#this is more of a ramble than a cohesive thought

[necrotic-nephilim]

I think what I love the most about Reverse Robin AU TimJay is the absolute potential for hero worship with Jason toward Tim. In canon we often forget that Tim didn't really care for Jason as Robin, meanwhile as I never shut up about, Jason has been weirdly respecting and obsessed with Tim since finding out about Tim's existence. So if you flip their order, make Tim Red Hood and make Jason Red Robin, there's so much room for hero worship from Jason.

As Robin, Jason has always teetered that edge of being pro-murder or not. Whether you believe he killed Felipe or not, even in his Post-Crisis introduction as Robin, he almost kills Two Face. Those concepts of lethal justice have always been brewing inside him, just reigned in by Bruce. So if you have Robin!Jason witnessing Red Hood!Tim start killing people and quickly making noticeable change in the landscape of gangs in Gotham, Jason would take quick notice. I think Tim as Red Hood would still be lethal, but there'd be a different application than Jason's Red Hood. Heads in duffle bags isn't Tim's style, even if he kills. I think you'd see something much more akin to that time Tim almost killed Boomerang, where it's such an elaborately thought out set up, it realistically doesn't even look like Tim killed anyone. It'd take months for Bruce to connect this string of deaths as anything other than coincidental, let alone link them to Red Hood. And Jason is wickedly smart, even as Robin. Jason, putting those pieces together before Bruce does and witnessing the undeniable positive change for Gotham it's enacting? Robin!Jason would be incredibly drawn in by that, and then even more-so, a Red Robin!Jason who has to grapple with being replaced to make room for the next Robin would I think, in anger, turn to Red Hood. And Tim would push him away at first, his plans don't have room for a scorned teenager who's trying to get back at Bruce and Nightwing!Damian like this- but I think Jason would wear him down. Prove to Tim that Jason can think on his wavelength.

Slightly related, what interests me about Red Hood!Tim is how it'd implicate his closeness to Ra's. Jason is taken into the League by Talia in Lost Days and Ra's doesn't necessarily approve of Jason's presence, especially not of Talia dunking him in the Pit, but Ra's has always canonically been A Little Weird about Tim. I think in a world Tim dies as the second Robin, it would be Ra's who dunks Tim to preserve his mind that Ra's thinks shouldn't be wasted, and you have the potential for 'apprentice of Ra's' Tim wrapped up in it all, even without him experience the Red Robin arc. So when it's Jason as Red Robin, instead of him going to Ra's when he's scorned by the Batfamily, he goes to Tim. The person he once idolized, because I think Tim would've been Jason's Robin. Smart, competent, a strong legacy to live up to. And now he's back, and he's pro-killing, an edge that Jason has always teetered on and would feel even closer to when he's replaced by a young Dick. I think Tim wouldn't ever be able to get rid of Jason.

Then on Tim's side, I think his reaction to being replaced after his death would be a complicated one. Objectively, being the Robin who believes Batman needs a Robin, he'd respect the logic and know Bruce was always going to replace him eventually. But still, there's always going to be that instinctual emotional reaction of betrayal and replacement. I think he'd view Jason at first with anger and distance, but then, seeing Jason as this street kid with begrudging potential, I could see Red Hood!Tim testing Jason. Constantly throwing things at Jason, seeing how he reacts, if he lives up to being Robin. Tim has a need for analyzing people, understanding their strengths and weaknesses. And he seems the Robin mantle very uniquely, he'd need to have it proven to him that Jason can handle it.

So you would have this dynamic of Jason hero worshipping Tim, slowly believing in Tim's methodology. While Tim is at first dismissive of him, but then starts to test him, see what makes this kid tick. And I think the TimJay potential of Jason trying to prove himself to Tim could be Neat.

[starrysharks]

i am the cattt just chillin outt but in the night she's all i think aboutttt

[nico-di-genova]

To Be Known, To Be Loved

Summary: Alex is sick, Pato takes care of him. AKA: Palex sickfic

A/N: This originally started as a prompt fill, but then it went off the rails and became its own thing. So the prompt will get filled eventually, but now there is also this. The mortifying ordeal of having to be known to be loved. The horror of having to put your trust in someone in order to let yourself be cared for. Trigger Warning for Emetophobia!

There is vomit on Pato’s shoes, specks of it dotting the toe when he kicks them off at the doorway to his bus. They land on their side, next to Alex’s half-hazardly thrown pair, whose are vomit free because when he’d doubled over behind the truck, after their debrief, it had been Pato who was in the splash zone. He’d just barely managed to step back, and so most of the sick had ended up on the pavement, watery and thin, spreading in a puddle across the cracks in the surface where the weeds had managed to break through. A diet of liquids, that’s what Alex had been operating on apparently, all of it now emptied from his body and left soaking into the track that had delivered him another P4 finish.

How he’d managed to race at all was still beyond Pato. How his entire team had failed to notice the heat roiling off his body, and the glassy-eyed expression he’d worn during the entire debrief meeting was a bigger mystery. Pato had known from the moment he saw the sweat beading on Alex’s forehead, the wince when he tried to talk about the roll bar adjustments they’d made to the car, and his voice came out like it was scraping against rock, physically paining him to speak.

“I’m not sick,” he’d grumbled in annoyance when Pato pressed a hand to his forehead and was met with furnace levels of heat, and then he’d barely made it two steps away from the truck before he lost the little bit of water he’d managed to sip down during the debrief.

Pato had kept a hand on the small of his back, rubbing soothing circles as Alex retched, feeling his body tremble and shake. Thankfully they’d waited inside the truck long enough, Alex insisting he felt fine even though he hadn’t had the energy to pull himself out of where he’d slumped in his chair. There was no one to see him lose the battle with his upset stomach. Pato is sure Alex would have been ten times more mortified if there was anyone else there, he already can’t look at Pato now.

“I’m sorry,” he says, swaying on his feet and leaning against the dining table behind him for support, instead of Pato’s outstretched hand. “About your shoes.”

Pato waves dismissively at the footwear, “Eh, whatever. They weren’t my favorite pair.”

They were, but the vomit can be wiped away, and he doesn’t really care about the cost to replace them if it doesn’t right now. He’s more focused on how Alex is shaking again, all of his energy focused on keeping himself upright, despite the fact that he’s leaning heavily on the table. His skin is pale, other than the red flush on his cheeks, the same flush that had indicated to Pato there was a problem when he first sat down for their meeting. It could have been blamed on the race, the heat of the car, but even as they sat in the airconditioned truck it hadn’t faded. Now it’s impossible to miss.

“Alex-“ he tries, starts to reach out.

“I just- I just need sleep,” Alex waves him off, “’m tired.”

He takes one step away from the table, starting for the bedroom at the back of the bus, before his knees give out. Pato is anticipating it, the way he tips and loses his balance, and so he manages to dart forward quickly enough and steady Alex with one hand on his chest, the other on his hip. He stumbles under Alex’s weight, bangs into the kitchen counter hard enough that he’s sure he’ll be sporting a bruise along his side – he and Alex matching, since Alex took a hit from Ferrucci in turn 3 earlier and has his own budding collection of darkening skin to show for it.

“I got you,” he promises when Alex tries to take another step, finds his knees too weak to do so.

“Fuck.” Alex states in response.

It’s a process to get him stripped out of his clothes and to ease him into bed. Alex on a good day is unwilling to accept help, self-reliant to a fault, but a sick Rossi is a whole other beast. Pato thought the time he’d had to nurse a hungover Alex back to health was bad, when he was hiding under the covers in their hotel room in Mexico because the light hurt his eyes. He rethinks that now. At least then they’d had the crashing waves on the beach and room service to provide some modicum of comfort. And when Pato had traced the bare skin of Alex’s shoulder with his finger, kissing at the back of his sun warmed neck, Alex hadn’t minded the touch – had leaned into it even, because it was a welcome distraction from the pounding of his head.

Now, it’s dark and it’s cold because Alex keeps the bus at an inhuman temperature. When Pato tries to ease Alex out of his hoodie that’s got vomit crusted on the sleeve from where he’d wiped at his mouth, Alex whines and pulls away like the touch hurts him.    

“We have to cool you down, babe,” Pato tries, “you’re really warm.”

An understatement, the heat roiling off his skin may as well be visible, coming off of him in waves.

“I’m already cold,” Alex argues, which is another sign everything is wrong. Alex has highjacked Pato’s thermostat, hacked it, so that it can be set to ungodly levels of cold, because he doesn’t like to be warm. He doesn’t like to feel his clothes stick to him with sweat, as the hoodie is so clearly doing, soaked through under the arms and on the back when Alex curls over where he’s sitting on the bed to put his head between his knees and Pato can see the darkened fabric.

Pato reaches for the hem of the hoodie at the small of his back, peels it upward so it’s pooled around his neck. Alex whines again as the cool air hits his skin, but doesn’t pull away, maybe because he’s lost the strength.

“Come on, Alex, work with me here,” Pato pleads.

He manages to work the hoodie over Alex’s head, and then down his arms. It ends up on a puddle at the foot of the bed, along with Alex’s socks and then his race suit. A normal Alex would be peeved by this, make an offhand comment about the laundry basket two feet away from them, nestled beneath the clothes hanging in the closet. A sick Alex doesn’t even seem to notice, just shivers when he’s stripped down to his underwear.

In the lamplight coming from the built-ins along the wall, Pato can see the bruising already forming along Alex’s left side. Splotches of purple along his ribs and down to his thigh. It’s not the worst Pato’s seen on him, minimal and not nearly as dark as it seems in the dim lighting, but it isn’t fun to look at. Not when Alex is breathing so heavily his chest expands with the effort, his ribs visible beneath the bruising.

“You’re going to make yourself dizzy like that,” Pato says, eases him up with a gentle hand on his shoulder so his head isn’t between his knees anymore. Alex goes, lets himself be lifted and then eased back on the bed.

Before leaving this morning, Alex had insisted on making it. Pato, one shoe half-on, already preparing to dart out to the track, had been ready to leave it as it was. Pillows askew, sheets rumpled, and half balled up at the end of the bed. He wasn’t the sort to wake up in the morning and immediately begin to assemble his life, not before he’d gone for a run or had breakfast. Alex, he has learned in the short six month span of their relationship, is the opposite. He wakes up and gathers himself slowly, makes the bed because he hates coming home to an unmade one. If he’d moved slower that morning, tucking the duvet in between the mattress and the box spring with careful movements because his body was beginning to ache with the sickness that had now set in, he was better at hiding it then.

He gets a better look at the bruises once Alex is laying on his back. They’re really not bad, but he can’t help but wonder if Alex had felt like this when he was driving. Eyes watery and body shuddering, hands trembling when he pulls at the duvet he’s tucked in too tightly. He wonders if he’d been alert he maybe might have been able to avoided the contact altogether.

“Here,” he says instead of continuing to think about Alex sick and borderline delirious in his car going 200+ mph, “Let me do it.”

