#reality-tied
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reality-tied · 1 year ago
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I couldn't help myself. The project I was getting distracted on is finished now. I knew I could do better, so now that I had more time to give him the attention he deserved, I drew the Wild Boi again.
@tashacee I also remembered the scars this time :)
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dansemacabre · 4 months ago
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(tw unreality!)
ayo new theory just dropped and bad news! the implications are cosmically horrifying
in the bulletin from time baby in book of bill, he says bill is a “danger to narrativity”, and that he risks the fourth wall. this kept bothering me. why reference the fourth wall here? why have time baby reference it? yeah the heaven page and shit is a bit meta, but thats just how bill talks, right? Well i was a fool
when you put “seven eyes” into the lost files site, this warning pops up from the oracle question mark? from journal three:
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the therapese at the bottom translates to “set coords for dimension: r34lity”.
and putting r34lity into the website gives us this image:
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the text below it reads they found a new home. those are “real” fucking images. the henchmaniacs are in our “reality”. the cryptids page might not have been a goof goof bit- they were “real”. (“real” meaning our reality in the book of bill sense of it but still our reality. is that tracking.)
none of the rest of the cast actually references us as a specific audience, or the fandom, or acts like we know them at all. the cast addresses everything they write to a mystery “reader” who needs to be saved from the book’s influence.
meanwhile, in the book of bill:
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because bill’s not talking to a mystery “reader” who’s reading this book.
bill fucking sees us.
bill sees reality. REALITY reality. like this earth the one with alex hirsch and gravity falls the show and tiktok and shit. book of bill is a book in our reality for us the reader. (ie. there’s a reference to “they both reached for the gun” if you put gun in the website, which would only make sense if bill was sentient in this “reality” right now.) and someone is trying to get here to hide from him. maybe they’re already here.
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neversetyoufree · 4 months ago
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Since we'll hopefully be getting out of the VnC hiatus soon, and this new arc seems to finally be turning the spotlight back to Noé and calling out some of his more troubling traits for the first time, I've been thinking a lot about him recently.
I've talked before on this blog about Noé's inability to recognize or process bad things when they happen to him alone. He bounces back from and idealizes almost any experience as soon as it's over, even when he absolutely shouldn't. It's one of my favorite traits of his, and it's been lampshaded a couple of times in-manga. Louis calls out how weird his attitude toward his kidnapping is during the mémoire 9 flashback, and the "be a little bothered" from Vanitas and co in mémoire 57 has the same effect.
We also recently got a whole extended sequence of Vanitas and Domi complaining about how Noé also never anticipates harm before it might come to him. He waltzes into dangerous situations like it's nothing, almost as if he thinks he's unkillable. Combined with the above, this is just more of his strange brand of optimistic denial. Everything is fine in Noéland! It can't possibly not be fine! He always trusts and thinks the best of people and situations by default, never wanting to expect they may do wrong, and so long as a given event doesn't involve harm to external innocents and/or Noé's loved ones that he can't rationalize away, he compartmentalizes and denies harm once it's done. Thus he carries on in blissful ignorance, his past suffering having no effect on the blithe trust with which he treats the world.
But in addition to all that, Noé is also very notably divorced from the consequences of his own actions. It's not that he's *incapable* of considering his own effect on people, and he certainly tries to be kind and decent, but much of the time, it just doesn't seem to occur to him that people will have reactions to the things he does. He does as he sees fit, and when his deeds impact the people around him, especially if they produce a reaction that could upset him, it bounces off his mind in the same way that potential traumas do.
On the more lighthearted end of the spectrum, this leads to things like Noé never noticing when people are attracted to him. It may also have something to do with his airheaded messiness—the way he's always thoughtlessly making a mess of the hotel room and incurring Vanitas's wrath in bonus materials. On the heavier end of the spectrum, this causes a lot of genuine problems for the people around him. He's largely oblivious to the depth of Dominique's mental health problems until she's pushed to her breaking point at the amusement park, despite the fact that he's inextricably entangled in the cause of them. He also completely loses sight of Vanitas's reactions to him when he gets caught up in his protective rage at the start of the vanoé fight, and it takes an outside reminder from Jeanne and a literal mirror to make him realize that his own actions are part of why Vanitas has devolved to such a state.
