#shes was like oh do they separate?
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sunshine-girl-shines · 29 days ago
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I got to talk to a coworker today about malevolent for like 2 hours?! I could not stop yapping about it
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electoons · 8 months ago
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I love the college of winterhold. everyone there is casually deranged and there's like an alarming number of students and staff who threaten you immediately when they meet you. it's always one of the first questlines I do. which makes it even funnier when you get made the arch-mage of the college. I'm level 12 and got through this questline knowing exactly 3 spells. what do you mean you want me to lead the college. this school CANNOT be an accredited institution
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moeblob · 5 months ago
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Haley ! Dressed up as Dorothea (post skip) from FE3H!
In case anyone wants to know, the lineart took me as long as Clue (1985) with all three endings. Like. Just in case anyone wanted to know.
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grandwretch · 2 years ago
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i do think peak comedy is a steve who is absolutely aware of the effect he has on people, but has never felt that way towards anyone else-- the closest he got was with nancy and robin, because he loved them both in different ways, and sometimes he felt like he was going to go insane if he didn't talk to them or touch them right now, but it was never like he had seen other people act about him. robin and nancy made him a better person. they didn't drive him to ridiculous levels of violence and obsession. maybe people in hawkins were just fucking weird.
and then he meets eddie, falls in love with eddie, and he's like... yeah, okay. alright. no, i get it. if anything happened to this guy i would steal the nuclear launch codes.
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jq37 · 1 year ago
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Who Is Allison Moore?: A Disney's Wish Mystery
OK, this is a little off the rails and random but this has been driving me crazy since I looked into it last night.
So, Disney's 100th Anniversary movie Wish is coming out soon and people have had a lot of hot takes about it so I wanted to do some digging. As part of that, I looked at the writers and two people have a "Screenplay by" credit: Jennifer Lee and Allison Moore.
Jennifer Lee, of course, wrote Frozen--their biggest princess hit in the modern era so that makes total sense to me. If you're coming out with a new princess movie for the big centennial of course you'd tap her. But I'd never heard of Allison, and when you look at her name on Wikipedia:
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No blue link. So I headed to IMDB to check out her credits, figuring maybe she was some hot new talent recently promoted from within who did storyboards on some recent projects like Moana or something. But when I went to her IMDB page, this is what I found (after a brief mix-up with a Dexter's Lab actress):
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Her Producer credits come up first and...huh. That's a lot of adult live action TV projects. Well, maybe her Writing credits are where this starts to make sense:
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What? That can't be right, can it? The only vaguely Disney-esque thing on that credit list is Beauty and the Beast and, to be clear, that is a CW reboot of a 1987 procedural with the logline, "A beautiful detective falls in love with an ex-soldier who goes into hiding from the secret government organization that turned him into a mechanically charged beast." And she wrote two episodes on it.
And look at Disney's official page about Wish!
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Everyone else on this page has credits that make sense--Frozen, Frozen 2, Raya, Encanto. And the two credits they list for Allison?
Night Sky and Manhunt.
Night Sky, an Amazon Prime show that she wrote one episode for and was cancelled after one season. And Manhunt--and show about hunting the UNABOMBER--that ran for two seasons and that she wrote two episodes for. Those are her two credits that they put up there next to Frozen and Encanto.
I have been scouring the internet trying to figure out who this woman is and how she got this job and I have come up *empty*. This is the big 100th anniversary movie! Why would they have one of the two screenplay writers be someone who seemingly has never done something like this before??? Like, I understand that not having done something before doesn't mean you can't do a good job, but it usually means you don't get the keys to the biggest most anticipated projects in the company's history!
They presumably could have gotten anyone they wanted for this and they picked this person and I have zero clue why and it's driving me crazy. If anyone has ANY information that could illuminate this at ALL--an interview, a social media post, gossip from your cousin who's a gofer at Disney--please let me know because I feel like I'm going full Pepe Silvia over this.
12/26 Edit: A SMALL UPDATE IS HERE!
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myokk · 4 months ago
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1930s AU continued💓💓
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boarloved-art · 3 months ago
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i like the car movies a lot.......
