#look or how i am perceived
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the town bisexuals are at your door it is time for you to pick a bride
#ngl lads i am not happy with this one lmfao#been going thru it so just a doodle#anyway so these are just design ideas#penny is this mousey little woman i see as actually kinda tallish but the kind of tall person who does everything to not appear so#maru is just hot tbh she my engineer wife#really tried something with her face and hope it doesnt look horrible#leah is tall as well and you know shes ripped under that shirt#she'll carry you over the threshold and paint your ceiling like the sistine chapel and dedicate it to you#i am not happyy with how haley came ouuttt she deserves better#like i couldve drawn her beautiful hair good but instead i just didnt. whatver#emily still the love of my life its been established#i cant see abigail as a romantic option ngl i perceive her as an impish quasi teenager who likes getting in trouble#i would be her parent figure and give her life advice and bring her to the mines to fight monsters together#anyway peace#sdv#stardew valley#abigail sdv#emily sdv#haley sdv#leah sdv#maru sdv#penny sdv#stardew valley bachelorettes#art by op
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how they eat it
dante, nero, vergil x fem reader
tw cum eating
dante
dante is sloppy. he likes it filthy and messy. the sight of your sticky cunt covered with his cum drives him so fucking feral that he lowers his mouth onto you and laps it up, moaning at how good you both taste. he knows you’re still sensitive from your last orgasm, overstimulated by the way you squeal his name and pull on his hair, but dante doesn’t care. he needs to feel you cum on his face. he wants it so bad that he whines into your cunt, slipping two fingers inside you while his lips wrap around your clit, the sensitivity bringing you close to another orgasm.
“fuck, you taste so good, angel… tastes so good when you’re covered in me. cmon princess, squirt for me, please make a mess on me…”
a hand comes to press down on your lower abdomen and that’s enough to send you hurtling over the edge, all the pressure building up finally releasing. you shake violently while dante fucks you through your orgasm, but he’s got you, licking up all you have to offer. he pulls back for a moment to admire your pussy glistening with saliva, cum, and squirt, smoothing his hands over your thighs. “good job, pretty girl… give me another one, yeah?”
nero
nero is sweet, so gentle that it’s almost teasing. he’s nervous peeling off your panties to admire your pretty pussy, shiny with arousal. he’s so awestruck that he forgets he’s just staring and his warm breath tickles, making you close your thighs instinctively, a bit shyly.
“no, no,” he says as he gently pries your legs open once more. his eyes meet yours. “you’re so gorgeous.”
“nero…”
the whine in your voice is so cute that nero just can’t help but give you what you want. he presses a kiss at the junction of your thigh, his thumbs rubbing soft circles on your knees. “i know, baby.”
he loves to kiss everywhere first, softly, over both thighs and all over your pussy. he wants to show you how much you mean to him. it makes you squirm in anticipation with how slow he’s being, how ticklish his lips feel, that you almost whine again before finally feeling him press a long kiss to your clit. nero rewards you for your patience by making out with your sensitive clit, the moans it earns him spurring him on, his tongue parting your folds. he can’t get enough of your reaction, entranced by the way your hips twitch with every flick of his tongue. you’re so cute when you grind yourself against his face like this, that he can’t help but hump into the mattress, getting himself off to being used to make you cum.
vergil
vergil is actually feral. for someone who prides himself on composure and self control, he’s rough when he eats you out. he can’t help it. his burning desire to taste you is so overwhelming that all he can do is shove his face further into your pussy. he grips the soft flesh of your thighs hard and pins them to the bed, leaving you unable to squirm away from his relentless tongue. it’s too much, your clit still sore from your third orgasm but vergil isn’t done. he needs more. “your taste…” his voice is a growl, borderline inhuman. “it’s driving me insane.”
the nails digging into the flesh of your thighs become sharper, and you realize that he’s close to dting. the realization has your legs accidentally clamping around his head but vergil growls, large hands forcing you open and holding you still.
“enough. take it.”
you can’t interrupt him, not when he’s like this, not when he needs to have his fill of you. he mouths at your pussy, pressing his face into you as much as he can. slick coats his face, tongue, nose, everywhere, filling his senses with you, but it’s still not enough. he gives your clit a rough, hard lick, pleased how you writhe and whine beneath him. vergil loves how vulnerable and pliant you are, letting him make you cum again and again until he’s satisfied.
#i forgor how to write#LOOK AWAY#plz do not perceive this#dmc x reader#dante x reader#vergil x reader#idgaf if this even shows up in the tags lol#I just needed to post this so I can stop re editing it lmfao#i still hate it and am not happy w it LMAOO
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i wanted to explain myself to myself in an understandable way. i gave shape to my fears and made excuses. i varied my velocities, watched myselves sleep. something's not right about what i'm doing but i'm still doing it — living in the worst parts, ruining myself.
richard siken, war of the foxes
#this is less about his monstrosity and more about his pursuit of control. which are definitely conflated yes#but i think of his perceivable monstrosity as 1) not really being specifically about what he was doing#and 2) so invariable to his being that it was logical that it would be used within his attempt at independence#this is about his attempt to get there. it's about his addiction and his and ruby's relationship. the fact that he knows he's been raped#and how it relates to its monstrosity rather than looking at it in a synonymous way#am i making sense#anyway i want to get back into making these again#sam winchester#4.21#reddo#ww.png
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See? He grew them out.
