#not just as an artist but as a character designer too!! though I tried to make it similar to the original

[tbshorts]

The Best Panels of One Piece, Romance Dawn (chapter 1-7)

Full video scripts below the cut

Chapter 1:

What are the best panels in One Piece?

Chapter 1, being the very first one, obviously has quite a few contenders. Luffy's very first Gum Gum Pistol is an obvious one, setting the tone of One Piece's battles with its mixture of goofy and badass. Plus, god damn, even in chapter one Oda knew how to do an epic splash page.

I also like this panel, where Lucky Roux shoots a mountain bandit in the head. This too is a major tone setter, driving home the seriousness and danger of pirate life. The story up to this point mostly plays as fairly lighthearted comedy, and seeing the jolly cartoon fat guy casually murder a man shocks the audience a little bit. Despite the cartoony artstyle, this isn't a kiddy pirate adventure.

But the crown has to go to the passing of the straw hat from Shanks to Luffy. It's a panel that has only ever taken on more meaning as the story has gone on, and the symbol of the straw hat has taken on more and more importance. It represents the promise between Luffy and Shanks to meet again, Shanks recognizing Luffy as an equal, and it's the passing of a torch. That straw hat means something, and Shanks is passing it on to someone who he feels is a worthy heir to that significance. “Romance Dawn” indeed.

Chapter 2:

What are the best panels in One Piece?

Chapter 2 is all about establishing Luffy's character now that he's grown up, and especially the scale of the odds he's up against. What does his dream to be king of the pirates really mean?

And this is where Oda shows his skill not just as an action and comedy artist, but as a storyteller. He introduces Koby the Cabin Boy, a character who mostly exists to contrast Luffy. Scared, self-defeating and cowardly, even his body language is Luffy's direct opposite.

When Luffy says he will be king of the pirates, Oda drops the angle down low, playing Luffy's chill, unaffected sitting posture against Koby's shouting. His arms are wide, foreshortening even out of the panel as the nervous boy tries to communicate the jaw-dropping scale of what Luffy has said he will accomplish. "Don't tell me you're after the One Piece"?

We feel the weight of Koby's astonishment here, the monumental nature of what Luffy has promised to do. The One Piece isn't a silly bed-time story for children, it is a real thing, and to go after it is to march to almost certain death. And the fact that Luffy is so casual about it, because he has accepted death, is not normal. Luffy is not normal, and Oda establishes this visually through acting in every interaction he has with Koby.

Chapter 3:

What are the best panels in One Piece?

Chapter 3 introduces Zoro with this amazing panel, which, given how much of a martyr he is for the crew and Luffy, WOW what a hell of an establishing shot. But it also establishes one of the great running themes of One Piece, which is the abuse of power, and the value of freedom. Helmeppo lords his status as a navy failson over the townsfolk, abusing his position and status in a way we will see villains in the story do over and over again.

And Luffy does what Luffy will always do to those who use their power in this way. When he learns that Helmeppo lied to Zoro, let him believe he would be free if he survived a month tied up, only to plan an execution behind his back…

This happens.

There are many reasons One Piece is a fun and satisfying narrative to follow, Oda's dynamic and exciting art is a big one for me, but the thing I love the most might the vicious delight the story takes in showing us the ruling classes getting the ass-kicking they so richly deserve.

Chapter 4:

What are the best panels in One Piece?

Chapter 4 gives us perhaps one of the weakest villain designs in the series, which is Axe-Hand Morgan. His obsession with power and control foreshadows many of One Piece's best villains, but… hoo boy, not Oda's best character design.

On a better note, though, we're getting one of the most important recurring story beats in the narrative, which is the effect Luffy has on people around him. Koby, who not two chapters ago was a cowering appeasing wretch, walks into the execution grounds to free Zoro because he can't stand to see the navy oppressing people this way. He accepted abuse from Alvida, but no more. Luffy changes the people around him, and the most important thing he does is set them free of their fear. He teaches people to pursue their freedom, even if it costs them their lives. He will do this many times throughout the story, and Koby won't be the last person who almost dies to chase the dream Luffy kindled in them.

Chapter 5:

What are the best panels in One Piece?

In Chapter 5 the obvious choice might be Luffy taking bullets for his friends in the nick of time, which is a very Luffy thing to do, but I think the best panel is something much quieter. We get a flashback to Zoro's backstory, and his rivalry with childhood friend and swordfighting prodigy Kuina, who is idly one of the most transmasculine characters in anime history.

The panel that strikes me the most in this chapter, though, is this one. It's just a little transitional panel, Kuina lying there, dead, with the words "humans are fragile things Zoro" hovering above. Oda uses crosshatching to just barely hint at the eye sockets under the cloth, which otherwise erases Kuina's face, erasing identity, erasing life. It's such a quiet and disquieting panel, such a matter-of-fact reminder of cold mortality in the middle of all Zoro's hotblooded shouting. It's a death that is so meaningless, and Zoro, in taking Kuina's sword with him, is trying desperately to make it meaningful. If he becomes the greatest swordsman in the world, then everyone will know that Kuina was his greatest rival.

I think it's the same reason so many One Piece fans want Tashigi to turn out to be Kuina in the end. Because the idea that people can just vanish from our lives, so coldly and so pointlessly… it's a scary thought to have.

Chapter 6:

What are the best panels in One Piece?

In Chapter 6, the easy answer, I guess, is the big epic Oda splash page of the Gum Gum Whip taking out a dozen Marines, but… I mean you know it has to be the introduction of the Three Sword Style. Dear Zoro, with his cool bandana and his intense looks and his tragic backstory… and here he is with a sword in his mouth.

This is the power of One Piece. Because on the one hand, this is stupid. This is objectively stupid. Holding a sword in your mouth is dumb, this looks dumb, this doesn't work, this is cartoon nonsense that doesn't make any goddamn sense.

On the other hand… this totally fucking rules. Oda presents it so perfectly with that hunched over power pose blocking ten swords at once, and the black bandana over his head, although I'll never forgive the translators for covering this much of the art over with sound effects. You miss the rope still falling from his body and the scabbards still in the air from Zoro unsheating them so fast. This panel bypasses every critical neuron in my brain, and speaks to the primal, stupid lizard and monkey part of my man brain that goes "ooooh, three swords cool!" And nobody does that like Oda.

Chapter 7:

What are the best panels in One Piece?

Chapter 7 sees our first parting of ways, with Koby remaining behind to enlist in the Marines. It's mostly an exposition chapter, a cool down from all the action with Axe Hand Morgan, but Oda once again uses what could be boring exposition to do good character building. Because Luffy and Zoro are pirates, they can't stay in a navy town, and as they leave, Luffy begins to spill the beans on how Koby was a cabin boy for a pirate, which might ruin his chances to enlist. And Koby, desperately torn up about saying goodbye to his first real friend… punches Luffy to shut him up. Which then becomes evidence that Koby isn't with them, isn't a pirate, so he can enlist.

It's the first moment Koby fully asserts himself, it's the first punch he throws for his dream as a Marine, but it is also a moment of revelation. However simple-minded Luffy seems, so straightforward and oblivious, here he reveals a deep understanding not only of other people but of the things they need, the push they need to find their courage. He pushes Koby's buttons to force him to commit to his dream, to force him to renounce piracy, and when Koby does… Luffy couldn't be more proud. And maybe a little smug.

[beastwhimsy]

six YEARS of art between these two drawings. I'm proud of where I am now and the practice I've done over the years [: I can't wait to see where I go next with my art!!

[toonagi]

more attacks yippee ^_^

characters in order (as always, top -> bottom, left -> right)

Fir & Siefha ( @beastwhimsy )

One-Kind ( @shiniestapocrypha )

Ryth, Villow and Sipa ( @moonybeasty )

Whirlpool (Jacks2007 on ArtFight)

[kathaynesart]

Took a bit of time to myself to finally sketch out my vision for Frida based off Andy Suriano’s Farewell. More design thoughts under the cut.

I know some were wary of her appearing too feminine, but honestly I enjoyed the challenge of finding a way to feminize the base turtle model and stay true to Andy’s wonderful design. I don’t want her to just look like her brothers in a show that embraces their differences.

The biggest thing I added to her design was an exposed heart. My own little twist inspired by a real life issue some turtles deal with as well as a fitting ode to the artist she is named after, Frida Kahlo, who often drew herself with her heart floating outside of her body. (And yes I made the creative decision to keep her heart at her center as with many turtles.)

This deformity occurred during her mutation where the sudden growth spurt tore open a hole at the seam of her plastron. She has survived as long as she has because of Big Mama who uses mystic wards to keep her heart physically safe and emotionally numb. If you look closely to her plastron in the show it’s not actually a natural body part but rather seems to be an attachment of her trench coat. Likely a false cover to hide her obvious weak spot (or at least that is my head canon!)

I love the idea of her and Donnie having something they can relate to and I’m sure he’ll be happy to design chest armor for her down the line once she’s free of Big Mama. Maybe someday I’ll figure out her full Mad Dogs outfit, but for now this is just her base and bandana.

As each of the boys embodies a shape, I found it all too fitting to have Frida’s be a heart. It’s honestly a cool shape that uses both rounded forms and sharp points, which I think would encapsulate her character well. Prickly on the surface but a softy deep down. I tried to find less typical ways of feminizing her. Sharpening her beak and digits while retaining the style of feminine eyes present in most of the female cast but matching it more closely to the unsettling shape of the eyes on her assistant’s mask.

Her markings are a color flip of Mikey’s, where as his are yellow spots with orange outlines hers are orange with yellow outlines. Coupled with her yellow eyes to match Donnie and Raph, it gives her this fiery vibe that I think still sets her far apart from Mikey.

The mask was honestly the hardest part. I love that it further accentuates her heart motif and made her more expressive, but just giving her the obvious bow and calling it a day did not sit well with me. I decided to try more of a high ponytail look, but I think it still needs some work. I’m pretty sure I like her with yellow though, both as a nod to Jennika and the idea of April giving her something of her own to help form the bond between the two.