#cars#pixar cars#lightning mcqueen#sally carrera#my art#art#drawing#fanart#sketch#these r SOOOOOOOO messy dont worry abt jt#i love sally n mcqueen so muhcnman#sally the love of my LIFEEEE#also his pyjamas in the court sketch r. bc i asked my pals what we think he was wearing when he got separated from mack. bc its SO funny to#imagine him in his pjs in court trying to seduce sally#like realisitclally hes probably not. they peobably gave him a change of clothes he did in fact make a mess#but man.....the idea of him stood there in his own branded pjs . .....it enamours me#temporary wheelchair user mcqueen after his crash is reel to me <3#he doesnt even need it for that long but by god he decks it out#note that they have rings on in the cars 3 ones...theyre married...#the second one is all sally when she arrived at radiator sprrriiings i rhink of her too much#ft flo & sheriff#ur sheriff. ur watching the road leading into town (even the towns basically dead anyway noones fucking coming in so ur legit just sat ther#eating lunch and thinking abt ur husband). a blue porsche rolls in and ur like huh. a visitor. thats new. the porsche suddenly just gives#out in the middle of the road and ur like. oh shit lemme call mater. before u get the chance to do that u r cut off by the LONGEST BEEP#IN HISTORY as sally carrera#burnt out from lawyering#slams her head on the wheel and yells FUCKKKKKKKKKK. this is MY canon now.#sheriff watching a stressed 20 smth in a business suit repeatedly knock her head against her steering wheel while muttering about#how this Has to be her annoying bosses fault somehow#wondering if he should offer her some help or just let her get it out of her system
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svnflowermoon · 6 months ago
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y'all go from being feminists to tearing these women down within seconds oh my god it's 2024 can we please stop viciously tearing one woman down to bring another up i don't care what side you take but saying vile shit about either woman and their music is disgusting, please grow up
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aeb-art · 11 days ago
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my birthday is also my genshin anniversary, so i doodled myself with some favs 💕 happy four years, my beloveds
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also looking at the cake lineup in my inventory makes me so happy ehehehe (also the xiao lanterns)
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landoffreaksandfrogs · 1 year ago
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the verdict
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deus-ex-mona · 30 days ago
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something something guys who think of the backs of the girls they love
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and girls who pinch the cheeks of the guys they love
#funny coincidences and all that~~~~~~~~~~#especially since both of the guys are associated with the colour green i m e a n—#i just really love how hw isnt afraid to have the guys fawn over and dote on their gfs#unlike many other love stories yk?#seeing the guys shower their lovers with affection is the best part!!!!!!#who needs emotionally repressed male leads when you can have affectionate hw male leads#even ‘cool’ and ‘mature’-ish guys like yu and kodai (to a degree) are super loving towards their respective gfs#and now!!!! we get to see nagisa: a cool-ish and mature (compared to like lxl) adore hiyori!!!!!#…oh. wait. i think i get why there kinda feels like there’s an narrative disconnect between nghy#hiyo is more of an idol series character (despite not being an idol) yet her romance with nagisa seems to be more on the love series side#so the way the two series are intertwining *now* after all these years of being somewhat of separate entities#(despite overlapping characters like the sanbaka + arisa and hina + sena) may feel a little wonky#juri is different bc she has p much nothing to do with the idols. she’s just in it for the vibes#but for someone like hiyori who’s super involved in the idol side to suddenly be introduced to the ‘love’ side of things…#especially since her retconned romance was with another idol… and all that old pre-nagisa novel stuff with yujiro…#idk i think the nghy romance could’ve been handled better had it not been for the [redacted] anime#…wait i think i realised something else. it could be a coincidence but!!!!! wait a sec#the dude from gamushara
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I can't believe it's taken me this long to have Leliana and Sten together in a party. I won't lie, Sten's usually my least used companion so I'm making a conscious effort to use him more this playthrough.
His banter with Leliana? It's so good.