#i am not immune to the antler propaganda#this is how the actual new antlers look like when they grow out btw#also hello hi would you look at that. new art. from me. impossible#to be fair i started this in january? february?#it was almost finished by march i think#but then The Big Sad happened and i blinked and it's almost july#yeah.#it looks completely different than the previous one bc i pick brushes randomly and forget which ones i used and they don't save#bc i use a free drawing tool#anyways#alex vs the mortifying ordeal of having her art perceived#LMAO I FORGOT TO TAG IT WITH THE USUAL SLEEP TOKEN TAGS#sleep token#sleep token fanart
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At a point in my life where coming off as racially ambiguous is bothering me bc I want to be proudly Arab more than ever before
#like I get how w my name (which I love & would never trade for the world but I still get that it’s not an Arabic name)#which is fine bc it doesn’t have to be for it to fit me. cianna is so delightful and pretty and unique no matter the origins.#& w my looks. which I recognize are not the stereotypical way ppl would perceive arab people maybe#that ppl would be thrown off. but people have projected every race ever onto me before guessing I’m Arab and I think that’s insane#I don’t get why people are always surprised bc I genuinely don’t think it’s that hard of a conclusion to arrive at#my sister is LICHERALLY a redhead.#my mom is a blonde.#not all Arabs look a certain way it’s not that deep#I would never change my name or how I look like. all these things suit me like nothing else#but I’m not white I’m not mixed I’m not Latina. I’m Arab. period#it also feels like Arab erasure lowkey but I’m trying not to interpret it aggressively#I don’t want people to argue w me about my arabness based on how I look like or what I was named. I’m Arab bc I am?? that is all.#ANYWAY I relate to Nancy Ajram bc English first name and Arabic surname gang. and racially ambiguous. n yet she’s still THE Arab pop queen#p
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Hiii, i love your stuff and kinda from a distance really look up at you for, in my perception, being able to express yourself without giving a fuck. Thats sick dude, Im so so afraid, of absolutely everything, its nice to think like i might grow into someone less apologetic of my existence. Nice to see people just being yknow
hey, thank you, this is really really nice. the secret that is probably not a secret is that i am also deeply afraid a lot of the time lmao -- but less than i used to be, and in ways that feel less stifling and self-suffocating, if that makes sense.
like, it used to be "i'm scared that if i express myself the way i want to, everyone will find me obnoxious, so let's just sand those edges down to be safe" -- now my fears are more like "now that i'm expressing myself in a way that feels natural and real, i'm afraid that it's all stupid/vapid/not worthwhile or meaningful" (<- specifically abt my art) or "i'm happy that i talk and act the way i want to now, but what if it makes me impossible to befriend," etc etc etc. which still feels bad and puts me in a funk a lot of the time but at least it's a fear that comes After/in reaction to doing stuff, rather than a fear that STOPS me from doing stuff, you know? like, it's evolved into a kind of fear that's less in my way.
anyway. i believe you'll experience something like this, because wanting to grow is the first step of growing. the fact that u hope or wish for something different means you're already on your way. to fewer fucks!! or at least distributing the fucks u give in a way that serves u better
#stuff like accepting that i'm reserved and i'm not very accessible via messages.#or that my online tone isn't very bubbly and it's weird and uncomfortable to force it.#i stop letting fears about that shape my behavior ('i'll look mean or snotty so let's force markers of Friendliness to avoid that!!') -#- and instead act the way i want to and then trade it in for new fears that come After the action.#also a good reminder to give urself is that if ur fear is abt how other ppl perceive u (as 90% of mine is personally)#u really... can't actually control that. and being very very anxious abt it all the time is usually ur brain throwing a tantrum abt not--#--having that control. bc it is understandably very scary that u don't have that control#as much as it sucks + is terrifying the truth is the only thing u can do is ask urself 'am i behaving in a way that i'm proud of'#'am i behaving in a way that's in alignment w my values + what i think is important'#bc if the answer to that is yes and somebody hates u or is deeply offended by ur existence anyway. well. literally not ur problem#but obv being at peace w that is way way easier said than done + requires tons of practice and will take. probably. years. which is fine#i am stuck with myself. i can either contort myself forever trying to be someone everyone will like and find totally nonthreatening and-#inoffensive and in the process exhaust myself totally and never feel safe or natural myself. OR#i can say okay. so i am a kind of prickly guy with stern and drab speech patterns and close to no social energy. and i think i can still be#-sexy and fun this way. and it is up to other ppl to figure out if they can agree w me on that#ANYWAY enough rambling for now. just another one of those things i think abt a lot so i have a lot of ready-made sentences abt it in mind
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Sometimes I think Dan and Phil are totally platonic besties and then other times I’m convinced they fuck on the daily. I think they do it on purpose and it’s honestly iconic.
kind of the best thing is that they are that and everything in between. you can tell they just like being around each other. they've made content together for 15 years and the large majority of it was done in the strictly platonic sense for their audience. and they were still having so much fun with it. we're in the 'we know you know' era now so we get to see flashes of different dynamics they have, but they absolutely have more we Don't get to see bc they're not for us.
they like each other. stupidly fond of each other. spending time together doesn't feel exhausting. they're best friends and each others' harshest critics while being the biggest hypeman and also safe space.
dnp's relationship with us, their audience, always has been and always will be different than any other content creators. part of it is how they accumulated it, but another part is just the massive history we have with them. they Get us. they Know us. they're silly goofy sarcastic guys who love us and hate us sometimes. theyre grateful but careful too. they like to rile us up, just like they do each other. it's a love language, teasing, and we've shown positive responses to it over the years. i like to say that my relationship with dnp is antagonistic sometimes--cause i know they're pushing my buttons on purpose. and ykw? it's fun! it's fun for us and it's fun for them because they have the control. i know anything they let out is cause they chose to let it out because they Know how we are. so yes they absolutely adore messing with us. we're a funny bunch.
