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and here’s just a luffy from this fic because her crime scene shoes under her sandals really got to me

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my march 2025 fanart for fanfic is from

Crawling under skin, my heart offered up to the feast by unacalluna (u must be logged in on ao3)

i rly love this au concept (im a sucker for forensics…) and i was rly cheering luffy on as she tried her best to seduce permanently-married-to-her-work law ☺️

please please please leave comments and kudos for the author too!

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As a fellow multishipper.. what are your favorite law ships? 👀 (other than lulaw ofc)

😅 i uh. i know i said im a multishipper (and i WILL ship anything that hooks me via concept/art/fic) but i… dont rly have any other major law ships

i guess kidlaw??? but even then i usually see them as Needing Luffy or as a one time mutual mistake

its not that im a lulaw only, i just dont thINK ABOUT LAW OUTSIDE THE CONTEXT OF LUFFY IM SORRY

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As a resident multishipper, you sabokoby artwork intrigues me. Please, tell me more, I must indulge myself in another rare pair 👀

i am ALSO a multishipper (even if all i seem to draw is lulaw,,) so i completely understand. my friend bree ( @strawhattery ) is the one who hooked me on sabokoby. her recent fic and the attached list of “what makes her go crazy” rly hits for me!!! thats the dynamic i crave!!

i also know yumi ( @panfriedstar ) is doing her absolute best to populate the ao3 tag, and we should all help her out :)

but what rly made sabokoby click for me was my sister mentioning that theyre like “the fox and the hound” on the same day that bree mentioned them dressing each others wounds with their bandana/cravat.

so my brain went wild and i had a mini storytime in the tags on my comic (here, if u missed them)

in theory, it goes: koby captures sabo. he reaps the reward and praise from the marines.

he's not too worried bc luffy will come! koby won't have to watch them execute another one of luffys brothers. luffy will save him.

and kobys waiting. and waiting. and then a marine says something like “hope we can actually kill this guy without straw hat or one of his friends showing up.”

and in the last minutes, it hits koby that HE’S the friend, isn't he? he's luffys friend whos supposed to save sabo.

so he does. yippee! and stuff happens idk. luffys chilling tho. he's like “nah sabo will be fine. koby is there!”

also i want sabo to kiss koby on the execution platform but that is neither here nor there.

i think, to me, its about how luffy connects them (i am always ready to make ANY SHIP about luffy), and how they both have the same goal, yet also have completely contrasting ways of going about it.

its about the banter and debates as flirting. its about the forbidden, cross-political romance. its about sabo relishing in his ability to fluster koby and then being totally thrown when koby turns it back on him.

please read all of this while imagining me in front of a conspiracy board btw

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Im going a lil crazy for your sabokoby art

my propaganda… it’s working 🥹

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what do you mean goofy, silly 😭 I’m crying

this might sound strange but. it WAS goofy and silly to me… just an advanced flirting technique

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Fucking eating your sabokoby comic the tags were making me physically gnaw and gnash my teeth irl I am feral for this ship gimme gimme gimme gnshgagsngsh

YESSSSS THIS IS SO GOOD TO HEAR

the zosans and lulaws are out here and im happy to join the club of artists

but i am helping actively recruit for sabokoby 😭 please hop on board

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more goofy-silly sabokoby ☺️

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well there you go! look at that. so many cool things you can do 🥹

Wait can I just get a job soldering and putting boards together? I used to do that in high school for an engineering class I use to take and it was the only thing I loved to do. I love soldering. -different anon

that is in fact a thing u can do! idk about fulltime and for good pay though. i think it usually ends up being one task in a list of many

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Wait can I just get a job soldering and putting boards together? I used to do that in high school for an engineering class I use to take and it was the only thing I loved to do. I love soldering. -different anon

that is in fact a thing u can do! idk about fulltime and for good pay though. i think it usually ends up being one task in a list of many

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wearing those heels while running on the back of an elephant… nami ur perfect~

(my nami for @namiartcollab!)

