#really tried to do something unique!

[fascinationstreetmp3]

This is a rather high-risk romance we've embarked upon, isn't it? Brings new meaning to the term 'strange bedfellows'.

[ashleyslorens]

TAROT CARDS ✴ MOULIN ROUGE! THE MUSICAL

[paruecake]

Practicing drawing Studio Ghibli characters.

[pantestudines]

having a "former gifted kid" type mental spiral

[laomelettedufromage]

The other day I introduced myself to someone who, unbeknownst to me, was a linguistics teacher and I mentioned the spelling of my name (Kadie with a “d”) as a tool to help her remember my name and she was immediately like “oooooo I’m gonna use your name as an example in my class to talk about why it’s always been pronounced with a ‘d’ despite the traditional spelling with a ‘t’!!!” Glad to be of service ma’am.

[solalunar-eclipse]

To everyone in the comments begging for a fic about this: PLEASE go read Heart of Gold with Blood-Red Eyes!!! It’s by this artist and features Shadow in a similar dynamic with Fleetway Super Sonic, and it is fantastic.

[justdenys1]

"hey jim are you done doing the 14th desert level?" "not right now i'm finishing the 52nd grassland level" "don't forget you have to do 96th spooky castle level"

[syxnewt]

hey guys I'm super normal and have normal thoughts about things I like a normal amount. Anyway Scylla from epic the musical (song) and the den from slay the princess. Imagine it like an animation

[realjem-art]

really thinkin 'bout redesigning my [sunset/sunrise] sona design, since it was my earliest variant, as well as just needing a redesign anyways imo

still dont exactly know what i want to do but this is at least a good step somewhere!

(plain text of all the notes underneath the cut cause they might be hard to read)

From top left to bottom right:

White boa vs og pink to match wings

Pastel, "dreamy" hair? I don't really think it fits, but I'm out of ideas atm

I like the big, radiant halo [maybe add more color]

Still unsure how to style the hair as well

Sunset/Sunrise Redesign Concept[s] (Still needs better name)

New makeup?? unsure

Still unsure on earrings

But I like the new necklace

I fw the star pattern top

YES to the much simpler wings

old vers.

Bigger body type! [goes for all of my sonas] (face for funnies)

Too lazy

Middle piece kinda neat, unsure

Kinda fw these

Gloves? thinner bracelet halo things?

TOO OVERBOARD! needs to be smoother

Thin + translucent. Same pattern as dress? might remove entirely tbh

Too lazy x2

Might need to change the gradient/pattern tbh... idk

Ehh... no real ideas yet [esp. with the shoes]

[waywardsalt]

tag rant but man i fuckin hate the new direction for loz

[buckleydiazmp4]

do you mind if i ramble in the tags about my weird relationship with making art in fandom for a second

[agoddamnrayofsunshine]

I’m sure someone has talked about this before but one thing I absolutely love about tbosas is how Snow’s descent into villainy is never once presented as something that was inevitable

So many villain origin stories portray this idea of a person who tries incredibly hard to be a good person, who takes every opportunity to be kind and to better themselves, but are ultimately doomed to fail by the narrative. Their environment and their circumstances make it impossible for them to be a good person, and while this is effective from a storytelling point of view it’s not exactly accurate to real life

In real life there is always a point where a bad person makes the decision to do something bad, they make the decision to prioritise themselves, their own power, money or desires over someone else. That’s how real life dictators are made, they are presented with every opportunity to be good, and they purposefully choose to not take it

This makes Snow’s storyline so effective because he is given so many opportunities to do the right thing and yet, at every single turn, he chooses to serve himself instead, exactly like how real dictators are made

Snow, unlike most people we see in the capitol, is in a unique position where he could genuinely have the chance to understand and relate to the people from the districts. He, unlike his classmates, is poor and spends most nights going hungry, he witnessed firsthand the cruelty of the capitol when Clemensia was bitten by the snakes for nothing more than lying about doing her homework, when his sister was forced to sell herself on the streets in order to feed the both of them

