#right place at the right time i think

[kertoir]

How did you start working for/with Ranboo? Just curious about it :3

back in the day i was a fan-artist of theirs and i made a fuckkk ton of genloss art, especially posters (most of it still up on my account if you dig deep enough.) eventually ranboo reached out to me to make product promo photos for the genloss tse merch drop, then i got the genloss poster gig, and ive been working with ranboo since!

very very very grateful to this day! i love workin here

[thelostmoongazer]

so i recently watched all the sonic movies

[imissthembutitwasntadisaster]

Donna Noble really got in the TARDIS and on trip number ONE like ONLY the FIRST trip she was like we are going to change history to save a single family because that is how it should work so that is how it does and then on trip number TWO on the SECOND trip she was like we are going to destroy an entire culture of slavery because it is right I don't care if we're two people and then on the THIRD trip she was like I am going to be unbelievably brave to save my home and everyone I love and then on the FOURTH trip she was like no living breathing thinking creature is less than a person and how dare you try to dehumanise someone like that how dare you not give her a name and the list GOES ON this woman NEVER MISSED there goes one of the kindest bravest most constant women you might ever meet and she's a temp from Chiswick

[tawnysoup]

the fritter (frin critter)

[laniidae-passerine]

There’s a very easy way to get around the fact that Assad is unable to pass for a teeenager if the show wants to adapt TVA and that’s to rely on the theme of unreliable narration. Armand begins retelling his history and according to him, he looked like he was in his early adulthood. No older than twenty four, for sure, but also not any younger than twenty. And then, just when the audience has bought it, just when this version of events has been presented as the truth for long enough, someone questions it. Asks if he really looked like that. Asks if he’s being honest with himself. And for the briefest moment, we flashback to Amadeo, the age he was when Marius first saw him. Beaten, shackled, afraid. And undeniably a child.

[poorly-drawn-mdzs]

Ooh, you want to know what happens at the gay bar run by ex-pirates, ooh...You'll just have to read Tiger Tiger to find out...

(Inspired by this Disco Elysium comic)

[northstarscowboyhat]

Peepaw Starlo struggles. Autism 2 autism communication struggles.

[vaguely-concerned]

huh. you know something I just consciously put together for the first time about caterina and lucanis' relationship is that through the game we get to hear them talk about each other a lot, but we get very few chances to hear them speak with each other at any length at all. contrast it with other companions whose storylines have elements of 'believed lost/long time no see relative returns!' like bellara and davrin, where we get to see both of them have several pretty in-depth conversations with cyrian and eldrin. hell I think even rook talks with varric longer in the regret prison scene than we ever get to see lucanis and caterina interact directly.

(and when we do see them interact, it's mostly one-sided -- it is, perhaps unsurprisingly, caterina who is doing most of the talking and giving all the orders, as he ruefully observes is her wont after murder of crows. including jumpscaring him with 'you're first talon now btw' and the shocked pikachu face in five acts he goes through in response lmao. perhaps it's more accurate to say that she talks at him and he reacts, than that they talk to each other much.)

it has such an interesting effect too, because in deliberately denying us direct insight or experience and only having this mosaic of description from each of them to go on, as well as forcing us to pay attention to the negative space of what is carefully not said, it's evocative along the same principle that you never actually show the monster in a horror film. if you've read the wigmaker job you have a clearer image of the more uh. worrying elements at play here going in, but there is something fascinatingly insidious and naturalistic in the way it's 'hushed up' in the game itself. she has his complete loyalty both as a member of her house and, more importantly, that of an abused child to a parent figure. he readily admits several times that she's a difficult person to live with, an even more difficult person to be loved by ("even for me. and I was her favourite")... but never once does he actively blame her nor truly conceptualize that he has every right to do so (that he can be angry with her and still love her, because whether he should or not he unavoidably does), or that she might have acted differently than she did, that she made a choice every time to hurt him. even affectionately he speaks of her as a force of nature, an act of god -- something that can't be reasoned or pleaded with or resisted, something you can only hope to navigate with as little pain as possible and pray to survive. let yourself get carried away by the riptide, resisting it will only make it worse. you don't compromise with a hurricane, you just try to find the best shelter you can and cross your fingers while you wait for it to pass and be calm again.

