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#so instead of their story ending after like one episode it just becomes a 10 seasons slow burn romcom
mothlau · 1 year
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dorlene au where they're both professors (thinking linguistics for dorcas and maybe something in stem for marls) and they're rivals!!!!! dorcas makes her yearly presentation on descartes at the beginning of term? the stem kids are all talking about it because professor mckinnon keeps shitting on it in class instead of actually teaching. marlene has a big science thingy experiment she's trying to convince investors to fund? oh you bet your ass dorcas is presenting why the experiment will fail and pulling out articles from the depths of jstor when they're meant to be presenting coserius theories (oh, marlene has so many opinions on coseriu even though she doesn't even speak any romance languages).
everyone is just waiting for them to fuck it out of their systems so that kids can actually learn shit and not just evil plots to bring the other down. the faculties have bets going on for how long the whole circus will run (so far remus is in the lead with his winnings).
now there are some who believe that oh they're married, this is their weird form of foreplay, but nope. they're not married. they're divorced (something something they got married too young and were both bad at communication) and they're still very much in love with one another :)
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newtonsheffield · 4 months
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Molly,
Apparently most reviewers agree with you that the season/writing is just awful. And a LOT of people are furious over losing Michael. Did the writers not read that book? All Franny ever wanted was a quiet life and children. You cut her story at the knees if you make her love interest a woman. She can't have a child in the 1800s without a husband. What are they going to say she had IVF? 🤦‍♀️ I agree they get an extended season next year for Benedict and Eloise combined (10-12 episodes) and then its over. They only were renewed one more year anyway and Netflix (which cancels everything) isn't going to be happy with a new season every two years.
Okay here’s the thing now that I’ve had time to organize my thoughts about Michaela Stirling being introduced.
I’m not opposed to her. Initially when they introduced her immediately after Eloise asking to go to Scotland I was like “Ohhhh Eloise is going to fall in love with Michaela and Francesca and John will ride off into the sunset (sit quietly and not talk)”
But I think Francesca’s reaction to Michaela, and her reaction when she kissed John at their wedding makes that unlikely.
So to my mind there’s two ways this goes now.
1) John dies. Michaela and Francesca grow closer. Etc etc. the exact storyline just with a woman instead of a man. They end up adopting children because Francesca still yearns for a baby. Sweet. I even like it. Michaela being a woman does introduce difficulty in the fact that were John to die there would be another Earl of Kilmartin who is not her. And so we cannot assume that this Earl would allow Francesca so many liberties. Michael did because he was in love with her. This new Earl likely won’t. But the show will likely… conveniently send them to India
2) John does not die but senses the attraction between his cousin and wife and allows them to be together while staying married to Francesca. Their marriage basically becoming a beard. This makes me a little sad to think of because I think there was power in the subtlety of Francesca and John’s relationship. That’s what he all thought was sweet the first time round. To have her so thunderstruck by Michaela I think makes it seem a little that Francesca mistook the companionship she felt with John for with love.
My issue with Michaela Stirling is mostly that, and I’ve said numerous times that this was a story I was concerned about the show tackling, I don’t think the show is capable of portraying the subtlety a story like this deserves. I would love to be wrong though.
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casasupernovas · 3 months
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thinky thoughts on the rtd era:
when nine regenerated into ten, it was like he regenerated using rose as an imprint but he only got a rough imprint of humanity, the image of it - youthful, enthuastic. but it's just a facade because underneath is the cold, aloof, dark, mysterious alien - still. the image doesn't convince rose at first but through a act of heroism and bravery, ends up being so convincing rose doesn't see a problem with it...until she forgets that despite the youthful nature of the face, they are much, much older and thus have had a long life outside of her, before her and will after her. until the parts of her that are supposed to stand out like compassion and kindess blur in with the alien and instead turn into insensitivity, detatchment and inconsideration.
and rose now wants something that isn't real. the doctor isn't going to settle down with her. he never does. she would never say it but it's what she wanted. when she says the doctor isn't going to slow down so neither will she there is something so desperately sad in the statement. but either way after rose's departure, ten is the equivalent of the chick leaving the nest for the first time. or more like a chick who was pushed out of the nest.
enter donna and martha. and regarding the racnoss, it's like donna encountered the child in the middle of a huge meltdown. his safety blanket is gone. he needs to learn and grow. so enter martha.
like a long-suffering carer who gets little thanks she helps to scrub off the rough edges, teach him things, take care of him, protect him from danger, goes above and beyond. but as all care givers who are taken for granted or give care to someone who doesn't really want it despite knowing they need it, they are taken for granted. and they have to start looking after themselves because it's draining them.
then enter donna, who reaps the benefits of the advice she gave him. though i doubt when she said he needed to find someone to stop him, she meant to find a companion and use them like a stress ball, to put it nicely. he's not perfect but no one is, but this time, it's his turn to help grow someone into their best self. but donna's story is slightly different.
donna gets into a lot of situations with the doctor that are, well, terrifying for her. she does good in pompeii, because she does help save people. but when she sees the ood she's devastated and when it's revealed they were slowly poisoning someone to turn them into one of them donna doesn't know who's in the right anymore. with the sontarans, she's scared out of her mind and with jenny she is the one teaching the doctor to be more open minded ...but by the time the daleks move earth, donna is the only one out of her depth and plaintively terrified.
but then the solution is clear. to survive this she needs to be more doctor like...literally.
all of 10's companions are all doctor-fied to varying degrees. rose's doctorfication makes her cold and unsympathetic, and jackie comments she's starting to be less like herself and more like the doctor. rose thinks this is great. jackie is clearly doesn't. martha jones' doctorfication is major both metaphorially and literally, with her being a medical student and taking the reigns for most of their travels. donna noble is the companion who gets the doctorfication to the highest degree. she literally becomes him and it kills her.
but im racking my noodle as to what the takeaway is. because it appears that donna's self plus the doctor is exactly what they needed to sort the situation...but it's like an almost monstrous/frankenstein take on the balance between what the doctor needs in a companion and why the companion needs the doctor. it's not lost on me that the doctor and donna become hybrids in the episodes where they confront biologically engineered mutants revived from the literal chest cavity of their deranged creator.
so. what gives? and the moment, i don't really have an answer. it's all a bit bleak.
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thegreymoon · 5 months
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The Story of Minglan
Minglan, save me 😭
I have one more day of work tomorrow before I can take a couple of days off. I've been working 10-hour days for the past twenty days (well, 9, with a one-hour break in the middle) straight. I have so many non-work related things to do but I will probably do none of them and just sleep. I'm just so drained and counting on a c-drama to give my brain an extra boost to get me through tomorrow, though Minglan at this point in the show is probably a bad choice. The Empress Dowager and the stupid court politics just exhaust me and I'm just hoping for a miracle at this point 😭😭
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Does anyone actually care about these random people and their manufactured drama?
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We see so little of Molan and Changbai, Rulan and Hualan have dropped off the face of the Earth and instead, we are here debating if this rando raped that other rando or if he was set up over some dumbass scheme I couldn't care less about. If all this doesn't start becoming relevant with super speed, I will be very pissed off.
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How convenient 🙄
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So, was she murdered or did they pay her to kill herself?
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OMG!
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Is this the first time we've seen her with her hair down? She's so pretty!
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Ah, so that's what we are getting at.
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Honestly, I am not buying the whole contrivance. If the Emperor had simply said, "Gu Tingye, you go!" I would have been aboard at once, it would have made sense, it would have been what was expected. We really didn't need this whole mess with their army buddies. All it did was annoy me.
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I am so looking forward to this baby because there will 100% be some drama like Madam Qin trying to smother him in his cradle or something and I need this drama to go back to being interesting ASAP.
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LOL. LOL. LOL.
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There is a reason the plot is pushing so hard to send him away right at this precise moment. Sorry, Minglan, but I am looking forward to your attempted murder.
On the bright side, at least they can't stuff him with another concubine while he's away on the pretext that his legal wife is pregnant, eh? 🤣🤣
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Wait, where is Nanny Chang?
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Why isn't she with them already?
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Granny's back, at least.
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Small comforts.
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LMAO, drag her Minglan.
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This aunt Kang is the most pointless villain on this show and it is about time Minglan stopped putting up with petty bullshit.
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LMAO, shut up, bitch.
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She has several, all of whom could eat your shitty ass for lunch and still walk away hungry.
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What even.
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Again, I ask. When does Minglan start murdering these people?
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LMAOOOOOO 🤣🤣
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Nanny Chang going out to murder people is fine by me, too!
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LMAO, merchandise?
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Is this a translation thing or do they really call it that in Chinese? Like bun in the oven?
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LMAOOOO 🤣🤣
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End her, Nanny!
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Nanny is taking no prisoners today!
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58 episodes into this drama and this is the first time I'm seeing someone openly tell a bitch to fuck off 🤣🤣
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OH MY GOD, SHE JUST KEEPS GOING!!
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Ah, so her true surname is Wang after all!
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I keep wondering why they address her by her married surname when all the other women keep their maiden name even after they marry, including her sister.
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LMAO, is she for real?
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Bitch, Gu Tingye will skin you alive!
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AAAAAAAAND SHE'S BACK!!
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I AM LIVING FOR THIS CARNAGE!! 🔥🔥
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thatpodcastkid · 4 months
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Magnus Archives Relisten 10, MAG 10
Do we think Jonny Sims has read Twilight?
Spoilers ahead
Facts: Statement of Trevor Herbert regarding his life as a self-proclaimed vampire hunter. Statement given July 10, 2010.
Statement Notes: I just love that Trevor's episode is right after Julia's. It really lets you see the wheels turning in Jonny's head as he planned out the series.
On my first listen, this was one of the statements I truly did not believe was true. The combination of Trevor's traumatic childhood, cancer, and admission that he killed a "non-vampire" made the whole thing seem like a complex fantasy. But on the second listen, I realized that is exactly how the horrors work. They specifically target vulnerable people so that their experiences will be dismissed or explained away by more "rational" people. You don't believe Trevor because you aren't supposed to.
Jon says he can't find the "vampire teeth" in the Archives or in the "Secure Containment Room" (Btw both "Archives" and "Secure Containment Room" are proper nouns in the transcript). Is this an early name for Artifact Storage or a subsection of it? It would make sense for the Institute to have a separate facility for the dangerous artifacts, but this raises questions regarding how "secure" this facility is. Assuming this is where the real artifacts like Leitners and the table are held, Jon can access it fairly easily at the end of season 2, but he's relatively high-ranking at the institute. Would Elias ever allow an outsider into the facility like he allows them into the library? Or would that violate his desire to hoard knowledge?
Character Notes: This statement is a "photocopy of a photocopy," which speaks to Gertrude's organization. Something had to have happened to the original, whether she destroyed it or Elias took it, but she had a backup. Knowing that Trevor Herbert is still active in monster hunting, she made another copy to preserve the information. Presumably, she was hoping Sasha would find it and be able to access Herbert when she became the Archivist, but instead it was found and dismissed by Jon.
This episode also establishes that Martin was there when the statement was taken. Many fans assume Martin was hired to work in the archives, but this statement was given SIX YEARS before Gertrude's death, meaning that he would have had to work in research or another facility before the archives. Also, he's worked at the institute for at least 8 years by the time he reveals he lied on his resume, meaning he was TWENTY-TWO when this statement was given and was told that Trevor Herbert died.
The rumor of Herbert's death raises other questions. Why would that story spread? It seems to be another part of Elias' long game. If Martin--who he specifically selected to eventually be on the archival staff--believed Herbert was dead and told Jon so, then Jon would not seek him out and put himself in danger too early. Additionally, he would not be able to find the skin book and speak with Gerry before the time was right. Elias needed everything to run on his schedule.