#im getting sappy again#the things you mention anon are not mutually exclusive for dnp. which is a lot of the fun of it#like for me personally. why be in a relationship with someone who isnt your best friend. i dont know how they couldnt be your favourite ever#like maybe im projecting but theirs is probably the healthiest depiction of love i have in my life#theres movies and tv but its not real. and yes dnp are produced. and aware. and curate. but theyre not selling a relationship.#sure we perceive it. but its not the goal. the product is the entertainment value of them together cause theyre funny.#whereas almost every relationship ive properly witnessed in my life seems like. a trap. genuinely.#its like well no love isnt actually real its a concept you just. are stuck. for the rest of existence. be happy about it.#and with dnp its like oh like love is actually real. like theres a reason people want to stay together forever.#like people Do get lost in each others eyes. they get a different look on their face that reads i love you#theres people out there who will love every aspect of you and never get enough of you or your time#i am. so far off on a tangent.#anyways love dnp love the cat and mouse game we play together#dnp#c.text#dan and phil#answered
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i feel like i remember people posting happy birthday character posts for mickey in june? is that right? well, even if he doesn't have a canon birthday (or if he does and it's. wrong.) he has a summer birthday To Me. and i've never seen a guy who is more obviously a capricorn than ian, so! if mickey's summer birthday is indeed in june specifically (i'm thinking cancer, but it would also be really cool if mickey and mandy are both gemini - twins who aren't twins), then mickey is technically two years older than ian for about half the time.
#jack facts#somebody could probably make a hades/persephone parallel out of this. somehow.#look it's even the fall/winter that the age difference is (perceived to be) bigger. it could be done. if you really wanted it.#a ''modern reinterpretation'' where the underworld as metaphor for marriage* becomes for statutory rpe? hwoigkfhs#idk i just like the dynamic of them having enough of age difference that - in the younger years - it actually has any noticable effect#and of course it never hurts to add more fuel to the ian only goes for older men fire lmao#altho i will admit i also kinda like for mickey to have been put into school a year late or to have been held back a year or w/e#so he's in lip's class but older than him#or even for him to be in the class above lip and lip's doing homework more advanced than his own which wouldn't be ANY kind of stretch#jbc am pretty compelled by the idea of mickey being older than lip too#and how that adds a little extra flavor to their Man of the House(s)/Biggest Brother/Least Worst Little Sibling's (Ex-)Boyfriend clashing#and anyway depending on how you interpret svet's age mickey might not have been able to marry her unless he wasn't a minor#like if you decide they're the same age or she's <1yr younger then fine he could with parental ''permission'' which we know he had#but if you decide her age based on the actors' comparative ages it would depend on her birthday whether they could marry right then#and if you decide mickey is his age despite fisher's irl age at the time but svet and goreshter are the same age it's a no unless he's 18+#and those would be regardless of what terry (or anyone else) said. so.#then again it would be hilarious for them to find out later that the marriage was never legally binding lmfao#anyway hi. it's two thirty in the morning.#shameless#mickey milkovich#gallavich#hc
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I wish I could be agender the way Murderbot is agender. Right down to the lack of biological sexual characteristics. So agender that the term agender comes with too much associated gender to accurately apply. You know what I mean?
#help the dysphoria is kicking my ass again today and everything about me looks and feels wrong#demigirl still feels like it is applicable but also i wish i was more masculine but NOT in that way only THIS way#am i uncomfortable with my curves because of internalized fatphobia? because of the association with being feminine? both?#is it my actual curves themselves or is it the very reality of having a physical body that will be gendered some way no matter what i do?#i hate it I hate all of it#Murderbot#agender#gender#gender dysphoria#body dysphoria#dysphoria#fox thoughts#'maybe if i dress more masculine that will help'#nope no thats still leaning into gender#how do i do both at once so that they cancel each other out?#i don't want to be masculine but i don't want to be female lite™ either#I don't want to be perceived as having any gender at all and its not fucking possible#fuck i don't even want to deal with pronouns 80% of the time and i don't care for my name either#why does physically existing suck so bad sometimes#☉
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fashion king park seonghwa xoxo thank you i will go YELL now
#hm/announcements#HE#THE WAY I FORGOT HOW TO BREATHE#bai is very normal very very normalSYKE#everyone. please perceive him. he slays so hard. lOoK#PARK. SEONGHWA.#👏🏻👏🏻👏🏻#yes this is me losing it on main because i am a strong believer in perceiving the hwahwa always
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i can't decide which i like more:
the idea - very much canonical and in the author's original concept and view of magic - of the dark arts taking a toll on one's exterior and looks. tom riddle sacrificing his beauty willingly in the name of eternal life, black magic as something that innately corrupts. bellatrix escaping from azkaban with the barest vestiges of her ancient beauty. going from one of the most beautiful women in england to a shell of her former self and no amount of dark magic being able to fix it. and she just. doesn't care. goes from pretty, proud and vain in her youth, to the feverish, fanatical glow harry sees in the department if mysteries. finally she sheds the petal of the rose - look like the innocent flower, her master had once said - and only the thorns remain. the parallel with voldemort himself. the idea that they like each other better now, the only ones to like their respective new appearances better. bellatrix because she can taste the power radiating off him, because she knows how resentful he was of his old face. (oh, he's never said anything explicitly, he would rather be flayed alive than speak of his filthy muggle father to her, but she knew he didn't like himself, took no pride in his aesthetics, it was most unusual, really.) the dark lord because he's reminded of her sacrifice - she was the only one who didn't denounce him, who tried to find him - every time he looks at her. she gave up everything for him: her reputation, her family, her freedom, her health, her beauty, her youth.
