#bellatrix lestrange

[regulusmoonbeam]

the day people hear me out abt the fact that a character can be both horrible and human is the day i die peacefully

"walburga-"

"SHES ABUSIVE!! HOW COULD YOU HUMANIZE HER!! LETS NOT FEEL BAD FOR THE ABUSER"

OH MY GODDD

I AM AWARE SHES HORRIBLE BUT SHE WASNT ALWAYS LIKE THAT

ITS LIKE WHEB PPL SEPARATE YOUNG PETER AND ADULT PETER

i swear yall just love refusing to see female characters as multi dimensional bc bitches will dickride voldemort b4 listening abt bellatrix

[percyweasleyapologist]

Bellatrix: You read my diary?

Rita: At first I did not know it was your diary. I thought it was a very sad handwritten book.

[marylily-my-beloved]

Narcissa who was so happy for Bellatrix on her wedding day, only to burst out crying the day after because this means Bellatrix is moving, Bellatrix is leaving her. Narcissa feeling so overjoyed for Bellatrix because she seems happy (idk if she is) and she looks so happy she’s leaving the house but Narcissa realising this means she’ll be on her own and she won’t have anyone to ever go to. 

It doesn’t even matter that Bellatrix will only be a apparation away, she’s gone. She’s not in that house anymore, it’s only Narcissa now, and god does Narcissa feel alone. 

[mrstellmeafuckingsecret]

"we want more complex female characters!" you couldn't even handle molly weasely, nymphadora tonks & bellatrix lestrange

[saintsenara]

i've got you, @solis-angelus!

a duo i'd love to hear your thoughts on: bellatrix & harry (or even bellatrix/harry)

thank you very much for the ask, pal! an extremely interesting duo to think about.

and, obviously, the thing we have to immediately acknowledge is that harry thinks bellatrix is hot. he's always going on about her heaving breasts and shiny hair [and shiny hair is something he does seem to have a thing for throughout canon - hence why he spends one of his owl exams staring at parvati's], and she's definitely his "hear me out" candidate...

[i think if he's forced by ron to play fuck, marry, kill about the black sisters... he's fucking bella. he's depressed for weeks when he realises.]

more seriously, though, the thing which really stands out in harry and bellatrix's canonical relationship is that he sees her primarily as a catalyst - and, above all, primarily as a catalyst for loss - but in a way which feels strangely impersonal given the profundity of this loss to him.

she kills sirius - but harry can't summon up the rage to use the cruciatus curse against her [even though he can against amycus carrow, whom he has never met and whose crime is the considerably more minor spitting at mcgonagall]. she almost kills ginny - and harry "changes course at once" to try and protect her - but the person who gets there first and who finishes bellatrix off is molly.

and while i don't think this is strange because i think molly wouldn't have the skills to duel bellatrix, i do think it's fairly strange narratively. bellatrix's death mirrors sirius' to such an extent - right down to the fact that she dies laughing - that it would have been an interesting conceit to have harry avenging his godfather by standing in as sirius' surrogate for a repeat of the duel before the veil, which then allows sirius to be avenged when the outcome is reversed...

[although what i do like about the molly-bellatrix duel in canon is that voldemort ends up in the position his narrative mirror, harry, is in during the sirius-bellatrix duel - watching the one person he thought would never abandon him die.]

and so harry sees bellatrix as an agent of chaos - and he utterly loathes her - but he also sees the chaos she causes as, fundamentally, voldemort's fault. he views her as a puppet, a tool, a pawn - as so totally enamoured by the dark lord that she lacks any capacity for critical thinking - rather than ever seeming to understand her as her own person.

[him taunting her in order of the phoenix by pointing out voldemort's a half-blood always stands out to me when thinking about this - lucius malfoy isn't shocked at all by the revelation, but bellatrix is. it underlines the point made by her behaviour at her trial, which harry witnesses in goblet of fire - that her loyalty to voldemort is so absolute that it makes her deluded, and that she exists for him rather than for herself.]

equally, bellatrix clearly sees him as just a thing - an annoyance which voldemort just needs to eradicate - rather than a person.

and so i think that one of the very interesting "harry and bellatrix actually having to get to know each other" questions is what journey they would go on in order to understand the other as a real person. my favourite iteration of this - as i've said here - is to write bellatrix's non-battlefield personality as surprisingly similar to tonks', and to have harry having to face the fact that a woman he hates could be so much like a woman he adores. you can also obviously do the same with him having to realise she's very like sirius.

