#since i use lower settings

[levia-kun]

With the ever present threat of your work being scraped and forcing you to glaze the shit to protect yourself and dozen of social media going frankly to shit,

I feel less and less incentivized to share my works online, it's become even more an hassle than it used to be.

Might become one of those artists that drop an illsutration or more effort stuff every once in a blue moon now.

[carnivalcarriondiscarded]

I'd say that in the middle of above and below Is limbo.. or the middle! Basically maybe where wallys trying to contact us? Or maybe someone?

LIMBO THAT'S THE BITCH - i couldn't for the life of me recall the correct word, thank you

honestly i think Wally is contacting our world through it, but i doubt he's in it... if the pits / portals / possible entrances to limbo are the source of the black stuff, i have a feeling that Wally might not want to be in there. Between Places are rarely fun to exist inside of, anyway.

[sysig]

Feeling and looking good 🌈 (Patreon)

[scatterpatter]

Guess who re-discovered his love of rock climbing!!!!!

[thepandalion]

not to be annoying or anything but it's been 9 years since the release of indie game undertale

[little-lanterns]

i can't sleep...

[icewindandboringhorror]

sleepy mr baby + other random misc images

[red-dragon-archfiend]

I don't have enough time or experienced with enough classes to write a detailed multiclassing guide, but for D&D players, especially new players, wondering if they should multiclass, the simple answer is "probably not". Multiclassing is, in general, bad. The game was not balanced with it in mind, and it's very easy to muck up your character if you don't know what you're doing. I'm not just talking from an optimization perspective, either; it's difficult to justify it narratively in a way that doesn't cheapen the significance of what class levels represent. You don't become a Bard by practicing the lute for a week. You can't become a Wizard without years of study. If you plan to multiclass, my advice would be to find some way of tying it narratively into your primary class somehow; an Eldritch Knight becoming a Wizard is sensible, because they already have an understanding of how to work arcane magic, they just need to spend some time focusing on that over improving their martial abilities to learn enough to start filling out a spellbook. Of course, that still takes a long time, but the Eldritch Knight's previous experiences mean they already know how to cast multiple spells already. If you want to multiclass for story reasons, ask yourself two questions: Is multiclassing really the best way to convey this change in my character, and, if so, do they have the adequate time, experiences, and resources to practice the skills necessary (physical training, study, spiritual attunement, etc.) to even START being that class? The reason I put so much weight into class levels is because the Player's Handbook itself makes a point to clarify what sets a member of each class apart from others who seem similar on the surface; not every soldier in a given army is a Fighter, chances are most of them aren't. And Paladins are even rarer! To achieve even one class level is a strong indication of skill and effort, and I as your DM would expect you to consider how your character achieves levels in a second class. My campaign features a Fighter/Warlock multiclass, and her patron is both the supplier of her occult magic, and her instructor, personally training her in her dreams, so she can level up in either class and it'll make sense. My favorite combination, Paladin/Sorcerer, can be explained by latent powers emerging in response to their experiences and the holy power they channel within themselves, perhaps a gift from their deity or the result of them or their ancestor slaying a creature like a dragon or vampire whose blood imbued the Paladin's bloodline with arcane magic. Maybe a Monk/Cleric comes from a monastery that reveres a specific deity, and that Monk caught their deity's attention, choosing the Monk for a holy mission. If multiclassing is part of your character's backstory or projected future, having a plan for it is key to making them still feel like a cohesive, singular character.

[bmpmp3]

hold on. hold on im shifting into vocaloid mode. hold on

[akkivee]

hyped up 02 came with two showtimes and i made my monster post to the first showtime and came out feeling like i needed a whole new one for the second show lmao 😭😭😭

the last third of show 2 had almost an entirely different set list which meant more animations and different dialogue and y’all haven’t seen cute until you’ve seen dh collapsing in a fit of laughter together or jakurai trying to copy hifumi’s dance moves 😭😭😭😭😭😭😭

[taviokapudding]

For those that need numbers to understand- I'm going fully off my memory because unfortunately I recycled my copy