or.
the horcruxes are an isolated case. not all prices to pay for power are physical. some dark magic sucks at your humanity, your emotional regulation, your empathy and gives back superficial little gifts. its roots are far from the deep anger, desperation to cling to life of an horcrux. these are ancient witches' remedies to be the most envied in the village. the idea that rotten cores hide behind the prettiest faces. and bellatrix was always vain, always took immense pride in her beauty, her black, pure features. when she escapes from azkaban she tries everything in her power to be herself once again. she still drips with obsession but gradually regains all of her beauty too. cruel people can still be beautiful. gorgeous people can still be inhuman. and yet there is something so human about a woman making her way through the ranks of a very militarised group and still caring so much about what she looks like, still having insecurities, being preoccupied with mundane things like age and decay - and hating it because he would hate it, he hates weakness, and still not being able to help herself. the dark lord was always a collector of shiny things, was he not?
#sorry for the ineloquent stream of consciousness. it's midnight i am exhaused and once again in a bellamort brainrot#better yet - bellatrix and her relationship with her gender is something that i find so fascinating and that few people explore properly#and the differences between bellatrix and voldemort and how they would perceive certain things (e.g. physical beauty)#being a children's book hp uses the very common trope that ugly = bad#the villains are all deprived of their good looks somehow#except in lockhart's case where he literally loses his wits (the whole point of his character - very dante-esque as a punishment)#and dark magic clearly takes a toll on your body#i like characters that are described as imperfect and that are forced to make sacrifices. would bella give this up for her master? yes.#would it be painful? i find that i like both versions of her.#bellatrix lestrange#lord voldemort#bellamort#bellatrix black
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Existing in a class of 24 students has once again reminded me that allos are real and not made up by the Internet
#as is heteronormativity#i am perceived as a girl so my classmate asked me who i think is the best looking guy in my class and i was like “all people are pretty”#because im an artist and i fall in love with people's faces because theyre all unique and interesting to draw#the challenge of not just getting someone's face right but also their whole demeanor and way of carrying themselves is so fun#anyway after he kept asking me i just said the guy with long hair#(i called his appearance acceptable)(however the main reason is that he uses the least slurs and is the least annoying)#also my very good friend kept going on about how she wants a boyfriend and my genuine reaction was “at such a young age? why?#thay wouldnt be fun��� (we are the same age)#anyway#aroace#aro#aromanticism#aromantic#not tagging this as ace because sex wasnt mentioned nor implied
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I'm starting to think I might be trans but I'm not sure. I'm still very attached to female pronouns bit idk if that's just because they're familiar. When I try and imagine myself as a woman it's always something inhuman, an elf, or a vampire, or a sea monster. If I'm imagining myself as human it's always as a weird old man. I don't know if that means I'm trans or not tho.
i think you can be whatever you want to be
#other people may disagree but i honestly think being trans is much less about 'what am i REALLY?' and more about#what does my ideal self look like? what kind of life do i want to live? how would i like to be perceived? what makes me feel happiest?#those questions are a good place to start i think#maybe a fake beard also. for your weird old man purposes
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A Series of Small Offerings
PART ONE -8- The Way That You Were
To tear that knife from what once / Would have been dead fingers
I have. Struggled a lot with this one, but I am glad it is done. I've had this idea rotating in my brain for a month and I have tried starting it at least 3 times both traditionally and digitally before I decided to turn it into a cut out, because I feel the most confortable making cut outs, actually.
HUGE, ENORMOUS shotout to @copper-sands / @ancientbygone for being my hand anatomy expert!!!!!!!!!!!!!! Without it this piece would look way worse <3
#me: hey let's stop having hand-related ideas for the small offerings maybe#also me: okay. so how about a piece with 6 hands in it-#come to think of it. the ghost hands would look better digitally but oh well#a series of small offerings#sleep token#sleep token fanart#alex vs the mortifying ordeal of having her art perceived#if you were wondering i am still shit at editing <3#and now the warnings#blood#suicide#suicide attempt#implied suicide#self-harm#self harm#cw: blood#cw: suicide#cw: implied suicide#cw: self harm#pls let me know if i forgot something#ALSO SORRY LEVYNN THAT I POSTED AFTER A LONGER BREAK AT THE SAME TIME I SHOULD'VE CHECKED TUMBLR BEFORE POSTING
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while aaravi remains firmly within "yeah miranda has a difficult personality and isn't very easy to get along with + has many rough edges which are slowly being worked on but still going to be an issue" after having been very much so within the camp that miranda is a Vexing Bitch upon first contact/getting to know her, she DOES go from "miranda is unpredictable and dangerous as a merfolk and large macropredator and her emotions are inscrutable and random" to "merfolk aren't very hard to understand or predict and it's very easy to stay on the safe side if you keep basic rules in mind and don't freak out the second something unexpected happens"
