Speedwagon found his reason to change his ways when he met Jonathan, and that a lot of the things the Foundation does are things Jonathan himself would have gone into had he not passed away (the archaeological research, the deep studying of the stone mask -which eventually led to the discovery of the pillar men just in time before their awakening-, all in order to prevent more incidents like the whole thing with Dio from happening, and so on). It's downright silly to think Speedwagon would even think of betraying Jonathan and his memory by using not only the second chance he received from Jojo himself, but also using the literal monument Speedwagon built to honor the deep bond and mutual affection the two had back when Jonathan was alive for some selfish goal.

And also, lets not forget how disgusted he was with Dio and every single vile thing he did to everyone. Do you really think he would want to follow a path similar to his, in which people are just another step for him to walk all over?? If so, then you sure are completely wrong about who Speedwagon really is like.

Those "he became some nasty capitalist lol", pretending that Spw became some heartless and selfish wealthy man along the way for no reason, all despite the heaps of constant evidence the canon has presented, even long after Speedwagon's passing away in the story, that shows that that was never the case only go to show that people are lazy and that paying attention to the story and the details in it is just something some Jojo fans will actively refuse to do and then will make the worst bullshit takes up about it.

Also?? People do realize that it's possible to become rich and not be some piece of shit?? Like, sure, I do agree that most wealthy people irl ARE shit and scummy af, but there will always be a few exceptions, you just don't always see them because the real kind ones don't go around telling everyone about every single kind act they do, they just put their money to good use to make their own employees lives better, or invest/donate money every chance they get to some organization of their trust and so on. Adding to this, do you all even realize people can't just throw money out of the window and that as a business person you always need to keep some capital to actually make your business thrive and so you can continue helping other people out in this case where BIG SUMS of money are being put to use in favor of actual civilians and people from all walks of life??

((Edit to add yet another Very Obvious display that Speedwagon never sided with the rich, not even in his older years: Smokey Brown! The kid is literally a mirror of Speedwagon’s own younger self in that both were criminals from the streets in a large city (London in Spw’s case, NY in Smokey’s), immersed in crime and poverty and most likely having to resort to crime as a mean to survive in a society that was even more classist (and also racist, and this can actually be seen in BT when one of the mafiosos starts spewing shit towards Smokey due to his skin color) than it is nowadays, both having no known parents or family either and having been most likely orphaned/abandoned. Had Speedwagon been this nasty ass rich man, he could have simply ignored Smokey or treated him poorly, or could have even turned him to authorities, considering Smokey’s criminal record just for the sake of “preventing him from stealing from him” or whatever. There was literally nothing Spw could benefit himself from by keeping Smokey around like he did, which is a core trait in abusive/exploitative people. However, he never did any of that. Instead, and despite the reigning classism and racism at the time, Speedwagon along with Erina always embraced Smokey from the start and basically became his godparents, never letting the kid go back to his life in the streets, providing him with everything he needed and making sure he received a proper education, which was something very few people of color (black people, specially) could receive. And yet, Speedwagon and Erina made it happen, very likely using some of Spw’s influences to allow Smokey go to the school (and eventually college too) of his choice without any stigma or trouble at all and covering all expenses for him. -end of edit-))

If this was, idk, the Metal Gear series or some other media that revolves around the topic of politics, then the whole "cRaPiTaLisM!!! >:O" thing would have some weight and be plausible as it directly impacts the main plot of the story. But here?? In Jojo's?? Where the main focus as stated by it's author himself is the strength of the human spirit overcoming obstacles in the face of actual evil??? Try harder.

And, before I get That One Type of fans yelling at me that "people don't just get rich without exploiting people in real life!!"… do you guys realize we're talking about animanga series where vampires, funky stone masks with spooky powers, pillar men, stands, people who can use some ancient sunpowered martial art, plankton that can turn into a sentient person, and so on can happen, right? And yet I don't see anyone whining that "tHaT DoEsN'T hApPeN iRl!!".

And like, if this whole claim stems from disliking Speedwagon, just say you don't like him and move the fuck on. You don't need to try to justify your disliking for him or for ANY other characters, let alone making up wildly out of character bullshit about them to try to prove to yourself and to everyone else why according to you the character is "bad". I promise you it is not a big deal to simply not vibe with a character.

#the lack of media literacy among some jojo fans is overwhelming i swear #its sad to see people constantly and completely misreading and bastardizing speedwagon into something he's not #like all those LAME takes about him being some soft pure uwu innocent scaredy bby #or the 'topkek reddit funni meemz XD!' abt him that some ppl lazily/unironically take as canon #or these silly and also wildly ooc takes on the foundation and him in part 2 #really wish more people took the time to actually see and appreciate his character for what he actually is #sorry this got so long but i wanted to get this out of my chest bc i too saw one of those posts again and was like #BRU not this shit AGAIN #also.if i sound bitter its because i am genuinely sick and tired of the speedwagon slander and people completely misreading him #and turning him into something he is not and often completely ignoring him bc of that fanon image ppl have made of him #along with completely disregarding the fact that he's actually one of the most important characters in all jjba #and instead pretending or wrongly assuming that he was just some 'hehe funni meme uwu guy'#jjba #long post #bit of a vent / rant too #robert e o speedwagon #speedwagon #jojo #character analysis: speedwagon #phantom blood #battle tendency #speedwagon foundation #jojo's bizarre adventure #analysis: speedwagon foundation #character analysis #meta #ok to rb

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e-adlirez · 5 months

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Treasure Seekers 3 Review/Ramble

Welcome to the third and last entry of the Treasure Seekers trilogy :D

"Wait what?" I probably hear you ask. "What about the other four treasures they said the girls would find?"

