#like what does it add to the story

[shararan]

Few things piss me off as much in fic as a story establishing that the couple in question don't need what basically comes down to being described as "icky sex" and that their relationship is so much more deep and profound for it. Like maybe some would call me a Bad Ace for saying this but you can depict a sexless relationship without making uncomfortably moral implications about sex as a whole lmao

[muppetfreak]

Mr. Riordan, it is truly a pleasure getting to experience your second draft.

[ministarfruit]

day 15: haunting ♡

(femslashfeb prompt list)

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

[007reid]

hi aine! i love how you write spencer sooo much so i have a short request

i would looove sub/virgin spence where he’s been touch starved so he’s really sensitive and whiny but reader praises him and guides him through it

-🌹

hi rose 🌹 for one of my favorite asks ive ever gotten, i did a horrible job on this one so im so sorry ml 💔and sorry for the wait too...hope this is somewhat worth it😭enjoooyy!!

virgin. spencer reid

pairing: sub virgin!spencer reid x experienced fem!reader. 1k

summary: exactly what the req says

warnings: whining, loss of virginity, riding, creampie, nun too extravagant. yu like the picture?😏😏

"y/n...y/n!" spencer's crying, tears prickling at the corners of his eyes but he's moaning, humming his whines into your neck.

"easy, baby boy," you croon, slipping out of him and slowly lowering yourself on his cock again. spencer's pawing at you desperately, like he's never felt such a thing before.

it's because he hasn't. it’s exciting, being in a relationship with spencer; it’s exciting touching him and seeing him jump or freeze and then melt into your touch. he’s pristine, like a shiny trophy, untouched—touch starved and so unfamiliar to the idea of physical touch or intimacy.

"'s too much," he whimpers pathetically, voice halfway stuck in his throat. "can't, can't--"

"relax, spence," you murmur, pushing back the pieces of hair, damp with sweat from his face. spencer's eyes are squeezed shut, eyebrows furrowed like he's in pain or he's deep thought. you're not to sure which one. your hips continue snapping into his. "look at me baby." it takes a while, but spencer slowly peels his eyes open. they're glossy and his eyelashes are wet, and you're listening out for the word from him to stop but it never comes.

"y/n--" he gasps, right as your pussy clenches tightly around him. his eyes close again. spencer's breathing heavily, little hng, hng, hng's falling out his puffy lips. the sloppy sound of skin slapping against skin and spencer's whines and your quiet moans and the smell of sex clouds the room.

"you're okay," you reassure him, voice shaky trying to soothe spencer's nerves while trying to soothe your own. spencer's big and he practically splits you in half, the tip hitting the little button inside you that makes you want to scream without any maneuvering. he's not even trying, propped up against the bedpost as you ride him, hands pliant at your hips, the little slick of your wetness every time you lift yourself from him absolutely filthy. you lift his chin and he falls forward, planting a miss-aimed kiss at your jaw.

"you feel so good," he bambles. "so warm. i love you. feels so good but so much y/n, i--" he moans, cock pulsating inside you. his thumb flicks at your perky nipples.

"'m so full of you," you say, burying your face in his hair and wrapping your arms around him, trying to get as close as possible. "fuck. make me feel so good. my best boy,"

"best boy," spencer repeats eagerly with a soft little hitch of his voice. the tears resume. "y/n i can't it hurts, stomach hurts y/n please--"

you immediately know what he meant, and fasten your pace, hands on the base of his cock to make sure he won't slip out of you. spencer slides into you easily, your pussy stretched and wet for him and his fingers dig deep into both sides of your waist. spencer's moans cease and his hips starts bucking up to you, arms wrapping around your torso and he wouldn't stop talking. "gonna, think im gonna cum, yn please dont stop it feels so good, fuck!"

