#people were thanking us

[evilresidentz]

sorry they exist

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[professorcalculusstanaccount]

The penultimate part of my story, The House of Glass. Tintin's investigation hits a wall. Follows directly from this!

If you're enjoying this comic, please consider donating to Eyad, he is a father of four trying to evacuate his family from the Gaza strip. His wife Amal, and their kids, Sami (11), Mohammad (9), Sarah (7) and Saad (5) are currently in a displacement school in the Zaytoun area. Eyad has been separated from his family, and is currently living in a tent in the Dier al-Balah area.

His blog is @abosamisblog

[lala-blahblah]

I get why people headcanon that Trucy would call Edgeworth "Uncle Miles" because it represents how close he is to Nick and Trucy and how he's basically part of the family etc. HOWEVER I cannot help but imagine the shock and horror of passersby who hear Trucy call one man "uncle" and one "daddy" as they watch Nick and Miles interact lovingly in public and come to the conclusion that Nick is openly cheating on his spouse with his spouse's brother.

[uncanny-tranny]

I recall saying this before, but it bears repeating:

There could be a billion trans people in the world and it still wouldn't be a bad thing because being trans is not a bad thing. Even if the rate of people discovering they are trans is "disproportionate" to trends from decades ago, that is not a bad thing. In fact, it's a natural consequence for there being more trans people being able to stay alive, and, overall, being able to live in a slightly more tolerant world. You'd only see that as a bad thing if you actively didn't want trans people to either live or live a life that facilitates wellness.

[nerdinsandals]

I drew a May to test the new SAI 1 update 💚🧡

[returntosunder]

Happy Valentine’s Day!

Have some ships to celebrate <3

[broareweabouttoviberightnow]

am I getting too convoluted if I said Johnny dies Dallas lives n Pony loses his hearing as a result of the way Dallas hits him (to put out the fire) when he pulls him out of the church au??

[thatbuddie]

"eddie isn't queer/gay," you say. "he is straight in canon, so him being gay is just a head canon. it's ok for others to think of him as straight because that's what he is."

let's ignore for a second the fact that eddie has never ever ever ever not even once, said in canon that he is a heterosexual very straight guy. seriously!!! he has never once said it!!! if i am "assuming" he's gay then you are also "assuming" he is straight even though he has never once said it!!

how do you think we got bi buck as canon? like i am serious right now, answer the question. how do you think we go bi buck canon? evan buckley was never conceived to be a bisexual man at the beginning of 911. the reason we have evan buckley as a canonically bisexual character today is because us, queer fans of 911, interpreted him and headcanoned him as bisexual. i would go even further and say that it was us, BUDDIE FANS, who interpreted him and headcanoned him as bi. even before the writers were explicitly writing him as bisexual. we read his actions and his story and his identity and said: "this is a bi character!" and the writers looked back and realized that it made sense! and so they started writing him explicitly and canonically as bi.

was it wrong of us to headcanon a character as bisexual then? like for all intents and purposes we were reading a "straight" character as bi. were we doing something wrong? how come you are not complaining/chastising us/shaming us for how we took evan buckley, an otherwise straight character, and saw him as bi? is it because it now serves a purpose to you that he is bi?

also, taking characters that aren't confirmed queer and reading them as queer is what the queer community, and specifically the queer fandom community, has been doing for DECADES. look up the history of queer coding, i am begging you. it has been through the means of queer coding and the perseverance of people that are engaged in it that actual queer representation in media has increased. and let me tell you right now, eddie diaz is, undoubtedly and undeniably, one of the most queer coded characters there is. whether you think this queer coding is conscious by the writers or not. eddie diaz is queer coded.

and i want everyone who says things like "eddie diaz is not a queer character. he is straight in canon. it's wrong to assume a character is queer without the character saying so" to know that this is exactly what straight and homophobic people say. you are using the SAME rhetoric that has been used to shame queer fans for decades for seeing themselves and their experiences in fictional characters of all types. in fact, us, queer fans (and again BUDDIE FANS), were told so many times by straight fans that we were wrong for reading buck as bisexual. and where are we now? where did reading buck as bi take us? oh yeah, to having bi buck in canon.

so please just stop with the "eddie isn't queer in canon" comments. if you don't want to interpret eddie as queer then that is your prerogative. i will be judging why that is, for sure, but it is your right. but be honest about it. it has nothing to do with whether or not he is straight (which hasn't been said) or queer coded (which he so obviously is seeing as so many of us can very easily read him as queer). it's a personal preference and you're not engaging with canon better because of it.

