#like we got his motive for it

[who-the-fuck-knows-blog]

now that we have canon confirmation that izzy wanted blackbeard/‘provoked’ ed into blackbeard because it was the only way he felt needed to ed, it was the closest he felt to ed was when they were a team and he thought that ed would discard him if he didn’t keep blackbeard alive (because he is in love with ed, not blackbeard, but he didn’t think he could have ed.) i will just block you if i see you saying izzy did it because he was power-hungry or to get his own rocks off… lol

[thatpunnyperson]

According to NBC here in the US, the missing titanic sub has been found. As debris. Off the bow of the Titanic wreckage.

And it looks like the sub suffered what we all suspected, and what was undoubtedly the more merciful of the two options: a catastrophic implosion from the pressure.

Also, more info has come to light about the fishing trawler with the hundreds of migrants that sank cataclysmically off the coast of Greece, indicating that the greek coast guard knew about the vessel AND how much trouble the vessel was in, and were towing it at a speed that made it capsize, at which point they unhooked the tow line and watched the trawler sink without helping the passengers to safety. Despite a bunch of other ships trying to help as well throughout the whole ordeal.

So a lot of people are dead, all because of regulations (and the lack thereof) regarding sea-faring vessels and rescue protocols. People shouldnt be allowed to make a business charging a ton of money for a ride on an uncertified, unsafe, un-seaworthy ship going deep into the ocean with no distress beacon or tether to the mothership. People also shouldnt be allowed to enact laws that criminalize the ferrying of refugees, which then force the refugees to hitch rides on fishing trawlers, and which also prevent people from helping those fishing trawlers full of refugees due to fear of legal consequences.

Hopefully BOTH of these events spark changes on an international scale in terms of what is legally allowed to be sailed, who is legally allowed to be the passengers, and what the rescue protocols are in the event of disaster for any seafaring vessel, illegal or not. It shouldnt be just the global 1% who get 24/7 search parties and remote-operated submersibles helping rescue them.

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[lotus-pear]

rewatched bsd w my friend seeing it for the first time and the nostalgia of seeing these two together again hit me like a bus

[nerdy-hyperfixations]

I just want to remind everyone that Wallace is canonically the worse one to sleep in the same bed with.

Scott can be a bad roommate in every other aspect but GUYS Wallace is the one that canonically snores and kicks in his sleep.

Scott sleeps like a princess with his back against the sheet lying perfectly straight (and also taking all the covers) and Wallace sleeps semi-on-his-side and apparently just fucking punting Scott in the leg every so often (not to mention he talked in his sleep too) and I don’t know why this is important to me but it is.

Because when people draw them cuddling in their sleep it’s always Wallace being normal and Scott turning and snoring and shit but you’re missing out on sleepy-cuddly Wallace turning and snoring on Scott. Let that cringe-fail 25 year old be annoying. Istg.

I’m talking to the Mobillace people too btw. Not that I’ve seen anyone draw them cuddling in bed (which is a CRIME btw. Draw that. For me.) but like imagine how funny it would be: Mobile stays the night for the first time and the hot-weirdo is a bed-menace, snoring and kicking and tossing and turning and suction cupping for warmth and Mobile is like “I want him to be my boyfriend” THATS FUNNY! LIKE-

[worstloki]

there is a difference between being born to a throne, maliciously vying for a throne, stealing a throne, and having a throne thrust upon you when you are already in the midst of an identity crisis. And I fear Loki's place in the line of succession has people unable to differentiate between any of these

[once-in-a-blue-moon-rising]

Rewatched s1e1 of Squid Game today, and was reminded that Gi-hun initially went into the games for Ga-yeong, and not for his mother. He went because she was moving to America, and his mum had said that when she did, Ga-yeong would forget all her Korean, and she and Gi-hun would become strangers who couldn't communicate. But, if he could prove he could support her, he might be able to get her back. Can you really live without her?

And this makes it so much more tragic that, post-victory, he literally couldn't bring himself to spend his money and go and live with her.

It's such a fascinating window into his character that even this, even his initial reason for entering the games, which would benefit not only him but his daughter too, he ultimately deemed to be less important than even the slimmest chance of stopping the games.

It is both breathtakingly selfless (his wants don't matter if he can't save people) and breathtakingly selfish at the same time (he'd rather take a chance on making a big change rather than take a smaller action that would definitely be positive) and LORD his characterisation is just absolutely impeccable.

