#show of the year for me...

[mercury-exalted]

Mizu's entire life is one of the top ten saddest anime deaths of all time

[chez-cinnamon]

What if Pomni seeks out comfort from Kinger bc of the last episode??

Pages 2 and 3 should be done soon-

But I love the idea of Kinger's comforting words and advice struck a cord with Pomni, so despite his memory issues she still seeks his comfort out- though going to him at night yields some problems as shown...

Anyways girl dad Kinger !!!!!!

[cryptocism]

"just as I did, in 1983."

you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable

[chiptrillino-art]

something stranger and more wonderful

(ID in ALT text)

my art for @faux-fires (ao3 Link) fic "something stranger and more wonderful"

beta red by @ranilla-bean (ao3 Link) for this years @zukkabigbang2024 event. its truly a beautiful fic. Keeping you on your toes while reading. making you worry about sokka exposed to the whims of nature and zuko, all alone.

big thank you to reikah and rana for all the handholding during this project! And stoping me form overthinking details.

[084392]

had never heard of "mlp infection aus" until this month and ngl i still dont know what they are but. it made me want to draw some of them getting taken over by their cutie marks or something......

[several-breathing-eyes]

I saw somebody say that watching the Percy Jackson show made them realize that in the first books Percy doesn't even say half the stuff he thinks and he's just a quiet kid silently judging everyone, like they're so right.

Think about it from Grover's perspective. You know Percy as a quiet boy who certainly has his judgy thoughts but (aside from telling them to you) keeps them to himself. He's just trying to make it through school, for his mom.

Then his mom dies. And he loses the ability to give absolutely any fucks. He starts saying all this shit he never said out loud and to people who could do infinitely worse things to him than anything Nancy Bobifit ever even tried. And it only gets worse as he gets older.

Like bro went from quiet kid in the back of the class to fist fighting a god in the span of like a week. Then he openly told the gods to pay their child support. Grover was having heart attacks every other minute.

[hinamie]

surprise it's yuri!!!in 2024

[starcurtain]

Please someone redraw this with Dr. Ratio and Aventurine because this is the exact vibe they have in my head post-Penacony.

[anna-scribbles]

emma dupain cheng on the brain😽🎀

more:

[saragrosie]

Sketching while streaming s5...

Jonathan Sims I will learn to draw you (this is my doing. I could draw him however I want and I choose to stick with an image of him in my brain that is difficult for me to draw. Masochism.)

Not s5 Mahtins below I enjoyed drawing cuz hes neat:

(Edit: I yassified Martin in the do not separate cuz I wanted his hair fluffier)

[magpiedraws]

Jon he's really trying here cut him a break

(tumblr crunched the resolution of this comic a lot rip)

[greghatecrimes]

for the love of god

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[o-wild-west-wind]

While I’m still a bit bummed that they didn’t go with a more book-aligned POC Fiyero for the Wicked movie, I’ve been thinking (heheh) about how his being white highlights the really interesting foil relationship between him and Glinda (and, in many ways, the audience yourself).

At its core, Wicked is a cautionary tale about propaganda, (literal) scapegoating, and what it means to uphold the status quo. The audience is watching through Glinda’s eyes—it is through her, arguably the most beautifully tragic character of the show, that we learn how lonely life becomes when you forfeit your values in favor of systemic power and likability (“No One Mourns the Wicked” is, in many ways, about HER).

Now, this is where Fiyero’s whiteness can get interesting—if you consider him and Glinda to share roughly equal footing at the beginning in terms of privilege/how much they have to lose (applying our real-world lens of race and power here, where whiteness is the apex), his storyline essentially represents what could have happened if Glinda had made the brave (and arguably wise and loving, if you’re picking up what I’m putting down 👀) choice to go with Elphaba and fight the good fight (this is also why I feel like a queer reading of G&E’s relationship is almost implicit to the story, but I digress).

As the POC/marginalized allegory, Elphaba has much less of a real choice in her curtain-pulled-back turning point. But Fiyero and Glinda—both representing privilege—get to choose. So in Act II, we see the consequences of both the choice to stay (Glinda) and to go (Fiyero). In Fiyero’s case, his ultimate rejection of his own power, privilege, and even beauty leads to immense physical loss—including his own body—but that is then compared to the loss of love, community, and identity that we see Glinda left with by the end. And this brings us to the question that the audience is left grappling with: in an unjust system where loss is inevitable (a.k.a. our own world, as the Wizard himself represents), which of these things are YOU more willing to give up?

It’s important that Glinda is an empathetic character because, in reality, most people are going to be Glindas (obvi this is nuanced among us Elphabas of marginalized identities, but I’d still argue that there’s some level of Glinda in us all)—and it’s important to be rattled by the end of the show when you realize that she is the one who has the sad ending. But it’s also so important that Fiyero is empathetic (which I’m SO glad this movie leaned into)—because he’s ultimately who Glinda—and thus we, as the audience—should have been.

And especially given the state of US politics right now…this is just all more relevant than ever.

[lotus-pear]

cringefail exes oh my god