“I’m not useless,” Alex grumbles.

He stalls the man’s fruitless pulling of the duvet with a hand over his. “No. But you’re sick, so let me take care of you. Okay?”

It may be that Alex is foreign with the concept, because he continues to try to pull the blanket free so he can tuck himself under it. Or it may be that the fever has him acting with single minded purpose.

“Rossi.”

“What?”

“Stop.”

Alex stops. He pulls his hand back so Pato can take over, and shivers on the bed until Pato gets him under the blankets. Then he curls onto his side and shakes until Pato crawls under the covers beside him.

“Gonna get you sick,” he mumbles.  

Pato shrugs, presses himself along Alex’s back and pulls the man closer to him, letting Alex leech away some of his warmth to maybe help with the chills. He’ll get another blanket for him later, press a cool towel to his forehead and hope it breaks the fever. Right now though he just wants to hold him. He wants to feel the way Alex grabs at his arm when he wraps his arm around him. His hand gripping at Pato’s wrist with a desperate need, like if Pato holds him close enough it will maybe help him feel better.

This morning the roles had been reversed, Pato tucked into Alex’s arms and waking up to find he wished he could stay there. It wasn’t the first time he’d yearned for a place to stay. There was Punta Mita, with the Airbnb he was fond of booking. Texas, where everything was familiar. Indiana even, in the small bits of time he and Alex got to spend there, appreciating the sprawling space of Alex’s house before they had to pack their lives back up into suitcases again. He wonders if maybe this is the travel catching up, the late nights and stress of the championship, all of it building on Alex and taking its toll physically. Or maybe it’s just that he’s caught whatever bug has been floating around the bus lot.

Whatever it is, Pato takes the gamble of catching it. He holds Alex tighter and kisses at the nape of his neck and thinks of Mexico. Sunkissed skin that smelled faintly of aloe-vera and waves crashing on the shore, how Alex had laughed when he was drunk. How his cheeks had flushed pink, not from fever, but from the alcohol. How they’d chased each other along the shoreline, knowing that when they did eventually collide they’d both end up toppling into the water.

How Alex had looked in the moonlight, eyes glinting, shirt soaked through by the waves he’d ended up in first.  

“Oh, you’re gonna pay,” he’d warned, seconds before lurching forward and grabbing Pato to pull him into the ocean beside him.

When they’d kissed it had tasted like salt and the Coors Alex had imbibed in heavily at the bar. Pato chased the taste of it, tried to commit it to memory, alongside the feel of Alex’s hand in his hair when he pulled it to tip his head slightly. Their first kiss, messy and uncoordinated and then broken by the waves that crashed against them.

When morning had come Pato had woken to Alex in his arms and sunlight piercing at the headache he was nursing. Alex, who had drank more, had buried his head into the blankets with a groan. The same way he did now. Except now Pato knows the feeling of kissing him sober, knows the feel of Alex’s hand in his hair when he’s not pulling it. He knows Alex likes to make the bed in the morning and will do so even if he’s fighting his own body. Knows he would drive a car in oppressive heat, despite the fever spiking his own temperature.

He knows Alex doesn’t like to be taken care of, but that he’s letting Pato take care of him anyway.

Alex shudders in his arms, and Pato holds him, kisses the nape of his neck and tells him, “I’ve got you.” He finds he means it, fully, finds he can think of home now and it comes in the shape of Alex - familiar, safe, shaking in his arms with a fever he is trying to beat.

“I got you,” he repeats, as Alex presses closer - as he does not pull away.

[arsenicflame]

hey does anyone wanna bounce bellhands/they all went to pirate school together ideas with me? im trying to figure out the missing pieces of my personal set up and it might be easier with someone else!

[singinginthecar]

i still remember being a teenager and the first time i saw pictures from abu ghraib prison from the iraq war. i thought it was despicable. unfathomable the levels that the american military had gone to physically torture and dehumanize prisoners of war and to murder them. then, i remember growing up and seeing pictures from sri lanka's genocide of the tamil people (or as western media likes to call it, "sri lanka's civil war"). i'll never forget seeing those pictures and videos of tamil civilians bombed, murdered, raped, mutilated. i'll never be able to erase the cries i heard in those videos. pictures of innocent children bombed in schools. civilians bombed in supposed "safe zones". international media and western countries did nothing. and when i think nothing could possibly get worse... i see pictures & videos from gaza day after day... for the past 7 months. i've seen mutilated bodies. bombed bodies. bodies crushed under rubble. bodies flattened by tanks. burned bodies charred beyond recognition. i didn't know what shrapnel injuries looked like until now. compression injuries. i didn't... know... that things like this could be done to human beings. and they are. i hear stories and see pictures that are worse than the day before. the depravity and the moral apathy continues to worsen. and in moments like this, it's hard knowing that the ones who have all the power to stop these war crimes are only enabling it. and i'm consumed with so much rage that the world somehow keeps spinning despite it all. i'm mad at our governments. i'm mad at anyone who has any power to say or do something about it and chooses to do nothing or straight up enables it. there's got to be a better way. we can't keep living with these systems in power who inflict such pain into entire generations of people and never face any consequences for it.

[torchickentacos]

So. I had been listening to a song and thought, 'Huh. This is going on for a while, isn't it?" So I checked, and.... hm.

[systemwritingpieces]

Dormant

Dormancy is one of those things.

It’s just a part of a system’s life. It’s part of the cycle. Alters are created when they’re needed, and when they’re not anymore, they disappear. Sometimes they fuse, but other times, they go dormant. It’s not a death, they can’t die, but it feels like they die.

Dormant alters can always come back, whether it’s two weeks or ten years. But, after enough time, you stop hoping. You stop watching the door, waiting for her to walk through it and smile at you and run over to hug you. You stop hoping to see her face again. When she disappeared, you somehow knew deep down she wasn’t going to return.

Dormancy just happens, but you didn’t think it could happen to her. One day she was here, the next she was gone, and that leaves you. That leaves you alone, and you’re not really alone because you’re never alone, but it feels like you are because she’s not here anymore.

She’s everywhere, and you can’t escape her. The perfumes you own smell like her, so you stopped wearing perfume. Everyone calls you by her name, so you changed it. Every time you open your mouth you hear her voice, so you stopped speaking. When you look in the mirror her face looks back at you, so you stopped looking in the mirror. None of it is ever enough.

Her perfume is ingrained in the clothes you wear. Her face haunts you in every picture in that house. You hear her voice echo, echo, echoing in every recording. All you want to do is burn the clothes, break the picture frames and tear up the pictures, smash the devices on the ground so you won’t be haunted by her anymore. You read notebooks full of her words, her poetry and her thoughts and it was all just pain and suffering and sorrow for her, and you should’ve known that. You should’ve known and you should’ve helped her. It’s all your fault. The weight of the words crushes you, each sentence feels like a shot to the heart but you keep reading because you deserve it for what you did.

There’s nothing you can do now. You just have to move forward, and you try so hard to forget and move on, but everything around you, everything about you, is hers and it haunts you.

[welcometoteyvat]

wahoo finally “”””caught up”“““““ on fontaine leaks

[toutvatoujoursbien]

A (relatively new-ish) fan’s perspective on Luke Newton

(I wrote my very first Tumblr post last month and now I think I’ve chosen the path of essayist/suffering. I’ve also been writing this on and off for four weeks because it seems like every other day, something new pops up or the fandom has a meltdown of some kind. I’m not even sure if it’s worth posting, but I think, like my first one, I needed to get this out of my system in order to TRY and return to being a normal person - which is still unlikely because Lukola has me in a chokehold. NOTE: I finished the majority of this on July 19, before all the weird-ass stuff happened over the weekend, and haven’t had the chance to post until now. Anyway, this is going to be long, full of ramblings that are hopefully organized in a cohesive manner, and all opinions and observations are my own. I have a lot of thoughts and feelings, okay?)

I’ve really struggled to understand why the whole Bridgerton S3 and Luke Newton PR stunt has embedded itself into my brain the way it has. Like, how could the actions of someone I don’t know still be lingering in my thoughts even now, weeks later? After my first post, I realized that there was more to the entire LN situation than I was previously unaware of - so I started digging. None of this information is hidden or secret, it was publicly available and therefore the fans picked up on it quickly. But I, personally, DID NOT KNOW ANY OF IT, going into S3, and I think that’s why everything has hit me like a ton of bricks. So I thought, surely I’m not the only new(ish) fan who has suffered from this emotional and mental whiplash? 

I really, really, really loved Luke’s portrayal of Colin and I’ve thoroughly enjoyed watching all the interviews and behind-the-scenes from S3. I would also love to continue to support him as he builds his acting career. However, I didn’t have a full picture, which unfortunately includes a history of making - what I think are - poor and questionable decisions in his personal life that he also allowed to bleed into his professional one. And that’s how I find myself struggling with the dichotomy of everything I’ve seen him do during Bridgerton promo vs. lots of other actions he’s taken. So let’s talk about it, okay? (Importantly, I reserve the right to update my current opinions as more information comes to light.)

I want it to be clear that I am in no way hating on Luke. Part of my struggle with writing this post has been because I don’t want this to be misconstrued as more hate being thrown his way. That is not my intention, at all. Seeing “fans” over the past few weeks absolutely rip into him on social media has been heartbreaking and deeply unsettling. This type of behavior is ugly and nasty and no one should be subjected to it. Full stop. As others have said: it’s okay to have thoughts and criticisms (criticism ≠ hate), but please keep it to the appropriate corners of the Internet. I think you can admire/support a famous person, but you should also be able to call them out on their conduct, particularly the stuff that happens in public. Blind love/following and putting people on pedestals is never going to allow any room for reflection and/or growth. I think there is a LOT of nuance in the whole discussion around him, his past actions, his handling of things now, and what’s in store for the future.

Okay, deep breaths & continue after the cut (because this got… wordy).