The October/November edition of the AARP magazine has a 2 page spread comparing cost of living from the 1960s and 2023- they listed $47,000 USD { again I am rounding down to the nearest thousand because I don't remember the specific to quote it} as the annual wage to survive in a household with a 65+ year old and homes cost around $400,000ish USD {which again rounding down because I don't remember if it's 449,999 or 449,000}

In my mind I consider making less than $47,000 the lower class cut off because,

1. You can't qualify to buy a house as easily if you're not in the 40k range, doubly under the US credit system and

2. fun horrifying fact, you gotta report 11 years to social security to get your full cut per month. If you don't qualify, they go by birth date and what is entitled to you on average if you pay taxes. My dad is applying this year and my mom has 9 years of receiving so I know wtf when I'm saying when I tell y'all a large portion of 65yr olds in the US get either 10k-22k a year (because no matter what $250-$300 will be put into a required medical insurance, regardless of whether one opts to use Medicare, or you'll be fined up to that amount yearly}. And that amount is barely enough to get by.

My dad and I earn, together, roughly 20k-30k a year + my mom getting her social security (she's on the $10k end unfortunately)- we barely got enough to pay our mortgage loan and I will, hopefully *knocks on wodd* inherit the home with less than 10k to owe. But what I got is not a universal experience and presently my dad and I are struggling to get food on the table, pay bills, and care for my mom since she has dementia. I'd argue the making $8k or less a year so you don't have to report taxes is a HUGE indicator of who's at poverty too. If you're renting with 2 other people and you all make 8k or less a year individually- yeah you're lower class as a unit but poor in the eyes of the government. At least one of you have to hit the $9k-$15k range to allow any of the 3 of you to take time off.

So living the under $47,000 a year experience for the majority of my life but especially having 0 adults making that amount since 2018 on their own to qualify as a living comfortably wage- $47,000 is the difference between just barely middle class and not. And with the cost of food and the US government not regulating businesses to avoid artificial inflation (tons of people are getting sued, being told not to turn into a monopoly, and investigated in the US food industry as I'm posting this) I expect that number to rise by the end of 2024 to $52k *aggressively knocks on wood* which I hope doesn't happen

Renting isn't "middle class" unless you got around $47k+ a year to start a savings account that isn't the spare change jar (at least from my experience- the highest my parents ever made was $45kish over 15 years ago and what AARP is reporting)

Ive noticed recently that my generation has... no concept of what the various economic classes actually are anymore. I talk to my friends and they genuinely say things like "at least i can afford a middle class lifestyle with this job because i dont need a roommate for my one bedroom apartment" and its like... oughh

You guys, middle class doesnt mean "a stable enough rented roof over your head," it means "a house you bought, a nice car or two, the ability to support a family, and take days off and vacations every year with income to spare for retirement savings and rainy days." If all you have is a rented apartment without a roommate and a used car, you're lower class. That's lower class.

And i cant help but wonder if this is why you get kids on tumblr lumping in doctors and actors into their "eat the rich" rhetoric: economic amnesia has blinded you to what the class divides actually are. The real middle class lifestyle has become so unattainable within a system that relies upon its existence that theyve convinced you that those who can still reach it are the elites while your extreme couponing to afford your groceries is the new normal.

[arolesbianism]

Why would I draw or further flesh out the other members of Chou's party when I can instead think abt how all of them play in game and spiral out into making up a shit ton of other game mechanics that do not matter to the actual story

[retiredteabag]

Sukuna assimilating to you

Synopsis: After discovering that Sukuna has been wide awake every time you nap together, you become embarrassed around him.

〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰

It is a scientific fact that when we are around people we love and trust, while in a healthy relationship, the release of oxytocin makes us sleepy.

Sukuna does not need sleep. He is the king of curses, able to continuously use his technique without ever becoming exhausted. When you first suggested that his chambers were "perfect for napping", he had simply raised a brow and considered what that could possibly mean.

You are like a weak creature to him. A kitten or perhaps a rabbit. And since you are never safer than when you are in his presence, you frequently find yourself growing sleepy when you are around him.

