#may add more to this later. there is so much.

[lavnderwonu]

So High School | Kim Mingyu

pairing: fiancé!mingyu x pregnant!fem!reader

rating: fluff, mature

genre: non-idol au, slice of life, established relationship

summary: you and your fiancé haven't discussed the idea of you having children, but with your wedding approaching, the idea of starting a family with him has been on your mind.

warnings: please read ALL! contains smut! not much but a little! (!!!) some time skips, reader gets pregnant, planned pregnancy, reader's mom loves mingyu, reader deals with morning sickness (for my fellow emetophobics this may be triggering!), minwon coworkers mentioned, smut warnings: creampie, unprotected sex, multiple rounds mentioned, backshots, fingering.

word count: 3k

AHEM! go listen to so high school by taylor swift (perhaps while you read!)

author's note!: i listened to taylor waaaay too much while i was writing this, as you can probably tell by the title 🫣 what can i say! guilty. my first time writing slice of life au! i had fun lowkey. AGHHH i just love writing cute mingyu esp when it involves future dad mingyu. the song lyrics are meant to be spacers for the time-skips btw! shoutout to @jenoslutie for also supporting my vision with this 💋 muah xo

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I feel so high school every time I look at you, I wanna find you in a crowd just to hide from you...

Mingyu was your dream man in many ways than one. The perfect boy to bring home to your parents, cooked delicious meals for you, and overall made you feel safe. 

You two had been engaged for months now, and wedding planning was well underway, the date set for early into the new year. As if it wasn’t stressful enough, your mom had already started questioning whether the two of you had wanted children, or planned to in the future. The answer was always the same,

“Mom, I don’t know… we haven’t talked about it into a lot of detail… maybe later on…” or “C’mon, we’re still young, Mom!” 

Mingyu didn’t know any of this, and you’d probably never tell him, not wanting him to feel pressured by your badgering mother. You both knew you wanted children eventually, but you never talked that far into the future.

But… you also thought… maybe you would want to have children, if it was with Mingyu. 

Mingyu would be the father to play dress up and makeovers with your daughter, have tea parties with her, or play with faux tools with your son and pretend to fix things, and play with plastic dinosaurs.

You couldn't picture anybody that would be more perfect to do it with than him.

Are you gonna marry, kiss, or kill me? It's just a game, but really I'm bettin' on all three for us two...

Mingyu stands at the kitchen counter, cooking dinner like he usually does, and he usually insists since he gets home a little earlier from work than you do most days. 

You come from the kitchen after changing out of your work clothes to see him chopping garlic as a pot is boiling on the stove. 

“What are you making?”

“Agio e olio,” Mingyu responds, looking up to smile at you briefly. “I know it’s your favorite, and you said you were craving it.”

You smile, coming over to kiss him on the cheek quickly. “Thank you, you make it so good anyway.” You chuckle as he playfully rolls his eyes. 

He tosses the garlic in a pan on the stove, stirring it a little, then adds the pasta to the boiling water.

You decide now is the time to break your silence, and tell him what’s been on your mind lately.

“Gyu,” You speak up. “… I think we should talk about something.” 

“What?” Mingyu’s gaze turns to meet yours, a concerned look on his face, and you immediately want to kiss him and make it go away.

“Why? What’s wrong?”

“I’ve been thinking…” You pause, racking your brain on how to word what you’re about to tell him, also given that you didn’t want to scare him. “What do you think about us… having a baby?” 

You look up at his undeniable surprised expression; after all you did come out of nowhere with that statement.

“I mean, I know we haven’t really discussed it much, and we’re getting married in a few months… but I have been thinking about it a lot, and I want to, we’re at that age-“ You break out into a nervous ramble before he cuts you off.

“I’ve thought about it too. I thought it should be something that we should…you know… talk about.” Mingyu says.

“I don’t want to put any pressure on you, or I guess, on us.” You continue. “I know we’re not married officially yet, and our wedding isn’t until a few more months, but I don’t know, I think I want to.” 

Mingyu turns to you, smiling ear to ear in the adorable happy puppy way he typically does when he’s over the top excited about something. “I know, me too.”

“Does this mean… we’re trying?” You can’t even hide your smile, your cheeks hurt as you attempt to be the least bit nonchalant.

“Yeah… fuck… c’mere.” Mingyu pulls you closer to him, kissing you fervently.

You pull back, releasing his grip from your waist.

“Hey, after dinner,” You smirk, giggling at his eagerness. “You’re gonna burn your garlic.”

“Mingyu… I can’t, fuck-“ You whine, your face nearly buried into the pillow underneath you.

“Yeah you can baby…” Mingyu grunts, his hand slides up your back to push you down even more. “Taking it all like a good girl…”

You nearly collapse as you can barely hold yourself up anymore, and you’re being pushed forward almost to the headboard from the force of him behind you.

“I’m gonna come, ‘gyu.” You cry, your hand trailing down to rub tight circles on your clit, making your thighs tremble as you push yourself closer to the edge. 

“Go on baby…” Mingyu groans, feeling you get tighter around him. “Cum all over my cock like a good girl.”

You cry his name again as he pushes you over the edge, white-knuckling the sheets as he keeps thrusting inside you, almost even harder.

“Fuck…”  He groans as he slows down, stilling before he comes inside you.

He pulls out, watching himself drip out of you briefly as he curses under his breath, before he pushes it back inside you with two fingers, making you whine.

“Sorry, baby…” Mingyu sweetly apologizes.

You flip over on your back, pulling him down to kiss him.

“I wanna go again…” You say against his lips, pushing his sweaty long hair back.

“Really?” He asks sweetly, leaning down to kiss your neck a few times. “Wasn’t too much?”

“Never…”

Truth, dare, spin bottles, You know how to ball, I know Aristotle Brand new, full-throttle, Touch me while your bros play Grand Theft Auto...

The next few weeks were just the usual. Going into work during the day, shopping for the wedding with your sister, … Mingyu practically never leaving you alone, but that you wouldn’t complain about.

“What kind of flowers are you guys doing?” Your sister asks you. The two of you made plans to get coffee, and you guys typically talked about whatever. She always voiced her opinion on your life whether it was boyfriends, career moves, and now: your wedding.

“White lilies; one of my favorites. Mingyu said I could just pick what I wanted, he’s happy with whatever I choose.” You say.

“That’s sweet,” She smiles, stirring her matcha latte. “Even though, he probably doesn’t care.” She chuckles.

“You’re probably right, I think he has other things on his mind other than flowers.” You laugh, only you know what you mean by that. 

You never told her the both of you had been trying to have a baby.

“I’ve always liked him, though, you know that.” She smiles. “If there’s anybody you marry and spend forever with, i'm glad it’s him. He’s just right for you.”

You smile, glancing down as your gaze flickers on your sparkling engagement ring under the coffee shop lights.

You’re definitely glad it’s him.

“Do you mind if we go into the grocery store down the street? I need to just run in and get a few things.” She asks you.

You nod. “Yeah, that’s fine. I could probably use a few things too.” 

“How do you know if a watermelon is a really good one?” She asks you, as the fruit by the entrance catches her eye.

“You’re asking me?” You laugh. “I have no idea, I have heard though if they’re a dark green, it’s too watery.”

“You were always good at picking them, I know Mom used to always say that.” She replies. “Maybe I won’t get one, are they even in season?”

“Probably not, it’s November. Anyway, what did you need here?” You say, grabbing a hand basket for yourself.

“Just usual stuff, yogurt… eggs, oat milk, some strawberries… whatever else I find that I think i need.” She says, placing strawberries and avocados in her cart. Already straying from the list. 

You follow her, bagging up some apples, cucumbers, and brussel sprouts into your basket. 

You’re both wandering down the ice cream aisle, as you’re grabbing whatever pint of peanut butter ice cream you can find, when your sister speaks up.

“Oh! Let’s go to the hygiene section, I need to get some tampons. That time of the month soon.”

You pause, ice cream in hand, suddenly racking your brain trying to remember when the last time your period was. A few weeks ago? Last month? Were you supposed to get it? Were you late?

“Y/n…? What’s wrong? Everything okay?” She asks, seemingly able to read your inner monologue going on in your head. 

“Y-yeah…” You reply, placing the ice cream in your basket, all while your heart is still racing. Was it joy? Nervousness? “It’s just… I can’t remember the last time I had my period…”

I'm watching American Pie with you on a Saturday night Your friends are around, so be quiet, I'm trying to stifle my sighs 'Cause I feel so high school, Every time I look at you...

“I feel bad doing this without him,” You say, staring down at the two blinking pregnancy tests on the counter. “Mingyu should be here…”

“He’ll be home from work soon won’t he? You’ll tell him then. C’mon, he’ll understand, practically sister code for me to be the first one to know.” She replies, checking the time on her phone. 

It’s true, you both always did tell each other everything before you told anybody else. 

“It’s almost time.”

“I can’t look.” You anxiously turn away. “It’s killing me.”

“How did this happen?” She asks. “I mean… not to be nosey….”

“Well we talked about it, and we’ve been kinda… sorta, trying to get pregnant.” 

“What?! How come you didn’t tell me you were?” She exclaims, playfully shoving you.

“We decided to about a little over a month ago. We talked about it, we decided it was something we both wanted,” You start, just as her phone timer goes off, you quickly turn around from the counter. “Oh my god, oh my god, I can’t look.”

“I’ll do it first,” She says, shoving her way in front of you. “Oh my god… y/n…” You can hear the excitement and smile in her voice.

You turn around, facing the two tests.

You see it, “pregnant”, displayed clearly on both.

“Oh my god, I don’t,” You almost stutter, lost for words. “I- I don’t know what to say.”

“Good news?” She asks.

“Yeah, yeah, of course.” You smile, suddenly becoming teary, feeling a bunch of emotions at once. Excitement. Nervousness.  “I just- fuck… I wish Mingyu was here. I didn’t want to find out like this.”

“Relax, you’ll tell him later,” She laughs. “Especially ‘cause I know you won’t be able to keep this from him long.”

“No, you’re absolutely right. There’s no way I’m holding it in.”

And in a blink of a crinkling eye I'm sinking, our fingers entwined Cheeks pink in the twinkling lights Tell me 'bout the first time you saw me...

You spend the evening trying to decide elaborate ways that you’ll tell him. 

Putting a test in a gift bag as a present? Corny.

Hiding it somewhere and letting him find it? Too lame.

You decided to literally just come right out and tell him, especially because you didn’t want to figure out some cliche way of getting it out.

Mingyu comes home from work, greeting you as he walks in the door, adorably kissing your forehead as he wraps his arms around you, perfectly engulfing you.

“How was your day, honey?” He sweetly asks you, genuinely curious as he’s awaiting your answer. 

“It was good actually, I had coffee with my sister, then we went to the grocery store, doesn’t sound like much but we had fun.” You lean up and kiss his lips, smiling.

“But it’s better now that you’re here.” 

Mingyu smiles, kissing you again.

“I’m going to get changed really quick, okay?” Mingyu says.

You jokingly pout. “Aw, but you look so nice in your slacks and button up shirt… at least let me savor it.” You reach up, undoing a few buttons on his shirt.