Throughout his book, the three people he is closest to are Tigris (who dislikes the hunger games, is a rebel, and a victim of the capitol forced to turn to prostitution), Sejanus (who is originally from district 2, dislikes the capitol and knows he will never be accepted there, and also a rebel) and Lucy Gray (who is a victim of the hunger games, from district 12, and is also treated horribly by the capitol). These are all people who gave him an opportunity to realise the cruelty of the system he was in, a chance to directly confront his prejudices and see that people from the districts are just the same as him, and yet he still refuses to take the chance to change

He is given every opportunity, he’s sent away from the capitol to be a peacekeeper in the districts, he forms personal connections with people from the districts, he helps Sejanus perform funeral rites, and yet at every moral crossroads he comes to he makes the wrong decision. He didn’t have to become a villain, and yet he made the choice to do so anyway, despite every chance he was given

I think it’s a really effective portrayal of Snow as a character, and it’s a very effective villain origin story for the type of villain that Snow is. It never once excuses him from his actions because it highlights just how accountable he was for his actions

[tleeaves]

”this book is a reimagining of hades and persephone as-” it’s the final month of 2023 as a society we need to move on and fast.

[bloomeng]

This is my official Batfam Magical Girl AU Masterpost (everyone clapped)

(image updated: 9/21/24)

I’m going to do a brief overview and then go into more details for those interested.

Bruce being from old money (and apparently being connected to Camelot) inherited a mysterious mineral with unknown properties. In its raw form it’s very unassuming, but when cut like gemstones and added to accessories it can be harnessed into a tool. By altering the mineral into a wearable item it allows the magic within to be channeled. The magic of the mineral connects with its wielder to create an outfit and (typically) a weapon. These outfits do not grant the wearer special abilities outside of the transformation and the weapon, but when worn the wearer is granted (what is basically) hammerspace and a nearly impenetrable outfit. The uniform granted is not something they can alter the appearance of but will change gradually overtime to reflect how the wielder has grown.

This mineral will henceforth be known as Arcanium. It operates on Kryptonite logic in that it’s— allegedly— super rare but also shows up whenever the plot needs it. (I’m aware it shares a name with a card game, but I wanted my Kryptonite spoof)

Martha Wayne unknowingly started the cycle by turning— what she thought was a rare gemstone— into a brooch. She died shortly after having it made and Alfred held onto it in her memory. Like canon Bruce goes on his journey of self-exploration to train. When he comes back he enacts his plan the way he does in Batman: Year One, where he goes out in basically just make-up, and it goes poorly. He wanders his manor trying to formulate a strategy and is drawn to his parent’s room and finds his mother’s brooch. Cue the first magical girl transformation. From there he alters the brooch to fit his bat aesthetic and the Batman Brooch is born.

Dick comes into his life the same way as canon. Bruce takes him in as a ward, Dick tries to track down Zucco on his own, etc. Bruce decides to use the other raw sample of Arcanium to turn into a second magical artifact. He lets Dick pick the theme, and thus the Robin Pendant is born. The rest is history.

(Before I continue I want to warn that I’m making shit up as I go, so some of this is subject to change as I move forward.)

The Robin Pendant is passed down from Robin to Robin. Each Robin got their own unique look while using it. Following canon, Dick and Bruce have their falling out and Dick gives up the Robin Pendant in a moment of anger. In this au I think Dick, not having the pendant to fall back on, tries to lead a vigilante-free life, but of course falls back into it. During a fight he somehow manages to stumble across Arcanium in its raw form. Recognizing it he takes it with him. Like Nightwing: Year One he has his conversation with Superman and decides to become his own hero. Using his knowledge of Arcanium from his years with Bruce he creates his own magical artifact and becomes Nightwing.

