#sorry if this is rambly and disconnected

[alchely]

I think we all fundamentally take Ian and Mickey's final episode in S2 wrong...

If we just take the "warm mouth" scene alone at face value then sure, Mickey is absolutely being deliberately cruel to Ian.

But let's look at how Ian takes it in the wake of that exchange, he talks about it only once in the next few episodes, and he says to Mandy that "Mickey thinks I pussied out" [on killing Frank] and he thinks he 'kinda' did.

This is Ian and Mickey soulmatism "we just get each other on a molecular level", so their thought process is somewhat inscrutable to us on the outside, but I think, in a way, that Mickey was already pretty serious about his relationship with Ian in season 2 and seeing Ian not willing to "fight" for them to be together felt like the ultimate betrayal.

Let's not forget that in that initial scene right after Frank discovered them Mickey was talking in plural, 'we do this, we do that'.

Seeing Ian refusing to help him the way he needed to be helped was definitely something that hit Mickey hard and caused him to lash out.

And it's not like Ian wasn't trying in his way! He was going through what he thought was the safest route to keep Mickey around cause he also cares a great deal about his not-boyfriend (let's not forget that the point of not killing Frank isn't that he turns his nose up at patricide but that he didn't want Mickey to go to juvie).

By misunderstanding his actions and not giving him time to explain Mickey jumps the gun and says what he says, and he's only able to see reason months later when nothing happens from the safety of prison.

There's obviously that other layer to the conversation, that Ian fundamentally doesn't understand the severity of the risk for Mickey and just how afraid he is ('we've got nothing to be ashamed of' 'what fucking world do you live in') because their families are so different, which will bite him in the ass later.

Mickey coming back to Ian in S3 the way he did, I know some people found it weird that Ian was immediately on board when their last interaction was what it was (cause we're fixated on the "you're nothing but a warm mouth"), but what they don't get is that this is Mickey forgiving Ian and giving him another chance, not the other way around.

Edit: I also don't think that that whole situation was swept under the rug either, Mickey learns pretty quickly that Ian isn't at his beck and call anymore at the beginning of S3, despite what their initial reunion suggests, that he's got "options" (yes Ian was doing it to make him jealous, but he doesn't know that) and I think that was him learning that in S2 he had pushed Ian too far away, that his words and actions had consequences in the relationship.

[butterfly-ribbon]

been thinking of ppl saying that mizuena should've been in a yuri or josei manga that isn't popular which is a sentiment i understand bc yes a hypothetical mizuki akiyama that exists in a yuri or josei manga would probably have her transness made explicit i guess (absolutely not guaranteed tho imo considering the amount of transfem manga i've read that quickly veer into third sexing u_u) but even if i accept this premise at face value i'm not fully onboard with it bc i feel like her character exists best in something like prsk bc she exists as a response to trans girls being into things like love live, revue starlight, bandori, etc. it's in her metanarrative…

not saying gacha game writing is always good … a lot of ppl often say it's frustrating how much it expects you to fill in the gaps (bc that's part of audience engagement) and ena5 was arguably gachapilled abt it but i think it makes sense. gacha thrives on implied queerness bc even when the writers are passionate about what they're writing abt they can't risk alienating executives and wider audiences bc writing queerness in something 'mainstream' is often complicated? so it's not always the writers' choice? i think mizuki is pretty Explicitly transfem though. the only "issue" with her writing to me is that they don't let her say this, which i also only consider a problem /at all/ bc when she's outed it's pretty explicit? gacha often has very character driven writing … the queerness is often also an Audience Draw. i wish they would at minimum call mizuki a girl. textually. i want ena to call her a cute girl … though considering how many ppl go "ano ko", she's getting called a cute girl all the time lol.