“Enjoying this?” Mingyu chuckles.

“Yes, very.” You smile.

“Well I was gonna ask you, if you wanted to, Wonwoo and Seungcheol asked if we wanted to go out and get dinner with them, and hang out maybe get some drinks.” He continues, before he starts walking off to your shared bedroom to change, as you follow him. “Wonwoo asked me before I left the office.” 

“I don’t know… maybe?” You reply, hesitating a bit.

Meanwhile your mind works a mile a minute trying to think of how to break this news of yours to him.

“It wouldn’t be until a little later, if that’s better. No rush.” Mingyu says, nonchalantly unbuttoning his shirt and slipping it off. What a distraction. 

He slips on a white t-shirt , and gray sweatpants; his usual after work attire. Suddenly you wonder if whatever you have to tell him is really that important anyway, and you immediately consider just saying “forget it” and fucking him right here in the early hours of the evening. What’d be the big deal? You were already pregnant, anyways.

No! You quickly shake that thought from your mind, refocusing.

“Gyu,” You start, getting his full attention. “There’s something… I have to tell you something.”

“What?” 

“I’m not even really sure how to tell you, um hang on,” You continue, leaving the room quickly to retrieve one of the pregnancy tests you’d left in the bathroom. 

You come back, very obviously holding something behind your back.

“I guess I should say I kind of have a surprise to tell you.”

“What? What?” Mingyu asks, eager already by the way you’re already smirking, unable to contain yourself.

“It’s, um, this…” You start, pulling the test from behind your back. “I didn’t know how to tell you, I was gonna plan something but I couldn’t wait.” You laugh, smiling ear to ear.

Mingyu takes it from you, seemingly uncaring, or forgetting, that you literally peed on the thing. His mouth drops opened, in awe.

“Oh my god…” He speaks, beaming. “When did you find out?” 

“Today, actually.” You say. “I wound up taking a test, and… yeah.” 

You sigh. “I feel so weird about it, I know I was expecting it but I feel so excited and nervous at the same time.”

You glance up at Mingyu, and you see him still examining the test in his hand.

“Are you okay?”

“Yeah, yeah,” Mingyu nods, his eyes meeting yours and you see he’s now smiling. “I’m just… happy, surprised..”

“I mean, cmon, what were we really expecting…” You joke, blushing.

“You know what I mean, it’s still crazy to me.” Mingyu comes closer to you, kissing you. 

“Yeah, it sure is…” You smile up at him. 

“It’s okay, honey,” Mingyu reassures you, speaking softly. “Just get it out…”

Mingyu kneels behind you on the cold tile floor, holding your hair back as you’re hanging your head over the toilet as your stomach empties its contents.

“There you go…” 

You wonder how he can even stand to be in the bathroom with you, if the roles were reversed, you’d be outside the door nearly gagging.

“Are you okay?” Mingyu asks, helping you sit up, as he wraps his arms around you to keep you steady. 

You slowly nod as you flush, still feeling a touch of nausea. “Yeah, can you just- just stay here for a little bit.” 

Mingyu sits on the tile floor as he leans against the bathtub, and he guides you back to sit in front of him.

You lean back into him, and he leans down and kisses your shoulder. You catch a glance at his watch on his wrist even in the dim light of the very early morning.

“Oh my god, Gyu, is it really 5am?” You groggily ask, feeling sorry. “You have to work in the morning, don’t you?”

“Shh, it’s okay, it’s not a big deal.” Mingyu reassures you. “I can always go in a little later, I wanna make sure you’re okay.” 

“…I think I’m good now,” You say, starting to stand up slowly, as Mingyu helps you all the way. “…You know, I have heard that the more nauseas you are, it probably means you’re having a girl. And if you have none at all, it’s probably a boy.”

Mingyu chuckles, “Where do you come up with this? Is that even a thing?” 

“The internet… you know, social media. Everything’s on there.” You protest.

“You’re delirious,” Mingyu playfully rolls his eyes. “Cmon, let’s go back to bed.”

“Gyu, we have to leave in like an hour,” You say, as you’re getting ready in the bathroom, finishing up your final touches on your hair. “I don’t want to be late for dinner at my parents house.”

Mingyu stands in the doorway now, “This okay?” He shows off a navy blue polo shirt and black jeans. 

“Yeah, honey, you look nice.” You smile. “Besides, you could wear anything around her, she adores you anyways.” 

It was true. Your mother would always be calling Mingyu to help around the house when your Father was away on a business trip. She needed help fixing something? She’d call Mingyu. She needs help building a side table? You bet she’s calling Mingyu. His height was also a bonus, being able to reach things stored higher up.

Mingyu smiles at you adoringly, as his eyes trail down your body.

“What?” You ask when you notice him.

“You’re starting to show a little,” He smiles. “You look cute.”

You giggle, placing your hands on your stomach. “Yeah I know, she wants to be seen now, she’s done hiding.” 

“Well, are my girls ready to go?” Mingyu smiles, kissing you. 

“Yeah,” You giggle, smiling as you kiss him again. “Let’s go.” 

It's true, swear, scouts honor You knew what you wanted and boy, you got her.

tags: @jenoslutie @wonuwrites @aaniag @cosmojinyoung

[beelmons]

Luxury Reading Nights | SR

Pairing: Spencer Reid x Fem!Reader

cw: fingering, free use, don quixote lines

Summary: Spencer calls you to provide some of your now rather popular services.

A/N: i missed spencer and i love free use!!

The most amazing part of the lifestyle you had chosen to lead was always the vast variety of men's sexual desires.

Some enjoyed getting a little rough, some dressing you in questionable outfits, some even were as far as to use you to serve them, all previously established, all with consent.

It was the wonder of 'free use', you were, at the end of the day, nothing but a tool. That's what made it so exciting.

But with Spencer, oh, Spencer, he was surely an odd one.

"Stop moving, I can't read" he ordered, his voice firm, but he was still polite about it.

He had you bent over his lap while he sat on the couch, your body was stripped naked the second you had entered the apartment. Your back was used as a book rest as he read.

His hand was the reason you were squirming so uncomfortably. You had been overstimulated for the past five minutes or so, and he kept torturing you, over and over.

It started with a call. He had a rough case and needed to unwind, which he often did with a good book. Soon, you were on his lap, kissing his lips and feeling his clothed groin against your wetness, and that's when it turned torturous.

No, he wasn't rough. Au contraire, he was extremely gentle. Annoyingly so. He began to massage your buttocks once you were across his lap, not once touching you where you were aching to have him inside.

"Ooh, I love this line" he suddenly blurted out "Too much sanity may be madness — and maddest of all: to see life as it is, and not as it should be." tilting his head, he tried to catch a glimpse of your face, womdering if you were as impressed by it as he was.

Little time did he give you, because his thumb began to run over your slit. It was slow and careful, like a caress.

You moaned in complaint. You needed more, so much more.

"You look beautiful like that." he praised, and it only heightened your arousal.

He went back to his book and his thumb kept up its pace, and it wasn't only when he reached half the book that, without warning, slid one of his fingers inside of you, while his thumb part-timed on your clit.

"I always thought Cervantes was a bit insane himself," he began to explain his theory "Takes a madman to write a madman." and without any further word, continued the assault on your cunt.

You couldn't speak from how delightful it felt. Despite reading a complex book, he was definitely paying attention to every movement of his hand, every crease of your insides, he was trying to find the one spot.

Minutes later he was kind enough to add another finger, this knuckles curling inside of you. But he was still going slow and that's when you figured: he was using your pussy as a stress ball. Not to your enjoyment but his, nonethless this was even more arousing.

His pace began to quicken as he turned on the pages, and you could tell he was reaching the end of the book, and you were reaching your limit. But it was on your terms and conditions that you only came when he said a certain word.

"...are even now tottering..." he had begun to recite near your ear what you assumed was the end of the book, but you weren't paying attention at all. You wanted to hear it. The word you needed the most as his fingers sped up their insertion. "...doubtless, doomed to fall forever." he continued.

There was something enchanting and sweet about his voice, as if he were telling you a lullaby.

"Farewell." he finally said.

Like thunder through the sky, a long moan resonated as you came. Knowing what he had done, his free hand quickly removed the book from your back. Old edition, he was not going to risk it getting soaked in your juices the same way his hand now was.

He continued to thrust, helping you get rid of the wave. "You okay?" he asked concernedly, leaning down to press a quick kiss to your naked back. "Sorry, I really wanted to finish the book." he apologized as he removed his fingers from inside of you.

You were still panting and flushed from the overstimulation, but you gave him a gentle nod "Are you feeling better?" you asked. You had noticed his tension since you arrived but decided to keep it quiet.

"I'm on cloud nine." he simply said with a handsome, gentle grin.

You were

[cj-the-random-artist]

Be it as it may that I've spent the last few weeks very very very much itching to make comics but. Alas. I am. Under the weather, to put it lightly and I have been for a while so. I attempted to scratch the comics itch by making actual references for the (yet unnamed) silly au versions of Narinder and Lambert so that when I do return to making comics I have good references for them (I should probably make some for like the Bishops and like some other canon characters and maybe some followers but I'll do it later it's fine)

Gonna add a read more with their individual refs with some of the layers of these outfits and some bonus notes. I would've done more stuff for these but it's fine it's a future me task-

Pls enjoy these, have a good one y'all :D

[revelboo]

I love the idea of Everything is Alright being a reverse haram with megs, but I see you said originally. So might not happened, which I think is fine. Star doesn't need anymore trauma, but I can also see the possibility of a simple human mending the tension between the higher ups. Just might cause star, and possibly sounds to be very worried

I may still include Megs later on, just wasn’t sure if I could balance all three. It’s a lot easier when the guys at least kind of get along and this dynamic… not so much

Everything is Alright Pt 55

IDW Starscream x Reader

• Keeping you cradled to him as he types one handed on a report, he’s aware of the warmth of you leaning against him, little head resting against his chassis. “You want to talk about whatever’s bothering you?” You ask softly and his wings flick slightly, servos miskeying a glyph, because he should have realized you’d notice something is off. Always watching him, looking to him. You know him and it’s almost frightening. “You don’t have to,” you add when he’s silent too long, because how to even start? And there’s no way to explain how upset he is about finding out about your life span, without revealing that he cares too much. Without making himself vulnerable and risking rejection.

• Resting your ear against him to listen to the soft thrum of his spark, you don’t really expect him to answer. His feelings are something he hoards, keeping them to himself and only occasionally slipping and letting you see that not only does he care about you, but he needs you with him. “You know I care for you,” he says slowly, raspy words humming through you where you’re against him as one of his servos runs from your shoulder down your arm until you lay your palm against him and he vents. It’s not a question exactly, but not really a statement either. A reminder of how insecure he can be, as if trusting anything or anyone is almost impossible.

• “I care about you, too.” He knows. He really does, but something about hearing you say it settles warm about his spark. Tucking his chin so he can see you, there’s something uncertain in your expression that catches at him before you press your cheek against him so he can’t see your eyes, hiding your expression from him. “I like waking up against you. Like when you worry about me even if you don’t need to. Even when you get aggravated, I like the way your wings fidget.”