"cum in me," you coo, feeling that familiar buzz at the pit of your stomach too. "you got it. cum in me spence, so good for me, such a good boy,"

spencer's sobbing as he cums, warmness blooming at your core as he unloads his cum inside you. you follow suit, pressing at the sensitive nerves bundles at your clit, thighs shaking from the weight of your orgasm. spencer's shaking too, tears shiny on his rosy cheeks and you ride the both of you off your orgasms, the sweat on your skin cooling.

spencer's cum leaks outside the puffy walls of your pussy and down your ass when you pull off of him, pressing yourself at spencer's side and curling your body towards him. his chest is rising and his lips are parted. you watch your boy carefully, how his eyelids starts drooping as his breathing mellowed out. you should've saw it coming that spencer reid is the kind of man to get sleepy after sex.

but you've known him for long enough to know that spencer's mind never stops running, not when he's sleepy, not when he's asleep, not ever. "penny for your thoughts?"

he turn to you, smile debauched and eyes like marbles. he throws the sheets over the both of you and find your hand underneath the blanket, bringing it to his lips. "'m so grateful for you yn," he whispers like he's telling a secret. you strain your ear to listen. "so grateful. luckiest man alive. i love you. love you," spencer takes a long blink, and you know he's drifting off. you smile widely, so endeared. he weaves your fingers together. "i'll make it up to you. swear. after this. i swear."

spencer never speaks in choppy sentences, never speaks unless he's got the entire sentence planned out in his head and now he's babbling on like someone whose speech he would correct. amused, you reach out, smoothing down his hair with gentle fingers. "sleep, spencer," you say affectionately. he never needs to be told twice either, apparently, because his eyes flutter shut and he's out like a light, but fingers still tightly intertwined in yours underneath your blanket.

you'll just have to wash the sheets tomorrow.

[quadrantadvisor]

Alright new Jason Todd headcanons in a dpxdc setting:

Danny is a "liminal" ghost, rather than a "half" ghost. He's alive and dead at the same time. (He's like Jesus Christ (in the church denomination I grew up in), fully ghost and fully human.) Danny, in human form, can go through a ghost shield, because he IS a living human.

Jason, however, is a reanimated corpse. He isn't a ghost, wouldn't have a ghost core, etc, he has a normal human system that runs ON ectoplasm. Jason CANNOT go through a ghost shield, because he is always an ectoplasmic entity. Danny can go through the Fenton Ghost Catcher and be split into a ghost and a human; if Jason went through the ghost catcher, he would straight up die.

(For my purposes I'm gonna say that Jason became an ectoplasmic entity upon his resurrection, but wasn't very stable. Dunking in the Lazarus pit stabilized his system but also poisoned his ectoplasm.)

I do think that Jason could learn certain ghost abilities if he learned to harness his ectoplasm, especially if they detoxed him off the Lazarus waters. He's probably already enhancing his stealth and strength in ways he hasn't really noticed. I think he's held back by the amount of physical matter he's lugging around, so maybe he couldn't fly, but I'm imagining temporary invisibility, or intagibility of like, a limb at a time. Maybe he can't walk through walls, but in a fight he can dodge by instinctively making the targeted part of his body intangible.

[letswonderspirit]

I made a uquiz! what Kind of spirit are you? 👻https://uquiz.com/gGB9B7

[powdermelonkeg]

On the ancient Hyrulean stone tablets

In Tears of the Kingdom, there's a sidequest you get relatively early called Messages from an Ancient Era, in which you are tasked with finding stone tablets hidden throughout Hyrule that contain Zonai-era first-hand accounts of the royal family. There are 13 in total to locate.

You yourself can't read them, and must take pictures of the tablets to take them to Wortsworth, a Zonai Survey Team historian who can read the ancient texts for you.

The problem with this is that he doesn't tell you what the tablets actually say; he reads their ancient Hyrulean as-is, then gives his own take. And it's a take which cuts out so much context from the original text.

Fortunately, I am a nerd.

Unnamed First Tablet

The ancient Hyrulean:

"Ones held y honore als hochmayde to kyng Rauru ond quen Sonia, thaerafter to his suster ond to princesse Zelda. "Her on thaes gret stan ond twelf mo withalle make y endite min time with the hyred roial. "So michte heore remembraunce preserven for the sake of him on whom oure hope raeste."

What Wortsworth tells you:

"It's short, but it's an introduction from a servant to Rauru and Sonia, the founding king and queen of Hyrule. "She also waited on the king's elder sister, Mineru, as well as someone named Zelda, and wrote of their daily lives in 13 tablets. "It couldn't be simpler! "I intend to more thoroughly research what this chamberlain hoped to convey in these ancient tablets."

The actual translation:

"Once held I honor as handmaid to king Rauru and queen Sonia, thereafter to his sister and to princess Zelda. "Here on this great stone and twelve more withall make I ending my time with the hired royal. "So might here remembrance preserve for the sake of him on whom our hope rests."