Leliana: I saw what you were doing back there. Sten: Oh? Leliana: Don't play innocent with me. Sten: What are you talking about? Leliana: You. Playing with that kitten. Sten: ...There was no kitten. Leliana: Sten, I saw you. You dangling a piece of twine for it. Sten: I was helping it train. Leliana: You're a big softie! Sten: We will never speak of this again. Leliana: Softie!
And then she continues to call him "Softie" in later banter, I love it.
I also appreciate all of his banter with Shale, that's been a real interesting one.
Shale: I have a question of religion, Qunari. Sten: For you, kadan, I will answer. Shale: Would its "qun" accept a convert that was a golem? Sten: I do not know. It has never happened. We accept beings of all walks of life, so long as they are willing to accept their place in the world. Shale: And what place is that? Sten: One of equality. Within the Qun, an individual exists to serve. Shale: Hmm. That is less appealing. Would it consider birds to be its equal as well? Sten: Birds? Birds are... but animals. Enlightenment does not await them. Shale: Excellent. That sounds very promising.
Like... it's not that I don't like Sten, he just ends up being the companion who gets benched the most, especially once I've gathered everyone else. My Tabris always gets high approval with him, though don't ask me how. Every time they talk at camp, Sten's out here throwing "+7 Approval" and "+13 Approval" left and right? Rose is straightforward and doesn't take his shit, so I guess he likes that? I don't know, they're buddies though.
I have a rule that Alistair's never allowed to leave the party--he's a grey warden, too. He and Rose gotta deal with all the bullshit together no matter what, but that means I already have a warrior constant in my party. When I want another, I tend to gravitate toward Oghren more than Sten. That's mostly because I like Rose and Oghren fighting together a lot before Awakening, and that means poor Sten's a benchwarmer in the Blight.
Not this time, though, I'm working to rotate my party around a lot.
Except for Alistair.
He's never sat on the bench and he never will.
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xcziel · 4 months ago
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has anybody else thought about how jk could easily manage sofia's parts of slow dance or is it just me?
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#jikook#bts#everybody is working to insert jk in who where i just don't see it (other than the seven parallels)#and not talking much about what i see as WAY more obvious nods most especially in rebirth#like jm sings about wanting to be worthy of someone - maybe someone who just became a huge SOLO global popstar?#and mentions 'real love' - what was the name of that chapter in the bangtan book again?#and the feminine pronouns not present it's just the nebulous 'you' that in jimin songs often stands in for 'army'#(and one very specific 'fan' who has said he is ALSO army)#it's the 'i wanna be with you'#the answer for jk's 'i am still' with its unspoken additional 'still with you' layer#and then we get slow dance and we're back to the nebulous 'you' - on an island he-#oh wait what was that about a pair that traveled to an island? and filmed some stuff there that we'll see soon? hm#the reason this set me off though is the lines about 'cancelling my plans' to live to 'the tempo of our favorite song'#the falling deep into lines etc etc#because we know what happens when those two get together - they lose track of time everything else fades away#it's why they haven't done lives. why 'you and me' are 'up all night' why jm knows that as soon as jk is around#his self-discipline will crack and he'll fall into the pattern he tried to head off by separating from jk while making face#and we *know* jimin wrote on this song#frankly if he *hadn't* gotten a female feature everybody would be JUMPING on this song as a jikook anthem#the inclusion of sofia works perfectly - like hammering the pin back in a grenade#but i was reading those lines and thinking how high she went and going who else could sing this ...?#huh. who do we know of who can sing *anything*? and who has a range that can hit and blend with jimin's perfectly?#so. i dunno. y'all do your delulu the way that works for you and i will do my delulu my way lol#personally i think the eyes in the mv look like a screenshot from the love wins all mv but that's only me#i think the parallels with seven work more#and speaking of parallels (there are so many) i think this album was built to ensure jm is on equal footing with a certain someone#it's the commerciality of it - as though jm was like we will be together in this as well#when he seems not to be super interested in global domination but still 'special' enough to be on the same level with his love
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merlinemrys · 1 year ago
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anyway im obsessed with merwen’s crush era they should’ve kissed more actually 🙄
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Local parent visits child and comments on the shyness of one of the cats in the household, child decides not to mention that said cat has literally never met a human she didn't try to climb like a cat tree while headbutting them for attention, more at 11
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hii 📓
Okay so the thing is that I wanted a “the Zenin raised Megumi instead of Gojo” fic but the thing is that I’m absolutely convinced that if the Zenin were the ones that took Megumi they wouldn’t actually take tsumiki too. The fandom consensus I’ve personally seen has been that she would have been taken and mistreated by zenin for being a female non sorcerer but I personally think they would have just straight up left her behind.