Entity Alignment: With Trevor, there is a definite Hunt alignment. His whole life is driven by the desire to seek out and kill vampires. It's become the core tenant of his identity and drives him to forsake all personal relationships and attachments, centering his life around the fear of vampires and the need to kill them. The need to eliminate his own fear is what leads to him becoming an avatar of fear itself.
But I struggle to find a clear connection to what fear the vampires are connected to. They could be Hunt avatars or aligned creatures themselves. They have a desire to find and destroy living things, mindlessly hunting. It would also make sense for a Hunt creature to draw in Herbert and turn him into a Hunt avatar, turning him into what he fears most. This tactic is seen throughout the series with multiple fears, but I am specifically reminded of the Hunt in MAG 112 as the book club turns against itself.
There is an element of the Flesh within the vampires, however. They turn humans into food, removing their identities and degrading them into their physical existence. A large portion of the Flesh is dedicated to removing any idea of a consciousness or soul and reminding us that we are meat, which the vampires seem to do effectively.
I also noticed connections to the Stranger in the vampires. While their ultimate actions don't match with the Stranger's modus operandi, their mannerisms are similar. The primary similarity is the fact that vampires don't speak, as if they "don't have a voicebox," yet they still manage to be understood. The Stranger draws people in with its apparently human attributes, and only when it's too late do victims realize something is off. So long as the vampires are understandable, victims don't realize the not talking is odd until it's too late. Furthermore, the first vampire Herbert meets offers him rotten fruit, and many Stranger-aligned creatures and avatars give strange gits as an attempt to form a human connection while still unsettling people (tooth apple, metal heart, etc.). The fruit made Trevor uncomfortable and afraid, but he didn't leave the old woman because he reasoned she was trying to be kind in a twisted way.
But I also wonder if the vampires are aligned at all. Trevor describes them as being driven only by the vague desire to feed. While this could signal a Hunt or Flesh alignment, they don't have a connection to the rituals of these entities nor their other avatars. In Mag 111, Gerry explains "What's out there doesn't care about blood," before correcting "Yeah, obviously except for the vampires." Again, the need to consume blood could align the vampires with the Hunt or Flesh, but they don't seem to be driven by the desire to cause fear. If the vampires are fueled by an actual, physical need to consume blood for survival, could they accurately be associated with a fear-driven entity? Or are they just another monstrous thing that exists in this universe?
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da-mous · 1 year
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My Read of Puhoy! :)
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Hey pizza babies! Puhoy is an often praised Adventure Time episode, and I've seen a few analysis videos on it, but I've never really felt satisfied by any of them, so I wanted to put my own thoughts on the episode in writing somewhere. After all, the episode turned 10 just two days ago!
So, right away, I think this episode is about Finn letting go of the simplistic understanding of the world he had as a younger kid throughout the first few seasons. In the early episodes, Finn has an extremely black and white perspective. Stealing is always bad, everyone's problems can always be solved, and good and evil are clearly delineated categories
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Puhoy opens with an establishing shot showing a knife storm raging outside the tree fort. This calls back to "Rainy Day Daydream," an episode where Jake's imagination becomes reality. Puhoy also plays with the line between imagination and reality, and, while this post isn't about trying to explain the pillow world lore-wise, I think the knife storm's appearance suggests that the pillow world was created by Finn's imagination, which is very thematically in line with the rest of my read on Puhoy
Finn starts the episode in a funk because he's convinced Flame Princess doesn't like him anymore, just because she didn't laugh at one of his jokes. I think this conflict illustrates that Finn doesn't know how to separate his feelings from reality. He imagines FP doesn't like him, and he's unable to conceptualize anything else. In the simple, ideal world in Finn's young mind, she would have laughed if she liked him. There isn't room for the nuance that maybe she just didn't get it
Jake is able to see that Finn is completely making up this problem, but his solution of ignoring his feelings, demonstrated by hurling his favorite cup out the window, is pretty unhelpful. In the end, even Jake can't let go that easily, and he fishes his cup back up
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Fortunately, instead of trying to hurl his feelings out the window, Finn decides to crawl into the pillow fort to let his thoughts "fester," and Jake perfectly illustrates the difference between their approaches by telling Finn that festering is always bad. Jake wants to move on from things immediately, without having a moment to sit with or say goodbye to his feelings
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The pillow world Finn ends up in reflects the simplistic worldview he needs to let go of. It represents the fantasy that he, until now, thought his life would play out like. He easily slays a pillow dragon, immediately wins the adoration of the pillow people, and wastes basically no time hitting it off with a pillow girl. Years pass and we see a strapping, idealized older Finn living a simple, cushy life providing for his pillow nuclear family
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There's no horror to Puhoy. No dark turn, no sudden twist. Finn gets to live an entire, comfortable, satisfying lifetime in his idealized fantasy world, right up until he simply dies of old age, at which point he finally "wakes up" and finds himself back home
Puhoy feels, to me, like a twist on a common trope in fiction. Typically, like the island of the lotus eaters in the Odyssey, a world as cushy and idealized as the pillow world is presented as a trap of some kind, and the "right" choice is to resist the temptation. These stories usually suggest that there's something wrong with choosing a simple life, like it's ultimately unfulfilling or hollow in some way. But Puhoy doesn't moralize about Finn's life in the pillow world. He comes off as certain the entire time that he does want to find a way to go home, but as the years pass and he forgets what home even looked like, he ends up making the choice to stay, and it comes off to me as entirely reasonable. He has an entire life here, meanwhile he can't even remember what Jake looks like. Why should he throw all this away to return to the people from his past?
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Puhoy is the ultimate wish fulfillment. It can be hard to let go of what the world looked like when you saw it through the eyes of a child. It can be hard to accept the complexities and terrors of the world. It can be hard to even understand why you would want to see the world as a difficult, uncertain, complicated place. If I were once again Finn's age and you'd asked me if I wanted to live out an entire, satisfying lifetime in the world I thought I lived in as a kid, I would be extremely tempted to say yes. Only then might I be able to move on with my real life without eternally mourning the honey-dipped worldview I was forced to outgrow, finally satisfied that I'd gotten to have my time with it
Once Finn winds up back home in his own time, he almost immediately forgets his life in the pillow world. Unlike Jake's cup, after living a full life there, it's truly gone and he truly doesn't care about it anymore, and so he's able to forget it entirely
FP calls Finn to tell him she finally understood his joke, which is a surprisingly convenient, external solution to Finn's internal problem, but he nonetheless comes off as if it never tore him up in the first place, as if, by leaving his simplistic perspective behind, he was able to develop a more mature perspective on his relationships with others
Thanks for reading!! :)))
I have an unspoken rule on this blog that it's strictly for the funny and only occasional self promotion, but I really wanted to write about this episode. Usually I write more analytical stuff like this on my devblog, but cartoons isn't video games! If I keep wanting to write stuff like this, maybe I'll make a sideblog to put that stuff in 🤔
By the way, I think of Puhoy as part of a trilogy with Dungeon Train and Hall of Egress. They're all important journeys along Finn's larger journey of growing up, and they're all framed by Finn trying to deal with rough feelings surrounding FP. The latter two are more overtly connected to each other, but Hall of Egress does have what I think is meant as a reference to Puhoy, where Finn emerges from the Hall by poking his head through the dirt on top of the hill it's under, the same way he emerges from the pillow fort at the end of Puhoy! Maybe one day I'll write about those episodes too. I have a lot to say about Finn's arc throughout the show in general, so I could even do a post about that :)
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clovexei · 5 months
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I made my friend @killallyourfrendz watch Samurai Flamenco with me, and here's the highlights reel of their predictions and commentary:
Early Predictions
TV news guy is going to bankroll an evil organization of villains to get more viewers
Masayoshi goes full villain
Masayoshi is in a coma (from episode 7 onward--later changed to "from the end of episode 1 onward")
"Yeah, I'd beat this guy up, too."
Episodes 8-10 (King Torture Arc)
The rest of the show will just be 10 episodes of “horrific clean-up” after the King Torture fight
King Torture will be Red Axe
Episodes 11-14 (Flamengers Arc)
It's a Truman Project situation: "they’re all in on the bit except for Samurai Flamenco and the cop”
"Mari should just become a villain"
"This is all shenanigans."
"We are just speed-running seasons' worth of content right now."
“All of these villains exist BECAUSE of them."
"I hope Mari gets her stride back and kills again. Or becomes a villain."
Masayoshi is in purgatory
Masayoshi has been sucked into a TV
Masayoshi is in a Jumanji situation
"How many decisive battles can there be?"
Masayoshi's grandpa put a curse on him and forced him to live out all the stories he'd ever written
"Is there even a girlfriend at this point? Is the girlfriend dead? Is he talking to himself?"
Red Axe is hiring people to fight SamFlam so that he can keep coming and saving the day
It's the Truman Show (again)
“This is a Pleasantville scenario, but instead of making the world better, they’re making it worse.”
Episodes 15-17 (Prime Minister Arc)
Mister Justice is just Red Axe in a new costume
The other Flamengers don't exist anymore: "They've left the Matrix"
I’d be like, “Isn’t it weird that this all started to happen after Samurai Flamenco showed up?”
They've reached a new circle of Hell
"Maybe… this is the police officer’s hallucination??"
“If you had just stopped being superheroes, we could have gotten out of this, but NO, you had to KEEP wearing the costumes and that’s why we’re IN THIS MESS.”
Episode 18 (Space Arc)
“This isn’t like a Matrix situation, is it?”
“He is in a hospital bed, unconscious.”
"OH OHHHH??? Oh no this is just, like, another fake out"
Episode 19-22 (Final Arc)
“Are we going to find out the girlfriend was King Torture this whole time?”
"This whole time Goto’s been living his own fucked-up Black Mirror horror story.”
"Masayoshi actually blew up his own apartment; he’s having a Goto moment right now."
“I thought we had just one delusional man to deal with, but really we have two.”
"Wanting to be a superhero: the original sin"
Masayoshi is the final villain (held onto this one right until the last episode lol)
“A middle school boy is trying to kill me, and the advice I got is that I need to fall in love.”
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turtlesundaes · 7 months
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MARCH FOR RAPH DAYS TEN, ELEVEN AND TWELVE !!!!
Completely copied and pasted from my notes so you guys can have some cringe ramblings :>
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SO… WE ALL REMEMBER MARCH FOR RAPH…
And I sort of got grounded…ish..
So instead of actually doing the prompts like we’d normally do- (drawing, writing, etc.) -we will rant about the topic instead because depression sucks but I still really want to do this !!! :>
I will be letting my mind wander so I will probably get off topic but I try my best.
Also some of these might become actual fanfics (???)
And it will all be posted within the same five minutes because why not.
DAY 10. Bowling with Casey
I did start drawing this one and it was gonna b a bunch of Raph and Cassandra doodles bc I had done Casey jr. for day six but generally they would be SO chaotic.
I totally see Raph having to explain what bowling even is to Cass at first (bc yk I don’t see her knowing much bc of being in the foot clan that is literally just a cult with ninja skills- I do see her knowing hockey tho from her childhood bc I don’t think she was born into the cult but just been in it from a super young age like six or something? yk what I mean??) but once she gets it she will absolutely demolish!!!
Like as in the bowling ball won’t even touch the floor because she throws it just perfectly.
When I think of Raph bowling I instantly think of him using baby rails and it TAKES ME. But I do think he would be decent at it, not the best in the family but also not the worst. (no baby rails required)
They would be super loud the whole time though, like, 100% would be kicked out b4 they finish the game so every turn matters bc they go off whatever score they had before getting kicked out.