Account of a Celebration

The ancient Hyrulean:

"So swete the song of kyng Rauru, ond so grete the beaute of his susteres daunce, that wer min eies ond eres captif. "Ond so hende quen Sonias gasen on us alle, so felt y min herte als captif fallen. "Seruantes lyf, tho moche laboursum, han moche jolitee as welle. Longe be the lyf of the roial familie thaere y love so."

What Wortsworth tells you:

"This is an account of a party from those days. "It says King Rauru and his older sister sang and danced together while Queen Sonia looked on. "We think of royalty as austere and reserved, but these nobles amused themselves with song and dance. "But what a vivid recounting of a scene never before related in any history book… "The descriptions of their personalities and expressions make the ancient past feel alive again. "This stone tablet is a first-class find. Well done, dear chamberlain, in leaving behind this account for us. "I'm positively beside myself to think of how this story from the ancient past persevered so long to reach us today."

The actual translation:

"So sweet the song of king Rauru, and so great the beauty of his sister's dance, that were mine eyes and ears captive. "And so had queen Sonia's gaze on us all, so felt I mine heart also captive fallen. "Servant's life, though much laboursome, have much jollity as well. Long be the life of the royal family there I love so."

The Strong Queen and the Receptive King

The ancient Hyrulean:

"Sonia, quen to Hyrules kyng, bi birthe Hylian preesterresse, hirself yborn of londe, nat of skie aboven. "Speken she with open herte, eornest to alle, euen even to the Zonais kyng. "This kyng ythinke it gode aventure so to lerne of the londes folke. To sen his hed ybent to listenen is swich plesaunce."

What Wortsworth tells you:

"This one looks to be about Queen Sonia. It claims that Sonia was a priestess before marrying Rauru. "Despite his status as a Zonai, a people popularly thought to be gods, she would counsel him without any trepidation. "Moreover, Rauru heeded this counsel. "This account gives us firsthand knowledge of the nature of Queen Sonia and King Rauru's relationship. "Rauru found himself unexpectedly charmed by her strong will, and before long, they were married… "Er, that last bit isn't in the text. That's me speculating. "History rarely speaks of a person's character prior to being elevated to royalty. So I can't help but fantasize."

The actual translation:

"Sonia, queen to Hyrule's king, by birth Hylian priestess, herself born of land, not of sky above. "Speak she with open heart, earnest to all, even even[sic] to the Zonai's king. "This king thinks it a good adventure so to learn of the land's folk. To seen his head bent to listening is such pleasure."

The Harmonious Couple

The ancient Hyrulean:

"Oft wys Rauru, kyng of kene blade, weyve his werk real in faver of the hunte. "Ond oft queynt Sonia, quene of kene insight, seke out him and repaire this kyng to kyngly besynesse. "In hir sapience semes she divin, that she cunne him ever finde and for hes folly semes him the mor humain. "Ond the kyng? O, he laughe. Nat him hir equal for hir wit, he kunne. Ond the quen, she laughe to, als even she scolden."

What Wortsworth tells you:

"This is a tale of King Rauru. "Apparently, he would vacate his official business from time to time in order to go out hunting. "I had the impression he was a stricter, more serious king, but I guess he had a lighter side as well. "However, Queen Sonia was always a step ahead. She would put a stop to King Rauru's hunts and bring him back. "We rarely get a glimpse into the down-to-earth side of royalty in this way. It's an important find, to be sure."

The actual translation:

"Oft was Rauru, king of keen blade, leave his work real in favor of the hunt. "And oft quaint Sonia, queen of keen insight, seek out him and repair this king to kingly business. "In her sapience seems she divine, that she can him ever find and for his folly seems him the more human. "And the king? Oh, he laughs. Not him her equal for her wit, he knows. And the queen, she laughs too, as even she scolds."

A Pilgrimage of Light

The ancient Hyrulean:

"The kyng was late y-come this aven, so maked the quene to sharen tales of hir lond, of shirines al grene yglouen. "Of erli daies sinnes Hyrules funding have diverse monstres hir reaume biseged ond assaylled. "Uncesinge in striffe, thei broughte to despeir folkes lyfen. Kyng ond quen ysete thamselue to bringen scurge to ende. "With might of light ond pouere, driven abak ybeen, ond the roial couple made thes shirines to selen him awei. "Thes holi selen ben yclept Shirines of Light. "Gret kyng, grete quen, y thank ye. Ye foughte whan y wer maiden-child, that y kude pes toknouen."