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oh wise quip how do you get a job in the arts in this economy? (do you have any tips and tricks and tutorials?)

anon… i work in STEM… i cannot help you 😬

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i cant stop thinking about “fox and the hound” sabokoby

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u draw law so greasy i want to eat him up for dinner!!

found your account while looking for lulaw fanarts and UGH YOU’RE THE BEST!!!! IT REALLY MADE MY DAY!!!!!! I hope you have a nice week❤️❤️❤️❤️

i promise i can do better. i can make him even greasier, i know it! dont give up on me

(THANK YOU SO MUCH!!!! im glad u enjoy my art 🥹)

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800 Outfits. 398 Artists. This is the Sanji Art Collab

Thank you to all our amazing artists for making this the most incredible event! I still cant believe this is real and that we finished all 800! Thank you thank you thank you all

See full res and see the individual submissions here!!

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hi quip! i really like your one piece comics and i am curious how you do them! i'm not good at comics and want to be better at drawing them! how do you learn how to make comics?

thank you!

uh oh... im afraid u have caught me at the perfect crossroad of "bored at work" and "unrelated task ive been meaning to do but keep putting off."

this is long. i hope you like reading (and grayscale progress pics). and of course!!! disclaimer before we begin that this is just how I, personally draw comics. there is no "right way."

quip's comic-making process!

Switching my typing to make this more legible...

My process can kinda be broken down into 6 steps:

Brainstorming

Thumbnailing

Sketching

Panels & Text

Lines

Tones/Colors

1. Brainstorming

My brain is a leaky sieve on a good day, so I sloppily jot down ideas in my phone notes the moment I have them. This helps me when it's time to draw too, because if I feel art blocked, I can look through old concepts and see what catches my interest.

Otherwise, I love drawing for other people's writing. :) And if worst comes to worst, doing manga/comic page redraws in my style teaches me new things every time.

Once I have my idea, I'll usually make a bulletpoint list of "plot points" or "story beats" I want. Then I plan the comic with this format that I've adapted from a tutorial I read once. I'm going to use my most recent comic (original comic post) as an example.

I start in the third column, writing notes of what I'd want to see in each panel. I also include the dialogue (in this case, I didn't have to write the dialogue! it's from the fanfic linked in the original comic post!). I usually write the whole name like [Luffy:], but at this point I've drawn so much of these guys, just the first letter works.

I like to handwrite these notes to get an idea for how much text I'm putting in a single panel.

After I describe all the panels, I go back and separate them into pages. I can't tell you how to know how many panels to a page. It's whatever works for you. I just kinda know about how big each panel will be, and so I can feel when I'm probably running out of space. (Also. You can change things later. I don't in this example, but I add/drop pages/panels all the time.)

2. Thumbnailing

Thumbnailing—as the name suggests—should be done tiny. Too tiny to accidentally get sucked into details.

This is about marking down blobs where items/characters go, and figuring out the paneling. I'll draw and redraw these a bunch of times too.

This is also the most time-consuming/brain-working part for me. If I were in a zine that did progress percentage, I'd try to finish thumbnailing around the 50% mark (but I'm also a moderately fast artist, so your mileage may vary).

I think the terrible quality makes them charming, actually. I really like how silly they look. :')))

I will add, when you draw your "page" rectangle, make sure it's the same proportions as your actual canvas for the final image. You want an accurate idea of how much space each panel will take up, especially if you have a lot of text.

3. Sketching

This is my most recent change to my usual workflow, and it's saving me a lot of time. I make my thumbnails a bit bigger (each one about half the size of the final canvas), and I sketch these basic body forms right over them.

It just helps give me placement for my actual lines!

I usually draw these in a paleish color so I can lower the opacity and not get distracted by them while lining. The random darker parts are to either help keep two forms separate (like when two characters have their limbs all over) or to better define sections that were too sloppy/poorly proportioned.

I also think this helps my poses stay looser, because I have more dramatic/wriggly shapes that aren't too bogged down by proportions yet.