They would yell a bunch of catchphrases and trash talk basically but Cass probably would curse very loudly out of habit and that’s like, the main reason for them getting kicked out.
Raph wouldn’t mind the getting kicked out part (cause I totally see them doing this on the regular so he’s used to it) but the cursing will be only a slight annoyance. (Just cause of how LOUD Cass would be not anything against the girl honestly he just gets embarrassed)
I see Raph using curse words but ONLY when he’s alone with Cass just cause it feels normal with her but even then it’s still a rarity.
They would totally travel from place to place after getting kicked out though, then tally the points from every place and loser hosts the next outing.
DAY 11. Favorite novel
In cannon his favorite novel is obviously Jupiter Jim or something but I’ve seen so many people saying Percy Jackson and I find that hilarious.
I never read much Percy Jackson (my brother is trying very hard to get me to and I probably will… soon enough-) I did read the first book, the sun and the star, saw some of the movie aaaaand I think like two episodes of the new series ???
But as we know the guys LOVE sci-fi so the whole gist of Percy Jackson isn’t too far off from Raph’s liking me thinks.
But personally I think Raph would ADORE the Wings of Fire series (if we’re gonna get all projecting here, as per usual /pos)
Like think about it !!! Cool mystical creatures, mystery, cool diverse magic AND THE LORE ?!?!?! Also the fact that’s theirs like sixteen books (???) not Including the many spin-offs and side stories- (I have no idea what the average number is for a large series so that’s a lot for me :^) oh! And the graphic novels!!
He would so relate to Clay and think his fireproof scales are so cool. I see so many similarities. He would match his brothers with the MC’s (Mikey with Sunny, Donnie with Starflight, Leo with Tsunami) ((I am so not saying this bc I’ve done it myself-)) GOSH HE WOULD TOTALLY MAKE FAN FICTION AND HAVE LITTLE NOTEBOOKS DEDICATED TO HIS HEADCANNONS AAAAAAAAAAHHH !!!1!!1!1!!!111!
In conclusion he would be a huge geek about it all (he would rope Mikey in bc YALL-) and Mikey would make them cool cardboard wings. The end :]
DAY 12. Stir Crazy
I realllllllllyyyyyyy wanted to draw this one with Mikey and Raph in the kitchen but alas.. 😔
But yes Raph can coooook!!! 🔥🔥🔥
Not actually though. What I see in my very good vision is Raph helping Mikey out in the kitchen. Specifically, stirring.
I’d think that after the invasion Raphs motor skills in general would need improvement. This is not based on anything actually scientific I just have a ✨feeling✨ that after his whole kraang-ified ordeal he would have trouble with knowing he was in control (as most have headcannoned yes, but I like to think of mine as slightly different :p) his arm and eye and insert other places he was kraang-ified that I don’t remember here, would be significantly impacted from this worse than his not kraang infected side.
Like he would have a lazy eye, his arm would twitch/spasm and/or that whole side of his body would get pins and needles or just go numb at times.
But even then it would take a long and I mean LONG time for him to even get to that point. Before that it’s going to be even worse, like, being temporarily paralyzed and/or he would have to learn how to move that side of his body all over again.
This gives us Leo and Raph learning to move again bonding, your welcome.
But I’m not that evil to actually make him forever paralyzed, even if it was just the arm. (I’m too much of a wuss 😔)
The other side of his body would also take time to move again but that’s like a few hours compared to the months of work Raphs gonna have to put into his other side.
I don’t care that he bounces back immediately in the movie that is going to be labeled adrenaline. Also that one scene where Mikey and Donnie get thrown and Leo’s all like “go for them!! 🥺” and Raph falls on his side for a second and his arm is limp before running to them.
That split second scene is basically the whole reason why this headcannon exists.
BUT BACK TO THE PROMPT !!! :D
During healing Raph would do motor skill practice with Mikey aka baking cause Raph loves to lick the batter of the spoon when their done and stirring helps his arm. He would also flip pancakes maybe but I don’t see him doing anything like measurements cause it’s Mikey’s whole thing to cook but he helps keep the place clean :]
———
Anywizle, my apologies for missing a few days and coming back with a messy rant- but it was fun so who cares!
So buh-bye! Have a good night and/or day! It may be possibly impossible but possibly I will see you tomorrow!
:>
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alloveydovey · 4 months
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Mid month dramaaaas, 2024 is giving quality content 🙌🏽
Lovely Runner, 2024 (kdrama) 8.5
FL is a fangirl who goes back in time to save her idol who ended his own life. (very shortly put lol)
I have thoughts!!! It's gonna be long because my expectations with this one were really high. Don't torch me please lol. If I have to be 100%, this drama wasn't what I expected at all. That being said, loser boy Byeon Woo Seok and cutie patootie Kim Hye Yoon were the real deal here. I came for the premise (okay, and because Byeon Wook Seok is fiiiiine) and stayed because of them.
Here's my deal with Lovely Runner. I didn’t read the webtoon or anything, so in my mind, I assumed they would explore what took Sun Jae to make such a decision in the first episode before Sol went back in time to try and fix everything. The drama starts pretty heavy with both main characters attempting in some way to take their own lives. So to go from that to absurd comedy was a bit extreme for me at first. I thought we would do a little mental health introspection here, a bit of commentary about being an idol and all. Then because the first episodes also focused a lot on Sun Jae's dream to be a professional swimmer and the doomed reality that it would not happen, I thought they would center around that as well. I guess I was picturing some sort of mix between 2521 and Twinkling Watermelon. Plus the whole aspect of Im Sol being disabled. But they didn’t really give any more thoughts to these aspects of the characters.
Moving on from my own expectations and a little disappointment that the drama headed in a different direction, I overall enjoyed watching most of it. To be honest, this is the type of drama you just have to go with it, no heavy thoughts included. It gives major classic rom-com kdrama vibes. The cast absolutely takes the cake, the adorable moments are overflowing, comedy hits and the OST is a 10/10.
I don’t mind time travel plot holes but there are still some thing that bugged me, though. One: The whole taxi guy story. I will admit I was extremely disappointed the moment he was introduced. It’s probably when I started lowering my rating. Why do writers (or webtoon authors) feel the need to just randomly pull out these guys? And this drama being so cute and funny... It didn’t need that at all. Specially, since he seemed really poorly written. Two: I might not get over the fact that these two characters both start in really dark places but it’s never really acknowledged in any meaningful way and instead the drama just does a 180° on that. If these subjects hadn’t been introduced then it would have been fine. But in comparison with what happens next, the rest of the drama felt a little superficial to me. Three: it ended up becoming really repetitive. Sol once again ignoring Sun Jae “for his own good”, Sun Jae going after Sol because he doesn’t really care, Sol ending up crying. All this mixed between cute and silly scenes.
Happy ending did make me the happiest, though 🥹
Will Love in Spring, 2024 (cdrama) 9
When they were kids and FL became disabled due to a car accident, ML’s words made her change her whole perspective. He goes on to become the town's mortician, and she becomes a successful saleswoman in the city. And you know the rest, sparks fly when they meet again.
Oof. Cdramas aren’t supposed to be this good, bro. Like… everything about it is just a chef kiss. Characters and their complexities, OST, cinematography, chemistry!! (It's crazy, for real) It presents the same problem as Meet Yourself, even with Li Xian back as the ML. But whereas Meet Yourself is a little lighter and deals with this problem in a respectful and thoughtful way, ML and FL here are filled with angst and tension. The drama itself is a lot heavier, which is not bad, but it's not always nice, and sometimes very frustrating. I saw comments saying that they found the characters to be rather toxic, and that is such a childish way of seeing their relationship. Not everything is red and green flags. This is not that type of drama. People throw the word toxic around everything nowadays. I’d say they were realistic. Both FL and ML make mistakes (because they both have issues) and the drama makes sure the audience knows they were wrong. Because, you know, humans fuck up and stuff. I liked that. But because I can't help but compare it to Meet Yourself, I gotta admit that even though I liked the pace, the OST, and the cinematography more here. MY remains superior, and therefore, I don't feel like I can give it a proper 10. I will say, though, last two episodes gave a bit ot a bittersweet ending even though it's supposed to be a happy one, and I didn't like that much.
Queen of Tears, 2024 (kdrama) 8.5/9
A lawyer from the countryside marries the top heiress of a leading conglomerate. They marry very much in love, but find themselves almost not communicating or holding much feelings for one another three years later.
I completely get why this got everyone hooked. Overall it’s a great story, and very well produced, but at the same time I gotta admit I was hoping for something a little more… exciting. Specially because it was written by the same screenwriter that did Crash Landing on You and The Legend of the Blue Sea and those two were a 10 for me. It might also be personal taste. Some people are into chaebol family dramas that focus on business with their villains cartoonishly evil. Me, personally, I get a bit bored and this is sort of what happened. Even though Kim Ji Won and Kim Soo Hyun got me hooked with their marriage story and the romance of it all, the rest was a bit 💤. Although both families living together was really cute and I loved those scenes. I’d say that’s where the magic of this drama was. The last episodes after her memory gets erased are a bit messy, but the ending still made me sob dramatically lol.
A Good Day to be a Dog, 2023 (kdrama) 7.5/8 (girl what are you doing still here?)
Because of a family curse if FL kisses someone she turns into a dog at midnight… which she does after accidentally kissing a fellow teacher. She can only break the curse if he kisses her again in dog form. The only problem is he’s scared of dogs and doesn’t seem to like her that much.
This is the first time I put on hold a drama and actually go back to finish it lol. I’m proud. This starts off very very cute. Cha Eun Woo but specially Park Gyu Young are really funny and both have great chemistry. The problem here for me is, once again, the past life storyline. I know this is based off a webtoon, but I swear that whole thing is what ruined it for me. I wasn’t into it at all and so the last 4/5 episodes I spent them skipping scenes. Howeveeer, if someone were to ask me if they should watch, I’d say yes. Because romance wins lol.
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a-cloud-for-dreams · 10 months
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So this is mostly a Choices blog but some of you know that I've recently started playing Romance Club as well because 1) there are some really good books on RC, 2) the art, and 3) to compare both apps. I could probably make this a series(?) to compare and contrast the two but here's one of the main things I've noticed playing both apps:
The Difference in Pacing
Background: The clear reason for this is because of how the books are set up. On Choices, each completed book is approx. 16 chapters (like a movie) while on RC, the book is typically 3 seasons with around 10-12 episodes (like a tv show). So a book like Open Heart, for instance, would be 3 seasons under one title instead of 3 separate books since they occur within a close period. This is different from a series like Heaven's Secret, which has two separate books that span ten years apart.
I bring this up because I assume this difference explains why the pacing in both apps is so different. I can use Blades II, Kindred, Theodora, and DALS as an example.
I've brought this up already, but one of my biggest gripes with Blades II was the very odd pacing. The beginning of the book (in my opinion) took longer than necessary to start the plot and there was a little too much filler with less time to focus on new lore the themes ate tho and I'm grateful we got another book.
Kindred has a similar issue. The concept of a witch book was cool and they had a good plot, but 16 chapters weren't enough to explore everything they wanted to with the book. The ending was rushed and it felt way too easy to defeat the Wraith King. Do I still love this book? Yes. Do I think the authors did well with the amount of time they were given? Also yes. But the rushed plot does make it hard to recommend it since PB is capable of handling a lot of plot (RE: Blades I).
On the other hand, Theodora has 3 seasons and the whole immortality arc (the premise of the book) wasn't explained until near the end of S2. We had an entire season to explore the character and at least half of a second season to explore her life after she realized she was immortal but without knowing why (human -> immortal -> realizing how she became immortal and starts controlling her power). As a result, it becomes easier to get attached to her since we spent more time getting to know her still one of my favorite MCs.
