#ships I'll write

[thevoidstaredback]

Enough Caffeine to Kill an Elephant

Listen. It was an accident. He didn't mean to! It just kinda happened.

So maybe he brought a drink with enough caffeine in it to kill an elephant within a few minutes, and maybe he forgot to put the sleeve on his cup so he could tell it apart from the others, but it's not his fault! He didn't think anyone else was going to have the exact same Yeti cup as him! It's not like he'd seen any of the others carry one before. Besides, he worked with superheros. They should be smart enough to check before drinking someone else's drink.

Danny had been summoned by the Justice League Dark a few years back in order to help with a world ending crisis and he just didn't leave. It's not like he could go anywhere anyway. His ghost half hadn't grown past fourteen and his human half had stopped visibly aging at eighteen. He'd had to leave town as Danny Fenton, but he'd stayed in Amity Park as Danny Phantom. When his parents died of old age, thank god, he'd closed down the portal, stuck around for a few more years, before traveling the world as Danny Fenton.

Anyway, he'd taken up residence in the House of Mysteries after the JLD had summoned him. Constantine, at first, had been wary, but he and the rest of the JLD had grown to accept him. He was an honorary member of the team.

At some point, just after Robin had become Red Robin, Danny had been introduced to the Justice League. He liked those guys, too, and worked with them sometimes. Though, he usually only went to bug them.

Red Robin had been very interested in the fact that his was fourteen and working with grown heros, like he was one to talk, but Danny hadn't explained anything other than saying that he had died and come back. The following conversation was an interesting one that lead to Danny knowing that Nightwing was the Batman he'd met and that Batman was lost somewhere. He'd confirmed that the man was not dead, but he hadn't offered to help look for him. He probably should have, in retrospect.

Back on topic! Everyone in the JLD knew not to touch Danny's drink. They'd all seen him make it before and had been horrified on varying degrees. It's not like it could kill him. He's already half dead! So long as he only drank this specific brew as Phantom, he'd be fine.

The Justice League, apparently, didn't get the memo. He blames Constantine because Zatanna and Raven can do no wrong. No, John, he's not biased.

The point is, Red Robin just had a sip of Danny's drink. The horror he now felt was akin to the fear he held when he'd told his parents he was Phantom. (An interaction that had gone very well, thank you very much.)

Danny knew the exact moment that the vigilante realized he grabbed the wrong drink. His eyes widened to an astonishing degree, and, if he'd been able to seen his eyes behind the mask, Danny knew that the man's pupils would've completely overtaken the irises. His hands started shaking, too. Oh, no. The man's already addicted to hellish amounts of coffee. This is only going to make it worse!

Quickly, and without drawing any attention, thank the Ancients, Danny rushed over. "You, um, you okay, man?" Obviously not, but he tends to talk when he's anxious and he was certainly anxious right now. He could've possibly just killed a man via poison!

"What the fuck is in this coffee?" Red Robin asked, going to take another sip.

Danny pulled the Yeti from his hand and gave him the proper one. "Enough caffeine to kill an elephant."

"Obviously not, seeing as I'm still alive."

"Yeah, I can't tell if that's a good thing or not."

"Excuse me?"

"I-I mean-! I didn't-! You know what I mean." Caffeine is poisonous in excess, and his drink was way beyond excess, but it's the only thing that works for him as a ghost! Superpowered metabolism and all that.

"Do I?" The laugh in his voice answered for him. He took a sip from his drink and frowned at it. "I don't think any coffee will ever be enough again."

"And that's my cue to get my drink very far away from you." Danny turned, fully intent on moving to the other side of the room. Besides, the meeting was going to start as soon as the Flash and Kid Flash arrived, which would be soon. Something about one of their Rouges getting out?

"What?" Red Robin asked, "Why?" If he was a little desperate to get another sip of that coffee, he'd rather not acknowledge it.

"Because you don't need anymore lethal coffee," he muttered, "The sip you took will already keep you awake for three days at least, and it probably jump started an addiction. Best to stop it now. Besides, I need to go have my crisis on how the hell you're still alive after even a sip of this stuff."

"Again, rude." The bird themed vigilante crossed his arms as best he could while holding his cup. "If it's so dangerous, why do you drink it?"

Danny took a deliberate sip as he locked eyes with the technically younger man. "I'm dead. I don't need to worry about my heart stopping or having a seizure."

"Excuses."

"No, it's not 'excuses'. I'm saving your life."

"You're a kid. If I can't have that coffee, then you shouldn't be having it."

"First, I'm older than you. Second, I already told you: I'm dead. This isn't going to hurt me. Third, you can't tell me what to do."

"There's no way you're older than me. You're like, ten."

"I'm thirty-eight!" He balked, "I only look fourteen because I died when I was fourteen. We've been over this."

Neither noticed the entire Justice League looking at them. The two they were waiting on had arrived a few minutes ago and everyone was ready to start the meeting, but they'd been distracted by the two's conversation. Was that true? Had Phantom really died so young? They'd all been made aware he was not living, but they didn't think he'd died so young! Though, that was probably the denial speaking.

The Justice League Dark had been fully aware of this and didn't really bat an eye. Though, someone should probably get this meeting started. A potentially world ending threat was the topic, and that was a pretty important thing to discuss.

Captain Marvel was the first to pull himself together, though that was only after Atlas and Zeus had mentally slapped him out of his stupur. "As, ah, riveting as this conversation is," he stepped between the two boys- er, boy and man? "we really need to start this meeting."

Batman did not clear his throat because he'd not lost his voice in the first place. "He's right. Everyone take your seats."

Storyboard Part 2

[starcurtain]

A Look at Ratio and Aventurine... and Ratio/Aventurine

I was morally obligated to use this picture.

Anyway, I got an ask about my understanding of Ratio and Aventurine's relationship both in canon and as a ship that I have been holding on to for a while now because... phew, there's like... a lot to talk about there... But I felt I should at least give it a try, so here is my attempt to comment on the intersection of two of Star Rail's most complicated personalities. Long post is longgggg; you have been warned.