What Wortsworth tells you:

"The subject here is the actions King Rauru and Queen Sonia undertook not long after Hyrule's founding. "With the kingdom established, they were worried for their people, so they set out to eradicate the monsters troubling them. "They created structures called Shrines of Light to seal the monsters away so that they could never be revived. "There's more here about light…and time too… The sense I get is that the two of them may have had supernatural powers. "Though it's part of ancient history, it's a feat those of us living today should still be grateful for. Truly an important discovery."

The actual translation:

"The king was late to come this evening, so made the queen to share tales of her land, of shrines all green glowing. "Of early days since Hyrule's founding have diverse monsters her realm besieged and assailed. "Unceasing in strife, they brought to despair folks' lives. King and queen set themselves to bringing scourge to end. "With might of light and power, driven aback they been, and the royal couple made these shrines to seal him away. "These holy seals been called Shrines of Light. "Great king, great queen, I thank you. You fought when you were maiden-child, that I could peace to know."

The Researcher Mineru

The ancient Hyrulean:

"Queynte Mineru, the kynges elder suster, falles so dep in hir bokes swich that she oft foryetes to eten. "In min wieried wei don y what much y con, but y fer haven that it ben litel avail. "Of late treteth she of 'constructes,' thinges did she make with her hondes as vessel for spirit whan bodi-lich failen. "So, seyde she, might she liven longe, in spiret yhused within this 'construct.' "Though Mineru ne semes to holden ani deceyte… Bi my feith, y kan nat als trouthe thes wordes bileven"

What Wortsworth tells you:

"Here, we learn a bit about Mineru. "It says that she neglected to eat or sleep while making something called a…construct? "It was part of her research into a means of returning to life as a spirit possessing a new body, should her original one die. "To you or I, this sounds less like history and more like some sort of ghost story. "But remember who we're dealing with. They may have had unfathomable powers that made such things possible. "The revelation that Mineru was a fellow researcher makes her feel like a kindred spirit to me, and yet… "The chamberlain who inscribed these tablets treats Mineru with such care and kindness that it warms my heart."

The actual translation:

"Quaint Mineru, the king's elder sister, falls so deep in her books such that she oft forgets to eat. "In my worried way do I what much I can, but I fear have that it be little avail. "Of late treats she of 'constructs,' things did she make with her hands as vessel for spirit when body lies fallen. "So, said she, might she live long, in spirit housed within this 'construct.' "Though Mineru nay seems to hold any deceit… By my faith, I can not also truth these words believe."

The Foreign Princess

The ancient Hyrulean:

"Ful fyn is the weder this morn, ond have y audience with theos princes seyd ben kin bi fer distaunt yeres to quene Sonia. "Bi gras has she been given a name most swete, of Zelda she ben yclept. "In certain folk stered suspecioun, for straunge wer hir garnementes ond sodein wer her aparaunce. "Yet wolde hir contenonce ond bering maked proof of hir right blod and bond to quene Sonia. "Als be Zelda to remainen for a wile with us, y wil mi-self als hochmayde offre ekein hir servis."

What Wortsworth tells you:

"This is another fascinating entry. "If my translation is correct, the Zelda described here is Sonia's distant relative. "According to this, she arrived in Hyrule unexpectedly from another kingdom. It seems she was a beautiful princess. "Her strange clothing perplexed the people of Hyrule, and many were suspicious of her at first. "But this Zelda had such an undeniable air of nobility that those who doubted she was of royal birth were soon silenced. "Note how clearly this conveys the writer's feelings regarding Zelda. "Once it was clear Zelda would be staying, she applied to be chamberlain to the princess. That suggests real admiration."

The actual translation:

"Full fine is the weather this morning, and have I audience with this princess said be kin by for distant years to queen Sonia. "By grace has she been given a name most sweet, of Zelda she been called. "In certain folk stirred suspicion, for strange were her garments and sudden were her appearance. "Yet would her countenance and bearing make proof of her right blood and bond to queen Sonia. "As be Zelda to remain for a while with us, I will myself as handmaid offer asking her service."