• Embarrassed, you keep your face hidden against him, trying to tell him how you feel without saying the actual words. Because telling him you think you might love him and you’re not sure when that happened? Especially if he’s only after something physical, needing someone to be there, but not the same way? It might just break you. You like his nervous tics, like the warmth of him and the way his servos feel absently stroking, touching you. You like him.

• Servos pressing you closer to him, grounding himself with the feel of you until you make a little noise of protest, mumbling that he’s squishing you and he relents. Again he thinks about how it would feel to entrust his spark to you, to feel you touch him that way. Would it only drive home the differences between you? Remind him painfully that there’s no way for this to ever be more, no spark in you to lose himself in? And so little time, he can feel it slipping away from him regardless. Head falling back against the back of his chair, he vents. Softly, hesitantly in Cybertronian, he begins to speak, knowing you can’t understand and feeling you shift to try and look at him as he shutters his optics so he won’t see your expression, because it’s hard enough to open up and this is the only way he can, this one sided conversation. Wishing for things not meant for him, swearing to protect you and cherish what time he has. That you’re his, spark or no spark. Regret and fear and love all tangled together. Feeling when you lay your head back down against him, listening to him without knowing how hard these words are.

Previous

[gem-de-lune]

Daily Vibe Check 11/11

Some of yall were saying that 1111 seems very special, and I agree after doing this read today!

Seunghan

Knight of Pentacles

Today it seems as though he is being very patient. Honestly this energy is very...different than usual. Leading me to believe he has been in direct contact with something that has solidified such a perspective. The Knight of Chalices tried to come out while I thought about this. I will revisit this later.

But generally, these are good vibes, and a sign of hard work and endurance. He is willing to wait for good results and feels good about how he is approaching the situation.

Sungchan

Ace of Wands

With the Ace of wands I believe he is very excited for something. This card came out quickly before I even asked him what's up lmao. Just by saying his name it flew out. This adds to that sentiment. I think there has been some news delivered to them because as you may notice while I go through the members, he energy has shifted slightly as they are a lot less "accepting passive waiting" and more so dreaming, excitement, satisfaction. This stands true for Sungchan. He is actively throwing himself into this news or new endeavor. Generally good vibes today.

Anton

Knave of Wands

This has a similar vibe to Sungchan, except he seems to be a bit weary over getting too excited. Still, this is very naiively active and exciteable energy. The Knave here symbolizes a lot of thrill to the situation. There may be fun sides as well, but Anton seems to have some anxiety, or maybe he is distrustful of the messemger sending the good news. Either way, the energy is still generally good. He is just anxious.

Eunseok

Knight of Chalices

Lol so here with the Knight of Chalices, I had mentioned earlier that this tried to come out during my pull for Seunghan as well. This, to me, indicates that Eunseok and Seunghan may be interacting closely today and on the same wavelength. It seems they are bringing something to the table for each other that is much needed; being supportive physically and emotionally.

Focusing on Eunseok, today is very good energy for him. He is feeling a lot more expressive and open and able to relax a lot more than he may normally. At the same time, he is very pointedly not alone in doing that. Both his and Seunghan's cards are also knights. I really do think they are in direct, prolonged contact.

Wonbin

5 of Swords

This was a little weird. It seems that Wonbin feels very thrilled about something himself, but is acknowledging that others may not feel the same and is concerned about this a little bit- more so annoyed than actually feeling bad. The vibe is like "lol get over it" but it's a clear bitter acknowledgment. This is the first time he has really been particularly bitter towards any party while I read for him. I pulled the 9 of Pentacles while thinking over this and confirming this was how he felt (which i did not keep and will discuss later) and then 6 of Wands (victory) when revisiting to finalize the take. He is feeling victorious and laughing at the people against him right now. Good vibes, lmao.

Shotaro

4 of Chalices

To me, it made sense why Shotaro went when he went in this order because it makes his card make a lot more sense. I think that everyone is desperate for the good news, for a resolution. I think that Shotaro is really not satisfied with this. I don't see this in a harsh way, but in a semi playful or maybe sarcastic way. Kind of like, "And why couldn't you do this before??" He is not acknowledging any effort being put in to relay whatever news was received. And/or he may not even be satisfied enough with the content altogether. Is he feeling not good? No. He is just annoyed.

Sohee

9 of Pentacles

So, going back to Wonbin- I also pulled this card when clarifying if he really felt that way before. Since Sohee got this card, I think they are sharing very similar feelings today. Sohee is very satisfied with something/some news received, and if feeling like he can finally sit down and breathe without going crazy. He feels as though things are falling into place.

Bottom of deck:

The World

Very very strong vibes here. The end of a cycle and the beginning of the new. The energy surrounding them all right now is seriously giving "flipping to the next chapter".

I also want to note the fact that I kept on seeing the Chariot (7) card every time I split the deck to bridge shuffle.....👀👀

Final Notes:

This "good news" i spoke of seems to be something that is a good omen. But to be very clear, this news was not something that was 100% the outcome, the verdict, nor what was to happen. In simple terms, it's like if you are writing a paper and turn it in to peer review and everyone tells you great news that it's looking really good. That doesn't mean your professor will find it very good, too. It just means that there are some active things working in your favor.

So here, it seems there are some things that SM has expressed to the members that have lifted their spirits. Some take this at face value with caution, and others are taking it as positovely as possible. But this is not the end all be all. It is just the beginning and a good sign.

Please continue to boycott as usual and support Seunghan.

[glisten-inthedark]

It kills me that the GA doesn’t fully understand or appreciate the significance of Mike being in the shed with Joyce and Jonathan in s2.

They could have easily had just Joyce, Jonathan, and Hopper in there because Joyce and Jonathan are his family and Hopper is there to ensure their safety and help restrain Will.

But Mike is there.

Despite the fact that Dustin and Lucas are also Will’s friends, Mike is there.

Will was unconscious. He didn’t ask for Mike to be there. Mike was there. Mike wanted to be in there. The writers chose him to be there, with Dustin or Lucas.

They could’ve had a scene where each member of the party recounts their first or most precious memory of Will. It would’ve been beautiful! But other than Will’s family, they only wanted Mike there.

Only Mike.

Once again separating Mike as Will’s most important relationship outside of his family. Once again having Mike show that Will is special to him—their their bond is significant and goes beyond just best friends. Because in s1 Mike insists that Dustin and Lucas are his best friends, which would implied that they’re also Will’s best friends. So why aren’t they in the shed too?

Why just Mike.

Oh, to add more about Mike being in the shed:And to reference this ask you got a while back because I just rewatched the shed scene and thought of this ask: https://www.tumblr.com/glisten-inthedark/766608866928623616/joyce-informs-will-of-his-birthday-and-how-heJoyce says Will drew a rainbow ship when he was little. Which adds to that other anon pointing out that every memory they mention to Will has become significant later (Will coming out and also the rainbow room and how that + the other rainbows peppered throughout the show is likely used to reinforce the queer symbolism & narrative within the show)Well, Mike also brings up a campaign that involved sewers and insects, and iirc there’s a sewer-looking tunnel w/ a ladder like from a manhole in the bts video for s5. He also says that Will cast “fog cloud” and “saved us. You saved the entire party.” And I would love if that’s somehow foreshadowing something Will does involving a smoke bomb/screen in s5And Jonathan playing Should I Stay Or Should I Go foreshadowed the significance of music “reaching a part of the brain words can’t” in season 4Also once again even after they figure out Will is using Morse code, the writers don’t have Mike stay with the others in the house helping to translate/transcribe. He stays in the shed and we see him once again being shown as one of the integral, essential people there to help reach Will. And again, Will didn’t choose for him to be there! This isn’t an example of Will being in love with Mike. This is an example of Mike’s love for Will. (And honestly this whole thing probably helped facilitate Will falling in love with Mike because Mike did so much for him in s2 out of his love and care for Will, how could Will not fall for him??)

Hello! Oh, I think you may have read my mil*ven post? And yes, that's one thing I legit don't get too!

Like, did absolutely no one stop and ask themselves why did the writers choose to have only Mike there when it wasn't a choice Will made?

Because I'm not joking, I was already pretty suspicious of Will and Mike at that point but that scene pretty much solidified for me that there was something there. I'd be always like: OK but why is he the only one there?

So yeah, I'm constantly wondering how no one seems to notice it that he didn't have to be there, so why is he?

[ninthprime]

various palisade thoughts through 42 that do not necessitate an entire post (spoilers)

had an actual pog moment when i realized that "moon river" is the description song for this episode because it has a cover by frank ocean, indicating that we're moving from outside to inside the mirage. i see your tricks austin walker

also had another pog moment when i realized that brnine and jesset were the two people who had the "sacrificing yourself is for idiots" argument with SI in partizan and now they're both desperately trying to sacrifice themselves. we talk about valence haunting this season but we were also being haunted by that weird old man (positive)...

brnine/jesset is real and i'd like to see them make out. also i think they might be a little bad for each other right now. jesset i need you on a month of medical leave and also to have a friend who doesn't brush it off when you say you're thinking about how you will be remembered when you die.

i know he's been mostly offscreen this season but i do need us to imagine being kalar rn. your friend phrygian died and before you can even get over to the blue channel to help arrange a funeral your other friend figure dies and his god gets so upset that the planet becomes part of the twilight mirage and now your children that you have been separated from for five years are aging even faster before you can see them. Okay

unfortunately my actual first thought about the outside time jump was "oh no what if leap is making out with somebody new by the time eclectic gets back!!"

i'm actually really thrilled about eclectic traumatized and accidentally famous arc. he's coming together as a character really quickly. i think if he reached out to perennial it would be fun

cori should get the day's eye also

i actually predicted that cor'rina and miseri would get promoted to work with cas'alear but i would like to hear every detail about how cas'alear decided the guy that worked with kalvin brnine, who killed their sibling, should be one of their bodyguards. are you good cas'alear. it doesn't sound like things are good. hey do you think there's less ego death if four people pilot commitment instead of two

that said we have fun here but if i was routine, and i nearly died saving the sun and was deprived of medical treatment for a while, and then got accidentally abandoned while my captain killed the emperor, and then said emperor's younger sibling allowed me to become their bodyguard in some sort of weird joint reward/hostage treatment, i would spend the next couple of years or so losing my mind a little

janine's reaction to "concrete hamburger seatbelt" being something she came up with years ago is maybe the most upset i've heard her on this podcast

he wasn't in this episode but isn't it fucked up that gur is stuffed in the back of the mind of the entity that inhabited his corpse and is now controlling his friend's corpse also. cool. normal

i am holding perennial's hand very gently

[awakeskydoesntdraw]

Posting in this blog after an eternity because I feel like I'm going insane here and my friends are asleep so I need to dump my brainstorm SOMEWHERE (SPOILERS FOR ARLECCHINO'S BACKSTORY/SHORT ANIMATION!!)

