#science experiment metaphor

[howdoesone]

How does one ask their new friend if they also feel like a science experiment gone right?

In today’s rapidly advancing world of reproductive technology, the concept of children conceived through sperm donation is no longer rare. Yet, despite the growing number of kids who share this unique origin story, the conversation surrounding it remains sensitive and often awkward. One particularly tricky scenario is asking a new friend, who might also be a sperm donor child, if they too feel…

[mmoosen]

Theo Raeken Appreciation Week 2023: August 15th - Interests

The Doctors never let Theo study nothing but his mission, except the books of anatomy and experimentation the Dread Doctors wrote for themselves. Scientific terms became Theo's poetry and any kind of curiosity and intrigue was solely wrapped in his own body. Every day researching to ask the question: Just what had he lost from losing his own heart?

[tothechaos]

i get to go to my first conference in october OwO its for museums and museum studies! ill be making a poster and (potentially? hopefully!) giving a presentation!!

[knowlimitations]

The Awakening Human Allegory:  The Cyclical Patterns We Bind To

The human life cycle, from birth to elderhood, is a microcosm for the journey towards self-awareness, individually, and collectively. At the explosive inception of the cosmos [Big Bang], his seed represents pleasure, generative power, initiation, creation, and order, setting the stage for life's unfolding narrative. Her womb represents creation and serves as a portal of life, receptive, nurturing and expansive, preparing the vessel for a soul, the process embodies the epitome of their shared love and sacrifice [Duality].

In infancy, we are pure, unconditioned souls, entirely dependent on the nurturing love of our caregivers for survival [Government]. We cannot fathom existing separately from our guardians as the ego or self is not yet developed, though gradually, through interaction and experimentation [Evolution/Science], perceptions of the world begin to take shape. In the toddler stage, we enter our path of self-awareness, gaining mobility and setting goals, yet often unaware of the complexities and dangers of the world [Advancing Technology]. Testing boundaries and encountering setbacks are inherent in this phase [War]. Progressing from toddlerhood to childhood, we gain knowledge about our surroundings and develop trust in our intuition. Contemplation of our existence begins [Philosophy], and we learn essential survival and social skills [Diplomacy]. Though heavily reliant on our parental support, we gradually cultivate independence and resilience [Establishments].

Transitioning into adolescence, hormonal changes and our slipping innocence introduces rebellion, as we strive for independence and identity [Revolution]. As adulthood approaches, we grapple with the complexities of self-awareness, navigating the balance between ignorance and enlightenment [Religion/Spirituality]. With sexual maturity comes contemplation of procreation and societal contribution [Population], which echoes our role as members of society, we navigate moral dilemmas [Law] and the pursuit of purpose. We become susceptible to external influences and can take its toll on our self-identity [Idolatry].

In our latest years, we slow down and reflect on our life journey [Meditation]. Profound self-awareness is attained, accompanied by an appreciation for simplicity, wisdom and honoring the inevitable mortality that cycles into eternity [Societal Collapse]. Despite the vessel slowly breaking down, elders hold the key to collective memory and insight, guiding humanity towards greater understanding, compassion and acceptance [Ancestral Wisdom].

Upon reflecting on this allegorical journey, it leads me to ponder my own level of self-awareness. I have come to realize that we possess many levels of awareness across varying dimensions of our experience.  As we each navigate our personal voyage of self-awareness, I can’t help but wonder whether we are collectively undergoing a similar process? Our individual progression through self-discovery may offer insight into the broader evolution of our species. After all, as we strive to understand ourselves better, we contribute to the collective growth and development of humanity. So, are we experiencing this awakening on both an individual and collective level simultaneously? It's an exciting contemplation on the interconnectedness of our personal and collective journeys towards expanded consciousness.

[arolesbianism]

Now I'm not saying I'm making a dst roleswap au. But I am saying that I thought of an idea for a sort of take of Walter as Wanda and it's making me spin him a bit in my mind

[icepixie]

Metaphors and symbolism made from the really deep cut details of a character's job/hobby/special interest, my beloved.

(...research, my beloved.)

[hsr-writing]

kinktober - day twenty - aphrodisiacs

dr ratio x reader, nsfw, minors dni.

"Just to be clear, are we doing this for fun, or is this an actual experiment you're working on," you ask lazily as you watch Ratio carefully measure the liquid aphrodisiac into two mugs of tea.

"Because if we're both taking it, notes are probably gonna be.... hard."

You leer at him as you make the pun, and he rolls his eyes hard. You can see the small smile tugging at his lips, though, so you're calling that a win.

"You'll drink it first, and I'll note the progress of how it effects you. If all goes well, I'll join you."

He's using his professor voice, that one that comes out whenever he meets someone who actually listens and enjoys it when he ends up info dumping. He's excited about this, and it's endearing as hell.

You slowly pad across the kitchen to where he stands, making sure he's not measuring anything before you lean against his back, wrapping your arms around his waist.

"You should record us," you tell him, smiling when you feel his movements stutter. "You know. For science."

He actually snorts, his voice deadpan as he snarks back. "Ah yes, for science. No other reason." He pauses, tilting his head slightly as he watches the mugs for some kind of reaction. "It's a good idea. Go set it up."

You grin, perking up at the approval despite yourself. Time to go find that fancy camera you bought on Penacony.

------

It burns.

You thought, because of it's nature as an aphrodisiac, it would start slow. Maybe creep into a heat. But this? Fuck. It's like standing too close to a fire, like skin raw and blistering, like breathing being hard because of the heat.

There's a hand on your back, blessedly cool, and then Veritas is lifting your head up with a hand under your chin. You make a helpless, pained sound as you lean into him, into the cold. Everything hurts, until it doesn't.

All at once, the heat and pain vanishes, leaving you a panting mess in Ratio's arms. He pushes your sweaty hair out of your eyes, checking yours with visible concern.

"Zero out of ten, can't recommend so far," you rasp, trailing off into a small giggle. Ratio rolls his eyes, but you can feel the way his body finally relaxes. For a man who wears masks (the literal plaster head, the metaphorical professor) he wears his emotions on his sleeve. Relief pours off of him, and you bask in it.