Throughout your strange relationship with the king, something that you loved most, is that there never needs to be words exchanged between the two of you. You were both contented to sit in silence. Frequently dozing off together, or so you thought.

You caught on eventually, that he was always awake before you. That his breathing pattern never really changed. That his face never relaxed more than it would if he had simply been sitting with his eyes closed.

One morning, after having stayed the night sleeping, you mumbled to him, "How is it you're always awake before I?"

He rose a brow at you, his upper set of eyes were looking into yours, the lower staring at how you lay across his bed sheets.

"I do not know your meaning." He grumbled out.

You huffed, rolling your eyes. "You never sleep in longer than I do, one day I would like to wake up before you."

"I never sleep at all." He stated before you had even really finished your sentace.

"What?" Your breathy outburst echoed slightly in his bed chamber, "What do you mean you don't sleep?"

"I do not require such things." He turned his torso now toward you, all four eyes studying your face, you had quickly sprung up, seemingly miffed.

"So... so all this time, you've just been... laying there while I've been sleeping?"

"I suppose I have, I do not see how this matters in the slightest." "It matters because I've been... It's just been a big waste of time for you. Sukuna you should have said something." You're upset, he can tell. Your face is scrunched up, your blood is pounding in your veins. Sukuna, however, does not know what to say in this situation.

In all honesty, he figured you knew and were just including him. Did you really think he was that weak? Or could you simply not conceive of a restless existence? Whatever the answer, he had no response for you, expecting a shrug of the shoulders- you he would discover, would not so easily let go of things.

And how humiliated you were. How many HOURS had you spent sleeping with him, within his grasp, in his space for him to have been conscious the whole time? You tried thinking back, attempting to recall a time you had requested a nap when he was uninterested.

He had never uttered a word about it. Never turned you down. Sukuna was not a kind king, he rarely ever did things that were not out of necessity, and he certainly did not do things he didn't like. That, at least, was consolation. You knew he had not been suffering for your sake, but even so, it was embarrassing.

Sukuna, still, could not understand your sheepishness about the subject. He did not care to explain that time works differently for him, that his mind is not so simple as yours and does not require entertainment all the time, that he could sit still for years and not be bothered, and frequently did before you came along.

He assumed you would get over it quickly. In your time as well as his. But days passed and he rarely saw you. You took your dinner with other people of the palace and spoke with him in the most cordial manner. One night, he informed Uraume that they needed to prepare a dish suited for you, something that would entice you, and serve it to him.

He figured this would bring you crawling back to him, tail between your legs. Yet, you did not budge.

Odd.

You were wallowing. You knew it. He did not care to spend time, what? Watching you sleep? Of course, he wouldn't, but it hurt your pride, to know you had been taking up such huge chunks of time lazing about in his presence. Well, not anymore. You slept in your chamber and your chamber alone. Gone were the days of blankets on the engawa, gone were the days of resting beneath the kotatsu while laying your head in his lap, gone were the days of sharing his bed.

If ever he wished for someone to share his bed, he had a whole cast of concubines, though you knew they were never of any use to him, they were mostly just house staff with a fancy title.

The evening he finally decided enough was enough, you were in the washhouse doing laundry.

Your back was arched over a bin full of soapy water. Your hands working tirelessly on some cloth.

"Have you not circumvented me enough?" He spoke in a low and slow tone.

"Lord Sukuna." You bowed, clothing in your hands, suds up your forearms, you bent your neck as to not look at him.

"You will reply now." He raised a brow, watching your hands quietly splash in the washbin.

"Was there something you would like me to assist to?" You questioned. Your head was full of possible reasons for what the king meant by seeking you out personally.

"Do you believe that by not sleeping in my presence I would come to believe you do not require rest?" He spoke in an unserious tone, eyes unblinking.

"No, my lord." Now what was he playing at? Of course that wasn't your intention.

"Then you hide yourself from me because you no longer have time for your king, I suppose." He mused.

Oh, for heaven's sake, "No, my lord."

"I see," He bent down to look you dead in the eyes, "So, you must no longer crave my occupancy of your space. You must not desire my hand running through your hair? I suppose you have tired of staying in my chambers?" His tone remained deep but his eyes were dead serious now.

