#quotes from my brain

[jaesinnerworld]

“there better be buckcest on my screen tonight. make them kiss or i will kms.” -me to vada

@swervestomp

[c3s6]

Burninating the countryside

Burninating the peasants

Burninating the people…. WHO MADE NO SURPRISES!

(And the song too)

[percabethconvos]

[After the quest in TLT]

Annabeth: Hey, I wanted to give you something

Percy: Hm?

[Hands him an intricately woven band]

Percy: What is this?

Annabeth: It's a gift

Annabeth: Athena is a goddess of crafts too, not just war

Annabeth: I never practiced weaving much, but I wanted to make you something, to show that we're friends now you know?

Percy, trying not to smile: So you made me a friendship bracelet?

Annabeth, embarrassed, trying to grab it: You don't have to wear it if you don't want it!

Percy, laughing, batting her hands away: No way! I'm gonna wear it forever back off!

[onceandfuturelesbian]

[arthur is being nice]

merlin: careful sire, it almost sounds like you care about me.

arthur, deflecting: i care for all my subjects.

merlin: technically, i’m not your subject.

arthur, thinking: fuckfuck merlin’s not-

arthur: well maybe i care about you specifically then.

[furiosophie]

[moeblob]

Gavin mentally: wait... that doesn't add up........

[snowe-zolynn-rogers]

Solar: Look at this thing.

Solar: *holds up Jack like a cat*

Solar: This thing has not a single thought in its head.

Solar: But this thing is my son.

[elssbethtascioni]

TV Appreciation Week 2024 ↳ Day 3: favorite couple/dynamic

Ruth Wilson and James McAvoy as Mrs. Coulter and Lord Asriel His Dark Materials (2019-2022)

[introspectivememories]

too many of you guys think nico is the loser and not lewis for letting the divorce go on for so long. like they're both losers about each other. emotionally constipated idiots who can't talk about their toxic homoerotic friendship that imploded on itself like 8 years ago and are now making it everyone else's problem. yeah nico's on television or in beer gardens talking about lewis all the time but like every other month some reporter is like "lewis, what's your favorite moment in your career?" and lewis no hesitation is like "oh man, karting, y'know? everything was simpler then" and then spends another six months skirting around nico's name. like this whole thing they're doing in the media isn't some kinda extended foreplay for them. they're both still pressing on the bruise to make sure it's still there!!! every few months, they're literally just asking on public television, does it still hurt for you like it does for me? and like clockwork, someone will release new information about them or one of them will say something about each other (in my heart, he's still my best friend/yes... and teammate) and the answer will remain the same, yes, of course, always.

[youhavethesun]

it’s the way every literati scene has the potential to be my favourite scene. like they just hit so hard every time.

‘I don’t even know you’ to ‘I know you. I know you better than anyone’ immaculate the symmetry the parallels the angst

‘I wanted to put some notes in the margins for you’ ahhhhhhh

‘you know, ernest only has lovely things to say about you’ absolutely stunning, when I was 16 I actually wrote this on my hemingway notes for school that’s how unwell this line made me

‘why are you only nice to me?’ I have fallen off a bridge

‘why’d you call?’ ‘ I-’ ‘I’m glad you called.’ :))))

‘turn right.’ ‘as you wish.’ my heart actually stopped beating. jess quoting the princess bride was a life changing occurrence for me

‘I made sure she was okay.’ heartbreaking. sobbing on the floor.

‘this was fate!’ ‘I think it was.’ soulmates soulmates soulmates

‘because. you didn’t say goodbye.’ okay just rip my heart into pieces that’s fine

‘I think I may have loved you but I - I just need to let it go’ EGOT material this is CINEMA

‘what do you have to say to me?’ ‘I love you.’ jaw dropped absolutely unhinged

‘you can count on me now. I know you couldn’t count on me before but you can now. you can.’ crying crying crying

‘you know we’re supposed to be together. I knew it from the first time I saw you two years ago’ invisible string of fate helloooo but also I’m crying again

‘happy birthday, by the way. wasn’t that couple of weeks ago? your birthday?’ completely devastating

‘it is what it is. you. me.’ my heart shattered into a million pieces I have actually never recovered