with that being said, i think the picnic event is one of my main examples of things that make me go,,, mizuki's character works best in the context of something like prsk as a response to things like bandori bc it's about a tgirl vs cgirl idols. that mixed events inherently highlight mizuki's circumstances as "othered" by society around her and the inherent complications of her own life vs others. ppl compare mafuyu and toya sometimes also but it's so bare bones by comparison bc mafuyu is literally in a dissociative cPTSD fugue at all times. it's about so much more than being forced into a life goal she doesn't want. everything about how her mother has raised her has warped her as a person. made her unable to see healthy or more objective realities. mizuki and mafuyu both have wanted desperately to die and disappear. mizuki even now … struggles so much with that and being around "normal" ppl is hard for her bc of it bc no matter how she tries, she can't be a normal girl. an average girl. so she has to be abnormal or exceptional. no in between. how she exists in contrast to bandori is so genuine in that engagement with gender and i specify bandori bc it's colopales other game.

going back to the picnic event i love the moment when they're eating the food airi prepared and talking about how airi and shizuku are "idols who are capable of bringing others hope", but then mizuki quickly goes from admiration to somberness, wishing she could be the same as them ... and even when the others bring up the music she makes with her circle it doesn't do much to cheer her up? it reads so much to me as a trans girl struggling with an inherent sense of inferiority amidst cis girls who have never had their own girlhood questioned in the way she has and can thus take so much for granted! ena might be really ruthless and mean in a way that is atypical of femininity and airi may have struggled with not being traditionally feminine and was bullied for failing to act out "proper" girlhood, but she still has a very different experience from mizuki and neither can compare to the constant transmisogyny and degendering that mizuki constantly has to go through every day and having her identity denied so vehemently on a systemic level.

it's so pointed to me bc mizuki is an idol fan and has that genre awareness ... the way trans girls often connect with media like mahou shouio and idols but despite their love for it, still feel an inherent sense of alienation due to being an Other ... bc there's a separation between "liking these girls and these things" abstractly versus actually meeting them, and i think it's interesting that there's literally no way in the context of this game that any of these girls could be idols and trans, specifically bc mizuki is a trans girl who can't be one and this game predicates a major portion of its story around mizuki As A Trans Girl! if mizuki tried to be an idol, she'd be outed and harassed! that's a fear she already has to live with when she's making music with niigo even though it's safer due to its anonymity. transness and idols don't have to be disconnected of course, but her being a trans girl who's a fan of this stuff who's disallowed the opportunity to directly take part in them is So fucking important. her engagement with all of this.

this is an event about ena's relationships with other women but also how mizuki exists in the borderlines of girlhood ... how no one else is so prepared as she is for things going wrong and how much she has had to take on undue responsibility in the world at large just to "exist"... she's protected at home but everywhere otherwise, she always has to take responsibility for how others see her, how others project onto her, how others expect her to act, and the event ends with mizuki still declining ena's offer to join the group call with airi and shizuku bc it didn't resolve anything ... bc simply repressing her own insecurities and fears in the moment to rescue ena and airi bc it's more important to act didn't help in the grand scheme of things when this is something mizuki is always expected to do! ena did it out of kindness, but it's terrifying to be invited to a group trip with her childhood friend who is actually a cool and beautiful idol, and then for another beautiful idol to be there. and both of them are so pleasant and sweet and nice. how is mizuki supposed to interact around ppl like that, after all?

the mizuena in the picnic event is so fucking vital bc of ena trying to give mizuki comfort but making her more and more discomforted, which is good buildup to my footsteps, your destination. it's about how mizuki still exists on the fringes of girlhood even when someone is actively making effort to make her feel "included" and the invisible yet uncrossable barrier that exists between her as a trans girl who loves things like idols and idols themselves (who are predominantly cis girls). airi and shizuku are very sweet! but it's… kind of agonizing, bc airi was already ena's "friend" and mizuki feels like she has no place in the lives of others and wouldn't deserve to be ena's friend if ena found out about her transness, which is why she clings to the plausible deniability around her gender status. airi is someone who can bond with ena and be close to her much more easily bc of their shared experience with misogyny, but this is something mizuki has to struggle for much more even though the misogyny she struggles with is even more Amplified due to how the [trans]misogyny she experiences is often denied and erased even among other girls...