Would love to flesh her out further but back to my usual stuff first.

[0039pf-third-blog-hooray]

explaining! my main goal was to make them different and colorful. everything else is secondary. i didn't really try to make them realistic, i didn't really try to make them historical. this is character design, right? so, the main thing is that everyone is readable and unique among others in their environment. if you don't confuse anyone, then i've made it, hehe!

i made them colorful because, firstly, i just like it that way, and secondly, it's customary to exaggerate book characters for illustrations so that the image is brighter and more recognizable. if i were drawing as if for a movie/series, i would have done it differently. but this is a book. and, as i like to say, am i studying to be a theater artist for nothing... 🤫

also i was laughing so hard at the song from bratz that i used for speedpaint because it was too funny to finish the work with. enjoy JHSJSHSHDH

a few words about each one, not in the order in the picture:

i had an idea to draw aramis a popular type of lovelock at that time - with a ribbon of his beloved's favorite color. this hairstyle was also worn together with pearl in the left ear. i learned about it from another artist, and then i read about it on the internet in more detail. and when i sketched him for the first time, i drew it exactly like that, but this time i already came to the idea that, unfortunately, he would hardly wear such a hairstyle in reality. in the first book he hides the woman's identity until the end, when everything has long been obvious to everyone 😭 so there would hardly be any hint in his appearance about his lady. fanfact, his heel is slightly higher than the others. aramis, the man you are 💅 and i also really ask you to take a closer look at aramis's hairstyle, i left a tiny detail there. it's right there in plain sight and it's hidden in the styling!!

porthos is associated with warm colors for me, because he's such a silly, but together with aramis and d'artagnan it turned into one spot. so i went with the second option - blue, because i really liked that he appeared in sky blue before d'artagnan when they galloped after the duke, even though it was already in the second book. he turned out so charming, wahaha.

i think olive is the perfect choice for athos in the first book. depressive, long-term drunkard, but a nobleman undercover. matching? also, i have a headcanon that athos is this much 🤏 shorter than d'artagnan and aramis. just because it's funny. and those two are about the same, because it was specified in the book that they have the same size

d'artagnan is simple, yellow-brown - a young provincial, even the collar does not really match the shirt. where will he get the money for a collar for each shirt... but he's the only one with a bright feather, the mc after all! if you look closely, the feathers of all the others do not stand out so much. that's how it was intended. btw, his shirt is a little yellowing, if you look closely, you can see it

i really like it when all the characters has their own little things. their own collars, their own way of wearing jackboots, their own little details of the sleeves. i drew simply, but put my soul into it. i tried to put a lot into the form, both in general and in the details, and although i could explain absolutely everything, i would like you to look closely at it yourself 💝

[jellitchi]

vat7k designs in my head...

i thought their canon designs were a eensy weensy bit Unpolished so i made these mostly for myself. erm if u rly want it i think varian is 19 here, hugo 19, nuru 18, yong 12.

i also made rhem all playlists and had to draw them a cover so thats what the last img is I linked each of em under my notes for all of em... Under the cut is Like a Huge Infodump of notes i have for each chara,,,,,,

i kept varians design basically the same, i dislike the design w the orange neck thing so i just Nuked it😭... Here's Varians playlist

Hugos design i just wanted to put him in something more Loose. hes a thief, a professional escape artist. i dont think wearing clunky metal is ideal for him. i also gave him a prosthetic arm (blond w no arm design trope!) but u cant see it in the ref so i added another drawing of him in his under layering👍 i vaguely referenced russian(?) clothes for him as well... Yeah not too much changed w him i just tried to make him slippery-er. Here's Hugo's playlist

yong came relatively easy to me, if it wasn't obvious i did rip gaming from g*nshin's hoodie. i thought the lion hood was Adorable and freaking perfect for what i had in mind for hos character. since the og notes said the fire kingdom is loosely Chinese inspired i basically just kept that. i mashed tgt a buncha diff dynasties though sorry for how inconsistent i was... i think he looks Okay. anyways i changed yongs role a bit, ill explain why im adjusting some of their roles later but i kept yong as the Jinx Type character. hes the eldest in his family and has a buncha younger siblings, hes a lion dancer and does performances w his family/siblings. he rly like special effects n keeps tryna incorporate his fireworks into their performances (it flops and he has to sew up the dmg) ill explain more of yongs role in another post maybe shrugs... Here's Yong's Playlist

miss nuru was a bit of a struggle for me i might share my full design process with her coz i did a Bunch of mockups for her😭😭😭... i didnt have a specific country of reference for her but i chose to make her vaguely south asian inspired. i also really wanted to keep the sheer fabric w the star / constellation map. i love that idea its so cute so shes still technically the navigator. but she also wields a sword too, fencing or whatever. (her and varian r Huge Cass fangirls which is probably why she started tryna use a sword (snuck out to watch cass compete) Okay ill talk abt this later) in my head, okay ill Probably make a whole nother post talking abt how im interpreting/writing each chara, but in my head i think nuru is the youngest and her kingdom's archivist. shes mostly in charge of like Her kingdoms history / artifacts / etc. ok im getting too side tracked ill save the lore dump for later but thats Nurus role in the party. Here's Nuru's Playlist

uhm below i made their character stats mostly to help me with planning / role developing. the yellow is their base stats the color behind is their end stats i guess. i was gonna explain my reasoning for their stats but ermm this post is kinda Really long so sorry😭... varian max int for obvious reasons, also max charisma just coz i feel like u kinda learn a thing or two being around a couple manipulators and spending time in jail idk shrugs... (also lets not forget the "ud b surprised what ppl would do for a cookie!") Hugo slippery guy, if a brick is thrown at him as hes running hes gonna try n run faster to shatter it, his mindset is Run Run Run! i think hes relatively agile too but yeah mostly a Speedster. i think he n varian got no Physical strength varian maybe just like A little coz Farm boy but I rly doubt quirin is making him do a Lotta heavy lifting. yong has incredible stamina and agility because hed a performer. nuru is the strongest coz this team would literally Flop without a proper Offense😭... i think varian n hugo r able to outwit plenty of their opponents but i think nuru is pretty good in a fight, same w yong. Yeah Okay Sorry for a Long Long Post thanks hope u guys enjoy

[38sr]

My Adventures with Superman EP 4: Design Works

My goodness it feels so strange to see these designs two years later but I actually had a hand in Clark, Lois and Jimmy’s gala suits in episode 4 of My Adventures with Superman!

This happened WAY back in Sept 2021 but during my first week on the show I jokingly sent a piece of art to one of the design leads and well, one thing led to another:

This is kind of running gag with my work, but I somehow always predict things when I draw fanart haha. I truly didn’t know there was gonna be a gala episode and now I was tasked to do a pass for the main trio’s gala outfits.

CLARK KENT

Naturally since it started with Clark, he was the first one I did a pass on. I actually really like men’s suits design so this was the most fun to design out of the three. Overall, I drafted up four different suits that gave 4 different feels for our soft boi. Option A was a full 3 piece with slick backed hair (which honestly now feels very Bruce Wayne than Clark haha). Option B had a high school prom feel, Option C was more business casual (hence why his dress shirt was unbuttoned at top) and finally Option D was sleek turtleneck & suit combo. Honestly, I was rooting Option D ‘cause I’m a sucker for a turtleneck but if I  remember correct they went with Option B ‘cause it felt the most Clark. But just know I tried haha.

LOIS LANE

Lois’s outfit was quite challenging since I had no clue until I was given the assignment that she’s Korean (yes, Lois is canonically Korean in the show). I remember the design leads Jane Bak and Dou Hong showing me a rough concept of a modern hanbok. I spent so many days researching hanboks and the construction behind them...it truly was a learning experience for me haha. It was quite challenging trying to create and outfit that spoke to Lois’ heritage while still keeping her energy. This was my very first pass but I think ultimately the team did a great job to hone in the final look and balance both elements for her outfit (the backless top is just chef’s kiss). Also yes, I did try giving Lois slick back hair haha.

JIMMY OLSEN

There isn’t much to say about Jimmy’s outfit (sadly I left the production to work on Spiderman Freshman Year before seeing what they decided on). But from what I remember, I specifically was looking at men’s outfits from the Met Gala from that year and before (I think Chadwick Boseman was the biggest influence for me at the time). Though I think his final suit design aren’t like too far off from my initial thoughts, it’s still super cool to see how it evolved into the final look!  But yeah! Just a little behind the scenes on the work I got to do on the show. Again, super brief since Spidey was calling my name but I truly had so much fun getting to design for this show. MAWS was my first ever time doing design work (since I primarily work as a 2D animator and board artist). I was so nervous but the team was welcoming and taught me so much! I really have to thank Dou Hong and Jake Wyatt for taking a chance on me and allowing me to draw hot anime characters for a DC show haha.

[bxnfire]

Silver Tongue || Satoru Gojo

✎ synopsis: after losing a bet to geto, gojo has to go get a piercing of geto’s choice, but this was far from a punishment; you were his piercer, and one thing sure leads to another when dealing with someone with a silver tongue like gojo

✎ content/warnings: piercer!reader x gojo, smut, fluff, oral (f. receiving), semi-public, unprotected sex, p in v, fingering, masturabation, needles (?), pet names, dirty talk, mutual pining, flirting

✎ a/n: bra i saw this random mf on tiktok with a tongue piercing and decided my beautiful man should have one as well. enjoy <3!

ˏˋ°•*⁀➷ ˏ ˏˋ°•*⁀➷ ˏMINORS DNI ˏˋ°•*⁀➷ ˏ ˏˋ°•*⁀➷ ˏ

Geto and Gojo have been friends for a really long time. Their dynamic is a chaotic one, but it works for them just fine. It is not uncommon for the 2 to go out a lot, but what is uncommon is Gojo losing bets. Gojo was cocky, yeah, but he had a reason to be; he was the kind of guy to be good at what he tried his hand at no matter what, often leaving Geto amused by trying to figure out what it was he couldn’t do.