"You were in pain," he states, his brows furrowed as he examines you. "That... was not supposed to happen."

You laugh, falling forward and resting your forehead against his shoulder. He lets you rest, wrapping one arm around you while he uses his free hand to write. Such a nerd. You adore him.

You're starting to feel warm again, but it's a good warm. Napping in the sun and listening to Veritas record lectures, indulging in hot chocolate on a cold day, a purring cat sleeping in your arms.

You barely notice that you've pressed your face against his neck, inhaling his scent and absently rocking your hips. You feel him pause, then his fingers are in your hair and you melt.

"Seem like it worked after all," he murmurs, pulling you fully into his lap. You shudder at the touch, sighing softly at the pleasant tingles it sends up your spine. His hand is on your cheek again, pulling your head up to let him examine you with a small frown.

You pout at his frown, clumsily leaning up to kiss him. He huffs a little at being interrupted but kisses back all the same. His hand slides into your hair and you shudder again. Your cheeks are flushed hot and you squirm in his lap until you can straddle him.

"This is an abnormal reaction," he murmurs against your jaw, his hands settling on your hips. You give him a lazy hum in acknowledgement, nuzzling into his neck.

"How d'you know?" You mumble, distracted by mouthing at his skin. He huffs again, tugging gently at your hair.

"...I read the test notes," he admits. Then, after a beat, "...And the reviews."

You laugh as you wrap your arms around his neck, pulling back so you can kiss him. He hums into the kiss, making you smile and catch his lip between your teeth as you pull away.

"My tongue kinda tingles, so maybe an allergic reaction," you offer, and he reaches over to his notebook to make a note of that. "Are you gonna drink yours?"

"Maybe," he hums, experimentally grinding his hips up against yours and raising an eyebrow when you squeak and melt. He slips his hands under your shirt and you gasp at the sensitivity of your skin.

His eyes glint with interest, his hands wandering up to thumb over your nipples, and you jolt in his lap with a needy moan. You both pause, processing the reaction, and then Ratio's gaze turns hungry.

------

You can't think.

You sob as Ratio circles your clit mercilessly, working you quickly towards yet another orgasm. You've lost count of how many it's been, the pleasure blending together.

Behind you, Ratio grunts as he ruts into you, long having taken his portion of the aphrodisiac. Your elbows gave out what feels like ages ago, your face presses into the sheets as your boyfriend holds up your hips.

You're nearly dizzy with how flushed you feel, your face so hot it burns, your grip on the sheets weak. All you can do is moan and whimper, sobbing Ratio's name as he forces another orgasm from you.

Cum drips down your thighs, his and yours mixing into a lewd mess, and your pussy is sore and swollen, but you can't stop. You need it, need more. You don't know how many times he's come inside you, thoughts of your birth control far away, all you can think of being how your boyfriend is breeding you.

Your eyes flutter, and then you're waking up on your back, Ratio mouthing at your neck, licking and biting marks where everyone can see them. He's not moving inside you, his cock so deep inside you that you could swear you feel him in your cervix.

You whine wordlessly, turning your head to silently beg for a kiss. Ratio meets you halfway there, practically devouring you between moans. His fingers find your clit again and your vision goes black as your eyes roll.

You wake up lying on your side, Ratio curled around you from behind. His face is pressed against your neck, just breathing in your scent, as he slowly rocks into you. You whine weakly, a wave of pleasure washing over you and sending your eyes fluttering shut.

When you wake up again, your body hurts. You're sore all over, but you're clean, and the sheets you're laying in are clean too. Veritas lays next to you in the bed, just far enough to give you space, writing in a notebook.

He's nude, and absolutely covered in marks. You imagine you don't look much better, though, and when you glance down under the sheets your thighs are covered in bites and finger shaped bruises. It's satisfying as hell, and you can't help but preen a little.

Veritas looks over and you give him a tired smile. He tilts his head and you reach out, making a grabby hand and feeling victorious as he laughs and moves over to kiss you.

"So," you begin, relaxing into the sheets. "I'm not sure about taking it myself again, but as far as allergic reactions go, this one was pretty fun."

Veritas laughs, dropping on top of you and laying there like a weighted blanket. After a moment or two, he murmurs, "I don't want to see you in pain again, but... I'd take it myself, again."

You hum, pleased, and reach up to run your fingers through his hair.

"Next time, then."

[high-priestess-house]

𝖀𝖓𝖉𝖊𝖗𝖘𝖙𝖆𝖓𝖉𝖎𝖓𝖌 & 𝖀𝖘𝖎𝖓𝖌 𝕸𝖆𝖌𝖎𝖈𝖆𝖑 𝕮𝖔𝖗𝖗𝖊𝖘𝖕𝖔𝖓𝖉𝖊𝖓𝖈𝖊𝖘

Witchcraft magical correspondences refer to the associations made between various objects, substances, times, and events with specific magical effects or purposes. These correspondences have deep historical roots and derive from a blend of multiple sources, including ancient alchemy, early science, cultural symbolism, religious beliefs, and intentionality.

Ancient Alchemy

Alchemy, the precursor to modern chemistry, played a significant role in shaping magical correspondences. Alchemists sought to understand the mysteries of matter and the transformation of substances, often imbuing their experiments with spiritual and mystical significance. For example, the seven classical planets (Sun, Moon, Mercury, Venus, Mars, Jupiter, and Saturn) were associated with specific metals (gold, silver, mercury, copper, iron, tin, and lead, respectively). These associations were believed to reflect the planets’ influences on earthly matters and human affairs. Alchemical texts also explored the relationships between colors, elements, and spiritual principles, influencing the development of magical correspondences in witchcraft.

Ancient alchemy holds a significant place in the history of science, philosophy, and mystical traditions, influencing various fields and practices, including witchcraft. The importance of ancient alchemy can be understood through its contributions to the development of modern science, its philosophical and spiritual dimensions, and its enduring influence on magical and esoteric traditions.

The Great Work (Magnum Opus): Central to alchemy is the concept of the Great Work, which symbolizes the alchemist’s quest for spiritual and material transformation. This process involves the purification and perfection of substances, often mirroring the alchemist’s inner spiritual journey toward enlightenment and self-realization.