The TLDR is basically I think that the whole story with Arlecchino and Clervie is foreshadowing for Lyney and Lynette's future

I think the parallels between Lyney and Arle don't need to be too explained for the most part. Pyro Visions, Arle wants him to be the next "king" while he doesn't seem to be too into that idea just like her younger self didn't want it, both are associated with Rainbow Roses (they both use them as ascension materials)

Plus, I'd argue they look kinda similar here. I'm not sure exactly what is that makes the resemblance, maybe a bit of the hair, bowtie and shorts and you could say it's something she has with the others too (her kid design resembles Freminet, current one Lynette) but I thought it was good to mention anyways

Meanwhile, Lynette and Clervie are the two closest companions to their respective pair

Lynette's has Lumidouce Bells as an ascension material. Clervie is very clearly represented with the same flower (if her necklace wasn't enough, there's this)

Plus, a bit of a smaller connection, but they both have clear sweet tooths

(Lyney saying "we talked about this" implies this is a frequent event. The animation showing Clervie with cake twice while it only had 7 minutes to tell the whole story has a similar effect)

So, if Lyney is a parallel to Arle while Lynette is a parallel to Clervie, where does this leave us?

Well... Not exactly in a good spot-

To be fair, I don't think Genshin would actually kill a playable character (or at least, so I hope), but it's very possible Lynette gets really hurt, either directly by Lyney or by being close to him

Arlecchino swore to be nothing like her mother, but in the end, the way she's acting towards Lyney by wanting to make him the next king may be very similar to it

Once upon a story quest, Lyney said similar words to a woman who claimed he'd end up all alone. I can only pray that the writers will have mercy at my soul and that they wouldn't go that low with a playable character

If I were to make a mildly self indulgent guess, as the Freminet main I am, I'd say that he may be the key that's going to make things turn out different for the twins. His presence is the biggest difference between the twins vs Arle and Clervie, who seemed to have no one else that was even mildly close to them. From the 4.6 trailer we know that he's the one that has been hiding stuff and we do see him blocking out Arle's attack, so I don't think it's a stretch to say he'll have a really important role in this whole thing

So yeah! If you read all my rambling, thanks I guess, hope you enjoyed it. In the end, all I can hope is that the Fontaine siblings all turn out fine for the sake of my own mental wellness because God knows these 3 stay all day spinning in my head as if it was a microwave

Also, for the record: No, I don't have a clue about what the hell is going on with Freminet apparently finding "Clervie" (ghost?? Illusion??) and hiding her from Arle. Until this short my best shot was that she was some sort of mermaid creature, but that idea is out the window so it could be anything really

[basicallyjaywalker]

Wanna ramble about a moment/character in ninjago you think people need to talk about more?

I don't know who you are anon, but I'm glad you asked!

I am desperate for people to character-analyze Wu. I'm desperate for a lot of character analysis including Nya but since I got a lot of my Nya feelings out with some lovely folks the other night (edit: the other night was a month ago dw about it. this took a minute) I'm going with Wu this time

Master Wu to me is such an interesting case of a character who it is so easy to ignore the bits of the show that hint at his wider issues and traumas. He is a man defined heavily by his family and by his past. A lot of criticism he gets, I think, is due in part to that.

I've mentioned before that I've been rewatching S1 with a friend of mine and intermittently pausing to infodump on them about interesting character things I notice from that season. A lot of that has been Wu-focused because despite having seen RotS dozens of times throughout my life (watching it on CN, watching it on Netflix when only it and Legacy were around, rewatching it with friends) I have only just started noticing the seeds of character written in.

I might also just be reading too much into things, but hear me out

In S1 (and by extension, the pilots), Wu is characterized as your typical old wise teacher. In the first few minutes of EP1: Rise of the Snakes, he is chewing out the Ninja for playing video games instead of training. The line he uses? "Never put off until tomorrow what can be done today."

It's a line that gets repeated throughout the series. In fact, it gets repeated that very episode when the ninja go (pun not intended) to fight the Hypnobrai and a literal pre-teen. At first, it seems to just be a piece of wisdom. Some old proverb Wu's picked up over the years, possibly one he even coined himself. However, in EP7: Tick Tock, Wu tells the story of who, possibly, first told him this.

(Source: Tick Tock/Transcript | Ninjago Wiki | Fandom, highlight added.)

It was Garmadon. Now, I'm not gonna dwell too long on Garmadon, if you spend five minutes talking to me you'll learn he was the first character whose story I obsessed over and I want this essay to be about Wu, but I think he plays a role in Wu's overall story, as does Wu's family as a whole.

Prior to this, Wu and Garmadon's relationship has been more of a sibling rivalry taken to a good vs. evil extreme. We didn't know why Garmadon was evil and we didn't know about Wu and his relationship as kids. However, this scene establishes the backstory. They were, as Wu puts it, "the best of friends." That is, until Garmadon gets bit by the Devourer going to get the katana Wu lost.

Now, I know the Devourer bite was destined to happen because of the Overlord or some shit, but Wu doesn't. As far as he's concerned, Garmadon getting bit was a direct consequence of both his mistake and his cowardice. He lost the katana. He was too scared to get it. Garmadon went over instead. Garmadon got bit.

The scene goes on to show the FSM tending to Garmadon in the aftermath. Wu is watching from behind the door, likely told to stay back, but concerned. And in his POV, we get this intense moment, where Garmadon turns, looks directly at him (his eyes turning bright red for the first time), and says "It's all Wu's fault!"

(This clip should begin at the start of Wu eavesdropping. If it doesn't, skip to 0:58. I highly recommend also paying attention to Wu's body language during this scene.)

The camerawork does a great job of showing how this probably felt for Wu. It zooms in, Garmadon's voice echoes, and the background blurs. We see in the flashback that this is a moment Wu has etched into his memory. Not to mention, he was likely a very young child when this happened. LEGO characters' ages are weird, but Wu in this scene has the Big Eyes, which always seem to be used for characters under 12. We don't know exactly how much older Garmadon is to my knowledge, but he doesn't have the Big Eyes, so he's probably closer to 12 and a few years older than Wu for sure.

Imagine that. Being in elementary school and your older siblings gets hurt. They're acting strange. They're lashing out at your father. Then, they blame it all on you. They're hurt because of you. Wouldn't you internalize that?

I could go on about Wu's relationship with Garmadon, but again, I think I've spent enough time on it and I don't want to only focus on that. It's an important part, but there are others.

Let's talk about Wu's relationship with his dad.

Now, I have not yet read the Spinjitzu Brothers series. I cannot speak to any development of Wu and the FSM's relationship in there. I have, however, read The Book of Spinjitzu and blogged some of my thoughts on it here, including some of what it says about Wu.

For those who haven't read it, first, there is a Google Drive folder floating around with all of the canon spinoff books/graphic novels in it. Here's the link if you wanna read them!

The FSM is an... intriguing figure. I mean, in the series he's basically god? He made the entire world. That's already a very high bar to live up to. Then, in Book of Spinjitzu, there's a few specific parts that, when I read them, signaled that Wu internalized a specific message when he was young.

(Source: The Book of Spinjitzu, Page 3).

Wu does not want to disappoint his father. It is up to him (and Garmadon until he turns evil) to "uphold the legacy of Spinjitzu" and, by extension, his family. He says he was "very young" when this was explained to him. Considering he seems to already be training at an elementary age, "very young" means VERY young.

(Source: The Book of Spinjitzu, Page 16).

Here, we again see Wu being very aware that he has some large burden to carry. Something else interesting here is that the thought of the Green Ninja Prophecy is already weighing on him too. His considering if he might be the Green Ninja is of extra interest because of how the Green Ninja Prophecy and the--I wouldn't call it obsession, possibly fixation?--with who it is factors into his later actions, but we'll get to that later.

(Source: The Book of Spinjitzu, Page 19).

This one in particular gets me because it comes after Wu mentions Garmadon becoming more evil. It is a statement of power. Wu knows that the legacy of Spinjitzu now rests in his hands alone. He cannot let himself fall the way Garmadon did. He cannot disappoint his father. Whether or not the FSM intended it, Wu always knew the fate of the world rested, at least in part, upon his shoulder. He knew this from the time he was a young boy and it remains in his mind to this day.

Now, these quotes are indirect, but they all point to one clear idea: As a child, Wu internalized the idea that he alone is responsible for keeping Ninjago safe. He will play a pivotal role in its history.

There's not evidence in this book that the FSM's was a bad father, per se. However, just because one doesn't set out to harm their children, doesn't mean they won't. I often say Wu has an "Atlas complex," which I have no idea if it is an actual concept but use it to refer to this idea. Wu feels as though he is responsible for holding up the world, much like Atlas. He must keep the balance, he must solve the Green Ninja prophecy, he must make his father proud.

(Source: The Book of Spinjitzu, page 61).

I'm going to get further into what this means for Wu as a teacher to the current Ninja Team, but for now let's look at Wu's first foray into teaching.

Morro. Wu's Biggest Mistake.

That might seem like an overstatement, but it's not.

(Source: Ghost Story/Transcript | Ninjago Wiki | Fandom)

Okay he says regret, not mistake, but I was paraphrasing.

Let's turn back to his quote about his destiny. Wu writes, "Is my life's mission to be the Green Ninja? Or maybe it will be to find the Green Ninja and protect him (or her)??"

From a very young age, Wu was not only aware of the Green Ninja but prophecy but also thinking about his place in it. We see this again when he takes Morro in and trains him.

(Source: Ghost Story/Transcript | Ninjago Wiki | Fandom, highlight added)

A big thing Wu is criticized for here is making Morro believe he is meant to be more. That he is the Chosen One. And Morro, being a young homeless orphan just now given some semblance of power and protection, latches onto that. And I can see it, but when you take into account the above that he was trained from (likely) a younger age than Morro and given a similar level of responsibility, it becomes more understandable. Wu is just doing what he was taught. He doesn't believe that he is harming Morro until it is too late.

This is the entire story, but I'm specifically going to be discussing 1:36 onwards here. I also wanted to add that rewatching this scene made me lay down on the floor! What the fuck! But I digress.

There's a lot going on in this scene. For one, Wu washing his hands of Morro in some ways, but not others. He turns his back on Morro when he tells him that destiny has decided, but looks at him again when Morro storms out. He goes to save Morro from the Grundal, but decides that he cannot "teach those who would not listen." Most importantly, when Morro leaves to go find the Tomb of the FSM, Wu leaves the door open. He waits for Morro to return, but never goes after him. And Morro never comes back.

Wu gives Morro's fate a dismissive response at the end of his ghost story ("I am saddened he was banished to the Cursed Realm") but it's clear he still cares deeply about him in the finale of the season.

Wu's VA in this is phenomenal btw. That "Please Morro!" and "MORRO!" make my heart ache.

Morro believed Wu stopped caring, but he didn't. Even after all he's done, even after trying to destroy all of Ninjago--destroying what Wu had spent his life trying to protect--Wu tries to save him. He begs for Morro to come with him. Morro refuses, Wu watches him perish.

Someone else Wu is close to is gone. Wu again considers himself responsible. Everything is his fault.

And finally, we reach Wu today. A cautious, secretive man. He loves his students, this much is clear. Even as early as the pilots, he drops his wise teacher persona to joke around with them.

As with Morro, he trains them like his father did him. He even uses the same methods his father used when he trains them.