The Free-Spirited Zelda

The ancient Hyrulean:

"Princesse Zelda recent comes to sen Mineru, the kynges elder suster. I com eck, for hir to seruen. "Todai cam hit ipassen that Mineru sheued to Zelda construct althergrettest y hav ysen. "Zelda, she much desired on hit to riden, ond ne conne nat y seien coust hir stoppen. Though I dyde protesten. Loudli. "Neuer the lesse she made to sitten heighe upon the constructes sculdres ond to riden like an hors, al ful of grace. "Min lausion, so graunt alredy, dyde grouen al the mor."

What Wortsworth tells you:

"The subject here is Zelda and Mineru. "Zelda apparently visited Mineru often to assist with her research. "I have no idea what kind of thing this 'construct' that allowed people to ride on it was. "But Zelda rode it so well that our author the chamberlain was again impressed by her skill at everything she tried. "That's the long and short of it here. "But more than the narrative, what strikes me is the back and forth between the chamberlain and Zelda. "The chamberlain tried to warn Zelda of the danger, but Zelda pushed past her and rode the construct anyway. 'It's short but so evocative of both the level of technology found in this era and the character of their visitor Zelda. "The 'treasure' found in these stone tablets is the pearls of wisdom and nuggets of personality contained within."

The actual translation:

"Princess Zelda recent comes to see Mineru, the king's elder sister. I come with¹, for her to serve. "Today came it pass that Mineru showed to Zelda construct of the greatest I have seen. "Zelda, she much desired on it to ride, and nay could not I say cause her stop. Though I did protest. Loudly. "Never the less she made to sit high upon the construct's shoulders and to ride like a horse, all full of grace. "My laudation², so great already, did grow all the more."

The Latest Trend

The ancient Hyrulean:

"Facioun nou favereth garnementes adourned with muscheron patrons, ond fer ond wid beon thei wern. "This tast for mucheeron com of the casteles seamestre, who sogte to seuen clethes for princesse Zelda to plesen. "This facioun, Zelda telled to the seamestre, waere in hir treu hom wel loved. "In hir tim werd everichon patrons of bright hewes, in the shap of mucheron. "Anou our hende semestre set herte on thes patrons copien, which sele to mani happi persoune. "Y seche after som for min one but ne coude nat an on yfenden."

What Wortsworth tells you:

"Here we learn something about the fashion trends of that era. "The story's catalyst is their Zelda telling a tailor about the mushroom-patterned outfits becoming popular in her homeland. "Intrigued, the tailor fashioned some clothing in that vein, and it caught on in ancient Hyrule. "Do you know Cece from Hateno Village? Imagine the look on her face if she were to find out! "They say that trends go in cycles, but… I didn't expect mushroom patterns to have been in fashion so long ago! "One last thing about the chamberlain… "Her interest in fashion shows there was more to her than devoted service. She was just like anyone else in the kingdom."

The actual translation:

"Fashion now favors garments adorned with mushroom patterns, and far and wide be they worn. "This taste for mushroom come of the castle's seamstress, who sought to sew clothes for the princess Zelda to please. "This fashion, Zelda told to the seamstress, were in her true home well loved. "In her time were everywhere patterns of bright hues, in the shape of mushroom. "And now our head seamstress set heart on these patterns copied, which sell to many happy persons. "I seek after some for my own but nay could not a one find."

An Ancient Ghost Story

The ancient Hyrulean:

"Of late have y herd it told a straunge ladi walkes around the castel in derk of night. "She ond princesse Zelda semes als twinnes two, but this on nadda ne light in hir eien—mor als a ded thing than not. "When she is asked about thes walkes, princesse Zelda of that ben no-thing remembren. "What monstre, or spirit of derknesse, be this visioun? So afeard y am of min imagenninges that y con nat slepen."

What Wortsworth tells you:

"This one is an ancient ghost story. "My understanding of ancient Hyrulean isn't perfect, but I know a ghost story when I see one. "It's a firsthand account of a ghostly or maybe corpse-like woman who appeared each night looking just like their Zelda. "No matter the era, it seems, people can't resist sharing a good ghost story. "A bit like how there have been eyewitness accounts of our Princess Zelda in the newspaper, even though she's missing… "Could our Zelda be a ghost too? No…of course not."