First, Aventurine's canon relationship to Ratio:

In the interest of not hitting tumblr's image limit, let's just throw out some of the information we have in one go:

It's pretty complimentary. (Yet somehow...)

The implication of the infamous "Keeping Up with Star Rail" video is that Ratio understands Aventurine better than anyone else, and Aventurine knows this. At the very least, putting all shipping aside, Ratio is the person who can explain Aventurine's behaviors best. He's the person Aventurine chooses do so. This suggests significantly more knowledge of each other's lives than the game first led us to believe.

Other people (read as: my GOAT Owlbert) perceive respect from Aventurine to Ratio, and although I read them as a bit sarcastic, the 2.1 mission logs not only repeatedly confirm that Aventurine views Ratio as smart and reliable, but that Ratio is reliable "as always," again indicating a longer and closer history of collaboration than we get to actively see in game. The devs were working hard to tell us "Penacony isn't Ratiorine's first rodeo," which is interesting--given Topaz's voiceline recommending the Trailblazer avoid working with Aventurine whenever possible, we're led to believe through 2.0 and 2.1 that not many people will willingly work with Aventurine more than once, let alone many times.

While going through psychological scrutiny from the Ghost of Christmas Yet to Come his Harmony-infused self, the "Future" Aventurine suggests that Ratio and Aventurine are quite similar, and that Aventurine puts a surprising amount of trust in Ratio, to be willing to hinge such a dangerous plan on something as untested as Ratio's ability to act. At the very least, Aventurine's own psyche is pondering on Ratio and whether or not their connection has any emotional meaning.

But despite all this evidence suggesting Ratio and Aventurine spend significantly more time with each other than we get to see in game, Aventurine's own thoughts cast strong doubt on whether he and Ratio are actually close.

Aventurine's "About Dr. Ratio" voice line suggests that Aventurine believes Ratio does not particularly like him. He seems to think that Ratio would prefer to stay away from IPC operations where possible, and it's "unfortunate" for Ratio to be stuck with Aventurine as a conversation partner. He's tolerated, rather than enjoyed. His overall impression seems to be that Ratio mostly views them as distant coworkers.

When the "Future" Aventurine suggests Ratio did not betray Aventurine willingly, actual Aventurine immediately pushes back:

(Personally I'm on the fence about whether this was real doubt or just a ploy to continue sussing out Sunday; see my other post about this scene for some more thoughts.)

But if we take this statement to be played straight, it implies that Aventurine doesn't fully believe Ratio will side with him, even (maybe especially) in dire circumstances. If this statement is real doubt, then despite considering Ratio the person who best understands him, despite building an entire life or death gamble around Ratio's loyalty... Aventurine still doesn't think Ratio even likes him.

Aventurine's not stupid or blind, so theoretically he should be able to read the situation better than that. But actually, there's plenty of evidence both in the game and outside it to suggest that Aventurine is not the most accurate judge of his own relationships to others and is a down-right terrible judge of his own worth as a person.

"Future" Aventurine suggests that one of Aventurine's deep inner flaws--the truths that he rejects about himself--is a massive inferiority complex. This is backed up well by the mission text, where Aventurine's thoughts about himself spiral into self-harm, and the scene in the maze, where "Future" Aventurine taunts our Aventurine with the unforgettable fact that his entire life was only worth pennies:

There's also pretty consistent self-deprecation, with both "Future" and real Aventurine noting several times that he's a pathetic mess of a person that other people don't trust or like.

The overall impression 2.0-2.1 left me with is that Aventurine is perfectly capable of respecting and caring for others, but virtually incapable of accepting other people genuinely respecting and caring for him.

Part of this seems to stem from the directly-stated sense that he's a failure whose only worth is in transactional exchanges, using and being used by others (there's so many layers to this--internalized racism even), but I also suspect that much of his inability to accept genuine connection from others is defensive behavior.

Aventurine's true self, Kakavasha, is deeply hidden away, like the ghost of the child that manifests from his Harmony delusion in the Dreamscape. Although Aventurine clings to that person, claiming that he has "never changed," he actively coats over his beliefs, his kindness, and his authenticity with the mask of a "cavalier gambler," with glitz and glamor and showy distractions. No one gets to see Kakavasha. No one gets to know him, because being buried deep in the dirt is the only way to remain untouchable, and fiercely keeping one's distance is the only safe bet. (For both Kakavasha and any fools who would doom themselves by daring to care for him.)

So: Canon is telling us that Ratio is one of, if not the, closest people in the world to Aventurine. But canon is also telling us that that still means absolutely nothing at all, because Aventurine won't let himself be close to anyone living.

Aventurine's senses of self-worth, trust, attachment, and safety have been warped so badly by ongoing and untreated trauma and mental health issues that, at least until the end of 2.1, I just don't think he was capable of even accepting genuine friendship from Ratio, let alone anything more.

(Interesting side note here: Ratio is actually one of the people Aventurine calls "my friend" the least. He only says it directly to Ratio a single time in all of their lines of dialogue across 2.0 and 2.1, and even then, does so only when right outside Sunday's door, while almost certainly being spied upon by the Family. Anyone who knows how often "my friend" is peppered into Aventurine's dialogue otherwise should know that the absence of the phrase is actually pretty telling. It almost feels like canon Aventurine's not even sure he can call Ratio his friend, at least to Ratio's face.)

Which makes Ratio's canon relationship to Aventurine quite sad and ironic:

From start to finish, Ratio canonically esteems Aventurine more highly than almost any other character in the game. I'm not even talking about shipping when I say that there is no character Ratio is closer to in the entire game.

At present, Ratio has only four voice lines about other characters, and of those four, Aventurine's is the only one that isn't someone from the Genius Society. The only one. Ratio's voice lines are also notably, uh, not very complimentary. Herta is "talented but not helpful to others" and "sees no one as her equal" (read as: she's self-absorbed). Screwllum is a "monarch, rather than a genius" (with the vague implications of being a tyrant), and Ruan Mei is overly ambitious and "fooling everyone."