(Source: The Book of Spinjitzu, page 32)

While he is hard on the Ninja, wanting them to succeed and training them to help defend the Realm, he lets his guard down more than it seems he did with Morro. He also learned a valuable message from his experience with Morro when he hides the Green Ninja Prophecy from the Ninja, getting angry when they start to push themselves in the same way Morro did upon learning about it. It's clear he doesn't want a repeat.

Now, I can't speak for later seasons (I will eventually) but this fear of repeats, his students going down a dark path because they're tempted by power or greatness, losing someone else, likely drives Wu not telling them other important information. That is just a passing thought though.

Final notes:

I'm currently in the process of rewatching S7: Hands of Time. I actually got this ask right after finishing EP68: Scavengers, which opens with Wu having a nightmare. In it, he and Misako are walking outside of Yang's temple. While walking, Misako delivers this line in response to Wu reminiscing about the time they've spent together:

(Source: Scavengers/Transcript | Ninjago Wiki | Fandom)

This line, to me, is Wu's subconscious trying to tell him something he needs to hear. It's hinting at what might be his greatest flaw. Wu is haunted by his past, by his mistakes. He finds it difficult to tell others because of both his guilt and his desire to not put that worry upon them. In this very season, he makes the mistake of trying to face his past on his own, and he nearly dies for it.

In the same episode, you see Wu trying to make sure Lloyd doesn't make the same mistakes.

(Source: Prev)

Wu stresses the important of the team. It's as if he sees Lloyd blaming himself for what happened to Wu, sees him doing the same thing Wu has, and is trying to prevent him from doing the same thing. This is further emphasized when, after Wu falls asleep (well, fakes falling asleep), Lloyd says "Wu's mistake was going in alone. So was mine."

Master Wu is, like many characters in this show, someone who is more complex than meets the eye. He is not just a wise, old teacher. He is a man who, throughout his life, has made mistakes and carries the weight of each of them on his shoulders. He is a man who tasks himself with making up for those every day. He is a man who wants better for his students, his family.

Until the day he dies, he will guide and protect his students. And possibly? Even after death too.

[thoughtfulchaos773]

Women checking in on each other.

Now diving deep, Nat requests this from Carmy(you never ask me how I'm doing) and Nat wants to do it with Donna but she rejects it with such bitterness I wonder why that is..

[mercless]

🗡 mad cowboy disease....

[cait-sith]

Poppy dreamer

[seaofreverie]

I listened to a new Sparks album and it was all I could think about for two weeks straight afterwards, a.k.a. My Hello Young Lovers Review

Okay, so here's my fabled review (I mentioned having written it once about three months ago, so I guess there's a chance that someone still remembers that). It's hecking long (seriously, it's long.) and consists mostly of me pointing out specific sections of the songs and raving about which specific elements of the songs I particularly like. And also attempting to make some sort of general statement on the style / atmosphere / themes etc. of the whole thing. I wrote this back in november, after 5 full listens of the album, over the course of about a week, and I didn't update it with any new opinions that I have formed since, to keep it true to that original form, besides some side notes where I thought they'd be useful to add. I hope you enjoy my yapping, however unprofessional and all over the place this whole thing probably is.

How to start album reviews? Well, I could sum up the general vibe / thing / feel / theme with the album but that seems much more fitting for the conclusion of the whole thing.

So let's kick this off with the first thing we see instead!! The album cover, the sleeve! (note: I got this album on vinyl for that first listening experience, the 2022? reissue) Ohh so pretty and cute, isn't it? Even inside, so much pink, even over-the-toply-so (for real though, I didn't even really think about what to expect from the inner cover, besides some photos that I knew would be there, but it was certainly not THIS. level of pink and cute), it looks so pleasant and sweet, doesn't it? And the band photos too, fun times all around!

Oh wow, ok, let's get back to reality here, I knew what I was in for (knowing just one track and excerpts of other two + reading misc comments on the album before already, as it is inevitable, you know. And frankly, that was actually the exact right amount of info from that commentary for a peak enjoyment here. Not going in totally blind but still encountering many surprises). This is a prime and, imo, very well executed example of mood dissonance. In a way where, idk, maybe it comes from me still having this even small amount of info beforehand, but it's the kind of situation that you can actually tell that something is off.

So yeah, the visual aspect of the album does fit it and I'd even say it does so VERY well, but as to how and why, maybe I should start exploring the atmosphere and themes and elements of individual songs first so we can make more general conclusions from that! So yes, I think it's time to dive in!

1) Dick Around ▪︎

Shortly put, amazing, showstopping and life changing song. And one of the earliest ones for me too! As a part of the extremely important and memorable playlist (note: my first time hearing a bunch of random popular sparks songs), it appeared somewhere in the latter half on the mix and oooh boy, was hearing this song for the first time, on the road in the dark evening too, an experience. I certainly found it intriguing to say the least, maybe I wasn't yet completely SOLD you know, and let's not forget that the second time I heard it (july) it actually kind of freaked me out in a way, but still, it certainly made an impression immediately. There's a reason this is one of the more well known / popular / important songs of theirs overall. This song is truly a journey and it messes with you in so many ways, oooohhh so many ways. I was super looking forward to hearing it again properly after being teased with some parts of it in the more recent weeks, so ok, maybe this is where I get to the individual parts I want to talk about.

Actually wait, first let's maybe say something about the placement. Of course it's the first song as I was pretty much certain it would be (and maybe already had kind of possibly spoiled..?), and it does work incredibly well as a mood-setter for the rest of the album, so it truly couldn't work any other way in my view. So yes, speaking of parts, there are so many different ones! Hearing this again was extra fun also because I would remember the main "point" / mantra of the song ("all I do now... is dick around") but not much else, then be reminded of another notable but very different part, then listen after this whole time properly on pretty much repeat now and be aware of those other little touches and bits that bring it all together...

So, let's start with the pleasant vocals & piano break near the beginning, it's, well... I just really like it (I hope I'll be able to say more specific things about other elements in these songs that I think need to be mentioned as I go on LOL), and right after that we have some very nice strings, then, suspenseful strings!! Idk why but I really really like it when those come in, they really set the unnerving classical tone that follows and returns throughout the album, then the same "calm" / bouncy vocal melody and a more "all over the place" piano returns (at least from what I remember, the notes are sort of more expansive in range in this part I think...). And soon enough... we reach the real moment of the song when it gets, well, real. And very intense. And this is almost jumpscare-like, ohhhh it's so good, even when you know you can expect it it still hits the spot amazingly.

So this is the rocking part that's honestly pure distilled joy and amazement to hear for me each time, the repeated echoey "hey hey"s for a second there are just the icing on the cake, so so so good. And, in fact, it doesn't get more rocking than this for the rest of the album. Dissappointing? Maybe it WOULD be, if there weren't other things still going on later, which were also in their own ways showstopping, so I think that yeah, those can make up for all that follows not really coming close to this level of unhinged. And this is the right word here I think, unhinged!! Damn, this freaking song. Like for a second there I remembered that in one of my early-ish hearings I just found it almost uhhh, unbearably raw? Idk if it's the right word but yeah, it gets... ugly for a second (I need to stop cringing at every more unusual / to the point word I use or I won't be able to write any genuine reviews in my life). Before going back to the main mantra of course! And then it goes on in a circle a bit more again, with more changes and some progression of the story and all that. And end on the mantra again. I don't know if I'm leaving out any super important bits here, I might be... Well, it comes back to full on rocking near the end too, with some variation too, so that's awesome! And very suspenseful and unnerving strings too for a moment!

So, should I talk about the lyrics / the story just a bit now? Ok, I won't go super deep into these or any of the following ones, I'll try to focus more on specific bits and the feelings that come with them and a general "theme" if anything. So, I think this song and its story is very engaging and I like it a lot and it certainly provokes further thoughts and ponderings, those 6 and a half minutes fly by super fast (guess that's just the power with sparks and their long songs, it's kind of incredible how maybe this goes ESPECIALLY for songs that rely a LOT on repetition, because those might work this trend the best), lots of variation, while still keeping some prominently repetitive / reoccurring parts balances it very well. You're really just thrown from one part to the next with this song. Ok, I wrote a lot about just one song and I feel like there's still more I could say if I thought about it hard, but let's move on now, we don't have all day (night)...

2) Perfume ▪︎

This is a favourite. An instant favourite. Right away this song grabbed me with its subdued, brooding and honestly pretty dark tone and sound. Low vocals, kind of ragged but driving guitar sound, and the DRUMS. They do SO much for this track, something about this specific drum pattern / style is very pleasant to me, very atmospheric. It's like a specific pattern that works to deliver some kind of effect (ok, I think through that, in a way, I just described the whole thing with repetition in sparks' music, especially in this era, nice, I guess that's how I view it and why it works so well) there's still a lot of interesting stuff going on there, plus it just sounds nice, idk. Once again, maybe "driving" is a good word for it. But now I need to mention that there is this one odd-one-out part that sounds much more cheerful, or maybe hopeful (and it returns again near the end). Because it has this specific thing, the different intonation of the SAME lyrics than the rest of the song ("and that's why...") feels strangely emotional. It certainly hit ME in the feels once I noticed it, so, yeah!!

So I think this is one of the darkest songs in mood and sound, while it also has something extremely COOL about its sound that I can't really categorize, I think I'm gonna feel like repeating this for every other song on the album but it just feels so CLASSIC, it's that typical song that always existed type of feel, yeah. But here it's less so due the melody necessarily, and more due to the whole picture. With some others it's also the song as a whole of course but they don't necessarily feel as much as a representation of a whole THING / genre / type of song / feeling in music of sorts (I'm really bad at articulating my exact views on these, am I not...) rather than those specific special moments that just bring it all to the next level. But OHHH I can't believe I almost forgot this, but the piano lines (I mean the post-chorus ones specifically) in this song, oh my goddddd!!!!!!! They're truly THE thing that sold me on this song completely, they're just so... something. So I guess this song also has that special "it" moment after all, doesn't it? Well, still possibly not quite as prominently as the next one, because...

3) The Very Next Fight ▪︎

Well, this is the kind of song that's completely made up of those specific parts making a very special whole. Starting with, of course, that melody line during the chorus "it's always the same. It's always the same". But maybe, just to be fair, I should actually start with where the song actually starts so, well, hmmm, the beginning. The very solemn piano and overall kind of heavy atmopshere here kind of slows down the momentum after the first two songs, and it delivers something quite different instead. So yeah, well, that chorus melody!! Oh wow!!! Isn't it so simple though? But it works so well!! It's simply beautiful honestly. It absolutely is! And later the electric guitar comes in for more effect and oh wow, it feels so incredible, yeah. And then some more solemnity with the... I think harpsichord?

This track feels very empty (as in the atmosphere, I'm not actually calling it empty as a bad thing or something like that, no no no!!) in some parts, then it has those emotionally charged bits, and let's not forget that it has some more really amazing guitarwork near the end. That kind of guitar "wailing" sounds beautiful in its own right too, it also kind of reminds me of some other rock-adjacent genre(s), I can't tell what exactly though...