The actual translation:

"Of late have I heard it told a strange lady walks around the castle in dark of night. "She and princess Zelda seem as twins two, but this one has no light in her eyes—more as a dead thing than not. "When she is asked about these walks, princess Zelda of that been nothing remembered. "What monster, or spirit of darkness, be this vision? So afraid I am of my imaginings that I cannot sleep."

For the Hero's Sake

The ancient Hyrulean:

"Sith hire founding has Hyrule swich hardshippe ysene, but that is onli smale moment of time. "Mineru, the kynges elder suster, seyes of this kyngdom that hit ne mot nat awaren aye be ycaccht, nat evenforth fer futur. "Princesse Zelda tells hire that this futur be wrat alredi, that a champioun bith from the skie comen. "Bitwene the two, thei imaked to finden a wei this champioun in that distaunt time to ohelpen. "Her min treuthe, sogte thei to up-reisen the Temple of Time, into the skie to warden hit onyenes ivil. "Al dyden so in fer distaunt dai, our kingdom mighte be safed. "In min herte y woot y helpen mot, ond y asked of Mineru, canst yow devyse the menes to upreisen in the skie thaes stane. "Min wordes iseie nat enow, but thei thaes memorie safen, of the roial familie, heigh in the skie for that future time."

What Wortsworth tells you:

"That one is all about the feats that Zelda performed for the sake of the hero. "The details are unclear, but essentially, the chamberlain trusted in Mineru and Zelda's predictions and wanted to help. "She put forth the suggestion to Mineru to build a mechanism that could make her stone tablets float in the sky. "Which I take it are the very tablets you found, Link? But it doesn't end there. "If my translation is correct, it suggests that their Zelda worked with Mineru to raise the Temple of Time into the sky! "The idea of the Temple of Time—a grand edifice built in that ancient era—being lifted to the skies to await a hero… "Although given the appearaance of the sky islands after the Upheaval, perhaps it's not so far-fetched as it seems. "What must it have been like for the chamberlain to live through such miraculous times?"

The actual translation:

"Since her founding has Hyrule such hardship seen, but that is only small moment of time. "Mineru, the king's elder sister, says of this kingdom that it nay may not aware it be caught, not even for the far future. "Princess Zelda tells her that this future be wrought already, that a champion be from the sky comes. "Between the two, they made to find a way this champion in that distant time to help. "Her my truth, sought they to up-risen the Temple of Time, into the sky to ward it against evil. "All done so in far distant day, our kingdom might be saved. "In my heart I want to help more, and I asked of Mineru, can you devise the means to uprisen in the sky these stones. "My words I see not now, but they these memories safe, of the royal family, high in the sky for that future time."

The Day the Land Rose

The ancient Hyrulean:

"Swich wondrous sight y hav bihelden that ne con hit nat justil be described. "The Temple of Time y sawe, ond al londe yheld it, reisen to the skie, both ferful ond majestatic. "As princesse Zelda itold mi, in fer distaunt future comes a champioun to that place, the hope that Hyrule safen. "For that champioun be hit that y thes grete stane inscriben. "The kynges elder suster, Mineru, sendes nou thes stane to the skie, that the champioun mought hem ireden."

What Wortsworth tells you:

"This is an eyewitness account of the day the Temple of Time floated into the sky. "It's a landmark discovery for the history of Hyrule. It may be one of the top 10 most important discoveries of all time! "Even among all the breathtaking displays of power we knew of from the era, to raise the land and its buildings into the sky… "That was a feat impressive even to those accustomed to wonders. You can tell as much from this account. "Zelda predicted that a hero would appear in the land they raised into the sky and that he would save Hyrule. "The chamberlain took this on faith and wanted to know how she could help. "So she inscribed these records on the stone tablets that Mineru sent into the sky. "Give me a moment. I need to view these accounts as a historian and not get so swept up in personal sentiments…"

The actual translation:

"Such wonderous sight I have beheld that nay can it not just be described. "The Temple of Time I saw, and all land held it, risen to the sky, both fearful and majestic. "As princess Zelda told me, in far distant future comes a champion to that place, the hope that Hyrule is safe. "For that champion be it that I these great stones inscribe. "The king's elder sister, Mineru, sends now these stones to the sky, that the champion might him read."