Meanwhile, Aventurine is "our man" (who is "our" Ratio? who?) whose success "can't all be chalked up to luck," implying that part of Aventurine's success must come from skill. Ratio notes that Aventurine questions his own ability... but as far as Ratio's evaluation goes, he seems to doubt that Aventurine will ever experience a downfall. For someone who thinks 99% of the people he meets are mediocre failures scrambling around in the filth of existence, to be recognized as skilled and unlikely to fail is quite obviously glowing praise.

Then, of course, there are numerous moments that echo Aventurine's hints, implying that Ratio spends significantly more time with Aventurine than we see on-screen, that he knows Aventurine extremely well, and, although he tries (vainly) to pretend he isn't, he's clearly quite concerned with what Aventurine thinks of him.

Especially this last one. "No wonder that gambler likes you so much" is pretty intentional on the devs' part, confirming that Ratio and Aventurine are having off-screen conversations we players are not privy to, which obviously would indicate a closer relationship than the in-game cutscenes could cover.

Then, Trailblazer has the option to flat out ask Ratio to "rate" Aventurine. (Star Rail ship bait is not even subtle.)

At first, this line might read as all over the place:

"The bosses say we're partners but I wouldn't say that" -> Read as: Ratio wants people to know how their relationship is classified but doesn't want to admit to being actually invested.

"I see myself as the teacher to everyone I meet" -> Read as: Ratio at least pretends that he doesn't view anyone as his equal; everyone is either above him--geniuses--or below him--students.

"Aventurine is not that bad of a student" -> High praise; even Ratio can't pretend Aventurine's untalented.

"Actually, Aventurine's probably in metaphysical danger" -> Read as: Ratio is aware of the "void" Aventurine is experiencing and his mental struggles.

The ultimate takeaway of Ratio's "rating" actually says more about Ratio than Aventurine. When it comes down to it, Ratio's choice to answer this question for the Trailblazer instead of dismiss it tells us that Ratio has spent time quantifying and trying to define his relationship with Aventurine, is willing to at least discuss that relationship with other people (when we have no evidence he ever discusses any other personal/non-academic matters with anyone), and that Ratio pays attention to Aventurine's mental states.

Canon Ratio is not beating the allegations, I'm afraid.

But actually, I think the biggest tell about Ratio's canon relationship to Aventurine is that Ratio's behavior completely changes the moment Aventurine appears in the game.

In every single one of Ratio's other appearances, two facts are hammered home again and again:

First, Ratio hates interacting with fools and "noisy" people. He wears his plaster bust so that he doesn't even have to see them. Canonically, we're informed by both March 7th and Argenti that Ratio brought and was wearing his headpiece in Penacony. Curiously though...

The players never see it throughout 2.X--probably because 90% of Ratio's scenes are with Aventurine, and Ratio is never shown wearing his bust on screen with Aventurine--even in their very first meeting in the Final Victor lightcone. Aventurine clearly knows of the bust, but despite Ratio verbally going on and on about how Aventurine is the most "flashy" and "devoid of logic" person Ratio knows... the devs deliberately send their message: Ratio has chosen not to cut himself off from Aventurine.

Aventurine can be more "clamorous" than a screaming peacock, but Ratio will still not put up walls against him. This isn't accidental. The devs had every opportunity in the world to go the opposite route and make jokes about Ratio refusing to take the bust off in Aventurine's obnoxious presence; instead they decided that Ratio apparently has a glaring, Aventurine-shaped exception to his "I don't want to perceive you fools or be perceived by you" life rule.

This "willing to tolerate shenanigans only if Aventurine is involved" behavior continues basically throughout all of Penacony's plot. In 2.3 for example, if you turn around and talk to Ratio again on the Radiant Feldspar, he flat out says:

But there's no actual explanation for why he's there in the first place. He mentions he was assigned to watch over "the IPC's ambassadors," which theoretically should apply to Jade and Topaz, yet we never see him interacting with them in any capacity. He's never even shown in the same room as Jade or Topaz, and he's not shown doing any other form of business for the IPC on the Feldspar either. Theoretically, he could have been on the Feldspar to meet regarding the Divergent Universe... except Screwllum wasn't there yet, and Ratio doesn't mention a single word about the Divergent Universe to the Trailblazer.

The only person Ratio talks about in his dialogue on the Feldspar is Aventurine, and the only non-Trailblazer he talks to in 2.3 at all is also Aventurine, replying to him and only him in the group chat.

He looked like he might give it a shot to try to befriend Boothill and Argenti at the end of 2.3... but immediately changes his mind and leaves without saying a word to them.

It's not really a stretch to suggest that the only reasonable excuse for Ratio to attend the party on the Feldspar was if he was there for Aventurine, a behavior that he himself notes is out of character. ("A waste of time" he says, as he stands there anyway.)

But, second and even more importantly: Ratio's single most defining character trait is that he believes people need to pick themselves up. The entire point of his debut appearance in the game was to present his philosophy that if the powerful or privileged intervene to continually "save" the mediocre, ordinary people will never learn for themselves or get the chance to grow. It is in times of desperation, he says, that fools exceed their limits and reach greatness.

This is why, in 1.6, he insisted on Asta and the Trailblazer being the ones to solve the attacks happening on the space station, without relying on Screwllum or the other geniuses. Although Ratio did actively intervene a little (using the phase flame to save the researchers from death), he did so only from behind the scenes, where his actual help would not be noticed by those affected and where it had no impact on their decision-making or their struggles to solve the mystery.

He let Asta and the Trailblazer panic. He let them flounder. He even deliberately misled them at points, claiming that Duke Inferno must have kidnapped the researchers (when it was actually Ratio himself who re-routed them).

Ultimately, Ratio let Asta and the Trailblazer grow from their experiences.

This is also why he lets the Trailblazer go blazing in to fight Ruan Mei's faux emanator of the propagation, despite knowing that Trailblazer was not actually strong enough to win. Ratio watched and was ready to intervene... but in the end he did not, because it was the Trailblazer's fight to lose.