They only bought Megumi. They keep non sorcerers and women as servants in their compound but all of them are Zenin themselves. Tsumiki isn’t related and I couldn’t really see any reason why they’d want her. Which turned this into a fic where Tsumiki loses her brother, but she’s trying to find him again, she swears. I think of it as my “siblings doomed by the narrative desperately try to write a new one where they can be together” fic.
The thing is that Tsumikis mom was one of those people who thought love and consumption were synonymous. She had a habit of getting caught up with assholes and just… having both of them chew on each other for a while until it turns into this horrible fucking bloodbath.
Tojis just another loser her mom got caught up in, but he’s Tsumiki’s favorite out of all the losers, because he gave her her brother. Her mom marries this random guy she barley knows and Tsumikis pretty sure she does it so they can both ditch their kids twice as much, secure in the knowledge that there’s supposedly another person checking in. It works out great for them, because they both stop coming entirely. It’s fine, because Tsumiki has Megumi and Megumi has Tsumiki and they don’t need anything else.
It’s one of those things where they were in really unhealthy circumstances and it made their relationship a little bit unhealthy but not necessarily bad. They both had to grow up way too fast and deal with way too much too soon and become codependent on each other because they are, in the most literal way possible, dependent on one another. Neither of them know how to love in a way that doesn’t involve sacrificing themselves for their sibling, mostly because they don’t have a way that doesn’t involve that.
They’re in a sinking ship and tsumiki knows it. Their parents aren’t coming back. The money is going to run out sooner or later. Their problems are stacking up.
Megumi has confessed to her that he sees things that no one else does. When she asks him how he knows no one else sees them, he explains that they’d say something if they did and won’t say anything else. And she doesn’t know what to believe but she refuses to call him crazy. He tells her that monsters cling to her back and he fights them off for her. She patches up his bruises and cuts and tells him he’s brave and tries to figure out if she’s just imagining that her back feels lighter after. He tells her that there are dogs that only he can see that have started following him around, and she tells him she believes him and can never remember, later, if she meant it or was just saying it.
The last time Toji came by, he left them more money than tsumikis ever seen in her life, took them to ice cream, told them that he was sorry he was so shit at this and that the money was Megumi’s share in a payment. It was for something he was going to help daddy with later. Tsumiki and him were to use it to take care of themselves and be healthy, because Megumi couldn’t help him later if he wasn’t. And tsumiki was always afraid of what he meant by that, but in the end, she let it slip her mind. After all, Toji hadn’t been by in ages. He probably wouldn’t come by at all.
And he didn’t. But others did. Two men she’s never met before are waiting outside their building one day, and when they see Megumi, they laugh. But the thing that Tsumiki can never get out of her mind later is that she swears they weren’t looking at Megumi directly. They were looking at his dogs.
Tsumiki basically tries to get Megumi and powerwalk past them, but they’re a lot bigger and a lot stronger and there’s nothing she can do, really. They have a brief conversation about whether they should take her too, before one decides that Toji only sold him his kid and to leave the other behind. This makes both of them try to run, but there’s nothing either of them can do to overpower the men, and the men say that “Naobito would go ballistic if they left the ten shadows behind” so they take Megumi and leave her.
They put Megumi in a car and shove Tsumiki to the curb outside of it, and she tried to hold onto his hand, she swears. She grabbed at the car door even when the car started moving, and she banged on the windows, and she watched as Megumi kicked and punched and screamed inside, until one of them hit him and he went still. She ends up falling and hitting her head when the car picks up speed, and when she wakes up again, the cars gone and she has no idea where it went.