4) (Baby, Baby) Can I Invade Your Country ▪︎

In all honesty, after my first listen I decided that this was probably the song I was the least impressed by? Kinda strange, yeah, because I no longer think that, and yeah, it was another one that I was only slightly familiar with already. Very slightly. It's a very interesting song once again, I think it's really unique after some thought actually (as are most all of the songs on this record tbh, obviously). It's unique, but it once again has this special classic quality to it that just feels like it represents a very specific type of sound.

I wanna say that the chord progression in the chorus might be some variation of one of the "usual" progressions although OF COURSE I might be very wrong here, it's just the feeling I get because maybe it's worth mentioning that 1) a while ago I started noticing this one type of progression in songs that made them sound very similar to Kiss Me, Son of God (They Might Be Giants song), so I figured it must mean that KMSOG is just in some kind of typical progression that is used a lot, especially in country-sounding songs from my experience 2) there was also an element of some classic rock / rock&roll (?) / punk (??) songs that also made them sound very alike after a while when I started listening to this one internet radio station recently, idk if it's the same progression or its variation or if all those songs use different variations mostly but are still based on a very similar thing at the end of the day, but yeah. I might still not understand chords or be able to catch them while listening, but there's now at least a little part of that whole section of music theory that I might be able to recognise in music just by myself, so that's some major music literacy development on my part I think... Anyway, maybe the progression in this song didn't even remind me of that usual pattern specifically, but it just made me think of that thing nevertheless, maybe it's similar, maybe it's not... So this was kind of an irrelevant tangent on my part, oops.

So ok, let's get to the jist of this... What exactly I like about this song and such, or just what I wanna mention. Well, I wanna mention that this is probably one of the more repetitive songs, also one of the longest I think, maybe the third longest, I wouldn't be surprised by that (the opener and closer are both pretty tough competition in the length department) but it doesn't feel monotonous, it flies by super fast, once again.

I think it's also possibly the brightest sounding song on the record, the word that immediately sprung to mind here is "triumphant". Certainly fitting with all those awesome horns!! They're truly what really sets this song apart. I'm especially a fan of the horns in the bridge part, I think it's the bridge. Sooo so cool sounding, kind of "descending". I also really like the layering of the different vocals and their melodies and such, the acoustic guitar also brings it all soooo nicely together, it's so pleasant sounding, especially in the quieter "baby, let's invade" part.

Idk what else to say, very awesome song though and I definitely don't mind listening to it twice (with the repeat as a bonus track, which I'll also get to briefly at the end) at all, in fact this might be the least "intrusive" song in a sense, so that makes the best choice for a repeat, if I had to choose, I could see myself going with this one, it's just very pleasant all around.

5) Rock, Rock, Rock ▪︎

So things get real once again, huh. This is one of the songs that I count in the category of kind of sick and twisted but in a way where I only respect them more for making it, so that puts it right next to, hmmmm, sherlock holmes for sure, maybe some others I can't think of right now. Big part of that factor is surely played by the repetition which just works, well, very well. Specifically the choruses.

One part of this song I was pleasantly reminded of on my first few listens were the short strings interludes, they really give it some of that pleasant classical feel (a separate thing from what i describe as classic feel here!) that I could say kind of contrast with the song and its atmosphere in general. Or maybe spruce it up, idk, we do have very dramatic strings during the verses too... The very deep drum sound is also pretty prominent in this track I think, pretty great.

As to some more notable parts in the vocals department... Let's just say that the way Russell says some words is very, uhhhhhh, effective (i think this sounds more cursed than it should, but i mean exactly that, the delivery just really hits you... and other times it's kind of silly instead). And also, with that repetition and it creating something great in mind, there's the repeated "and since you put-" part near the end that's also really great. The repeated "I"s in the bridge I think also need a mention. It's like they know exactly what word / phrase to repeat, what amount of times, and in which part of the song for it to work the best, like the perfect placement and number.

I think this song also has a bit of a fake ending, so that's also something of note, especially when it's supposed to sound as dramatic as possible (at least that's the idea I get from it). And actually, oh, so does the previous song! I forgot that part even though it's even more noticeable / memorable in that song than it is here imo.

6) Metaphor •

Second half of the album starts off with something that's very elegant and all the while very pleasant and melodic, all of which makes it a very nice track, even in a more usual pop song sense. Some very cool piano to start things off, and the electric guitar accompaniment, which also enters pretty early on. And then we have that slightly more strange part, kind of like an early bridge, that honestly has a bit of a comical effect imo (with no disrespect intended!!)? As in, I find it kind of funny and silly personally. Yeah, the "who's up for a metaphor" part, especially when we get the repeated "don't don't"s and "we we"s, and, well, what follows is what's definitely the greatest part(s) of the song, when Russell enters his falsetto mode and we get the "aaaaa-ªªªªª..." etc. backup vocals in choruses. Those are the moments of the song that are just, well, ONCE again that classic factor that makes the melody & everything else super special. But more specifically, I think those parts are just kind of beautiful. Yeah, I'd say this song is the prettiest in sound that this album gets overall. Truly wonderful and gets you excited for the remaining songs.

Meanwhile, the spellings of dig as d-i-g might feel kind of random I guess? But it works. Adds variety or whatever (note: it's also a very good moment of a rhythm change I believe, I think now that's what makes it sound as cool and satisfying as it does). So yeah, kind of a heavenly song I think, in a sense, also one of my top faves just for that factor (note: this song is now probably my favourite on HYL, and also among my top fav Sparks songs overall. It wasn't instant, but it grew on me quickly and oh man, I truly love this song so much now)

7) Waterproof •

I think this is kind of an odd-one-out actually? And why? I think it's probably the closest on the album to being sort of a fully, or at least MOSTLY, "normal" song. It doesn't have so many parts that are just downright weird and unexpected I'd say, it's just kind of friendly instead compared to the other ones (note: it took me perhaps too long to realize that this song just doesn't have quite as much repetition, which most other songs here rely on heavily, so that's definitely what makes it stand out the most). Not that it's an entirely bad thing! Sometimes you gotta slow down and relax a bit I guess...

I do appreciate the kind of sudden switch with the "the sky is starting to cloud up" part, and the little orchestral bit right after the first time the aforementioned switch happens (the second? or generally some later time it happens again there are also some very awesome horns! Really starts feeling like a quaint rainy street in some french town or something...) when, well, I was going to say that the vocals and the strings do the same melody, but they actually don't, at least not fully, still though, I did have that illusion before I made sure it wasn't the case with another relisten, either way, when it DOES happen, and Sparks do that a whole lot I feel like, it's always quite awesome, I mean, syncing the vocal melody with some other prominent intrument's melody...

The I think harpsichord also makes a return, yay! And then there's the guitar part, that does have some real surprise factor when it comes in, but this time for sort of the opposite reason - it sounds bright and nice this time around, and also it reminds me of Sparks' later style tbh, specifically in their following more rock-centric songs of course. And I think that's very nice, we see the always progressing evolution of their sound here I think. That guitar bit also has some album closer vibes, that kind of fake closer (or nearly-closer) situation kind of reminds me of a similar thing I experienced with Bon Voyage on Propaganda for example (note: I have since learned that Bon Voyage IS the closer on Propaganda, and the following two songs on streaming are just b-sides. So it makes sense that it would sound like an album closer because it IS one).

Annnddd the last thing that I just can't forget about here is Russell's another epic falsetto moment (waterwatereverywherebutnotadroponme!~) that part actually makes me smile. Yeah. Legit. I paid attention and I did smile on that part during my relisten today. ... Ok, let's go on.

8) Here Kitty •

When this song came on the first time during my vinyl listening I of course instantly knew exactly which song it was (bcs I've heard the title before, and a few words on it too) and had this little amused "oh no" moment. And, well, turns out this song is actually very awesome and veeeery interesting! It adds something really unique to the album. I saw someone call it quite impressive in the vocals / vocal lines layering department recently (in the last week, so already after hearing it myself I'm pretty sure) and I absolutely agree.

First off, let's settle that - this is a very strange song. But that's exactly what makes it so good of course. The strangeness keeps you so distracted from this fact, that when we reach the bridge of the song you suddenly realize that beneath all the "tatata"s, meows and unsettling rising piano notes we have the very much usual song structure with verses and choruses. Yeah, I think I actually sort of figured it out, what might be the verse, and what might be the chorus... Speaking of which, the parts that I identified as choruses have this, well, it's the same thing all over again (but each time the specialness comes from a different place and is totally different of course), but that very classic feel, indicative of maybe even some specific genre but idk what exactly...

Besides that, well, maybe let's go back to my oh no moment for a minute, and let me say that I either am very illiterate in that sense (and yeah I am tbh) or the lyrics aren't as overtly, let's say, innuendo-filled? as I expected. They actually have a semblance of a story you know... I mean, NO, not even a semblance, it IS a story! Let me also say that this is a very interesting song to have stuck in your head a lot over the course of pretty much an entire week. Yes, it got to the point where it could be annoying. One last bit of the song I really like is at the very end, when one vocal line starts to sound kind of echoey / distant, nice touch.

9) There's No Such Thing as Aliens •

The song that first cemented itself as being by far the shortest song on the album, sort of an interlude before the incoming epicness of the last one (that was quite literally my very first impression before I even heard either, looking at the vinyl this one was visibly much shorter than the last, and of course I expected the last one to be fittingly grand, and so it was obviously, but we'll get to that in a minute). The funny thing is, it's not even that short, as I figured even before eventually making sure how long it was in fact, and that's almost 3 minutes, which, well, of course that's still something around well over two times shorter than the last song.

But enough about its length, this song actually does kind of work as an interlude thematically too, which it is? it sort of even feels like it doesn't quite fit with the themes of the other ones, I mean, maybe not that it doesn't fit but just that it's defintely the furthest removed from the much more similar topics of the other ones (more about that also later!). Plus it's pretty sparse lyrically, once again, there's less you can fit in under 3 minutes anyway. Which supports the interlude argument also I believe.

Anyway, the music. First of all, waltz time!! Always a treat in sparksland to have that rare spooky 3/4 time track. The feeling I get from this track is: grand, very orchestral, anddd, hmmmm, elegant. But is it more elegant than the rest of the album... Idk, I wanted to use 3 different descriptors. I honestly don't think there's much more to say about this one, it's great, the melody is really great, the grandiosity of the choruses, the even more notable waltz time during verses. I think that yeah, I could pick this track as the most orchestral / classical inspired of the album. One cool moment I'll mention though would be the very ending, with the repeated "no"s going for longer than you'd expect them to maybe, and the deep drum accompanying all that. Very grand ending.

10) As I Sit Down to Play the Organ at the Notre Dame Cathedral •

Well, how do I even start on this one. I think I can say that with literally each single listen I become more and more in awe of this song. Could I even call it even more of a journey than the opener? In a sense, yeah. There's so much going on here. So much that I almost feel like breaking it down into individual parts and giving all of them their due because they all work for the amazingness of the whole. In fact, I might even already have this track roughly memorized (all... 7 minutes of this track) so it could be done. But ok, I'll just go with each part as I remember it, we'll see if I in fact do go over nearly all or all of them.