and her having to realise that harry is very like voldemort.

because the other thing which i think is fascinating about thinking about harry and bellatrix is that the best parallel for hinny in the text isn't ron and hermione, and nor is it james and lily...

it's bellamort.

i believe that harry's canonical love for ginny is completely genuine - and i accept that by the epilogue they will have settled into a relationship with a more equal dynamic - but it's very striking in the pre-epilogue canon that the power dynamic between the two is very much unequal.

harry's narrative purpose means that he has to be set apart from all others - even ron and hermione - in order for him to properly function as the encapsulation of all that is good [and as the series' allegory for christ]. as a result, he tends to interact with other characters either as people he needs to protect, or as people he needs to protect others from.

and we see this in his relationship with ginny at the end of half-blood prince, when he breaks up with her for - what he sees as - her own protection, in the belief that being associated with him will put her at risk from voldemort.

harry believes that separating himself from her is sufficient to bring ginny this protection, he never considers her to have the talent to fight voldemort herself - even though he acknowledges her as a skilled fighter elsewhere in the text - and he spends much of deathly hallows believing that he has guaranteed ginny's safety. he thinks of hogwarts as a safe-haven throughout his time on the horcrux hunt - and he is genuinely shocked to discover how bad the carrows' regime has been when he arrives at the castle immediately prior to the battle - and he treats ginny's role as a resistance leader in her own right [such as her attempt to steal the sword of gryffindor] as, essentially, a bit of a laugh.

for her part, ginny is set up in the text as ferociously loyal to harry - "i never gave up on you" - and as someone whose company he desires and values in a distinct way, but whose relationship with him is unbalanced by the paternalistic vibe of their power dynamic. harry is more honest with her than with many other people, for example, but he still doesn't tell her anything about the horcruxes, the prophecy, or the fact that he has to walk into the forest to die.

and this is exactly the same as bellatrix and voldemort.

bellatrix is clearly justified in saying that voldemort considers her his "favourite" - and he does behave towards her in ways which are meaningfully different from his treatment of his other death eaters. but their dynamic is still hugely unbalanced by the fact that voldemort is also required by the narrative to be singular - the literal embodiment of evil - and that this drives his secrecy about his true self. bellatrix is also treated by voldemort as someone whose role in his mission against harry is his to dictate, safe in the knowledge that she would never give up on him either, and who can be similarly kept in the dark about the horcruxes or the prophecy [although he clearly views this as for his, rather than her, protection].

deathly hallows, in particular, is full of explicit comparisons between the two couples. ginny trying to steal the sword leads to bellatrix giving away that there's a horcrux in her vault. ginny living while bellatrix dies [because of motherly love!] is the opener to harry living while voldemort dies [because of motherly love!]. and - of course - there's this in the forest...

Everything was waiting. Hagrid was struggling, and Bellatrix was panting, and Harry thought inexplicably of Ginny, and her blazing look, and the feel of her lips on his. 

as i've said elsewhere, i think it's entirely possible to write voldemort as quite fond of ginny on the basis of her canonical similarity to bellatrix. and so the reverse must apply - harry can be written as fond of bellatrix on the basis of her similarity to ginny.

which means i also think - if you're so inclined - that the toxic wife-swap would genuinely work.

[fugamalefica]

From Christopher E. Bell's essay 'Riddle Me This: The Moral Disengagement of Lord Voldemort'.

[hp-confessions]

People shipping Sirius with Bellatrix is gross

~

[capriddle]

And yet Voldemort's failure to scream when Bellatrix dies will forever remain our greatest loss in the films.

[hiancii]

The Ace of Spades

[iialethi]

[meemoop]

The Substitute

Cissy steps up to the plate

[ellemisc]

The Black Sisters, as girls

[percyweasleyapologist]

Little Bellatrix: I wanna be a death eater!

An older slytherin, a death eater: What the fuck do you want this shit for? I kill people, all right? Their blood is on my hands! Every night, when I go to sleep, I see their FUCKING faces staring at me! Their families weep, and I FEEL NOTHING! I’M DEAD INSIDE!

Little Bellatrix: Man, I want some of that in my life!

[marylily-my-beloved]

Quill ‘it hurts to be something, it’s worse to be nothing with you’ killer

[aezran]

Slytherins are written to be the opposite of what jkr considers “good” and “appropriate”.

You know what that means?

happy pride

[spookyasmr]