And it becomes a foundational moment for who she is. I think she was just intensely lonely before Megumi and poured a lot of herself into this idea of a family together. Tsumikis never able to shake the moment of her being outside the car and Megumi being on the inside, and not being able to get into him. She can never again get what she felt in that moment out of her head.
She goes to the police and tells them that it’s her little brother, his dad sold him but she wants him back, and they’re like “…”. The issue is that apparently her mom can pick up the damn phone if the police call and she shows up, spins some lie about how her and the stepdad split up and he took the kid with him, they never adopted each others kids so it was within his rights, Tsumiki was taking the separation hard and acting out. She lies, basically, because toji hadn’t kept up his end of the deal and dropped in to check in (neither had she) and his kid wasn’t her responsibility, he could do what he wanted with him. She doesn’t want the police poking around the way she lives. Just let the kid go because he’s probably dead and not her real brother anyway.
Tsumiki refuses to give up on him. They were both kids who no one cared about but they cared about each other and that had to be enough. But she’s seven with no support and zero idea on how to find him. She starts skipping school to look for him in random streets, puts up flyers, can’t go outside without looking for him. She gets held back a year in school because of how much she skips and she can’t bring herself to care. She buys him gifts on every birthday and writes him letters she can’t post because she’s going to find her brother and she’s going to prove to him that she never once stopped looking for him. She just. She needs him to know that she never stopped looking for him. She needs to find him and be able to honestly tell him she never stopped trying.
One day her mom comes back in clothes she can’t afford and comes with movers they shouldn’t be able to afford and announces a move they definitely can’t afford. Tsumikis absolutely opposed to going because if her brother comes to look for her, she needs to be in their old apartment so he can find her. She doesn’t have much of a choice in the matter. They have mysterious new benefactors who are setting up a trust to take care of tsumiki with a very generous stipend for her mom but they have to move to Sendai as a stipulation of getting the money.
It’s not until the attorney who’s managing her trust hands her a set of glittery blue butterfly hairpins that tsumiki realizes her mom sold her brother a second time.
The thing is that tsumiki had this one cheap set of butterfly hairpins she’d always stopped to look at in the store when she took Megumi to go grocery shopping. Shed never buy them, because they couldn’t afford it, but it was the thing she wanted most openly in front of him. She was always secretly really insecure about her hair, because they were the kind of poor where bar soap was a luxury they could only sometimes afford and kids at school made fun of how her hair was dirty and frayed. Megumi was the only one who ever saw how badly she wanted those stupid hair clips. If they had to give her a set of butterfly hair clips, it’s because he demanded that they did.
It’s basically implied that the Zenin are the ones paying for her care and upkeep due to an unspecified deal they cut with Megumi, but when they approached her mom with it, they added the caveat that Tsumiki had to be moved to a new city entirely and there could be no forwarding address left anywhere.
The zenins stance on tsumiki is, effectively, that she’s a weakness Megumi needs to be weaned off of. They honestly assumed he’d just like, forget she ever existed and he. Did not do that. He actually pitched a total bitch fit. Tried to scale the compound walls. Bit multiple people including the clan leader. But he’s got the ten shadows, he’s heir to the clan, and he can’t be caught up on some random non sorcerer who isn’t even a Zenin. They end up agreeing to pay for her to live very comfortably if he starts cooperating more but they want to make sure that he can’t ever find her again if he does ever succeed in running away.
Tsumiki is at once full of hope and hopeless, because on one hand, the butterfly clips prove that Megumi still loves her and remembers her, at least in her mind. But at the same time, she’s being moved to Sendai and doesn’t know how they’ll ever find each other again. She doesn’t honestly know if they’d recognize each other if they saw each other again. She wears the butterfly clips every day, even when she gets too old for the style, because she’s more confident about her brother recognizing them than her.
The thing about tsumiki is that she doesn’t understand hate. She just doesn’t. Her mom and toji always got caught up in these perceived slights and revenge and never once let go of the past. They’d destroy themselves if it meant taking down the people they hated with them. She never wanted that. She wanted to live with the people she loved and she’d happily turn around and forget everything, all the pain, all the searching, if it just meant she could go back to being megumis sister.