love is that hurricane. you do whatever she asks. you earn her continued affection day by day by never letting her down. you only want the things she tells you it's okay to want and cut everything else away preemptively. ("A wyvern tooth dagger?? I loved wyverns as a boy --Caterina would never let me have one of these, though." and as we have all wept and gnashed our teeth over, it never even OCCURS to him that he's a like thirty-five year old adult man who can buy himself any dagger he wants at any time. she said he couldn't have one. so he'll never have one. that's just how it works. and maybe if Illario could just accept that and find his peace with it like I have, this whole thing wouldn't be so difficult. oh lucanis.)

such is the price -- and the cost -- of being loved by her, it's a loan on which the interest will never stop piling up. you have to keep paying it down in perfection every day if you want to keep it. who got the worse deal there: the grandson who has abandoned everything else in life to live up to that and mostly succeeded, until the day he's so burned out and broken it threatens to no longer be an option, or the grandson who can never seem to scrape together enough worth in her eyes no matter how he begs, borrows or steals it, how he hustles and plays dirty?

one of the worst things that can happen to anyone is to be loved by a selfish god. another one of the worst things that can ever happen to anyone is to not be loved by a selfish god. (hope that helps, boys!) even in betraying everything else, Illario can't bring himself to hurt his grandmother, because that would defeat the whole point. who would he defiantly be proving himself worthy to, without her. in love, devotion, submission, hatred, frustration, bitterness, everything is defined in relation to her, you can spot the gravitational force of it through how the dellamorte family move through time and space. she -- her love and regard and attention -- is still the sun both of their worlds orbit around, even as adults. the game might never tell you outright 'she used to beat and starve them growing up. for their own good you see, so they'd be strong (and broken down enough for her to build them up again however she wanted but I'm sure that's incidental)', but if you know even a little bit about how these dynamics can work the writing is on the wall everywhere you look and all the more unsettling for it.

follow lucanis' freeze-logic and fraught interpersonal catch 22 irreconcilable mixed emotions problems back far enough, looong before the ossuary entered the picture, and you start to see caterina's ghost around every fucking corner. she is so proud of him. (well, she would be. she made him. she forged exactly the knife she needed and it rests willingly, devotedly, in her hands, it would return to her every time because it doesn't know love as anything but to be a knife. his tama never taught him how to be anything else. his biggest fear with her is that she won't even want him back, the way he is now.) to the best ability of her soul, whatever parts of it survived a lifetime of crow politics and 'five children, eight grandchildren, only Illario and me left now', I think she really does loves him. he certainly loves her, with all the sincerity and artless desperation of a child, of the little boy he was once. and what she's done to him (and to illario, for all his shitty gremlin scar-ass antics lol) is awful. the harm is real, and the love is real, and trying to find a way for these two truths to exist in the same space is driving all three of them their own individualized forms of insane. you know. the way only family can and so often does lol.

through implications and short glimpses and having to put the pieces together yourself, you can have the feeling that there is very genuine mutual love and attachment in this relationship... and that beneath that there is something so profoundly wrong. and the sneaking '...oh shit it gets worse the longer I think about it' horror of that is more effective for me at least than the stark in-your-face presentation of the facts of the matter could have been. the love is here. the love is here. it only ever makes it worse.

[two-corpses-in-the-burial-mounds]

Anyone else think a lot about how at the end of canon, Lan Wangji has had time to mature for 10+ years into a guy in his mid-30s, but Wei Wuxian still has the life experience and general maturity of a war-traumatized early 20-something?

Because like. Wei Wuxian died young and he died tragically, and everyone who was around him then that's still there after he's resurrected has gotten to live their lives. They got to mature. They've had 13/16 years to heal (or not heal -_-) and learn who they are. To become fully realized adults outside of the pressures of war. And Wei Wuxian hasn't had that. If you believe MXTX's interview that circulates on this site sometimes, he spent those 16 years in a suspended state of agony. And even if you don't believe that, he was still dead. Non-existant.