Turns out, Gojo’s biggest enemy was his very own ego. After a long day of doing random physical activities, Geto challenged Gojo to a simple race. Of course, Gojo was fatigued but he let his ego take the best of him, and thus accepted Geto’s challenge.

“But,” Geto added, “if I win, you’re getting a piercing. Of my choice.”

“So then if I win, you’re getting my initials tattooed on your arm,” Gojo said cheekily, trying to think of the stupidest font to request at the tattoo shop.

“You’re so on,” Geto replied. And with that, they had a race. But much to Gojo’s dismay and Geto’s amusement (or rather, amazement?), the former lost.

That is how the pair found themselves at 1 a.m. at the door of the tattoo shop you worked at. You were a great tattoo artist and piercer, but since you were still in college you were often given later shifts, which allowed you to meet interesting characters, this duo being one of them.

You were sitting at the counter working on some new designs when you heard the door open, and once you looked up you made eye contact with the deepest cerulean eyes you had ever seen. Unaware that you were starring, you got startled once the man next to him spoke to you.

“Hey there Y/n, nice to meet ya,” said the black-haired male, looking at your name tag, startling partly because you were in a trance watching the white-haired guy next to him, and partly because his voice was oddly… sultry.

“Hi, whatcha thinking of getting today?” You ask him, eyeing his piercings.

“Well the thing is we’re not here for me today, though I may come back; we’re here for him,” he smiled, gesturing towards the guy that had you in a trance.

“Yeah…. I’m getting a piercing today,” he said, looking deep into your eyes.

You swallow before replying. “So then, what piercing would you like?”

“What’s popular with girls these days?” He says smirking.

The black-haired guy laughs, slapping him in the back. “You’re so dumb,” he manages to get out between laughs.

“Well,” you paused, genuinely trying to answer his question, “I’ve seen a lot of girls go crazy for some eyebrow and nose piercings. You could also get traditional earrings of course, they’re always good starter piercing.”

“I don’t know if I want it to be so apparent though… but I like the eyebrow piercing suggesting,” he responds, deep in thought.

“Not too quick Satoru, remember our bet: I get to choose your piercing,” he cuts quick, looking at Satoru.

“Oh… Bring it on then, I could rock anything,” he laughed, his pride shining through.

“You’re so damn cocky, I’d like to shut you up… actually, yes, I’ll shut you up,” he then turns to you, “he’ll be getting a tongue piercing tonight,” he says, decidedly.

“I hope you’re not a foodie then,” you say amused, catching on the dynamic between the two.

“Suguru,” he cries, “you KNOW this won’t end well.”

“Well that’s part of the point isn’t it?” He smiles softly, his angelic tone just making it funnier.

“Well, I’ll start setting up my station,” you say, looking through a couple of drawers until you find tongue jewelry. “While I set up, pick one of these, I recommend the first 3 at the top, they’re nicer while you’re healing.”

As soon as you leave, Satoru starts looking through the selection of piercings. Pills, dice, even a marijuana leaf, and he giggles, but in the end, he does take up on your recommendation and chooses a simple, silver stud.

“I can’t wait to hear you speak after this,” Geto says.

“Oh shut up,” he replies.

“Ready! Please come over here,” you shout from your station, putting your gloves on.

“Coming!” Said Satoru, and as he started walking Geto followed.

As he sits down on the chair, he shows you the piercing he chose.

“I see you took on my recommendation,” you say looking at him and smiling, and Satoru felt his heart flutter.

“Y-Yeah, I did,” he replied, trying to hide how flustered he was.

“You nervous?” You ask, catching on to his stutters.

“You could say that,” he laughs, happy he could cover it up so easily.

And sure, maybe to you he could, but not to Geto. He quickly caught on the fact that Gojo was flustered because of you. Having known the guy for years, he knew how he reacted to injuries, danger, and even needles, and he never gets flustered, no. He’s also seen him around girls he finds attractive, and while Satoru is able to talk to them, he does get flustered at first. How adorable.

“Yeah, he’s scared alright,” Geto says, teasing Satoru.

“Don’t worry! Tongue piercings aren’t typically the most hurtful ones. Of course, it varies from person to person, but having pierced and heard from several people about them, they’re not terrible,” you say reassuringly.

What an angel, Satoru thinks. Though he’d never admit it to Suguru, he was starting to be glad he got him in this predicament. You were so cute, so sweet trying to make him feel better, and he couldn’t help but notice the piercings and tattoos that adorned your beautiful body. He wondered if there were other masterpieces hidden under your clothes.

Trying not to pry on it too much, he watched you get a marker and come close to him, so close he could smell your sweet scent. Shit, maybe looking at you could be my anesthesia, he thought.

“Alright then! Please take out your tongue, I need to mark the spot where I’ll pierce,” you say.

“Well then,” he says, taking his tongue out. Getting a funny feeling as you mark his skin, he tries not to giggle in fear it’d mess up your work.

You pull away and then put a mirror so he can look at his face. “Do you like how it looks there? Or would you want it someplace else?”

“That looks perfect, let’s do it,” he says.

“Great! Then sit while I get my stuff,” you say.

“What’s your name again?” You ask.

“You can call me Gojo,” he replies.

“Ok Gojo, Take a deep breath in,” you say, and as he does so, you put the needle through his tongue, “then breathe out,” once again, he obediently breathes out, relieved in the little pain he actually felt. This is when you actually put the jewelry in.

“Now I’m just securing the stud. And there ya go, take a look,” you say, bringing the mirror back.

“Wow,” he says, surprised at how much he actually liked the piercing.

“There’s some fun piercings you can put in once it heals, but make sure you’re taking care of it correctly,” you say, and then begin to explain the care process for the piercing.

As you 3 move back out to the checkout counter, you recommend some products to Gojo for whatever he may need. You also say he’s welcome to come back if he feels uncomfortable in any way.

“Or if you’re a busy man, here’s my phone number,” you say boldly, hoping it’s not obvious how attracted you were to him, “let me know if you have any questions as it heals!”

“Thank you Y/n, I’ll let you know if anything happens,” he smiles as he takes the paper with your number, automatically taking out his phone and putting the contact in.

“Alright then, ready to survive off ice cream for a while?” Geto asks.

“Sounds like a sweet deal,” Gojo replies smiling.

“Pleasure to meet you,” you say as they walk out.

“The pleasure was mine sweetheart,” Gojo replies, finding the courage from his new piercing, and luckily for you he turns around, because you’re left as red as a tomato.

As him and Geto walk out, you wonder whether he’ll text you with more than just questions about the piercing. Sheepishly, you go back to your station and clean it up, relishing on the faint smell of Gojo’s cologne that stayed behind.

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While you’re sitting on the train on the home, you get a text from an unknown number:

💬 Unknown: so what did you say helped with swelling again?

💬 Unknown: it’s gojo btw 👅

You smile. As you type up your recommendations and add him to your contacts, admittedly wanting to see him again. So then, conveniently of course, you ask for a contact picture.

💬 You: mind sending me a contact pic?

💬 Gojo 👅: [IMG]

The picture was of him taking his tongue out playfully, showing off the jewelry you had just given him. His cerulean eyes peeked through his round sunglasses, and with that you got flustered yet again, which was ridiculous: to think you had pierced nipples, tattooed in places where sunlight doesn’t quite reach, and you’re flustered over a normal selfie?

💬 Gojo 👅: you did me justice

💬 You: i think any piercing would’ve worked just fine 👀

And on the other side of the screen, it was now Gojo who was flustered at your words. Unknowingly, for the same reason as you, he asked for a contact picture. Bringing out your holder side, you take a selfie from an angle that shows many of your attributes, and Gojo isn’t immune to your charm. As he updates your contact, he can feel the blood rushing to his cheeks… and his dick.

He quickly realizes it was going to be a restless night, or rather, morning? The clock marked 3 o’clock, and whilst the world outside his room was silent, it was easy to fantasize of what it’d be like to have you there with him.

Squeezing his tip through his underwear, he thinks back to your pretty face, so focused and so close to his as you pierced his tongue. He wonders what it’d look like covered in his cum: would you lick it up? Would you clean it with your fingers? Would you make him clean it up for you?

The more he thinks of you, the hornier he gets. Taking his hardened cock out from his underwear, he starts thinking of what he’d do to you. Oh, what he wouldn’t give to see your body before him right now. Is there any piercings he didn’t catch on you having? Tattoos? Would you like him to kiss those on you? Maybe even lick them? You would probably taste so sweet, yeah, as sweet as you smell or as sweet as you sound.

At this point, he’s fisting himself quickly, massaging his balls every now and then, soon to reach his release. He remembers your sweet voice saying his surname, your laugh as you watched him and Suguru’s banter, and your beautiful eyes looking at him. With that, he came all over his hand, deciding he had to see you soon.

ˏˋ°•*⁀➷ ˏ ˏˋ°•*⁀➷ ˏ ˏˋ°•*⁀➷ ˏ ˏˋ°•*⁀➷ ˏ ˏˋ°•*⁀➷ ˏ

As the days passed, you and Gojo texted more and more. Your conversations always started with a silly question about the piercing from him, and from then on it would range from your favorite subjects to trips you have made and your favorite foods. You found yourself crushing hard on Gojo, taking little notes of the things he liked and wanted to do, and trying to gather up the courage to ask him to hangout.

Lucky for you, he had been feeling the same, except he was bolder than you, and thus, he asked first.

💬 Gojo 👅: y/nnnnn

💬 Gojo 👅: you free tonight??

💬 Gojo 👅: there’s this place i wanted to check out near your job, so maybe before you start your shift we could go?

You were ecstatic. Quickly confirming that you were down, you get dressed and head out for the door. Reaching your meet-up spot, you anxiously wait for Gojo. To calm your nerves down, you scroll through TikTok and find yourself laughing at the stupidest videos. Not noticing a tall presence behind you, Gojo decides to surprise you, crouching down to your level to whisper in your ear.