This isn’t about hate. This is about that moment outside the car, where her brother was inside and she couldn’t get in to him. This is about how helpless and small she felt when they shoved her to the curb and ripped megumis hand out of hers. She needs to make sure that when she finds Megumi, she can take him home again. So she decides she needs to learn how to fight.
Itadori Yuuji has the constitution of an ox and the strength to match it, and he is known for getting in fights with bullies and trouncing them so thoroughly that it’s never a question of who wins when the fight starts. He’s insanely physically capable and can hold his own in a fight with ease. He’s also nice and kind and Tsumiki’s comfortable enough asking him to teach her how to throw a punch or two.
She is bad at it.
So fucking bad at it.
But she never gives up, and Itadori is nice enough to keep teaching her despite how embarrassingly horrible she is at it all. He always asks her why she wants to learn so bad, she doesn’t seem to like it all, and she never answers his question honestly.
In their last year of middle school, their class has a trip to Kyoto. She, Itadori, and the rest of their group walk into some random restaurant in the city and have barely sat down when someone comes inside, starts searching every booth in the restaurant while shouting Tsumikis name.
And oh. They could recognize each other after all.
She looked for Megumi in every crowd she was ever in, but she didn’t consider that he was doing the same. Or that he would see her first.
Her brother grew up without her seeing it. Hes older, dressed in strange, expensive clothes, has a slightly bruised up face and split lip, but his eyes are the same, and he looks like the brother she remembered.
But a lot more nervous than Megumi ever was. He was a tiny, stoic child who didn’t take any shit and never showed fear, even when there were monsters that only he could see. But he’s nervous when he tells her that she probably doesn’t recognize him or remember him, but when she was a lot younger, he—
Megumi. He’s her little brother. Of course she remembers him. She’s been looking for him everywhere.
Megumi didn’t smile much as a child, but he smiles at her then. He tells her he doesn’t have a lot of time and she tells him that they can leave out the back, and he never let her hold his hand as a child but he takes her hand so easily in that second. And just for a second, she’s his sister again, and it’s everything she wanted.
They never make it out the back.
Two men come in. Megumi calls one of them uncle, and he goes stiff and flat the second he sees him. His uncle apologizes for his nephew, tells everyone that he always makes scenes when they’re out in public, tells him to apologize to the nice people and leave. Megumi was mistaken.
Tsumiki tríes to keep ahold of his hand. Really, she does. She tries to tell people to call the police. But megumis “uncle” steps towards her and Megumi slams him into a table, and then suddenly Megumi’s the one insisting that they leave immediately. They can go. It’s fine. They’re leaving. She loses ahold of his hand.
She tries to follow, but the other man restrains her. She learns that she’s better at slamming plates into peoples heads than she is at punching, and at this point itadoris Friend In Danger Override has been triggered and he fucking tackles the dude, which gives tsumiki the clearing that she needs to chase outside after her brother. She gets out just in time to see him be pushed into a car, and she’s had years to think about the last time this happened and figure out what to do differently. She throws herself in front of the car and refuses to move.
See her entire stance is that she’ll sooner get run over and killed in the street than let them do this a second time, but she also can see Megumi trying to fucking punch the drivers head in from behind because he’s about to hit his sister. His uncles trying to restrain him, and just for a second, she sees his hands make the shape of the shadow puppets he used to show her as children. Something invisible slams her out of the way just as his uncle knocks him out.
She picks up a rock and tries to smash in the fucking window with it, and itadori has to pull her out of the way to keep her from getting her feet run over when the car finally tears out of the parking lot. She goes ballistic on him for stopping her because her brother was right there and she lost him again and she didn’t even get the license plate. He was right there.