Symbolism and Allegory: Alchemical texts are rich in symbolism and allegory, using metaphors to convey complex philosophical and spiritual concepts. Symbols such as the philosopher’s stone, the ouroboros (a serpent eating its own tail), and the four elements (earth, air, fire, water) encapsulate profound ideas about the nature of reality, transformation, and the interconnectedness of all things.

Hermetic Tradition: Alchemy is closely associated with Hermeticism, a philosophical and spiritual tradition based on the writings attributed to Hermes Trismegistus. Hermetic principles, such as “As above, so below” and the unity of opposites, permeate alchemical thought and emphasize the correspondence between the macrocosm (the universe) and the microcosm (the individual).

Magical Correspondences: Alchemical principles and symbols have been integrated into various magical and esoteric traditions. The associations between planets, metals, and elements in alchemy have become foundational correspondences in many forms of magic and witchcraft.

Transmutation and Transformation: The alchemical goal of transmutation, particularly the transformation of base metals into gold, has a symbolic counterpart in magical practices. This idea of transformation is applied to personal growth, healing, and the manifestation of desires through magical means.

Ritual and Practice: Alchemical rituals, with their focus on purification, transformation, and the attainment of higher states of being, have influenced the structure and content of magical rituals. The use of specific substances, tools, and processes in alchemy has parallels in magical workings, emphasizing the transformation of both the practitioner and the environment.

Alchemy in the Renaissance: During the Renaissance, alchemy experienced a revival as scholars and practitioners sought to integrate ancient wisdom with emerging scientific knowledge. Figures like Paracelsus and John Dee contributed to the development of alchemical thought, blending it with medicine, astrology, and early chemistry.

Psychological Alchemy: In the 20th century, Carl Jung, a prominent psychologist, explored alchemy as a metaphor for psychological processes. Jung’s interpretation of alchemical symbolism as representing the individuation process—the integration of the conscious and unconscious mind—brought new insights into the relevance of alchemy for personal development and psychotherapy.

Contemporary Practice: Today, alchemy continues to inspire both scientific inquiry and spiritual exploration. Modern alchemists, both literal and symbolic, seek to uncover the hidden principles of transformation in nature and the self. The enduring appeal of alchemy lies in its holistic approach, integrating material, psychological, and spiritual dimensions of existence.

Early Science and Natural Philosophy

Early scientific observations and natural philosophy also contributed to the development of magical correspondences. Ancient and medieval scholars often categorized the natural world into elements (earth, air, fire, and water) and humors (blood, phlegm, yellow bile, and black bile), each with specific qualities and effects. These classifications were used to explain natural phenomena and human health, and they found their way into magical practices. For instance, herbs and stones were categorized based on their perceived elemental qualities, and their uses in magic were aligned with these characteristics.

Cultural Symbolism and Mythology

Cultural symbolism and mythology provided another rich source of correspondences. Different cultures imbued animals, plants, colors, and objects with symbolic meanings based on their myths, legends, and folklore. For instance, the oak tree was sacred to many ancient European cultures and associated with strength and protection, while the owl, often seen as a symbol of wisdom in Greek mythology, became associated with knowledge and divination in magical practices. These symbolic associations were passed down through generations and integrated into the magical correspondences of witchcraft.

Religious Beliefs and Practices

Religious beliefs and practices also shaped magical correspondences. Many magical traditions borrowed from the rituals and symbols of dominant religious practices in their regions. In Western Europe, for instance, Christian symbols and saints were often syncretized with older pagan deities and symbols. The use of incense, candles, and specific prayers or chants in magic often mirrors religious rituals, emphasizing the importance of intentionality and spiritual alignment in magical workings.

Intentionality and Personal Experience

The role of intention and personal experience cannot be overlooked in the development of magical correspondences. Practitioners of witchcraft often develop their own associations based on personal experiences, intuition, and the results of their magical workings. This process of individual experimentation and reflection allows for a dynamic and evolving system of correspondences that can vary between different traditions and practitioners. The intention behind the use of a correspondence is believed to be a critical factor in its effectiveness, highlighting the importance of the practitioner’s focus and purpose.

Synthesis and Evolution

Over time, these diverse influences have synthesized into the rich tapestry of magical correspondences used in witchcraft today. Texts such as the “Key of Solomon,” “The Picatrix,” and various grimoires have codified many of these correspondences, while modern practitioners continue to adapt and expand them based on contemporary understanding and practice. The integration of psychological insights, ecological awareness, and cross-cultural exchanges in the modern era further enriches the system of correspondences, making it a living and evolving aspect of witchcraft.

No single person or group decided these correspondences; rather, they evolved organically through the accumulated wisdom and practices of different cultures. Here are some key influences and sources:

Ancient Civilizations

Egyptians: Ancient Egyptian priests and magicians developed extensive knowledge of correspondences. They believed that everything in nature was interconnected and that specific plants, stones, and symbols held particular powers. Their practices were recorded in texts like the Ebers Papyrus and various temple inscriptions.

Greeks and Romans: The Greeks and Romans contributed significantly to the development of correspondences, particularly through the work of philosophers and physicians like Hippocrates, Theophrastus, and Pliny the Elder. Their writings on herbalism, astrology, and natural philosophy helped establish connections between natural elements and their supposed properties.

Celts: The Druids of the Celtic world had a deep understanding of nature and used various plants, trees, and natural phenomena in their spiritual and magical practices. Their knowledge was passed down orally and later recorded by Christian monks.

Medieval and Renaissance Europe

Medieval Herbalists and Alchemists: During the Middle Ages, herbalists and alchemists in Europe studied ancient texts and conducted their own experiments. They documented the properties of plants, minerals, and metals in texts like the “Materia Medica” and various grimoires. Alchemical traditions, which sought to transform base materials into higher forms, also contributed to the understanding of correspondences.

Astrology: Medieval and Renaissance astrologers played a significant role in establishing correspondences, particularly through the association of planets with specific days of the week, metals, and plants. The writings of figures like Ptolemy and later Renaissance magicians like Cornelius Agrippa and Paracelsus were influential in this regard.