Ratio's most defining character trait is that he believes standing back and observing is the true kindness, rather than inserting oneself and denying people their autonomy or opportunities to grow.

Buttttt... then there's Aventurine, and suddenly the story is completely different.

Suddenly, Ratio isn't an observer but becomes essential to the plan. He's even walking around making big claims about being the manager of the task, flexing all of his C+ acting ability to actively carry out their mutual ploy.

In 2.3, he claims he was just there to watch, and his Penacony sticker asserts he's only "a supporting character"--yet we have never seen Ratio take a more active role in the entire game. Unlike with the Trailblazer in 1.6, he's not primarily watching events unfold from shadowy corners. He's in Penacony as Aventurine's active partner in crime.

And, even more telling--he later jeopardizes their entire mission just to ask if Aventurine needs help.

What? Huh? The character who is famous for the voice line "You look distressed. Is something troubling you? If so, you can figure it out for yourself" is suddenly offering his assistance entirely unprompted?

The guy whose motto might as well be:

Is suddenly out here throwing his own core philosophy out the window to solve Penacony's mystery for Aventurine and save him from himself in Aventurine's hour of greatest need?

A lot of people get hung up on the second half of Ratio's letter, the part about staying alive, which of course is very sweet. But I think the second half causes people to forget that the first part of Ratio's letter is, quite literally, the answer to Penacony's mystery.

Ratio gave Aventurine the answer.

This is like if your professor just gave you and you alone the score key to the final exam and then turned around to insist he "doesn't play favorites."

Of course, Aventurine is brilliant and didn't need Ratio's answer about dormancy, which makes the fact that Ratio went out of the way to give it to him even more odd. Ratio despises unnecessary repetition. If he wasn't dead worried, he would never have given Aventurine an answer that Aventurine had the power to find on his own.

And, as far as canon tells us, Ratio has never done this for anyone else.

The difference is night and day. It's literally the Gordon Ramsay meme, with everyone else in the entire game being the "fucking donkeys" to Aventurine's "Oh dear. Gorgeous."

So: Even if we entirely put aside shipping, if we look strictly at what we're given in canon:

Ratio treats Aventurine with more respect than he treats most other characters in the game.

He involves himself in Aventurine's struggles in a way that he flat out refuses to do for anyone else.

He compromises his own beliefs purely out of concern for Aventurine.

So, at least as far as we've been shown in canon, it is accurate to state that Aventurine is the closest character to Ratio--and unlike Aventurine (king of self-gaslighting), Ratio isn't even good at acting like he doesn't care.

Frankly, the whole thing is a little sad. Ratio's behavior is so blatantly out of character that a smart person like Aventurine should easily be able to determine it is genuine, but Aventurine's personal hang-ups and ongoing trauma make it difficult for him to even see that authenticity, let alone put faith in it. Even in canon, Ratio is mostly unable to help himself when it comes to Aventurine, which is especially unfortunate given how badly skewed Aventurine's perception of himself and others is by the start of Penacony's story.

PHEW! I finally made it through canon content!

Now there's just... everything else... 🫠

Well, to be honest, I don't think I could ever manage to put all my thoughts about this ship into one post. Probably not even fifty posts.

So rather than trying to say everything there is to say about Ratiorine, what I want to focus on is how fantastically these two characters just fit together. Like puzzle pieces that need to be mirror opposites in order to link, these two characters parallel each other while also perfectly filling in each other's voids. It's some of the best character pair writing I've seen in a long time (though I'm still sort of convinced it was at least 50% sheer luck on Hoyo's part), and my perspective on their ship can really be tied to my underlying perception of Ratio and Aventurine's characters as remarkably similar individuals:

It's obvious that Aventurine is not a healthy or well-adjusted adult man, but like... neither is Ratio.

Both of these characters are "not quite right" marginalized people who, at least in my interpretation, have essentially given up on even faking normality and are now just vaguely play acting their way through being functioning members of a universe that is entirely unequipped to accept them for who they are. In a world full of cyborg cowboys and people with wings growing from their heads, the game still manages to somehow convince us that Aventurine and Ratio are odd ones out.

Kakavasha can't even exist in the dystopian capitalist hellscape of the IPC's machinations. "Aventurine" isn't even a real person, just a never-ending performance, a slick, devil-may-care persona without a single ounce of substance.

Ratio, meanwhile, is a world of one, rejected from the only place he thought he could find validation and acceptance but unable to lower himself to fit in anywhere else.

Aventurine is so bad at making genuine connections that he turns everyday conversations into gambles because he doesn't believe people will care enough to keep talking to him without tangible incentive.

Ratio's insistence on treating everyone as students, not as equals, also means he has an excuse to never emotionally engage with anyone he meets. (This is not at all a textbook method of intentional avoidance to prevent any chance of social rejection. Not at all.)

At the end of the day, Aventurine and Ratio both come across as desperately lonely, and so caught up in their own situations that they really don't have the ability to climb out of that hole on their own.

Preventing them from even being able to maintain any form of relationship is also the fact that neither one of them can even find justification. Neither one of them has a reasonable answer to the question "Why am I alive?" anymore, because Aventurine's reason died on Sigonia and Ratio's reason died with an IPC invitation instead of a Genius Society letter. Though their differing perspectives have led them on opposite paths pursuing their own answers to that ultimate question of "Why should I keep living?" (Aventurine was headed toward giving up before the end of Penacony, while Ratio has invented an immeasurable, impossible goal to distract himself from feeling purposeless), both of them are pretty much miserably unfulfilled in their current lives.

They're also both violently allergic to emotional vulnerability and to having any of their flaws or true desires actually be perceived. Both of them put up insanely high walls. Aventurine pushes boundaries with everyone he meets to provoke their hatred in advance, before they can come to disdain him for his "real" flaws. He acts out harmful racist stereotypes to use others' preconceptions for advantage, manipulating every situation he's in--incidentally affirming the stereotypes against his people by doing so.