Some brief background on how I got here: As noted previously, I’ve been a longtime fan of both Polin and Bridgerton, first with the book series and then with the tv show. But, for whatever reason, I never even thought about jumping into the fandom until earlier this year, in anticipation of Season 3. I will say that I have been delighted with Nicola and Luke and their work as Polin from the start, but with the nature of the show being what it is, I just didn’t pay as much attention until it was their turn to lead. I watched some behind the scenes and promos occasionally, but not consistently. It wasn’t until around the February/Valentine’s event that I started to take notice and then I fell down the rabbit hole in April (literally, figuratively, and spiritually 😅). I say all this to illustrate that up until the spring, I was part of the General Audience, though admittedly with a bias towards viewing Bridgerton favorably.  Another factor is that I got most of my fandom content from Twitter (again, I’m never going to call it X), with the occasional peek into Instagram and Tumblr. Yes, Twitter is a hellscape. But I am also lazy and only have so much time to scroll online. And since everything seems to get cross-posted everywhere, it was easiest for me to keep mostly to one social media site to consume all my Bridgerton content. But I point this out because I now see this as an error on my part. Why? Because I wasn’t getting a well-rounded picture of the situation around L, N and S3. Remember my own self-admitted social media bubble? Sigh. The fast pace of tweets meant I could blink-and-miss something on Twitter, unless it trended (or really riled the fans up). It’s a breeding ground for the hyperbolic and for discourse, in general. Twitter also seems to be divided into the Luke Haters (let’s be real, most of their “reasoning” is just uncalled for, vile hate) and the Luke Apologists (who have the tendency to exhibit, imo, some gross-excuse-all-his-behaviors-he-never-does-anything-wrong rhetoric). So it wasn’t until I started noticing chatter of Luke’s past actions that it prompted me to start looking deeper into what others have witnessed and noted online, particularly on this platform. Again, it wasn’t like I was trying to find some sort of hush-hush subject matter. Instead, I rather got the impression that those established in the fandom had a sort of unspoken agreement to keep these discussions to DMs and group chats - mostly as to not detract from Polin’s upcoming season. (But seriously, great of y’all to keep it locked down, however it would have really helped a girl out all the times I was like, “why is everyone so mad?” 🤣) And a lot of things started clicking into place once I knew more of the details. So I’ve put together a list of high-level topics/points that I didn’t know before, being relatively new to the fandom. Perhaps this can help other fans who are trying to wrap their heads around the various discussions occurring now and may feel clueless.

One more thing, HUGE shout-out to @jack4132cf for giving me a concise timeline of… well, everything I apparently missed last year+ when I wasn’t part of the fandom 😆🙌🏼 They’ve really helped me fill in the blanks (of which I had many)! Also, darcytaylor has a great 3-part deep dive, and I’ve read (and backtracked) through most of herejusttosufferalong and allsortsofthingsmpov ’s blogs, among others. They’ve provided a place for differing opinions and perspectives to be voiced in a respectful manner (unless you’re a troll, in which any clap-back is justified). I may not agree with everyone’s take, but I firmly believe that hearing views from others has helped shape my own thought process.

Let’s begin, shall we?

The Hot Fuck Boy Summer™️ (which I’m trademarking as HFBS)

Bridgerton S3 wrapped up filming in March 2023 and then Luke starred in the play The Shape of Things, which was in production from around May-July 2023. At some point prior to all this, Luke and his previous gf broke up - this is reported on by several media outlets in March, as well as “news” that he joined the dating app Raya. This is where, I think, his questionable behavior starts to raise eyebrows. It’s not the fact that he’s dating - I feel like fans gave him a pass since he just ended a long-term relationship (Enter the mentality some had of “let him have his hot boy summer!”). No, I think the issue is that he was not at all private or discreet about it. 

Remember when I said I think he let choices in his personal life bleed over into his professional one? Yeah, there were multiple glaring examples happening in real time last year, and the fandom took notice. He started publicly following certain users on IG and liking their posts, (unfortunately) many of whom were young, female models and dancers, under the age of 23. He (foolishly) followed his private account on his public profile, and then tried to backpedal. He engaged with some online flirtations that didn’t sit well with the fans (cough, E. Bear, cough), and then tried to backpedal. Mind you, all of this occurred and at some point later on, it’s then also decided that he’s going to move (aka, clean up) his social media presence to be more work-related. My point is:

Luke was digitally messy and left a trail (several, really). 

In conjunction with the HFBS, we also have:

& That Friend Group

Ah yes, the “boys.” Look, clearly I don’t know his friend group in real life, so all I can speak on is the image they give off based on their public social media accounts. And I, personally, am very unimpressed with what they’ve chosen to share with the world. My general perception is that L’s group of friends love to have a good time and show it off; seem to have an large amount of influence over him, particularly R; and can been seen as reaping the benefits of his success. He has discussed before how he likes to be generous with his friend group. During HFBS, they posted all about their vacations, on public accounts, and tagged Luke in them. They posted thirst trap photos and tagged Luke in them. They took quite a few boat trips and, once again, tagged Luke in them. Are we sensing a pattern here?

His friend group was also digitally messy and left trails.

I am in no way saying his friends aren’t allowed to post whatever they want on their accounts. It’s totally within their rights to have a good time and capture it on their pages, and I completely understand the desire to only show the “memorable” and “fun” stuff on social media. I just think it was short-sighted to NOT consider that Luke’s fans would be interested in seeing what he was up to with his friends - and you know that people will always, always dig around on the Internet. Maybe this was some kind of fun game to them? Maybe they enjoyed the attention? Maybe they didn’t think it was that big a deal? Who knows? But I think, in hindsight, it would have been safer and smarter to not have all this documented and out in the open, imo. 

My other understanding is that around the time the break up was “officially announced,” Luke’s ex began dating someone who was 22/23 at the time. His childhood friend R also ended a relationship last year and began dating a young woman around 22/23. Do I think R may have encouraged Luke in a certain direction dating-wise, especially considering that A was/is a friend of S, R’s new gf? Do I wonder if this was all to get back at J for starting a relationship with a new young thing, too? It seems likely, but of course this is all conjecture on my part. This is giving “high school drama” vibes, being played out in public, which is very, very  unfortunate.

However, Luke was ultimately the person who did not ask his friends to refrain from posting him on social media, as well as publicly following young women on socials and not being very discreet about his dating life, which is what raises my eyebrows…

The Age Gap Thing

Let’s just address this here and now. Remember, these are my opinions, each individual is entitled to their own, and I hope everyone takes a moment to really think and evaluate how they feel about the matter! I’m going to be very transparent and upfront about this:

I do not like the age gap between L and many of the young women he was showing interest in last year.

I’m viewing this from the lens of someone who is an elder Millennial and female. For me, personally, my dislike has more to do with: 1) A's age when they started dating/the age she is now (22/23); but more specifically 2) the power dynamics at play. 

I don’t have a problem with age gaps overall, because I believe that love can find us at many stages in life. However, I’m also of the opinion that a person 30+ should not be dating a someone in their early 20s. I’m not going to use the whole “the brain hasn’t been fully developed” argument, though valid. My issue has more to do with where an individual is in terms of life experience, emotional and overall maturity, and (this ties in with #2) financial stability within age gaps. In general, I find, say, a 45-year-old dating a 37-year-old to be on more even footing, which becomes even more so as you age. But a 22-year-old, presumably fresh out of college/university and about to embark on their next steps into adulthood, is just not in a position to date someone in their 30s. To me, your early 20s are the time for you to gain all the things I mentioned above (life experience, maturity, financial stability that is independently your own) as well as make plenty of mistakes. And that’s not to say any of that stops once you hit 30, or beyond! I know I’m constantly evolving and learning more about myself and my place in the world as each year passes.

My deeper discomfort comes from the inherent power dynamics and power imbalance between L/A. Of course L has lot more of the power in terms of money, resources and status; they are not equal partners. This article here (https://jill.substack.com/p/the-problem-with-men-who-date-much) illustrates these points much better than I can; I think it’s worth the read. 

Is he allowed to date whomever he so chooses? Yes. Are people allowed to feel the ick with the current choice/choices he made last year? Also yes. Does it entitle anyone to post nasty comments on his social media? Absolutely not. I may not personally like his choice, but it’s ultimately his to make. 

NOTE: I also want to address right here that, to me, his behavior isn’t “predatory” or whatever twisted narrative some folks are trying to push. Honestly, I think he’s gone the complete opposite direction from the type of women his ex and N are because it might be less complex/more simple both in terms of emotions and permanence. But obviously, pure speculation on my part. 

Antagonistic A

At some point during HFBS, L meets A and she becomes a part of That Friend Group. During Fall 2023, there are many trips to Soho Farmhouse and other posts made to R/S/A’s social media accounts. A in particular made quite a few posts that could be interpreted as her wanting to show she was with L, but never actually including him fully (these are the arms/legs photos that fans talk about and side-eye). Some of these types of posts have since been conveniently deleted. L and That Friend Group celebrate NYE24 at Soho Farmhouse, where everyone but him share photos and videos. On Jan 2, a photo of L and A kissing was circulated on social media -  they got caught in the video of the band playing. Also at the beginning of this year, A - for whatever fucking reason - started tagging along on various work trips and had a tendency to post TikTok’s from various hotel bathrooms. Again, insinuating that she’s with L but not outright showing it. 

The “InStyle stunt” - end of March/early April, there is a trip to Los Angeles which A posted stories and photos on IG. It’s later revealed that L was going to be featured in InStyle Magazine’s “This Guy” series, which included an interview, video and photoshoot, as well as an IG post that consisted of several polaroid, “boyfriend-style” pictures. The Instyle polariods were released three weeks after A’s posts, and let’s just say that A’s are a little too on the nose to be coincidence (also cue more hand/leg reveals…) Please note, again, that some of these photos on A’s account have been conveniently deleted/removed.

These are only a few examples of how… messy this all is and how it can be viewed as her antagonizing the fans. There is a lot of back and forth debate between “just leave her alone, she’s allowed to post what she wants” against “she’s clearly using social media to taunt the fandom/get attention/chase clout/etc.” When I finally learned about all the social media games being played, I just felt really unsettled for a few reasons.

Luke has stated that he wishes to keep his private life more private (see: social media clean-up from last fall). But, and this is my big issue here, A and That Friend Group don’t seem to WANT to be private. So to me, that can push people to question how much does he know what’s actually going on (he admits to not being online much) and, more importantly, how complicit is he with all of their postings? I personally feel like the narrative being pushed by his friends is very self-serving, and doesn’t seem like it’s in L’s best interest or protecting his privacy. Because I think we all know and understand that if a celebrity wants to keep certain things private, they have the money and resources to do so - some good examples that come to mind are Ryan Gosling and Eva Mendes, Benedict Cumberbatch, Dolly Parton, and our girl Nicola herself.

A has made it a pattern to post shortly after either Nicola or the main Bridgerton account posts something, usually on IG or TT; there is timely evidence of this. So much so that the fandom jokes about how obsessed she must be with N. And these posts don’t really have much substance - other than to show off her body or her latest vacation. It just all comes off as very insecure and seeking attention, whether it’s from L or from the public in general. Again, why do we feel the need to play social media games? But this does not mean she deserves hateful comments either. I personally don’t care for her or her actions, but as an older female, I also can’t help but be saddened by the fact that she’s making many, many poor choices in a very public forum. I can’t help but wonder if she’s going to have regrets later on when/if she reflects back on this time. 

The PR Stunt/Papgate

This has been dissected by the fandom to death and there are a plethora of theories on who exactly was responsible for calling the paparazzi, who knew what was actually going to happen, WHY did this occur, and how much did this impact the season and the press tour overall. It’s enough to make anyone’s head spin - hell, I’ve changed my opinion at least a dozen times over the past several weeks. Regardless, the thing that aggravates me the most about the whole thing is the absolutely terrible and suspicious timing of it. As stated in my previous post: Here’s my point: I think what should have been a moment of triumph and a joyous occasion for Nic, Luke, and Bridgerton season 3, was sadly overshadowed by the aforementioned shitstorm. And that’s a damn shame. Too many cast and crew put in a lot of time, effort, and blood sweat and tears, to pull this all together.