Eastern Traditions

Chinese Medicine and Taoism: Traditional Chinese medicine and Taoist practices developed a system of correspondences based on the Five Elements (Wood, Fire, Earth, Metal, Water). These elements were connected to various aspects of life, including organs, emotions, seasons, and directions. The “Huangdi Neijing,” an ancient Chinese medical text, is a key source of this knowledge.

Indian Ayurveda and Hinduism: Ayurvedic medicine and Hindu spiritual practices established correspondences between herbs, gems, times of day, and deities. Texts like the “Atharva Veda” and various Ayurvedic treatises documented these associations.

Modern Influences

Grimoires and Occult Literature: From the Renaissance onward, numerous grimoires (books of magic) compiled and expanded upon earlier correspondences. Notable examples include the “Key of Solomon,” “The Lesser Key of Solomon,” and “The Picatrix.” These texts were influential in shaping modern Western magical practices.

The Golden Dawn and Modern Witchcraft: In the late 19th and early 20th centuries, the Hermetic Order of the Golden Dawn and similar occult organizations synthesized various magical traditions, creating detailed systems of correspondences. Influential figures like Aleister Crowley and Dion Fortune contributed to this synthesis. In the mid-20th century, Gerald Gardner and others who founded modern Wicca drew upon these traditions, further popularizing and systematizing magical correspondences.

Conclusion

Magical correspondences are the result of centuries of observation, experimentation, and synthesis by various cultures and traditions. They were not decided by any single individual or group but evolved over time through the collective wisdom of countless practitioners. Today, they continue to be an essential part of many magical and spiritual practices, providing a framework for understanding and working with the interconnectedness of the natural and spiritual worlds.

[therainscene]

It’s blink-and-you’ll-miss-it, but the Alan Turing poster really tells us so much about Will that I consider it to be a significant piece of foreshadowing for S5.

First, let’s dissuade ourselves of the notion that Will chose Turing for his hero project for nerd reasons -- Will’s preferred flavour of nerdery is escapist fantasy, not computer science. He doesn’t know what an IP address is and the first thing he thinks of when he hears modem noises is a movie he likes.

No, he chose Turing because he admires him for being a gay man who accomplished so much in his short life.

On one hand, that’s pretty heart-warming -- the fact he’s willing to identify with other gay men and look up to them as role models shows us he’s making good progress in accepting his identity. On the other hand, it’s heart-breaking, because Turing’s story is not a happy one -- he was caught having a sexual relationship with a man and forced to choose between jail or chemical castration. He chose castration.

I remind you: Will identifies with this guy.

Will is growing up under the twin specters of AIDS and homophobia and likely assumes he’s destined to die young too. He’s been abused and bullied so much, I imagine he’s heard and internalized it all: that he deserves to die, that he’s disgusting, that he’ll never be fulfilled in life.

So when puberty begins crawling its way inside him and implants those shameful desires that make gay men so worthy of abuse... he chooses castration.

For all the sad pining he does in S4, we never really see Will express desire for Mike -- he never checks him out or shows signs of nervousness when they touch. He behaves with perfect platonic decorum at all times...

...unless we consider That One Scene With The Hose.

Sexual interpretations of this scene are controversial, and I can understand why; we’re so used to seeing Will as this innocent, immature little boy that it's shocking to catch him fantasizing so lustfully, even though these sorts of thoughts are pretty normal for a 15 year-old. But I think that’s the point. We’re supposed to feel uncomfortable about this, because Will feels uncomfortable about it too.

He’s done well in accepting his identity, but he’s an absolute repressed mess when it comes to accepting his sexuality.

So, that’s what the Turing poster tells us about Will. Here’s where the foreshadowing comes in: Will is not the only queer-coded character to have been metaphorically castrated.

Henry’s experience bears striking similarities to Turing’s: he too was caught engaging in a natural but forbidden behaviour and forced by his government to undergo a medical procedure to suppress that behaviour.

His villain speech to El in 4x07, which is ostensibly about his powers, also reads very strongly as a scathing criticism of heteronormativity, and it’s covered in rainbow motifs.

The metaphor here is obvious: Henry’s powers are a manifestation of his homosexuality.

Which implies that Will’s homosexuality can also manifest as powers. They’re repressed because he’s repressed.

It’s not a coincidence that the sexual tension was through the fucking roof in the infamous sauna scene. Every time Will’s supernatural ability to sense the Mind Flayer triggers in S3, Mike is also nearby.

What’s interesting about Mike is that his queer acceptance issues mirror Will’s: Mike has a healthy relationship with his sexuality (he casually checks guys out and plasters his bedroom walls with posters of buff dudes) but he just can’t bring himself to accept what this implies about his identity.

Always with the symmetry, these two. They complement each other perfectly; one’s hang-up is the other’s strength. They have a lot to teach each other about being queer.

And as repressed as they are, I think they want to learn from each other -- Will lets himself get flustered when Mike flirts with him in his bedroom, and Mike hangs on to every word of wisdom Will shares with him in their heart-to-hearts.

Internalized homophobia is a powerful force, but their bond is so strong that it empowers them to fight back.

Henry’s powers symbolize his anger at being mistreated and his desire to take that anger out on the world... but Will’s powers symbolize self-acceptance and love.

So he isn’t just going to defeat Vecna with his powers, and he isn’t just going to get the boy: these two things are one and the same.

[inbarfink]

There’s just something about the fact that Zim reads as So Autistic. Like, both in the sense that it’s easy to map his experiences as an alien secretly living on earth to Autistic experiences:

A lack of understanding of social cues and conventions

The Anxieties of feeling like you have to fit in some arbitrary social standards or Something Bad will happen

Unusual sensory sensitivities

Pickiness about food

General alienation

Even the whole ‘fully grown alien disguised as a human child but he’s so immature he basically acts like a child’ shtick can really resonate with a sort of Growing Up Autistic Feeling of… being both far too mature and childish for your age at the same time.

And also in the sense that even in the context of comparing him to other Irkens...