Ratio puts a physical wall of plaster between himself and others, but the plaster bust actually doesn't have anything on the mental and emotional gymnastics he's engaged in to justify his isolation from the world, doing everything in his power to convince himself that he's isolated by choice, that it's perfectly logical for Veritas Ratio to have nowhere to truly belong, no one to truly belong with. He's so mundane after all. Of course the geniuses don't want him, that's just commonsense. But everyone else is so... different, so foolish, so illogical... It just wouldn't be reasonable of him to try to become one of them either, to be their friend instead of their distant educator. (You know, if you never try to integrate with others, then they can't reject you. Ratio has learned his lesson.)

Somehow, Aventurine and Ratio are two of the most competent and successful people in Star Rail's entire universe and simultaneously also two of the most misfit, reject, dysfunctional messes in the game. Like... Blade has a better support network than Aventurine and Ratio combined. The 7000-pound murderous mech with a disabled, genetically-modified war veteran who never got to live a normal human life hiding inside it is more capable of making friends than Aventurine and Dr. Ratio.

Which is why I love that the devs decided to make their canon backstory: "Some absolute treasures in the IPC and the Intelligentsia Guild had the galaxy-brained idea of pairing Ratio and Aventurine as strategic partners." The game's writing really said: "These two characters are so socially stunted, they have to be assigned a relationship like it's homework."

They may not have it all figured out yet, but the fans see the design: Now that Ratio and Aventurine have each other, they're not alone anymore. I have never seen two characters better fit the "Is anyone going to match my freak?" meme only for the actual answer to be "Yes."

Ratio is "plays chess with himself" levels of loner weird? No problem--Aventurine is "Wanna take bets on who's going to die today?" weirder. Ratio wears a plaster bust to ward off idiots? Aventurine transforms into a monster on command, which is pretty much guaranteed to achieve the same effect.

Ratio wasn't chosen by Nous? That's fine, Aventurine's one job as a "chosen one" was to save his people and now they're all dead. Nobody can keep up with Ratio in conversation? Watch a single comment from Aventurine turn him into a fumbling mess on live television.

Ratio's inability to relate to the experiences and development of any peers his own age have left him extremely isolated and with a permanently scarred sense of self-worth? Wow, I wonder if Aventurine knows exactly what that feels like.

They just... fit.

And, changing focus a little here at the end: While I personally think that recovery from trauma requires internal motivation and self-kindness foremost, I also think that Ratio and Aventurine's relationship should be considered from the perspective of how they help to fill each other's gaps.

Unlike any connection at the Genius Society who will always evoke unpleasant memories of Nous's rejection, Aventurine isn't going to make Ratio feel intellectually inferior. Aventurine has nothing but good things to say about Ratio's intelligence, and it's even apparent that Ratio felt comfortable enough to at least mention his Genius Society woes to Aventurine, something he explicitly does not do with anyone else.

Even when it comes to social interactions, Aventurine isn't going to make Ratio feel inadequate, because honestly? Aventurine's almost as bad at them as Ratio. Aventurine is much better at faking it socially, but when it actually counts? When he's trying to be real with others? A solid 70% of the people who meet Aventurine still end up wanting to strangle him. The guy tried to apologize for threatening to detonate the Trailblazer like a bomb by buying them a model train...

Then there's this:

Aventurine is the only character explicitly called Ratio's equal in game, and more than just treating him respectfully as an equal, Aventurine also exhibits one extreme appeal that no one else in game has ever shown to Ratio: Aventurine makes Ratio feel needed. For Aventurine, Ratio is not a forgettable after-thought as he is to Herta and most of the other geniuses. He's not just "some weird guy who scolds me about school" like he is to the Trailblazer. Ratio's intellect and skill were integral to Aventurine's plan from step one to the very end. Ratio has a place in Aventurine's plots. For a character who directly assesses worth by how beneficial a person can be to others, the fact that Aventurine can make Ratio feel wanted and valued probably produced some of the strongest personal fulfillment Ratio has had in years.

On the opposite side, Ratio's in a unique position. Out of every relevant character in Aventurine's story, Ratio is the only one who has nothing to lose by choosing Kakavasha over "Aventurine." Ratio doesn't profit off Aventurine or take any expensive gifts from him, like the Trailblazer does. He doesn't need Aventurine's luck for anything at all. He'd be able to work for the IPC even if Aventurine wasn't in it. Ratio certainly doesn't want the glitz and glamour of a shallow gambling hustler persona. His work doesn't require Aventurine's continued involvement like Topaz's and Jade's does. He'd probably prefer not to know any Stonehearts at all, thank you for asking.

Outside of deliberate-acting insults about Sigonians for Sunday's sake, we're not told that Ratio has any connections to--and therefore has no preconceived biases against--Sigonians. Being a person who values self-determination and a refusal to live in mediocrity above all else, he would have nothing but esteem for how far Aventurine has managed to come despite the harsh circumstances of his life. Ratio probably wouldn't even think Aventurine's belief in Gaiathra is that strange; one of Ratio's doctorates is actually in theology.

Unlike literally everyone else in the universe who needs "Aventurine," we have every indication that Ratio's respect and admiration will only grow when he finally gets to meet "Kakavasha."

Loneliness, rejection, betrayal, a lack of understanding from others--all of these can leave wounds that only genuine, deep bonds with others can heal.

On death's doorway, in the darkest shadow, when Aventurine had to make the choice between passing on to be with the family that loved him and choosing to return to a reality without them... Ratio's letter was there, telling Aventurine the exact thing he needed to hear to choose life: Someone is waiting for you to come home.

If the resounding rejection of Star Rail's Nihility is belief in humanity's power to make meaning in our own lives through our connections to others, then the ultimate message of Ratio and Aventurine's arc in Penacony is that no one needs to be alone. The world is not as empty as you fear.

And that is a message that Ratio and Aventurine can learn best through each other.

(I just... love them so much...)

[radiance1]

Danny often felt tired, as of late.