This is a good place to interject that I’m not changing any of their hero names. I was asked about it a couple times due to the caption, “Red Bow & Sailor Nightwing” on my Dick and Jason designs. It was just a silly caption, because I didn’t want to simply state “Jason and Dick Magical Girl au.” But being serious, I don’t really see a reason to change their names, with the exception of maybe Red Hood, seeing as I didn’t give him a red hood. My au operates on Sailor Moon logic where despite the lack of masks no one recognizes them, and it’s just vaguely explained by magic. I think it would be funny if Bruce chose to wear a mask anyway because he’s that paranoid, but we’ll see when I actually design him. Anyway point is Red Hood is lacking a red hood, maybe he secretly has a red hood on his jacket or maybe he really does go by Red Bow, I’ll leave that up to interpretation.

Arcanium does not just accidentally appear. At the end of the day it’s still a mineral and it’s not sentient, but the magic has an element of “the wand chooses the user.” It’s not so much a “chosen one thing,” so much as the magic can sense intention. It doesn’t care about the morality of the user, the magic is more seeking a symbiotic connection. (Meaning yes rogues can in fact wield artifacts.) Simply put, it wants a host that will be able to wield it. In its raw form the magic is dormant but it seeks to be… not dormant, so when it finds those who actually have the potential to create an artifact and use it, it reveals itself. It was not a coincidence that Martha had the inclination to have the brooch made, it was not a coincidence that Bruce was drawn to his parent’s room, and it was not a coincidence that Dick found Arcanium in the alleyway.

Each of the Bats have their origin moments with their own magical artifacts. I don’t have the whole timeline down, but I will say there was a lot of drama between Tim and Damian, because Tim was forced to hand over the pendant. Even though he technically relinquished it, emotionally the connection wasn’t severed. No one was sure if the transition would work, but Arcanium responds to whoever needs it more and therefore who will use it more. Like canon, Tim is having an awful time during that era. On top of all of it he’s had his title stripped from him and he can’t even argue because if it wasn’t the right move the pendant wouldn’t have responded to Damian. Dick tries to comfort him by telling him that Arcanium will appear for him when he’s ready, but Tim is furious and impatient. So like a well-adjusted person he decides he’s going to engineer his own magical artifact artificially. It goes as well as his attempt to clone Kon does. It’s not until Tim starts to get back on his feet that Arcanium presents itself to him. My thinking is that while Arcanium finds its users when they need it most, Tim’s case is abnormal. His acquisition of the pendant was unconventional from the start since he showed up and demanded to take on the Robin role. Arcanium is drawn to individuals who will actually use its properties. Tim tends to rely more on his own detective work, which renders the pendant’s properties pretty moot. Especially when he’s going off the deep end, he becomes a hermit meaning a) he wouldn’t really need/use Arcanium’s properties and b) he inadvertently limited his own chances of stumbling across it “in the wild.”

In a similar vein I believe Barbara’s journey is abnormal in that she forged her own Batgirl artifact that operates a little differently than the others, seeing as she made it without Bruce’s influence. After the accident she shelved it, maybe she passed it down to Cass, but eventually she gets it back. She created the Oracle identity without it, and for a long time the Batgirl artifact is something she avoids using, until she gets the idea to combine it with her computer to create a magic computer… sort of. She gets a uniform that is basically connected to the computer.

Going back to Damian needing the Robin Pendant more, its reaction to his acquisition was unique. As I mentioned previously the suits typically provide a weapon, well Damian is the exception. Unlike all the other Robin’s Damian didn’t need more weapons in his life, what he needed was guidance. For the first time the pendant granted Damian a magical animal guardian, which is how he gets Alfred the Cat in this au. Despite being an animal lover Damian is extremely pissed at this development. He wanted dual swords or a scarier animal at least. He can’t formally communicate with Alfred the Cat but he understands him intrinsically, though Alfred the Cat seems to be able to understand human speech somewhat. Only Damian seems to be able to truly understand Alfred the Cat. (Cue the antics of his siblings trying to figure out what the cat means or trying to control him in any capacity.) Besides being an animal, Alfred the Cat is also unique in that he doesn’t dissipate when Damian isn’t in uniform the way that the weapons do. Like the weapons he can be summoned by the pendant, but he seems to have existed prior to the pendant’s creation. (I’m toying with the idea that while in uniform, the cat would also get some sort of uniform.)