[snatcher-no-snatching]

very annoying getting into a fandom where most of the audience seems to be on the younger side. there are so many concepts that are completely normal that just seem outside the realm of possibility for a teenager to even comprehend

I see SO much "how could anyone like this character, you know he's like 40-50 right?" and "how could anyone like this character, he's fat!" and "how could you like this character, he's a villain!" and so on so forth. Like, are you new here? I can only assume yes

[mapicccc]

"you can't complain, it's a force of nature."

kab says this, and yet, I think it is entirely what she is missing. she is trying to control balance, to control the server, while missing that this has always been up to the server. Yes, there is a large heart gap, but we can actively see players trying to overcome it and bring down those on top. that is in the nature fo the server. if one person controls it, where can conflict exist? karma's law goes against the servers way of working, and ultimately I don't think it will do much of anything.

[milolunde]

We all know Timmy is Wanda’s mama’s boy but we need to keep in mind he’s still Cosmo’s kid too and that Cosmo would love him just as vehemently as Wanda

[violetsandshrikes]

how do you help so many different kinds of people? i have noticed you know about lots of different things and meet lots of different people. i want to do that but i cant figure out how? /gen

A little bit of background is probably needed:

I have had people ask me this before, and honestly I had a little bit of a cheat code. While my life has been filled with a lot of trauma and bad shit, I was raised by a mother from an incredibly leftie family who walked the talk when it came to values and doing the work.

She had a lot of ideas imparted on us from a young age: social and community responsibility, ideas of collectivism, eduction. Even as a poor, trapped young mother, she was believed that many people behaved badly based on ignorance outside their very limited bubble, and that when life became difficult economically or socially, people would immediately point fingers at groups they knew little about or saw as distinctively different in order to have a blameable target.

From about 4-5, outside typical schoolwork, my mother also taught us about the world. This included different conflicts and genocides (which may sound horrific to some people, but basic information and explanation was given, and then it got more in depth with age), different countries and cultures (often she would randomly select a country from a world map, and we would spend a set amount of time learning everything we could about the place, culture, people, etc), different religions (I attended many different types of religious institutes at least once, and my mother often found people willing to talk about their belief system with us), volunteering, etc.

I have definitely had a head start and a lot more guidance than many people, which I am incredibly grateful for. It can also make it difficult to advise though.

Realistically:

Honestly, the two best things you can do if you don’t know where to start are: listen and learn. Find any local group, start participating and volunteering. Listen to the stories of people there. Ask questions. Expose yourself to all sorts of different ideas and opinions.

In the last year, I’ve started doing a little throwback to my childhood. I have a schoolbook, and I choose random topics, and spend a few hours every week learning basic things about it. Choose a country, choose a place, a time in history, a religion, a culture, a people. You don’t have to be a scholar. You just have to expand your horizons.

As you get involved with more things, you will begin to narrow down your core values. This is good: you can’t do everything at once. I would say roughly 2-3 core issues or topics you care about is good (this doesn’t mean that you don’t care about things happening outside it - it just means you don’t spread yourself thin). There’s different things people make their focus: LGBTQ+ issues, BIPOC issues, environmental issues, homelessness, disability, refugee issues, etc. Your core focus will be the ones you feel most passionate about, which is good, because it means you will put in genuine work and care, and you will lower the risk of burning out fast and being of help to no one, including yourself.

You also have to get comfortable with the fact you will never be perfect. You will never be up to date with every idea and practice. There is always something you will need to learn or unlearn. Becoming rigid about being correct all the time will make you more of a menace than a help to any reputable movement or group. You might feel uncomfortable when you realise the gap or misunderstanding you had - that’s normal. Be open to learning and expanding your understanding of things vs burying your head in the stand stubbornly. I say things and then months later I realise that actually, I don’t agree with that anymore, or my understanding has deepened, or changed, or pivoted. This tends to make people feel very bad or uncomfortable, but you have to get to the stage where again, you acknowledge that that’s normal.

[sorikufeels]

https://www.tumblr.com/pondrea/748403783611105280/dont-you-recognise-me

amazing art by pondrea (link above!!!) got me feeling things (the art is so good op!!!!!! 💚) and now i need to yap about this scene lol it’s of the moment zexion disguised himself as sora to riku in com.