A Parting Resolve

The ancient Hyrulean:

"Rauru, Hyrules kyng. Sonia, hir quen. His elder suster, Mineru. Ond eek princesse Zelda. "Al whom y served, ond loved. Al whom thurghhon. Alon kerv y thes wordes upon this stan. "This stan, ond al thritene, serven als roial families recorde, min werk final, ful-wroht for al age. "Mani the mark made bi thes much biloved peples—som eth-sene, som unsene. "Whan y make remembraunce of hir markes, fele y flaume of hope, though ful small, within mi. "Hit be als though thes markes som graunt design describen. "I ne con nat met princesse Zelda hir lov for hir londe. What mor than, ask y, can y do for Hyrules peples. "Let min lyf lede mi fro hennes-forth an answere ful-worthi to this questioun."

What Wortsworth tells you:

"It seems this is the last of the records. "The royals whom the chamberlain served so faithfully were gone, one by one… "It's heartrending to read. Her pain comes across so clearly in her words. "What's less clear from these entries is the cause of all these partings… "Well, each new mystery is an opportunity to do more research. If I keep digging, someday I'll unravel it."

The actual translation:

"Rauru, Hyrule's king. Sonia, her queen. His elder sister, Mineru. And the princess Zelda. "All whom I served, and loved. All whom they're gone. Alone carve I these words upon this stone. "This stone, and all thirteen, serve as royal family's record, my work final, full-wrought for all ages. "Many the mark made by these much beloved peoples—some as seen, some unseen. "When I make remembrance of her marks, feel I a flame of hope, though full small, within me. "It be as though these mark some grand design described. "I nay can not meet princess Zelda her love for her land. What more than, ask I, can I do for Hyrule's peoples. "Let my life lead me for hence-forth an answer full-worthy to this question."

And that is all thirteen slabs translated.

¹ "Eck" has no apparent equivalent, but can be guessed to mean "with" from context.

² "Laudation" might not be correct; failing to translate "lausion" in English, I turned my switch to French mode, and the word that took its place was "admiration." "Laudation" was the closest related word with similar letters.

[muffinrag]

the necromancer. THE necromancer. what e v e r. whatever! As if anyone could ever be "THE" necromancer after Dorian fucking Pavus spent 44 playthoughs and 603 hours serving flaming hot cunt. The only necromancer that matters to me is the queen I got sent to the future with. The guy I fucking soul-bonded with the moment I saw his godawful mustache.

as if anybody could be The Necromancer except Dorian. come on.

[lloydfrontera]

tfw when you write an entire novel with two protagonists that spent the entire plot getting closer to each other, becoming best friends and eventually both of them deciding they would rather die than allow the other to not live a long, fulfilling life, their friendship carrying most of the emotional weight of the entire plot and the emotional climax being one of them sacrificing his life so the other can live and then the other crossing literal universes to find him, a tearful smile in his face as he confesses how much he missed him. which is the scene you wanted to write and show the most because, again, this is the pay off to the slowburn you've been writing in the entire novel and what everything has been building up to since the very first chapter. and then you end the novel by having them share a smile, finally confident they'll be able to have a happy future.

but you also just gotta have one of them marry offscreen because everyone knows you can't be happy if you're not in a het marriage with kids lmao it's whatever it's okay i'm fiNE-

[melon-official]

She wails as though a part of her has died.

oh man. i picked up the sidestory to @just-a-carrot's five-arc horror epic a couple days ago and i'm so glad i did. i'll probably be talking nonstop and/or drawing about it for days

there's a handful of whiteboard doodles with other characters under the cut, but rly i just wanted to pay a homage to the scene that hit me the hardest... enjoy

[vaugarde]

havent seen this take in a while thankfully but it popped up in my head and i wanna post this anyways. i think everyone who talks about how siffrin “got off too easy” at the end of isat and his friends should have abandoned him should go read warrior cats if they want an example of a character using their trauma as their god-given jailbreak card to treat their family and peers (a good amount of whom who were completely innocent) like dogshit, and who faces zero consequences from the narrative for it (and in fact bends over to blame their peers). like read all the shit jayfeather does while the narrative sobs over how tragic but awesome and quirky he is and then look me in the eye and tell me siffrin’s ending was poorly written.