Before I get into Duke and his abnormalities, I want to address the Speedsters in this au. It’ll make sense after.

So the Flash. I want to say I don’t know if I will get around to creating full designs for them. I do have plans for Bart and maybe Wally, but I have determined how I want their mechanics to operate in the context of the au. Not all the heroes in this au are “magical girls,” in fact I’ve made the executive decision that you have to be human to wield an artifact. Arcanium may have magic in it, but it doesn’t grant its user magical abilities beyond the uniform itself. The speedsters retain their canon origins, hit by lighting blah blah blah, only with one key difference: they had Arcanium on them when they were hit. Instead of engineering an artifact Arcanium fused with their bodies granting them powers. I want to keep the magic transformation aspect (because it’s not a magical girl au without it), so instead of using a physical artifact as a channel for their powers, it’s instead the act of transforming that serves as a gateway to their speed abilities.

To me it was always important to maintain Batman’s identity of not having super powers and having to rely on engineering, which is why the Batfam have to physically build their artifacts. In a similar way I wanted to retain the integrity of the Flash’s identity of being meta but also still human. Which brings me back to Duke. I know in canon that Duke inherited his abilities, but for the sake of the au I’ve decide that he either had an accident when he was young in which traces of Arcanium fused with him or his parents had it in them and he inherited it from them, but regardless it’s less potent, but operates similar to the Speedsters. For years he couldn’t fully transform or use his powers and it wasn’t until— with Bruce’s guidance— he was able to create an artifact that allowed him to channel his abilities and transform. Even though he is a meta I wanted him to still have some of those Batfam qualities in there.

But what about the Superfam? They’re not human so how do their transformations work? The answer is simple: They’re not “magical girls.” At least not real ones, they’re faking. They’re not human (Kon and Jon are technically half human but they still get their abilities from their Kryptonian DNA), and thus cannot forge a connection with Arcanium. Truthfully I’m about to get silly— even sillier than this au already is— but I have decided that Clark is a fake artifact wielder. I like the idea that Batman has been operating longer than Superman has, so when Clark decided to become a hero in his own right his only example of how to style himself was from the bat themed vigilante, who might as well be a cryptid, operating out of Gotham. Only blurry pictures of him existed, so Clark designed his outfit based on his Kryptonian origins and Batman’s aesthetics. He had no idea about the existence of Arcanium or how it worked. This is also why Kon’s design looks so much like his canon outfit with a few magical girl elements (and definitely not because I think the lines in his canon suit already lend themselves well to a magical girl aesthetic and didn’t want to change much). Later when he gets to know Batman more he learns about the transformations, to which he panics and invents his own transformation using Kryptonian tech (ex: MAWS’s transformation). For years Bruce goes crazy trying to figure out Arcanium’s effects on aliens and if it grants them abilities on top of the ones they’re born with, and if Clark has plans to use it as a weapon, and how he managed to forge the connection in the first place— Clark comes clean as a fake once they reveal their identities to each other.

Side tangent but I find it hilarious that Green Lanterns are— by technicality— already “magical girls,” considering they’re granted magical accessories that give them powers and transform their clothing. Hal is very clear with the JL that he is nothing like Batman and constantly feels the need to assert that he is not a magical artifact wielder. The non-human members of the team still lump them together anyway.