The police basically do jack all again. There’s no license plate, no names they can follow up on, and they’re still half convinced this is a settled custody issue even though tsumiki insists her brother was sold by his dad and is very plainly getting hurt wherever he is. Itadori is now a devoted advocate of finding tsumikis brother and reuniting them, and both basically kind of end up becoming really close to the other? He’s taking care of himself and his grandpa alone, she’s alone while her moms awol again, and they both become the others support system.
At one point, there’s this random girl and boy who doesn’t speak who shows up to their school for indeterminate reasons. The girl is bored and twirling her glasses in one hand while the person in a suit that they’re with asks the principal questions, and when tsumikis eyes catch at the right angle, she sees an invisible monster clinging to a classmates back through them. She realizes it’s exactly what Megumi always talked about and still remembers that the people who took him could see his dogs. She corners the two others in a room and tries to demand information about the invisible monsters or see if they know her brother or the people who took him, and immediately gets blown off. The fight escalates until the girl tells him that actually, yeah. She knows tsumikis brother. He is a very special person to some very powerful people, and the only way she can ever help him is to tell him that she’s let go of him and that he needs to do the same to her. That’s the only message that the people who have him would ever let get through, and his life would get a lot better as soon as he got it.
The people who have him would give him anything in the world, except for her. He could be a lot happier and healthier than he is right now if he just agreed to stop trying to find tsumiki. If she really wants to help her brother, then she needs to let him go.
Tsumiki nails her in the back of the head with a milk carton when she tries to walk away. It sloshes out on her. Tsumiki did not intend this. She cannot admit that fact. There are some actions you just have to own when you do them. She tells the girl that he’s her brother and she’s never letting go of him. She’s going to find him. They can’t keep him from her forever. She doesn’t care how long it takes her.
For a second, tsumiki really thinks this girl is going to kick her ass, but she doesn’t. She wishes her luck and tells her she’ll need it, and it’s only later that tsumiki realizes she slipped the eyeglasses into her pocket.
And as it turns out, her brothers monsters were real all along.
There was a knife that toji left in the frame of his bed. Tsumiki confiscated it from Megumi as soon as he found it, and it was odd and strange and gave her bad feelings when she held it, and it can kill the things that gather on her back. When she follows Itadori to their local high school and joins the occult club in an attempt to find more people involved in this world of invisible monsters, she wears the eyeglasses and keeps the knife hidden in her bag.
It comes in handy when her senpais are trying to open this thing and suddenly there’s like a fucking portal opening and Actually Let’s Not Oh Too Late Let’s Run Let’s Fucking Run.
They run.
Meanwhile at the hospital Megumi found out in very quick succession that his sister has fucking sukunas finger and also that there’s a very over enthusiastic himbo who is the self appointed vice president of the Find Fushiguro Megumi And Bring Him Home Club who absolutely fucking refuses to leave his side. Sorry who are you. Why are you so enthusiastic about finding him. Megumi sort of was the one doing the finding there was a whole tracking situation and him waiting dramatically in the shadows like they just did it.
Anyway they run very very quickly to tsumikis school where she is dodging she is serpentining this is a fuckton of monsters oh holy fuck is that her brother?
The fight goes bad.
Tsumiki manages to follow itadori and her brother out at a much slower pace because she’s not a freak of nature like itadori and shows up just in time to see her brother shouting at itadori to not eat the fucking finger while itadori is absolutely trying to eat the fucking finger.
She chucks her shoe at him. The finger goes flying.
Then the monster eats it instead.
Tsumiki: :o
Yuuji: :o
Megumi: fuck
Now there’s a bigger monster and the fight goes even worse. There’s a lot of shouting. Itadori ends up with her knife. Then he ends up getting eaten and they’re down both a knife and itadori, who’s probably fucking dead. Then megumis insisting she run and she’s insisting he shut the fuck up because it’s sort of taken a decade to get this close to him again and she’s not fumbling the bag now because of a monster on the rampage. Have a sense of fucking priorities here.
Then itadori bursts out of the monsters stomach with the knife like the fucking Kool Aid Man and the fight is suddenly very over. Good job, team.
Gojo rolls up to his most stoic and eternally pissed off student having a dramatic and emotional reunion with his sister.