He wasn't certain as to why he did, though. It happened after his, apparent, coronation as the Prince of the Infinite Realms and after finally getting a boyfriend out of that damsel in distress who made him into one.

Which was unfortunate, because though he may try, it was very hard to pay attention on dates when Danny felt he just came from using the Ecto-Skeleton and no amount of sleep would make it go away. Fortunately, however, Billy was very understanding and accommodating of his plight, letting him sleep on him whenever he wanted and having their dates be less mentally/physically demanding things.

Man, Danny loved his boyfriend.

Unfortunately, he was away on one of his Justice League mission things.

Another thing he noticed, is that he liked to sleep in more cold places now. Very, very cold places.

So much so, that he genuinely debated moving to the Far Frozen if not for his parents turning his room into a literal walk-in freezer for him.

Did he ever find out why he needs to sleep so much? No, not really. But man.

Danny could go down for a nap right now.

---

Pariah was having a good, very good day.

He woke up, stretched, ate some food he didn't actually need to, did some light exercises after aeons of not using his sword and just fighting in general and sat down for some tea.

Even had a letter from the Master of Time with a P.S that two humans would be busting down his door!

Wait what-

"Ghost King!" Came the rather loud, effeminate shout accompanying the loud slam of his castle doors. "Where is our son!"

Honestly, Pariah is impressed by the lungs on that human.

"You heard her!" He looked down calmly at the... Actually, what in the infinite is that? Since when did humans go walking around with cannons??? "Tell us where our son is our so help me! Ghost King or not we'll exorcise you right where you stand!"

Pariah blinked slowly, very, very slowly.

Then took a sip of his favorite ghost blend then calmly placed the cup back down.

"You must be the boy's, human, parents I presume?" He asked calmly, gaze sweeping over them both. They seemed to be prepared for war, a burning fire in their eyes as they stared down the very King of Infinity and saw only an obstacle.

Oooooh, how that made the part of him that longed, sung for battle purr in sheer delight.

"Why don't you join me for tea?" He said, waving a hand and conjuring forth two extra, human sized, chairs on the opposing end of his table alongside two more tea cups. "And explain whatever is going on, while you're at it."

The two shared a glance between each other, then slowly lowered their weapons down to a point where they could still draw them at a moment's notice, yet not actively antagonizing the king at the same time-

Oh, he just loves these types of mortals.

-before slowly making their way to their seats, which were right next to each other of course. Married and whatnot.

"Tea?" He flicked a finger, filling their cups with the same that was in his cup but before remembering. "Ah, right. Human and your mortality." He casually mentioned, flicking his finger and changing the liquid to one of the few mortal blends he could still recall. "Worry not, for they are not poisoned." He chuckled lightly.

Honestly, doing such a thing would be beneath him, especially when faced with mortals of such fire.

"Now," He brought his cup to his lips. "Why don't you inform me as to what, exactly, has brought you to my doorstep prepared for battle?"

They, once more, exchanged a glance between each other, making sure the king was still in sight before Maddie opened her lips.

"Our son is missing."

---

The summoning was a success.

A terrible, terrible success.

One that the Justice League, One John Constantine especially, had valiantly attempted to stop.

But, unfortunately, once it got going it seemed to be incapable of stopping.

Faced with an entity being summoned from the Infinite Realms, they had called all of the heroes who were capable that weren't occupied. Shazam, unfortunately, was one of said heroes occupied.

Superman and Wonderwoman? Were not. So, at the very least, they had two of their heaviest hitters available.

The circle glowed a toxic green, growing and growing in glow until it reached its zenith.

Then was snuffed out as brightly as it glowed.

The air stilled, followed by a chill that rivaled the chilliest of snowstorms as if they were standing within one that very moment.

The next moment?

Ice.

Pure, unflinching, jagged pillars of ice rose from the circle the same moment it glow returned. Sticking out from the circle haphazardly and nearly impaling those that stood too close.

Mist, thick, blue mist. Rolled from the pillars of ice, descending down onto the floor with a gentleness that was almost deceptive if not occupied by such cold and being completely and utterly unnatural as it was.

The Justice League readied themselves.

[the-scarecrow-of-aus]

Time limits and being late for dinner

Danny, pinned down by gunfire on top of a wounded red hood who caught him in his territory and chased him into a rivals warehouse:

"Hey hood, soo... hypothetically, if I was to remove your helmet how long is the detonation trigger?"

Jason starting to lose conciousness and slur from blood loss:

"Like half a second after it triggers, it'll blow before you can clear my head, why?"

"Cool, that gives me half a second to see why my sister is obsessed with your ugly ass!"

"What? Wait... who's your sis-"

*grabs Jason's head by the helmet and phases it straight off and through his body using the momentum to throw it towards a group of shooters in a single move*

[There's a loud bang and the shooters duck for cover as two go down screaming from the shrapnel]

"-ter... hey! How'd you do that?"

"Ugh, I was right, you remind me of Johnnie. Oh well, c'mon man, well be late. Not something you want to experience when jazz is waiting"

"Jazz... Wait! Are you kidding me, the bookworm Jazz, is your sister?"

Danny braced his arms across hoods chest under the arms like they were floating in water and leaned backwards, red hood and himself suddenly unburdened by gravity slid through the wall covering their backs and disappeared from sight (if not sound as Jason dazedly kept commenting on the cute girl he'd mistaken for babs and if she actually liked him back)

They were late, jazz was definately gonna be mad!

[charcubed]

There's one specific aspect of Deadpool & Wolverine that's important in relation to the queerness of Wade/Logan:

The fact that Vanessa isn't single.

I'm not kidding lol

Doesn't seem like people are talking about this so I'm going to be the one to say it I guess!

So… beyond trying to save his world / family, Wade's (flimsy) motivation is indeed partially motivated by Vanessa – or more specifically by things she said to him during their break up. He wants to figure out how he matters or how he can be a hero without being an Avenger, etc.

