#maybe I change them out seasonally

[g1rlr0b1n]

Two commissioned icons from the super awesome @onlysushicat!!! They're so adorable!!! I just love them so much!!! 😭💖

Go check out their page to see more art!!! Also, their commissions are still open so go check that out as well!!! I totally recommend them!!! 🥰🥰🥰

[bloomfish]

It's so weird that in angel s5e2 they do a little flashback to Spike's blaze of glory moment in the last episode of Buffy... but they leave out Buffy saying "I love you". It's such a blatant omission, the ONLY omission from that scene, that it feels totally deliberate and kind of dishonest. Considering a lot of the Spike and Angel moments in S5 revolve around their jealousy and rivalry towards each other, and a LOT of that is to do with Buffy like... Why would you leave it out? It's a pretty big moment for Spike's character in general.

As far as I recall they don't even mention it, they just mention the fact that Spike and Buffy have had a lot of sex compared to bangel's ONE disastrous time (that they remember) but it does kind of cheapen it for Spike. A big motivation for him not leaving LA could have been him not wanting to hold Buffy to her words, since he clearly doesn't believe that she loves him (even though she does, as per Whedon). He presumably thinks she only said that to make him feel better in his final moments, because she wouldn't have to actually follow through on her words. Which is sad. But it makes much more sense as a motivation than the weird 'it cheapens my moment of glory' excuse like since when does spike give a shit about that

[governmentmandatedryujinstan420]

I FORGOT TO THROW OUT AFTER THE EPISODE RELEASED NOOOOOOOOOOOOOOOOO

[irenespring]

Thoughts on Bertha Russell (Many Thoughts)

I am So curious about Bertha Russell's backstory. We have little snippets:

Her father was a potato farmer.

She has lots of mommy issues. (George mentions her mother said she was the only child "worthy of her dreams" to which Bertha angrily responds that her mother's dreams were worthless because she died with nothing which is A Lot)

She has sibling issues. (George offers to invite her sister to a thing and she refuses)

She and George met when they were both poor, they made the fortune together.

She had a distinct learning curve when they first got to New York. She bought The Wrong House and made The Wrong Friends and had to learn and relearn things over a period of years. (I am especially interested about this time, because she would know Nothing, being the ultimate outsider, but she is a tactical genius and viciously ambitious...I want to see young!Bertha in the early stages of the struggle before she knows how to dress/talk/act).

I hope we will learn more about her because more than any of the other characters she wants things. Things that are nebulous, but she doesn't seem to realize are nebulous, because she has clear goals but they don't satisfy her so she has to make another goal. Loving husband doing well? Not enough. They have enough money to hear the call of the guillotine? It's not enough, they need status. They have status? Not enough, they need to beat Lina Astor. Now they've beaten Lina Astor, but I don't think anyone thinks that's going to be enough. George points out multiple times that he is content where he is and content to let their children marry for love to people of what Bertha considers middling station. She's the sole driving force for continued social climbing. And it doesn't matter how high they get, she wants to go higher, she wants to go "all the way" but there isn't an all the way unless I guess you're Empress of the World. But then the moon starts looking awfully conquerable.

She claims she's doing it for their children, but both children have said her suggestions aren't what they want. And it is heavily implied she just sold her only daughter to the Duke so he would attend an opera performance. She wants Gladys to marry the Duke so that she will be grandmother to English nobility. It's for her. So she is willing to use her children, her alleged motivation, as pawns. They aren't her real motivation after all, even if she may think they are. I do think she loves her children and George. I also think that she thinks she's helping Gladys, but I also think there's a limit to that love because it exists beside the yawning void of hunger within her psyche. George outright asks her if his love for her is enough to make her happy early in s1, because her love is enough for him. She says it's "almost enough" and that's significant and enough for him, which is telling, when usually any answer other than "yes of course" would be taken by a love interest as a searing betrayal. Anyway, the point is, her kids/her family are, at least, not her entire motivation and might not factor into her motivation at all, if she is fully honest with herself.