“What’s so funny, doll?” He asks, completely scaring you.

“Gojo! Dont sneak up on me like that again,” you say, relieved that it’s him and not a weirdo, and he laughs at your scared state.

“But where’s the fun in that?” He asks cheekily, and then he begins walking to the place he wanted to go.

You two chitchat nonstop on the way there. You had nurtured a sweet friendship in the little time you guys had known each other. You really appreciated how funny Gojo was, telling you things that made you wonder just how his mind worked. There truly was never a dull moment between the two of you. The more you knew him, the more into him you became. Sometimes you could feel the tension between the two of you, walking together while your hands brushed against each other, him asking you to check on his piercing often and you having to get so close to his handsome face, and other things like that which gave your stomach butterflies.

After eating at that new restaurant, you suddenly remembered that Gojo’s piercing was now fully healed, and knowing his spontaneous nature, you suggested that he get it changed, just to switch it up a bit.

“Really? What would you suggest, you’re the professional after all,” he says while smiling at you.

“Well, we could go back to the shop and I could show you a couple of cool ones, we got a new batch this week,” you replied, thinking already of which he would like.

“Sounds like a plan,” he says, and after that you two head into the store.

It wasn’t open on Mondays, but given that your manager really trusted you, you had a copy of the keys to the store. Rushing into the shop before other people noticed, you and Gojo get settled in the quiet store. As he waits there looking around the things you had on display, you look for the drawer with tongue jewelry once again, reminding you of the night you met. Smiling softly to yourself, you pull a drawer out and bring it on the counter, the noise of you setting it down catching Gojo’s attention.

He steps closer to it and starts looking through the collection you have. Giggling once he reached the marijuana one again, he asks for the one you like most.

“Well, if I’m being honest the one you have right now is one of my favorite, you can never go wrong with a traditional silver stud. Now, I remember you wanted something to impress girls yeah?” You ask jokingly, and he blushes a little at the fact that you remembered him telling you that when you met.

“In that case, then you should definitely check this one out,” you say as you point to one that looked sort of like a hammer.

“What’s special about that one? It kind of looks like the pill one you got over there,” he asks curiously.

“While this one may look like just a little “pill” to you, it is a vibrator piercing,” you say a little flustered, realizing how intimate it was after you said it out loud.

“Oh,” he says, now looking intently at you.

“Yeah, I don’t really know if you’re an eater or anything,” you joke, trying to bring up the mood, but you notice it only made the atmosphere grow thicker, so you continue, “but this one can really take things up a notch when you’re down there hehe.”

“I’d like to say my head game is strong,” he says suggestively, “but I sure would like to see how this would make things better.”

“I could change it for you if you’d like! Or I could walk you through the process so you know what to do in the future whenever you wanna change it yourself, but trust me when I say, any girl you’re with will be very lucky,” you say boldly, hoping he realizes the piercing is not what they’d be lucky about.

“I think I’ll let you do it this time doll, I wouldn’t want to mess it up,” he says, knowing he’d be too distracted thinking of what he’d like to do to you with this very piercing if you would so desire.

“Well then,” you say, growing flustered as you get near your station, feeling him come close behind. You set him down, and ask him to open his mouth, something that feels oddly intimate considering the fact that you’re alone with him, with no one walking in, and he’s opening his mouth with your face so close to his, to make matters worse, his enticing eyes looking right at you.

You get to work in changing the jewelry as you explain to him how it works. “So, to turn it on, you need to tighten up the little ball at the bottom,” you say as you demonstrate, and then he gets a funny feeling on his tongue as he feels the metal vibrate through.

“And turn it off?” He asks, trying his best not to laugh.

“For that just unscrew it a little,” you demonstrate yet again, and he feels the vibrations coming to a stop.

Feeling the tension between you two, he decides to take it up a notch and test the waters. “I’d love to try it to its full extent,” he says, knowing that the conversation would go back to a more explicit topic.

“I’m telling you, your girl will be satisfied,” you reply, trying not to pry too much on it in fear he’ll see how badly you wanted him to try it on you.

“Well, I don’t really have a girl right now,” he says, not missing the relief and happiness that comes to your face right as he says it, “but there is someone I’d like to try it on.”

“And who might that be?” You ask, almost breathless.

“Take a guess,” he says, not giving you a chance to respond as he’s bringing your face to his and kissing you right on the spot.

After the initial shock of Gojo’s actions and the fact that your very own crush is kissing you, you let your impulse take over as you put your hand on his neck and bring him closer. You lick his lower lip asking for permission to go in, something that he eagerly grants, and your tongues find a rhythm that leaves you both breathless, your cunt feeling something whenever your tongue graced his piercing.

“So, were you able to figure it out?” He asks cheekily, still blushing from the fact that you kissed back and lord, were you a good fucking kisser.

“No, I don’t think you were very clear,” you reply, the fact that you matched his energy doing things to Gojo.

You pull him in this time, but he took his initiative somewhere else. He sat you on his lap and started caressing your sides, not daring to touch your bare skin no matter how much he wanted to, he didn’t want to make you uncomfortable.

On the other hand, it was getting harder and harder for you to play it cool in front of him. Feeling his big, veiny hands run all over you was making you ache for so much more. Not daring to say a word, you put your hands over his and guide them where you want them to be. You take one of them under your shirt all the way to your boobs, and in doing so you feel him moan into your kiss. Growing more confident at his reaction, you take the other one down to your ass, letting him squeeze to his desire.

He understands what you need want him to do and he starts gently fondling your boobs, switching back and forth between the two, as his other hand guided your movements to grind on his hardened dick.

You start moaning into his lips, and he abandons your lips to go on a trip down your face to your ears and your neck with his own. Finding a spot that seemed to have the greatest reaction out of you, he chooses to mark it for reference, just a little hickey to guide him later on, and one to let others now that you were his.

“This is your weak spot, isn’t it?” He says, relishing on the way you quiver at the feel of his breath on your skin.

“T-That’s one of ‘em,” you respond, giving in to your lust entirely, “but can ya find the o-others?” You ask, wanting to see how far he’ll go.

“Such a dirty doll,” he says, feeling his dick throb at your words, “of course I can find the others, I know you’ll guide me to them.”

Breaking away from you to take your shirt off, you shiver as you feel the cold hit your skin. Your nipples hardened and it was apparent through your bra, which made Gojo hungry for more of you. Taking it off as he plants a sweet kiss on your lips, he licks his way down until he reaches your nipples, and starts licking them and then blowing to keep them hard, something that had you grinding harder and harder on his boner.

“Can I try my piercing on you doll? Please? I need to know how you taste,” he says, drunk on your body, “I’m craving the sweetest treat of all.”

As he says that, his hands find his way to your underwear, and over them he plays with your wet pussy. Circling around your cunt as you whine for more, he takes your pants and panties off, letting him take a look at your naked body.

Admiring it like a master piece, Gojo stood what he’s doing altogether just to get a good look at you, wondering how concerning it’d be if he got this tattooed sometime. You squirm under his stare, and yet, you don’t feel the impulse to cover up or turn any of the lights off, if anything, you wanted him to look at you like you’re the last meal he’s about to eat.

And a feast is exactly what he had. Not even 2 minutes after admiring you like a goddess, he tightened the piercing and started flat-tongued to lick up and down your pussy. Moans quickly filled the room, the wet sensation of his tongue combined with the vibrations all over your pussy quickly overstimulating you. He puts his fingers in your mouth as his tongue finds its way to your clit. Lapping at it with the vibrating piece on his tongue sent shocks through you, making you buck your hips into him desperate to feel more than just his tongue on you. Retrieving the fingers you licked from your mouth, he put one finger inside of you, surprised at how easily it slipped into you.

“You’re so fucking warm and wet,” he says as he feels you on his finger, dick throbbing just thinking of how good it’d feel like once it wasn’t just his fingers inside of you.

Fingering you as he kept his tongue pressed to your clit, your eyes rolled back in pure pleasure, your moans now louder than they were before, sounding even more lewd combined with the sound of your wet pussy taking in Gojo’s fingers and his tongue slurping and keeping in contact with your clit.

With his free hand, he caressed your thigh gently, which seemed almost ironic giving how relentlessly he was pumping his fingers into you, how mercilessly he was working his tongue to please your clit.

You couldn’t take it for much longer. You felt your climax building up in your stomach, and just before you could tell him, you were splashing your juices all over his hand and face, leaving him shocked for a moment.

Quickly realizing what had just happened, he happily licks your cunt clean before cleaning his own fingers up, happily realizing that you’re even sweeter he thought you’d be.

“Don’t think I’m done with you just yet,” he says, getting up to undress quickly as he was eager to fuck you.

Coming out of your post-orgasm bliss, you notice how veiny his long, thick shaft is. Feeling your cunt clench on nothing just waiting for him to come inside of you, a curious hand reached for his dick and gave it a few stokes, filling your fingers get precum on them. Hearing his breath hitch, you quicken the pace of your strokes. This activated that dirty mouth he had on him, making you think that he’s nothing but a silver tongue the way he effectively had you right at his mercy.

“F-Fuck doll, your h-hand feels s-so good,” he moans. “Y-You h-have no idea what y-you do to me.”

You keep going like this for a little bit, until he grabs your hand and kisses it while looking right at you.

“I would love to cum off your hands alone someday,” he says, “but today is not that day, I need to be in your sweet pussy doll, can I?” He asks, placing another kiss, this time in the inside of your wrist.

“Y-Yes please Gojo,” you whine.

“Say my name doll,” he says.

“Gojo,” you respond.

He positions himself right at your entrance. Slapping his dick in your pussy, he teases both you and himself while his pride toys with you until you call him by his name.

“Wrong,” he says, now slapping a bit quicker, the lewd sound of skin slapping combinted with your moans filling the room. “It’s Satoru,” he says, trying his damned best not to moan at the pleasure.