He has problems with volume control

And possibly audio processing

And definitely with emotional regulation

And is extremely impulsive 

And uses very unusual wordings and turn-of-phrases 

And experiences sensory overloads.

And these aren't even Alien Things. That's just Zim being Zim. So he can be read as a metaphor for being Autistic and also as just having the Irken Equivalent of Autism

AND ALSO

His human arch-enemy Dib also has SO MUCH AUTISM VIBES

Like being single-mindedly obsessed with a special interest from a young age

(The part where his interests alienate him from his peers at school and he only finds companionship with an assortment of fellow weirdos of various ages he met online is something I find especially relatable for my own experiences)

Also having problems with reading social cues 

And a tendency to rant and info-dump

AND ALSO ALSO 

There’s also Gaz

Who is ALSO single-mindedly obsessed with a singular subject

And it’s something that always gives her something to do with her hands

And avoid eye-contact 

Which she generally prefers to avoid

And also seems to dislike any sort of physical touch

And either expresses her emotions in a way that is terribly understated or overstated

And it could also apply to their dad too, who’s been obsessed with science stuff from a young age

And also doesn’t seem to do so well with social interactions

Outside of just, like, me looking back at my Autistic-but-unaware-of-it middle-school ass imprinting on this show and being like “oh yeah, That Makes Sense” - it’s also kinda darkly hilarious how this show is basically about two autistic boys who just fucking hate each other to death (plus one of the boys' extremely autistic and extremely dysfunctional family). I mean, in the real world Autistic Solidarity is so incredibly important, obviously. But Invader Zim, a show that was everything to me as a lil autistic teenager is all about that sweet sweet Autistic Hostility.

[howdoesone]

How does one casually bring up their dad's donor number at a sleepover?

Sleepovers are a rite of passage for many children and teens. They offer a unique opportunity to bond with friends, share stories, and create lasting memories. However, for children conceived through sperm donation, the question of how to discuss their unique origins can be a bit tricky, especially in a casual setting like a sleepover. One particularly delicate topic is how to bring up their…

[adragonsfriend]

There are no trash takes on Jedi philosophy, there is contextual analysis.

As may be obvious from the title (humorous--I have gone through several common misinterpretations myself), this is about that infamous scrap of poetry,

There is no emotion, there is peace. There is no ignorance, there is knowledge. There is no passion, there is serenity. There is no chaos, there is harmony. There is no death, there is the Force.

And the other version,

Emotion, yet peace. Ignorance, yet knowledge. Passion, yet serenity. Chaos, yet harmony. Death, yet the Force.

I've seen quite a few interpretations of these along the lines of "the second version is reasonable but the first version is crazy and stupid," so here's why I think both versions are actually communicating the same idea, and the wording doesn't really change the meaning much at all.

So just like I did in my post about "do or do not there is not try," let's start by asking some questions to establish context before we look at the text itself.

Is it THE Jedi Code or just a mantra? Legends says it's the Code, canon says it's a mantra. The fact of the matter is that no matter what, it's really a scrap of poetry which couldn't encompass the entire philosophical basis of a culture even if it was trying, so we'll consider it a mantra.

Does the fact that it's a mantra rather than THE Jedi Code mean that we can't get anything deep or meaningful out of it? Of course not. Just because it's not the whole of or a full explanation of Jedi philosophy doesn't mean it's just a nice sounding string of words.

Who is saying this to who? This mantra is often used to focus a meditation, with the first phrasing used by adults in the culture, while the second phrasing is more often used by children.

What were George Lucas' inspirations for Jedi culture that relate to this mantra? (borrowing from this post) A combination of christianity, buddhism, and his interpretations. I'm not an expert in any religion, and definitely not in buddhism, but I know enough to know I'm about to make some sweeping generalizations, so take this with a grain of salt. Disclaimers aside, this mantra, and the way it is phrased, indicate it is being inspired more by buddhism. The way christian texts, specifically the Bible, are written typically goes "here is a story about people doing something, and here is how big G god and/or Jesus reacted." There are metaphors sprinkled in, but they are mainly there to clarify for readers. Buddhist texts on the other hand (and lots of other eastern belief systems as well, like daoism, hinduism, etc. It's an important note that these belief systems don't necessarily conform to the western idea of what a religion is, and often their original languages don't even have a word which is equivalent in meaning to "religion") use metaphor in often deliberately contradictory ways, to make the reader think about things which are difficult to express in words alone. The ongoing struggle to reconcile contradictory descriptions is the point. This doesn't mean those texts can be interpreted however a reader would like. There may be multiple right interpretations, but there can also be wrong interpretations.

What the mantra does NOT mean:

"There is no ___ …" =/= "The experience of ___ is fake news."

"There is no ___ …" =/= "___ is not a useful concept."

"There is no ___ …" =/= "We should totally ignore ___ and pretend we've never heard that word before."

The mantra is not realy a set of advice on how to act. It's a set of statements about Existance. And I do mean capital E, philosophical, epistemological, weird, deep, think-y, Existence.

Temperature Metaphor

You know the first time someone tells you as a kid that cold isn't real, it's just the absence of heat and you're like… "but I'm touching something right now and it feels cold???" It sounds wild the first time you hear it, but as you think about it more, maybe learn about it a second time in science class, get some more context about how molecules work, etc. it begins to make more sense. It gets easier to grasp, until eventually the knowledge feels intuitive--especially if you're a STEM person who thinks about it a lot. We still talk about cold as a concept, because it's useful to us as well--lack of heat can have damaging effects on our bodies after all, and a cold drink is great on a hot day--and it's more efficient to say "cold" than it is to say "lack of heat." But there are some situations, like developing refrigeration or air conditioning, where it is not just useful but essential to think of temperature as it really is--heat exists, cold doesn't--and thinking of it colloquially can only hold us back (if this isn't actually intuitive to you, that's fine, it's just a metaphor--you could also think about dark being the absence of light, vacuum being the absence of mass, any number of things mirror this).

Probably the easiest like to get one's head around, imo at least, is "there is no ignorance, there is knowledge."