I’m still personally stuck on a few things: 1) How did paps know when L was leaving the official after party? Additionally, how did they know which hotel L was going to for his after-after party? Because that’s where we got the super awkward handhold attempt photos. 2) Did L know about the first location but not the second one - which ties into was this an attempt by his PR team to distance himself from Bridgerton and Nicola now that promo was almost done? Because the way he looks from location 1 to 2 is vastly different. 3) If paps were there, why was literally NO ONE else from the cast also photographed??? 4) Why has DM double (and tripled) down over the past few weeks on how she got those exclusive photos in the first place? And 5) Who ultimately has benefited the most from this whole PR stunt 🤔??? (Because I sure as hell don’t think it’s Luke…)

The Cinnamon Roll vs The Bad Boy

Luke has stated in several interviews that he’s interested in going for edgier, darker roles. I think that’s great that he wants to try something new and diversify; I would love to see him in whichever type of role interests him! However, he’s also spent 4-5 years playing Colin, a character that is quirky, kind and lovable (much more so on the show, thanks to Luke’s portrayal) and known for being the ultimate “wife guy” amongst the fandom. It’s also been mentioned time and time again that Luke is most like his character (by Luke himself and his Bridgerton cast mates). Nic speaks so highly of him, and the way he presented himself during the 6 months of press was really wonderful; I think he has a deep understanding and love for his role, and he was a genuinely supportive partner to his co-lead during filming. Think golden retriever energy - which is NOT a bad thing, at all!

If there is any truth to the PR stunt being organized by his team (and I’m in no way saying this is fact) as a way to differentiate/disassociate him from Bridgerton/Nicola, then I think this was a miscalculation on their part. We know that Luke did a lot of editorial photoshoots during the promo tour; and looking at the pictures now, it seems like there was definitely a narrative/aesthetic that was trying to be pushed of a more intense, moody and provocative L. Which is also fine! I don’t think he must be one personality or the other; humans are multi-faceted and complex, it’s what makes us so interesting.

The (Ongoing) Fallout

This is really difficult to write about because, honestly, I feel like we’re still witnessing it happening in real time, bit by agonizing bit. What we do know is that at this moment, he hasn’t announced any new projects other than returning for Bridgerton Season 4. He hasn’t announced any major brand deals and we don’t know what his next steps are career-wise. Which is completely baffling to me because I would think he and his team would want to capitalize on the momentum of a very successful season of a Netflix/Shondaland production. However, this is his life and his job, so until he comes forward with literally anything to say (a statement, an announcement, hell, he hasn’t even publicly claimed to have a gf FFS), then everything else is just noise and speculation. As much as I hope he’s not taking another HFBS, I also wouldn’t blame him for wanting to step away from the spotlight. He’s been unfairly dragged and smeared since the Part 2 premiere. Do I think he and his team/friend group have made a some missteps along the way? Yes, but again, no one deserves the nasty comments and vitriol that has been flung his way. 

So How Do We Move Forward?

I keep thinking back to the adage: When someone shows you who they are, believe them.*

And isn’t this the root of my (and perhaps others’) struggle? Because it’s been really difficult to reconcile someone Nicola calls “a true gentleman, the kindest friend, a dream costar” with a man who seemingly (?) goes along with pap walks, Instagram subterfuge, and appears to be distancing himself from the very project and costars that helped propel him into the leading man spotlight. For me personally, I go back to my point that people are multi-faceted and deeply complex. I think Luke can be all of those things; I also think he might be struggling right now to figure out who he is and what he wants next after being scrutinized so heavily.

Also from my first post: We have to remember, though, that what we’re shown is only a fraction of their true selves, carefully and deliberately curated to accommodate their status as actors/celebrities/those in the public eye. 

I choose to believe that we saw glimpses of the real Luke throughout the press tour. (ColinBridgey is a rockstar and compiled everything into a master list for our enjoyment!) I choose to believe Nicola knows Luke a hell of a lot better than almost everyone else yapping in this conversation. I choose to believe that his anxiety and quietness could be perceived as standoffish, and unfortunately he wasn’t able to shine as much as Nicola during the press tour, but they are a team and have each other’s backs - there is genuine love there, after all. I choose to believe that social media posting and likes are not indicative of the actual friendship and relationship between L and N. I would love to see him post more, or be more vocal in publicly thanking Bridgerton and Nicola - however, I realize those are expectations I have/desire and he does not owe me anything. 

I choose to believe that despite the mistakes and missteps, he’s a decent human being who deserves to live his life on his own terms and at his own speed. I really, really hope that whenever he announces his next project, I can be joyful and supportive. There’s a lot of talk about giving him grace, which I agree with. I cannot imagine, nor do I desire to be in the public eye this way; it’s easy for us and others to feel entitled to say things behind our screens and keyboards, but these are real, actual people with lives and feelings.

I do think that it is for the best interest of the fandom to try and ignore A and That Friend Group (and DM) as much as possible. And I will be the first to admit that it is really fucking hard to do so. Like I’ve said before, I try to ignore toxicity and hate, but I am also human and therefore imperfect and capable of pettiness. There is just something about this situation (probably how much Lukola captivated me and how much disdain I have for his friend group) that makes me watch everything play out like it’s a train on fire, careening towards an unfinished bridge, over a ravine. Sometimes I feel bad because I wonder if I’m adding to the entire spectacle with my continued interest. But then I remember that I specifically keep it to this corner of the internet, and I’ve found a nice little community where we can gossip and discuss and dissect it all.

If you’ve made it to the end, thank you. This is just everything I’ve been ruminating over the past month, put into word vomit form. I would looove to hear your thoughts and takes on everything/anything discussed above. Maybe you have a different perspective or noticed something that I missed.

*Fun fact: In my research, I learned that this saying comes from Maya Angelou’s “A Song Flung Up to Heaven” and is actually "Believe people when they tell you who they are. They know themselves better than you.” The more well-known version comes out of an Oprah Winfrey interview with Angelou in 1997, where they were discussing life lessons. Okay, I’ll stop being a nerd now.

[maxe-murderer]

thoughts on the summoning choreo and the LiB's ages

aight so i watched the digital ticket last night and spent way too long analyzing the choreo for the summoning and a) want to ramble abt it cause its cool and b) wanna give my 2 cents for the Lords in Black ages theories (i don't think I've seen anyone mention this but im sure im not the first person to notice)

so the choreo for LiB do at the very beginning of the summoning is like a lot to take in all at once so i didn't take it in all at once and rewatched the same like 10 seconds over and over

so each of the LiB have their own little bit of choreo that's theirs, with Blinky and Nibbly's probably being the most obvious. But they all seem to do the same moves - with some little differences for a few of them - at completely different and seemingly random times. They do all start with "their" move. So breaking down each one, starting with:

Wiggly: The first move Wiggly does and the first one we see in the pro shot. Bent over at the hips, arms out to the side swinging in and out at the elbows. Reminiscent of his tentacles, yknow. One difference I can see with his choreo is he puts the majority of his weight on his right leg with the left out to the side and partially bent - he only does this the first time he does his move, and Tinky does similar but to a lesser extent.

Tinky: First thing he does, the bend down snap up repeat, arms back when down arms out in front when up. First time you see it in the pro shot is Nibbly doing it in the background behind Pokey (roughly 2:01:07). It doesn't make anything immediately jump to mind, other than like, goats fighting.

Nibbly: Since Nibbly has the lollypop prop it looks like licking the lollypop. For everyone else, it's just their right hand sorta sliding down in front of their face. The first time we see this is Wiggly doing it during the line "Wiggly wants his wrath".

Blinky: Bent at the hips, circle down and left to right and up. Blinky holds his hands in front of his to make that triangle/diamond over the one eye. Pokey holds his mask in front of his face for this, it looks like Wiggly does either the same hands as Blinky or basically the same but centered on his face, it's difficult to tell, Nibbly and Tinky just have their hands out in front of them.

Pokey: Swapping from facing right, right hand up in front of your face to facing left with the left hand up. Makes me think of Hamlet. Pokey looks at the mask while facing right and his hand when facing left. Everyone does the same with or without whatever prop they have. Tinky and Wiggly put their arms all the way up in a more of a presenting something type pose - Tinky's arms straight up and Wiggly's a bit bent. Nibbly does the move but faces forward instead of looking at his hands - he does this for every move, face is constantly directly toward the audience.

so I do wanna say first that while they do have all the same bits of choreography (just at different times) none of them do it exactly the same. There are small differences between all of them on the same moves (ex. Tinky: some people keep their head up when going down others have their face to the ground. Nibbly always keeping his face forward. Legs bent and feet flexed. Etc.)

Ok. So. The order that each of the LiB do each move is the same for all of them, but they each start at their own move and end on their own move.

The order goes: Wiggly, Tinky, Nibbly, Blinky, Pokey

Its a really fun way to keep the scene feeling cohesive but also super chaotic. It's pretty much impossible to notice a pattern if you aren't replaying the same part specifically looking for if there's a pattern.

As for their ages, I can't say that I actually have any strong opinions on the LiB's ages (I think any sort of hierarchy among each other they have is based on what I can best describe as their eldritch vibes) but this is fun to think about so like.

We all agree that Wiggly's the oldest so basically, the order Wiggly does the choreo as the ages of the LiB. And I think that when we look at it like this it has a sort of like, coming into being as the universe evolves to fill whatever cosmic need there is or smth like that. If you get what I'm getting at.

Wiggly's the oldest, he's clearly in charge and I think is also the most vague if we try to narrow down his "thing" if you know what i mean

Tinky would then be second oldest, I think it makes sense. He fucks with time itself, once you have a world you kind of need time for shit to happen in it

Nibbly next, middle child. He's hunger. As soon as you have life in the world that life will need to eat. And, he's the only one of the LiB who will consistently exist as a physical being outside of the Black and White (at least for a short while) and I think having the middle child be the one to have that sort of ability just sorta works

Blinky is the second youngest. His whole thing is sight. Not everything alive can see but a whole load of them can. Insert some sort of specific connection to the development of humanity. He's pretty satisfied with just having Watcher World seemingly. His brothers all have their domains and shticks already, so he'll just be happy in his corner torturing the shit out of whoever goes to Watcher World. No need to step on anyone's toes, y'know.

Pokey is the youngest and steps on everyone's toes. He both has a pretty nailed-down theme of control but is sorta, messy about it? his two main appearances have his existence in the physical world be directly connected to the meteor to the point of him getting kinda fucked over by it in Yellow Jacket. He's "The Singular Voice", he wants everything to be him, if it's not his voice he wants it dead. He's also the only one who we've seen get scolded by Wiggly. So like, the annoying and loud little brother.

anyway that's it. idk if you have any thoughts tell me. working boys budget breakdown soon to come

[maryangelex]

Never Let Me Go (Pt.2)

John Price x f!Reader

Part 3

Summary: After meeting John, you couldn’t help but wish and long to see him again.