Seeing you lost in that same agonizing pleasure, he dives right into your pussy, touching your cervix in that first stroke, earning a yelp from you. Wanting to keep his little game going, he kept talking. “C’mon doll, it’s easy, it’s S-A-T-O-R-U,” he panted, a stroke for every letter as he spelled out his name.

“S-Satoru! I-It’s so big!” You said, struggling to adjust to his length with how recklessly he pounded into you right off the bat.

“You can take it doll I know you must have a high pain tolerance,” he said, focusing a little too much on the feeling of your warm, soaked pussy, which squeezed his cock so deliciously, he knew he wouldn’t last long.

You, on the other hand, were in a whole other world. Satoru quite literally was fucking you silly, being already stimulated on your orgasm from not too long ago, his big fucking dick just had reached the spot you struggled to reach even with your toys. Blabbering some nonsense amidst of saying his name like a broken record, you feel your orgasm building up once again, something that Satoru quickly catches on to from the way your pussy was gripping his dick.

“You’re so tight doll, you’re going to milk me dry,” he says in between pants, “fuck, can I cum inside?” He asks while looking right at you, doubting how effective he’d be trying to pull out right now, and in all honesty, he was so lost on how good you felt he wanted to paint your insides, leave his mark, make you his.

“Y-Yes!” You do your best to say, finding it hard to get the words out. It doesn’t take long from here for you both to finish, Gojo making a mess of your pussy as by the time he pulls out both of your juices and his and intermixed coming out of you. He fingers you once more, this time to help you take his cum out. He then carries you bridal style to the bathroom so you can pee, in the meantime finding some paper towels to clean himself up and a little bit of the mess you left behind.

When you came back, he carries you back to where you had just fucked, and lays you on top of him to cool off together after such steamy sex you had.

“So… did you like the outcome?” You ask giggly, breaking the ice.

“Fuck, if getting piercings means I’ll get to be with you more then so be it. I’m coming every week for a new one,” he says, genuinely thinking of what he could get next.

“No need, I’d make time for you even if you didn’t get any more piercings,” you say, blushing at your little confession, immediately putting your head on the crook of his neck out of embarrassment.

He pulls you back, forcing you to look at him. You’re blushing, hair messy, and eyes slightly glossy after the intense moment you just had, and you’d never looked more beautiful in his mind. Smiling like an idiot after just looking at you, he says “you’re truly just as sweet as you taste,” and with that, you blush even harder.

“So then, will you be my girlfriend?” He asks suddenly, leaving you dumbfounded.

“I know it’s a bit of a rush and maybe not as romantic as I would’ve liked for it to be,” he admits, “but I must confess that I’ve had a thing for you since we met, and I couldn’t live with myself if you weren’t mine after today.”

You’re blushing so hard right now, but also matching his love fool smile, happy that he liked you back. “Of course, Satoru, I’ll be yours, but only if you’ll promise you’ll be mine,” you say, snuggling up to him and looking deep into those beautiful eyes.

“Oh doll, I have been yours ever since you merely looked at me,” he says, then he kisses you gently, you can feel his love through this kiss, which unlike the others you just shared, this one was filled with pure love and admiration, and much like the other kisses he had given you today, these were addicting, immediately making you ache for more.

For the rest of the night, you guys just stayed there talking to each other about anything and everything. Making silly plans for the future, confessing the way you both had been pining for each other, and just laughing at how funny this all was, how crazy it was that it took you two less to have sex than to confess to each other, but, it was just as meaningful nonetheless.

Going back to your apartment, you two settled in your bed, ready to sleep after such intense night. There, basking in his warmth, you realized just how lucky and happy you were to have your job, because after all, if it weren’t for that you wouldn’t have met Satoru, the boy of your dreams, and next to you, Satoru was thinking just that, and even if he’d never admit it to Geto, he was so grateful to have lost that bet and swallow up his pride, because now, he had something truly worth boasting about: you. Who would’ve thought a piercing would change his life? Certainly, he wouldn’t have guessed it, but at the same time, he wouldn’t have it any other way.

[epiicaricacy-arts]

oh we’re still so young, desperate for attention

this was super experimental so i will talk about my process (+ clearer version) under the cut

i’ve been looking at a lot of “messier” or more textured painting styles recently and an artist that stuck out to me is clariondeluna ! they posted a self-portrait recently that i really liked and i was super interested in the brushwork seen in their work. i love all the textures and how the shapes feel so loose yet everything is so detailed.

that’s not a method for me at all!!!! i cannot paint like that at all and the stuff i like to paint is very different to theirs. which is okay!!!! i had no intention to copy this artists style so closely like with what i tried to do in my raiden painting, i just wanted to try this style out :^)

it’s been a goal of mine to avoid over-rendering like i tend to do a lot, and i think i’ve been doing good with that recently! the mindset i’ve got going on right now is that if i find myself staring at it too hard for too long, i have to leave it and move on. if there’s still something wrong with it, i can fix it later once ive got a fresh view!

i’ve been trying a lot of things with my art this year. i always try to challenge myself with each piece, and to end the year off i wanted to be as uncomfortable as i possibly could be with this painting. i let myself draw whatever i wanted because i still wanted to enjoy it, but everything i did in this process was new, including parts of the subject matter.

i’ve never drawn a head at an angle like this, and i struggle with drawing mouths open. i don’t do bold lighting like this, and if i do, it’s not fire. i’ve never drawn fire! i also rarely work with warm colours and i hate using green, so i combined those to be my colour palette. i like working cleanly so instead of having a dozen different layers for one section, each section only had 1-2 layers for rendering. instead of clipping masks i would simply paint over things loosely and clean it up later. i never like having limbs cut off in a drawing so i had his other arm go GOD knows where. i don’t like weird patterned backgrounds so i made myself figure out how to like it!

IS THIS MY FAVOURITE PIECE OF ALL TIME. no. absolutely not. but i’m very proud of how this came out with all the challenges i put on myself. i WANTED to get better at these things and be more broad with my art, both in terms of the styles and subjects i portray.

okay let’s talk about wtf this drawing is

for those who don’t know, the design in this painting is my fatui/“Father” lyney fan design (read the design post here). the concept isnt super complicated and i don’t really have much explanation for it, but i wanted to combine the story of how lyney wanted a delusion before getting his vision, fire eating circus acts and how olympic medalists will bite their medal to prove it’s real??? don’t quote me on that i’m like 75% sure that’s a thing that happens. i don’t watch sports though so im just believing someone i heard on the internet ages ago.

anyways. i think fire eating acts are cool. and i think the fact that lyney wanted a delusion is very interesting to me. scratches my brain in the right places. and yk as a magician lyneys character revolves a lot around fooling people and creating illusions so i guess what im saying here is that lyney is trying to prove to himself that this power he’s been bestowed is real. bc his whole life his only constant has been lynette so he is trying to see if he can trust this new power. cause i guess this is an alternate universe where lyney does eventually become “Father” but he never got his vision ??? idk im not making lore for this i just wanted to dress up this funny little guy.

ok i’m done

thanks for reading

here’s my dog

[yaut-jaknowit]

I really love "The Wrong Secret to Hold". Can I request the yautja in that fic ? He and reader are just enjoying their day and reader is an artist and Ahtaal(?) is very intrigued of readers creativity.

An Artist's Touch

Character: Ahtaal (Male Yautja) x GN!Reader

Summary: As an artist, a talent not many Yautjas possess, you are seen commodity like no other. There are few humans on Yautja Prime. Let one's that are under the empress's protection. Being different, you strayed away from the palace with her permission to stay in a town far in the world. Ahtaal's town. He's intrigued to see someone make something out of nothing.

Author Note: This is what I wish my life to be. I want to be resting on Yautja Prime, sketch book in hand, and just enjoying the deadly nature. Gods, I wish!

Masterlist

Ao3

Underneath an awning that offered plenty of shade a pencil and sketch were hand. Despite the credits you hold, you’ve found a spot within a tribe that resides in temperate area on Yautja Prime. It’s small. Less than fifty Yautjas are strewn across the territory, But it was perfect for yourself along the clan. They accepted you due to your talent.

Creating art. Murals painted on walls in important Yautjas houses. Including the empress all the way in Kov. She tried to offer you all the riches to stay at her palace. But, your wanted to explore, see the planet from a deep, inside look. Being inside the empress’s palace, practically trapped, offered you none of that. A city filled with Yautjas. What you wanted to see was the outside world. How they hunt, how they think. It made the murals you created come to life.

A morning dew softened the air that would soon turn hot. This area was considered temperate to them. To a human, it was far too hot for you to stand directly in the sunlight. The suns themselves would turn your skin red in less than five minutes. A planet that wasn’t meant your kind. That didn’t stop you from being out in a designated spot that had been crafted just for you.

The thatch on top plenty thick to prevent a single strand of sunlight from slipping through. You were sitting on a plush bean bag like chair. It was soft and body conforming. The furs used to cover it came from a creature you couldn’t even try to say the name. But their fur was so soft, it felt like being on a cloud. You enjoyed the calmness that floated through the air. The sketch book and pencil in your hand is all you needed for the morning.

Nearly silent footfalls had you picking up your head and finding a familiar red figure walking into the shade. A bright smile graced your features. “Ahtaal,” you greeted. The strong male strolled up to the foot of the plush seat you’ve taken and gazed down at you. “What do I owe to be graced with your presence?”

After picking a tribe to live with, Ahtaal had made a blood oath to the empress to ensure your safety. Though humans and Yautjas are an uncommon sight to see, you were one of the very few to be allowed to live freely. There were no ifs, ands, or buts to your presences amongst the Yautjas. Your talented hands ensured you had a place. The empress gracing you sanctum anywhere on the planet. Here you choose to be, of all places. But the face of Ahtaal was one you’d never pass up on.

The lumbering giant squats down in front of you and peers over the edge of the book. “I see you working away on another project,” he explained, eyes curiously running over the sketch you’ve started. Another commission for an ancient somewhere on the planet. Maybe she was up north? You let the book fall flat on your lap. Your artwork wasn’t something you hid, let alone from him.