(i hope it’s ok to post the link here! let me know if not!)

i’m CONVINCED what zexion said to riku as sora this still haunts riku to this day. it wasn’t even sora who said all that, but i’m sure the fear of how it played out in com actually playing out with the real sora scared riku to death. the fear of this happening led to him walking away from sora first, not even giving him the chance just in case there was a repeat scenario. sure, there was a lot of self hatred and feeling like he didn’t deserve to see sora as well, but the look on riku’s face tells you that this scarred him. this was his biggest fear. he rather fade to darkness than go through this again and isn’t even willing to risk that it could go another way.

anyway, this is just context for what i actually want to talk about lmao

so this is probably one of worst moments for riku right? utterly rejected by his best friend and now that friend was willing to kill him for who he is now. and it wasn’t even real.

but you know who that was real for? sora. in hollow bastion. utterly rejected by riku. his only means of defense taken, basically left to die. and then riku fought him tooth and nail until he lost and sora let him run away.

you know who got closure for their version of this scene? riku. he got it when sora fell to the ground on his knees in the world that never was, when he said he looked everywhere for him and told him he was still riku no matter what. sora told him exactly what he needed to hear to reassure him that sora didn’t think any of things riku feared he did. sora telling him specifically that he was still riku no matter what showed riku that sora stills wants him around. even if he looks like their enemy and even if he did some real awful things, he’s still riku and that’s enough. riku as he is is enough for sora. always has been.

you know who never got anything like that? sora. in fact, the conclusion that sora found to get him through is that he’s not enough. his friends are his power. alone, he has no strength. he only made it through by relying on a complete stranger he managed to befriend. if beast wasn’t there or if he refused to go with sora, would he have survived? he had magic but that would run out eventually. would he have even made it to the room he fights riku in?

i don’t think he thinks he would’ve. in kh3, he says alone, he’s worthless. he’s held that sentiment this entire time. no one told him otherwise. (until riku’s sacrifice but it’s murky about whether sora even remembers that at this point. but even if he does, it wasn’t like the scene in the world that never was. sora was able to dictate exactly what riku needed to hear with no imminent threat and riku was not emotionally compromised like sora was in the keyblade graveyard. riku was able to process everything sora said. that is a far cry to sora screaming in agony over all his friends dying, sora believing wholeheartedly that he's nothing without them, and riku just saying he believes in him. sure, thats what sora needed in that moment to save everyone, but it's not a response to his fears and insecurities established in kh1 like how what sora says to riku is a response to his fears and insecurities established in com.)

at this point, i think it’s obvious that sora knows riku’s changed from kh1 and that he doesn’t believe the same things. sora knows he cares based on his actions and how he saved him too and we know as an audience how dedicated he is to him. but it fucks me up to think that riku got that verbal closure while sora never did. that riku got to start healing from that awful moment but sora really never did.

just,,,, please please please please let them talk about what happened in kh1 i am on my knees begging

extra thoughts: didn’t think of this at first so sorry it’s a little disconnected, but maybe the reason riku is so horrified in that moment in com is because he realizes this is what he put sora through. maybe he made this connection himself and feeling what it was like to be on the other side of it, on sora’s side, horrified him. what’s worse, in riku’s mind, is that riku deserves to be in this position and deserves to be rejected due to his past actions. but sora never deserved it. maybe that contributed to why the self loathing spiral got worse after com.

[crybaby-bkg]

I started crocheting my first blanket today and my hand hurts so unbelievably bad and I’m not even a quarter done with it 🫡🫡

[ollierachnid]

I just know they cannot stand each other

[celestialrealms]

from barbatos’s 20 intimacy phone call

i feel like this more or less confirms diavolo was quite young when he “convinced” barbatos to become his butler. (i feel a bit vindicated by the fact that diabarb has always been a squick of mine lmao) 

anyway so ignoring the context of this call (which SHOULD have been longer!! justice for barbatos!!) time to ramble about their relationship for a second hfdjfdhdf

i’m honestly kind of emotional about the fact that while, yes diavolo is a demon and does demonic things... both the narrative and characters like solomon will make a point to show that by the standards of demons, diavolo is a good person? And you can tell how much barbatos loves him even if he considers (or says) serving him is a selfish act of atonement 

idk this is incoherent, but something about the found family dynamic between the character with objectively the most “demonic” history and diavolo who is trying to change the devildom for the better and, YES, is framed as being objectively morally “good” for a demon gets me SO MUCH. this is honestly my favorite familial relationship in obey me 🥺

[adarkermiserablecrow]

It's so interesting to me how differently the two 'sides' of this ship war can spin the same scene. I've read posts about the armchair/couch scene from both sides of the aisle and let me tell you, if I didn't know it was the same scene I would not have easily guessed

[theplantqueer]

learning that sometimes a death makes u wanna treat everything with tenderness

[hollytree33]

I’m back!!