Sidenote: I CANNOT show this here, but sometimes this is when I take videos. Of myself. I prop my phone camera up and shoot a video of me acting each panel. :/// It looks really dumb, but it also shows me fun body language ideas like hand gestures, expressions, weight distribution, etc. Just pretend you're an overdramatic cartoon character, and try not to worry about your roommates or mother walking in on you doing odd things. (You can also use the video for anatomy reference later, but I usually just capture the vibe and don't try to copy the actual video frame.)

4. Panels & Text

Oh, boy. So, the panels are usually just straight lines (though it's fun to make creative exceptions, like a round panel to mimic looking through a spyglass), but there are some fancy rules that I don't strictly adhere to.

I believe (I have no technical training in this. Take everything I say with a grain of salt) the vertical gaps (between two side-by-side panels) should all be a consistent width and the horizontal gaps (between two panels on top of each other) should be another. The vertical ones? Should be thinner? Because you want the eye to easily glide between them, whereas the horizontal gaps should be a visual barrier to keep you from jumping ahead. Just something I've vaguely noticed.

There are lots of fun "default layouts" you can look up. Or keep it a consistent grid. I think it's fun to sometimes have characters/objects sticking out of panels and overlapping others. This is just a matter of taste, creativity, and inspiration. (Read Witch Hat Atelier... It has some of my favorite paneling...)

You may also notice I have already done the speech bubbles. This is, to me, a crucial step. This helps me catch early if I don't have enough room for all the words. It also lets me plan the art in each panel with the speech bubbles in mind. There's nothing worse than working really hard on a panel, and then you realize there's no room for the bubbles.

I also try to lay them out in a way that guides the eye! Even without art, can people tell where to go next? Better yet, if I want people to look at panels out of order (aka not left to right, in my case), can I use the speech bubble path to make them? Here's just a vague example of what I mean.

As an added bonus, doing speech bubbles early also allows me to be lazy! :) Ignore the comic; I'm not supposed to post it yet oops,, There's a whole lot of drawing to do on each comic page, and I am not wasting my time on stuff that will be covered up. So yes, if I hide my bubbles, there are a lot of unfinished lines trailing off into nothing. (As a bonus, if there's a part of a character you're struggling with—and it won't look weird to do so—you can move speech bubbles to just hide the problem area yayyy)

Making the actual bubbles could be their own whole tutorial, tbh, but there are some general guidelines I use.

Zoom out when you choose your font size. You want to know how it will look to the average reader, so it isn't super teeny tiny or way too big. You generally want to keep the same text size for all your pages/bubbles.

When I draw bubbles, I try to size them about one vertical letter height (and some change) around the words [left side]. This isn't always the case though, because humorously large or funny shaped text bubbles can convey different feelings [right side].

On Procreate, I set my bubble lines to Reference and just drag-and-drop the white fill on a separate layer below the lines. (Remember to turn Reference back off again when you're done, or your fill bucket won't work right when you're drawing.)

To get the white outlines I use to keep the bubbles from cluttering up the art, I literally just Gaussian blur an all-white copy of the lines + fills... and then I copy and merge it 5 times until it's opaque enough. This is a terrible way to do it, but it works for me. :')

5. Lines

This is the part that I can't tell you how to do. I literally just. Draw right over my wacky sketched body forms. Boom. Comic drawn.

I'll make three suggestions:

Don't focus on making every panel perfect. Give a little extra love to big ones or ones you want people to linger on. Otherwise, know that people are typically speeding through the art. It's way more important to focus on storytelling than art technique. In my opinion, a good story that's told well will always be better than a beautiful one told poorly. (Some comics are beautiful AND well-written... Alas, I am just a hobbyist who needs to get the ideas out of my head at top speed.)

Put your background lines on a different layer. Put your foreground lines on a different layer too, if you have those. Basically, I try to keep the main part of each panel (usually a character or object) on my lines layer so I can erase background/foreground/etc lines to ensure clarity/focus.