For Wei Wuxian, the war is fresh. The pain is fresh. He has no idea what's doing because he's barely an adult, if admittedly a highly skilled one for his age. The world has moved on around him and he has stayed in place. What does he do with that?

Wei Wuxian had no choice but to pretend that he's moved on, too, because that war that took so much from him was almost two decades ago, now. The Wen Remnants have been dead for over 10 years. What use is it to dig up old hurts? Except, those hurts are still hurting him.

When he died, Wei Wuxian was helping care for Lan Sizhui. Wen Yuan. When he died, Lan Wangji raised A-Yuan with the Lan. If Wei Wuxian was dead for 13/16 years and A-Yuan was 3/4 when he died, then Lan Sizhui is about his age, or very close to it.

This is the child he was raising. This child is now his peer.

Wei Wuxian has memories of war and tragedy, but no one to talk to. The juniors, who are closest to him in relative age, haven't known war, and everyone who has known it has moved on. He's trapped between generations, and that has to be so incredibly isolating.

Jiang Yanli, the Wen Remnants, Wen Qing of particular note, all of them died shortly before he did. Did he ever really get to grieve them? Will he be allowed to now? Especially with his reputation. Especially with the number of people who would really prefer him to simply leave the past in the past. Especially with all the people who think he is the cause of the deaths he wishes to grieve.

Will he be allowed to mourn, if the cultivation world thinks these deaths are his fault? Or that these people don't deserve to be grieved?

Wei Wuxian has the misfortune of being a man who is a decade out of time, and he will have to learn to cope with that, but how does he account for the missing years? When the pain is still fresh for him, how does he find a place in a society that has long since moved on?

[dannyphannypack]

college is supposed to be a new start for danny: one in which his “work” life and personal life stay strictly separate. but when danny moves into his new gotham university dorm for the upcoming semester, his hopes are dashed. gotham is overflowing with lost souls, and they won’t leave him alone long enough for him to finish his damn physics homework.

when mr. and mrs. wayne offer him refuge in their old study, danny thinks he’d be stupid not to take it. he wasn’t expecting their house to still be inhabited, but whatever. he can blend into the background. he’ll do anything for some peace and quiet.

now if only he can convince martha to stop trying to out him to the rest of the family.

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[hiding-under-the-willow]

Had a. very silly au idea while I was sick

[oneroomjestershow]

when

[lucabyte]

Comfortable in New Skin

[bogkeep]

thoughts, repeating.

[see-arcane]

Thinking about another dividing line between Thomas Hutter and Jonathan Harker:

One has absolutely no poker face whatsoever.

The other successfully played 'We both know I know you're a bloodsucking horror but the pretense won't end until one of us cracks' chicken for two months solid.

In Thomas' defense, he went through a lot more immediate stressors and terrors within a much shorter time period. Dude was frozen and starving and being magic trick-whammied and getting his blood drained from the tit in under 24 hours' time. Probably not in the best shape to put on a good performance.

But Jonathan, despite being given a far softer introduction to his nightmare, does absolutely ping that Dracula is 1) Keeping him prisoner 2) Not human and 3) Planning to drink him with his roommates and undeadify him the moment the game ends. Still, being a good customer service worker, he bottles up his breakdowns for private time. Then clocks back in to Vampire Hell Guest Mode.

"Yes Count, I would love to hear more war history while you randomly touch me :) This is so nice and fun and normal :)"

I won't say he'd do much better in Thomas' spot, seeing as Orlok is...not built for playing cordial host. But Jonathan is like Mina in the way that he can get a person rambling. If nothing else, I think Orlok would have been caught in gruff peacocking mode for a fair bit longer than he intended if Jonathan started fishing. Orlok would take Dracula's 'lol you soft city boys know nothing of the ways of the hunter' line and turn it into a full diatribe while Jonathan nodded along and tallied the seconds in which he got to keep all of his blood in him