Dracula: A Love Story still can't believe it has 4 seasons spent an entire season before revealing Vlad's identity even though it's in the title. In comparison, PB would have done three chapters of leaving MC in the dark before revealing who Vlad is with the rest of the book being allotted to helping him. I get that we needed to see all the visions and stuff but personally, I feel like I was more invested in Lale and would have read an entire book about her, Aslan, and Vlad. I swear I don't hate DALS please don't be offended lol.
Am I saying I prefer RC to Choices? Not necessarily, I have problems with RC too mostly regarding representation, and I also know it wouldn't be fair to compare the apps since they are set up differently. I just thought this was something interesting to point out.
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sweetchcolate · 7 months
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I'm curious. What are your top 10 favorite shoujos of all time? (LN, Anime, Manga) Can you rank them from: I'll always love them and I'm very invested with them; to I like them, but I'm not very invested?
(why is it that the second someone asks me for anime recs or listing my fave series, I suddenly forget every series i ever read/watched lmao it is a curse)
Just as a reminder, these are series I either watched recently or remember at the top of my mind because of sheer popularity. Also, my bad in advance if it turns out some of these aren't shojo but shonen (reason I didn't include Skip&Loafer, for example).
With that out of the way, my top 10 fave shojos in order (that I would and have rewatched multiple times):
Revolutionary Girl Utena. A classic. It's got it all: the esthetics, the slightly surreal aspect of the world, the trope deconstruction, tackling rarely addressed issues (such as patriarchy, heteronormativity, the changes puberty brings to a teenage girl, etc.) as well as some... more sensitive ones (there's a reason there's so many trigger warning lists for RGU). Also, the music SLAPS.
SAFT (both anime and LN). Just look at my Sugar Apple Fairy Tale tag. I've liveblogged every episode of this show since I learned of its existence. I was looking forward to the previews. I fell into this head first and it was some of the best experience I had with a series! It was right up my alley: sunshine hardworking girl winning over the people around her thanks to her kindness and optimism + grumpy stoic traumatized man who becomes softer and grows thanks to her set in a semi-fantasy Europe-based world. I liked that both Anne and Shall had to deal with discrimination (Anne as a girl in a male-dominated industry, Shall as a fairy in a human-led society) and how the later LN volumes address those issues (instead of fairy slavery and sexism being just background lore). The show can be really pretty when it wants to, and the music is also very nice.
7th Time Loop (both anime and LN). Just like with SAFT, I'm obsessed. The anime is doing such a good job adapting the source material at a good pace, the quality is great, and the VAs are killing it. The LN also has very tight writing: the author has an eye for adding details that seem unassuming/offhanded at first, but end up being crucial. Rishe's and Arnold's characters and dynamic are phenomenal. Just look at my 7th time loop tag
Akatsuki no Yona (the anime/early corresponding manga arcs).
My Love Story with Yamada-kun at LVL 999.
Ouran High School Host Club (the anime). I'm a sucker for romance, but where OHSHC got me is with its humor. The first episode is a classic, and I will always love the light bulbs scene as each member of the host club figures out Haruhi is a girl. Tamaki is a riot, the perfect blend of goofy, perceptive, and introspective. He deals with some serious issues, but he never lets them drag him down or, at the very least, affect his precious ones. What's great about OHSHC too is the character growth in the second half of the show. The series lures you in thinking it's just a comedic slice of life high school romance only to hit you with some real feels when it reveals its characters' backstories, fears, and reflections.
My Happy Marriage.
Kimi ni Todoke.
Ones for a cute ride: Lovely Complex, Kamisama Hajimemashita, Akagami no Shirayukhime, Donten Ni Warau
Ones I've watched that were good, but lost interest in (mostly due to being too long or me catching up the latest release and not keeping up after): Skip Beat, Fruits Basket, Sailor Moon (the 1990s anime), Niehime
Ones I remember watching but won't ever watch again because I've outgrown the target demographic: Special A, Shugo Chara, Tokyo Mew Mew, Fushigi Yugi, Itazura Kiss
Ones I heard good praise for and want to check someday: Rose of Versailles, Basara, Colette Decides to Die
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beauty-and-passion · 11 months
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Attack on Titan: the eternal circle of life and war
It’s hard to talk about Attack on Titan. Not because there’s not much to say, but because there’s too much to say. And if you spend your free time watching videos about it (like I did in the past 3 days), you will hear all sorts of analyses, explanations and comments.
So, instead of talking about all the great things in this anime, I just want to give some of my thoughts on a story that accompanied me for 10 years. A story I never talked about here, not even when season 4 came and gave us some of the most wonderful episodes ever. Not even after Memories of the future, which has the most majestic plot twist in a series that has a ton of incredible plot twists already.
But If I want to talk about the finale, I have to talk about the series too and I will inevitably end up spoiling something.
So, if you never watched AOT before, just listen to this: if you want a story with fights, character growth and science-fiction/drama, trust this story. Trust the words these characters say. Trust their growth, because there will be one. Trust the plot, because it knows where it’s going. And even if seems like “urgh, that’s the typical structure of a shounen”... wait for it. This story is much more real than you think.
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Ten years together
I’ve always been an AOT anime watcher, not a manga reader. The only time I spoiled myself something from the manga, was between season 2 and 3, when I feared this story would never be fully animated and I wanted some goddamn answers, instead of waiting forever for something that would never come.
I made the mistake of not trusting the plot. And so, when I found out what was in the basement, I was a bit taken aback. Uh, that sounds forced, I thought.
Then season 3 came and, okay, maybe this plot point can go somewhere. Wait, if I look at the story in retrospect, maybe it goes somewhere. Maybe it explains Reiner’s character a lot more.
This is when I realized the story knew where it was going. There were no fillers. It was all connected.
And so, I trusted the story. I stopped looking for spoilers, I detached myself from all videos and explanations. The story had a direction, I wanted to see where it led to.
It was a… well, not completely unexpected finale. I mean, I knew Eren would die. But back then, when he took the Warhammer Titan, I thought he wanted to get all Titans inside him then kill himself - thus ending all Titans and Ymir’s curse at the same time.
Then, he started acting all alpha male gigachad I-don’t-care-about-my-friends I-want-to-destroy-the-world and I realized: oh, he will sacrifice himself. But he will play the Lelouch card and become the world’s enemy. That’s where it’s going.
And yes, this was where it was going. However, knowing where a story is going, doesn’t automatically mean the story is shit. It all depends on how you reach that ending.
And the way we reached it, was perfect.
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The inevitability of destiny and the power of friendship
The conversation between Eren and Armin is one of the most beautiful parts of this finale. I feel kinda sad for the manga readers, who got a weird conversation and Armin telling Eren stuff like “Thanks for becoming genocidal”, which sounds very questionable.
In the anime conversation, it’s very clear Eren is wrong and pathetic. He’s so pathetic, he himself says it.
And even if some people say this is the lowest point of Eren’s character, this is not. This is what Eren has always been. A child, because he is. He’s 19, not 30 or 40. He is a child.
But he’s not just a child: he’s a child soldier. He grew up surrounded by war, he fought and killed. When he looked at the sea for the first time in his life, he didn’t see a beautiful sight: he saw another barrier overcome, to reach the people on the other side and kill them. And he did all of this because Eren has always sought freedom and never reached it.
Just like he said, Eren is a slave. Of freedom, sure, but also of destiny. Eren cannot escape from the destiny he himself threaded for him. He put all the pieces in place, from the very first Attack Titan, so he would inherit that role and start the Rumbling. His destiny - and everyone else’s - is inevitable and inescapable, no matter how hard he tries to change it.
So when Eren breaks down with Armin and admits he doesn’t want to die and wants to spend his last years with Mikasa… that’s not Eren’s character assassination. This is Eren showing the most human parts of himself. The human who doesn’t want to die. The human who wants just some peace. The human who doesn’t want to follow the predetermined destiny, but has to.
I don’t really believe in the inevitability of destiny, but oh boy if it’s not fascinating in its tragedy. And in AOT is even more fascinating, because it’s Eren who wrote it for him. Because once he realizes what the future holds for him, he still keeps following it. He keeps putting pieces in place. He keeps up the façade. And only a few times, he lets that façade slip, to reveal the scared boy hidden underneath. The boy who doesn’t want to die.
And yet, he keeps going, because he wants this destiny. He wants to destroy the world. Because, just like when he saw the sea, he thought that if he killed everyone on the other side, his loved ones would finally be free.
That’s absolutely, terribly tragic. And I felt pity, by watching this young boy, who thinks everything could be accomplished only by killing, who knows he has to do that to ensure peace for his loved ones, who knows he has to die and doesn’t want to. He’s pathetic, he’s tragic, he’s caring, he’s human. He’s imperfect. And that makes him interesting.
But what’s even more beautiful about this part, is how friendship prevails. Because after admitting his fears and sins, Armin doesn’t leave Eren behind. He acknowledges his own sins and promises he will meet Eren in hell.
And that proves Armin is amazing. He doesn’t try to justify his actions because he’s on the right side of the story. He killed too. He took a lot of innocent lives. And if he won’t pay for them now, he will pay in the end.
And so, he reassures Eren: he is condemned, he will die, he will pay for his sins, but he won’t do it alone. Armin will be with him. Their friendship will overcome death itself and the inevitable destiny. As he said, they will be together, forever.
That’s what friendship truly is. Not to justify your friend, but to promise to be there. Not to say “but you’re good”, but to say “you’re bad, but I’m bad too. Let’s repent together”. For me, that’s way more powerful than a simple “let’s atone our sins” or “we’re besties”: it’s the sum of them both.
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Love as a chain and love as freedom
I’ve never been a fan of Eren and Mikasa as a couple. It reminded me too much of the Japanese trope of “step-parents being lovers” which is illegal and also urgh.
But the way Isayama handled this love is very clever. It’s not the typical “I love you baka” or Mikasa with heart eyes or other stuff. Sure, there are moments when she simps for him and that’s annoying. But in general, it’s very subtle and not thrown in your face.
So when we reach the end and Mikasa asks herself if she should kill Eren or not and cries and doesn’t know what to do… well, that’s realistic. That’s what every real person in love would think. That’s not Eren’s fangirl talking, that’s a real girl who is torn between doing the right thing and the guy she likes.
And in the end, Mikasa does the right thing, freeing the world, Eren and Ymir. And by doing that, she showed her that love doesn’t have to be a chain. You can love and still be your own person. You can still love and be free to do the right thing.
This is also why I like the credit scenes a lot: it wasn’t fair to let Mikasa spend her entire life sitting on Eren’s grave. It was fair to let her mourn him for as long as she wanted, then move on with her life. Again, that’s human. That’s realistic.
And that’s what Eren wanted too. Because along with the more childish idea of wanting her to think about him only forever and ever, there was also a more adult mentality - the mentality of a man who truly loves: to see Mikasa moving on with her life.
That’s true love. Not keeping someone with you, locking them with you forever because of your egoistical need. It’s letting them go. Because if they truly love and care about you, they will come back.
Like Mikasa does: she get married, has children and grandchildren, but still, she comes back to visit him. She moved on but didn’t forget. That’s one of the most beautiful, real representations of love and the reason why, in the end, I appreciate how their relationship was handled.
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The meaning of life
The conversation between Armin and Zeke is another masterpiece, especially because one of the characters involved is Zeke. You know, the man who always saw life as pain, mistakes and doing wrong things and the only happy moments he had were short and with his fatherly figure, while his real father didn’t care enough about what Zeke needed.
So when he realizes that oh, life doesn’t have to be just perpetration of life itself but also experiencing that life…that was great. Loved it. One of the few moments that almost made me shed a tear.