And to that I say

yeah it do be a bit sad that they never made a book 4

But make no mistake, Legend of the Maze is a doozy of a third book, and I'd say it's almost on-par with book 1 if not surpassing it. Unfortunately there is no free digital copy of the book, so uh if you're down to spend a bit on a digital copy on the E-book site of your choosing or on a physical copy in a bookstore, I salute you for your determination.

As for the rest of you, you're just gonna have to trust me bro :] /j

Ready? Let's go :D (also this is being written by a sleep-deprived E running on hyperfixation juice so if you find any grammar issues feel free to let me know so I can fix them)

The story begins with the Thea Sisters touring the Capelletti House in Verona with their Italian friend/tour guide Sebastiano. Yes, this Verona.

So yeah Colette is fantasizing about Romeo and Juliet as a romantic ship, Vi is trying to kill her Santa by telling her that Romeo and Juliet are fictional characters (which Colette responds to with "oh hush I can dream"), and oop-- loose floorboard-- what's this package under the flo-- LE GAAASSSPPPP LANE LOOORRREEEEE

The girls fangirl about the ABL jumpscare a lil' too loudly and Sebastiano is a lil' confusion, soooooooo the squad goes out for some snacks outside the Capelletti house to explain stuff to Sebastiano

buckle up Sebastiano you're about to get two 300-page books worth of Lane Lore™

While listening to the story, it turns out that Sebastiano may or may not have heard a peep about a legend about a treasure called the Treasure of Eternal Love (adapted Scholastic name is "Treasure of True Love" which ew, snatches the original Italian name instead), which was said to have been owned by Juliet and tho a lotta people are trying to find it, they dunno where it is now. Sounds very Seven Treasures of the World to me :]

How does Sebastiano know a peep about this very obscure legend? Turns out he learned about it from a letter written by his great-grandpappy Jacopo, who was an archaeologist like Aurora :3

So Sebastiano invites the girls to dinner at his place so the girls can look for the letter. Vi don't get too comfy with the house library I know it looks very cool and antique but we got a goal and that is sifting through a lil' box of Jacopo's kept things and find some-- HOLY CRAP LANE LORE™

"Hi Jacopo, tysm for helping me with my research on the Treasure of Eternal Love, you're a real g my guy, regards from me and my sister Linda, also tysm for the tour of Verona."

-- ABL

The girls tell Sebastiano their findings over a dinner of bigoli al pomodoro, give some extra Lane Lore™ about Jan von Klawitz and Aurora's six sisters, and mention the possibility that Linda knows where the treasure is, which means that Luke is probably after it too, but also Linda might know where the treasure is, which means a lead >:3

First stop: Verona's city hall, where Sebastiano's friend Guido works and is able to help them with finding information about a Linda Lane who may or may not have lived in Verona approximately a century ago. They find a document that says yes, Linda did in fact live in Verona once, and also her address is listed there because legalities, y'know how it is.

So the girls head on over to the address, knock at the door, and are greeted by an old lady, and :0 turns out this old lady (her name is Mia) knew Linda personally.

Linda and Mia met when Linda was in her older years and Mia was a smol child. Mia would read for Linda since her eyesight deteriorated in her old age, and they hung out a lot together. When Linda left to return to England, she left the house to Mia, as well as a good chunk of the stuff she had in said house as mementos for Mia to remember her by.

Hey guys you wanna see a trick, it's called "the Lane Lore™ %", aka how fast can we get this old lady up to speed with the ABL drama-- /j

Unfortunately Mia doesn't really know anything about the treasures, but she does have this wack painting of a scenery in Japan that just won't align correctly no matter how much finagling you do to it-- oh there was an envelope inside-- LANE LORE™?

So the letter inside the envelope is a letter from Aurora to Linda basically Aurora telling Linda she found the Treasure of Eternal Love, but because Jan is on her tail, she left the treasure in the "House of the Sun" for now. Now, if you tried looking up "house of the sun", you'd get a hotel in Florida, a manga, a former Incan temple that's now a monastery-- you get the picture, it do be a weird detail and probably not it bro, besides Aurora's too much of a gremlin to be that obvious with her riddles.

At least if you're not a Shakespeare nerd like Colette is (the kind that never read past Romeo and Juliet's wedding), because if you were, you'd know that at one point Romeo equates Juliet to the sun rising in the east. Romeo is simping for Juliet, Juliet is the sun, ergo, the Capelletti house.

But uh, thing is we already went to the house and we already know that Aurora came back for the treasure and took it somewhere else. Sooooo might as well see what the last letter says--

"Hi so I'm on the run rn I can't chat for long because Jan is pissed and he wants to find me and force me to reveal the treasure, and I don't think I wanna know how not-kid-friendly this is gonna get if he does find me. Thanks for introducing me to your friend tho :D she's cool and thanks to her help, the treasure is safe and sound in the shade of the cherry trees! I'll come back for it one day, hopefully that day comes soon. Anyway, hugs and kisses, Linda." - ABL

Spoiler alert, despite having a beeg cherry tree on the painting, there was in fact nothing else hiding behind the painting.

LUKE TRANSITION

So Luke is doing Luke things, not touching grass as per usual. Cassidy comes by to give him a lil' souvenir from great-grandpappy Jan von Klawitz's house in London: Jan's old notes. Luke immediately dismisses Cassidy without even so much as a thank you -- Cassidy girlypop you're not scoring that man no matter what you do, he's the Adrien to your Marinette girlie we're only at book 3, you might as well accept your fate -- and Luke takes a lil' peek into Jan's notebook (he also calls his great-grandpappy "Jan", like just "Jan". I dunno maybe I'm just finding it weird because I'm Asian . .) for the goods.