Yuuji, in a very bad whisper: no no so like she’s been looking for him for years but he saw her in the restaurant
Gojo: :o go on
Yuuji: and then he got caught by like, I don’t know, he said he was his uncle or something but the dude acted so weird and creepy and they put him in a car and Tsumiki tried to stop the car but they got away
Gojo: *gasp* what no
Yuuji: I know! Anyway then I start helping her look for him but we can’t find him anywhere until I’m at the hospital and he just walks up to me right?? And I’m like “dude I have been looking everywhere for you” and he’s like “I have no idea who you are, I’m here about that fucked up demon finger” and I’m like—
Megumi, really trying to have a moment here: we can both hear you
And megumis like “this is uh. My new teacher. I guess. I am his only student. And he is uh. Enthusiastic. Do not linger in conversation with him.”
Tsumiki is lingering. She needs fucking intel so he can’t disappear again. Where does he go to school and can she transfer there. It’s fucking wizard school? Will they take her even though she’s not a wizard? She cannot emphasize enough that she will study any fucking subject they want so that way she can be close with her brother again she does not care if it’s applicable to her education or life. She can throw things at people itadori tell the man tell him how enthusiastically she will throw things at monsters for their weird fucking wizard school.
Itadori: she hit me in the face with her shoe like five minutes ago
Tsumiki: see???
Megumi keeps trying to forbid her from wizard school but she’s technically the older sister so she has override rights. She will go to wizard school. How does she get wizard school to accept her.
And Gojos just really weird and off and keeps looking at Megumi and saying that he “didn’t know he had a sister.”
He really didn’t know that Megumi had a sister he wanted to stay with.
And then suddenly it’s like a switch is flipped and he’s back to his normal self telling them to leave everything to him, because he’ll make sure tsumiki can come back with them. And uh? Itadori? Weirdly physically capable kid who will apparently eat anything? Is he going to be good getting home after all this?
Itadori: actually if it’s not too much trouble can I go to wizard school too my grandpa sort of died half an hour ago and I don’t have plans for the rest of my life. Tsumikis kind of my best friend and I’d like to make sure she’s all good at wizard school. I’m a really good fighter and I stabbed the last monster so like can I come too because you know. Dead grandpa. No family or future to speak of. Haha.
Gojo:
Megumi:
Tsumiki, softly: dude
There’s more after they make it to jujutsu high but this is already really long so we leave it here
#ask games#jjk#jujutsu kaisen#continuing my streak of becoming obsessed with minor background characters#other highlights include itadori trying to platonically wingman for tsumiki with her brother (because it’s been like a decade and she knows#nothing about him and he knows nothing about her and she’s terrified he won’t like her once they get to know each other again) so that way#itadori can be the one asking the get to know you questions and tsumiki doesn’t have to admit out loud that she and her brother know nothing#about each other only the inherent problem is that her brother is actually unfairly pretty and has a sort of dry wit and is reserved but#when you get to know him he’s such a genuine dude and oh fuck oh no he’s in trouble this is his best friends long lost brother he has to be#violating some kind of code here. Kugisaki stop laughing at him this is a crisis.#gojo basically backed out of teenage fatherhood when he saw Megumi walking around with the divine dogs because it’s one thing to butt heads#with a major clan over an outcast member it’s another to do it for their most sacred technique#he thought that Megumi would be better taken care of than anyone else in the clan as the person with the ten shadows and that he’d probably#be better off than with an emotionally broken seventeen year old who works at least 28 days a month and has no idea how to raise a child#he never realized that Megumi had a sister he wanted to stay with who the Zenin separated him from#he tells himself he would have intervened if he had known because he’s been secretly worried and guilty about not taking in Megumi after all#since Maki showed up and said some worrying things about the clan heir and his standard of living and got the confirmation when he met#tsumiki and realized that he could have kept them together all those years ago and didnt. megumi and tsumiki kind of haunt him with lost#potential because not only could they have grown up a family but they could have grown up his family. megumi doesn’t know why satoru gojo#of all people is being so weirdly helpful and intense about about sponsoring tsumiki and keeping her close to him
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