#all the care guide says is 'biomass'#miravi.txt#just. thinking about it!#thinking about specifically how merfolk (like most other animals) growl/hiss specifically as a deterrent#like if you start really upsetting miri and she wants space and you to Please Stop#she will probably turn her face away from the other person or turn her body away from them#while growling or hissing and pulling her fins back#and will open her mouth to bare her teeth or gape her mouth open to show her teeth (including heavily panting)#where the point is ''i will hurt you if you touch me/get closer/dont stop so please dont do that''#but a lot of people read it as her being either obtuse (if she turns away from them)#or outright aggressive for the showing of teeth and growling#when shes really not. shes being very polite in merfolk terms in giving multiple chances to avoid violence#shes going ''i am worried i might have to hurt you so please reconsider'' in a way thats very readable if youre another merfolk#who will then step away or give her her space and switch the tone of the conversation#to see whats wrong#whereas her being more deliberately aggressive/violent usually comes with minimal vocal cues at all#or (if shes specifically threatening someone such as in the case of getting aggressive over perceived threats to her social bonds)#she will often turn towards them and open her mouth and flare her fins#often deliberately closing the distance and making herself appear Extra Large#she WILL growl here but will never hiss (hissing being a more defensive sound)#and will often smack her tail against the ground or show her claws or otherwise demonstrate how large and how scary she is#as a deliberate point of ''you crossed a line and this is what is going to happen to you if you dont make it up right now''#which! both require VERY different responses but might look similar to a human!#and might end up coming off as unpredictable or random in her actions and cruelty!#when shes not! shes just doing things the way a merfolk does them#which means aaravi realizes VERY quickly after learning about all of this#just how many cues miranda gives that people are starting to make her uncomfortable and feel Not Okay#that are ignored or written off because theyre merfolk cues#merfolk are very tolerant of stress but have basically no concept of escalation of violence for that reason#because if youve ignored every chance to prevent something dangerous up until the point it goes too far
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< CAPTAIN'S SLIMECICLE CINEMATIC UNIVERSE TIMELINE >
It's here!!! This is it!!!!! well okay tbh it's still very rough, there's a lot of detailwork that is kind of loose and stuff I'm still theorizing/thinking about, but this is the big look! I also cut down on a lot of the stuff about characters to focus on the timeline itself, so I might make a follow-up post with that stuff because ily council. But this is my interpretation of the scu timeline! I know there's a lot of malleability when it comes to the scu, but even within that there's certain parts I kinda took and ran a bit far with, so hopefully it all makes sense. The line between interpretation of canon and creation of headcanon is thin. Also, since my timeline isn't actually a line, it'd be a bit hard to watch along with, but I'll link the playlist of my personal preferred viewing order anyway HERE! And without further ado, here's my timeline :]
[Long post below the cut- enjoy!]
The Slimecicle Cinematic Universe follows the path of Slimecicle, one of many players who wish to achieve god-power. Players are able to travel between realms with ease, but altering those realms? That takes a considerable amount of power. However, this is not unachievable, and Charlie is one among a group of players attempting to become godlings.
VOCAB I USE:
Godling: A being of god-power that can alter realms, and primarily uses it for creation.
Demonling: A being of god-power that can alter realms, and primarily uses it for destruction.
Realm: What we would think of a minecraft world, a separate place that players travel to when they find new places.
World: Within a realm, it is the earthen spirit itself. More abstract, but a powerful force to be interacted with, and has some semblance of life, magic, and almost sentience itself.
Dimension: The Overworld, Nether, and End are different dimensions.
Player: a person who largely interacts with realms, able to move between many, and able to become a godling if powerful enough.
Wild spirit: a spirit somewhere between a person and a beast, connected to the world as opposed to the way players can interact with realms. While both players and wild spirits can be connected to mobs, the connection is generally stronger and more widespread for wild spirits.
God-power: Expressed by things like creative mode, op, and VR, powers that can alter realms and enforce some kind of control over players within them.
Plight: What happens to a godling when they are forced to die without respawning or in an otherwise more permanent/impactful way, an effect other than a mortal death. Can be broken out of, but is incredibly difficult, and can have lingering effects unless truly ended.
< PRIMARY CHARACTERS >
Charlie “Slime” Slimecicle:
Godling of food, enchanting, crafting, and smelting
Plight: DEATH (if worn down enough, he will not suffer a normal plight as other godlings would, but would become mortal and truly die)
Middle child
A shapeshifter by nature of being a slime, and his natural adaptability seems to be related to his proficiency with god-power.
“Condi” Condifiction:
Godling of other dimensions
Plight: caged (trapped in a location/pocket dimension of his own, and more importantly, trapped in his own mind in a whirl of penned-up hyperactivity that brings insanity)
Eldest
Condi, Charlie, and Grizz don’t remember if they’re biological brothers or not, but they grew up together, and Condi was always the most adept, the “alchemist assassin,” who kept them safe.
Grizzly(plays):
Godling of nature, weapons, and tools
Plight: shackled (forced to comply to the orders of the being that killed him, though it may appear as if he has respawned as normal. Can also more generally inhibit his ability to use his own power as he wishes)
Youngest (twin with Bizly)
Has gained animalistic traits from swapping power with Bizly, mainly vaguely bear/doggish. Since meeting they called themselves twins, and through this exchange have no reason to say they do not fit the word.
Bizly(channel):
Godling of mobs
Youngest (twin with Grizzly)
Plight: muzzled (at the most extreme is forced to disappear completely, being entirely unable to be heard or perceived by anyone. Can also more generally cause his words to lose meaning, and it is supernaturally difficult for him to be taken seriously or listened to.)
The only member of the Council who did not grow up with the group: he was a wild spirit (wolven) that was discovered by Grizzly, and slowly honed shapeshifting powers and traded bits of magic with Grizz to walk with players.
(J)Schlatt:
Demonling of food and nature
Grew personally slighted by Charlie and the Council, and eventually trapped them in a separate timeline of his own creation to attempt to kill Charlie.
< TIMELINE OVERVIEW >
Begins with IF ONE PERSON DIES EVERYONE DIES
The VR SERIES (videos marked with vr.) and CHARLIE’S ESCAPADES (videos marked with esc.) then happen at the same time, with the final video of the VR Series being when Schlatt’s timeline is created.