Warnings: tooth rotting fluff, some suggestive/mature language

A/N: did I say I was gonna update in Wednesday?? That’s crazy, I don’t remember that at all!! Anyways…here ya go kids, it’s disgusting and fluffy and short!!! I promise there will be smutty deliciousness soon!!!

This chapter’s song is Little Bit by Lykke Li

The next day you woke up and headed to work, everything was the same as usual. Except now you felt you had something to look forward to. Or more like someone you looked forward to.

If he even showed up, you thought. You didn't fail to remind yourself to not get too excited, to set yourself up for failure, just so that you wouldn't disappoint yourself.

The rest of the day at the cafe you served the same familiar orders, smiled at the regular faces, and that feeling of sameness and dissatisfaction was gnawing at you like it did the night before.

Despite your best efforts at not eagerly hoping to see John again, you couldn’t help but have a little bit of optimism and anticipation that he would walk through the doors again.

But what you worried would happen happened, and you were disappointed. It crushed your spirits to have let yourself get excited just to later on be let down.

You felt like you were stood up. And that night you locked up the cafe after the closing shift, said goodnight to your cousin, and went back to your lonely little flat. To do things all over again the next day.

You were woken up by the rays of light that bled through your curtains. As your eyes slowly peeled open, you realized you had fallen asleep on your couch, wrapped up in the knitted blanket that you kept there. You mumbled something to yourself as you rubbed your eyes, then reached for your phone on the coffee table only to check the time.

When you realized you had overslept, you jumped awake and scrambled to your room. All you could think about was that your cousin was definitely overwhelmed and pulling her hair out having to run the cafe by herself. She had probably opened late, too, and was more than likely cursing your name through clenched teeth. All these thoughts ran through your head as you did your best to get ready in under twenty minutes.

The best you could do was take the briefest ice-cold shower to get your body going and throw on the most cohesive, monochrome outfit your frantic brain could compute. The moment you made it through your front door, you practically ran to the cafe, the heel of your boots clacked over the cobblestone.

You finally arrived at the coffee shop, bursting through the door with a string of apologies to your cousin and a clammy forehead beaded with sweat. You peeled your layers off, one by one, until you were only wearing your long-sleeve shirt and jeans, and tied the apron around. As you circled the counter to get your day started, you rambled on to your cousin, who was barely looking at you as she poured an effortless foam art into a large round mug.

"I'm so sorry, cuz, I have no idea how I managed to sleep in so much—" You were cut off by your cousin placing the cup in your hands. Her hands stilled over yours as you looked down confused, then up at her. Her face was beaming with a cheeky smile.

"He's here," she whispered, wide eyes and smirking face expressing pure joy.

You looked over to the rest of the shop, your eyes scanning the patrons who had their noses buried in books or cups of coffee to their lips. Almost immediately, though, your eyes fell right on a familiar figure.

John sat at an upholstered chair in a far corner of the cafe, right by the large window with the sun’s glare casting over him, warming and softening the angles of his face. He was clad in a dark green sweater today, an arm crossed over his abdomen as he reclined into the chair with the book you gave him in his other hand. He was at its last few pages. His expression was that of concentration, with knitted brows and a light pout.

You marveled at him, your heart stopping in its track when you caught sight of him. But you turned back to your cousin with feigned aloofness.

“Well, he lives nearby apparently so it’s no surprise—“ she cut you off again.

“He asked for you, cuz,” your cousin’s eyes pierced through you, her face turning stern. “He walked in today and immediately asked for you. He’s been sitting there waiting.”

Your lips pressed tightly into a line. He was waiting for you?

Your cousin’s hold over your hands strengthened as she pushed you to move, to go approach him.

“Take this to him, cuz,” her tone was a mix of a plea and a command. “He seems like he really likes you…do this for yourself, you deserve it.”

You gave her a long look, her wide eyes were practically begging you to follow her advice. Maybe she was right. It had been a long time since you liked someone, since you let yourself let someone into your life. Maybe you did deserve to allow yourself to open up and enjoy yourself with someone.

Her hands let go of yours, giving you a smile as if she read your mind.

”Go sit with him, I’ve got it,” were her last softly spoken words before she sent you off.

You let out a deep sigh and gave her a light smile, shaking your head as if thinking ‘I can’t believe I’m listening to your love advice’, and made your way over to John. You picked up a pastry on your way over to him, on the house.

John looked up from the book as soon as he saw your figure approaching him. His face lit up, kindness shining from it. He immediately got up from his seat and reached out to help you.

At that moment you noticed that John had a thing for helping, for being of service; he couldn’t stand and watch someone else do something for him, he was the type of man that preferred to take care of others and do things for others.

“Thank you, love, I’ve got it,” he said softly with a smile as he took the plates for you and set it down on the small table in front of his chair.

You thanked him and stood beside the chair across from his, hesitant to fully sit and commit to chatting with him.

John mirrored you, standing up parallel to you as if waiting for you to sit first. Quite the gentleman. And because of that you couldn’t let the man stand like a guard, so you caved and sat down. Of course, he followed you.

You sat there for a moment and collected your thoughts before asking, “So you’ve finished the book?”

“I did, actually,” he smiled at you, his eyes locked into yours, and they’d stay there from this moment on.

“I quite liked it.” He chuckled a bit, “But it was tough to read at times so I took all of yesterday to get through it.”

So that’s why he didn’t come, you thought, he was too busy actually putting effort into reading the book you gave him.

That thought made a smirk pull at your lips.

“Thought you said you’d come for help reading!” You said slyly, and he let out another chuckle at that. You loved the feeling you got when you amused him.

“ ‘M sorry, love, didn’t want to trouble you much,” he confessed taking a sip from the cup of coffee. His words confirmed your thoughts.

He pressed his lips at the taste of the coffee. Too bitter, you noted he liked things sweet last time. And he reached for the sugar to amend his drink.

The man in front of you was a delight to watch.

“You like sweet things?” You asked, hardly noticing the fact you had spoken up.

“It’s a vice, truly, worse than smokin’ for me.” He said with a nod as he tasted it again. “We don’t get a lot of sweetness at work.”

You chuckled. “Well you should give that a try…” you gestured to the pastry you brought him, “I, erm, make them m’self.”

A light blush scattered over your cheeks as the man smiled cheekily, reaching over to take the pastry.

“I already know it’ll be good if y’made it, doll,” he quipped before taking a bite. John let out a slow hum as he chewed the bite. You’d be lying if you said your mind didn’t wonder to the dirtiest of places when you heard that sound emanate from him—you wouldn’t mind hearing more of that, really.

“Bloody good, love, fuckin’ hell,” the man sounded like it was the best thing he’d tasted, proceeding to devour the treat. You bit your lip to suppress a growing smile.

“Now you have a reason to keep coming, John,” your own words surprised you, not knowing you had the confidence to make such a comment. You practically just confessed to him that you wanted him to continue coming.

“Oh I already had a very good reason to keep comin’, doll,” his tone was flirty, and his eyes burnt through you. Did they somehow get bluer? You felt the sting of your cheeks at his comment.

You stayed there talking with John for about an hour, occasionally glancing back at your cousin to check on her. Each time she’d give you a thumbs up and a shooing motion with her hand. The store was relatively empty, so there wasn’t much need for an extra hand.

Instead, you got to spend time talking to John. You asked him about his work in the military, but he told you there wasn’t much he could say that made for good conversation. You didn’t mind, you simply cared more about getting to know the man in front of you as a person and not as much for what he did.

But he told you about the places he’d been to because of his profession, about his friends in the service and their off-duty escapades, and about his family in Herefordshire. He told you he has a dog back home, and your dog-loving self couldn’t be contained when he showed you the picture of him on his phone screen. It made him laugh how giddy you got and how your voice rose a couple octaves in excitement.

You asked him about his favorite book, he said The Wind Also Rises. And when you asked what music he listens to, he gave you a whole Spotify playlist which required him exchanging numbers with you.

By now the coffee in his cup was long gone, and a second hour had passed. Your cheeks were sore from smiling and laughing the whole time. He wouldn’t let the smile drop from your face by hitting you continuously with a mix of the cheesiest pick-up lines and the worst dad-jokes you’ve had the misfortune of hearing.

And the fact that you made him smile and laugh too made a fire kindle in your chest. It surged a warm sensation and made you feel a sense of home that you didn’t know could be brought up in you by a person.

John’s deep blue eyes were glued to you, taking you in like you were the only person in the world. And you couldn’t look away either, as if memorizing every line of his face and every pore, wrinkle, or blemish on his skin.

He leaned forward with his elbows resting on his knees to actively listen to you as you told him where you were originally from, how you got to co-own this place with your cousin, and how the two of you had made a business you were properly proud of. He listened with wholeheartedness and admiration, as if taking mental notes of everything you said to him, storing the information as gold coins in a treasure chest.

A third hour passed. Your mad ran dry with how much you had been talking to John. The two of you were now in a brief but pleasant silence as you took each other in.

“I really enjoy your company, love,” he broke the silence, his voice soft and earnest.

“I do too, John.”

“I’ve got to go but erm..” he inhaled, “I’d like to maybe take you out sometime.” He let out the breath he was holding, a grin on his face and a gentleness in his eyes.

“I’d like that a lot, actually,” you responded, making his face brighten even more and he gave you a pleased hum.

“ ‘M glad t’hear that,” his eyes raked over you then found their way back to yours. He looked at you for a moment before standing up to leave.

You stood with him, telling him you’d accompany him to the outside as you exchanged a few last comments.

You stood outside the shop with him on the street as he fixed his jacket back on as well as his beanie.

“So tomorrow at 8?” He asked.

“Mhm, I’ll be there,” you stood in front of him, craning your neck slightly to make eye contact with him.

He moved closer to you, standing just inches from you. You were reminded of his large stature compared to yours. His presence felt protective and warm in front of you, the cold weather felt like nothing thanks to the heat his body radiated to you.

John’s hand reached up to you, his index finger tucking a strand of hair behind your ear, with his gaze not daring to break away from yours. “I’ll see you then, love.”

The gesture made your whole body melt. You could hardly find any words to say in response. The most you could muster was a gulp and a shaky nod of your beer red head.

“See you, John,” you said, almost a whisper. And with that, he turned on his heels and went on his way. You watched him disappear down the street before heading back in.

You felt like you were in shock. Like you needed someone to pinch you awake or pull you back down to earth from heaven. Your heart couldn’t beat any faster.

It felt like every goodbye between the two of you was a door opening into another hello.

Like the void of loneliness that was opened in you that day was slowly getting filled by the warmth and comfort of John’s presence every time you got to see him.