Things I haven’t figured out:

- what each of the batfam’s weapons are

- what each of the magical artifacts are

- what to refer to magical artifact wielders as

Stepping outside the canon(?) lore of the au for a minute, obviously I’m redesigning DC characters using inspiration from a genre, because that’s what “magical girl” is. It’s a genre. This is why I refer to it in quotes and don’t call them magical boys, because I am always referring to it as a genre, which isn’t a gendered thing. However, in universe they wouldn’t call themselves magical anything, the same way the characters of Sailor Moon don’t refer to themselves as magical girls, but rather Sailor Scouts. As of right now I’m sort of just referring to them as artifact wielders, but I feel like Bruce would come up with a better name. On a similar note, throughout this whole thing I’ve been referring to Arcanium in it’s wearable state as an artifact. I don’t know if that’s the best term, but I can’t think of anything better for the generalized form of Arcanium outside of it’s raw state. For now I guess it will be “artifacts” and “artifact wielders.”

- how the wonderfam fits into this

I really can’t think of a reason why Wonder Woman would be a “magical girl” in this au. She was born with abilities, she’s not human, and I can’t see her altering her uniform to match the aesthetic. A transformation would just be a waste of time for her. I could to see maybe Cassie or Donna wanting to match with their respective teams, and perhaps maybe that’s why they would alter their uniforms? All I know is I want see Tim, Kon, Bart and Cassie as a matching “magical girl set.”

Fin… for now.

[I’m just going to put this here preemptively, because I’ve gotten messages about turning my au into fics or tiktok skits. You’re free to use this lore HOWEVER you MUST credit me not just for the designs but for the creation of the lore. I’ve put a lot of time and thought into this and I love that people love it, so I just ask for recognition. If you want to make something that’s inspired by my designs or loosely based on my au, just a simple credit for the inspiration is fine. You’re free to change things this is just how my own au operates. Regardless I would prefer to be tagged so that people can find me but also because I’d love to see other’s work.]

Current designs:

[honey-tongued-devil]

[Arcane preference] reacting to someone flirting with their s/o + jealousness

I'll be honest, I had like four headcanons on jealousy (and five on pregnancy, curse on you and your baby fever), so making this headcanon became a priority. Plus, I tried to make it a bit longer. As usual, under the "read more" line, you'll find both my other project for Arcane (a series of vintage-style posters) and my other socials in case you want to follow me because you love me too much.

socials: | INPRNT | | Tip Jar | | X | | BlueSky |

poster: | Jayce poster | | Silco poster 1| | Silco poster 2| |Silco poster 3| | Steb poster |

Jayce:

- He’s not the type to cause a scene, nor is he the aggressive kind.  

- When someone flirts with you in front of him for the first time, he’s confused for a few seconds.  

- The problem begins when the thought starts settling, stagnating, thickening like sediment at the bottom of a bottle. Was the person really hitting on you, or is he just being paranoid?  

- Did they not realize you were together? Or did they do it on purpose?  

- It doesn’t take long for him to start ignoring you, not even on purpose—he suddenly forgets he’s a scientist, a successful adult man, and spirals into a crisis.  

- What if he’s not enough? What if that person realized before him that he wasn’t suited for you?  

- You notice something’s off, but he doesn’t say a word. If it happens again, his fists clench, he feels like the world is collapsing on him, and if it persists, he leaves without even thinking.  

- He doesn’t want to witness that scene; he’s terrified that you might accept the flirtation, that you’ll realize he’s not good enough for you.  

- And if you’re going to leave him, he doesn’t want to see it with his own eyes.  

- Eventually, he’ll be the one to bring up the subject, just to tell you that if you’re tired of him, he won’t hold it against you and that he understands.  

- It’s not true, but he wants to seem mature. He wants to be a good partner until the end and almost breaks down when you reassure him that you don’t want to leave him, that he is enough.

 Viktor:

- Pre-"Arcane s1-tamed" Viktor would snap at the person flirting with you or insult them under his breath.  

- In the wrong moment, with enough alcohol in his system, his reaction could even turn violent.  

- Viktor gets jealous with anger—a mix of fear of being mocked, the lack of control over the situation, and his sense of replaceability set him off.  