This lack of self-perception on Noé's part feeds back into the other problems I laid out at the top of this post, his obliviousness toward his interactions with the rest of the world helping to facilitate his denial. It's part of the happy little insulating bubble that he interacts with the world through. And as the other side of that coin, his automatic, unthinking denial of things that could hurt him is part of what enables him to ignore his own impacts on the people around him. You can't reckon with or worry about harming other people when you live in Noéland where everything must be fine. I think the fact that he wants to be a good person that doesn't harm others actually makes it harder for him to confront the truth of how he impacts the world, because him hurting others is a Bad Thing that would cause him mental harm.
We've seen Noé mess up, understand his mistake, and apologize for it before. He apologizes to Vanitas for making assumptions about him after the bal masqué, he apologizes to Vanitas again at the end of the amusement park fight, and he apologizes to Riche for speaking with ignorance about dhampirs. However, I think the bigger a mistake of his is, the more harm it causes other people (and the more understanding would hurt him as a result), the harder it is for Noé to comprehend his wrongs. He's clearly trying to make things right with Domi, and he's told her that he values her, but I don't know if it's yet occurred to him to conceive of their mess as a situation where he's done her active wrong. He also literally passes out on her mid-conversation, leaving Domi and Vanitas to carry him back to bed when he was supposed to be comforting her.
But I think the most fascinating example, the moment where all this comes together into Noé's most feeble and blatant act of denial yet, is the first time he sees Misha after clawing up his face. The anime actually changes this detail, which is its own can of worms to get into, but in the manga, when Noé sees Misha's injuries in the light of day after attacking him, he immediately fucking turns around.
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At the end of his wits at the amusement park, Noé claws a child across the face in a fit of anger and protectiveness. I'm not interested in condemning Noé for this, especially given that the child in question was actively trying to stab Vanitas at the time, but I will say that his actions are quite extreme. Given Vanitas's response and the way Misha's injuries are portrayed, I think it's clear that the manga wants us to see how Noé hurts Mikhail as something troubling and extreme. He gives that kid a pretty horrible injury, and Misha will likely have scars on his face for the rest of his life.
And regardless of how justified he may or may not have been in hurting Misha in defense of Vanitas, it's clear that Noé himself is upset by the true extent of what he does to Mikhail's face. When he looks at him in the light of day, when he sees a numb-looking child with his face wrapped in still-bloody bandages, though we only get to see a small segment of his face in that moment, he looks sick. He knows that he's done something troubling, and I'm sure he feels all kinds of heavy and unpleasant emotions.
This is one genuinely bad thing he's done that Noé cannot deny. He can't rationalize this one away and make it all copacetic. He can't conveniently forget the emotional reality of suffering and harm, because that reality is standing ten yards away from him. And he can't just apologize for things either, because apologies cannot undo physical harm, and frankly, I'm not sure he'd be able to give an honest apology for his one. Sickness at the results of his actions doesn't mean he fully regrets hurting Misha, at least not at this moment when emotions are still raw.
But Noé, confronted with this undeniable source of guilt and pain, is still ultimately unable to look the pain he's caused in the eye. A problem piercing through the happy veil of Noéland and forcing him to acknowledge it doesn't mean he's capable of reckoning with that problem. Instead he just. turns away from it.
Noé, forced to acknowledge a harm he's done and unable to employ all the many layers of automatic insulation that usually protect him, physically turns around because he cannot bear to look at the person, the child, that he's hurt. He employs the very last possible form of avoidance available to him, even though it's useless in the ways that matter. Not looking at Misha doesn't mean he gets to un-know the fact that he maimed him, but he simply cannot bring himself to look.
Noé is extremely good at playing "I do not see it" with things that hurt him. He's good enough that I think he has genuinely no idea he's doing it a vast majority of the time. Whatever mental shield he has that's protecting him is automatic enough that the badness that could hurt him doesn't ever even seem to cross his conscious mind. But no matter how automatic and subconscious, this tendency of his is still, and the end of the day, nothing more than an unhealthy coping mechanism, and this moment helps to put that to our attention.
What's the difference, really, between him cheerfully acting like Jean-Jacques and Chloé's assaults never upset him and him turning around so he doesn't have to look at the wounds he gave Mikhail? Noé can't look at pain, can't acknowledge the things he finds upsetting (at least not things that cause him alone pain, as others' pain often triggers his savior complex and spurs action). This scene with Misha throws that into the light, forcing Noé to desperately cling to his avoidance in an obvious and physical way.