So. Echoey synth (?) intro, then the first melody part, with the individual words repeated, kind of "urgent" vocals part, very nice rhythm and something I just find very cool. As it progresses we get another part of just the synth / electric guitar-like synth / guitar or whatever this thing is, then a mix of both + this clicky instrument and / OR is it the harpsichord again? Giving it all more urgency and a nice constant rhythm. I also really like when the "byebyebye" vocal gets looped before the synth reenters. Overall, this part of the song has a very electronic, drony feel that I greatly enjoy and find very atmospheric and immersive already.

But, well, it doesn't end here. Because later, everything else stops and we hear a church organ. Even the melody it enters with is very much like something you'd hear in a cathedral, indeed! Good environmental storytelling, isn't it? But then... the organ transitions into this very very cool frantic melody (and by very very cool I mean that it's probably the #1 thing that stood out to me about this song right from the start) which returns consistently throughout the song and is just oh so very awesome.

So we enter the next part, what could probably be called the central part "as I sit down to play the organ...", tension is rising, the organ is doing its thing in the back, then some "hallelujah"s and BOOM! The chorus? The "I've got faith" part of course. And with it some epic strings, and I don't think I can really say what exactly it is about this part that makes it SO FREAKING GOOD & ABSOLUTELY SHOWSTOPPING but it's easily in my top 3 moments on the album at least. Then it's followed by the slightly considerably calmer "she's here..." section and we go mostly full circle for now, more variations on the same parts. Some grandiose "lalala"s & epic drum action too. And then, the "I believe" sections which I cannot let myself neglect, mostly just on the basis of them being kind of sickening to me. You know, in the "why did they do this (said respectfully)" way.

Ok, did I really just talk about all of the individual parts, I guess so. But before I move on I have to mention the moment when the very first major part, the "bye-bye-bye my baby" part, makes a sudden comeback. It's honestly just so good and satisfying, when completely different sections switch and make unexpected (or maybe you actually DO expect them on some subconscious level, and that's what makes them work so well??) returns like this, if a song has that it's very likely it will become a top top favourite or at least have a very big effect on me. Or even HUGE effect, like here.

So yeah, the song does eventually end (I mean technically unbelievable somewhat, since it's so long, but have I actually mentioned yet that this track goes by about just as fast as the first one, because it sure does, you do not notice the time passing WHATSOEVER) on some more "hallelujah"s. And the album's over. Wooo boy.

Bonus tracks

Well, it's not really over yet if it's not the vinyl but the streaming version. We still have just two more bonus tracks, technically just one? So I'll go over both quickly now for completion's sake.

First we have "We Are the Clash" which is a pleasant song for sure, can work as kind of a denouement after the crazy journey of the previous track, so you're left on a little less of a mood unresolution and can become a little less unsettled after all of this going down... Idk.

But yeah, I actually have this impression veering on pretty strong conviction that this song is a cover actually. It could even be a cover of the band whose name is mentioned in the song, which would put this version in a extremely funny area of how far stylistically it might be from the hypothetical original, if it exists (what's up with all these bands and their "we are the [band name]" songs, there's so many). Of course I could also be very wrong about this so all I just wrote could turn out to be absolutely hilariously off target, still, a fun little attempt at guessing things and connecting ideas on my part, whatever the truth turns out to be (I will learn the truth... in due time. My experience tells me that when I'm still fully in initial unwell mode over an album it's difficult for me to read and retain any outside information / commentary on it. So no need to rush it, heh) (note: yeah I was right for once. I meannnn I guess it was obvious anyway but still, let me have this, I've been fooled by assuming that a cover was someone's original song way too many times so I'm happy to not be fooled for once).

So ok, the last last track. Baby baby can i invade your country is baaaaaack, not much to say but it's pretty much the same other than the lyrics, since well, it is the "alternate lyrics" version, not "alternate" version. I do think that it might be slightly longer than the final version though but it's also likely I'm misremembering.

Anyway, lyrics, all I can or feel the need to say is that they seem to be definitely way more to the point on what this song's actual topic is (not... invading... countries . I don't need to explain it here do I) so subtlety win for the final one I guess. Just so it is known, I have not read these two songs' lyrics unlike all the main album tracks'. But I think I caught enough to get the main idea from both, you know. I do think also that the final version's lyrics just kind of sound better, idk if it's the rhythm of the words or what but they do just have a nicer flow. So, improvement, probably, still very nice to know this version anyway of course. (note: yeah i have learned since that most of the final lyrics are the US national anthem. Makes sense that if any song were to have alternate lyrics it would be this one)

To round it all up...

I think there's still a lot that can be said about this album as a whole but how do I go about that. Well, I did mention earlier that I'd come back to a) the overall feel / atmosphere here b) the themes / stories and how they connect. So those shall work as a guide to my conclusions part of this whole review.

First off, I could even say a bit about the main vibe / sound here in reference to Lil' Beethoven! Since it really does work as a sequel, at least in sound, by all means. I described LB with stuff like... cold, distant, cathedral-like, what else was there.... Ok, I have more, lifted directly from my LB write-up. (note: finally listening to LB a month prior to this was enough of a big deal for me that I wrote down my live reactions to hearing the songs) Impersonal / detached. Alien. Spacious.

Do those apply here too? I think so, yeah! Pretty much all of these words also feel like pretty good descriptors here. But honestly, the more I think about it.... Maybe it's just that the distance / the detachedness and alienated feeling is a bit lower here? Or at least in some songs more than the others. It's hard to explain honestly.... That similar atmosphere continues here but it's just..... not as pronounced maybe. Idk, maybe it will become clearer with this next point I wanna make which is that LB actually is less, uhhh friendly in sound. Less accessible! Yeah, I do think that this album could be seen as: LB started the experiment, HYL perfected it by taking it in a slightly more accessible direction. Or is perfected a wrong word here, who can say which was, or should be considered the better outcome here.... I think I actually have a problem putting concepts into the right words today. But maybe at least some of my feelings about this can still come across here...

So yeah, I don't think it's possible to tell if HYL is better or LB, it also depends on how you look at it! As it kind of always does when judging stuff per good / better. One thing that I can say sort of for sure though is that LB certainly started ideas / techniques that HYL expanded on and toyed with further, so in that sense, it could be considered an improvement. And so it is clear, I don't think I can say 100% that I like one more than the other. It's not that simple. I guess you could however say that HYL was more of an instant hitter and LB really just grows and grows more in power overtime....

So yeah, they kind of did take the LB concept and all of the avant-garde, experimentation factors that come with it, and made it more accessible, which is a form of art and an achievement and a testament of skill in itself. I think the somewhat friendlier, more palatable approach of this album also lifts off the coldness aspect a bit, but it's still there, especially on tracks 1, 3, 5, 10, off the top of my head.....

But maybe I should talk more about the album and its sound as it stands on its own before I move on though. Maybe we could jump from the words I already used: classic, orchestral, brooding, dramatic, dark, aggressive (yes, I somehow see it as friendlier than its predecessor despite also being much more aggresive in all senses. Raw even. How does that work? I can't tell you today. And idk if I'll ever figure it out. And also personal, YES, that's the word, this album feels soooo very personal and emotive. Not in the sense that I'm trying to say that it must be personal to them, more like it just shows some very personal feelings and struggles), triumphant (but that goes only for that one song really), driving, ELEGANT. I think the word elegant is the key here. In all of its subtler or less subtle tone shifts it keeps that very elegant, kind of graceful feel, all throughout. Even when it seems to be touching subjects that wouldn't necessarily bring that kind of atmosphere to mind, it kind of elevates them and gives them, idk, a new meaning?

So is this a good segue into the topic of themes? I guess the album name sits well with what I think is going on here, because my main impression of the whole thing was something like.... stories of fucked-up guys with self-image problems / feelings of inadequacy, which they try to go around fully convinced that they're right (and their messy love-lives too ofc). Or are they just, normal, regular guys actually. Who can tell. It certainly gives you an idea / a whole concept to work with and ponder here and to connect and visualize kinda.

I think that yeah, out of what I've heard so far this has to be the most thematically-consistent sparks album there is. It comes to a point where all the songs give this little impression of a whole universe where all of this takes place, and while I've had these kind of impressions from albums that are way more all-over-the-place conceptually with their lyrics (I mean like.... pretty much every They Might Be Giants album. You can create this sort of illusion with more than words, the music and its atmosphere and often also its stylistic consistency might be even more important actually), this comes, in my mind, almost close to concept album levels in that regard.

The definition of a concept album probably calls for something more specific than all the tracks being in sort of a similar theme but you know.... I don't think it really happens most of the time in music in general, that the whole album has this sort of a familiar idea / spirit throughout that makes a unique whole. (note: apparently wikipedia calls this album a concept album. Another win for me in that case, lol). You could probably try to connect different songs' themes and work with that in some way.... Which is something I already did in all honesty, but actually it's a between albums thing here, because I do believe that the dick around guy could be the same guy that the narrator from ugly guys with beautiful girls talks about. Similar ideas you can connect! That's what I'm talking about. I love it when songs tell overarching stories.... Make me think about characters from songs or little universes and vibes created by even the vaguest of lyrics and the ideas those create and the imaginings they bring, any day.

Ok, what else can I say. I think I mostly covered everything I could actually. Should I say something more about the cover with the added context now. I already said that it gives off a "something's wrong" feeling, but I think it's also compelling in how it conveys that elegant, non-threatening and polished image, sterile kinda. Well, I think only one of those four words I just chose doesn't really apply to most of this album's songs. I mean non-threatening ofc. Hmmm, maybe sterile doesn't really work here either, besides those prominent examples of the coldness of sound on this album, it would actually go more with LB, which also has a fittingly minimalist, all-white cover. Collected and orderly to a distressing degree. Just like here, it also gives off some.... distressing vibe. As I already said with the "this isn't right" feel.

What else can I say. In reviews you usually give your opinions, which I very much did throughout this thing here, everything like this is always somewhat subjective I think, but even then, a final verdict could also be said here. I think it's pretty damn clear by now what my opinion on this album is. I wouldn't spend several days writing a review and analysing every little detail if I didn't have a very strong (positive) opinion on this album (I guess I technically can imagine writing a very throughout review of something that just annoys you so much that you simply have to go through everything wrong with it and have some relief and closure through that. I can't see myself doing that kinda thing however, I'm not that kind of hater (or really a hater at all lol, i hope), I'd rather devote my time to things that I find actually cool and awesome and stand-outs in a positive sense, and worthy of attention and that dedication).

So this comment I fittingly found on tumblr over the last few days feels pretty relevant towards my opinion of writing "reviews" of stuff (this was more of a, very detailed analysis I know, but review just kind of fits, especially with how people call their recaps / commentary / writeups of concerts "reviews" a lot of the time):

(note: yeah I think I should come clean here that despite my very recent start of actual social media participation I've already been a serial lurker in various places for years now, lol, I mean, that's probably a normal thing to do though, I hope. I mean, probably lots of people do or did that at some point, but still. And I don't know whose post this is anymore sadly. But I thought I'd keep it here because it's a good summary)

And also, just for the record, this is my opinion on HYL pretty much. Yaaaayyy i loved it i had so much fun!! For real. i'm glad they're creating something!!!! Absolutely. One of a kind album that I will cherish as yet another great and unforgettable entry on the list of albums that changed me (TM) and brought me lots of fun and great memories / associations, even in such a short time. And the actual FIRST on the new list of albums that I'm happy to have brough the utmost attention to and dissected like that. It's out of love.