Charlie's escapades then repeat in Schlatt’s timeline, followed by NATURAL DISASTERS, HARDEST DIFFICULTY, and 100 DAYS.
At the end of 100 Days Condi activates the time loop, which he cannot use to break out of Schlatt’s timeline but he can use to bring everyone back to the beginning of it.
CHARLIE’S DREAMSCAPE ESCAPADES (videos marked with drm.) take place in the haze between his death at the end of 100 Days and him fully being transported by Condi to the beginning of the time loop.
< THE TIMELINE >
MINECRAFT, BUT IF ONE PERSON DIES EVERYONE DIES:
The conflict between Charlie and Schlatt begins here. Charlie is a trickster spirit at heart, and it is consistently seen to overlap with his joy in experimentation and creation, leading his pursuit for godly power.
This is one of the first places Charlie goes to try and hold his own among others who are growing in power like he aims to, and he at first struggles, as seen in how he fails to survive for long. However, he quickly makes use of this mechanic in his own way, and uses the forced respawns to tease the others. When Schlatt joins, this is especially targeted at him, to his infuriation.
Schlatt goes to Carson, who appears to be the leading godling of this realm, to ask for Slime’s removal, but he says that “I’m not sure that I can really do that.” This hints to some sort of power Charlie has that is potentially greater than even Carson and Schlatt, the most powerful entities there. In the same conversation it’s said that Schlatt is a broken record, hinting that he has trouble often with wanting to control others and remove them if they bother him.
This showcases the conflict of the whole series: The rising godling Charlie Slimecicle threatening the power of the demonling Schlatt.
MINECRAFT IN VR IS ABSOLUTELY TRAUMATIZING (vr.):
Charlie, Condi, Grizzly, and others begin working in a realm where they start experimenting with more control over their world, specifically by exerting control over themselves and their physicality in the plane (expressed through vr use).
Narwhal is notably present from the very beginning, as a figure of power among the group, and Wheatie is also a member from the start.
The excursion near the end of the video to the Nether is most notable as it is recalled in a flashback during the 100 Hunters video, specifically when Condi falls into the lava while bridging.
MINECRAFT IN VR WILL HURT YOU IN NEW WAYS (vr.):
Notably Schlatt joins this world, and it’s clear Charlie has a slight position of power over him in this place, and it makes him uncomfortable.
Bizly also enters the scene in this video, first in a beastly purple and gold skin, then mimicking Herobrine, slowly changing from a more beastly form to that of a player. He was a wolven wild spirit found by Grizzly, and as he gave some of his power to Grizzly to assist his path toward godhood, he gained power from Grizzly that helped him act as a player.
At the end of this video, Charlie, Condi, Grizzly, and others all partake in first a spleefing tournament, then a “gladiatorial bloodbath” which Charlie wins. Bizly watches this battle, and Narwhal and Wheatie both appear to have been utilizing god-power (creative mode) to create the arena, pouring power into it that Charlie proves himself best suited for. This is another of the beginning signs that he excels in this power.
Schlatt is not present for these later events.
I INVITED YOUTUBERS TO PLAY MINECRAFT VR AND THIS HAPPENED (vr.):
The rest of the council is not present, but Schlatt and other figures on the server are.
This video is largely just an example of Schlatt attempting to show he’s more powerful than Charlie, and Charlie continuing to fuck with Schlatt and generally make things worse.
Poppies make an appearance in the video, as an attempted and rejected peace offering from Charlie to Schlatt.
MINECRAFT VR HAS DRIVEN MY SOUL FROM MY BODY (vr.):
The video immediately starts off with Charlie and Travis claiming that Schlatt seems upset, while he vehemently denies it.
Schlatt also seems to be using the same kind of worldbending power Charlie has been utilizing in this video (VR), potentially as yet another way to try and maintain power over him. However, Charlie continues to prove he has greater knowledge and control over this power, and then Schlatt injures himself while utilizing the physicality-altering power, and this pushes Schlatt over the edge.
Schlatt gives an apple to Travis, taking control of him, though the power of the fruit isn’t known to anyone but the goat demonling yet. Travis begins to follow Schlatt and work with him to attempt to capture Charlie and then kill and cast a spell on him. It is with the symbolic death in the grave that Schlatt manages to latch onto Charlie’s spirit and begin creating a separate timeline in which he has control over Slime and the Council.
The rest of the video is a semi-hallucinogenic experience Charlie has as the spell is cast and he, along with his friends, are trapped in Schlatt’s timeline.
Travis is killed, and with this lifeforce and the ritual he enacts over Charlie, Schlatt puts his foot in the door to start working toward making Charlie mortal, and finally get back at him for the ways he’s taunted him.
ROLL (esc.):
Narwhal is given power in a realm of Charlie’s, a compromise to utilize Narwhal’s power and allow Charlie to attempt to expand his own. This was an idea proposed to Narwhal by Charlie not long after the creation of the VR realm, as Charlie started to come into his own in that kind of power and became more and more excited about the possibilities.
Flowers make an appearance as a protective entity.
During this video a site reminiscent of Molympus is also created, as an island floating above the land is created by the die.
Near the end of the video the die is dropped by Narwhal and Charlie gains control of it, and more of Narwhal’s power is passed to him. He is immediately able to use its power far more rapidly than Narwhal, and the world is destroyed by their battle. In the destructive blast, Condi, Bizly, and Grizzly are able to escape with the more powerful Charlie, but the weakened Narwhal and Wheatie fail to escape, and are destroyed, their power shattering and being absorbed by the newest godlings, the Council.
