#past me is such a fucking bitch

[galvanizedfriend]

That moment when you start reading something on your WIPs folder and it turns out to be very engaging and you're super interested and then you get to the end and remember that past-you didn't write the finale. I hate my life so much right now.

[indigo6f00ff]

need to share an experience i had 30 minutes ago

(edit: thanks to @walks-the-ages for providing and reminding me to put alt text, sorry it slips my mind alot lol)

[honey-bird10]

GET THESE BITCHES A ROOM

[front-facing-pokemon]

[arias-diaryy]

Phinks and treating the person he just freshly kidnapped and brought into his house (you) like some animal that just wandered in that he’s trying to placate so it doesn’t start destroying his furniture

[thedoormann]

people who don't vote can suck my fat fucking cock for real

[ssruis]

I’ve seen more posts about mizurui and ohh how will rui comfort mizuki in this situation what’s Rui’s reaction gonna be how will rui take this rui rui rui than mizuena since mizu5. do we have to make everything about one of the four guys in the game. Including an event heavily focusing on the relationship mizuki has with another girl. Serious contender for funniest (in a bad way) responses to a post I’ve seen in a while was the qrts to someone saying “it’s nice to see an implied sapphic transwoman in media bc it’s so rare. This is why I don’t like mizurui.” (benign and valid opinion). Someone said “Ena is just mizuki’s friend her relationship with rui is really romance coded you’re just an idiot.” Someone else said “can we stop posting our opinions on the internet” being 100% genuine. Another person said mizurui would have killed themselves in middle school if they hadn’t met.

[welcometogrouchland]

Noticing that TV and film will often have a character either have had an abortion in the past that isn't showcased on screen (and just used as part of the character's ~fucked up and twisted backstory~) OR contemplate getting an abortion in the present day but not to through with it. Just once I want to see someone delete that fetus within the events of the plot and not be like. Extremely majorly punished for it and/or be in the wrong

[puppppppppy]

man

[pcktknife]

it might b getting to the point if I stay up past 11 I start getting a teeny tiny itty bitty passively suicidal. nothing crazy but it is like mildly annoying

[a-scary-lack-of-common-sense]

I am exhausted, good heavens.

[mazojo]

JAYCE AND EKKO PARALLELS TO JINX AND VIKTOR I AM FREAKING OUT WHAT IF THIS WAS MY LAST STRAW

[poppytuft]

the bear s3 spoilers

below the cut! thinking about claire and stuff we saw this season re: carmy/syd/the restaurant/donna, just finished the season so itll be a mess and also im comin in way too hot on this so my bad

sometimes...... sometimes i believe you guys are all watching different tv. im not sure how this season didnt feel like a direct through line from s2?? and im not sure WHY everyone is SO MAD about claire LITERALLY "haunting" this season. girl. come on. we need to have a sit down talk about how the berzatto generational trauma is the real meat of this show (this will make sense, just trust me). thats the MAIN EMOTIONAL POINT. syd's relationship with her dad, marcus and his mom, richie and evie, even tina and louie are all examples of parental relationships that are tender, sweet, supportive, etc. these are INTENTIONAL!! by creating these relationships we see PLAINLY how fucked donna is and how much she fucked up all of these kids. thats why "ice chips" was such a FANTASTIC episode. there was SO MUCH unpacked, so much revealed, so much worked through with sugar and her but at the end of the day she's still learning how to unlearn all of this horrific narcissistic bullshit. SHES STILL UNLEARNING THOUGH. thats where fucking DONNA of all people sits right now——somehow, she's learning how to heal. EVERYONE IS LEARNING. that's also what is so important about that episode.

now lets look at carmy. in "ice chips" we are LITERALLY told about how each berzatto is born: mikey fighting against the idea of being alive at all, nat into a quiet, soothing room, and CARMY is fucking born into EVERYONE SCREAMING and ARGUING and FIGHTING. we are BLATANTLY told that all carmy has ever known is HELL and all he's ever known how to communicate is through exploding. this is so violently against what we also know about his personality from childhood in "fishes" (anxious growing up, arts-oriented, had a hard time making friends). now, he works a violently stressful job, processing the trauma from both his mother (and chef fields [joel mchale], realistically) through the high-stress environment.