Personally, I also think that’s the true meaning of life. Sure, life is stubborn and loves to multiply and that’s what we keep doing from the very first bacteria that developed in the ocean. But we’re not just bacteria. We have a brain and memories and conscience. And we don’t see life just as “have more kids to pass your genes”: we search for something more.
And what could this “more” be, if not life itself? What the meaning of life could be, if not to live it?
This makes Zeke’s last scene even more beautiful because, for probably the first time in his life, he looks around, enjoys the world for what it is, takes a moment to appreciate everything. And then, he accepts to die and atone for his sins. Truly a great conclusion for his character.
Another scene that celebrates life and its importance, is the baby’s scene. A desaturated scene, where the only pop of color is the red of the baby’s cloth and the reddish pink of his face. Definitely wasn’t expecting an anime to refer to Schindler's List, but here we are.
But that’s what makes this scene even more impactful: because in both works, the red and the young child are a symbol of hope and desperation, of the strength of humankind and the importance of life.
The baby was condemned, just like all the people on the cliff. Moving the baby away from the edge of the cliff wouldn’t have saved them. The Titans were there, these people were destined to die.
And yet, the stubborn humanity pushed that child towards safety. Why?, Zeke would’ve asked. Why save a baby, when the end is there? What would be the point of fighting, if the final goal is to die?
Because that’s how we work. That’s how life works. Even if the end is there, even if the child will die, the goal is to keep the baby alive as long as possible. It doesn’t matter if it’s one minute or two seconds: the goal of life is living. Living for the sake of life itself. Because life encloses all the possibilities and the younger a human life is, the bigger the possibilities are. So ending one life is like ending endless possibilities. And life doesn’t like to waste anything.
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The neverending cycle of war
Isayama didn’t offer us a perfectly good ending. The “and they all lived happily ever after” ending. It gave us something real - which is, by comparison, worse than a tragic ending.
After the Rumbling, Paradis became a fascist state, while Armin and the gang turned into peace ambassadors. And, somehow, there was peace. And there was peace while Mikasa was growing old. And there was still peace for a long time after her death - 20.000 years, according to the ending song.
It’s very ironic that Eren’s genocide really managed to let his friends live in a peaceful world. But hey, I suppose that a massacre that led to the death of 80% of the world population is something humankind remembers for a very, very long time.
However, what do we see after all this time? World peace? People living all together and dancing in a circle? No, we see another war. After all this time, humanity fell for another goddamn war.
If this sounds realistic, it’s because it is. That’s the story of mankind. That’s what we are: imperfect beings who keep fighting and do horrible things, so we promise to remember, to not make the same mistake again - until enough time passes for us to forget our mistakes and repeat them all over again.
Just look at our current time period. Just look at how long peace lasts. In Europe, we managed to keep it for less than 80 years, before starting another war. And in other places all over the world, war never stopped.
AOT’s ending is darker than any tragic ending, because is real. Because it’s the real world within a fictional story. Because it’s a crude, realistic warning: war is easy to achieve, peace is hard to protect. And if enough time passes, humankind will give in to the easiness of war again.
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The neverending cycle of life
The ending of AOT tells us that this story is a neverending cycle: it starts, grows, dies and starts again, over and over.
However, the ending is open too, so it’s up to the viewers to decide how this next cycle is going to be: will it be the same? Will the boy and his dog get the power of Titans again, to start a new cycle of terror, fear and war? Or will something change this time?
This reminds me of something very specific, so please be warned: I will make a HUGE spoiler of The Dark Tower series by Stephen King. If you read it/don’t want to read it, you can keep going. Otherwise, skip the following paragraph.
In the last book of the series, once Roland enters the Dark Towers and climbs its steps, he finds out that everything is a cycle. He already climbed those steps. He already reached the end, only to start all over. And so it does: in the end, he’s back at the beginning of his journey, searching for the Tower again. But this time, he has his friend’s horn with him. This time, something is different. And maybe the outcome will be different too.
The last time, Ymir was scared, wounded, alone, chased by dogs, escaping her assailants, fearing for her life. This time, there is a young child, who is walking around, exploring the place accompanied by a dog. He doesn't look wounded, nor sad, nor scared: just a little tired.
Maybe that’s not enough to assure us everything will be fine, this time. But the elements are different. Something changed. And maybe, the different conditions will lead to a different outcome. Maybe the neverending cycle of war will keep going, but the neverending cycle of life will keep going too.
And if we think about it, between the two, in the end life always won. War destroyed, but life reclaimed everything. After the Rumbling, nature reclaimed the earth. After 20.000 years and another war, trees reclaimed the island and grew taller than ever. War may come and destroy but, in the end, the true winner is life.
And, again, this is real. This is what the world truly is. Just think about how easily nature reclaims what we made/still make. Once again, that’s our world in an anime series.
At the end of the day, this is probably what makes this story so impactful. AOT is real, despite taking place in a world of monsters and incredible powers. AOT shows us the good and the bad of our world and our nature and does it cleverly. I don’t think world peace or total annihilation would’ve been as good as this ending. This was just right. This is what it was supposed to be and, for once, I’m glad my expectations weren’t subverted with a resolution that could’ve been a lot worse.
So after ten years, all I have to say is that it was worth it. It was worth watching this anime and enjoying the fights, foolishly thinking that what was outside the walls was the biggest mystery. It was worth it for the plot twist, the characters' growth, the devastating deaths. It was worth it for the realism and the deep themes.
AOT changed a lot of things and I’m glad I was there to witness it until the end. So thank you Isayama and thank you to all the people who made this. It has been a long journey and it has been great. I will never forget it.
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shanmthebrave · 2 months
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“Are you ready, Leo~?”
“I’m always ready, Azucena.”
“Hehe, great!”
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The literal definition of Yapper x Listener - An Leo x Azucena (AzuLeo appreciation/persuasive post) -TEKKEN 8-
~TW - HE/HIM LEO~
Like, Azucena would yap about coffee and Leo wouldn’t mind :)
His laugh and the way he casually answers Azucena that he’s from Germany WHILE IGNORING THE FACT THEY’RE IN A WAR-ZONE BECAUSE THAT DON’T MATTER WHEN YOUR FAV COFFEE CELEBRITY IS IN FRONT OF YOU
Bro she’s gonna send you coffee for being a fan, like a good celebrity doessss
Also he’s ignoring the fact for a moment that she’s with G-Corp…and also also asking at the end what her true purpose was…
Tbh to me Azu’s purpose with this sudden conversation was either:
She really wants to promote her coffee ☕️
Or she finds Leo interesting (Whether Platonic or Romantic)
Either way, we can leave it to imagination :) but I’d always pick red or both
CAN WE ALSO NOT IGNORE THE FACT THAT SHE GAVE LEO A WINK AND BLEW A KISSSSS?! ACKKKKKK
Their only interaction in the story has implied that Leo already knew Azucena before their canonical encounter. Their lines during chapter 10 are proof contributing to this:
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Observation from their Chapter 10 interaction:
An instant recognition, Leo’s got good observation skills. He’s kinda shocked that she’s with G-Corp. Understandable, since the people in G-Corp are pretty bad people, and seeing Azu, a person who he knows well for her coffee (only revealed after the fight), working for them, his shock becomes understandable.
Azucena’s motives confuse Leo, as she’s promoting her coffee by working with G-Corp, the company that well, 💀 his mom. Ouch.
Despite that, after their fight, Leo reveals that he’s a a fan of her coffee. AND AZUCENA FINDS HER FELLOW COFFEE DRINKER!
She offers to make a special order for him, and LEAVES THE FIGHT WITHOUT CONSIDERING ITS A WAR-ZONE, IS SHE EVEN OKAY?!
Well she is seen in the good ending so we can assume that yes she did make it
Leo is just standing there, confused as to what her real purpose was (which I covered in the point above)
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Now, let’s talk about their lines during their fight and their meaning behind it, and compare this interaction to Leo’s fight with Jin:
When Leo successfully lands a hit, he says lines to try and diffuse the fight, rather then try to continue the counter offensive, unlike what he did with Jin, where his distrust in him is evident.
He says: “Open your eyes!” And “There’s no reason for us to fight!” Clearly showing that he doesn’t wanna fight Azucena. Rather, to convince her to stop siding with G-Corp.
Unlike his fight with Azucena, his interaction with Jin is a tad more hostile, as we know Jin did some pretty messed up stuff, which provoked Leo to initiate a spar with him. However, Azucena chose to fight Leo instead, when he clearly didn’t want to.
Now, let’s chat abt Azucena’s POV. She really just wants to promote her coffee, but also broaden her horizons for new blends, perhaps. Maybe find a fellow coffee enthusiast or a strong opponent (latter is the most likely motive).
When Azucena lands a hit, she only has one line: “Come on, let’s have some fun!” AS IF THIS ISNT A WAR ZONE AND ITS A FRIENDLY SPAR.
She seems to enjoy fighting Leo. This is especially shown when she gets defeated and flips back, exclaiming “You’re pretty good!” As if acknowledging his skill.
This pretty much shows that the entire time, she was fighting for fun, forgetting that she got herself into a war. It makes me laugh inside tbh. Haha.
Oh you think we’re done? Nope cuz we’re covering a lil bit about their character episodes too!
Leo meets Azucena in the final stage. Huh. What a coincidence.
There’s not much to say in this, other than the fact that both of them fight Yoshimitsu in the first stage. lol.
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✨Special Interactions!!!!✨
Is there really any points we can make?! It’s so cute! And random…but funny and quite welcoming.
It’s not everyday someone encounters you and declares themself the coffee queen and tries to KICK you while you try to process everything (lol)
The pure surprise in Leo’s face never fails to make me laugh. Bro looks so perplexed and afraid 😭
And Azucena kicking him without warning is so random and even more silly, like give this man some time to process you woman 😂
When Azucena wins, she tells Leo that a good coffee takes time to brew, as if encouraging him that he’s doing great and he will get better, like a sparring partner that gives him feedback.
On Leo’s end, he’s awfully happy he won and says it’s time for a coffee break, something he says ONLY when he wins against Azucena. It’s as if fighting her reminds him of his liking for coffee.
Now, I will give my reasons why I love shipping Azucena and Leo together.
They have cute/canon interactions
The relationship has potential
Special intro pass
They relate over the one thing that got them together: COFFEE
Leo likes her products and is a big fan of her.
Azucena seems to enjoy his presence and wants to encourage him to get stronger.
Even tho Azucena sided (formerly) with G-Corp (not confirmed if she stopped working with them), Leo’s pretty chill and is willing to forgive her (Seeing as he forgave Jin, a literal war criminal)
It’s just cute. It’s so random, it’s adorable
It also just works in a way. They’re the literal definition of Yapper x Listener
She would yap to Leo about coffee and whatnot and he’d be so chill with her.
A cute, energetic girl with a shy, gentle boy trope, dominant girlies with gentle boys are just so funny and adorable to watch.
Welp, I can’t add any more photos and I’m running out of ideas, so in conclusion, the points I want to make is:
- AzuLeo is a very cute ship
- It’s hella under appreciated
- It may be random, but who says we can’t ship what we want and promote them?
- I love these two coffee lovers
- BANDAI NAMCO, GIVE THEM MORE SCENES TOGETGER, AND I WILL BE HAPPY. PLEASE!
- Azucena is overhated. Period.
- The creators of Tekken said we can call Leo any gender we want cuz Leo is…Leo. So I’ll call him a male.