[somegrumpynerd]

A bunch of doodles inspired by @wickjump saying Cross has an eternal kicked puppy look (and steadily devolving into dadmare because y'know. My Brand)

[cozylittleartblog]

me omw to scare mormons out of a wendys!! 🍂🖤🍟

ootd from like 2 weeks ago and yes that really happened

[bandtrees]

they would get divorced in one universe just to find eachother in another one

alternatively titled: sometimes you're the level-headed token flesh-head impulse-control-and-polycule-member of a stubborn, eccentric, and hearty telephone-headed drug addict, and there's cruelty in the world you deem fit to suicidally fight, and that either goes about as well as you'd expect it to, or you learn about love and the value of your life and junk along the way

[tio-trile]

Some of the photos I took of the cast and showrunners at the Chaos Theory panel yesterday : )

[casscainmainly]

What do you think of how WFA is currently using Duke so far? On the one hand bringing in We are Robin is good but on the other hand I feel like it they still are sidelining him. He's still benched and sure they brought in We are Robin but it felt like they were more used for Damian and his story, and they had Duke set up this support system but we've seen others like Steph doing more with it and really interacting with it. I feel like them say introducing We Are Robin but like making interact more with Damian and be there for his story is like "see we read Duke, now here's the other characters we really want to focus"

I've fallen behind on WFA for a few weeks so I just caught up! And. Yeah. I have thoughts. (Also again disclaimer I don't have FastPass so this is based on the free eps as of now).

In August last year I did an analysis of Duke Thomas in WFA, where I outlined my gripes. Then, in December, I praised the We Are Robin-centric episode. Right after, I wrote about how the next episode was making me a little wary but I was still optimistic.

Just outlining this to demonstrate that my feelings on WFA bounce back and forth a lot, but I do think it can do better and it has done better. So I'm gonna read on (because it's the only consistent place for Duke content, and because I like the Batgirls in it enough), but long story short: I'm pissed.

(Putting a rant under the cut; if you're enjoying S3 of WFA, I'm genuinely happy for you! I'm going to take a more negative stance than usual though so don't read if you don't want to hear that stuff).

Okay first of all the benching. All the way back in August I complained about Duke being benched, in a season that started with his kidnapping and revolves around the Joker. At the time I was hopeful he'd be unbenched, but it's been 34 eps and he's STILL BENCHED!! Even if he's unbenched in the FastPass eps I don't have, it's still ridiculous that he was out of the field for that long.

What happened when canon Duke got injured I wonder??

Oh yeah, in the Cursed Wheel he SNUCK OUT!!! Because he has agency!!!! What's frustrating about benching Duke for the entirety of S3 so far is that Duke, at his core, is a character of action. From his very first appearance in Zero Year, he's defined by an absurd amount of agency, wanting to fight the Riddler (then finding his parents, then joining WAR, then becoming Signal). A Duke that sits by for THIRTY FOUR EPISODES is NOT DUKE THOMAS!!!

But he's broken his arm, right? It makes sense for him to be benched?? Well first of all it was WFA's CHOICE to break his arm, a choice I do not think added anything to Duke's character or to Bruce's paranoia (which was clearly the entire point of Duke's kidnapping in the first place). Secondly, another character was injured in a fight with the Joker and benched. Another character who REJOINED THE FIELD IN 16 EPISODES!!!!

Dick gets injured in #130 and goes back out in #146. That is under half of how many episodes Duke's been benched for, AND Dick got injured in a fight against Joker. Duke didn't even get to fight!!! He didn't get to do anything!!! Dick's injury was also stupid, but the way WFA handled his benching versus Duke's is worlds apart, and shows to me how much less they respect Duke than the others.

Also can I just say how gross it was to use Duke's kidnapping merely to kickstart the plot? An astonishing 14 episodes pass before we get any mention of how Duke feels (in #132, he says he has nightmares). Then another 11 eps pass before we get to him talking to Lucius + calling WAR. That nightmares thing is never followed up on either! In #124 and #132, Duke's dialogue functions to further the plot or other characters - in #124, Duke justifies the others going out, and in #132, he helps Bruce through his feelings. Even when the episodes are about him, they are not about him!!! I genuinely think only 2 eps out of this entire season haven't used Duke as a prop for someone else.