- But he’s also an adult. He’ll try to make peace with himself before talking to you about it.  

- Post-"Arcane-tamed" Viktor observes you, tries to read your signals. He’s irritated but keeps calm and even interrupts the situation, pointing out that the two of you have things to do.  

- He doesn’t wait long to bring it up and is straightforward: “Do you like him?”  

- His jealousy is laced with sadness. The thought of losing your warmth, intimacy, and everything he has with you makes him feel empty.  

- He knows he’s often absent because of his research, that it’s hard to be with someone with “special needs” because it can be limiting at times. He’s aware of his unique personality and his background. His anger quickly shifts to resignation, becoming a quiet sorrow.  

- When you try to reassure him, his response is even sadder: “I know I’m hard to love. I don’t blame you.”  

- When someone hits on you, as soon as you’re alone, he holds you closer. During cuddles, he breathes in your scent deeply, as if trying to memorize you in case he will ever have to remember you.

 Ekko:

- At the Tree, it’s pretty normal. They share everything, and everyone is just very friendly. If someone flirts with you at the Firelight hideout, he laughs, jokes, and stays calm.  

- The problem arises outside of that safe space.  

- When someone from outside flirts with you, he’s stunned for a moment, but if it continues, he leaves before you can even respond.  

- He knows that if he stayed, things might escalate.  

- “I didn’t like how that guy was talking to you,” he blurts out when you try to talk to him, but it’s obvious the issue cuts deeper than that. His tone and downcast eyes reveal that it’s more significant than it seems.  

- Living at the Tree has taken your relationship to a deeper level. You take care of the kids together, share everything, and live as part of a big interconnected family.  

- The idea of someone threatening the peace of his home, his family, makes him feel like those things he takes for granted could suddenly change. 

- That tomorrow, you might no longer be his “married” partner but two strangers.

 Vander:

- Vander is too old to be jealous, and has been in enough strange and ambiguous situations not to overreact.  

- If someone flirts with you, maybe at the bar in front of him, he chuckles to himself, commenting only after the person leaves that you’re so attractive no one can resist you.  

- He doesn’t like it, but it often makes him smile to see others recognize what he sees in you.  

- On the night when someone is particularly persistent or you seem to laugh more than usual, he taps his finger on the bar, contemplating what to do. When he catches your eye, he simply mouths, “If you want to go, don’t worry—I’ll close the bar.”  

- It’s not about being open to a polyamorous relationship, don’t misunderstand. He believes that a relationship should be based on the fact that you actively choose to be with him, not on obligation. That’s why he gives you the freedom to back out if you want.  

- When you shake your head, refuse the other person, and stay with him—maybe touching his hand at the bar when he has a moment of peace—he looks at you with an indescribable tenderness.  

- “I’m glad you’re here with me,” he whispers when you’re finally alone, holding you tightly in his arms.  

Silco:

- On one hand, he’s too old to make a scene, but when he sees someone flirting with you right in front of him, something inside him falters.  

- Being able, after so many years, to form such a deep bond with someone put him in a state of comfort he hadn’t realized might one day be taken away.  

- Suddenly, that possibility becomes real, vivid. Outwardly, he shows no emotion and doesn’t lose his composure for even a moment—because if he did, he might lose control. But inside, he feels like he’s dying.  

- If you laugh a little too much or don’t explicitly reject the person, the turmoil inside him intensifies rapidly.  

- He’s been through too much, and his mind is wired to “strike before being struck,” which is why he immediately becomes colder, seeking emotional distance to avoid being vulnerable.  

- He’s not the king of good communication. If you try to ask him what’s wrong, he’ll dodge the question. It’ll take a lot of effort on your part to understand what triggered his behavior, to talk to him and reassure him gently, never too directly.  

- You’ll need to show him, through actions, that you haven’t left and don’t plan to before he starts acting normal again—becoming more physically affectionate when you’re alone.  