And goods Luke does find, which he proceeds to consume like a goblin. Bit of Klawitz lore here:

"Grrr grrr stupid Aurora and her smartass tricks grrrrr who does she think she is grrrrr she beat me to the Treasure of Eternal Love in Verona grrrrrrrrrrrr well at least now I know how she works, I managed to find this friend of hers Jacopo, who definitely knows about the treasure even though he keeps playing stupid like I don't know that he knows Aurora. Something something cherry trees, I ransacked every single cherry tree in Verona and there was literally nothing, wth, Aurora why are you like this" - Jan von Klawitz

Luke responds to this seedy lore from his great-grandpappy with "hehehHEHEHAHAHAHAHAHAHH JAN YOU IDIOT, YOU COULDN'T SEE WHAT WAS RIGHT IN FRONT OF YOU BECAUSE YOU UNDERESTIMATED THE LITTLE PILOT GIRL, I ALREADY KNOW WHERE TO LOOK"

Cut back to the girls, and they know where to look next, too

It's Japan, i-it's Japan, y'know Japan's relationship with their sakura/cherry blossoms

Turns out Linda has a friend named Kyoko Bianchi, a Japanese-Italian botanist who was raised in Japan. Since Aurora mentions in her letter that Linda's friend came in clutch, she was obviously referring to Kyoko and now the treasure is in Japan.

So Japan transition :D (based on my personal experience in Japan and also a bit of canon continuity consistency, I headcanon that despite being written in English, this segment of the story mostly had the girls speaking in Japanese, a language they would know how to speak a bit of at least (and apparently Vi is conversational in Japanese so c'mooonnnn).)

The girls land at Narita Airport and take a train to central Tokyo (damn Kumi from Cherry Blossom Adventure you came in clutch possibly teaching the girls how to Japanese subway offscreen because they actually didn't get lost using it on their own :D). Kyoko's hometown was Tokyo, so might as well start searching for her descendants/relatives there. First stop: Shibuya.

Colette is playfully ribbed a bit for having a big-ass bag while everyone else only brought smol backpacks around with them, the luck of the girls not getting lost using the Japanese subway must be balanced out so Paulina's GPS decides now is the right time to be a dick, Shibuya Crossing, and finally they make it to the hotel where Amrita Bianchi, their first Kyoko descendant candidate, is at.

And this is the first time the girls come across the concept of cosplaying, I genuinely don't know how they managed to sidestep it for so long especially since they've been to Japan before for a student exchange, all I can really justify it with is that university has been kicking their a-- RATSUNE MIKU??

Gahd even in 2018 Italy there was no escape from her /j

Anyway so Amrita didn't know Kyoko, so their second candidate is Shinobu Bianchi, a guy living in Shinjuku. They find him-- or more accurately run into him (literally) on his way to work, try to explain things to him but this man is running late, so he invites the girls to follow him to his workplace. They find themselves in a cafe on opening time, customers start filing in before the girls can even tell Shinobu what the whole deal is, soooooo karaoke break :D

Vi c'mon it's not like there's much else to do while waiting for Shinobu-- what're you gonna do, sit there and wait? A-actually y'know what that sounds like something Vi would happily do but c'mooonnn Vi where's your sense-a humor :D

Thirty minutes of singing later, they finally get five minutes to explain to Shinobu what they're looking for and Shinobu says "sorry I dunno Kyoko, I am half-Italian on my dad's side, but my mom has a different Japanese surname"

So the girls Peter William a bit emotionally, Pam goes to what Scholastic is telling me is a kiosk but might as well be a 7/11 based on the banger food Pam got from said kiosk, the girls take a taxi to a Capsule Hotel (judging from the illustration it looks like the Shinjuku Kuyakusho-mae Capsule Hotel), and after a bit of dinner, Peter William into their capsule rooms physically.

The next morning, Nicky goes out for a morning jog as usual (she prolly slept with her capsule open so she wouldn't get claustrophobic), and she finds a gardener tending to a Kyoko Bianchi flower :0 like no joke that's the name, it's a K. bianchi, named after a botanist who founded the Fairy Garden (Disclaimer: neither the K. bianchi nor the Fairy Garden Foundation in Japan exist, they're fictional bits for this fictional story and that's fine :3). Nicky gets the address for the Fairy Garden, runs back to the girls who are having breakfast, and they head on over to the venue.

At the Fairy Garden, the girls meet a gardener named Toshio who happily shows them around, and despite not knowing all the Lane Lore™ (yet), he knows enough to lead them to Kyoko's perfectly preserved office, where the late Bianchi has displayed some pictures from Verona, as well as her furniture and encyclopedia collection.

After a search, they find what was presumably a haiku alluding to Jomon Sugi and the writer's voice being hidden in there, and one jaunt to the record of Jomon Sugi in Kyoko's encyclopedia collection and uhp-- a hidden cassette tape inside the volume!

On one hand, victory, the girls have found a VHS tape that is implied to have a personal recording from Kyoko Bianchi herself, so they're super-close to the treasure now :D

But on the other hand, they found a VHS tape in the year of our lord 2018.

Good news, Toshio knows a buddy who's super tech-savvy, and that's including tech things. Bad news, he's in Kyoto, which is about 445 km/283 miles away from Tokyo.

So the girls quickly take a shinkansen and some bento boxes to Kyoto :D (their wallets are probably sobbing in an 86-USD ticket per person)

At Kyoto, meet Ren, are lowkey surprised that his house is a traditional Japanese house as opposed to a modern flat but hey it's a pleasant surprise, and Ren is able to play the tape for them.