So, the hunger. The call to Rise. The rage that has her hyperventilating in bed alone after her failed party instead of crying in her husband's arms like most television characters would do. The instinct to look upon a room of people and think you will all bow to me you sniveling mortals. Why is it there? Like...why is she Like This? I think some of it has to come from what we can learn just from George's comment about impossibly ambitious, ruthless, low empathy Bertha being the only one "worthy of her mother's dreams." Which means her mother had dreams that were very important to her and that she never achieved. Her mother also guarded said dreams and judged her children harshly, we know Bertha has at least one sister, who is apparently judged not worthy in the eyes of her own mother. We know Bertha does not like talking about this and tries to dismiss it. Was there pressure on Bertha to be worthy? When could that have started and how did it manifest? Circling back to my interest in young!Bertha in NY, if the social rejection was bad in s1, it was probably worse then, and constant social failures would have made her angrier and more determined to both to become the queen of New York society and to see it burn. This is all stuff I want to learn more about in season 3.

HERE IS WHERE I PRETTY MUCH JUST DO PREDICTIONS (WHICH MAY BE TINFOIL, IDK):

Because I think we will finally get to see Bertha Russell: Season Villain. Every season needs a villain, and Bertha has pretty much vanquished all of them. The first couple seasons the overarching villain has been New York Society with its inequalities and pointless social cruelty, if that holds, Bertha is now the head of that system, having beaten Lina Astor and set herself up as the queen. Additionally, side opponents (not really villains) like Agnes also aren't in a position to make major problems for the protagonists because the Van Rhijn household is now the Forte household and cinnamon roll Ada is now in charge. Unless Agnes attempts to usurp her sister in a subplot (which I don't think will happen except for maybe one episode of hijinx) she's not in a powerful spot. The Society character is indisputably Bertha. And Bertha has been up to some serious villain shit. If she did agree to marry Gladys to the Duke, she's now against All the Protagonists---a sure sign of villain status. She's even against her husband, who swore to back Gladys in her choice of love match, and Gladys doesn't like the Duke. If Gladys wants out, Larry will almost certainly help her. And Saint Marian will help Larry either for love reasons or moral reasons, and hopefully Peggy has better things to do but she will probably get dragged into it somehow and if Marian's involved Ada's also involved and you see where this is going.

Also, show pacing wise, Bertha is due for a loss. I love her and I want her to win everything and be declared Empress of Earth and Moon but realistically that isn't going to happen. In a show where villains lose, it checks out. Gladys isn't going to marry the Duke, and if she does, everyone is going to regret it. One reason I think we will learn more about Bertha and her history is because if she loses she's going to Lose It. Dramatic monologue style. When she had a party and no one came she swore eternal vengeance and spent the night Angry Breathing and presumably fantasizing about the Red Wedding. She doesn't handle losing well. A big public loss after achieving every status symbol she could think of would probably break her mind, and she'll probably tell whoever she's talking to (probably George) enough backstory info that we the audience can fill in stuff. This is also where I would guess she and George would reconcile where he would see she is the person he loves and has not transformed into an automaton, she's just Messed Up, which he always knew and loved so he is Back In.

IN CONCLUSION:

This is who Marina was writing about. She is a primadonna girl, and all she ever wanted was the world. She cannot help that she needs it all, in this case the primadonna life: both the rise and the fall. She also knows exactly what she wants and who she wants to be. This is why she walks and talks like a machine. Unfortunately, she is becoming a self-fulfilled prophecy.

Oh, oh no. Oh no. Oh no. Oh.

[clearnachopirate]

OKAY

TMA x DBD part two: how Charles Became.

As I said in part one, Charles could have easily been an avatar of the Lonely, but I thought I could find something else that fit, especially since in this case, Charles didn't quite feel alone as he died, even though Edwin wasn't there.