 Jinx:

- Jinx is possessive and jealous, living in constant fear of being both not enough and too much at the same time—of losing everything she has and being abandoned by anyone who can still leave her.  

- It’s in those rare moments when the buzzing behind her eyes quiets, when she’s at rest, that for a single second, just one fleeting instant, she allows herself to forget that fear.  

- And then, when you’re together, and someone pays you a compliment that makes you laugh, something snaps in her head.  

- Do you know them? Why are they so friendly? Why don’t you say something? Why did you stop walking? Walk, dammit, walk. Why are they touching your shoulder? Why don’t you stop them? Why don’t you stop them? WHY DON’T YOU STOP THEM.  

- The likelihood that the person who flirted with you ends up found the next day with a broken limb in a dumpster is extremely high.  

- But even that doesn’t calm her. When you get home, she isolates herself, spiraling into thoughts that maybe, if you could, you’d have gone with that person or followed them.  

- She’ll need lots of affirmation and both verbal and physical reassurance before she calms down.  

Vi:

- Her jealousy exists, it’s there, but she expresses it in a very straightforward way.  

- Having been forced to grow up too quickly and unable to throw tantrums because she was responsible for her siblings, her emotions have always been carefully bottled up and dealt with through questionable coping mechanisms.  

- Sure, having someone by her side now means she can’t go brawling in the streets, especially when the reason feels so trivial.  

- Usually, she doesn’t even pay much attention to it, but this time, exhaustion, stress, or a moment of vulnerability probably made the situation unbearable.  

- And as always, if you have questions no one can answer, the solution is probably at the bottom of a glass.  

- She doesn’t want to burden you with how she feels; it’s not even your fault, and she knows it’s stupid to feel this way. But when she’s forced to confront the idea that you may not a constant in her life, that maybe you want something better, something more—at that moment, she needs to get out, to scream, to punch something, with enough alcohol in her system to pass out in an alleyway.  

- She struggles to talk about it, hates making you responsible for her emotions, and hates that she has to make you worry when it’s not your fault.  

- When you bring it up and try to approach her with an attitude that makes her feel reassured, she has moments of being emotionally fragile, more vulnerable than usual.  

 Caitlyn:

- This woman is a lady killer—it’s sadly very normal for people to get jealous of her.  

- At work, during conferences, or noble meetings, she’s used to people flirting with her. That’s why, when she sees someone flirting with you, her first thought is that they might be making you uncomfortable.  

- If she sees you’re actually uncomfortable, she’ll personally step in to ensure the other person leaves.  

- If she doesn’t see you uncomfortable, she’ll observe you for a few minutes, becoming distracted and absent from her own conversations, lost in analyzing what she’s seeing. -However, she dislikes waiting to address issues, so expect her to ask if something is wrong between the two of you as soon as you’re home.  

- Caitlyn’s issue is that her thoughts ferment. If she doesn’t address the matter immediately, each day will make her mood worse, leading to unnecessary tension.  

- She might not shake off that strange feeling immediately and could remain distant until the next day, but it’s not punitive. Her emotions catch her off guard and make her colder unintentionally.  

- She’ll make up for it completely the following day.  

- She’ll also ensure she gets matching rings for both of you, so they can serve as a signal to others.  

 Mel:

- For Mel, jealousy is just bitterness.  

- She doesn’t show it. Her training in always appearing reliable and cordial means she’s adept at masking her feelings. So, when she sees someone flirting with you at a gala, her gaze lingers for just a few moments before she returns to smiling at her conversation partner.  

- A little passive-aggressive, with comments like “I saw you had fun” or “So, tell me about…”—but not meant to provoke you.  

- She’s the first to acknowledge that at meetings and galas, one must be adaptable, charming, smiley, and captivating. She knows that flirting is often part of the façade or just a small piece of a larger strategy, so what may sound like provocation is usually her way of asking what was on your mind.  