I don’t rlly expect people to like the ship after this post. And that’s okay with me. As long as I’m happy and passionate posting what I like. ❤️
If you made it here, thanks for reading through my entire ship post haha. I hope you will start to like this ship or perhaps tolerate it if you hate it. Whatever happens, or if your opinion doesn’t change, at least I’ll be happy, cuz I spoke my mind on something I like :)
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Akuma Flashpoint - Chapter 1
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Art by @carolgpr (thank you so much again for this fantastic work)
Rated: M
Chapters: 1/?
Summary: It was over. Gabriel was in jail, the butterfly miraculous had been recovered, Emelie was in recovery and the heroes knew their identities. All that was left was the sentencing of Gabriel, and they could finally, after eight years of superhero work, close that chapter of their lives. But when Gabriel escapes for one last hurrah, and akuma, things didn't resolve quickly. One ill-timed wish warps reality around Marinette, and she suddenly finds herself in a world where nothing is right, and Hawkmoth is winning.
Canon compliant up to Season 3, Episode 'Ladybug'. Miracle Queen never happened. Canon divergent from that point forward, but might borrow a few details from later seasons. Very loosely inspired by DC's Flashpoint Paradox (the animated movie). Updates on the last Monday of every month.
Ao3 | Wattpad
A/N: I'm super happy to be sharing this story, finally! For the record, I already have up to Chapter 10 of this story written, so it's not one that's going to suddenly be abandoned. I already have the end of it and everything, and if I manage to get a few chapters further ahead, I might consider posting more than once a month. But that will depend on how it goes. Enjoy what I hope becomes a wild ride for your feelings!
Next
Distorted Reality
It was over. After years of fighting, of struggling with knowing the truth, it was finally over. Hawkmoth was defeated. But at a price.
Team Miraculous never had intentions of releasing Hawkmoth’s identity to the public. Ladybug gave him the chance to quietly return the butterfly miraculous and let him move on with his life. But Gabriel Agreste was tougher than the smell of dog excrement under a person’s shoe. Even after Nathalie betrayed him and Adrien begged him to give up, the man refused. And soon enough, law enforcement intervened.
Gabriel was then arrested and made to wait for the justice system to do its work.
It was a bittersweet ending for the team, but it didn’t stop them from having a small get-together the day before he was convicted. Everyone arrived at Marinette and Adrien’s apartment as a team, for what they hoped would be the last time. There were kwamis flying about. Teammates who had never interacted befriended each other. But for Adrien, it was inevitable to hear forms of condolences, as if he had lost his father.
“It’s not like he was ever there,” Adrien complained at the end of the night, when the most trusted team members where the only ones left sitting around a coffee table. “How can you lose someone you never actually had in the first place?”
“They’re just saying what they think is respectful,” Luka sighed, pulling back the few bangs that had fallen down his brushed back hair. “They don’t know what else to say, and they don’t want to be rude to you by saying what they really think.”
“I’m sure that whatever they think, I’ve already thought of it.” Adrien took a sip of his glass of wine.
“Yeah, well, they don’t know that,” Nino added, giving his best friend a light pat on the shoulder. “But what matters is that you know and helped put his stiff ass in jail.”
Adrien snorted.
“They have a point,” Marinette said, cozying up on his other side, holding a glass of her own with both hands. “Besides, we gave him a chance. It’s not your fault, or any of ours, that he didn’t take our offer.”
“Ridiculous,” Chloé said under her breath, before taking a swig of the bottle she was holding. “Utterly ridiculous.”
“How much of that have you had?” Alya asked, as she took the bottle from the blonde.
“Clearly, not enough, if I can still understand all of you.”
“Half of that bottle and two glasses earlier,” Kagami responded instead.
“Snitch,” Chloé scoffed. She tried stealing the bottle back, but Alya gave it to Nino to keep it away. She huffed before standing up and heading to the kitchen.
“I still can’t believe this is real,” Marinette sighed. “After eight years, I was starting to think we’d never get those miraculouses back.”
“Hear, hear.” Nino lifted the bottle.
“It’s only too bad he didn’t give it up willingly,” Adrien muttered, slightly sinking into the chair. “Would’ve been nice if he had shown at least one last shred of humanity before getting taken.”
“Screw your pops,” Nino said after taking a mouthful of wine. “He doesn’t deserve your pity or good wishes. You said it yourself when we found out his identity. The dude’s irredeemable.”
“Alya—”
“Got it.” Said woman pried the bottle away from her fiancé.
“Hey, I’m not Chloé level buzzed yet,” he complained, beanie slightly askew.
“Pah-lease,” the blonde in question said as she entered the room with a new bottle. “You wish you had my alcohol tolerance.”
As if the universe wanted to contradict her statement, Chloé missed the sofa by an inch, her butt falling to the carpet instead. She cleared her throat and wiggled about, trying to play it off as if planned.
“Smooth,” Luka commented.
Kagami, on the other hand, rolled her eyes as she got up from her chair and took the new bottle away. Chloé protested, but her drunken state made her a pathetic fighter.
“The hearing is in less than twenty-four hours,” Kagami stated. “Do you all plan on being hungover tomorrow?”
“Maybe,” Nino shrugged.
“Guys, Kagami’s right,” Alya said dejectedly, placing her own glass on the coffee table. “We gotta be responsible for one more night. Marinette, I expected better from you.”
Marinette gasped. “How dare you. I’ve only had two glasses—”
“Two and a half,” Adrien corrected.
“Shh.” He chuckled at her antics. “I am the most responsible woman in this group. I am Ladybug: Queen of responsibility.”
“Until you become Lady Noire: Lady of puns.”
“You’re supposed to be on my side!”
“I’m on the side of truth tonight. That’s Kagami’s.”
“Traitor.”
The rest of the group groaned as Marinette and Adrien playfully bickered. Although they were used to it, Marinette knew it was still slightly annoying for them. But she didn’t care. She enjoyed these moments with Adrien. It reminded her of all the reasons she said yes to his proposal. Of why she had moved in with him and often imagined just running off to city hall, instead of waiting for the wedding they were planning.
“I swear, if you two don’t stop—”
But Nino didn’t get to finish his sentence. There was a sudden collective emergency alarm resounding around the room, coming from all their phones. A sound that had not been heard for three months already. Everyone quietly checked their notifications, hoping that it was not what they thought it was. Only to be sorely disappointed.
“You’ve gotta be kidding me,” Adrien breathed.
Kagami was the first standing to grab the remote. When the television turned on, they were immediately greeted by Nadja Chamack on the streets, reporting their worst fear.
“Police suspect that Agreste had help in his escape from prison. Unfortunately, they’ve yet to find his whereabouts at this moment. In the meantime, an akuma calling herself The Genie has been terrorizing the city, demanding Ladybug and Chat Noir’s miraculouses—”
“TIKKI!” Marinette called towards the kitchen. It only took a second for seven kwamis to zip into the living room.
“We heard!” Tikki said, worried. “We have to stop and find him!”
“Wait!” Chloé intervened, struggling to stand up. “How are we supposed to stop him when we’re in this state?!”
“I’m-hic-with Chloé,” Nino hiccupped.
“Just when you think it’s safe to drink,” Adrien lamented.
“Okay, who drank the least?” Marinette asked. Kagami, Luka and Alya raised their hands. “Okay, you three and I will go on ahead. Adrien, you get these two something to lower the buzz and come as soon as you’re ready.”
“You really think that’s safe?”
“We have to move before he gets away,” Marinette reasoned. “We don’t have time to waste.”
Adrien’s features hardened, as he nodded in understanding. Several magic phrases later, Ladybug, Rena Rouge, Ryuko and Viperion were running through the balcony doors and jumping over the rooftops. After several blocks, they arrived at the source of the commotion.
From their vantage point on top of a building, what they saw could only be described as bizarre. Some people were running away from what looked like giant versions of cute things, like dogs, cats, hamsters, and a snake. Others seemed to be… happy crying? That, while holding either objects or people.
“I don’t understand,” Ryuko muttered, her eyes scanning across the street.
“Talk about weird,” Rena Rouge agreed.
“What’s our move, Boss?” Viperion turned to Ladybug.
“We need to find the akuma first. Let’s split up, and whomever finds it first, call the rest.”
The team nodded, immediately running to separate directions. Ladybug, on the other hand, couldn’t help but search in the direction of Master Fu’s massage parlor: where they had last seen the butterfly miraculous. She had to know if the old guardian was okay, if Gabriel hurt him in any way to get the miraculous back.
When she entered the building where his parlor was, the first thing she noticed was how the door was ajar. Ladybug took a deep breath, holding to her yoyo tightly as she neared the entrance. She slowly exhaled.
BAM
Ladybug kicked the door fully open, just as it was illuminated by lightning from the window. The place was a mess. There was dirt everywhere from the plants. But most importantly to her, at that time, was the small old man unconscious on the ground.
“Master Fu!” Ladybug slid to her knees and took him in her arms. There was a drip of blood flowing from his temple, seeming to be caused by a blunt object. “Please, wake up. Master!”
There was a low groan, allowing Ladybug to release a breath of relief.
“The box,” he croaked.
The superheroine frowned, her eyes quickly scanning the room. While the phonograph was splayed across the floor in two pieces, the compartment containing the miracle box seemed intact.
“The box is fine. Whoever did this didn’t—”
“No.” Master Fu started checking his pockets. “The box. With the butterfly miraculous. It’s gone. Nooroo is gone.”
It was true then. It really was Hawkmoth out there. Whoever broke in must’ve entered when Master Fu was in the middle of one of his therapy sessions with Nooroo. The poor little thing had been through so much.
“Do you remember who did this?” she asked. “Was it Gabriel?”
“I don’t—I don’t remember,” the old man said groggily. “I can’t think straight.”
Ladybug immediately opened her communicator and called emergency services, giving the address they needed to send an ambulance. While they waited, she took several blankets to rest his head. She looked around the room, hoping to find any clues on the perpetrator.
Had it been Gabriel, or whoever broke him out of jail? Or both? Who could have such a connection with him to want him free? It couldn’t be Nathalie. She had left for Tibet once her testimony was given to the authorities. She was in charge of overseeing Emelie’s recovery in the Guardians Temple, thus had no reason to help Gabriel.
Neither Mrs. Bourgeois nor Mrs. Tsurugi wanted anything to do with them, much less when they knew it could damage the strained relationships they already had with their daughters. The Gabriel company cut all ties with him, and none of his employees remained loyal. Who else knew him well enough to feel sympathy for him?
* * *
Ladybug was back swinging on the rooftops during light rain, after the ambulance took Master Fu to the hospital. Normally she would have gone with him, but Mr. Raincomprix of the Police Department promised to have guards keeping an eye on him. So, for the moment, Master Fu would be under the authorities care.
With one less problem to worry about, Ladybug was able to go back into the real battle. Following the tracking device in her communicator, she ran towards her team’s signals as fast as she could. She jumped down the building right next to Rena Rouge’s mark.
“I’m here!” she announced, turning to the fox heroine. “What’s the…status.”
Where a superheroine was supposed to be standing, instead there was a woman in a big, puffy wedding dress. Fighting off small dinosaurs.
“This is ridiculous!” Rena Rouge complained, using a bouquet as if it was her flute. Petals flying everywhere. “Let,” swing, “me,” swing, “pass!”
Without skipping a beat, Ladybug used her yoyo to beat away the little critters. Meanwhile, Rena Rouge growled, as she tried to lift her pompous skirt.
“This akuma is annoying,” she said through gritted teeth.
“How did this happen?” Ladybug placed her weapon back on her waist.
“The Genie happened,” Rena huffed, kicking off a pair of high heels. “She showed up, and all she did was look at me and say: Your wish is my command. Next thing I know, I’m walking around in this.”
She gestured towards the dress. Ladybug tapped her lips with a finger.