NOW. ENTER CLAIRE.

HOW is she not fascinating to you all. we don't see her whole story (because the bear, duh) but we are given just enough pieces here to put together that her story runs parallel to carmy's. how are you not getting this. walk with me.

claire. glasses, nerdy, quiet, sweet, girl next door. family friend! cute, but considered mid for a long time by everyone at school, but suddenly the berzatto men all badger carm, "oh she got a glow up, oh shes looking for you, she wants to see you," etc etc etc. what happened in between?

she finds herself. she finds the stressful thing she LOVES, which is the hospital. her job is objectively more stressful than carmy's (illustrated by that scene earlier in the season but i forgot the episode, where claire talks about the girl who got her shit wrecked by the glass table), and while we don't have an exact understanding of what her home life was like, we understand that her and carmy both have a level of internal anxiety that thrives on the stress of their careers. HOWEVER, claire does it because she loves it. carmy just doesn't know how to stop.

this is what makes claire feel like "peace" to carmy——because her high-stress job is a choice, an active choice she is making because it fulfills her. it's not to prove her dead brother wrong, or to honor his own legacy, or to prove that dickbag boss wrong, or to leave a mark on the world, or to make her own life worthwhile, or to prove that she doesn't need anyone else. she genuinely enjoys helping people even when the days are stressful, or scary. he's obsessed with this. he wants to know how she does this. every day she leaves that stress at home——and he wants to learn how to do that too.

claire is VITAL to this season and to understanding carmy's stress——and how far back he is in his healing process. it should only become more and more apparent, as we see characters like tina (the beef/the bear became vital to her success/development as a chef AND person, both for the people AND her love of food), marcus (not hiding his grief, but using it to help rationalize how much his mother loved him and wanted to be surrounded by people that love him), and richie (finding a purpose through service/expo and understanding he can start over again) push through their own traumas and struggles to become better people. if donna can be not only present at sugar's bedside during labor, but WELCOMED at this point in the show, it makes carmy's inability to heal all the more present. claire is an important part of this puzzle: she helps us see a window into a world where carmy is balanced emotionally, but unbalanced professionally, because he has no idea how to make the two coexist.

however, the idea that he can be balanced emotionally at all is so fucking enticing——with the help of someone who experiences stress in the same way as him (and who is familiar with his familial trauma), he has the opportunity to grow up and move on from his family trauma and wounds perpetuated by the industry he works in.

on the flip side of this....... his inability to process any of this is starting to impact syd. and frankly, that's some bullshit. his lack of communication, inability to community build/trust ANYONE, and his violent stubbornness is pushing her into the same space that he was in under chef fields, in a much slower, more subtle manner, and for slightly different reasons. her panic attack at the end of the season could read in two directions to me: her stress over the responsibility of changing so many people's lives has boiled over once she remembered that the beef once was truly great (hey five star review on the fridge!), OR, she realizes how much she isn't in it for the food. fuck a Michelin star: she wants to cook with her family. chef terry says at the end of "forever", in the garage with carmy, that she's so grateful she got to do whatever she wanted, whenever she wanted, where she wanted, with the people she wanted to do it with. sydney is so close to having those things at the bear——but carmy's dysfunction is keeping it just out of arms reach. the two of them are now on opposite sides of the approach from last season: syd dying for a star, and carmy dying to cook for the woman he loved. now, carmy is hungy for recognition again, desperate to prove something, and sydney is remembering (thanks to the conversation with other chefs during the ever funeral service) why she loved cooking in the first place. so this leaves us to wonder: should she stick it out? for the people? or make something of herself? is she carmy, or is she terry? i guess we will just have to see.

all this to say: every character is connected. the bear is a show about family, found and blood, and the choices we make for, with, and because of the people we love, for better or for worse. food is only the center of it, because it's the center of all of our lives. you can't hate claire without understanding where she sits in the web of the berzatto family. and really, you can't hate her if you understand what her presence means for carmy, for syd, and the restaurant as a whole.

[northlight14]

@ everyone going back to school, especially all my fellow neurodivergents and specifically those with special interests or hyperfixations, there is no wrong way of revising! It doesn’t matter if it seems “unusual” to other people, if it works for you, use it!!