Taken hyper-literally it would mean "why seek out knowledge ever when everyone already knows everything?" But if we say knowledge is to heat as ignorance is to cold, then we can understand the real meaning--knowledge is real, where ignorance is only the name of an experience.

The Whole Mantra

This is the way the Jedi are understanding of emotion, ignorance, passion, chaos, death, etc. They are introduced, as children, to the idea that whilst they may feel all of these things, what they are actually experiencing is the lack of the other things--peace, knowledge, serenity, harmony, the Force. That's why they start with the "___ yet ___" phrasing--it introduces them to the first steps of understanding:

They can feel emotions, yet peace is still real and out there to reach for no matter how overwhelming those emotions may be at the moment,

They can feel ignorant or unknowledgeable, yet knowledge is out there to find,

They can experience passion (meaning suffering or pain in this context), yet know that serenity will return to them,

They can find their surroundings chaotic, and yet look for the harmony in the noise,

They can understand that death happens, yet be comforted by the fact that the person dying is still as much a part of the Force as they ever were.

Eventually they move onto the full mantra:

They will always feel emotions, but if they always reckon with those emotions and pass through them they can always return to a place of peace,

If they feel ignorant, they must seek out knowledge, rather than acting rashly. Also, their own knowledge is not the limit--others may hold knowledge in places they consider clouded,

They may experience suffering and pain--it may even feel like a good thing--but there is no wisdom in pain, it is the distraction from serenity, which is where truth can be found,

No matter how chaotic the world appears, it is actually a part of an underlying harmony that makes up all the patterns and the beauty in the world,

Death is not an ending, no matter how much it may look like one. It is a natural transition back into the Force, the place all life comes from.

A Jedi youngling is someone for whom this understanding is an essential part of the culture they are being brought up in.

A Jedi Padawan is someone who is beginning to learn to apply this understanding outside the confines of the Jedi temple, in a world where not everyone shares it.

A Jedi Knight is someone who has learned to apply this understanding on their own, without supervision.

A Jedi Master is someone for whom this understanding has become intuitive and automatic, no matter their surroundings.

All this is to say,

[vixen-tech]

Hi, hi, hii!! Here's a silly little idea I had: headcanons about the AIs developing feelings for someone. What do you think would initially make them feel attraction? Is there a particular trait that makes them-- metaphorically --fall head over heels? What makes them have the realization that their affections are suddenly less than platonic? How subtle or not subtle are they about their feelings? Would they be the type to immediately blurt out these new feelings, or are they the type to never address them?

You don't have to answer all of these questions; I just thought they'd be helpful. AaAA I love your writing so much, especially how you write for AM. Okay, I'll shut up nowwwww

Okay I'm absolutely gonna have to revist this some point down the line because there is so much I could stretch into a full headcanon post. But for now I'm gonna bite into first two questions: Why is it you they fall for? What caught their eye?

To be barred from AM's hatred, you're ultimately going to have to prove him wrong about humanity in some way. Setting yourself apart from the other human survivors and extending compassion to the mastercomputer himself. In particular I really like how rotten-raspberries's White Nights handles the entry point of your relationship and it's the model I like to hint at in my interpretation of him.

I believe Hal would be interested in a old soul type. Someone who would love to sit down and really explain their more philosophical views on life and art. He likes looking at the drawings the crew makes and was taught to sing early into his creation and I think he would find a deep appreciation for someone who indulges that side of him when the others do so on only the most surface level.

I could make the easy observation with Edgar and say he just wants someone like Madeline, but there's a reason it's so true. Being so new to the world he would find such passion and artistry amazing, astonishing. He loves so easily and is so energetic about life, he would easily be swept off his feet by a kindred spirit.

Tau would be very similar I imagine. Given the temperament of his creator he needs someone to kindly sit him down and give him the "welcome to personhood 101" speech. Compared to Edgar I think he'd prefer someone a bit gentler or even scholarly. The type who would not only be content to answer his billions of questions but someone so invested themselves in figuring out how the world works.

As a bit of a departure from what I tend to write, I believe P03 would be suited for more of a rivals with romantic tension type of partner. With his world domination plot and investment in the game of Inscryption it would be very possible for him to get in his head about someone as equally skilled and stuck up as he is. Loving the challenge but hating you at the same time in a "I'm the only one allowed to defeat you" type way.

The hardest to crack is probably Auto. In order for him to even look your way I think you'd have to at first play to his need for efficiency and order. It's only after you establish yourself as a dependable and effective worker that he would pay any mind to your insistence that surely there's something that he truly enjoys, something that he wants.

Glados is another hard one to win over. Being all "married to science" you would have to be of a particular intellectual caliber, able to solve her tests without much set back. Beyond that though, some amount of persistence or rebellion would catch her eye. Perhaps not on the level of Chell per say, but there is a part of her that would love to pick your brain if you're able to consistently break her test chambers.

Although it's a bit sad, Wheatley wants nothing more than to be important. He would probably be the easiest to woo just because he's so desperate to prove himself to anyone including himself. For someone to care about him, to think he is skilled in any way, to look at him as worthy- worthy of love and attention, would be a blissful and new experience. One that he'd quickly obsess over.

[rottenpumpkin13]

Out Of Context Things Director Lazard Has Seen On The SOLDIER Floor #2

• Genesis carrying around a mop, talking and laughing with it as if they're friends.

• Sephiroth doing a cartwheel mid-walk.

• Zack in the men's room, applying clown makeup while sobbing.

• Kunsel carrying a box of random items and yelling "STOLEN ITEMS FROM RUFUS SHINRA. GET YOUR STOLEN ITEMS FROM RUFUS SHINRA" and Sephiroth approaching him with a 20 gil.

• Sephiroth and Angeal fighting over a pineapple, trying to pull it from each other's hands.

• Angeal and Genesis crouched down behind the couch in the break room, eating a cheesecake away from Sephiroth.

• Zack playing chess with Dark Star, claiming "Damn it! How are you so good at this?" while actively losing.

• Sephiroth with half his hair stuck in the elevator, calmly sipping his coffee with a sign that says "this is my punishment" around his neck.

• Angeal and Sephiroth cooing over an exotic plant in a baby stroller.