The sketch book is turned around to face Ahtaal. “Yep, someone up north I think commissioned me. Got some more credits in the pockets.” Even as someone protected by the empress, you still liked to work for your own money. There was plenty you had since you had little to spend it on. No clothes, food, shelter, or supplies. It was just there so when anyone commissioned you, they could pay for your work. Though, gifts were another way for them pay you. There are a few trinkets you enjoyed happily every since you got them.

Carefully, Ahtaal ran just the side of his sharp claw over the pages. He traced over some of the darker, more permanent lines that marked what you truly had in mind. A deep hum rumbled from his throat. The male focused on what you’ve created on paper. A talent he will never possess, no matter how many times you egg him in.

“What do they ask for?” he questioned and brought his bright eyes up to yours. The contrast was stark. Calm, soft verses fierce, predatory. He wished there was a way to capture the beautiful color of your irises and color it somewhere in his dwelling.

The way they brightened at the question. “That snarly beast that reminds me of a carnivore looking horse that lives near the north pole.” The hairs on your arm raised at the thought of the creature. It was beyond ugly and terrifying at the same time. It looked completely unnatural when you try to give it a logical look to it with earth creatures in mind.

Ahtaal snorted, mandibles twitching with a few slow nods. Then, his gaze drops back down to the sketch book. The pages were nearly full. A constant thing for yourself.

For such an advanced species… their entertainment was limited to mainly hunting. As a human that can’t participate in such a thing, you have limited ways of filling the time. You wield pencils, not swords.

“Is this your last sketch book?” Ahtaal was responsible for your wellbeing. That includes taking care of all needs and wants under the order of the empress. But, it wasn’t only just because he was under oath.

The hand on your book lifted off. A sharp, black ended talon tipped your chin back up to meet his intense stare. You licked at your suddenly dry lips and swallowed hard. You felt mushy. “I-uh…” you cleared your throat. “Uh, yeah, it is.” Your heart stuttered in your chest while gazing into his eyes. If only you could look into them all day.

“Then, I shall go get more when time permits. I cannot have my little ooman without paper to draw on,” he grunted. The back of his shiny claw was dragged across your jawline, all the way up to your ear. With a swipe, it left your skin. More goosebumps rose across the skin on your arms. “Will you survive until tomorrow for me to get more?”

Your throat was dry. His words had soared over your head. All you were able to focus on was his gentle, mind consuming touch. You melted.

When you found your voice, you speak in a tiny voice. “Yeah.” How could one person reduce you to a school girl in front of her crush? You gnawed on your bottom lip and pulled on the skin harshly. Blood painted your tastebuds.

Red finger grasped your chin and lightly jerked down on it. “Don’t,” he warned and stopped you from mutilating your lip again. You licked at the new wound, unable to look away from his eyes. Ahtaal swipes over the moisten skin with his thumb. You weren’t able to stop yourself from licking at the deadly, pointed claw that tipped the end of his finger.

All the muscles in his body tensed up in the same manner as your own. You couldn’t believe you had just done that. It had only been a thought. Yet, apparently, your body had a different thought of its own.

At first, your mouth opened and closed. Your brain couldn’t figure out a way to make up an excuse for the stupidity you had just pulled. “Shit, I-I didn’t… Fuck, why did I do that?” you whined to yourself and pulled away.

Except, Ahtaal tightened his grip on your chin and tugged you in closer. Your lips were parted, eyes wide as you looked up at him. Stars sparkling in them. Something changed within his gaze. A darker, heavier tint to the usually light colored irises.

“You… play a dangerous game, little ooman,” he growled out and emphasized his point by tugging you an inch closer to him. The warmth of his breath fanned over your face. “And I don’t know if you know what you’re getting yourself into.” You wettened your lips again. A habit hard to break. His eyes darted down to watch the action then seemed to soften. Like a whine was on the tip of his tongue.

Everything he said… Your heart continued to thunder loudly in its cavern. You swallowed hard and raised a hand to just touch at the column of his throat. The scales soft under your touch. A vulnerable place for any creature. Ahtaal lets you freely run your finger pads from his jaw down the front to where his collarbones meet.

The texture of his scales weren’t like anything you’ve felt before. Tough in a fight. You let your dull nails to trace a pattern through the spaces of the scales. Your hand continuously moving even if the two of your don’t look away.

“And what if… I do know,” you whispered just loud enough for him to hear. The surrounding space didn’t need to listen in on your conversation. “What if I want to play this game?”

A deep bellow vibrated throughout his chest. The tone so low you felt it more than heard it. You whimpered. Goosebumps covered your forearms. His eyes darkened. “Are you sure? Are you willing to let me have that power?” To hand over your power to him is a huge sign of trust. Let alone to someone who wasn’t event he same species.

“Yes,” is all you needed to say. Ahtaal towered over you, body leaning over your curled up form. His hand had shifted down to your fragile throat. Just enough pressure, just a flick of wrist and you would be nothing but a memory. Your eyes drifted close. Everything you were doing made the Yautja go wild. Every sign of submission to him. You, someone of high talent, was allowing to take that power from you.

Ahtaal growled from the back of his throat. His thumb ran along the pulse point on your throat, feeling the way it rapidly fluttered just under the skin. “Such a delicate thing under my hand. You are letting me have this.” You only gave a subtle nod, not wanting to move too much. The moment was thick with tension yet soft like clouds. You didn’t want to break a thing.

“Oh little ooman,” he cooed in a husky voice. Your eyes gently open to find him still so close to you with a low whine. His hand drifted up to cup your cheek. The large, dark red male leaned in to press his forehead to yours. “Mine?”

More of a question rather than a statement.

A smile graced your features. “Yes.” An artist and their hunter.

He finds himself scooping you off of the lounge chair and up into his arms. A surprised yelp escapes you as you clung to his neck. The sketch book and pencil you once held fell to the ground with a subtle thump. Ahtaal takes your seat and sets you down in his lap. You glared at him with no real heat in your eyes then leaned over his knees to grab at your fallen supplies.

“Well, good sir, I could’ve moved all by myself you asked,” you huffed. One of your hands was able to pick up the items off of the ground. As you go to sit back up, Ahtaal hooks an arm around your midsection and pulls you flush with his chest. The things in your grasp nearly fall back to the ground. You whipped your head to the side and narrowed your eyes on him.

All he did was chuckle from deep within his chest. The tension in the air has passed now. The soft clouds were the only thing left in their wake.  

His arm flexed around your torso and kept your lower back snug to his stomach. You could only wiggle without a chance of escape. “Ahtaal, at least let me get into a more comfortable position then this.” Ahtaal listened to you. You gave him a pointed look before twisting into a position that you were able to still draw in.

Only your butt was planted firmly in his lap. You lounged sideways and used the side of the cushion to keep yourself slightly upright. Just enough to have the book on your lower thighs and draw. You peer up at Ahtaal with a pointed look that turned into a soft smile. The expression on his face was at ease, relaxed, and gentle with the sight of you.

Ahtaal placed a hand on your knee and rubbed his thumb against your skin. “How’s this?” he purred in a tone that made you want to smack him. Somehow, you refrained from fulling such a thought. Instead, you scoffed and started back on the project in hand. Ahtaal watched an artist at work, amazed the way you create something out of nothing.

[kozachenko]

Here, have a fairly light sketch dump with two relatively complete sketches and some of the process for the main Zanmu one. Also, Gensokyo's specalist girl makes an appearance here too

Artist's Notes;

Zanmu is such a fun character to draw, like, there's so many little aspects in her design that you can emphasize, and her colour palette is so satysfying too. The reason I ended up drawing this was because when I was scrolling on Pinterest I found a specific pose that just screamed Zanmu to me (it was the skull that did it for me) and I just had to draw her in that pose. I did end up taking my liberties with my reference though, and also I am not drawing feet, I just straight up don't like it, and this is mainly something more on the sketchy side so it didn't really matter lol. Also, IDK too much about the hands, I'm usually pretty good with them but I struggled with them a bit this time. Also Zanmu is sitting on nothing because I just didn't feel like drawing what she was sitting on (plus I already drew in the clothes and including what she was sitting on would mean having to change the sleeves and I just didn't wanna do that lol). Also realized that I should probably start trying to improve on drawing frills in clothing, and I tried a new technique for drawing them. I do like how they look, but at the same time it can still be better.

I do love how Zanmu's pose turned out the most in this batch of sketches. In my process, I put the reference image on the canvas and then roughly blocked in the silhouette. One change I knew I wanted to make since the beginning of the sketching process was opening up the space between the bent arm and body more, mainly to make the silhouette of the pose clearer (even though with the addition of the clothes it does get closed up a lot). I also wanted to turn the torso towards the viewer and change the position of the legs to something more cross legged/casual. In another sketching pass, I just kinda quicjly scribbled what I wanted the pose to look like just so I could get my idea out and I'm glad I did that because that helped me focus more on the pose itself rather than the small details. Afterward, I did a sketch of the body, clothes, and hair all together and then coloured it to get the coloured Zanmu sketch!

Again, I could've done a better job with the feet and the legs themselves for that matter, but the nice thing about sketches is that they don't need to be perfect, and I was more so focused on the gesture/feel of the pose rather than the minute details. With her facial expression, I knew that I wanted something very specific with her eyes, so I just simplified it into this "almost closed" eye and I do like how it turned out a lot. Also, a problem that I often have drawing Zanmu is that in the poses I put her in, I don't really know how best to draw in those triangle cut outs she has, so instead, I added these little triangle details onto her sleeves and pants to add some visual interest and allude to them instead, also because they can kinda allude to a crown and Zanmu is the king of Hell so it fits lol (also, love it when people add details like that onto sleeves sm lol). The hair and tassles did a lot of heavy lifting when it came to making the drawing have a nice flow to it, and I have the headcanon that Zanmu is just able to make those float on there own by.... honestly I don't know, I just like the idea of her tassles defying gravity and floating all the time. Also IDK if you can see them, but I did make sure to include her scars as I'm basically adding that as a part of my way of drawing Zanmu. It just adds a certain something, y'know? Also found a specific reference for the skull and made it the red that it is in Touhou 19, and also because drawing skeletons and skulls is just fun lol.