Thank you for reading this far! Here's a little bunny as a prize!

Whoa whoops this gif was supposed to be small! Have a huge bunny in that case, you deserve it! 🐇

[dryeyed]

god ok so this was a post that was a long time coming that i just. never actually sat and wrote so i'm chucking this anyway. divergence info.

shouta is psychotic. he lives with bouts of psychosis and has learned to live with the episodes that comes along with it.

there is a baseline sort of deal with his hallucinations. the visual ones never really seem to cease, but they slow down. they're also the most common, most often in the form of oboro just. standing there. after the twins' disappearance, he would occasionally see their faces. after aksha's disappearance, he began to see her right next to them sometimes. hauntings, he feels they are, a reminder. ghosts of the past he knows only exist in his head - but that's simply after years of the impossibility of discernment.

he also does see blood frequently, and this was most often when he began teaching. blood on his hands, a jarring thing so real he has to actually look at them to realize they're clean. he'd gone through multiple scrubbing hand washes only to realize they were never bloody in the first place, most typically when he's swinging real high in a symptom cluster. he'd be reaching out to help someone up, maybe a student, and only seeing a bloodied and beaten arm instead. maybe his. maybe the other's. he would take a look at someone for a second and see a beaten victim. in the corner of his eye, someone would look dark and only until he registered it as red and possibly blood, he'd look at them and they would be fine.

then there are the delusions. he's learned to curb this through extreme self discipline, methods he keeps to himself to keep him grounded in reality and at baseline-shouta. these really only occurred when he became heavenbreaker, a solidification that everyone was going to die and the world was going to end and everything was doomed. why try. started like a paranoia, not in the way that all eyes were on him but a paranoia about just that : doom. he would become almost obsessed with it, and almost end up destroying himself in his attempt to embrace yet avoid that notion.

'enhanced' tactile/bodily feeling. this is the worst for him, and is usually second in line to the hallucinations when he starts swinging into an episode. he can start to feel himself, feel all the intricacies of existence itself. he can feel air on his skin, his arm hair moving with the current of the air. he can feel his own heart beating, moving the blood from his chest. he can feel his lungs expand and deflate, how sweaty his palms seem to get. this can send him fairly quickly into complete detachment, as it's so easy it's almost painful for him to get so lost in thought during this sort of symptom. so easy to locked in on those feeling and panic, almost becoming a feedback loop of sorts.

these hallucinations and symptoms tend to stay on the milder side, but they can become a major problem if stress and trauma compound enough for him to lose grip on reality again. tldr; he visually hallucinates practically all the time. but when things are really rough for his mental state, he can begin to experience the full range of those (visual, auditory, tactile, somatic). his speech can become somewhat erratic. he has trouble discerning the waking world from what's in his head, either ranging somewhat catatonic or crazed and hyper. this can be called shouta's 'zoomies.'

i don't believe he tells anyone about this. or atleast, extensively. perhaps hizashi and nemuri know that he sometimes sees things. this is open for discussion/plotting, but know that this is a closely guarded secret.

[mythvoiced]

-. wait, I'm back, i need to post some thoughts on poppy playtime real quick because i'm running out of places to infodump this stupid thing i noticed about mommy & miss delight in, so forgive me dash, this is to satisfy my blorbo brain, i'll be out of your hair in a minute, spoilers for chapter 3

i am so obsessed with the way mommy & miss delight vocalize knowing who you are.

first off, miss delight vocalizes recognizing you, mommy includes knowing who you are in her villain speech. LIKE, i'm violently, vibratingly, neurotically overthinking this, but i love languages, i love the fine details of the way people communicate, i am obsessed with how a single change in wording and cadence can apply such a wholly drastic different meaning to any given information, how complex lying can be once you start toying with language etc etc.

miss delight recognizes you in the second voice line she speaks over the speakers, the first one is just some parody of a classic school announcement, but in the second one she literally recognizes you in the line, she sounds casual about it, maintaining her established speech patterns/tone, expressing surprise at you having survived, then something that sounds like disappointment and discovering the reason you're there, and then she extends a warning to you to leave the place before catnap finds out you're there. i mean, sure, she's completely lost it, she talks to her mace and hears it talk back to her, so how reliable can she possibly be, but still. she's got that deal with catnap that keeps her fed, but she still declares her willingness to fuck you up in absolute glee once you show no signs of leaving. once you show no signs of leaving. like, i am obsessed with the voice lines here. in relation to the thing with mommy, though, i love what her recognizing you after doing a double-take, essentially, implies about who player character could be:

someone miss delight had some marginal exposure to, but not enough to recognize upon first glance (sure, ten years, but you were an adult then and now you wouldn't change that drastically without some plot points that would have been too important to not mention, and the nightmare tape implies you weren't there at all on That Day so you have no disfigurements, PLUS the thing with mommy i'll get to in a minute)

someone she doesn't feel vengeful or even particularly hostile towards, if anything, she seems positively inclined if she takes the time to tell you to piss off before you prove yourself to 'not be a good listener' at which point she practically announces 'weLP! gonna hunt you down, then~' (which is also interesting because she actually only comes for you after you activate the generator and after first destroying the generator, as if she was waiting to see if you were trouble, kind of like some interpret to have been the case for huggy wuggy who only came for you when you started reactivating machinery, toy making machinery, the central piece watches you lmao)

someone she does absolutely enjoy killing if given the chance, so not someone she'd been fond of, though this point is wonky because she's lost it

MOMMY, whom i adore btw, goes about mentioning that she too knows who you are in a completely different way, which in on itself could imply a wide variety of things, one among them for example that poppy told her lmao, but honestly, the way mommy talks to you in general is so? i'm probably just overthinking things but i love overthinking about this lmao so bear with me

mommy has four voice lines before she off-handedly indirectly mentions knowing who you are:

when she nabs your red hand

before musical memory

after musical memory

before wack-a-wuggy

after wack-a-wuggy

she mentions knowing you in her 'villain speech' before the start of statues.

she says 'a new playmate' at the beginning, which doesn't necessarily need to imply you're new to her, just that you're new as opposed to the toys she usually 'plays with' or that you've never played with her; she gives you instructions without feeling the need to provide details, along the lines of 'you know what musical memory is, or at the very least where it's located'; she also says 'it'll be just like old times', which could be in reference to the situation in general or something that ties you two together (don't out me for thinking player character could be stella but i'd fuck with it, ask me about it i'll be wholly incoherent but we can get a laugh out of it).

she does provide you with a detail about the wack-a-wuggy game, but you can be familiar with information and the other party might still 'reveal' it to you as a way to introduce a concept, a conversation, a topic, you name it. the line is

'The toys in this game used to have strings attached to them, so they could be pulled back when they got too close to the children. Hmm... Have fun.'

can be interpreted as 'here's information you're not familiar with that i'm giving you as sadistic warning' but if you're deranged like me also as 'this might be information you know, i'm just giving you a sadistic indirect warning that this is no longer the case', both would be evil because mommy is evil but i think she's fun

also, mommy never feels the need to explain anything to you, not really; she describes the rules of her game, but she doesn't stop to wonder if you know what the game station even is, that this used to be a place for kids to be at, mommy just straight up knows the entire time that you used to work there and weren't some rando curiously exploring the place, maybe poppy told her, maybe no rando would have made it as far into the factory to reach her, maybe she simply saw you and knew right away that you were a former employee, BUT doesn't that imply she recognized you instantly? and why doesn't she kill you right after she grabs poppy? (sure, "it's a videogame she can't do that there would be no game" we're doing this game theory style, hold them accountable for suspension of disbelief and 'il patto narrativo', design the game in a way that would make it illogical/impossible for her to kill you then and i'll buy it, but tbh she probs just wanted to fuck around with you, SHE'S FUN)

these are the pre-statues voice lines

It was always so sad to see the kids go... They called me "Mommy" because I was the closest thing they ever had to one. But they'd come for games, and never come back. They left Mommy to die alone. Mommy didn't deserve that! But you? You worked here. So if anyone deserves to die alone, it's you.

this is where Mommy officially states via implication that she recognizes you at the very least as former employee. i say 'via implication' because she doesn't actually ever stop to tell you 'i know who you are' or 'i recognize you' the way miss delight does; miss delight notices while watching you, to mommy on the other hand, this information was such a given that she did not feel the need to reveal it to you.

mommy loves to scare the shit out of you, and to play with you, she'd most likely gleefully gloat if she could use the information that she recognizes you to scare you, but she doesn't. the emphasis of that part is not on her knowing who you are, but on her declaring that your role as former employee makes you guilty and deserving of capital punishment lmao

she recognizes you, she recognizes you as an employee who had enough power to be an accomplice (which works for the nightmare tape, again, is this stella-); would mommy lump all employees into being worthy of blame for what happened? maybe, she is particularly hostile towards all employees, after all, but it is interesting nonetheless to interpret it as her recognizing that you are guilty in some aspect solely for working in the position you worked.

still, to recognize you as an employee - if you're most definitely not dressed in a uniform omg why would you-- - she'd have to... know you were one (unless she's hostile to all adults, but GOSH, always adding the antithesis as afterthought must be so exhausting to read lmao)

gosh, i'm losing my train of thought, damned neurodivergent brain, but basically: mommy states her recognizing you as an established fact that doesn't need to be re-established, not to her, and not to you. she shares it with you as a statement she doesn't assume you would find surprising to hear out of her.

sure, this is all according to my interpretation of tone of voice and whatnot compared to patterns in other auditive story telling, not to mention it's unclear how reliable deranged characters are BUT ISN'T IT INTRIGUING, ISN'T IT WORTH THE BRAINROT

i also love that it's mommy & miss delight so openly vocalizing recognizing you, two characters directly tied to stella in one way or another; i mean, that player character is most likely a high-ranking employee is pretty much a given at this point, but stella was head of playcare but also of game station. do you see my vision. it would tie in neatly with the nightmare tape and with the reversed radio tape in the nightmare sequence, 'you missed the meeting', and the guilt described, which goes beyond survivor's guilt and paints you/player character as someone who feels like an accomplice, like someone who, had they been there, could have made a difference. or who, via inaction/ignorance/passivity let the things that happened happen, which works for stella, who, as the hartmann incident tape confirms, did not know what was happening.

and... i tired myself out and have to log off again, if you read any of this, remember matpat is retiring in march

on a separate note, could this bigger bodies mommy (our mommy ♥) be ms harper

[mediocre-noodle]

YOU. DEAR FRIEND.

does dallas remind you of any fictional characters? anyone irl? (general appearance or personality or maybe like certain things he does,,, idk—)

HI BESTIE!!

hmm….. let me rack my brain a little bit

hear me out here. hes like if bill cipher was a nice guy and didnt use his powers for evil

like think about it!!! interdimensional being with the ability to travel between universes and interact with the people in them, plus they’re both immortal! also they both have a similar sense of humor that usually involves mortals realizing their godhood (although dallas is definitely much more lighthearted about it than bill)

bonus: both of them killed their dad and cant go back to their home dimension