I just finished collage and because of my funky brain, I can have a difficult time remembering information, especially things like names and specific details. And considering a lot of the classes I was taking required me to remember a lot of different theories, that was proving to be a bit of an issue. Cut to when we were getting up to our A level mocks and my English literature teacher at the time starts going round the entire classroom asking everyone how they revise one by one. Everyone’s saying the usual stuff of “I reread the material” “I use flash cards” “I make notes” etc. All stuff I’ve tried to do in the past but just never worked for me because my brain functions differently. She then gets to me and asks how I revise and I explain that I’ll try and make connections in my brain between the thing I’m studying and whatever my interests are. I’ve always found this to be useful for me because it keeps my brain interested in what I’m studying by using my special interests and also requires me to actively think about and analyse what I’m studying so that I can make those connections. However, my teacher just looked at me with the most condescending smile on her face and asked “does that really work?” Obviously I got uncomfortable and said “yeah it does” but she then proceeded to ask “do you do anything else?” And making it out as if I was an idiot for doing something like that and just making me feel embarrassed in front of the class. Eventually, I just said one of the generic answers everyone else had so she’d leave me alone.

However, I’m petty as hell so when it came to the mocks I used that method to memorise one of my theories for media studies. Cut to that theory being the one that stuck in my head the most, just proving to me that this method my teacher decided “doesn’t work” without actually listening to me, does in fact work for me. Fast forward to my actual A Levels and I used that method again. Ace Attorney had just become my new special interest/hyperfixation so I used that for a lot of the theories. Specifically, one of the theories I linked it to “The Steel Samurai”, a tv show within the Ace Attorney universe. Then when I went into my exam I saw a theory question. For those who don’t know, for theory questions they just ask you to apply a theory to a specific text but they only name the theory, they don’t tell you what the theory includes. While at first wasn’t sure what the theory was and went to answer another question, I then quickly remembered “the steel samurai” and even wrote down “the steel samurai” next to the question as a reminder for myself for when I went to answer it and it helped a lot as a prompt. Once again, the method my teacher decided “didn’t work” was the very reason I was able to answer that question and passed my media exam

Again, it doesn’t matter what other people’s opinions are on how you revise, if it works for you, please use it! You know your brain better than anyone else. Do whatever helps you understand the material and keeps your brain engaged

[lord-squiggletits]

Honestly it annoys me that pride, ambition, and generally having a big ego are always villainous/evil-coded personality traits because personally I think if you genuinely are a prodigy at what you do you are 100% within your rights, perhaps even deserving, of flaunting your skills and being proud of the fact you can do something that only a small fraction of other people can do. Is it even ego at that point if you genuinely are as good at your field/skill as you say you are? Are people not aware that becoming a prodigy at something is something that takes lifelong sacrifice and practice sometimes to the point of giving up on having a normal life, relationships, etc even potentially destroying your own health???? God I fucking hate how pride in your own skills and ambition are so villain coded all the time. As if it's evil to want to be good at something and be recognized for what you rightfully earned

[greenerteacups]

Hi GT,

Forgive me if this is a stupid question, but I absolutely love the recs you've given (you've introduced me to tomione, and I love it!) and I was wondering if it's possible to give you some recs in return? There are some books and fics that definitely have dramione / got vibes, and I was wondering if I could share them with you!

So glad you've enjoyed them! Feel free to rec me anything you want. I've read most of the classic recs in terms of fic and adjacent content (Cruel Prince et al), but I'll try anything that's well-written. My tastes run towards weird and/or audaciously creative stuff, and I can forgive a lot of weaknesses in plot on the grounds of (1) ambition or (2) character work. My turnoffs are instalove, protagonists who can't fail, and most Y/A (I'm not a hater, I swear, I just need characters who can say "fuck" when their leg gets chopped off.)

I'm also a fan of weird and fucked-up dynamics.(Wuthering Heights was my favorite book for a while, and as a teenager I wrote an AU in which the book ends on a long sex scene where Heathcliff fucks Cathy's ghost and then immediately gets murdered by Catherine 2.) Obviously, I am very normal.