“So, she probably grants wishes,” she thought out loud. “We need to find Ryuko and Viperion.”
“I think they were around the corner.”
With a nod, the two women ran in the direction they hoped their teammates would be. However, just as they turned the corner, several large toys invaded their path. Before Ladybug could do anything, they took Rena Rouge, yelling ‘Our Princess’ over and over. Ladybug was about to go after them, when she heard Viperion’s distinctive voice yelling reassurances.
She turned to see Ryuko floating upwards, as Viperion did his best to keep her grounded.
“Don’t let go, Viperion!” Ryuko yelled.
“I swear, I won’t!”
“I will kick your ass if you do!”
“I know!”
“What the hell is going on?” The voice of Chat Noir said beside her. Although she was relieved to hear his voice, her attention was on the floating heroine.
“They’re…getting wishes granted,” Ladybug answered absentmindedly, her head tilting.
“Ryuko wanted to float?”
Ladybug squinted.
“With her powers, that doesn’t make sense,” she thought out loud. She placed a hand on her chin. “Maybe it’s about how—”
“LOOK OUT!”
Chat Noir slammed his body against hers, sending them both several feet away from a dog shooting lasers out of their eyes.
“Why would anyone want a dog who shoots lasers?!” Ladybug yelped.
“Some kid out there has been watching too many cartoons,” Chat Noir commented.
“You okay, dudes?” Carapace’s voice said from above. Ladybug looked up, but instead of wearing the green hoodie outfit, he was dressed in a tuxedo of the same color.
“What happened to you?” she asked.
“Dunno,” he shrugged. “I was on my way here, and next thing I know, I’m dressed like I’m going to my wedding.”
“Wedding?” Ladybug scanned the area for Rena Rouge. It seemed she had gotten away from the giant toys and was now still trying to fight in the orange wedding dress, the bouquet looking more like a bunch of dying weeds. She looked back at Ryuko. And then back to Carapace. Her eyes widened. “The akuma is called Genie, right?”
“Yeah?” the men said in unison.
“And we can assume her power is granting wishes, right?”
“What are you getting at?” Carapace frowned.
“I don’t think Ryuko wished to float, and I’m a hundred percent sure the last thing Rena wants is to get married during a battle.”
“Meaning…?” Chat Noir squinted.
“We have to be careful what we wish for,” Ladybug concluded. “We can’t wish for anything. Not even in our minds, just in case.”
“Sounds simple enough,” Carapace shrugged.
“That’s what you think,” a voice behind them said.
In an instant, Ladybug and Chat Noir rose to their feet, making a battle pose. In front of them was what looked like a character from the animated Aladdin movie. Her skin was completely blue, and she wore a bustier with baggy pants. Her nose and mouth were covered by a belly dancer veil. Only her purple eyes were clearly visible under her bangs.
“I’m not a pushover, like other champions,” The Genie declared, slowly pulling her arms back. “I will get what I wish for, and not even you will stop me.”
“Isn’t there a rule that genies can’t grant wishes for themselves?” Chat Noir quipped.
“But I’m not a regular genie, now am I?” the villain then rested an elbow on her hand, fingers under her chin. “Once I have your miraculouses, I can get any wish a genie could want.”
“Miraculous wish?” Ladybug parroted. She and Chat Noir exchanged gazes, hoping they hadn’t arrived at the same hypothesis. Before they could say anything else, Carapace had placed a hand on her bicep.
“You’re not making any sense,” he said. Ladybug frowned, but noticed his eyes glimpsed to somewhere behind Genie. “I still don’t understand how your wish could come true with the two miraculouses.”
“It really isn’t clear,” she joined, trying not to give away Queen Bee sneaking behind the villain, ready to strike Venom.
“I think you’ve been given some false promises there, Genie,” Chat Noir mocked, using his staff like a cane and leaning forward on it.
“Hmph.” Genie closed her eyes. “You really think I’m that stupid.”
With a split-second movement, Genie was facing the other way, squeezing Queen Bee’s wrist. The superheroine screamed in pain, her weapon clattering on the floor.
“Bee!” Ladybug, Chat Noir and Carapace shouted in unison, as they ran to her aid. However, before they could get to her, Genie swung her towards them. All four landed painfully on the ground, as the villain vanished in swirling smoke.
“Where did she go?!” Ladybug panted, sitting up. Not a second later, a chilling laugh echoed in the air, with no point of origin.
“Bug,” Queen Bee grunted. “I think she broke my wrist.”
“That’s not good,” Chat Noir whispered, taking off his belt to wrap it around the injury.
“I can’t remember the last time one of use got seriously hurt in an attack,” Carapace commented, holding Queen Bee’s arm steady through her hissing.
“I shouldn’t have asked you two to come,” Ladybug lamented. “Not only are we a little rusty, but we’re clearly not in condition to be fighting.”
“This was my choice,” Queen Bee retorted, burning her eyes on their leader. “We had won. I am not letting stupid Gabriel get away with this. Not after everything we’ve been through. After everything we achieved. Everything I achieved…”
Ladybug’s face fell. “Chloé,” she said quietly, placing a hand on the blonde’s shoulder, “He’s not getting away with it. We beat him once. We can do it again.” She looked at Carapace. “Keep her safe, while Chat and I go after Genie.”
“Sure thing, Ma’am,” Carapace nodded, placing an arm around Queen Bee. “Kick that akuma’s ass for me.”
“Aye, aye, sir.” Chat Noir gave his best friend a two-fingered salute.
The original duo stood up and walked together to the middle of the street, where they stood back to back. Alert, waiting to see where Genie would show up.
“Just like old times, huh?” Chat Noir commented, loud enough for his fiancé to hear.
“Don’t we always say that, every time it’s just the two of us again?” Ladybug quipped back, while scanning the area.
“And it never gets old, Bugaboo.”
Ladybug chuckled. “You always know how to break the tension, Chaton.”
“One of my many talents.”
“ENOUGH!” A voice echoed angrily in the air. There was a puff of blue smoke, and the next thing they knew, both were sent flying in opposite directions.
Ladybug landed hard on the concrete. Suddenly very thankful that the suit protected her from scrapping any skin against it. She raised her head, to see Genie standing where she and Chat Noir had been only a moment ago. On the other side of the street was her partner, almost on his feet.
Unfortunately, the second he was up, Genie disappeared from where she was, to reappear right behind him.
“Chat Noir!” Ladybug yelled. But it didn’t matter. He still got hit on the back of the head, with enough force to make him fall on his knees. Genie raised her arm again, but Ladybug swung and wrapped her yoyo just in time to stop her.
Gotcha, she thought triumphantly.
Genie’s head snapped towards Ladybug, sending a chill down her spine. Nevertheless, she kept her grip firm on the yoyo. The problem was that so did Genie. The villain grabbed the string and started pulling on it. Meanwhile, Ladybug did her best to stand her ground, but the akuma was surprisingly strong.
“Come here, Little Bug,” Genie hissed as she yanked the string hard enough to drag Ladybug several meters forward.
The superheroine gritted her teeth as she attempted to do the same to the akuma. With little success, only managing to anchor her feet where she was.
“You’re so annoying,” Genie huffed.
The next second, she was gone again, making Ladybug fall backwards. Chat Noir had regained his balance enough to run to her side, to make sure she was all right. He had just helped her back to her feet, when she was pulled back as if from an invisible rope around her stomach. Once again, sent flying across the street.
“Why don’t you fight us head on, you coward?!” Chat Noir yelled, any trace of playfulness gone.
A chilling chuckle resounded in the air.
“As you wish, pretty boy,” the disembodied voice of Genie said.
There was another puff of blue smoke, and the villain hit his chin upwards with the palm of her hand. Chat Noir staggered backwards, attempting to raise his staff. The next blow he managed to block with is weapon, but Genie immediately followed it with a hard kick to his stomach.
All the while, Ladybug slowly stood up, trying her best to ignore the pain on her ribs. This akuma was of the kind they rarely ever saw. It was almost like she had purposely allowed herself to be akumatized. Much like Catalyst on the first Heroes Day.
If there was anything she had learned from these type of akumas, it was that they were far more powerful than the regular brand. Mainly, because they weren’t aimless. Not only was their goal clear, but they collaborated with Hawkmoth to create a more coherent plan.
Ladybug breathed heavily, her arm over her torso. She looked around at her incapacitated team. Viperion had even turned back to Luka, for his five minutes were wasted as he kept his hold on Ryuko. How did it get this bad so fast? And why did it have to be Adrien fighting his father once again?
She could see it in Chat Noir’s eyes. Yes, he made jokes and insulted his father all the time, but he was still hurting. And at that very moment, his heart was simply not in it, if the way he was fighting was anything to go by. Why couldn’t Adrien be freed of such pain?
Genie puffed out again, to appear right in front of Ladybug. The heroine didn’t even get a chance to move, before a hand grabbed her neck and pushed her into the wall. Ladybug struggled, trying to both focus on the villain and on freeing herself.
“You’re so predictable,” Genie whispered, with a menacing grin.
Ladybug could feel her consciousness wavering, as her eyes focused on the glowing necklace on Genie’s chest.
“You’re wish is my command, Little Bug.”
And there was a glowing purple light…
* * *
Marinette’s eyes snapped open. Above her was a plain, white ceiling she didn’t recognize. With a gasp, she bolted into a sitting position. She gazed around the room, still not recognizing anything of it.
There was a desk topped with fabrics, a mannequin with several hats on it, papers scattered on the ground, a floor length mirror. And she was lying on a full-sized bed she didn’t recognize. Marinette shuffled out of the bed towards the mirror, hoping she hadn’t been transferred to someone else’s body.
To her relief, she was still her. And yet…not. Her hair was much longer than she originally had it. Gone was the pixie cut and now her hair almost reached her waist. Under her eyes were heavy bags she hadn’t seen in a long while. Like she hadn’t slept in days.
But what struck her most were the scars around her bare arms. When did she get those? Did she have them all over her body? Marinette dared to lift the shirt from her stomach, to see three more scars. As if leftovers of a battle.
From the reflection, she saw something move behind her. Marinette snapped her neck towards it, luckily to see a familiar little blob of red burying herself in the fabrics over the desk.
“Tikki,” she whispered called, scurrying towards the kwami. “Tikki! Wake up!”
“Shh,” the small being said.
Marinette’s brows furrowed. It wasn’t like Tikki to be lazy. With gruntled determination, the woman poked her little friend, calling her again.
“No,” Tikki responded.
“This is important,” Marinette whisper-yelled. “Something is really wrong, and I need your help to figure it out.”
“Talk to the tail,” Tikki mumbled, turning enough to point her tiny butt towards her charge.
Marinette gaped. “Since when are you this rude?”
“Since when do you not let me sleep in?”
“Are you really Tikki?”
“How much did you drink last night?” The kwami snapped back.
“You know very well I only had two glasses and a half.”
“And you know very well that I wasn’t there!” Tikki finally turned to Marinette, her eyes with a fury she had never seen.
“What are you talking about?” she said. “You were all in the kitchen. You were there when I divided up the team before going out to fight.”
Tikki looked at her like she had grown a second head.
“You’ve finally lost it.” With that, she turned and collapsed in the fabrics.
“Lost what?! I have no idea what’s going on or—” Marinette’s eyes widened. “Adrien.”
“Wait, what?”
“Of course!” The woman rummaged through the room until she found a cellphone, a jacket and a pair of pink flats to wear. “I need to find Adrien. I need to know if he’s okay, what happened to him, if Plagg is acting the same way—”
“Plagg?!”
“—maybe he’ll have answers. Hopefully he remembers what happened last night, when we fought The Genie.”