[mitsuristoleme]

hi

just a warning this might be a bit long so

im not sure how many people are gonna see this but

i think im gonna abandon my blog for a while

ill be back (again im not sure how many of you care)

i started this blog because i enjoy writing and dont get me wrong i still do. but its doing me no favours watching fics that i pour my heart and soul into, get barely any notes

i have a lot of thoughts regarding this that im not going to voice

but anyway

bye for now

[wildstar25]

idle thought: when did Arsay first find out about huntspeak? About it being an old traditional miqo'te thing etc? (also how does she feel about the whole idea of miqo'te tradition stuff just generally, is it something she's curious about, something she wishes she'd learned about growing up, or is she largely indifferent about the whole being miqo'te-ness, her place in the whole keeper-seeker dichotomy and all that?)

Oh great question! Well, she sure as hell did not learn it from Emrara. Despite traveling with Arsay's parents for X number of years, Emrara never really picked up that much knowledge about Miqo'te tribe culture and customs. I think Arsay would have first heard traditional Miqo'te huntspeak during her first trip to the Forgotten Springs while she searched for the former company of hero's member U'odh Nunh. Most likely she overheard some of the huntresses chattering to each other about a pack of sand worms roaming too close to camp. She was definitely curious but felt strange asking about it directly, so she kept to herself and carried on her task of earning a favour for the U tribe Nuhn.

This is a common trend for Arsay and learning about the culture. She's so curious, she wants to know so much, but its difficult for her to broach the topic. Not only does she not even know what she doesn't know, there's also lot of hesitancy to "outting" herself as an ignorant miqo'te. Like, every Miqo'te she interacts with treats her like a normal person, they assume she has a similar experience, base knowledge, etc. She doesn't want to risk breaking that illusion, she doesn't want to be seen as an outsider instead of a peer. So she doesn't question. She nods when people assume she's from the shroud, because I guess technically she is?? on her mom's side? She doesn't want to give them an opening to scrutinize or reject her for being different. She had enough of that growing up. Arsay loves being a Miqo'te. She loves her fluffy tail, her sharp teeth, being able to see so well in the dark, how easy it is for her to climb trees, hear from such long distances away. But she's never fully felt like a miqo'te. She doesn't feel tethered to Azyma or Menphina. Despite learning her father was from the U tribe, she doesn't consider them family. She wanders through the black shroud a stranger, wondering if she'll ever into another keeper with the same family name as her. She doesn't really know if she needs miqo'te tradition in her life, but she wonders if knowing something might make her feel a little more whole. That's why it made such an impact to befriend G'raha when she did. When he talked about his difficulties growing up away from his tribe, being bullied for his heterochromia (something that is generally seen auspicious in seeker culture actually!), it made Arsay feel safe enough to reveal she grew up outside of a traditional Miqo'te clan. They bonded over how little they knew about themselves. Even when Arsay asked a dumb question, he explained what he could without making her feel bad. This is when she probably would have asked him about huntspeak as well. A great lead up to G'raha teaching Arsay how to shoot a bow and arrow the way he was taught before being sent away.

And a similar connection point happened again when Arsay found out Y'shtola also grew up isolated from her tribe. Granted Y'shtola still knew a hell of a lot more than Arsay ever could, but it was something. A bit of security that Arsay didn't have to save face all the time

Now a days, Arsay's learned quite a lot from both her seeker partners and it's made her really happy! She's much more comfortable being a miqo'te living outside of tradition, especially since she feels like she's made her own tribe that can have it's own customs (even if some are technically south seas lalafel).

[kingofanemptyworld]

mortal x immortal relationships. you agree