[crow085]

Average day at LOV headquarters

[magical-girl-coral]

Hey, so quick question

Please explain your opinion either in the replies or tags

[certifiedlesbianvampire]

this week's episode was one that i've been looking forward to for a while, and while not perfect in execution, i still found it interesting, especially how it expanded on matakara and how his and arajin's fight played out.

arajin is a character that is guilty, that flees unless absolutely necessary not to, and would rather save face. he is a character that is meant to be unlikeable. contrast this with matakara, who is kind and considerate, helps his friends, and is willing to reach out, even if someone has hurt him. even their reasons for fighting could be pit against each other: arajin wants to fight to lose his virginity, and matakara wants to fight for his brother, arajin, and his friends.

the difference between arajin’s idealization of mahoro and matakara’s idealization of arajin is that, at the very least, you’re meant to make fun of/laugh at arajin- because you're not supposed to like him. matakara’s idealization of arajin is not put in a comedic light, because you're made to sympathize with him; you're meant to root for him. another example of a character who idealizing another person: mahoro. mahoro is self-aware she’s delusional. she’s self aware her brother doesn’t want her, and because she is so weird about him, her brother doesn’t open up to her as a result. but even mahoro (as much as i hate the brocon thing) can recognize it'll never happen. she still has her core values that don't stem from her brother.

arajin and matakara idealize people for two similar reasons. arajin is in love with the idea of mahoro, because she represents what is expected of arajin, a guy who wants to be un notable because he believes he can’t do more.

matakara idealizes arajin, because arajin represents the simpler, ideal life, the best life one can live as honki person, one that he strives toward. he idolizes arajin because he himself needs something to cling onto after his brother is gone.

matakara and arajin are two characters both stuck in the past. they both keep ideals from their childhood; because arajin couldn’t protect matakara, he believes he is weak and cannot do more than that on his own. matakara believes that since arajin wanted to become honkibito together, he would still want the same deep down and it’s him who’s weak.

matakara puts his faith in people, even if it hurts him. arajin doesn't put his faith in people, but he gets hurt because he doesn't trust anyone. both put their faith in different things because they don't trust themselves, so they let others dictate it for them. both are stubborn about their beliefs, yet fragile, and it hurts them when they are questioned so they double down on it.

arajin is an asshole, hell, he's a bad friend, but he never lied about his motives. matakara seeing their relationship through rose-tinted glasses and arajin being detached harms the both of them; it prevents their relationship from progressing any further.

arajin is *partially right, he is not is not what matakara thinks he is: the ideal matakara holds for himself and him. one of the key things that is first emphasized about honki people is that, "they don't run away." this is what arajin has been doing all this time. even then, arajin has not been tricking matakara in any capacity, because matakara has an idea of what arajin is, and clings to it for support.

*arajin didn’t lie back then about wanting to be honki people together, but since he believes he can’t do more for matakara (he’s used to running away) he avoids confrontation about it. matakara’s used these ideals as support so basically it’s like his beliefs were a lie

arajin is no longer the ideal that matakara saw in his childhood. now that matakara's ideals are shattered, he is vunerable to akutaro's & ichiya's manipulation.

i do think arajin and matakara are capable of being friends. however, they both need time and space to process their emotions. it’s shown that they can look out for each other, but one is overly committed (to an ideal version of the other) and the other is not. they need to find a middle ground to understand each other. i love their relationship because they're made out to be so different, yet they're so similar. i love how messy they both are, and i'm so excited to see how their relationship could possibly contrast ichiya/senya's. more importantly, i can't wait to see how their relationship develops/spirals from here.

[tblsomedoodles]

Leo meeting Jennika Nobody for the first time

After careful consideration, Jennika is, in fact, being cannonically added to Family Web. Why? ^^^This ^^^ . This is why.

But her knowing about her brothers and trying to interact with the first one she runs into again (being leo) only to realize he doesn't know and now, spitefully, refusing to tell him until he figures it out on his own...idk. It adds something to Leo's conspiracy board arc that makes it work so much better. B/c now, instead of just Leo trying to figure everything out on his own volition, there's an outside instigator adding an extra layer of mystery to it.

She meets with him on multiple occasions, flaunting that she knows the answers he's looking for, but refusing to tell him. It drives him insane. she drives him insane. and, honestly, i will put up with any snags her presence causes for later arcs, just to make the conspiracy board arc less bland.

I'm gonna talk about this more when i answer asks this evening (there's a few in my inbox that pertain to this , even before i posted this lol). So feel free to add more questions if you have them. : )