"I-" You began, but suddenly you felt the urge to cough, swallowing you tried again, "I wished not to preoccupy so much of your time."

"And you made this decision without enlightening your king."

You said nothing.

"You will eat with me tonight, you shall stay in my chambers henceforth." He rose in record speed, turning without a second glance your way, maids were staring wide-eyed at the king of curses as he halted at the entrance of the washhouse. You could not see, but there was finality in his voice.

"I wish not to waste-" You were cut off by Sukunas voice, his broad back still facing you.

"Your wishes do not interest me now, so it seems. It is my wish for you to spend your time with me." His steps resounded through the compound, your face slack.

The maids smirked, and with shocked faces, side-eyed one another. A couple entered the washhouse giving you big open-mouthed smiles, and patted your shoulder as they passed.

That night Uraume made something you would go on to beg them to make for years to come. And when Sukuna pulled you prone from your seated position on his bed, he took a firm fingertip and stroked the space between your eyes, one of his enormous hands encircling your skull and massaging your temples with his thumb and ring fingers. He traced the bridge of your nose to your forehead, the way you would stroke a cat.

Perhaps he thought this would induce drowsiness but all it did was make you feel all floaty inside at his silliness.

And for the first time since that night, you slept alongside him. Within his embrace, and when you awoke, Sukuna's eyes were closed.

[astrangeriddle]

Just saved my mother from getting scammed out of 600€ how tf does this keep happening!!!!

[iraprince]

gonna show u guys a little opalescent highlight hack i threw together today

rainbow gradient above your main figure (i usually have all my main figure folders/layers in one big folder, so i can clip gradient maps + adjustments to it!). liquify tool to push the colors around a bit. STAY WITH ME I KNOW IT LOOKS STUPID RN I'M GOING SOMEWHERE WITH THIS

THEN: set it to add/glow (or the equivalent in ur drawing program), lower the opacity a bit, and apply a layer mask. then u can edit the mask with whatever tools you like to create rainbow highlights!!

in this case i'm mostly using the lasso fill tool to chip out little facets, but i've also done some soft airbrushing to bring in larger rainbow swirls in some areas. it's pretty subtle here, but you can see it better when i remove the gradient map that's above everything, since below i'm working in greyscale:

more granular rambling beneath the cut!

u could also just do this with a brush that has color jitter, but what i like about using layer masks for highlight/shading layers is how simple and reversible it makes everything. i can use whatever brushes i want, and erasing/redoing things is super low stakes, which is great when i often approach this stuff with a super trial-and-error approach.

example: have u ever thrown a gradient w multiple colors over an entire piece, set it to multiply etc, and then tried to erase it away to carve out shadows/highlights? it's super frustrating, bc it looks really good, but if u erase something and then change ur mind later, u basically would have to like. recreate the gradient in the area u want to cover up again. that's how i used to do things before figuring out layer masks!! but masking basically creates a version of this with INFINITE undo bc u can erase/re-place the base layer whenever u want.

anyway, back to rambling about this specific method:

i actually have TWO of these layers on this piece (one with the liquified swirls shown above, and another that's just a normal concentric circle gradient with much broader stripes) so i can vary the highlights easily as needed.

since i've basically hidden the rainbow pattern from myself, the colors in each brushstroke i make will kind of be a surprise, which isn't always great -- but easily fixable! for example, if i carve out a highlight and it turns out the rainbow pattern in that area is way too stripey, i can just switch from editing the mask to editing the main layer and blur that spot a bit.

also, this isn't a full explanation of the overall transparency effect in these screencaps! there's other layer stuff happening below the rainbow highlights, but the short version is i have all this character's body parts in different folders, each with their own lineart and background fill, and then the fill opacity is lowered and there's multiply layers clipped to that -- blah blah it's a whole thing. maybe i'll have a whole rundown on this on patreon later. uhhh i think that's it tho! i hope u get something useful out of this extremely specific thing i did lmao

[alpha-dash1998]

A Breath of Fresh Air: My Experience with the Breezy+ Air Purifier