Shitty as it is that Vanessa is relegated to being a two-dimensional motivation mouthpiece… She and Wade didn't just break up; they tell us immediately that she's seeing another guy. By my memory, Wade never disrespects that, not even jokingly. And the plot isn't framed as a quest to ~win back the girl~ either.

The end scene underlines this too, where [SPOILER] he says he did it for her even if she doesn't want him or whatever the line is. Their little hand touch isn't really a romantic rekindling.

So, what am I getting at?

This all gives weight to Wade's mischievous flirting and (later) built connection with Logan.

If Wade and Vanessa were framed as "taking a break," or if she was still single and he was trying to win her back, the queerness with Logan wouldn't work quite as well. There'd be more room to claim it's an unserious joke.

But Vanessa's moved on.

Wade, taking LOGAN home, did too.

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[mattodore]

birthday boy 🎂

[brainrotcharacters]

The one where Wade and Logan remind me of Achilles and Patroclus

Because what the fuck do you mean "Do I know you, bub?" Bitch I'm going to spay you

You would recognize him by touch alone. By smell.

You would know him blind by the way his breaths came and his feet struck the earth.

You would know him in death at the end of the world.

[magicwhiskers29]

Been dwelling on this for a while now, but aro Kabru is soooooooo interesting to me

Like, he's this guy who's often called a lady killer and whatnot by his friends because of his charms, but his intentions behind those are entirely nonromantic, and he even seems to have a kind of clinical view on romance, at times.

When he smiles at people and winks, he's trying to come across as friendly and approachable, not flirty. Because he's deeply fascinated with people, but in a like, wants to study them under a microscope kind of way. His party jokes a lot about him being a hit with women, but we never see him attempt to actually romance anyone. It's his facade that he wants to use on just about everyone, because he wants to be liked so he can be close to people and be able to immerse himself in other people's lives.

A lot of people criticise him for the casual way he treats Rin, with romantic gestures, whilst his canon stance on her is that he sees her like a sister. To my knowledge, it's unclear if he knows she likes him, but this is Kabru, so it's not unreasonable to assume that he's deduced as much. And yet he kisses her just to stop her casting anyway. It's such a clinical procedure. Kabru sees it as the most efficient and safe way to stop her, so he goes for it. And yeah, they both look like monsters to each other, but he so casually kisses a girl he probably knows has romantic feelings for him who he views as just like a sister.

It's not a big deal to him because he doesn't feel that way about her. Maybe won't feel that way at all. His perspective on romance is consistently like looking through a window, just studying other people's views on it, because it doesn't mean much to him.

When he edits Mithrun's backstory for Laios, he cuts out lots of what he sees as complicated, both out of respect for preserving Mithrun's privacy, but also just to make it simple enough for Laios, who has so little interest in human matters or motivations, to understand. And he centres it on a tragic love story! He thinks that Mithrun's love for a woman, and his jealousy over his brother having her interest instead, is a good, simple core motive. Romance is just a plot device to simplify and explain Mithrun's past motivations. Romance to Kabru is just another facet of people to study, something that makes them do things, and something that paints a broader picture of them.

It's a pretty detached view. He's a very shippable guy for a lot of fans (and for a lot of characters in story too, haha) but he's also someone whose idea of romance is just another thing to be studied. He's guy who does a lot of romantic or flirty things, whilst seemingly having no interest in romance for himself at all!

He doesn't feel romantic attraction, but it fascinates him anyway

[necrotic-nephilim]

I think what I love the most about Reverse Robin AU TimJay is the absolute potential for hero worship with Jason toward Tim. In canon we often forget that Tim didn't really care for Jason as Robin, meanwhile as I never shut up about, Jason has been weirdly respecting and obsessed with Tim since finding out about Tim's existence. So if you flip their order, make Tim Red Hood and make Jason Red Robin, there's so much room for hero worship from Jason.

As Robin, Jason has always teetered that edge of being pro-murder or not. Whether you believe he killed Felipe or not, even in his Post-Crisis introduction as Robin, he almost kills Two Face. Those concepts of lethal justice have always been brewing inside him, just reigned in by Bruce. So if you have Robin!Jason witnessing Red Hood!Tim start killing people and quickly making noticeable change in the landscape of gangs in Gotham, Jason would take quick notice. I think Tim as Red Hood would still be lethal, but there'd be a different application than Jason's Red Hood. Heads in duffle bags isn't Tim's style, even if he kills. I think you'd see something much more akin to that time Tim almost killed Boomerang, where it's such an elaborately thought out set up, it realistically doesn't even look like Tim killed anyone. It'd take months for Bruce to connect this string of deaths as anything other than coincidental, let alone link them to Red Hood. And Jason is wickedly smart, even as Robin. Jason, putting those pieces together before Bruce does and witnessing the undeniable positive change for Gotham it's enacting? Robin!Jason would be incredibly drawn in by that, and then even more-so, a Red Robin!Jason who has to grapple with being replaced to make room for the next Robin would I think, in anger, turn to Red Hood. And Tim would push him away at first, his plans don't have room for a scorned teenager who's trying to get back at Bruce and Nightwing!Damian like this- but I think Jason would wear him down. Prove to Tim that Jason can think on his wavelength.

Slightly related, what interests me about Red Hood!Tim is how it'd implicate his closeness to Ra's. Jason is taken into the League by Talia in Lost Days and Ra's doesn't necessarily approve of Jason's presence, especially not of Talia dunking him in the Pit, but Ra's has always canonically been A Little Weird about Tim. I think in a world Tim dies as the second Robin, it would be Ra's who dunks Tim to preserve his mind that Ra's thinks shouldn't be wasted, and you have the potential for 'apprentice of Ra's' Tim wrapped up in it all, even without him experience the Red Robin arc. So when it's Jason as Red Robin, instead of him going to Ra's when he's scorned by the Batfamily, he goes to Tim. The person he once idolized, because I think Tim would've been Jason's Robin. Smart, competent, a strong legacy to live up to. And now he's back, and he's pro-killing, an edge that Jason has always teetered on and would feel even closer to when he's replaced by a young Dick. I think Tim wouldn't ever be able to get rid of Jason.