- Her bitter jealousy becomes stronger and more genuine when there’s no strategy, no deeper game, but the person continues attending events and spends all their time trying to flirt with you. In these cases, she won’t hesitate to interrupt with a firm, “Excuse us,” and lead you to the balcony.  

- No scene, no lecture—just a curt and slightly sad, “I only ask that you don’t make a fool of me.”  

- When reassured that there was never even the intention of doing so, she becomes almost an accomplice. Have fun (within limits), gather amusing or trivial information, and tell her all about it later when you’re alone under the sheets.  

 Sevika:

- Sorry to disappoint, but she’s the least jealous character here.  

- Her most stable relationships have all been at the brothel. If someone flirts with you, she’ll wait until the person leaves to comment on how slimy they were or how you seem to attract everyone without exception.  

- Zaun is precarious; her job is precarious; even staying alive is extremely precarious. She doesn’t have time for jealousy. To her, it wouldn’t make sense to get angry or even cause a scene just because someone flirts with you when she can’t be around much or offer you stability herself.  

- She knows perfectly well that her mechanical arm, her boss, her boss’s daughter, the drug use, and the dangerous work she does make her someone it’s hard to stay close to. But this doesn’t make her insecure—rather, it makes her grateful.  

- It’s your choice to stay by her side, and if you ever want to leave, she believes you should feel free to do so without fearing any outburst from her.  

- When you reassure her that you’d never betray, replace, or leave her, she pulls you close with one arm, kisses your forehead, and gives the faintest smile.  

- That said, if someone flirts too much and you complain about their persistence, Sevika will handle it diplomatically—by picking them up and slamming them against the wall in front of you, making sure the point sinks in effectively.  

[t4tdanvis]

I like the idea of aphmau and sylvanna having a strained relationship but I also yearn for a mystreet character who’s family isn’t fucked six ways to sunday. In the two main groups in myst no one has an onscreen normal relationship with both their parents.

Aphmau: sylvanna’s sylvanna and zach is a: not present and b: a horrible person.

Katelyn: Elizabeth was a bad mother and presumably abandoned her family at some point prior to Katelyn’s teenage years.

Garroth: garte. Also Zianna to a point, but none of her actions seem as malicious as his normal ones.

Travis: his mother died at some point in his childhood, and terry is. terry.

Dante: deadbeat father who left when Gene was very young and Dante was presumably not much older than a toddler.

Nana: we never see her parents, but considering the joke of her name is that it means 7 and she decided to become a racist caricature for attention because of how many siblings she has, I’m inclined to assume it’s not good.

Laurence: he is an orphan, we do not know anything about his bio parents, when he entered the system, or what age he was adopted by the zvahls at. We never actually see his adoptive parents, so they don’t count.

I could go on about other characters too. 90% of mystreet has either a deadbeat parent or a parent they have a bad relationship with. Which is not unrealistic, but it’s kind of irritating that all the good parents are, at best, mediocre or simply aren’t shown enough to be able to tell. Not to mention most of the bad parents are not just bad, they are comically evil. The only provably, intentionally shitty parent of the main cast NOT involved with the forever potions plot is Dante’s dad! This isn’t a friend group with shitty families, this is a friend group most of which have extremely mid civilians and dollar store supervillains for parents!

if some of them were toned down a bit or they had only one bad parent, it would be way more realistic (speaking from personally experience because 99% of my friends also have shitty parents. this is mostly likely a product of 99% of my friends being queer, neurodivergent, and/or disabled with unsupportive parents)

im planning on making a lot of their families at least a bit better because like. it is unrealistic for every single parent ever to be shitty. especially to the point where theyre comic book supervillain esque like you said

there is so much about mystreet that needs to be fixed 💔 i already have ideas for most of it (my rewrite is uh. well. its gonna throw a lot of canon out the window) and the characters' families is something i tackled first because it feels like jess forgot to give them actual families and then tried to patch up the plot holes with "their families are all shitty"