Ignoring Tikki’s sudden interest, Marinette yanked the door open and crossed what seemed to be a small living room to get to what she hoped would be the exit. Once in the hallway, she started inspecting the phone that luckily had no lock.
“Ugh.” She grimaced at the background picture of a ridiculously revealing dress. “Whosever phone this is, they have terrible taste in clothes.”
Marinette continued tapping on the screen, ignoring a mutter from Tikki nearby about the phone. Looking into the contacts, she had to admit surprise when she saw Alya almost at the top of the list. Without waiting any second longer, she called the number.
Once. Twice. Three times. No answer.
“Dammit.” The voicemail came through the speaker. “Hey, Alya, it’s Marinette. I need you to call me to this number as soon as you can. Something very weird happened. Call me back, please!”
She hung up and continued scrolling through the contacts.
“Huh.” She tilted her head. “This phone is the same model as my old one.”
“You’ve had that phone for three years already,” Tikki said loudly. Marinette stopped on her tracks. She glanced at the kwami peering from under the jacket, and back at the phone.
“You’re not making any sense,” she resorted to say.
Yet her mind started racing as she ran down the stairs. The phone was clearly not hers, if it didn’t have the background picture of Adrien and her on their engagement party. Then again, things had been pretty bizarre already that morning.
Once in the ground floor, Marinette powerwalked towards the exit. Hopefully, she would find some answers once she stepped out of that door.
However, it wasn’t much help.
Stepping into the blinding sunlight, Marinette only realized she was an arrondissement away from her apartment. She was suddenly tempted to transform, to reach her home faster. But with Tikki’s mood, perhaps it was best to walk.
As the woman marched, she scanned her surroundings. From the looks of it, there was no sign of The Genie. As if it had never happened. No giant pets, no reanimated toys, nothing strange at all. She checked the phone again, which was very unhelpful when it barely had any contacts. Tikki said it was her phone, so if that was the case: where were Nino and Chloé? Was it even safe to try other numbers?
Marinette sighed, her head starting to hurt. Just as she looked up, she noticed a blond mop of hair she would recognize anywhere.
“Oh my gosh!” she breathed, breaking into a run, eyes trained on the man exiting a café. “ADRIEN!” she yelled.
Said man raised his head in bewilderment, almost apprehensive. She called several more times until he looked to her direction.
“Marinette?” He barely said her name, when she threw her arms around his neck, almost making him drop the brown bag in his hand.
“Adrien!” Marinette sighed in relief. “Thank goodness, I was worried something may have happened to you.”
“What?” the man questioned, brows furrowing.
“I’ve been so worried, and so confused,” she pulled back, grabbing on to his biceps. “I woke up this morning and I was in a strange apartment, and you weren’t there, and Tikki wasn’t talking to me, and I couldn’t get a hold of Alya, Nino or Chloé, and everything feels weird, and—”
“What are you doing?” Adrien cut in, shrugging his arms away from her. “Did you hit your head or something?”
“Huh?” Marinette frowned. “W-well… I don’t know! Adrien, nothing feels—”
“Why are you talking to me?” he snapped when her hand had reached out again.
The woman slowly straightened, staring at her fiancé dumbfounded.
“Chaton?”
“Chaton?” Adrien parroted. “You really have lost it now, haven’t you?”
“What are you talking about?”
“What are you talking about?” Adrien rolled his eyes, before checking his watch. “Look, I don’t have time for this, I have things to do. So, if you’ll excuse me—”
“Wait, no!” Marinette grabbed his wrist desperately, only for him to roughly shake it off.
“Listen here,” he said, pointing at her menacingly. “I swear that if you come at me like this again, I will be forced to get a restraining order—”
“Restraining order?!”
 “—against you. I don’t want to, but you know very well I can’t be seen with you. Or do you forget I’m a public figure?”
“Why are you threatening me? Are you under an akuma spell?”
“Marinette, it’s been two years!” he shouted, rendering her quiet. He let out a defeated sigh. “And here I thought we were past this. Just… I’m with Lila now, so just deal with it.”
Without a second look, he walked past her shell-shocked form. The words slugging through her mind, wondering whether they had been real or not. Two years? Two years of what?! Since when would Adrien threaten her with a restraining order? Since when does he not recognize his own nickname?
But most importantly… Since when were they not together?
---
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originallypoki · 11 months
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Our Flag Means Death S2 Spoilers!
Something people doesn't seem to realize, is that pacing has a key impact to a story. Yes, the tale you want to tell can be the best someone has ever come up with, but if your pacing of it is awful, it pulls the whole story down with it. To rushed pacing? It loses meaning and impact, because there's no time to become attached. To slow paced? It becomes boring and uninteresting, finishing the book, show or movie feels more like a task than actual fun.
The first 4 episodes of season 2 of OFMD were awesome. The pacing was perfect, we had enough time to register what was happening and to sort out our emotions. I was a bit thrown off by ep 5. Because, while still good paced, you can start the see the problems because of the missing 2 eps ( for example the skipped fight, instead choosing to tell, not show. )-
Then episode 6 and 7 happened. And oh boi, I wanted to drop the show, only my love for it keeping me going.
I know that it isn't David Jenkins and the production team's fault, since the 2 episodes got cut, giving us the total of 8. But I can't excuse the decision to cram the plot of 10 eps into 8. If you have so little time left, why don't just cut some 'unimportant' storypoints?
Like Ned Lowe, he was introduced and died in the same episode. His purpose was to give GentleBeard development I know, that still doesn't give him enough importance to let him stay in the shortened version. Just like the second break-up from GentleBeard we got in ep 7.
Instead we got very out-of-character characters, Stede for example. I can see why he acts the way he does in ep 7. It would make sense, had he more time to have proper character development! Instead he feels weird, plus the very very uncomfortable second-hand embarrassment scenes (like the fight with Zheng). And sadly after ep 3, I couldn't feel the same chemistry GentleBeard had in S1. While there were cute scenes, like the end of ep5, I felt like something was missing to make me actually care. It's just my feelings, so not very important, but it was a bit disappointing.
The end of ep 7 gave me hope. Because it was a perfect way to introduce a villain, who's a genuine threat to our heros. And I maybe like Prince Ricky a bit to much. Then ep 8 came crushing down while drowing my love for OFMD, that made me ignore everything wrong with the second half of S2.
I like ep 8, well the first few minutes. It felt like I finally had time to see what's happening and David Jenkins didn't leave us completely clueless. ( Let's ignore the logic holes since it was is a comedy show and they were always there. ) And I was way to busy squieking like a pig of happiness to think critical.
I have many criticism points, but will only focus on one;
Izzy's death. And by god, I. Am. Pissed. Killing a character that is beloved by the fandom isn't the problem. While I love him, he's my favorite, I also love a good ol' angst. But he was in the middle of his redemption arc, and ending this with death is just such weak writing. I have nothing against killing a character off for development. Iron man for example, his whole story is about becoming a better person and jumping over his ego. And it ends just like Izzy in death. But Tony was through his arc, his death was the final, showing he has changed, showing he would do everything to save the universe and more important, the people he loves.
If Izzy died at the start of or before S2 I wouldn't complain, because it would've been perfect for him. Maybe if he died a more impactful death I wouldn't write this. But you can't make a character finally change and then destroy the meaning of it by killing him off in the fucking middle of the change. It would've had so much more impact seeing how he becomes a part of the crew he loathed not even a few weeks ago. Episode 5 did that great, while a bit fast. I like how he and Stede get along. Growing closer. It was a bit too fast paced, and I hoped for them to finally communicate, not talk. The same with Ed, I wanted him and Izzy to finally talk to eachother and not through eachother. However, giving us acutally communication while Izzy's fucking dying is not how you give impact. (And credit where credit's due; I really like that dialog, it was beautiful and the right words choosen to explain how Izzy feels)
Not to forget what a meaning it conveys. Izzy always did what he thought was right, even when it was completely wrong. But when he finally grows and begins to do actually what is right and let's go of Ed, he dies?
Still, I wouldn't say that they shouldn't have done a season 2 at all. It has great potential and I can see what they were going for. So, while it has it's problem's, it's nothing what a good fanfic can't fix. So I look forward to the amazing works that will build up on this hot mess and / or 'correct' it.
So bye, I'll go cry and give the last three episodes of S2 of OFMD, the last 20 minutes of S2 Go treatment T^T (except that GO S2 was fucking fantastic through the whole season)
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magicalgirlagency · 9 months
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Whats your thoughts on Mami Tomoe in general? I dont like PMMM but Mami does interest me alot as a character concept: a veteran MG who took other, younger MGs under her wings to guide them; whom sees enough shits in her time that shes gone somewhat unstable but keep up a facade of cheerfulness to comfort her students. Im intending to create a character using this concept as well.
I wanted my character to have her Happy Ending - the rest of her younger teammates as well. I think it'd be rather ironic to base her on a dark MG while she belongs to a lighhearted Magical girl story. Shes still in a vague designing state, with a concept and some basic traits and backstory. I wanted to her to be a MG veteran who saw some serious shits during her younger days too, but with help from her mascot (who is not the bad guy in this story) and eventually the MGs whom shes teaching, shes healing from her past traumas and is on the road to a beautiful future.
I know there are other MGs from other shows that are good mentors for their team, but weirdly enough Mami was the first one who introduce me to this concept (PMMM was also the one to introduce me to the Maho Shojo gerne, but I dont like it so I evetually follow Pretty Cure instead, best choice ive ever made) so shes the one I pick to base my character on. Mostly for the ironic part.
I absolutely adore her. I even had a sideblog entirely dedicated to her back when this account got temporarily deleted, just to have any idea of how much I loved her. Heck, one of my self-inserts was inspired by her, too.
One of the many reasons why I love Mami could dial back to Bishoujo Senshi Sailor Moon's Kino Makoto/Sailor Jupiter. A strong yet sensitive girl who has lost her parents on a tragic accident and now craves the feeling of a family with the friends she makes.
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Mami is indeed a fascinating character herself, and I think her death, while understandably haunting the narrative afterwards at least, was very disrespectful (she died in the span of ONE episode! Right after she debuted!) and the jokes that were relentlessly cracked by everyone and their mother for 10+ years are not funny at all.
Imagine if I were to crack jokes about Flapjack's death. You guys wouldn't like them, would you?
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No, you guys wouldn't like them. It'd be cruel and done in bad taste.
Anyways, back to Mami...
She's the cool and experienced onee-san/senpai type of character, approachable and friendly; she's skilled and graceful, plus with an epic theme tune to boot. Of course, her calm and collected persona is just a mask that hides how terribly lonesome and scared she is. To quote Bebe in The Rebellion Story:
"Mami is a real crybaby. She gets lonely super-easy; I know, I know."
Homura's description is more in-depth, though:
"She would always put on a strong front and push herself too hard, despite having the softest heart of any of us."
This vulnerability of hers is more explored in Magia Record, though. She joins the Wings of Magius so she could help in finding a cause to save her friends from despairing and becoming Witches, as she feels guilty for dragging them into such a hostile world.
Except that the WoM's methods were very cultish, thus causing her to be brainwashed and used as a puppet, distance herself from the ones she was supposed to guide and protect, and when she'd be challenged by outsiders, she'd quickly lose her cool.
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Turns out that no matter the timeline/universe, Tomoe Mami will always be the first one to crack at the revelation.
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And I like that, because it makes her morally grey, which it's something quite rare in the Magical Girl genre. She wants to save her friends, but she has participated in dangerously unorthodox methods to achieve such an end.
Anyways, I've been rambling about Mami for too long, that I've forgotten your concept. Sorry! Your idea is amazing! My followers having galaxy-brained suggestions, as always!
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