Even when there's no way to deny the harsh reality of having done something he finds horrific, Noé Archiviste cannot make himself look directly at a painful truth, be it others wronging him or his own wrongdoing. It takes an external hand to step in and force him to turn his head and acknowledge/reckon with a problem. And even then, who knows if intervention can always be successful.
The start of the dham arc so far has drawn a lot of attention to this pattern of behavior, with Vanitas having to sit Noé down and explain to him in detail why his words said in well-meaning ignorance make Dante so upset. This is Noé being forced to look at a harm he caused because he couldn't or wouldn't look at and comprehend the problem (his fellow vampires' racism) in the situation he was in. But upsetting Dante is ultimately a low stakes problem for Noé. He put his foot in his mouth and offended a peer; he didn't shred Vanitas's little brother. He's able to accept his wrongs and feel his discomfort without resorting to physically turning around and avoiding the issue.
I want to know what Noé will do if/when this arc forces him to confront a source of pain he can't handle in a context that's more high stakes than a social faux pas. I want to see what he'll do when something really forces him beyond his ability to believe that everything is fine. How badly would he have to be hurt to lose his ability to filter an event/events through rose colored glasses? How badly would he have to hurt someone else? Or is his instinctive shield good enough that he'll never get out of it on his own? And if so, who else might step in to make Noé own up to reality?
Teacher and the Archivistes are becoming plot-relevant now, and our attention is being drawn to Noé's issues. I think there might be something coming soon that even Noé can't turn away from and cheerfully pretend isn't hurting him. Teacher even ends his appearance at the amusement park with a little speech about having to "wake and face reality," which makes me even more certain that a wake-up call for Noé is imminent.
Either that, or Noé's going to mess up and hurt somebody even worse than he hurt Misha later this arc, and in that case, we might get to see a feat of denial even worse than him literally turning around to avoid looking at the wounds he caused.
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septembersung · 7 months ago
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In real life, the traddest men I know: change diapers; do chores; are present and playful with their kids; take good care of their wives; work 50+ hours a week to provide for their families; literally never think about the 1950s.
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abundanceofnots · 13 days ago
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Selfless Acts of the Illegal Variety
Chapter 5: Mickey Gets on with the Program Rating: E Word Count: 4.2k Summary: It happened fast. Seems like the only way they could ever do anything.
Read the fifth chapter of Selfless Acts of the Illegal Variety here, or start from the beginning here.
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casualavocados · 1 month ago
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It fits the character, okay?
AI DI + the Little Red Riding Hood saga KISEKI: DEAR TO ME (2023)
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viserya-firstofhername · 11 days ago
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I'm fine. It's fine. Everything is fine.
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nano30cm · 2 months ago
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a lil distracted
pg 3 / 26
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kings-paintbrush · 4 months ago
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Defending shifters bc god forbid girls do anything 🙄🙄🙄🙄 likeeee we can believe a guy turned water into wine, but the second there’s a multiverse it’s like noooooo
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jerreeeeeee · 3 months ago
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i don’t know if i’m ever gonna write the fic but i’ve been thinking abt like. the eternal stockade. the implications. lup, a lich who was trapped in a dark featureless cell for a decade completely isolated with nothing to keep her sanity but her own mind. she has to put people in the eternal stockade. how many liches does she see herself in. how many liches started out just like her. how many liches are truly too far gone. and the only liches we ever see other than her and barry are edward and lydia. they’re certainly evil, but mad? they seem pretty sane. they’re not, like, tattered echoes of souls, they’re definitely still people. even as much of a grudge as lup surely has against them, wouldn’t they remind her incredibly strongly of herself? do they deserve to be trapped just like she was? for eternity? isn’t eternity what turned john to existential despair in the first place?