There are cobwebs in the attic, and that doesn't shock Charles, but there are a lot of them. Charles doesn't mind spiders, and he has bigger things to worry about, mainly, freezing to death, so he finds a blanket pinned down by a think book and folds himself into a corner, bringing the book with him, hoping to distract himself at least a bit.

There's a spider on the window frame above where he sits, and he honestly feels a bit relieved as it scurries down and sits on his knee on top of the blanket.

The book is nice, in a morbid sort of way.

It's a story about a soldier from the first world war. He thinks he's dying, bleeding out from his arm, when he sees an impossible door. Impossible because he's on a battlefield and because it is distinctly the door to his childhood home.

The soldier goes through the door, in the end, and Charles doesn't remember if it takes him back home to die or if the soldier was just seeing things, because when he looks up, the door to the stairs looks different,

He could swear it looked just the door to his bedroom back home.

Charles stumbles to his feet, the spider on his knee climbing up to hold onto his shirt instead. He presses a hand against the door, and it's warm, like the room beyond it has a nice fireplace going, and Charles barely hesitates before twisting the knob open.

If he was just seeing things, feeling warmth that wasn't there, maybe he was in worse shape than he thought, but he stepped through the door anyways, the spider jumping from him, spinning a web that slowly lowered it to the ground as the door shut firmly behind Charles.

[tommygotwrittenoff]

confession time!!! can't wait for bt bones

[wildflowercryptid]

some doodles of tris and their two favorite babygirls

[bizlybebo]

theres something in me that wants to write the exact same au shifted slightly to the left 48269484 billion times

[marilinhazz]

ayrton be like

(snippet from the Good Boy™ prosenna moment fic. aka the filthiest smut)

[fahclove]

Lost is one of those shows that ask the important questions, like “Would you kill baby Hitler?” and answers that with a resounding “Yes.”

[cicada-candy]

I get the sense that Nina is gonna haunt the next season.

[tuesdayscanons]

Every now and then, I think about The Simpsons RPC and how there's an occasionally a spike of Simpsons muses that inevitably crumbles away and leaves me waiting for the next short lived Simpsons RPC Renaissance

[quietwingsinthesky]

i do love canon amy & rory but god, does some part of me wish they really had gone with the idea of the doctor picking up a child as a companion (and then later, that child’s best friend with a huge crush on her.) with the rest of the season really not changing at all, except now it’s amelia pond with an angel in her head killing her and lost alone in the woods. it’s little rory who dies and is forgotten and becomes a toy soldier. if this is going to be a fairy tale, then let it be one. children have never been safe in fairy tales.

[sskk-manifesto]

Next time we should just skip over ep 3 and do a chapters 84-87 reread

[alternautxyz]

uuhhh in other new that lmk s5 trailer dropped and people are very

mixed

for context the new season is being partly animated by wildbrain i think. flying bark is still working on the show but probably due to all the other projects they've been working on like the atla movie the animation is off.

its understandable that people are upset. lmk has some of the most consistently dynamic and lively animation ive ever seen, and going from that to ok animation kinda sucks. as a culmination of a lot of what the series has been building up to people were inevitably going to be disappointed

at the same time people shouldnt harass animators. like ever. no amount of trying to petition or anything will change the s5, people are just trying to do their job and theres no probably no major changing to the finished product by now. and theres still a lot of that lmk charm in there, and we haven't even seen the whole season yet to judge it. flying bark is still working on it, and even if the animation never reaches the peak of the old seasons it still has the same writers so at least the writing has the chance to live up old standards. idk though we'll just have to wait and see

[adaume]

Mobgle what does it mean when your friend whom you have just known for a few days keep saying stuff like "I'm glad to have you around" and “You hold hope” to me?? Anyway I think Shou has a habit of showing genuine appreciation and love for Ritsu that leaves him confused every time about what it means <3 (I rambled more about this in the tag if you are curious hshhs)

Thank you Bones for giving them opposite torn sleeves so they can make a completed set when they are together 🙏