I'm going to briefly detour to discuss #132 because I loathe that episode. In Homebound, Bruce visits Duke and they play Battleship (it was cute. fine. whatever). And then Bruce offers to hear Duke out on how he feels. Smash cut to:

ARE YOU SERIOUS??? We spent more than 3 episodes on Jason's PTSD, but we couldn't even spend a single panel on Duke talking about his own trauma???? Whether or not you liked the Jason bits this season, he had a moment. Babs also has her moment, and a whole ep is spent with just her and her dad. Duke, of the 3 Bats that have the biggest associations with the Joker, never gets to fully express how he feels. This off-panel cop-out is honestly kind of insulting.

Another detour: the kidnapping ep. We finally get Duke's full backstory after TWO WHOLE SEASONS (besides a brief mention in #76), and it was just not good. Besides the fact that Duke's kidnapping is, as I've mentioned, just a way to get the plot moving, I don't like the way WFA handles his parents:

What on EARTH are you talking about. This feels like a justification for Duke having never mentioned his parents before, but it's completely untrue to Duke's canon character. Sure, he thinks about his parents more than he talks about them, but WFA Duke never thinks about them either!! This narration box just riles me up whenever I think about it.

I was a bit nicer to this part in my first analysis, but no this part just straight up sucks. First off, I don't believe canon!Duke fears being turned into "something like [his parents]". In Cursed Wheel, he more or less comes to terms with how his parents are: "every horrible thing coming out of [my parents'] mouths? They're actually telling me how much they love me. [...] Let them stay." WFA always picking the weirdest things (becoming like his parents, his powers) for Duke to be scared about!

Secondly, this part juxtaposes the 'horror' of becoming like his parents ("something like them") and the wonderful, beautiful vision of "home": Bruce Wayne. Not only is this in direct defiance of Duke's canon character, it just strikes me as an odd and mean-spirited comparison. It essentially erases Duke's parents from his vision of 'home', just to fit him into the Wayne nuclear family.

But to get to the actual topic of the ask: We Are Robin. I still think the We Are Robin ep (#144) is the best Duke in the entirety of WFA, but did things improve afterwards? Did we focus on the WAR kids, their relationship to Duke, or their overall relationship to Robin? Nope. Turns out WAR, like Duke, was a prop for Damian!!

Damian is too harsh in training the Robins, so Duke intervenes. Damian stomps off and has a heart-to-heart with Jon, during which he admits he was trying to prove himself as Robin by training WAR. I actually like this premise!!! Duke and Damian have always had a contentious relationship to each other's Robins, and it makes TOTAL sense for Damian to be dismissive of WAR and think of it as a way to 'prove' himself. The problem is we did this already. TOM KING did it, in Robin War!!!

This is literally a microwaved TK story with worse writing and less nuance. In Robin War, we explored the way Damian dismisses Duke + WAR, both Duke and Damian's feelings of inadequacy around being Robin, and both of them eventually finding common ground and accepting each other. This arc is that except we cut out Duke's perspective. Now, it's all about Damian's feelings about Robin, and nothing about Duke or WAR's relationship to the mantle!

I cannot stress enough that this is a worse version of Robin War, and Robin War isn't even that good!!!

By centering We Are Robin's appearance on Damian, we lose about 99% of WAR's relationships to each other (and especially to Duke). The only specific relationship we see is Duke and Izzy blushing around each other. No acknowledgement of the Dre-Duke beef, the Riko-Duke crush, Dax-Dre friendship, these are a bunch of extras in a movie about Damian Wayne I guess.

You get absolutely no sense of who Izzy, Riko, Dre, or Dax are. The only thing you learn about them is that they're incompetent!

It's been a couple of episodes and they've been beaten TWICE. I get that they're not the main characters, but compared to the Outlaws or other affiliated teams, WAR is portrayed as ineffectual. And both times it's for Damian's sake. This is so frustrating because Damian + WAR is a really interesting relationship, but because WFA never focuses on WAR's feelings or reactions, it doesn't feel like an equal conflict. It feels like Damian vs. some cardboard cutouts.

WHO ARE THESE PEOPLE??? Why aren't they even a tiny bit mad at Damian for either Robin War (WHICH DID HAPPEN BECAUSE WE ARE ROBIN IS CANON HERE) or what he did to them literally a few eps ago?? You know what, why aren't they mad at DUKE for ghosting and abandoning them?? They mention very briefly at the start that it's 'all good', but why??? Is it because WFA is not invested in their feelings??? Is it because we don't have space to explore even a modicum of Duke's story??????