In the tape, Kyoko explains the Treasure of Eternal Love, how it ended up in her hands at the ripe age of 20 through Linda and Aurora, and some Treasure of Eternal Love lore, or rather Ring of Eternal Love lore:

Yeah sure Romeo and Juliet were fictional characters, but reality, so it goes, isn't that much different. The Ring of Eternal Love was a courting gift from a suitor to a bachelorette of the Cappelletti household. The suitor and the girl's families had hate boners for each other for a while now, but instead of spiraling into a destructive mess of family feuding and death like in Shakespeare's play, they decided to call off the feud so the two lovers could be happy together. And now the ring, as Kyoko puts it, has been passed down from her to "one who shows love every day, in every way, towards everything that grows from the earth."

The girls are happy they got to see the tape and its contents, but they Peter William emotionally once more because well, they're back to square one now-- literally the only clue they have is the thing Kyoko said, and what is the thing Kyoko said? It's cryptic and weird and h a h ? Ren offers to accommodate them for the night, the girls get to sleep on futons for the first time since Secret of the Snow, and the next day they decide to have some downtime vacay-ing in Nijo Castle. A vacay that results in Vi having an epiphany about the riddle and thus who has the ring.

Meanwhile with Luke, he's planning something. Something that's got Cassidy in Japan and putting her master's degrees in Engineering, Chemistry and Computer Sciences to use by assembling a drone (I'm wondering how Cassidy has so little braincells out on the field despite having THREE MASTER'S DEGREES like holy crap--)

Cassidy tries complimenting Luke on the motherboard he sent in from Alaska and-- ew Omar why are you here I thought Luke fired you-- ooh what's that package thing-- oi don't diss on Japanese people being polite, once you see the ruder options you're gonna be pining for that shnit-- wait what how's this drone gonna find the Ring of Eternal Love--

Anyway the girls plus Toshio and Ren take the train back to Tokyo (istg if they took the shinkansen--) and back to the Fairy Garden Foundation, where they talk to the current head gardener: Mr. Murakami.

Mr. Murakami does in fact know Kyoko personally, and after a bit of persuading (it involves a bord like many good things in this world), he decides to bring them to his hometown Nara (which involves a train to Kyoto and then a train from Kyoto to Nara which on the Kodama plus the cheapest option from Kyoto to Nara is-- CHEESUS CRUST 91 USD PER PERSON AND THEY HAVE TO GO BACK TO TOKYO AFTER THIS???)

ANYWAY Mr. Murakami takes them to Nara Park, where he hid the treasure. He brings the girls to it, he checks the hiding place and

It's empty?

Wait, the hiding place is empty?

WAIT WHAT THE HIDING PLACE IS EM--

Off in Alaska, Luke is cackling in his fancy custom-made not-gamer chair.

Mr. Murakami is distraught, most of the girls stay to comfort him while Nicky and Ren scout out the area. In their search, Nicky and Ren find a big broken drone that seems to have crash-landed in the garden, and oop-- LVK logo. It was probably used to spy on Mr. Murakami to snatch the treasure. "DAAAMMMNNNN YOOOUUUU LUUUKKEEEE" Nicky probably would've shrieked at the top of her lungs if she weren't A. in Japan (it's very quiet generally), and B. within earshot of poor Mr. Murakami, who's still recovering from the horrible shock. The girls, Toshio and Ren take the drone to Kyoto while Mr. Murakami stays in Nara with the fam to recover because man, he deserves the break :(

In Ren's house in Kyoto, Paulina and Ren get to work hacking into the drone to snatch its data, and they find that the drone's memory goes as far back as to being in Alaska for some reason. Why would an LVK drone be in Alaska? Unless-- :OOOOO SECRET BASE??

With that lead, the girls depart for Anchorage, Alaska (if I plugged it into Google correctly the price for the flight totals out at a 567-USD one-way flight holy crap girlies have mercy on your wallets-- not including the mini shopping spree for winter clothes Colette was more than happy to drag the girls on). Ren gives Paulina a little flash drive with some written code that could come in clutch in whatever shenanigans they end up in in that secret base of Luke's. Yes Violet as much as I think you're the only person in the group who seems to be concerned for your wallet, ya'll are nawt surviving Alaska with those summer clothes ya'll are wearing.

Behold, a long rest/14-hour timeskip in the form of the last two letters the girls have yet to read from Aurora to Linda. (Well the girls besides Vi, God's sleepiest soldier over here is eeping in the back before the flight's even taken off--)

(These are the real letters this time around lmao, if you're confused, Aurora addresses Linda in these letters via her middle name Amaryllis.)

Dear Amaryllis,

I'm very sorry that, because of my job, you are taking on a responsibility that is perhaps too great, and that puts you at risk.

It's all because of the greed of my former professor, a mouse who is incapable of recognizing that beauty should be shared. My dear sister, I have thought about it for a long time, and I have come to the conclusion that the best solution is to take the Treasure of Eternal Love from Verona, where it is not safe... and put you at risk. I am sending you a copy of one of the photos I hold the most dear, in memory of the love that binds us. I hope it will help you make the best decision...

Yours, Aurora

Dear Amaryllis,

You wrote me that you are making a decision about the treasure. I agree that the mouse you're planning to entrust it to is worthy of that trust, and I will wait for more news. But you must be careful, even when you write to me, to not mention names or places. We need to watch out, because my former professor is more alert than ever.

It seems that he's building an underground shelter for his riches, designed as a kind of maze to test anyone who manages to enter it...

Professor Jan is clever, and he's always loved riddles, puzzles, and mysteries. I wouldn't wish for any mouse to find themselves in his maze!

Now I must say good-bye, my dear. Sending a big hug.

Yours, Aurora

Once the girls land in Anchorage, Alaska, they rent an SUV, pull out Google Maps, read some of the brochures Ren printed out for them just in case, fangirl over a moose (Nicky that's not something to fangirl about have you seen what they're capable of--), and accidental secret tunnel discovery?