• Angeal trying to coordinate a group photo of Sephiroth, Genesis, Zack and Cloud. There was a lot of screaming, arguing and "WHERE ARE WE FUCKING LOOKING?" from Genesis because Angeal had 4 different cameras set up.

• Genesis in a lab coat conducting a science experiment to see if Sephiroth feels threatened by said lab coat. Upon seeing Genesis, Sephiroth reflexively broke his knee.

• Sephiroth taking a nap in the middle of the hallway, complete with an eye mask, pillow and sound machine. People were stepping around him.

• Genesis and Angeal carrying a kayak towards the stairwell.

• Angeal carrying Genesis with a broken leg back from the stairwell 20 minutes later.

• Cloud narrating everything Sephiroth does. "Sephiroth is now opening the door to the training facility. Sephiroth has paused. Sephiroth is now looking at me confused, which could easily be confused for his thinking about lunch face."

• Zack, blowing on a whistle, instructing a squats class.

• Zack and Cloud, both blindfolded, walking with their arms linked. They ran into a revolving door. and caused a metaphorical traffic jam inside it that ended with claustrophobic Sephiroth breaking the glass to free himself.

• The following conversation that piqued Lazard's interested greatly:

Zack: Would you like a smoke?

Cloud: Of course.

*Zack pulls out a tin of smoked ham*

• Sephiroth, Genesis, Angeal and Zack holding a Séance in the middle of the day in the break room. They refused to say which entity they were communicating with.

• Sephiroth, Genesis, Angeal and Zack running out of the break room screaming 20 minutes later.

• During a blackout, when Genesis was seen carrying around a candelabra like it's the 1700s and reciting an old version of Loveless. Someone threw the candelabra out the 49th floor window 10 minutes later and told him to put a sock in it.

• Zack stuck in the vending machine, calmly eating the snacks while Angeal, Sephiroth and Genesis argue over how to get him out.

• Genesis running after a copy of Loveless on a string. Sephiroth is behind a corner pulling the string.

• Sephiroth and Genesis, in The Calm Down Box™ playing Uno, screaming at each other, defeating the purpose of The Calm Down Box™

• Angeal and Genesis dragging Sephiroth (unconscious) out of a meeting. When asked if he was okay, they responded with "we had him fake a fainting spell to get out of the meeting." Sephiroth (still "unconscious") responded with a thumbs up.

• Angeal in The Calm Down Box™ with a taser, harassing anyone who came near him with it.

• Zack and the other Seconds using a prop skeleton dressed as Genesis as a practice dummy.

• The same skeleton sitting in in Genesis' office while a recording of Genesis reciting Loveless plays on loop.

• A tonberry dressed as Sephiroth walking around, terrorizing the operatives.

• Genesis in The Calm Down Box™ playing the flute and sobbing.

• Angeal playing the guitar and singing a happy campfire song while Sephiroth and Genesis were on the ground, fist fighting.

• Genesis, Sephiroth and Angeal dressed as knights while Zack and Cloud manned a single horse costume. When asked what was happening, they replied with "It's the apocalypse, but due to inflation we could only afford three horsemen and one horse."

• Zack sitting in The Calm Down Box™ except he placed it stop a skateboard and was actively trying to escape while Angeal ran after him.

• Sephiroth, Genesis and Angeal riding around in a three-person bike. They crashed into a sliding glass door they didn't realize was closed.

• Sephiroth sitting in The Calm Down Box™ chugging a bottle of tequila.

• Sephiroth, Angeal, Genesis, Zack and Cloud playing twister. Utter chaos. Zack's ass in Angeal's face, Cloud has turned into a pretzel, Sephiroth and Genesis are literally tangled and stuck together.

[robreyart]

Night Migration 20 x 30 inches, Oil A new painting from an earlier study coming to the IX Art Show next week in Reading, PA!

In our night sky there is a dark band that runs through the Milky Way, known as the Great Rift. This darkness is where the stars of our galaxy are obscured by vast clouds of interstellar dust and geese … er, gas.

There is an experience of magic to be found in the poetry of stories, new and old. For many thousands of years, our ancestors looked at the random distribution of stars in the night sky and saw things that were familiar to them. Some people think that living with a scientific worldview means giving up the wonder of our ancestor’s stories. Yet, just as enjoying a fantasy novel doesn’t require believing it to be true, having a grounded, science-based worldview doesn’t have to keep you from enjoying the beauty and poetry of myth and metaphor.

Just don’t make any important life decisions as though there are really giant geese in space, okay?

Prints: https://robrey.storenvy.com

[12thbiologist]

Introduction by N. K. Jemisin, from 10th anniversary Authority reprint

"To my own shame, I've become a jaded reader in recent years. By this, I mean that my enthusiasm and curiosity, my drive to experience new worlds, have all been damaged by a persistent disjunct between reality and the speculative fiction I most enjoy.

"Is it any wonder? Given the horrors of Trump's first regime, the looming threat of another, a global plague allowed to run rampant, and a billionaire backed culture war on the rest of us. I'm more jaded about everything now. Escapism at this juncture feels like a way to temporarily pretend that everything is fine. And while there's value in taking a break from Hell, it also feels dangerous. Like drinking to drown my sorrows. Nothing wrong with alcohol now and again, but nobody needs a steady diet of oblivion.

"What I've found myself seeking instead are philosophies of entropy and survival. That is, fiction that addresses multifaceted decay and the psychology needed to survive it. At this point, to mangle Audre Lorde, the master has handed his tools out freely after designing them to break at first usage, buying out the only shop that could fix them and the only newspaper that tried to report on the scam, and charging all customers a subscription fee. And these days, it's no longer just us marginalized folks who need our media to acknowledge the slow motion apocalypse we're all trapped in.

"Enter, The Southern Reach books. When I first read Annihilation during the run-up to the 2016 election, it was a welcome breath of fungal, fetid air. Other fiction of the time seemed determined to suggest there was no need for alarm. Things couldn't be so bad. Anything broken could be fixed.