Having a We Are Robin plot not focused on Duke Thomas or even We Are Robin is so upsetting, especially because the WAR ep was genuinely grounded in canon. Like you said in the ask, it does feel like they put that in there just to prove they've read WAR. What is clear to me now is that, though they've read the run, they didn't understand it. They did it for a perfunctory 'here's some Duke stuff' and never bothered to be interested in any of these characters' stories.

Because we should have gotten Duke's side of things. Damian gets an entire ep to talk to Jon and another to prove himself by fighting Joker, and Duke gets a few panels where he's like 'Damian don't usurp my training I forgive you though'. Season 3 has come the closest to giving WFA!Duke some depth, and because it comes the closest, it also fails the hardest. I still have hope that Duke will get some moments in this season, but I'm losing hope that it will make up for his treatment at all.

Apparently an upcoming Cass ep isn't great so they're really attacking me personally at this point. Idk what gets me is that for some people, this is their first exposure to Duke and WAR. For some people this is and will continue to be their only exposure. And it's this watered-down, uninteresting, bland, prop version of him that just is not the Duke Thomas I know and love.

[autumnhortsnort]

Hello coauthor! A Residuum reader here. One thing I really like about your comic is how the consequences of the characters' actions feel so plausible, but what stands out to me the most is the pacing in how they're presented throughout the story. Do you have any tips for structuring a plot? Every time I try to outline mine, it feels a bit incoherent, and the scenes don’t seem to flow well together. I’d appreciate any advice 🐢

best advice? Write the whole outline down as much and as far as you can, doesn't matter if it makes sense, that's for editing you to figure out. Then edit the ever-loving daylights out of it, add in connecting actions, and take out things that don't work. Residuum has had Five different drafts, with major tweaking as we go. The outline is not set in stone.

Also don’t share it outside of friends, that can make you feel pressured to stick to (the previous plot) even when it doesn’t work for how your story has progressed. There’s a reason we didn’t share any of the potential endings when we were still trying to figure out where the story was going. When the first arc was being posted we had an idea of the plot til about halfway through arc 4, but we didn’t actually have a concrete ending.

how we structure a plot (and do pacing)

Write out your main plot points and then write what the characters need to do to make that event happen. We basically do the plot mountain structure, but for each arc (there are 4 of them) we tend to make the climax of each arc into turning points or decisions that the main characters have to make that they cannot undo. here's a good article to read about structuring plots. (Note! This is for the broad spanning major plot beats, each update actually gets written as needed, they aren't written into the outline.)

When it comes to character decisions it’s more about, ���what would make the character do this?” rather than, “would the character do this?” You can make characters do things they normally wouldn’t if you give them the right incentive.

For the pacing with residuum, because it’s serialized, we try to have something progress with each update. Either you learn something new, the plot has progressed (aka the status quo has changed), or there's set up/foreshadowing for later, most updates actually have all three. When writing in a serialized format (each chapter getting its own release) it’s a good idea to treat each update as a complete chunk. Try asking yourself: what is the goal for this part? are you using this update for anything actually important? are you conveying anything new and/or important to the plot? Is this something you want to focus on? Are you writing this to meet audience expectations or because you want to? There are parts where residuum gets almost no interaction but, importantly, those parts still meet our individual update rules. If you're writing for audience engagement you are going to get discouraged from writing long spanning plots very quickly. The audience doesn’t know whats coming, so they won’t interact with anything that doesn’t have their current blorbo™, even if it’s plot important.

for how we make the consequences make sense

Make things make logical sense? honestly i don't what to tell you.

We read. a. lot. I used to read 400 books over a school year, beaze has read about 13.6K fanfics on Ao3 over the course of 4 years. plus a ton of manhwa and manga, and that doesn’t include nonfiction, stuff from sites outside of Ao3, course assigned books, reddit fiction, royal road. Most of how we understand and structure plots is instinctual because we fire hosed our brains with them for years.

I'd recommend watching watching Overly Sarcastic Production’s Trope Talks, and reading stuff that's not rise related, as well as researching nonfiction stuff that's relevant to what you want to write we are at a place where we aren’t writing the outline anymore, just editing it if needed. We use the outline structure to make each update because it gives us a objective for the update, and gives us a road map for when to place the set up for future updates. But if you struggle to use outlines you can just… not use them. Garden writing is a valid writing strategy, I use it for one shot AU’s of residuum.

For long spanning stories written garden style the first draft can be your outline. Just edit and flesh it out once you’ve written it.

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon. her story is linked to my swtor imperial agent, tar'x, but most of her life except for the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)