Well, accidental secret garbage chute discovery, anyway, since the one thing that allows the girls to not break their ankles when landing is some garbage bags. Food waste garbage bags no less :D Ew :D

Some old aircraft bits are found too which is nice but it's never elaborated on whose old aircraft bits those were so we're moving on to the girls entering Luke's secret headquarters and Nicky trying not to die from claustrophobia :D

CCTVs pose an initial problem, but Ren's flash drive comes in clutch and allows Paulina to freeze the cameras so they can go in undetected (Ren how do you know how to program that is there something you wanna share to the class--). One lengthy labyrinth later, the girls manage to get out of the "we're walking in circles" loop-dee-loop they wound up in and find this little room with a little lit fire pit and an ominous riddle involving the "elements of nature". Pam has the idea of extinguishing the fire pit, and sure enough, inside the fire pit is a key that fits perfectly into the door across the room.

And right after Pam turns the lock on the door, a trapdoor opens up beneath her and she falls into the pit below. It's padded, it's kinda cozy, but it's way too deep for the girls to reach Pam from above without a rope or attempting to risk falling in and getting trapped as well. The girls are very reluctant to leave Pam, but Pam unfortunately only metaphorically slaps some sense into the girls and tells them to go on because they've gone too far to back out now so COMMIT TO THE BIT GODDAMMIT

(you guys like the rhyme-y bits? They're kinda fun to write I do like the rhyme-y bits a bit <:])

And thus the girls minus Pam go through the door to the next room, where there's this swimming pool with a key inside it, which Nicky swims down for, assuming that the trap in the room will only activate once they get the key into the door leading to the next room. Obviously she winds up being very incorrect, as the moment she takes the key from the bottom of the pool, the water starts to drain away until all you got left is a sopping wet Nicky in an empty pool and the key to the next room, which Nicky tosses over to Paulina while asking for her shoes and her dry clothes that they packed. Colette is devastated, devastated I tell you at the idea of leaving Nicky behind, on top of having to leave Pam behind, but Nicky's got faith that the girls will pull through and come back for her; so Colette, Paulina and Violet move on to the next room.

A LOT of walking down a twisting hallway later, the trio make it to the next room (which they use Nicky's key for), and we got four pots with something or other in them, lighting too dim to discern properly what's in the pots, a button sequence puzzle with no margin for error, and a wack riddle. Oh and Paulina's tablet's finally died after possibly uh, 18-ish hours of not charging it. RIP Paulina's tablet, that's gonna be set aside in the corner for the time being.

The pots turn out to have different types of sediment in them, and the wack riddle turns out to be the clue to the correct sequence to input, so the three figure that out fairly quickly and slide down the chute leading to the next room. Except for Paulina, who had to get her tablet from that corner she set it aside in, and wasn't able to make it to the trapdoor-chute in time before it closed on her face, leaving her trapped "forever", as the wack riddle states. The one time you're told to stop holding it, man, unbelievable. I'm never letting go of my tablet again /j

Now Vi and Colette find themselves in an empty room, and they only realize when they get down that Paulina wasn't able to make it out in time. Now this entire time, Colette has been going through it. Of the girls, Colette's been taking the whole leaving-my-friends-behind-for-the-greater-good thing not well at all, and it culminates in an emotional breakdown. Violet comforts her and reassures her that they'll get the ring, they'll pick up the other girls and they'll get outa here soon, but they gotta be brave now for the other girls. (Kinda hard to capture in short and sweet words what the emotion of the scene was but oh well). After a bit of calming down, Colette and Violet look around to find themselves in a... surprisingly simple room? There's a door on the other side of the room from them, and besides that there's literally nothing but thin air.

The two go to the door and move to open it. Yeah this one's surprisingly simple. Just walk on over, pull the door open, walk o-- a gust of wind slammed the door shut . .

Yeah that's right. You ever leave a window in your room open on a windy day and leave your door also open, and the wind going into the room slams the door shut? Yeah, it's that multiplied by uhhhh how much is a vent opposite the door opening up just to blow f%#ken WIMDY-level winds just to slam that metal door shut? However that much multiplies that. The two find themselves in a situation where had all five of them been there to do this puzzle, it would've been far easier; but it is doable with only two people. The plan is one of them wedges themself between the door and the frame and prop it open, while the other crawls under the first person's leg. Transitioning to the second person propping the door open for the first person is gonna be a bit dodgy, but it is doable kinda.

Now Colette has been going through the ringer emotionally, and if you've seen this trope before, you'd know that it'd be a real damn shame if they lost their emotional pillar and had to carry the entire plan on their own, riiiiggghhttt? She's been the handling this situation the worst (emotionally), and it would bring her a belly of the beast to trump all bellies of all beasts and force her to do a The Next Right Thing (hot take: Anna's arc in Frozen 2 was really good), presumably after a lot of sobbing in the corner! It's perfect for angst, and it's perfect for empowerment to see Colette pick herself up and be strong for the girls and save the day!

Which is why Colette doesn't end up being the last one standing :D

Colette was the one who propped the door open for Violet, who crawled through to the other side. The plan was to have Vi switch with Colette so Colette can get through, but one thing they didn't take into account was the fact that the vent would slowly create stronger and stronger winds the longer the door is held open for, so Colette winds up allowing herself to be trapped in the air room so Violet can do the thing. (Oh and the plan was Colette's idea too.)

Heeyyyy Viiiiiiii~ Do you have some cash left over in your wallet? Because I think it's time for you to put your money where your mouth is :DDD

So yeah Violet continues on alone.