MINECRAFT, BUT IT’S PAY-TO-WIN (OR LOSE) (esc.):
After the blast, Charlie blames himself for Narwhal and Wheatie’s deaths, so he sets out to experiment with his newfound power on his own.
This is the most raw of Narwhal’s remaining chance power, which Charlie begins to learn to harness by not being able to control exactly what it does, but by being able to shift how likely each effect may be (changing prices).
MINECRAFT, BUT EVERY BLOCK FIGHTS BACK (esc.):
Condi and Grizzly, concerned for Charlie, ask him to let them help with his experimentation, and suggest they ask Schlatt to come into the equation as another power on par with Narwhal to help. However, they decide that all will be on equal grounds to hope to preserve everyone equally, so Schlatt is not put in godly status. Bizly is missing from this video, having been pushed to the side by Schlatt, unbeknownst to the others.
Charlie is the only one with god-power (op) to begin with, but he is walked through much of it by Schlatt.
Grizzly is at one point cornered by Schlatt, and threatened with an apple. Grizzly would have no way of knowing of the fruit’s power, and yet he immediately recognizes it and reacts with intense fear. This is some of the strongest evidence for a time loop, with residual memories that would allow Grizzly, the most affected by Schlatt’s use of apples, to remember it when face-to-face with it. It is also important to note that while Charlie does not seem to remember as much as Grizz, he is the one to send Schlatt away by overpowering him with more apples.
After this, Charlie says he has given god-power in the realm to all members (op), which Schlatt immediately makes use of to try and seize power.
After this the whole group slowly devolves into using their power more and more. It’s clear Condi, Grizzly, and Charlie have become just as adept at it as Schlatt, using it for jokes and cheats.
MINECRAFT, BUT IT’S WAY MORE TRAUMATIZING (esc.):
After the last escapade, Condi and Grizzly suggest they go to their own realm without Schlatt, and Charlie agrees. Because they do not have quite as much control the world becomes far more dangerous.
This also could be the way they searched for Bizly after he had been missing for some time, as he is more beastlike in origin. This world may even be his creation, not Slime’s, which would further cement why they did not utilize creative god-powers.
This video also showcases the tendency Charlie and Grizzly are characterized by in wanting to find ways to live amongst the challenges that face them, not necessarily fight to escape. They are far more inclined than Condi to settle in their tower and hunker down there and learn to live with the dangers around them, which is an attitude they continue to showcase in how they handle the timeloop.
MINECRAFT, BUT 100 PLAYERS ARE HUNTING ME (esc.):
Bizly has returned to the group, and goes along with Condi and Charlie for the next of Charlie’s exercises in his power.
This is another example of Charlie’s experimentation with randomized power, as a bunch of random people are spawned in and create entropy in their path.
Halfway through the video, after all three of them have died, Charlie resorts to using his god-powers, but it is too explosive and causes the world to crash. He shows his growth by reining in it quickly though.
There is an explicit flashback to the escapade to the nether in the VR series, when Condi fell before. This time, he does not fall.
Thatoneperson is an important figure, and is clearly more than just a hunter. They exhibit godlike power that hints at them potentially being Schlatt in disguise. This would be the chance used to muzzle Bizly, when the ordeal with Thatoneperson being killed leads to his being pushed off the fortress, a death that could be latched onto to muzzle him. This takes gradual effect, and he remains for the rest of the video, but is missing from Natural Disaster.
In the End fight with the dragon, Charlie yet again exhibits god-power to summon every hunter to fight by their side.
<< THE TIME LOOP BEGINS. >>
Charlie’s escapades all repeat in this timeline but under Schlatt’s watch, no longer as a way for Charlie to grow, but a way to torture the Council and weaken them.
MINECRAFT, BUT EVERY 5 MINUTES THERE’S A NATURAL DISASTER:
When Charlie eats the apple early in the video, it accomplishes what Schlatt began doing right before the time loop was created: it makes him mortal. He can now truly, fully be killed, if done in a way powerful enough to stop his respawn.
Immediately after this Charlie is notably able to give Grizzly an apple as a help, not a hindrance, which could be tied to his emerging domain over food. Grizzly’s domain over nature also begins to emerge as he gives poppies that begin to work as protective symbols.
Schlatt quickly gets them to build him a church, showing how he’s trapped them in a state they forget their own emerging god-power, and taunts them with the light to the command blocks later, showing the torturous pointlessness of the whole experience.
Grizz becomes shackled by Schlatt at the final volcano, but Charlie is able to take control of the realm from Schlatt and Grizz is able to break out to an extent. Schlatt does still remain in power over the timeline as a whole though, and retreats to regroup.
THE HARDEST MINECRAFT DIFFICULTY:
With picking the chests at the start of the video, the Council solidifies their domains of power as godlings. They had already began developing these, but this used some of the last chance magic Charlie had from Narwhal to allow them to concentrate their power into stronger, more specific areas. This whole video is an example of the Council going all out with their powers, and truly testing their limits.
When the apple is given to Grizzly and he falls, he becomes shackled again. Though Schlatt is not in this world, he is pulling the strings as this happens in his timeline, and so the shackled Grizzly is still forced against his brothers. However, he strains against his restraints, and manages to make the fight fair enough that his brothers can beat him.
The wolves were supposed to just be a joke. A joke between twins. Bizly’s wolfish, he wouldn’t really hurt them. If Condi hadn’t spawned them in the nether, it would have just been an illusion, a prank. It was just bad luck. “I may have been the boy who cried for the wolves, but I will not cry for you.” When shackled, and with Bizly muzzled, Grizz forgets that Bizly was the dearest wolf he cried for.