And you couldn’t be happier about there being a third hello just a day away.

[grandisknight]

thinking thoughts / xavier, his evol suppressor and EVER Group

+ mild spoilers for the following:

under deepspace: to begin - mysterious light (chapter 1-2)

world underneath: with light - has the light vanished? (chapter 4)

long awaited revelry - breakthrough: abandoned memory (chapter 2-10)

+ note: hello another rambling post from yours truly and making speculations on aspects of the story, tried my best to cohesively put my thoughts together while sourcing from in-game ;; as always take this with a grain of salt i’m truly just yapping

i hope we get to see more of xavier’s neck suppressor once his story branch comes ₍ ᐢ.ˬ.ᐢ₎

(but also just in general) given how xavier is essentially running on borrowed time, it’s interesting for the moments in-game story where he has no choice but to force his evol and therefore be punished by the evol suppressor

yet he has never brought it up, and neither has mc (as of this current moment)

the only other time we’ve gotten some exposition on it was through nero’s discovery (🫶 bless our lumiere megafan) as seen through the world underneath story

+ side note: xavier’s evol suppressor has appeared in both main story 1-2 and 3-3

(✍️ hc/musing time) his neck suppressor has the EVER Group emblem on it — i wonder what situation led to xavier getting entangled in EVER Group’s schemes?

are they aware of xavier’s past and that he is not from their planet but another (philos), and therefore keep a reign on him through his evol suppressor? maybe it has something to do with the chronorift catastrophe where lumiere made his debut, soon turned into a rumored tenebra…

also xavier is known to have lower bodily vitals in comparison to an average person (ie: heart rate) and is also very good at detecting energy/metaflux fluctuations… surely EVER Group must’ve picked up on it from how long xavier has been around (hundreds of years, mind you)… using their advanced technologies on someone who is essentially a superhuman in their eyes

because there is much more to EVER group than what meets the eye, as we’ve learned in long-awaited revelry chapter 2 — they surely must know something deeper about the deepspace tunnel

(✍️ hc/musing) my personal take is that the bigger story antagonist is EVER Group, they gave me the same vibes as the black swan collective from mlqc/lovepro so… ₍ ᐢ.ˬ.ᐢ₎

they have monopolies in many fields, and important ones at that (biotech, aerospace, evol energy, international trade)

there’s no doubt their influence runs deep within linkon city and even beyond, seeing how even the n109 zone was affected — i also believe they played a significant hand in the chronorift catastrophe, using their research to purposefully trigger the opening of the deepspace tunnel and whatnot

which. speaking of the deepspace tunnel it’s the second time noted in-game of it happening… (first being chronorift catastrophe) (second being what happened with mc and sylus in n109 zone)… surely there are going to be devastating consequences right…? lol

anyhow anyway anywho this goes to say again. a lot of this is just my ramblings and speculations and im sososo estatic to learn more about the story and characters as usual ! thank yew ₍ ᐢ.ˬ.ᐢ₎

[sunderedazem]

okay so, I finally finished Dawntrail, patch quests notwithstanding of course! And now I have some thoughts, though they're probably kind of disjointed? Because- I have a lot of opinions on this expac, and some of the dismissive attitudes of other people I've seen floating around are just. Really annoying to me. Anyway. It's under a readmore, Dawntrail spoilys abound, I am talking about the WHOLE thing but rambling

So! I liked Dawntrail better than A Realm Reborn, (which I think is the accurate measuring stick/expac to contrast it against). It's very clearly setting up future expansions and story, introducing new characters and plot devices and generally giving us something to pursue in the future. The world is fun and beautiful, the music SLAPS, the characters are mostly well rounded, especially Wuk Lamat and Koana - their arcs were very well done and I genuinely enjoyed them far beyond anything in ARR lol. Or Stormblood, to be honest. The initial plot of about level 95 and below makes sense and is well-executed. But while I *like* it more than ARR - I think it's much less well executed in one regard - the sheer lack of tie-in to what came before.

ARR goes to great lengths to preserve pieces of 1.0's story- a story that is literally inaccessible to new players except in video or privately hosted servers and etc. Louisoix's sacrifice, though never seen outside of 1.0, is constantly referenced, even up through Endwalker! It sets up the bones of a story that is very clearly built on what came before, even though most new players will have no ability to experience that story whatsoever.

In contrast- Dawntrail has ten years of worldbuilding to sprinkle throughout, mostly in regards to previously-established global phenomena - like stories of Turali Warriors of Light with the Echo, the Umbral Calamities, the loss of an entire second moon now well over five years ago, the Final Days manifesting (surely not just over Eorzea and Ilsabard?), the Blasphemies - and it ignores all of that, to the detriment of FFXIV's worldbuilding. And look- I get it, it's a new story, the writers want to distance themselves from the previous ten years I guess, but the result is that this feels disjointed as hell to me. It's like the previous ten years of still-playable story has been completely discarded, and for what? Marketing? Like, we know the Echo wasn't just an Eorzea thing, that Warriors of Light exist across every reflection, and yet- we hear nothing about the Turali ideas and mythos about these? Not even in passing, when it would make sense for it to be discussed?

I get that some people disliked the previous story and thought the WoL thing was overdone but- it was the central story for ten years. It is central to the worldbuilding here now. Tossing it out so easily feels sloppy as hell, and it's a choice that even ARR didn't make despite how easy it would have been for them to do so!

That all being said- I didn't really have much of a problem with this during the first half of the expansion. It was the promised low-stakes vacation, Wuk Lamat had a fantastic arc showcasing her growth, the WoL kind of gets to hang out and let Someone Else deal with the plot - and it's all honestly pretty great. Yeah, I was really feeling the lack of cohesion with the previous expansions, but the worldbuilding in Tural was making up for it, with how diverse the different regions were and how cohesive everything felt within itself here was actually fantastic. (I am still mad that kitty girl never got to eat her tacos! Let Wuk Lamat eat her tacos! Taco cat!)

I also really liked that she was going to the different homes of the people she knew from Tuliyollal and learning some of their ways as well. Because she definitely knew them from her life in the city, but clearly lacked familiarity with some of their more traditional beliefs, and seeing an aspiring ruler interact with and value those parts of her communities was really well done, I think. And I think it also was a really important point to make- that to rule over (elected or otherwise) and make decisions for a people, you really have to make the effort and keep making the effort to know them.

And...and this is all where the second half falls apart, for me.

Solution Nine and Everkeep and Alexandria, and the lightning-drowned shard are really cool setting ideas, and they're gorgeous as hell, but the plot stops making sense to me here, like at all. Wuk Lamat leading the charge into the dome initially I can see, as it's a Turali village that's been swallowed up, but the moment it becomes clear that not only has thirty years passed inside the dome, but this is an entirely separate world and nation that has somehow fused with our own Source- it...I'm sorry, but it doesn't make sense for her to take the plot lead role. She's a national leader - but she's not an expert in dimensions and reflections and world ending catastrophes. The Scions are (Y'shtola or Krile are right here). The WoL is. And I definitely agree that she should have been along for the ride - these are her people, after all, at least in part! Tuliyollal was attacked by these people, she needs to be there to negotiate - and I get that the WoL as a character very, very rarely actually initiates plot, but this very much felt like we were entirely just along for the ride instead of a member of a once-again secret organization whose entire job it is to deal with shit like this and the person that literally saved the star by facing down Meteion.

This second half of the story would have been the perfect opportunity, imo, for WoL references and Ascian references and Echo references, because this is all a set of circumstances that aren't too far out of the WoL's wheelhouse of "just another Tuesday. Damn" crazy happenstances. We known the Ascians were working to unbalance the shards and maybe still are, we know that levin sickness and the sin eater transformations likely have the same cure, we KNOW that we managed to stabilize the First (and in Eden quests even helped restore it!) and could probably help Sphene do the same and- none of this is mentioned. It is literally a golden opportunity to tie in what we know from previous expansions (because this is the same overarching setting. let it have a cohesive story!) even in a momentary mention of just "oh, we've helped with something similar before, if you want our assistance."

But we don't really get that. What we get is this- kind of half-assed attempt at making Sphene and Wuk Lamat foils for each other and also friends?, and meanwhile the WoL is sitting there with the answers to at least some of the questions being asked, and just not saying anything about them. And it's very clear - at least to me - from the get go that this is going to be more learning about the Alexandrians' way of life to try and reach a common understanding (which don't get me wrong, it's fun). But even from the outset, I can tell that was never going to be the issue here. The conflict here isn't actually between the people of Alexandria and Tural, it's between Zoraal Ja/Sphene and Tural. The Alexandrians are pretty neatly stripped of any agency in this with the memory modifications of the Regulators (re: those few lines about the resistance twins' father being dragged off after a minor incident with the military and then forgotten. if that's not a guy getting Disappeared....yikes), and it's clear that most of the living people don't really know or care what Endless are.

And so when we follow Wuk Lamat around as she wanders about learning about Alexandrians, like how we did with the villages in Tural, it leaves a bad taste in my mouth. Not because we're learning about the people here, but because this is held up to be somehow relevant to defeating Zoraal Ja and Sphene - and in the end, we won't learn enough to actually understand the Alexandrian people anyway. This isn't the same thing as a princess from the capital city visiting the traditional villages of the people she's grown up alongside in order to be a better leader for them, this is two madmen (one an AI bot, the other...apparently having lost his inner motivations in the last 30 years in favor of proving himself better than his father? I dunno, I wasn't sure I understood this slide for him) using their people as a crutch to further their goals. And in between all this, we have like, four quests where we cooperate with an Alexandrian resistance, tops. And that resistance isn't even against Sphene, it's against Zoraal Ja!

But in Living Memory, we're still forced to erase the memories of (probably) hundreds of thousands of Alexandrians, with zero provision made for their preservation somehow - like would it have been impossible to record them on floppy disks or allagan tomestones somethin, or even just some of them - with zero provision made for the return of the memories of the people of Alexandria so that these simulacrum people aren't just. deleted from history. The people of Alexandria- are they ever told that they were harvesting souls from other worlds to maintain a simulation of everyone who had ever lived and died in Alexandria? Not to maintain their current lives in Everkeep? Are they ever told that Sphene was an android, that she actually died hundreds of years ago? Are the Alexandrians ever actually given the opportunity to remember their own people?

Because- not from what I understand of the current story? We get hamfisted into following Cahcuia's wishes (and she's not even Alexandrian) and shutting down the terminals wholesale (which probably condemns all the preserved and living plants in that conservatory to withering away and dying, too). And the most we get in passing is a "we will remember them" from Wuk Lamat and....no. we won't. We've barely met these people, barely comprehend their way of life. This isn't our or Wuk Lamat's culture, it's the Alexandrians. And this isn't the last plea of a dying relic (a la Emet-selch in ShB) this is- we're outsiders coming in and erasing massive chunks of a people's history. This isn't us promising to remember that they existed after they've been wiped from history, this is us actively erasing them.