[agro-alone]

no gatekeeping

here is my list of patch ideas

● there is a war on the poor

● fund the NHS

● end law. take your rights by force

● trans and intersex bodily autonomy now

● nothing about us without us

● dead men don't rape

● queers hate cops

● no child deserves to live in fear

● biology was never binary

● not every disability is visible

● people not puzzles

● From the river to the sea, Palestine will be free

● this is a patch

● vaccines don't cause autism. I do

● nd nb (ACDC style)

● I'm here I'm queer and my joint pain is moderate to severe

● United we bargain. divided we beg

● I do not think. therefore I do not am

● the poor pay tax but the rich pay politicians

● the only hope for me is you

● there is no gender only rage

● easily distracted by shiny objects

● elect a clown expect a circus

● thick thighs save lives

● stop animal testing

● Good people disobey bad laws

● don't die wondering... transgenderism could be for you

● talk to your neighbours not the police

● it's never too late to be who you might have been

● they lied. hard work has killed people

● slightly burned out but still smokin'

● no fault divorce saves lives

● no more second homes

if you like some of these quotes, you may also like @grlofswords and @sweatermuppet

[kissme-withyour-cherrylipstick]

Bonus under the cut

[suittehearts]

tlt as quotes that kill me

[corseque]

Re: your Twitter poll: I think I’m the only one who thinks that Trespasser line reads oddly if they didn’t have sex.

If they didn’t, that means either 1 of 3 things: Solas is denying something Lavellan herself is asserting, Solas didn’t understand the metaphor or Solas bizarrely brought it up as a non-sequitur.

Meanwhile, if they did have sex, he’s presuming she’s using a play on words to insinuate that he took her for a ride and he’s saying no, I wouldn’t have slept with you if I was pretending the whole time.

I’ve had a few people say this to me, but it makes perfect sense to me so maybe I can try to explain. I’m writing the rest of this post talking only about the interpretation where Solas and Lavellan did not have sex, but as we know, it’s equally valid and canon to think they did have sex. Ok. So.

Solas: “What is the old Dalish curse? “May the Dread Wolf take you?”

Lavellan: “And so he did.” (The Dread Wolf did trick me like the old curse said.)

— Solas: “I did not. I would not lay with you under false pretenses.” (I did not. I would never cross the line and have sex with you under false pretenses.)* —

“But you lied to me. I loved you. Did you really think I wouldn’t have understood?” (It doesn’t matter that you didn’t cross that line. You still lied to me and didn’t trust me when I loved you.)

*yes, this is a disjointed thing to respond with. He’s thinking of the innuendo when she isn’t.

So you said it was one of three things - I think it’s the third thing, Solas bringing it up in a (at first glance) bizarre way.

I think that Reddit post I linked on Twitter made a good point in that Solas seems very thrown in this conversation when Lavellan doesn’t dump him immediately. He’s expecting to be dumped, he isn’t expecting to defend himself. And his defenses seem very wrong-footed, unpolished, honest, and, now that I’m thinking about it, interesting. (I’ll tie it together after looking at the angry branch.)

In the other, equivalent branch, it goes

Lavellan: “Ma harel lasa!” (“You lied to me!”)

— Solas: “Only by omission.” (Lol) —

Lavellan: “Ma lasa banal’ghilana!” (You led me astray!”)

Solas: “What would you have had me say, that I was the great adversary in your people’s mythology?”

Lavellan: “I would have had you trust me!”

The equivalent line there is “Only by omission” which is an equally silly lame duck defense to say. It’s as silly to say “I only half-lied to you!” as it is to say “Well, at least I didn’t have sex with you!”

But I think what these responses both have in common* is that they both would be things he had thought about for years of regret and rumination, so that’s why they were honestly on his mind when he suddenly had to answer for himself. “At least I never lied to her, I only lied by omission.” “At least I didn’t cross that line with her and have sex with her.” “What was I supposed to tell her? ‘By the way, I’m the devil who has haunted your people for ages beyond counting?’”

(it’s funny that all 3 of these things he’s been telling himself just blow away in the wind in an actual conversation with her, haha)

Anyway, “I didn’t cross the line of sex with you” is not a non-sequitor if he had been ruminating about it for years and it was important to him. If it wasn’t important to him*, they would have had sex.

*in this interpretation, of course.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[midoristeashop]

they are just so grossly in love (I’m throwing up)