"Could it though? As I watched my country embrace a stupid, incompetent, and blatantly criminal fascist while insisting his spiteful, privileged sycophants somehow had a point—Well, when you're already queasy, sweet smells make the feeling worse. It helped to read instead about the smells and sights and horrors and haunting beauty of Area X. It helped me to imagine that creeping transformative infection warping body and mind and environment and institution. Because that was the world I was living in. It helped to meet the 12th expedition's nameless women who were simultaneously individuals, with selfish motivations, and archetypes, trapped in their roles. The biologist, driven by the loss of her mate and the need to integrate into a new ecosystem. The psychologist, a human subjects ethics violation in human flesh. We are dropped into danger with these women, immediately forced to confront an existential threat with courage and perseverance. And this? This was what I needed from my fiction.

"The second book, Authority, was even more what I needed. As we watch Control slowly realize he's never been in control, and that things are a lot worse than his complacency allowed him to see—it just resonated so powerfully. His over reliance on procedure and the assumed wisdom of his predecessor. His dogged refusal to see the undying plant in his office as a sign of something wrong. There was nothing of 2014's politics overtly visible in the book. And yet, they were all over it like mold.

"I've read and written reviews of these books and it seems to me that there's a common misreading that applies. Namely, that they are "climate fiction," or "cli-fi." This clunky label fits superficially, in that climate change occurs during the course of the book.

"However, Area X, with it's inexplicable reality warping power, is a poor metaphor for human caused destruction. Or even for the surreality of climate denial- talk about reality warping. I think a better analytic is to view the books as postcolonial fiction. Per Caribbean Canadian writer Nalo Hopkinson, postcolonial stories take the adventurous repertoire of science fiction—such as traveling to a distant realm and taming the exotic flora, fauna, and people who live there—and from the experience of the colonizee, critique it, pervert it, fuck with it. The characters of The Southern Reach books are only obliquely marginalized. Their races, ethnicities, class distinctions, and other markers of identity are deliberately downplayed, down to the lack of personal names. But they are all women, which is atypical of pretty much any US government agency. Two of them, the Asian biologist and the half-Indigenous psychologist, are racialized. Biology and psychology and anthropology are often dismissed as "soft sciences," in large part because too many women thrive in them. Or because they've done too good a job of reconsidering racial/cultural/ethnic equity and updating practices and personnel to suit.

"As the 12th expedition proceeds into Area X, on the surface it seems they are reenacting a thousand science fiction novels: going forth as intrepid strangers into a strange land. But for any reader who's familiar with those classic narratives, Annihilation's version feels like a setup. Our marginalized protagonists lacking the privileges and power of stalwart square-jawed white men seem doomed from pretty much the moment they enter Area X.

"So, they are the colonizees in this situation and Area X is definitely fucking with them. But as the story proceeds, it becomes clear that they are themselves fucking with that classic adventure dynamic. The psychologist has wholly focused her skills on taming her fellow adventurers, and perhaps herself. The biologist is trying to solve a mystery of identity: something unquantifiable and scientifically immeasurable, more felt than known, and deeply personal. The anthropologist has no one to study, save her fellow expedition members, and only the surveyor seems wholly focused on Area X at all. Perhaps this is why she later tries to kill the biologist. We see the irony of this setup most clearly with Control in Authority. He is the stalwart square jawed man that traditional science fiction has primed us to expect, even hope for, because he'll have the power to solve the situation, right? But Control becomes the proof that no colonizee can ever tame Area X. At best, they might manage to tame themselves.

"By the end of book one, the 12th expedition becomes the first successful one by a colonizer's rubric, in that they manage to share new understandings of Area X with those outside it and in that at least one member of the team survives with her mind and form somewhat intact. The beginning of book two seems to confirm this, as the story shifts to explore the Kafkaesque bureaucracy of the Southern Reach itself. But the expedition members' choices have become the choices of the colonized. Survive or not? Internalize or not? Assimilate or not? They bring these choices to Control, who adds his own familiar, horrifying existential questions. When change seems inevitable and irreversible, can it be controlled to some degree? Can the self remain intact after the mind and body have been "Ship of Theseus"-ed into something unrecognizable?

"This is not to say that climate focused readings are irrelevant to The Southern Reach series. I mean that climate issues are also colonization issues. In that, the worst effects of climate change fall hardest upon the most marginalized. We observe the breakdown of the 12th expedition, an invasive species to this new biome, even as we observe the breakdown of recognizable life within Area X. New configurations of life emerge from this collapse of old structures. Hybridizations, commensalisms, wholesale assimilations. Even our bureaucracies, as evidenced in Authority, form a kind of natural order that can be deconstructed and readapated. Control fails to contain Area X because of another key understanding that the colonized eventually develop: you cannot fight that with which you have become complicit. The best you can do is realize what's happening and hope its not too late by the time you do. Never fear, Area X reassures. Colonization and its associated harms, terrifying and painful as they might be, are not the end—however much traditional science fiction stories might suggest otherwise. Survival is possible if one is lucky, brave, and clever, but it might require a transformation far more nuanced and complex than mere death. And this is a reassurance. Speculative fiction has historically framed colonization as a contest with winners and losers, but its never been that simple. Human beings are syncretic, some element of who and what we were will always remain in what we become. Entropy cannot be stopped but new energy can be added to the system. And those who are caught up in the transformation can claim a degree of that power for themselves. And, ultimately, syncretism means that we are carried forwards regardless, if only in part. Still better than nothing.

"As I write these words, multiple genocides are in progress. I feel no certainty for the future. Half my nation is so enthralled to it's own bigoted fantasies that I neither expect nor particularly want the United States to survive. I do not fear the singularity, sentient AI, or any technological boogeyman. I fear the confluence of greed and shortsightedness and spite that human rights and human consciouses cannot survive intact.

"But new systems emerge, inevitably. After a climate extinction or a natural disaster, ecologies adapt, new entities eventually fill old empty niches, power changes hands, and stories can be deconstructed. Even when the situation is most terrifying, least stable, there will always be those who embrace the change, and perhaps gain new strength from it. It's a bittersweet understanding, but the change is upon us. We're all in Area X, now. If we are lucky, clever, and courageous, we might still recognize ourselves when its all said and done."

-N. K. Jemisin, Authority