And the question this particular expansion asks, via Sphene and Cahcuia and in other ways is "could you have found another way, if it were you?" and this is a question that the WoL has already answered! With Ardbert, with Meteion - but we're not allowed to give that same answer here. We're not allowed to say "yes, and here's how we helped start fixing the First and Thirteenth, do you want in." Instead, it feels like we're backtracking on one of the core themes of Endwalker (i.e. letting the memory of those you lost push you forward and keep you going - for those we have lost. for those we can yet save). Hell, G'raha's conversation with the Omicrons in Ultima Thule is all about if they can still count as living people- and then we're reneging on that here, and destroying the Endless and being told they're not living and not even given the chance to treat their memories with dignity in trying to memorialize them somehow.

Not to mention in the very end where the ruler of the neighboring country you were just at war with (you think, do you even remember or know that?) turns up having just murdered your beloved queen (who was maybe an AI, you heard, but you're not sure?) with a small boy who looks like your tyrant king from That World that just Slaughtered all your people for their souls and- you're told he's the new king now? what the fuck. and what the fuck kind of international incident-

Like, I get that the Endless needed to go, because they did. That Sphene was who Wuk Lamat was getting to know so she could be remembered (versus the Alexandrian people) even if I think that they really did not have enough time to end up as friends. I get that this is an expansion After the Other Story is Over. But the Other Story Still Happened and affected things including worldstate (and reflectionstate, lol) and it feels like that was just ignored. The memories of the people the Endless became still deserve tribute, somehow, still deserve preservation - the Alexandrians deserve to have much more agency in the decisions made about their way of life. This was still a global threat that should've probably had the Global Threat Ending Organization acting at bit more hands on about it, while Wuk Lamat did a bit more actual diplomacy.

Overall, the expansion is fun. There's a lot of fun questions I'm wondering about the answers to. Wuk Lamat is a bean, and while my WoL probably isn't calling her Lamaty'i (it took him like three expacs to be that relaxed with the Scions) he's nevertheless a friend of hers and is very willing to play pranks and cause mischief around Tuliyollal with the excuse of "yeah well I know the Dawnservants :3." The setting design and Turali internal worldbuilding is fucking incredible - honestly HW-levels of hella. The entire first half of the expansion was awesome. It's all WAY more fun than ARR, or StB in some cases. But - especially the second half - it's much less narratively cohesive with the rest of the game, and appears to backtrack on or ignore themes that really hit hard for me in Shadowbringers and Endwalker and that's frustrating to me.

I guess in the end my reaction boils down to- I got an expac with the internal worldbuilding work of HW, but with less of an explicit connection to the rest of the game than ARR had to 1.0. And as someone who's invested in the overarching story...that's last part is disappointing to me. Probably won't NG+ the second half like how I don't NG+ ARR, and I'll hope the patch quests will resolve some of the upset I felt about just. deleting giant swathes of Alexandrian history.

I definitely like the expansion, from an "is it fun?" perspective. I don't know if I like it from a "does it make sense?" perspective. And I honestly I think I would have enjoyed it more if it was all more like the first half of the expansion.

[dicenete]

Hey, I'm rambling about IkePri again

Okay, I just need to get these thoughts I have about Gilbert von Obsidian out because I enjoy predicting stuff and overthinking design and narrative choices even tho they might not be right. :P But there really isn't that much predicting other than me overthinking about narrative and design choices. This time there will be most likely spoilers of Gilbert's route so far, and route of Clavis and some thoughts I have just gathered while playing the game in general. I try to put these thoughts in cohesive order, but well... I don't know if I can really, because I just need to get these out of my head. These are my thoughts, ramblings and opinions. Feel free to form your own and certainly disagree with me! I apologize about the lack of art in this post. I'm busy with work currently so no fanart for a while. I'm also not native English speaker, so there might be grammatical errors and such. Sorry about that. Everything under the cut.

To start with Ikemen Prince is a romance visual novel first and foremost. That doesn't mean it can't be deep (and it certainly has been deeper than I initially expect, which left me positively surprised). I suppose there is somesort of thematic vibe that there is no prince whose ideals are the main thesis of the game itself. But that also kinda leaves that fact there is no huge catharsis regarding the world and it's state. Everything so far has been left quite open. And the more I have learned about lore of the world, I really feel like anti-monarchist here xd Clavis really sold me the idea for real. Or atleast throw away the absolute monarchy. That's where I think things should go, but that's my own belief. (really, the last king of Rhodolite... He umm... I have some opinions.) Chevalier and Gilbert First things first: I don't hate or dislike Chevalier as a character. There are just some things that give me Deus Ex Machina feels. But I know it is what they are going for with him. This genius that so far ahead of everyone that it is so alien concept to rest of the people. And well that is a very hard concept to pull off without being a genius yourself as a writer. Or that is what I feel like. But what I do love is what the writers are doing with him and Gilbert in thematic sense! (Hence why Chev x Gilbert sounds so juicy to me)

I really took steps to the deep end as I started to think about why I have enjoyed Gilbert's route or was interested in his story to begin with, but have little interest in trying Chev's one. Because they are so similar but they really aren't.

How I would describe it is that where as Clavis is the complementary to Chev, the purple to his yellow, the emotionality vs rationality, the heart vs the brain, Gilbert is more like right brain to Chev's left brain. If it makes sense like that xd Their color schemes are harmonious. Not opposite. Almost like how Nokto and Licht's color schemes are harmonious with each others.

(Nokto (Blue + white + gold) vs Licht (Blue + black + gold)) Not to mention that their names clearly are meant to mean light and dark. (Licht: variant for light, Nokto: comes form latin nox or noctis, meaning night = dark) But that is a rambling for another time.) Both their crests are tigers. White and black tiger. Chev's color scheme is White + gold and black. Whereas Gilbert's is Black + gold and white. But then the overall color that game devs use to signal about the characters baffles me a bit. Gold/Yellow vs Black/dark red. They don't seem to have too much connection or that of which comes to my mind quickly and without digging deeper. (because I believe that if you dig deep enough, you have digged yourself into a trap of overthinking about things. (Justifying things because you want to justify them, which I'm not big fan of. And sometimes things don't need meaning and we have to live with that. As much as it pains my overthinker brain.)) But here is my impressions about Gilbert so far. I'm at the point where MC has left the Clavis's party (I loved it btw). Gilbert really does give me toxic INFJ villain feels, but let's not get too hang up on terms such as that. But he is someone who is driven forth by his own ideals and desire to change the world better. He, like Clavis, seems to cloak himself in this idea that he is the villain and is okay, even happy, to take that role. He is the one who, like Chevalier, has thrown away emotional attachment out of the window (or so they say) unlike Clavis who makes his choices based more on emotion rather than rational thinking. Maybe that's why I like Clavis and Gilbert, they push MC out of their black and white thinking. That things are not so easy peezy as "choose a right king and everyone will be happy". There will always be someone who is mad about it. That's why I really loved the scene with Gilbert with the orphaned kids and the Clavis's party. He seems to enjoy the company of children (who are not morally corrupted or tainted) and he really empathically listens to those who are angry. He believes in the idea that "no one remembers what you said, but they will always remember how you made them feel". (A quote with debatable origin, people say that it was coined by Maya Angelou. But I really love this quote, because I think it is the truth.) Gilbert isn't trying to rationalize against someone's choices with pure intellect. He uses empathy to guide him to the most rational outcome in that emotional scope. But he also uses this to manipulate people with fear. He uses fear extensively and he does it actively. Where as I feel like Chev just has that aura about him automatically. Hence my next thought: Action vs Stasis!

Gilbert and Clavis are action oriented. They shake the gameboard, they make the first moves. Gilbert probably more than Clavis. They both want change. Is it change for the better, we will see, I still haven't finished Gilbert's route but he really gives me this "I'm willing to become the greatest threat so that people unite to defeat me." or "I will conquer all so there will no longer be wars.". Chev, on the other hand, symbolizes stasis. His goal is to keep the kingdom of Rhodolite going. That's his duty and he is willing to take it. (even tho we can debate if that is something he really really believes in or even thinks about that much. I feel like it is out of obligation rather than of personal ideal. But alas, I have not played Chev's route yet.) Chev is reactive rather than proactive. He waits for the opponent to make the first move and reacts accordingly. (I'm not saying he is not reactive once game is on. More like "if there was not threat to deal with, he wouldn't create one".)

Chev doesn't care what you think about him. Gilbert does. He might seem like he doesn't but he is really there to prove a point. (I will pick up his dislike for lying later >.>) Chev is not. Chev knows that his way is the right way for him and that is enough for him. Chev also actively makes a "gettaway plan" for himself in Clavis. He knows that Clavis is the final thread that keeps him from going overboard because he understand that he has to be blind for "individual people" aspect to be a good ruler. Gilbert probably understands this about himself too, but he is trying to prove a point. So he needs to go overboard. Because masses of people need absolutes to react to. If it is something banal, it won't do. His evil actions need to shake the very foundation of ideas. The people have to face those things head on and see it for themselves. They cannot be sheltered. Gilbert gives me the vibes that he is willing to sacrifice himself not for the kingdom, but for the betterment of all mankind. He is happy to become the villain #1 if that means that other people will rise and take down the corrupted Obsidian or the corrupted idea. I would say that he is Lawful Good going on about things like Lawful Evil.

Gilbert asking questions means that he wants you to think, he wants to challenge your opinions and how you look at the world. Same as Clavis. They yearn for change. They want to change the world. Where as Chev wants to maintain things as they are. Chev "If it is not broken, we don't need to fix it" Michel. Where as Clavis and Gilbert want to improve the system. They are idealistic. Gilbert and lying

This is something very interesting. At first I thought that he was all "I dislike when people lie to me." but he really is "I dislike lying in all its forms." And he does say that he doesn't lie. And I'm starting to believe that is really the case. All the things he says are true. But because how other people see him, they are suspicious anyway. Like MC is. Like we all probably are when we start the route and think "So what is your trauma, baby girl?" When he is unsure or knows that he shouldn't say the thing he really thinks or that is true, he will deflect or give a very vague response. Which makes me quite happy to replay his route at somepoint with this in mind. In conclusion: Welcome to my TED talk, with no head or tail, just me overthinking about things about a otome gacha game. If you read this far, thank you for your time. Remember, if I ramble about it, it just means that I'm invested. Have a good day~

[kerizaret]

Hello everyone and welcome once again to my brain! Today I want to ramble a bit about

✨️ Tsukasa and Rakunosuke (Emu's grandpa) parallels ✨️

Because I feel like we don't talk about them much. Or at all actually

Now, I'm not pulling this out of nowhere. It's quite literally stated at least once, outright, in the game, that Tsukasa is really similar to Emu's grandpa (or even twice – but the other time I'm unsure 100% whether its about Tsukasa specifically, which I'll get to later). That's not to mention the other little things throughout the stories that I think similar between the two

So here's just some thoughts I've had on the topic after rewatching some events, more or less cohesive

1) Tsukasa's PXL auditon & WMS speech

Starting at the very beginning, we've known ever since the wxs main story that there's something in Tsukasa that has drawn Emu in to him already the first time she's ever saw him, at his audition for PXL, which made her hire him herself. She says "found you" at that moment, as if she's been searching for someone exactly like him. Out of all the possible candidates who applied who she might've seen, why Tsukasa specifically?