Also if you're wondering where Luke is this entire time, he is in fact in his base, still not touching grass and none the wiser about the whole five lil' rat girls sneaking into his base because of the whole frozen cams situation. He does technically notice something's off, but he thinks that the clock in one of the cameras is broken and he ends up complaining about it to Cassidy, haha L. It is also at this point where we learn that the girls have been in Luke's base for a little over three hours at this point :D

Meanwhile, Violet goes down the narrow metal staircase in the hallway outside of the last room and finds herself reminding herself to stay calm but also inside Luke's treasure room, where treasures of all shapes and sizes reside. From whole dinosaur skeletons to ancient Egyptian statues to paintings to suits of armor and-- holy shnit Luke has the Ark of the Covenant in there too o o yeah this guy means business holy crap--

The Ring of Eternal Love is in there too, the lone treasure in the set of seven empty pedestals that Luke was prolly intending for the Seven Treasures of the World. So Vi, clearly not having watched Indiana Jones Raiders of the Lost Ark, attempts to lift the glass case protecting the ring, which sets off the alarms in the treasure rooms, and whoa holy crap there's a robot voice speaking through the alarms? WAIT WHAT DO YOU MEAN FIFTEEN MINUTES TO SELF-DESTRUCTION

Luke, having the shock of his life, comes down to the treasure room to see what's up, and of course it's one of the five brats who's been getting in the way of his endeavors. Hardly a surprise, really, those five have been a pain in the ass from minute one of Luke looking into the Seven Treasures-- from stopping him getting the Alabaster Garden (he didn't even get to see what it was smh), to duping him with the most audacious of gottems to exist only partially due to his goon's stupidity, and now sneaking into the heart of his base without him, his cameras, or his sensors noticing. Strange how there's only one of them, though.

Just like Aurora Beatrix Lane almost a hundred years prior, this young lady is naive, morally stubborn, and idealistic. She is preaching out about sharing these treasures to all, even when the worth of these treasures comes partly in the luxury of not everyone being able to enjoy them. There is value in that sense of rarity, and it's not like any of the uncaring, ignorant whelps working in the museums look at the pieces that sit before them and realize the true value that they have the privilege of looking at everyday. They wouldn't care about them-- they would do the bare minimum to these unique masterpieces and leave it at that. And this naive brat thinks that they are more loving, more caring to these pieces than Luke is?

But as naive and morally pretentious and... ignorant of time and place this woman is (did she really not hear the self-destruct alarm and is thus willing to babble to her grave?)... she is clearly very intelligent. She was able to affect the base's security system such that she could come in undetected. She was able to get past all four traps without getting trapped herself. It is strange how she is alone here, though. She is usually with four other girls-- ah, that's it. They got trapped, and she left them, so she could get to the treasures on her own. What a show of common sense, that is! She must've seen that the traps were designed such that risking oneself to rescue a trapped person is just not worth it, and that first point already makes her far more intelligent than Cassidy or her buffoons could ever be. It could even be on-par with Luke himself. What if... perhaps....

What if they worked together?

Luke, after a bit of back and forth with Violet, gives Violet an offer to ditch her friends and become his partner. If she accepts they can divide everything between each other in the vault, and together, they'll be able to uncover the treasures of the world and enjoy them all to themselves.

I mean of course Vi turns down the offer in favor of sticking with her friends but y'know what it was worth a shot, Luke, kudos to you for spotting a gemstone instead of covering it with mud and pretending it's not there.

Heavily disappointed by Vi turning him down for the sake of "the power of friendship" (I wish I was kidding)(Scholastic!Vi's (?) words not mine)(I would be incredibly disappointed too), he turns to leave her in the treasure room, and it's only then that Vi realizes she kinda effed up. Luke is the only guy here who knows the base inside-out, and thus would know a way to get the girls out so they can Not Die. And to add insult to injury, Luke made a bomb shelter out of his treasure room, so the entire base may explode and the girls might die, but the treasures are gonna be completely fine. Intact, even. Luke leaves, and the robot voice announces ten minutes before self-destruction.

As soon as she's able to, Vi calls the elevator, juggling anxiety and being able to think under pressure. She figures out that Luke oh so helpfully uses pictograms for his elevator buttons instead of numbers, and presses the button for the control room (the heliport floor is locked by a key). She arrives in the control room, eight minutes before self-destruction.

Just as Vi enters the control room, the cameras get kicked back into action, oh so conveniently showing to Violet a timer ticking down to the big kaboom in real time, and footage of Nicky waiting anxiously in the pool room (and Luke leaving), for extra stakes. One Perception check said "yeah, this is a LOT of buttons, TOO MANY BUTTONS", and the tablet sitting on the desk required a password, so oh god what do

Six minutes before self-destruction and one panic attack later, Vi manages to psyche herself up enough to roll for Investigation. She finds a button for disarming the traps, and that allows the girls to get outa the traps and meet up again in the treasure room. Happy reunions aside tho, four minutes to self-destruction

Turns out the girls (thankfully) didn't know about the self-destruct situation. No need to explain tho because Vi is deadlifting the group braincell like she's never done before. She drags them down to the base's... basement, where a train that was probably used to carry the treasures into the base sits unused and ready for the girls to figure out how to work. Three minutes before self-destruction, no pressure :D

Pam sits at the train's controls, Paulina tries to help but immediately brain crashes at the old-timey controls, thus deciding she'd rather help Nicky get the bars off the rails up ahead. Two minutes left, and Pam figures it out and is ready to-- wait they need electricity-- okay cool Nicky and Paulina are taking care of that, cool

Pam gets the train to start up, Nicky and Paulina manage to hop back into the train, and escape the base's explosion range with about ten seconds to spare :D

After stopping the train in a spot where their braincells could afford to deflate, the girls take a minute or two to breathe y'know, just take a minute to breathe, nibble on some wild raspberries growing in Denali National Park, before figuring out what the hell their next move is.