You can make background lines lighter colors too. I have too many numbers sorry. (1) Background. The stuff that's farthest away. Lightest lines. Few details; more focused on shapes and the suggestion of a background (I'm not good at backgrounds). (2) Midground. Same distance away as the characters are. Lines can be black. (3) Also midground, and also the same distance away. But they're very detailed, so I lighten them so they aren't so distracting. (4) The characters. Black lines for focus. For people who haven't seen the comic, I swear they are just hugging. This is SFW. D:

6. Tones/Colors

Do not. Do NOT ask me. I don't understand colors. I hate working with them, but I try because I want to improve. I hate doing anything beyond the simplest grayscale shading. Please go elsewhere for your coloring/tone advice. This is how my color picker looks 95% of the time. I have pre-set "percentages" of black that I got by lowering the opacity of a black layer and just color picking it. I don't even know the exact percentages I used. Good luck out there. Be better than me.

7. Sharing

This is a bonus step that I didn't mention earlier, but it's actually the most important of all of them.

You need a friend. Or maybe a groupchat or discord. A family member or coworker if you're really close like that. I don't know.

Find SOMEWHERE you can spam wips and be cheered on. Drawing comics takes a while, especially if you're trying to tell longer stories than I'd dare to attempt. If I don't force someone to praise me for every line I draw, I shrivel up and die.

Also if and when you post online, add alt text. I'll admit I'm the first person to complain and drag my feet on this, and I literally use a screenreader myself when my eyes hurt (strong prescription glasses wearer). Comics should be accessible, because stories are fun and everyone should be able to enjoy them.

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Learning???

And I guess lastly, how do you learn to make comics? Two steps: 1) read them and 2) make them. This is the tragedy of creating things.

1) Reading them: I grew up reading comic strips, western serialized comics, and webcomics. I've always loved graphic novels too. Then in late middle school, I started reading manga (Death Note and Haikyuu were my first two), and now I'm trying to read more webtoons (sorry im so slow bree)!

I also... mass-consume doujinshi, thanks to proxy mailing services and bilingual friends/Google Translate/knowing some Korean. (I have an entire bookshelf of doujin, actually,,)

The thing is, it's not usually enough to just read comics. You also need to be thinking. :/ I notice paneling, comic devices, clever comedic timing, etc. as I go. It's just a lot of studying/learning while also enjoying the story.

2) Making them: You just have to start. :( Even if you think they're "bad." My first comics were actually just drawings placed randomly all over the page, connected by speech bubbles (yay... I was already practicing how to place bubbles to lead the eye around the page...). I was going to post a pic here, but I'm a coward. Backscroll my account and you can find some older ones though.

I also know my art in general improved dramatically when I did ten comics in ten weeks for my friend's fic. Don't do this. It hurt my hands/wrists. But do practice in moderation.

***

If you actually read all that... I hope it made even a modicum of sense. And maybe it was even helpful? Just know at the end of the day, there is literally no right way to draw a comic.

And if you aren't ready to go for it yet, you can start by just adding a couple speech bubbles to your illustrations or doodles! It's a way to add storytelling and dialogue writing to things you may already be making.

Yay. I love comics. :))))

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20 questions for fic writers

thank you @strawhattery for @ing me, even though i do feel like it's a not-so-subtle urge to finish my current wips... (i need the kick)

for reference/those who only see my art, i used to be a fic writer who occasionally drew. that's obviously changed, but i am trying to write more, so you can find me at pseudoanalytics on ao3.

1) how many works do you have on ao3?

44, but only 35 are linked to me (9 are anonymous...)

2) what's your total ao3 word count?

347,773 😰

3) what are your top five fics by kudos?

while i nodded, nearly napping (suddenly there came a tapping) [haikyuu, ushiten]

redacted :/

the inherent romance of classical conditioning (or, the fine art of emotional recognition) [haikyuu, sakuatsu]

you're really pushing it (but you're going much too slowly) [haikyuu, ushiten]

redacted :/ (sequel to the first redacted...)

4) what fandoms do you write for?

most of my fics are so old i can't bear to look at them, but i'm trying to write more for one piece. then i've written a decent amount of haikyuu, pacific rim, and star wars.