#mine#taz balance#taz lup#lup#like idk i think lup’s down to kick necromancer ass but when it comes to being like. WARDENS of a PRISON. would that not be uncomfortable??#but like taking the job is the only way to avoid HER being thrown in prison??#idk the raven queen being a cool & chill goddess boss is definitely fun but when you actually think abt it#i don’t think i’d agree with her. i think if i lived in that world i’d think she were sort of evil#which like also to get into the hunger vs authority its not very explored because its not at all the point#the hunger is meant to be nihilism and despair and dissatisfaction its at its core an emotional story about joy & love#but like john starts out rebelling against laws. laws of the universe; except that it turns out a being wrote those laws (jeffandrew)#so the hunger is also sort of a force of rebelling against unjust constraints in the pursuit of freedom?#and the heroes end up preserving the status quo and saying you just have to find joy within those unjust limitations#which again. like. the point is that life is unfair and you can find joy and meaning despite it. which is true to real life.#i’m not saying the hunger was right or that despair is the only way or w/e like#yk like taz balance is not a story about society its more about. philosophy i guess#the point is that life’s really hard and you find meaning anyway and that’s preferable to despair and death#thematically for the audience we understand these are standins for ways of viewing reality#and in the real world reality is what it is. its just the world. there’s no authority that writes the laws of nature#like its not a ‘man vs authority’ story its a ‘man vs nature’ story#but IN UNIVERSE nature IS an authority. jeffandrew and the gods. regardless of how much joy you can find in an unjust world#if i lived in it i’d want to make it more just! but anyway like yeah barry & lup working for the raven queen#is kinda an extension on that idea of preserving the status quo#although i guess you could say gods are just forces of nature. theyre not PEOPLE theyre just personifications of existent natural laws#and it ties in w istus and fate as well#although fate is like a comforting guiding force rather than restricting & horrifying#^ pay no attention to any of this i don’t think it really means anything i’m just like. writing thoughts as i have them#not like a hard stance i’m taking just exploring some ideas#any ways#THERES A TAG LIMIT??
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reality-tied · 10 months ago
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Long overdue, but new hair = new profile pic, this time featuring my cat :)
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reverseisekai-richie · 3 months ago
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The Queen in White
The Lord in Black
More than rulers, they are the living Black and White itself, unable to ever fully rid themselves of the other.
Wanted to add some more Yog-Sothoth “knows the gate, is the gate, is the key and guardian of the gate” and Azathoth “our reality is his mindless dream” flavor to Wiggly and Webby in my headcanon in a few ways, and also an idea on why gods have a 5-v-1 stalemate. 
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canisalbus · 11 months ago
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I say this in the best way, but your characters feel like they're from an obscure but really good piece of media, and you feel like the artist who always draws the two main characters as ghay lovers
.
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smile-files · 12 days ago
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just out of curiosity: for friends and followers with schizophrenia, psychosis, or any other mental disorder causing delusions/hallucinations, how do you feel about suitcase ii being a representation of that?
ii doesn't have the best track record for mental disorder representation as it is (cough cough paper cough cough bomb cough cough cabby), so i have reason to be skeptical about suitcase... from my perspective, as someone without any such disorder, the handling of her mental disorder is unnuanced but well-intentioned at best, and a tacky, cliched attempt to create drama at worst. but i'd like to hear what other people think! thank you!
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lunaechaos · 3 months ago
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sometimes i think some people in this fandom believe they own the characters they like, and this turns fandom experience into such a toxic and unhealthy one. caring and worrying about a character is very different than disliking anything it's done to them because it doesn't please you and your idea of their personality and who they should associate with.
this begs the question as well, how much is this about Agatha and how much this is actually about just petty hatred/dislike towards Wanda and canon discourse towards Rio? because, in the dawn of Agatha All Along's release, she's been the least one talked of in comparison to her witch mates in some corners of this fandom.