Vi suggests they tell the authorities about the whole secret-base-under-the-park situation and the treasure room and the stuff inside it (since Luke oh so foolishly gloated to Vi about the treasures being perfectly safe), on top of removing the train so it's not getting up in nature's business. They head back to the car talking about their adventure, get a bit sad that they weren't able to find the Ring of Eternal Love-- and oop just kidding, Vi pocketed it in the treasure room right after Luke dipped :D

So on top of the girls escaping with their lives, not only is Luke gonna lose the Ring of Eternal Love as quickly as he got it, he's also losing his entire treasure vault. Can I get a ripperooni

And that's Legend of the Maze :D

I would say that the hyperfixation-that-consumed-these-girls'-lives-for-a-whole-week energy is very strong in this one in the best way, and the girls' personalities are at their most showcased here. The banter is bantering, the girls' dynamics with each other is very believable here, Vi is carrying the group's braincell the entire time and she looks like she's a bit tired from carrying it but y'know wut she's still willing to carry it because it's honest work and she knows how important it is to have it :3 also her trying to kill Colette's "Romeo and Juliet are so romantic" Santa but failing miserably because Colette unashamedly likes believing in the power of love is hilarious

The main thing I wasn't sure about was.... all the infodumpy bits? The infodump goes a significant bit harder in this book than the previous ones (even more than Compass of the Stars, which is an achievement), and it's Scholastic-style infodumping, so you get the girls calling Luke an "evil mouse" or "selfish mouse" and I'm sitting here like "just call him sewer rat please ya'll had no problems calling him that before please for the love of god use that instead it sounds better--"

Don't even get me started with Amrita Bianchi explaining to the girls what cosplay is like she's the damn Merriam Webster dictionary--

Also the Japan segment with y'know Japanese culture and stuff had the terms localized for some reason??? Like haori became "dark jacket", kimono became "long, elegant Japanese dress", they didn't even mention Ren's hakama (he was wearing a very traditional Japanese look), they felt the need to explain bento boxes as "typical Japanese portable lunch boxes" even though "Japanese lunch box" probably would've gotten the point across just fine and also there was an illustration of the bento boxes, Japanese characters became "logograms" for some reason, and dango became "rice dumplings" which became infinitely more confusing for me because the illustration made it look like takoyaki--

I could go on and on but yeah, there are a lot of these and it felt very infodump-y to me. I'm hoping it's just a translation thing, because the story overall feels pretty solid. Scholastic, what happened to the asterisks? Were they just too much for one page? I feel like you would've been able to squeeze them in just fine to make the reading experience a little smoother,,, just like, so it's an optional thing for the reader to read the mini-infodump of the term if they dunno what it means,,,

Other than that tho I don't think I have much to complain ab--

COUGHS GAGS SCREAMS CRIES WRITHES ON THE FLOOR

(I have the magic-of-friendship-invocation tolerance of an angsty teen I'm sorry :'3)

Scholastic, buddy chum pal buddy chum buddy chum pal,,,,

You could've had Vi say "the only way I got here was thanks to my friends", and it would've been fine and infinitely better-sounding and probably more in-character,,, o<-<

Gahd I hate it when Vi's used as the power of friendship prophet -m-

There's a more minor one as the girls are going back to the car and Vi is telling the girls about the deal Luke offered her, and the girls ask her what she said, and she says "I told him I already had the greatest treasure in the world... true friendship!"

Meanwhile I'm sitting there like "MMMMMGGGGGGHHHHHH 'friends like you' or 'sisters like you' or 'my friendship with you' would've sounded better -m-"

(Also the girls call each other like "friends", so like "you were in fact right, friends", which is like, what happened to "sisters" or "girls" those work perfectly fine and get the girls' close relationship across significantly better than "just friends")

Most of what I'm saying here tho are just nitpicks and probably (hopefully) are just stuff with the English translation-- in all seriousness, the book is pretty good.

Aurora's trail here makes sense and is rather logical, and the interesting thing I find about it is that it feels different from the previous two books' worth of shenanigans. Aurora in this one had far less veers and nation hopping shenanigans, and I feel that it was perhaps intentional. Perhaps to give off finale vibes-- Aurora works far more closely with her sister in this one, and the main thing the girls had to work with was not Aurora's diaries, but the letter she wrote to Linda when they were discussing the Ring of Eternal Love. Something about it feels closer, more intimate, more tragic than the previous ones. I felt the need to put her last to letters in the book verbatim because they were emotional dammit -m- Damn you British Amelia Earhart you've done it again /lhj

Luke's character I think is the strongest here. He gives off in a way the most... normal? Vibes here? He's still not touching grass and muttering to himself ominously a whole lot, but his mindset is nice and easy to wrap your head around here. He literally doesn't care about his goons unless he needs something from them, he is more than happy to overanalyze the crap out of a piece of text if he feels Cassidy didn't look through it thoroughly enough, and he wants what he wants right away, and that includes the things he needs to get the thing he actually wants. He as a character literally observes everything happen from his base in Alaska and backseat gamers the crap out of his goons if he sees something they didn't, or if they fumbled the bag and it was perfectly avoidable had it not been for SM being SM--

Also his blatant disrespect for his great-grandpappy Jan is holy crap haha-- it might just be my cultural background, but when I saw Luke call his great-grandpa "Jan" and then say "you disappoint me, Jan", I was flabbergasted haha, not a criticism I just wanted to mention it because I thought it was funny

I really like the fact that Stan and Max (aka SM) didn't show up at all in this book. It would've been easy to have them show up for regularly scheduled hijinks, but in Luke's mind, none of SM's operations have ever been... up to Luke's standards. Especially with how much of a ruckus they tended to make with their presence, they were more of a liability to Luke than an asset; therefore Luke changing up his strategy to be as hands-off and clean and non-intrusive as possible feels like something he'd do, what with how laser-focused he is on min-maxing efficiency to get what he wants as soon as possible.

