#some of who I recognise from here

[sueske]

why do people think it's ok to repost art

[starflungwaddledee]

from: @starflungwaddledee to: @post-it-notes7

message from santa: "happy holidays post-it-notes! 🎄🥳 i know you very politely only wished for a few modest things- characters high fiving, or struggling in christmas attire- but i hope you'll still enjoy this given that i kinda went the opposite direction entirely! i'm an enormous fan of your work and most times you post anything i wind up browsing your art tag from tip-to-tail in enraptured delight. as such, i thought it was only fair i give back something a little more significant in gratitude for all the joy your work has given me. i knew i wanted to do a comic, so i was thrilled you already had a whole storyverse for me to work from!! this scene seemed the most obvious choice (chapter 8 of "wishful thinking" on ao3) given that i enjoy a dramatic fight scene 😂 i tried to stick as beat-by-beat to the writing as i could and worked in as many details as possible; i hope it'll be fun to see it envisioned this way! merry christmas! ~starflung 🎀🔔 "

[copia]

"And there's nothing you can do!" ⛧ Ghost - Rats for WORLD RAT DAY 04/04/2024

[rebellum]

I feel like... Perhaps... Arguing that transphobia is defined by murder and that anything other than murder doesn't even matter... May NOT be conducive to fighting for trans rights.

Like... people want the right to exist as they are. They want to have access to hrt and surgeries and prosthetics. People want access to clothes that fit them and reflect how they want to be seen. People want access to medical care (eg. Getting screened and treated for sex-based forms of cancer can be impossible if you have the "wrong" sex listed to receive those tests). People want to be respected and treated well. People want to not be sexually assaulted and beaten and abused. People want to have access to housing and jobs, and the protection to not lose those things for being trans. People want access to shelters for homeless people or survivors of domestic abuse. People want name changes.

Acting like all of those things don't matter because at least they weren't murderered by an individual (and instead die of suicide or state violence, or survive and suffer) isn't okay.

[phagodyke]

the masculine urge to take a saucepan off thr draining board and bash myself repeatedly over the head with it until I pass out and no longer have to experience feeling Bad 😍

[deeva-arud]

Boo!

I'm the paranormal activity on your dash :]

[babybeel]

if you support ai work (in any form, be it art or writing) pls unfollow me!

[fiendishartist2]

guys what if i want to make my own apollo justice game.

[deus-ex-mona]

we are united in a common cause on this ✨#blessed✨ day

[silentalltheseyearsnomore]

I simultaneously feel like I am functioning well, we've got this, look at us gooooo, it'll all be okay

And

The fucking world is ending and no one knows and no one is seeing (or caring) through the facade I have up again.

I simultaneously feel like no one fucking cares at all. Especially not S (therapist, child parts main attachment figure currently) or even L, MY main person (as an adult part).

And

S is literally doing SO MUCH for you outside her job title, and you have fucking shut down WhatsApp and ignored all messages from everyone else including L you complete lunatic how can anyone show care if you are running from it???

And I know it all makes sense on one level. Some of us ARE functioning so well through this crisis/mess/fucking stressful time. But some are so distraught and so lonely and so hurt and have no safe place to take their pain, to be held. Yes there's little bits and pieces. But not enough. Not even close. And we have to be so small even there. So quiet. Don't scare anyone away with the trauma. Be good. Do well. Don't need anything. Or you'll be even more hurt and alone. So it's just easier to ignore everyone and look fine because I know they can't give us what we need. Can anyone? Can I give it to myself?

[cuteniarose]

Me: *creates an OC*

Me: *heavily implies OC will meet a bad fate*

OC: *meets bad fate*

Me:

(Alternatively, I may have started it, but @katkastrofa enabled me and now I’m losing my mind)

[playingonedchess]

[redacted] most stupid city why even bother

[phagodyke]

weekend melancholy is starting to kick in >~<

[professorcalculusstanaccount]

The final part for The House of Glass! Everyone has a lot to figure out, but progress takes time. Follows from this. This was my first ever complete comic from start to finish, I hope you guys enjoyed the journey!

If you've enjoyed this comic, please consider donating to Aya Yasser, a 19 year old university student from the University of Palestine. She had to pause her studies due to attacks on Gaza. Her 55 year old father is ill and she is trying to evacuate him and her brothers.

You can find her blog @samaagaza

It's like two in the morning right now so I might be a bit incoherent, cw for discussions of racism, homophobia, biphobia, sinophobia and classism

I've really wanted to write Chang as someone who's made to be a perpetual outsider. As a Chinese person born in the UK I've always been made to feel like a foreigner no matter where I go - obviously I am a foreigner abroad but I'm also treated as such in the very country I was born and raised in. I think a lot of east Asian people can relate to being treated as a strange exotic foreigner first and a person second.

As a working class orphan he would probably have been treated as disposable by society at large too. As soon as he's rescued by Tintin in the Blue Lotus he immediately asks why Tintin bothered saving him, and in his letter to Tintin in Tintin in Tibet he writes that he's unworthy of his uncle's hopsitality. We don't get much from Chang as he doesn't make many appearances but it seems he's internalised strong feelings of a lack of self worth. Tintin may have been the first person to recognise his humanity since Chang's birth family passed.

Being queer is also very isolating at first. You're not born into a culture you can reference or make sense of your experiences initially, it's something you have to seek out. I wanted to explore learning to love yourself through others. We're all weird to some degree, we're all in this together!

I genuinely have no clue how I'd follow this up, I have ideas for future stories but I'm not sure what would follow directly from here!

[zevranunderstander]

do you ever see a take that makes you so mad but it only has 7 notes and you don't want to be ultra mean to the person but they're being so wrong and so ignorant and you are biting down on wood not to tell them off

[vadlings]

Represention of Autistic Frustration in Laios Dungeon Meshi

Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.

Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.

The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):

The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.

In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)

Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.

I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.

The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.

The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)

Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.

Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.

To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.