In Grizzly’s last moments, Bizly, who had been fighting against his own plight for a while now, sees that Grizzly’s being controlled by his own and he can either be shackled in the mind as his body fights his family, or he can be shackled fully as a ghost that cannot act against them. In saving Grizzly, Bizly has to kill him to turn the shackles to a kind Grizzly can fight out of. He barely manages to reach through enough to help them get to the end, but his shackling means he cannot be in the world with them, and even that small effort to help them doesn’t have any real use.
WE SPENT 100 DAYS IN HARDCORE MINECRAFT:
Charlie has forgotten everything. After Hardest Difficulty, the Council continued to try and live their lives, but in the wake of Grizzly’s absence Condi threw himself into research, locking himself in his labs for long stints of time, feeling something was off about Grizz’s “death.” He was eventually caged there, and Bizly faded further under his muzzling as Schlatt used this opportunity to take them all away from Charlie.
Schlatt then created an environment filled with death: a zombie apocalypse. Natural disasters also, notably, play a large role. This would be the final trial where he wore Charlie down to the point he could kill him.
Each of the Council appears in a diluted way how they can through their plight, and Bizly, having fought his off the longest, is able to work through his in many ways. He appears first out of the Council as Florida Man, accompanied by wild animals that he can interact with as a wild spirit.
Tommy enters, a wild spirit (zombie) who has started to move toward a player form and demonling power very similarly to Bizly. Grizzly ended up trading power with Bizly because they were at similar power levels, but Schlatt is able to give without any side effects because of his immense power, and Tommy comes into power over the 100 days as a demonling under Schlatt.
Charlie finds Condi’s lab where he’s been caged, and reads hints in Condi’s diary that he remembers what was done to Grizzly and is trying to fix it by recreating the world. His caged mind does not recognize Charlie, but Charlie is able to help Condi partially break out of his cage, and he is able to go out into the world though much of the mental caging effects linger.
“In the new world, Charlie, everyone will be happy. Because I’m going to be a god.” He knows.
Condi is not successful in hopping worlds- he hops times back to the beginning of Schlatt’s timeline. He can’t escape it completely, but can form a time loop so they can try again. It doesn’t seem like it’s worked at first, but it is in the moments between a death and respawn that he can transport them, and so he is able to go back when he “dies.”
The Blood Bachelor’s arena somewhat resembles the arena from the VR series, yet another ritual to whittle down Charlie’s mortality.
Ranboo is another upcoming godling/wild spirit, this time pulled in by Charlie, talked about more in the section for Beating Minecraft w/ Ranboo. He may have some idea of the fact that the apocalypse was created by Schlatt, twisted to be expressed by his conspiracy.
Wizzly is the still shackled Grizzly, fighting to regain control of his powers. He has some version of his own knowledge of the timeline as a whole, knowing that Charlie is the “protagonist,” the focus of Schlatt’s attention.
On day 99, Schlatt comes with apples, his strongest weapon. This is when Charlie starts to remember, and fears him, but the reminder of Bizly and the others pulls him away just before he eats. Bizly, who Charlie can barely remember, but with the knowledge Schlatt forced on him he now realizes has been working to keep him safe even though he’s a faded version of himself. Charlie then goes back, hoping he can bring him back before he’s faded completely, and he’s able to call him and the others for the final battle.
In this fight Tommy is seen wielding god-power, as he has become a demonling over the 100 days.
Charlie uses Condi’s machine to world-hop, and here, in a realm of Condi’s power, Schlatt attempts to finally, fully, kill Charlie. But in the moment where Schlatt kills him and attempts to stop him from respawning, Condi’s power is able to take Charlie not to mortal death, but back to the beginning. They will try again until they are all saved. Until Bizly is unmuzzled, Grizzly unshackled, Condi uncaged, and Charlie survives.
It is also worth noting that Bizly, Grizzly, and Ranboo were left behind, but at the mention of Charlie, Grizzly summons zombies, saying “let’s do it all again, run it back from the top”, and they are killed too, allowing them to be transported as well as Condi begins the timeloop.
<< THE TIME LOOP IS ENGAGED. >>
BEATING MINECRAFT AS A SLIME (drm.): I FINALLY BEAT MINECRAFT FOR THE FIRST TIME… (FT. RANBOO) (drm.):
Both of these videos serve roughly the same purpose, as hallucinations/dreams Charlie experiences between time loops. There are many variations of them, all being very rudimentary ways of him changing a world and seeing how he fares, similar to his original escapades when growing his god-power. He begins to encounter Ranboo, a wild spirit of the place between dimensions (hence the enderman/End and ghast/Nether influences) that manages to interact with these dreams as Charlie moves between dimensions/times, and is eventually pulled into the timeline through Charlie’s power. However, he also begins to move toward godhood as a result of being gifted some of Charlie’s power.
These are the beginning of Charlie potentially being able to not only alter a realm, but create entire realms of his own.
#captain's words#slimecicle cinematic universe#scu#slimecicle#charlie slimecicle#I'm gonna tag the other primary characters mainly for my own archival purposes :thumbsup:#condifiction#bizlychannel#grizzlyplays#jschlatt#anyways. this rules my brain#I have some doodles of my council designs I might share and also AN ANIMATIC I FINISHED TODAY???? that I might post#which to be clear I've never made an animatic before. so. idk what possessed me but I made one for the scu#I think about the scu a regular amount and am very normal about it. come closer.#the only reason I don't go absolutely batshit is because condi and grizz are here and idk how much they look at scu stuff ALSJDFBDS#but I don't want to be perceived#I gotta stop talking now or I never will but please send me your scu timelines if you ask me about mine I'll die of happiness etc etc#scu nation rise up
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