Omar still being there despite being "fired" might just be a Scholastic oopsie so I can forgive it, Cassidy is still simping for Luke and trying to impress this man and trying to prove she's at an equal level to him, but every time nah. Just nah. Girlie you think you're on the same level as him, which can't possibly be further than the truth. I haven't seen Miraculous Ladybug, but I'd bet Cassidy has even less of a chance of impressing Luke, than Marinette had a chance at getting Adrien to see her as more than "just a friend" before they finally got together.

Now here's something I've been wanting to ramble about for a while: Violet being left alone instead of Colette. It's actually pretty clever when you think about it: Colette is the closest the girls have to a heart (tho she plays hot potato with Paulina when it comes to that role imo), so she's been the most emotional and the most sentimental of the group this entire time. From daydreaming about Romeo, to wanting to believe in love, to happily picking up a microphone to sing karaoke with the girls, to her strong reactions to having to leave the girls behind one by one for the sake of their mission, Colette was being set up for a moment where she is the one who is left alone. You see it a lot in media: the main character is the most sentimental one and as their friend squad make their way to the Big Bad Evil Guy, the supporting characters are forced to get left behind one by one to either hold the evil minions back or because there's no way for the character to move forward with the MC; so the MC is forced to go through the five stages of grief knowing that their friends trust them to get the job they'd set out to do done. It literally happened in Geronimo's third Kingdom of Fantasy book Amazing Voyage, and in that one Geronimo was the one who desperately didn't want to be alone, but he wound up carrying on alone anyway. You see this kinda thing everywhere.

However, in this bit, it makes total sense that Violet is the one who ends up carrying the last leg of the journey alone instead of Colette. Compared to Colette (and honestly the rest of the girls), Violet is the most level-headed. She's the girls' braincell keeper (in this trilogy), the babysitter holding the leash tied to the four gremlins, the one keeping everyone on track and also making sure that the group's collective ADHD doesn't spiral down as badly as it could possibly be. Whenever the girls make a big move that could affect the whole group, Vi is the one asking if it's a good idea or if it's worth doing, and she's the one thinking ahead enough to say "if x happens instead of y, what then?" You get the idea-- Vi is the most capable of keeping herself level-headed even when she's under all this pressure, and she's good at analyzing and planning on account of her often taking the position of the quiet observer.

With this context, it sort've makes you wonder what was going through Colette's head when she offered to help Violet get out of the air room. Violet and Colette in particular get paired together fairly often, and it's probably because of how well they're able to understand each other-- so with the plan, was Colette volunteering herself to prop the door open out of "it was my idea" courtesy, or was she thinking that maybe Violet would be able to figure things out better and thus needed to get to the other side? She probably was expecting to get to the other side with Vi, but would she have thought far enough ahead to a what-if where that wasn't possible? :3c

And Scholastic and power-of-friendship funkiness aside, Violet did handle the situation well, all things considered. The one bit where she only realized Luke was hers and the girls' only ticket out of there was a bit weird, but it can be chalked up to her not being able to take that into account in the moment because of a mix of stress, sheer bafflement from Luke's deal, and the fact that when put on the spot, observers don't exactly handle taking the driver's seat that well :'D (speaking as an observer myself here)

It makes me wonder a bit if Violet and Luke were meant to be foils of each other, what with how similar they are to each other (both of them being observers and planners who delegate more often than they do the work themselves), yet different enough that the contrast between the two is striking. Said difference being

Violet touches grass. Luke does not :)

Anyway so yeah, that's Treasure Seekers 3, and while it is kinda sad that this is where Treasure Seekers ends, y'know what? It gave a solid show as the last installment in the trilogy. I liked it, I liked the canon compliant blorbo angst, I liked the characters character-ing when the dialogue was letting them breathe :]

And of course, we can't forget

God's sleepiest soldier <3

She deserves that nap after what she went through and you know it--

#geronimo stilton #thea stilton #thea sisters #violet conked out the moment she got into the suv and the girls drove off to plan stuff out. change my mind /j #there's a bit where nicky fangirls upon seeing a moose like she suddenly turned ten and like #she inched closer to the window to see it better but violet was like “hey you're squishing me”#and nicky was like “sorry vi.. i got a bit excited.... y'know how much i love nature”#and vi in this moment where she gave straight-up the most mom vibes #was like “here let's swap seats"#like UEUEUEUEUWAAAAA....#also like remember the bit where colette wound up lugging a big-ass bag around with her while the girls had smoller backpacks #well surprisingly it backfired but not in the way you'd think #the rest of the girls were basically stuck wearing the same clothes the entire time #meanwhile colette was happily not having to deal with wearing clothes that weren't accumulating sweat from having to walk around #if not y'know because of japan's heat #i wrote this while i was sleep deprived so maybe i missed more than a few things in this review that i wanted to say because forgor #maybe i'll end up editing stuff in here a bit after like #i'm more awake #but yeah <3 #if the infodumpy bits and dialogue quirks are the same in italian i will cry /hj #*psst hey angst lovers wait for my next post i got something for you*#wait for like #when i wake up and hopefully actually get to sleep tonight lmao #before i go consider #alternate scenarios where any of the other girls end up in that same situation with luke #i'll leave those ingredients on the counter. take them and use them however you wish :3 #book rambles #book rant #book review #rambles

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