Now onto Reimu, so that face drawing was mainly there just so I could get a better idea of how I wanted to draw her face in the future. My main concern was trying to make it different to Keiki and Zanmu's faces, so as I was sketching hers I had the drawings of Keiki and Zanmu's faces turned on to make sure I wasn't drawing the same thing again. Down here I included this little test I did where I hyper simplified the eyes of the three faces and just traced over their face shapes, noses, eyebrows, and mouths. While the nose is the most consistent trait shared among the three of them (tbf that can just be chalked down to an aspect of my style), I feel like the three are different enough from each other to where they don't have same face syndrome, even if you simplify the eyes into dots and also didn't include the detail of Zanmu's scars on her face.

I'm obsessed with giving Reimu these tiny little eyebrows for some reason, IDK it just works for her. I also really like using a red as a highlight for whenever I draw her hair black, mainly because it helps to give the illusion that her hair is just a really dark brown and incorperates her main colour of red into another aspect of the design. I also wanted to try and draw Reimu's eyelids differently to try and imply monolids but tbh IDK how well that reads. I also like how her pupils turned out, as I'm experimenting with different characters in my style having different kinds of pupils. I didn't even bother properly rendering her clothes, so I just did them linelessly (I think I wanna try drawing in my lineless style again for a future piece sometime as I kinda miss the feel it had). I of course had to give Reimu her big bow, and also use that specific shade of red. IDK what it is about that shade of red specifically, but I just love it, it looks so nice to me you have no idea- Now that I think about, I kinda wanna draw Reimu more now, as I feel like I can still do some more experimenting with how I draw her eyes specifically. Also because I've got some ideas when it comes to how I wanna draw her body type.

[katshelluvacritic]

So…. Glitz and Glam huh… y’know what that means my fellow artists and critics…

REDESIGN TIME!!!! + (A bit of critics/opinions on the characters and the og design :-] )

To start it out a lil’ positive, If I gotta be honest I actually kinda liked these two characters from the mid-season special, even though they were just the bitchy woman character your supposed to hate (as if we needed any more of those characters than we already got viv), they were still really fun as characters in my opinion!

I feel like bitchy esc kind of character very much works for these two coupled with them being very competitive towards fizz in the episode, I feel like those two things were like the bread and butter for these characters and if I wanna be honest… I kinda wanna see these two again but wouldn’t be surprised if that didn’t happened bc c’mon this helluva boss we’re talking about after all!

The only thing I would have to say negatively about these two is that they literally got crushed by a rock in the end, like I get it viv hates writing characters who are woman but COME ONNN, you had these two characters that seem really interesting and the only climax you could’a think for them in the ep was to crush them with a rock? That’s literally lame.

But other than that, I think overall these characters were alright! At least writing wise….

Now for the redesign + critic thing on the og designs

I decided to change her outfit bc although I loved the character’s personality, the outfit viv gave them not fit them at all. The jester esc outfit personally I think doesn’t really work for these two because 1. The jester theme Fizzarolli’s thing and 2. It doesn’t really work well with their personality, the song they sang in my opinion shows that.

So I thought I’d base their outfits off of the bratz outfits and also any outfits similar to that, to try to fit their characters more!

That and I’m just getting real sick and tired of the jester/clown theming that’s going on in hb because oh my god it feels so out of place, especially with the theme of greed ring being a trashy polluted city. And even if, EVEN IF viv wanted to give them clown esc themed outfits, I feel like it would’ve made more sense if she gave them outfit that were similar to mimes because technically those guys are like elegant clowns! While jesters aren’t even the same as clowns at all.

I also kept the green ish’ tones while also giving them a bit off red and purple colors to compliment the identical twin duo thing they have going on! Because like… do I even have to say why I did it? Their colors are literally just black and the same exact hues of green, it was literally hard to focus on them when watching the episode because of much they blended in with the background.

I also took inspiration from this fish when designing them because from as far as I can tell (and do correct if I’m wrong), they’re supposed to be fish demons??? So I tried to add more fish motifs for them!

I also made them half succubus from the horns looking similar to that and also because I thought it’d be fitting for them!

I also made their hair look like fish fins because oh my god their hair in the canon design was probably the worst part about their designs, not only did it have too many details that it was too distracting when I was trying to pay attention to the characters but also I just trying to figure out how the hair works in general, because it honestly their hair kinda looked like paper instead of fish fins or even actual hair.

But other than that uhh…

TLDR: I love these guys sm, they deserved much better and uhhh I love women /hj

[teeth-cable]

I need more people to talk about how just like the POC designs, the writing is terrible at clueing the audience what race and ethnicity the characters are.

Beside stereotypes, the racial coding in the writing is little to non-existence. The characters don’t have mannerisms from their cultures, speak in slangs or idioms relating to their group from their time periods, or make cultural references.

Without having to rely on outside sources (Livestreams, looking up VAs, leaked audition sheets, etc), the only characters I would successfully guess would be Vicky, Val, and Velvette, and even then, it doesn’t mean the racial coding is good.

Vicky is the only one from this list whose racial coding isn’t atrocious. I can tell she’s Latino because she curses in Spanish, but that’s it. This is admittedly nick-picky , but I wish when cursing she would have used Salvadoreño specific slang and curse phases to signal she’s Salvadoreña.

Val, I can tell is Latino too, because of his accent and him cursing in Spanish, but it’s egregious. The accent fluctuates so much, it’s strong, then weak, then strong again. Not sure if the VA was struggling or if this was an intentional direction given to him, though the fact, I and other people were confused, at the direction, speaks for itself. Another issue with his accent is how it’s sexualized, contributing to the Latin Lover stereotype of his character.

Velvette, I won’t sugarcoat it. I wouldn’t even guess she was supposed to be black though the writing or the majority of her designs until the finale. The finale, the last episode of the season and the only time she has textured hair with her screen time being around two minutes and sixteen seconds in total.

Visual designs isn’t where race coding ends. This is important to remember because it ignores the good coded characters (King Dice from Cuphead, Darwin from TAWG, the Funk trolls from Dreamwork’s Trolls) and how Viv failed and could have done the racial coding better.

For Viv, she has to rely on other coding methods too because there are characters who aren’t humanoid enough, or even humanoid at all, for visual coding to work. There really isn’t anything I can say to explain why the race coding sucks beside Viv doesn’t care about representing POCs.

I wanted to create this post to highlight how Viv fails at coding in every aspect. The fandoms and critics shouldn’t praised her for giving Velvette textured hair or darkening Sera’s skin from her leaked audition sheet. We need to stop praising creators, especially white ones, for doing less than the bare minimum (The bare minimum being making POC characters look POC) when creating POC characters, or worse, justify it. I’ve seen people tried to justify the terrible POC designs by using one of Carmilla’s daughters as an example, as if one decent POC design in a sea of ashy and euro-centric or erased features for the majority of the POC cast suddenly invalidates the criticisms.

I’m also getting tired of the fandom making posts questioning why people have and still draw the POC characters as white, as well as people harassing artists for accidental whitewashing. I’m hate the whitewashing too but in this case, it’s different because this is Viv’s own fault due to her poor racial coding. Not every fan will have the same intense knowledge you do or even should, to know what a character’s race or ethnicity is, that’s Viv’s responsibilities as the creator.

Mind you, these were the human designs we had before the show aired. Alastor being mixed creole and Niffty being Japanese yet they look white as hell here.

[magua-vida]

SLAY THE QUEEN THORN

I was inspired by Abby's sketch of a hypothetical Queen version of the Princess, so I tried my hand at it with a few vessels, including this one. I... ended up drawing something akin to a fashion design concept art rather than a practical design that won't be tiring to draw over and over after a handful of sprites later. I also had to use a bit more artistic license growing unnatural poppies on the dress and the thick twirly prickly noodles.

some explanations behind the process

For the "mended" Thorn, I pretty much just removed the foreground thorns and added the dirt.

rambling/fangirling/screenshots below:

The Thorn is one of my favorites. If I had to choose only five vessels to offer to Shifty and there's no replayable feature, she'll definitely be one of them. I'm one of those suckers who's into Hurt/Comfort stories. Almost like a masochist for those fics, you could say. If the climax to an Action-heavy story is the defeat of one party, then the catharsis of Hurt/Comfort is when the two characters... well, comfort each other- either due to hurt from each other or someone else. In The Thorn's case, she started off rather innocently, Damsel-like, but not quite. She still had caution. It was until she was literally stabbed in the back that she learned that it was a mistake. And when Long Quiet offered sincere regret and admission of fault, she stabbed him... but she didn't feel the relief she thought she'd get from it. I think many relate to having been betrayed and/or betraying someone they trusted, and the scratches are felt by many players.

The thorns curve inward, as if it's more painful to leave her than it is to approach her.

Poppies grow around along the bramble. Many mistook them for roses because they're red and there are brambles (tbh, I actually dunno if they're brambles or briars, I looked them up and I got confused, forgive me, plant enthusiasts ;.;) that grow around the patches of those poppies. Death and romance~

This brings back to Chapter 1 where Hero was kinda-sorta-maybe-definitely crushing on the Princess and wants to give her the benefit of the doubt, not only because of feelings, but for a reasonable cause of wanting to rescue someone who possibly may actually be a victim of circumstance.

Look, I have reasons why Thorn route is one of my favorites and it definitely doesn't have anything to do with both characters having massive trust issues and the capability to change themselves for better or worse and the emotional moments hitting me like a lovely diamond-dusted dagger. Both of them are rather cat-like with pointy ears too.