5) do you respond to comments? why or why not?

initially? i absolutely do! but as any of my friends will tell you, i struggle to even reply to dms or texts. so alas. i drop off pretty quickly

i LOVE comments though, and i eagerly read and reread them frequently ;__;

6) what's the fic you wrote with the angstiest ending?

oh sheesh. you may only ask once (so be prepared for the reply) which is a bad end for pacific rim 2. or i guess... a worse end. it's also a bit of a role swap au, if i remember correctly.

7) what's the fic you wrote with the happiest ending?

i... honestly don't know. i typically write happy endings. i like to write "missing scenes" and post-canon, so things tend to be rather open-ended or to just lead into the next part of canon. my memory is also not my prize-winning quality, so i can't really remember how my fics ended pre-2018ish.

8) do you get hate on fics?

i know i've gotten some ruder bookmarks, but not typically, no. i get more hate on art or in my ask box, but i honestly just delete it all, so it never sticks.

9) do you write smut?

yes, though its debatable if it's "smut" so much as "sex in such an irreverent context that it becomes humor." i cannot take sex seriously, so alas, i rarely write it seriously. i use it more as comedy and a tool for character studies. i do enjoy a stoic character's facade getting cracked open.

10) do you write crossovers?

i don't write legitimate crossovers, with characters from different medias intermingling, and frankly, i rarely do au's either.

but if i have one weakness, it's that i am ALWAYS a sucker for a pacific rim au. yes, i am rotating a one piece version in my head.

11) have you ever had a fic stolen?

i had a sakuatsu one reuploaded to wattpad under someone else's username. they deleted my author's notes and added their own, as if they'd written the fic, too. hilariously they even used my art for the cover.

it got taken down, but idk why. i never reached out about it.

12) have you ever had a fic translated?

yeah! i've had 5 translated, and i've had 2 turned into podfics, which is cool.

13) have you ever cowritten a fic before?

nope. i'd be terrible to work with, tbh. my writing process is a holdover from my journalism days, and the steps are a mystery even to me. i think i'll stick to drawing art for other ppl and their fics.

14) what's your all time favorite ship?

i will hold to the fact that it's asanoya from ao3. they were the first ship i got really invested in, and i see their impact on everything i ship to this day. they were my "blueprint," if you will. i still get smiley when i see art for them!

on the flip side... terezi/vriska was also a formative ship for me. but i won't discuss that.

15) what's the wip you want to finish but doubt you ever will?

rip go ahead and start talking (i'll pick up the slack). it's my 1-of-2-chapters ushiten fic that i should just mark as complete, since the first chapter can stand alone.

16) what are your writing strengths?

hard to determine your own strengths, but i think my dialogue/characterization are pretty strong, especially since i still regularly flex those muscles when writing comics. i also think i'm funny.

17) what are your writing weaknesses?

writing.

but seriously, i am so bad at sitting down and just hammering out a fic. don't get me started on outlines or longform works. i'd rather grab my pencil and start drawing, i'm afraid.

18) thoughts on writing dialogue in another language for a fic?

i think there are ways to interweave words or terms in other languages, but overall, i'm a fan of just standardizing everything into one language. if your character understands it, i think all readers should be able to understand it. and i'm not a fan of when you're expected to scroll to the end for a translation; i think it interrupts the reading flow.

this is a generalized opinion though. i think there are ALWAYS storytelling exceptions, so if the other language usage is really important to your theme/intent, i can see why you would do this!

19) first fandom you wrote for?

please don't do this to me. it was maximum ride. yes, the james patterson books about the kids with bird wings. i wrote 4-5 fics, i was in middle school, and — as far as i know — they are still up on ff dot net. no, i won't elaborate.

20) favourite fic you've ever written?

hands down, it's the sakuatsu domesticity simulator. it's not necessarily my best work in terms of writing skill, but i also drew over 50 images for it and html coded it into an interactive story. i'm just proud that i started a big project by myself and i actually finished it!

it's my dream to someday make a whole visual fan novel. i feel like the domesticity sim was the first step.

oh boy i'm bad at tagging but if @syrupfog, @lawsbbygirl, @macabrekawaii , @bmouse, or @cooknumber3 want to go for it... :))