[author's note: it's just so funny to see some clearly biased complaints about recent events in the mcu and the comics, such as Agatha's deaging in the recent runs of the comics. it's obvious that she's been deaged, and it's very ill-intentioned to bissfully ignore the exact time period that her character was first de-aged and redesigned: after Wandavision and Kathryn's Agatha. i thought this was obvious, but since it evidently isn't, Kathryn's Agatha isn't Hagatha. it makes much more sense to match a character that has always been secondary and related to others, without well-defined appearance, and with the ability to age herself down, to its more popular mcu counterpart. also, why complain about a character that hasn't even been released yet, that we don't know a single official thing about, not being inserted in the comics? when said character is rumoured to be a genderbent version of an already existing character i.e Emerald Warlock? so now everything is bad because a single character that never even existed until a few months ago isn't inserted in everything that pertains Agatha's storyline and Agatha's only? are you even listening to yourselves? how come Agatha allegedly being ever-tied to Wanda is such an awful issue, but suddenly her being tied to Rio isn't? are the double standards in the room with us right now? these are just a few issues and complaints i have, and i feel it's high time they were voiced]
[apologize if there are any spell/grammar mistakes, this was written in the middle of a research lab meeting]
#i swear it's so annoying to deal with this fake-concern towards Agatha and her 'storyline'#when what some in this fandom are doing is to just complain and tie this woman's every move to a character that didn't even exist until now#this whole 'wagatha shippers tie Agatha to Wanda' discourse became such an ironical self-projection of what's been happening with Agatha#but in relation to Rio and Rio only since apparently Agatha can't exist and have a life without her#it's so unnerving to see these biased complaints about Rio not being in this or that or that's canon and that's not#i feel like it's beyond time some of you sit back and really read what you've been posting and think about it#this obsession in making Agatha depend on Rio and be tied to her is just as bad as tying her to Wanda#and: canonically they're not even a couple#they're divorced and it's very clear from the recent leaks that Rio will be Agatha's antagonist as well as Wanda's#it's saddening really to see how taken with discourse this fandom has become#and again it's ridiculous that some of you are trying very hard to make it seem you're making it all about Agatha#when in reality you're all making this whole ordea to be about Rio and Rio only#because obviously a comic is only good if it has the characters that i want portrayed in the way i want for my own enjoyment!#some of you are really miserable at this point and are trying to make everyone miserable as well because of your own dissatisfactions#agatha harkness#wanda maximoff#agatha all along
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nothorses · 1 year ago
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I saw your tags on the post about trick or treaters not speaking and I am v interested in hearing more of your thoughts on the concept of “developmental delays”! I‘ve seen the idea that disability is a construct, but I’m not as familiar with the idea that development is also a construct. You have really great takes as an educator and someone who like, actually GETS how kids work, so I am interested in your thoughts!
I also know that posting on this subject might be poking the bear, so it is 1000% cool if you would rather not comment 💜 Tysm!
Oh I'm happy to talk about it! I love talking about this stuff, thank you for asking me to 💙
This isn't exactly new ground; there's been plenty of research into and writing on the subject, and deconstructing "development" as a static concept was, ironically, a huge part of my most recent development class.
The idea is that our understanding of "benchmarks" of development, which informs the larger concept of development as a whole, is heavily rooted in the assumption that Western culture is The Standard. We prioritize walking, talking, reading, and writing, which means we cultivate these skills in our children from a young age, which means they develop those skills more quickly than they do others.
To use one of my favorite examples from Rogoff, 2003, Orienting Concepts and Ways of Understanding the Cultural Nature of Human Development:
Although U.S. middle-class adults often do not trust children below about age 5 with knives, among the Efe of the Democratic Republic of Congo, infants routinely use machetes safely (Wilkie, personal communication, 1989). Likewise, Fore (New Guinea) infants handle knives and fire safely by the time they are able to walk (Sorenson, 1979). Aka parents of Central Africa teach 8- to 10-month-old infants how to throw small spears and use small pointed digging sticks and miniature axes with sharp metal blades: "Training for autonomy begins in infancy. Infants are allowed to crawl or walk to whatever they want in camp and allowed to use knives, machetes, digging sticks, and clay pots around camp. Only if an infant begins to crawl into a fire or hits another child do parents or others interfere with the infant’s activity. It was not unusual, for instance, to see an eight month old with a six-inch knife chopping the branch frame of its family’s house. By three or four years of age children can cook themselves a meal on the fire, and by ten years of age Aka children know enough subsistence skills to live in the forest alone if need be. (Hewlett, 1991, p. 34)" (pg. 5)
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In the US we would view "letting an 8-month-old handle a knife" as a sign of severe neglect, but the emphasis here is placed on the fact that these children are taught to do these things safely. They don't learn out of necessity, or stumble into knives when nobody is watching; they learn with care, support, and safety in mind, just like children here learn. It makes me wonder if Aka parents would view our children's lack of basic survival skills with the same concern and disdain as USAmerican parents would view their children's inability to read.
Do we disallow our children from handling knives because it is objectively, fundamentally unsafe for a child of that age to do so- because even teaching them is developmentally impossible- or is that just a cultural assumption?
What other cultural assumptions do we have about child development?
Which ties in neatly with various social-based models of disability, particularly learning and, of course, developmental disabilities. If your culture doesn't value the things you are good at, and you happen to struggle with the things it does value, what kinds of assumptions is it likely to make about you? How will it pathologize you? What happens to that culture if it understands those values to be arbitrary, in order to accommodate your unique existence?
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