It could be just about him boasting about making fantastic shows, which of course is a part of it. But I feel like this isn't all, that there was something else that she noticed, that maybe she didn't fully realise at that moment

Then later, in Wonder Magical Showtime, after Tsukasa's motivational speech, Emu specifically thinks back to that audition and how she felt something special there. And, most importantly, she thinks it as if she's talking to her grandpa – like he's somehow tied to it, to her realisation that Tsukasa is the one

Putting aside the fact they were fighting for Rakunosuke's park, which obviously makes Emu think back to him, there's something more. Emu doesn't think anything of the sort about Rui, even though he was the one who came up with the night show, or about Nene. Nor did she mention any kind of this strong feeling/conviction about having them on the Wonder Stage in the main story

She's focused on Tsukasa, because he's the one that brought all these people together and gave them the last push they needed to fight for PXL. He's the one they listen to, he who understands what this park was all about and why they need to save it. He's standing on the stage her grandpa built, looking at all those people working here, and he's leading them, telling them this dream CAN be made a reality and it's more important than anything else

And I feel like she could have looked at that and been reminded of her grandpa a bit, with how much he loved the park he built and brought people together with the same ideals and love and made dreams come true

2) Miles

Speaking of WMS, I'm sure we all remember Miles, the sorcerer Tsukasa played in the night show in WMS, and how he was a character very clearly based on Rakunosuke. It's not very surprising it's Tsks who got this role, but it's still interesting to me. It feels like no-one else would've been able to get this character right and neither would Emu as Shao with someone else playing Miles

I won't get into what "Miles" Tsukasa says in the play, because that's just the script and not a representation of Tsukasa himself, but I do want to draw attention to the specific scene where Emu's father is watching the night show and looks at Tsukasa, then says this:

This is the first time that – i suspect – Tsukasa is outright "stated" to be like Rakunosuke. Here I say "suspected" since I'm not 100% sure of it for two reasons. One of them being that as we know, the ensekai translation is sometimes often bad. For that I looked up the original text as well as an old translation of the event on YT to check for differences

The line ends up being similar in meaning, more or less, but a bit more vague. That also ties to my second doubt though, which is that Emu's father might be referring not to Tsukasa himself, per se, but rather to the character of Miles he's playing

I feel like both can make sense, in their own way (and the event is a Tsukasa focus for a reason, too), but for here I'm throwing it more as a hint than any kind of outright proof. Food for thought

3) Tsukasa and Rakunosuke's deams

Then, as we reach Popping in my Heart! and learn more of Rakunosuke from Riley's pov, there's another interesting thing that pops up. That is, the fact that Tsukasa and Rakunosuke share the same dream

And then, that's when Emu confirms what I've talked about before – that this whole time, she's felt something about Tsukasa being so reminding of her Grandpa

So Tsukasa has all this time "carried the same spirit" as Rakunosuke – which is possibly the reason why Emu has been feeling strangely drawn to him from the beginning

4) The Wonderland SEKAI

Hey. Hey. Remember this line?

(tl by tsukasa's #3 fan on YT)

Yeah, this one. The same reason why wxs even has "Wonderlands" in their troupe name

You know what else has Wonderland in its name?

That's right! Tsukasa's SEKAI!

Tsukasa's SEKAI. A different world that's created from his feelings, that's a place born from his desire to make everyone smile with his shows. A world that just recently expanded to include plushies representing all those different shows – different worlds – wxs created as a troupe. It's a world that Tsukasa, in a way, made by himself (albeit unconsciously)

Oh did I mention the Wonderland SEKAI is also, primarily, pre-wl, a theme park? With a big ass ferris wheel and several stages and a castle and a train and a merry-go-round, a rollercoaster and more? You know, kind of just like Phoenix Wonderland? Which was built by Emu's grandpa?

Do you ever think about that? That both Tsukasa and Rakunosuke "made" their own "Wonderlands"? That the SEKAI is so similar to PXL? Because I do

Anyway. Those were the main similarities or references I noticed, but I still have some few other miscellaneous thoughts i had aside from that that I'll sum up a bit quicker

Tsukasa and Emu's grandpa both care more about the shows (& pxl) themselves and the effect they have on people to make them smile than any kind of fame or recognition

A reminder, too, that despite the movie's popularity, nobody really knew that Rakunosuke worked on "Smiley" (or that it was even a Riley Entertainment movie at all)

There's also the fact that both tsks and rknsk get stuck more on the excitement they want their audiences to feel rather than on the technical sides or worries about how it would be possible – as seen with Rakunosuke convincing Riley to include all his dreams and ideas in "Smiley" without focusing as much on the budget and all to install that wonder in the viewers, and Tsukasa doing anything to perfect his acting, and also agreeing to most of Rui's stunts and experiments and production ideas as long as it gets the audience to become more immersed

I noticed as well that they're both people who wear their hearts on their sleeves, who easily get emotional and enthusiastic, who empathise a lot with the others' emotions and struggles, becoming happy when something good happens to them

^ he cried here. And later at the fan festa seeing nene sing confidently and happily he teared up again

And also just *gestures vaguely at pandemonium event and Rui's "tsukasa's friends' happiness is his own happiness" line*. Yeah

Most importantly, Tsks and Rknsk both care so, so much about shows ending with smiles and not tears

And overall about everyone smiling and being happy. Like Tsukasa telling Emu in the main story, on the ferris wheel, that when her grandpa meant making EVERYONE smile, it included Emu, too, and he wanted to make sure she's happy as well

There's also everything with Emu, too. The way she's very clingy with Tsukasa, always throwing herself at him (not that she isn't with everyone, but she does seem to jump at him the most often)

She's also implied to open up a bit more around him – in Smile of a Dreamer, when wxs expressed their worries about emu hiding her problems, KAITO implies that its unusual she "hasn't told EVEN Tsukasa"

And it's Tsukasa who first understood that, despite how it may seem that "she always is so optimistic and says whatever's on her mind", in the end "the bigger the problem, the less likely she is to talk" (paraphrased quotes from smile of a dreamer). And also underdstood what's the most important to her and how to give her a push to voice her worries to them

It's Tsukasa who Emu first got so scared of leaving their troupe and her behind

I simply feel like Emu is aware of the similarities her grandpa and Tsukasa share and, subconsciously, trusts him a lot and gets attached to him easily

Anyway. This is just a bunch of thoughts that came to mind that I wanted to share and hear your thoughts on maybe too. I love emukasa so much they have such a great dynamic, and I feel the implied similarities between Rakunosuke and Tsukasa add a lot to that too. I'm really curious if it'll be something they'll explore more in future events. Because I feel these parallels are there for some reason

[transmascutena]

what do you think about the incestuous relationships in revolutionary girl utena, and the root causes of the abuse? one of my favorite analyses I've read so far talked about how rape and incest aren't deviant, they are an extension of the patriarchal family unit. And do you have any thoughts/analysis about how it specifically manifests in RGU and the way the narrative communicates these themes?

It's so annoying the way some people act like the incest is just regular brother and sister complexes that's common in a lot of anime, and not an integral part of the show's themes about the Family fostering an environment ripe for abuse. The show treats these heavy themes seriously, and I wish I was smart enough to articulate my thoughts about Miki and Kozue, Anthy and Akio, etcetera. Hence, this ask.

Jsjsksks I know I sent an ask just yesterday about Revolutionary Girl Utena, but your analysis is so cohesive, and I really appreciate you bringing family/marriage abolition and amato-normativity into your analysis posts. It's very affirming to me as an aromantic asexual.

thank you so much! i will admit i also have a hard time putting my thoughts about these themes into words, because they are . a lot, so forgive me if this is a little rambl-y. but they are a huge and very important part of the show, so they're important to talk about.

i think i know the analysis you're talking about, and it's spot on. every kind of abuse we see in the show is a product of The System (patriarchy, the school system, the nuclear family, etc.) that's not to say that the abuse isn't purposeful, or that it doesn't often come from people choosing to do harm, but their ability to cause that harm is facilitated by these systems. for example, the system is not forcing akio to do what he does (although it is the reason he knows it will get him what he wants) it is just giving him the tools to do it effectively. abuse does come from people, but the systems are what makes the abuse so effective, and that's why we need to dismantle them.

this is something i've mentioned before, but a big part of why anthy was so trapped in her situation until the end, is because of the expectation to value family above all else, and to always love and forgive them no matter how they hurt us. and that is the reason why incest is so inherently toxic and abusive. it's not that it's "gross and unnatural" (such rhetoric really only serves to hurt and alienate victims anyway) it's that you cannot ever have a healthy relationship in a framework that tells you that you always have to stay with someone, and forgive someone, and love someone, no matter what. it doesn't matter if there's no age gap (seen in the kaoru twins) to create other kinds of power imbalances and it doesn't matter if they're not actually related by blood (seen in nanami thinking touga isn't her "real" brother, and in touga trying to use that against her.)

i've talked about how all this affects utena as well, and how even the state of not having a family makes you vulnerable to it, here.

it's not that siblings (or other family members) are more likely to be abusive people, but when they are, it is a lot harder to escape said abuse. leaving a regular abusive relationship is already incredibly difficult, but if they're you're family, it's even easier to fall into the mindset of "oh, but they really just want the best for me." when you've been taught that family is the most important thing in the world, leaving them is a huge decision. especially if you rely on them for material needs as well, like housing and food (which also happens a lot in romantic relationships and marriages.) there's also the way that with sibling incest in particular, especially if there isn't a big age gap, the victim will often be made to feel complicit in the abuse, either by their abuser or by society at large. like it's something "weird and taboo" that two people are doing together, rather than the abuse it really is.

that last part definitely manifests in the show, with the victim-blaming anthy recieves. from nanami especially. her desire to prove that she's "not like anthy" comes from an understandable place. she's dealing with figuring out that her feelings for her brother weren't what she thought they were, but it ends up with her putting equal amounts of blame on akio and anthy for the abuse she witnessed, even though there is a clear perpetrator (not helped by nanami already disliking and distrusting anthy.) it's clearest, i think, when she refers to them as "those perverted siblings" to utena.

it's funny (it's not) that this kind of thinking even manages to happen in the fandom itself. anthy is obviously not a perfect passive victim, and it's reductive of her character to say so, but the idea that she is as much an active participant in the abuse as akio is, is a take i have seen too many times for comfort. like, congrats, you fell for the exact kind of thinking that the show was trying to critique!