Then on Tim's side, I think his reaction to being replaced after his death would be a complicated one. Objectively, being the Robin who believes Batman needs a Robin, he'd respect the logic and know Bruce was always going to replace him eventually. But still, there's always going to be that instinctual emotional reaction of betrayal and replacement. I think he'd view Jason at first with anger and distance, but then, seeing Jason as this street kid with begrudging potential, I could see Red Hood!Tim testing Jason. Constantly throwing things at Jason, seeing how he reacts, if he lives up to being Robin. Tim has a need for analyzing people, understanding their strengths and weaknesses. And he seems the Robin mantle very uniquely, he'd need to have it proven to him that Jason can handle it.

So you would have this dynamic of Jason hero worshipping Tim, slowly believing in Tim's methodology. While Tim is at first dismissive of him, but then starts to test him, see what makes this kid tick. And I think the TimJay potential of Jason trying to prove himself to Tim could be Neat.

[pmpwbrrs]

Yeah no I'm not done with them yeaah no

I hate them so much these two fudkers they're NOT gonna be happy . No. Right now they are maybe(not really), but later? No

[iizuumi]

reno sandwich

[marley-manson]

the topic is Trapper and the army as foils, you have three hours, go

In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.

The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)

In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.

Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.

And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).

Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.

He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).

Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.

He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.

So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.

This contributes to their respective dynamics with Hawkeye.

Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.

The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).

In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.

So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.

Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.

Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.

When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.

Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.

One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.

So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.

With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.

In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.

I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram

[themirrorghost]

I can't write for the life of me, but I've just thought of a tasty soulmate-fic premise (romantic or platonic!):

When their eyes are closed, a soulmate can see what their other half sees.

Whether it's super clear, or just impressions, or perhaps the more one stares at something the clearer it gets, just imagine the potential.

Soulmates taking turns to close their eyes and communicate through notes to find eachother. Soulmates who know when the other's fallen asleep because it's completely dark on the other side. Soulmates who can't sleep because their other half is somewhere way too bright and have to write passive-aggressive notes asking if they could "please turn the lights down!" Soulmates who are bored and would rather watch the others everyday life, no matter how mundane. Soulmates who's friends and/or family make fun of them for zoning out to watch through their other halves eyes instead of paying attention.

And then, on the other hand? The angst potential is delicious-

Soulmates who are so desperate to stop their other half from knowing that they wear a blindfold, or straight up blind themselves, to prevent it. Soulmates who hate the thought of someone intruding on their private lives, whether they're meant to be together or not. Soulmates who have terrible home/work lives and hope against hope that their other half doesn't find out or worse. Soulmates who are abused or get into fights often, trying their damnedest to protect their eyes above all else. Soulmates who's eyes are damaged, accidentally or otherwise, terrified of the thought that their other half won't ever be able to find them.

There are so so many ways you can swing this:

One soulmate afraid that their other half had died, having never been able to see through their eyes. Their soulmate was born blind, and managed to see things they thought they never could/would thanks to their soulmate.

Soulmates that met during childhood, living their lives as a whole, using their connection for simple, silly, domestic reasons.

Familial soulmates! Twins who aren't quite psychic but know what the other is doing all of the time. Siblings who are stuck with eachother and pretend to hate it, but are secretly glad they'll always have the other. Found family where it feels like they've always had the other and are impossible to separate.

Long-distance soulmates, teaching eachother about where they were born/grew up, showing eachother things precious to eachother.

Daytime Vs Nighttime soulmates who are barely ever awake at the same time, treasuring those in-between moments.

Soulmates with nightmares, one waking up in a panic, blinking hard and trying to calm down as quickly as possible. The other getting glimpses of the aftermath as they blink, perhaps rushing to their side if they can, comforting their distressed soulmate.

College/University AU soulmates knowing too much about their other halves area of study. Writing eachother notes to go to bed or to eat when they both forget and stay up studying way too late.

Assassin/Spy AU soulmates, using their bond to complete their missions as effectively as possible. Or perhaps the assassin/spy's soulmate is their target. Especially tasty if you throw in undercover work.

I could write a million of these prompts-

[marlynnofmany]

Sometimes you don't have time to do anything with a story idea, but it's fun to think about anyway

[tinderbox210]

A Tale Of Two Kingdoms (movie mashup AU)

After the war and the great plague, the land was divided. The woodland belongs to the apes and the old settlements belong to the humans now. As long they respect the other's territory, peace maintains, but new conflicts between both species seem inevitable.

Knowing coexistence is only possible if both species start to understand each other better, Ceasar, the leader of the Eagle Clan, sets out on a diplomatic mission to meet with one of the humans' spokeperson named Malcolm. Noa, Ceasar's son who has yet to live up to his father's expectations as the future leader of the clan, accompanies his father's delegation to the human colony where he meets Malcolm's rebellious daughter Mae, who likes to sneak out of the colony to explore the old city ruins.

While Ceasar and Malcolm work together to establish long-term peace between the two species, Noa and Mae grow closer on their secret adventures and fall in love against the odds. But dark forces on both sides rise to prohibit the alliance between apes and humans.

Coba, Cesar's oldest friend and Noa's godfather who despises humans, betrays the Eagle Clan by turning to Proximus, the leader of a rival clan who seeks dominion over both apes and humans. Coba and Proximus attempt to assassinate Ceasar, leaving him severly injured while they take charge of the apes and attack the colony.

Meanwhile Malcolm's political rival Korina contacts Colonel McCullough, the ruthless leader of a mercenary army, to help the colony get rid of their ape problem. When the soldiers attack the apes and start to threaten the colonists as well, Koba sacrifices himself to save Noa and make up for his betrayal. Stepping into his father's footsteps Noa confronts Proximus and defeats him while Mae saves the colony by blowing up the Colonel's base.

After defeating their common enemies, apes and humans forge a new alliance with Noa and Mae's love as a beacon of hope for a better future and peaceful coexistence between apes and humans. edit