I appreciate that you're still given the options to leave or stab Thorn, as if the situation isn't pitiable enough. Even her tiara looks like a crown of thorns. It's as if she views the thorns as both a form of penance and a defence mechanism to protect herself from being hurt again, even though she's hurt by her own making this time.

I chose for the Long Quiet to save her and leave the cabin together.

This part stabbed me the most. Even when shown genuine help, she shrinks back.

This part burns a bit of the jadedness away. Trust is a scary thing, so is love. How can you be so sure that you won't be hurt by the one you love again? But just like what The Prisoner says, it's about trust- blind trust. Thorn looks more human than her previous self- less animalistic, softer. A part of The Damsel returns, even in the music.

I recall weighing on whether I prefer the version with the Voice of the Cheated or Voice of the Smitten. I vaguely remember wondering if there was an option to ask her if it's okay to kiss her. I guess the ideal would be is to have that choice, but I suppose the climactic moment calls for it and she doesn't mind it, at least. It's like the option to hug Astarion from BG3, but you're not sure whether he'd be comfy with it after being hurt so much. He gave approval for it too~

As much as Thorn is one of my favorites, I'm not attracted to her and any of the vessels. Instead, I ship her with the Long Quiet- the character himself. I don't really see myself AS the Long Quiet, more like choosing what actions on what he does and I separate myself from him a lot for many reasons. It's a bit like the Harry situation from Disco Elysium in terms of seemingly blank-slate protagonists.

Instead, I kinda put myself into her situation to feel how she felt in this route. The poppies not only felt symbolic of her nature as part of the Shifting Mound, but also specifically the end of the mutual treachery you've inflicted on each other, potentially beginning anew on a path of healing.

==============ramble-bramble over===================

[angermango]

"I'm not cooking or anything, this is just a silly idea- (looks down at canvas) ffffuuuu--"

...

so, first I only wanted to draw Professor Layton with a Reiterpallasch from Bloodborne because haha funny hat man with gun-sword, but then i ended up drafting concept art for "Laytonborne", apparently.

"Puzzles all over the shop... You'll be stuck on one of them, sooner or later."

extra artist commentary:

Layton

yes, this really did just start with me wanting to give Layton a Reiterpallasch because he's a canonical fencer and Bloodborne trick weapons absolutely slap. The Reiterpallasch is literally a rapier with a pistol attached that can mechanically switch to prime either the blade first or the gun first so you can stab and shoot someone at the same time.

Giving Hershel the Bloodborne makeover was kind of funny because he wears such a simple look in canon it was hard striking the right balance between his recognisable look and BB aestheic since Bloodborne loves embellishment especially via lots of belts/buckles and those weird shoulder-cape things. I tried to keep it simple enough though because as much as i think he could pull off a hunter ensemble i don't want to have to keep track of all the funky bits. the Top Hat Stays, of course.

Aurora

Aurora is eerily good a fit in a Soulsborne-esque setting considering she fits the criteria for a "Soulsborne maiden" classic archetype sort of character: After all she's a mysterious pale-haired young woman with mystical origins/powers and a foreign-sounding accent and may or may not have some connection to the wider lore and powers that be of the setting. hell even her whole thing being a golem works in a way as even Bloodborne has artificial humans existing as a concept.

i got a little lazy with changing up her dress for both time and lack of inspiration. I thought maybe i'd really do her up but then I chickened out that her costume wouldn't be recognisable any more so just slapped a belt and some patterns on the shawl bit and called it a night :P (if i'd been braver/more motivated she'd probably look good in an approximation of the White Church set, something like that)

and yeah so as the sketches off to the side are like, no real clue how/why it might be triggered but imagine her having the potential to be an optional boss or something (and she'd whoop your ass)

Flora

idk tho Flora also seems like she could be a good contender for the "Soulsborne maiden" position too in a way, or even if not her whole character and story fits into the world quite well. especially with Bloodborne having the Plain Doll who is a sentient doll made in the image of someone her creator loved/was obsessed with and Flora living in a village of human-like robots which started after her father tried to build a replacement for her dead mother.

Her dress is a combination of all her canon costumes across the games. The fur-trim shoulder cape is from one official art of her, the short shawl and white sleeves and bit around her waist is based on her first dress, and the rest of the dress design is based on her second and third game appearance.

The 'Doll Flora' concept there at the end is just some idea of a false/clone Flora running around as well. She's got some little differences including elements of other parts of Flora's designs over the years that aren't on OG Flora, such as the sash and shoes.

Anton

Anton fits in scarily well to the Bloodborne-y setting, perhaps not too surprisingly given the whole 'vampire' thingy. I sort of envision Folsense and Herzen Castle being a bit like the Castle Cainhurst area of Bloodborne which leans more into the classic gothic horror of a remote and looming haunted castle occupied by a sinister enigmatic character.

And yes, that is a reference to the infamous "LAYTOOON" scream from his canon 'boss fight' in the second game - imagine the whole steaming up and screaming thing being like his boss phase transition animation.

The whole 'withers to an old man/husk' concept seems so very Soulsborne-y it really just fits yknow. like if you defeat him he shrivels up/ages to dust or whatever. RIP gassed-up grandpa.

I partly rizzed up his suit using inspiration of the Cainhurst Knight set because like. come on. it's too good to pass up the chance to pretty up with and looks a lot like his canon suit in parts.

Did I trace the foyer background art for Herzen Castle for the mockup just for laffs, only to realise partway that 1) Layton and Anton actually fought in the ballroom, and 2) the ballroom would actually make a much better boss arena setting because it's wide open and the arch from the front room leading into the ballroom could totally be the 'boss fog door' part better than the front room?

...so yeah I then drew the ballroom background without tracing this time like a true madman and had a hell of a time with perspective but the plus side is we also get the sword collection from the game there as a cameo because in Laytonborne the good professor brought his own already.

The Masked Gentleman / Randall

Had a bit of a time deciding how to Bloodborne-ify this guy because his suit in canon is actually really. really boring. it's just a white suit like cmon. so to give it that Bloodborne makeover I fell back on the classic shoulder-cape thing that almost all Bloodborne characters have, added some patterns and accessories based on the Mask of Chaos' patterns and the Decorative Old Hunter's set from the Old Hunters DLC (in the leg brace, forearm guard and the hints of gold chains around the upper arms).

He also gets a Threaded Cane, another trick weapon of Bloodborne fame which is as it suggests: A cane weapon that works a bit like a baton/sword combo but in its alternate form it's a whip covered in serrated metal blades which form the cane itself when locked together.

It seems very appropriate for Randall to be like a boss who starts out as the Masked Gentleman and then at half-or-less health you break his mask, reveal Randall and then wings burst out of his back as he enters his second phase rage mode. This concept part felt more DSouls-y than Bloodborne-y to me i think since Bloodborne is less fantastical and leans more into the body horror/monstrous kind of boss transitions? But at the same time it was too good an opportunity to pass on at least sketching out, plus get you some sick fallen angel imagery out of it.

Also the hanging arm pose miiight be a bit inspired by Artorias of the Abyss. just a bit.

Descole

i recall seeing a post somewhere once with this very low-res rare art of Descole sitting in a throne from somewhere i have no idea what it was for. and I remember it kinda reminded me of Lady Maria's promotional art for the Old Hunters DLC so that's why the last picture of Descole exists.

mf already dresses so extra i legit could think of nothing to add to make him more Bloodborne-y unlike the others. I also used his canon sword's design from the games with a custom sheath because again couldn't really think of anything more to do to make him fit more when he's already got a cool signature weapon to show off.

[cripplecharacters]

This might be a bit of a weird question as I know this isn't a drawing blog, but do you happen to have any pointers for finding good reference photos for drawing cane users? I'm having trouble finding interesting/dynamic poses, and the vast majority of pose generator sites I've found don't even show people with mobility aids. Stock photo sites and google are also limited in their usefulness, mostly giving me very stiff poses. If you have any tips that would be great.

hello dearest asker!

I tried to be an artists once upon a time so let me direct you to some things that might help! Here is an excellent post written up by @deoidesign shows how motion and functionality with a cane works. Here is a post by @sparrowsocks on the cane design itself and the practicality of it. Here is another "How To" guide that is a bit more simple but covers how the hand changes with different handles.

Here is a reference of hands gripping cylindrical objects that I think might be a little helpful. Grabbing a cane or just moving it are all things that go into it too.

If you're going for more a historical setting, Here is a library of sources of historical walking sticks and canes. That source is more novelty canes and not for practicality for a mobility aid, but Here is another source for History and it has more practical canes.

Also things like old photo rolls when film was just becoming what we know today could be something helpful too.

[Image Description: A black and white picture roll of two sets with twelve frames in each. The first roll is a side angle of a man holding a can and walking then taking a right turn and walking back. The second roll is a backside angle of the man walking with the cane and then taking a right turn and walking back.]

We can see for example in the first two frames how the opposite leg moves with the cane.

And of course we have more photos from the Victorian era of men with canes. Granted canes were used largely for fashion but a lot of people did use them for balance and such too. Also they're good references for poses while holding a cane.

Another thing I can recommend is just watching videos of someone using a cane. Look up disabled YouTubers or people who do physical therapy videos and they show largely how movement with a cane should look and more.

If you're looking for dynamic poses I would recommend looking up cosplayers or models who are disabled and use canes. But also looking up disabled actors that use canes or similar mobility aids and go through their filmography is another good way to see references. A lot of disabled people who are artists also post their own photos and videos for art references specifically too.

One last thing is how the character holds their body and what type of cane they need is gonna depend on how they are disabled. Working that out and doing more research is gonna change some things. But also even though there is a proper way to use a cane, some people use canes in different ways to suit their needs and comfort. The biggest example in media is House from House MD and while Hugh Laurie isn't disabled, he does a pretty accurate portrayal of someone using a cane in an alternative way. I personally (when I was getting fitted for one) would use my cane very much as House does, and other people have said much the same.

Hopefully this helps in some way and your fellow artists may be able to throw more help in the notes. Happy drawing!

~Mod Virus 🌸