Heart of gold x gambling addict my beloved.

[whatlurksbean]

Hello Aru, I have a non-WLB question Is Yoshi a Belgian Malinois? *You don't have to answer right away, I understand your inbox must be flooding rn

yeah he is! my little baby man

(him and our other dog koda, koda is a husky/shepherd mutt)

[lang-shih-na]

the very first words out of shih-na's mouth to lang after admitting to being a spy and a murderer are flirting with him. you really have to respect a girlie who shoots her shot even in her darkest hour

[reel-fear]

Bendy And The Power Of Representation

So those graphic novel pages huh? Seems I posted my cover post at just the right time because literally minutes after I was informed the preview pages came out and uh. This is Buddy and Norman!

Oh dear... I'll put the full graphic novel pages down below but I have so much to say on how awful this is it'll need several posts. However, right now I want to mostly talk about representation and briefly touch on why it's so damn important + inform others about the current shit Mike and Meatly are saying about the books n such.

Now note: All the things I'm saying below are based on my personal experience, maybe some people don't care about seeing the representation of their identities in the media they consume. Maybe some will think I'm merely being dramatic and I might be but I'm not lying when I say I personally believe being represented and seen in the media you consume can be one of the most wonderful feelings in the world.

Look I'm not here to argue with people who think that Norman in particular was never meant to be a person of color, I would argue he is very coded but the points I'm making here are not about how Norman particularly had to be black. The point I want to make is the lack of diversity in our cast in general and how Norman's design has heavily dwindled it considering most people [including myself] rightfully assumed he was at least one of three black characters in our cast. Not according to this though and looking at the the rest of the pages our chances of seeing any kind of decent diverse character designs dwindle more.

So firstly... Buddy a character who has been said to experience discrimination for being Jewish, lacks any kind of ethnic features at all. That's... Cool but yeah I think this shows a rather grim future for the character designs as a whole.

Also, Norman... As I mentioned he was largely assumed to be black due to his southern dialect, his voice, and other factors. But nope, he's a generic white guy. With... Gross looking hair tbh...

Sadly this is not the first time the topic of poor representation has come up concerning Bendy either.

[note how he disregarded the other mentioned minorities and specifically cites LGBTQ+ characters]

This sucks as a response but sadly considering Mike's recent behavior it seems to fall in line with the Bendy team's general lack of care towards representing anyone who isn't straight and white.

So how did Mike respond to all of this? Well...

TDLR - "Who cares if the Graphic Novel we're selling to our fans for full price sucks, we now no longer consider the books canon."

This is horrible, I know Mike and Meatly are only really in this for the money, the fact BATIM is in the state that it is proved that, but they really couldn't have been less obvious about it?

So basically when it benefited them, AKA when it meant people would have to buy the books to understand important lore like Boris' identity... [the character you spend all of chapter 4 trying to rescue] They were considered canon... At least the author sure thought so.

Hell even in the tweet Meatly made here he doesn't say the books aren't canon, he just says they're not needed to understand Bendy's world. Now Mike is using that as a shield instead of doing the right thing and saying "You're right, the poc in our fanbase deserve better we'll have it fixed right away!" Like most reasonable people would considering how his studio has literally been accused of bigotry, poor rep, and general lack of diversity before. Why risk making more people avoid this franchise?

Also just... Imagine how insulting it would be to be an author who helps flesh out so much of this world and gives its characters depth like NONE of the games have managed to do, filling in plot holes, creating a timeline for events, etc... Then because they couldn't bother to change the graphic novel for ur story to be better they instead throw out all ur writing and declare it non-canon.

If I were her to put it bluntly I'd feel insulted and horrible. Why make her do all the work of making sure her works align with the timeline and game's canon if they're not part of it?

I can't speak for her obviously but Meatly and Mike know of her account, so speaking out against this could very much risk her being fired or at least not allowed to work on Bendy anymore... So I would take all her tweets on this situation with a grain of salt. She very much is not in a position where she could be honest if she was against this.

So with all that history now, the question I'm sure many are wondering is... Why does this even matter? Who cares how diverse the characters are when it doesn't affect the story?

Well for one thing, if you think like that consider having more empathy for your fellow human beings but also it does affect the story. One of DCTL's themes is about the bigotry of the period it is set in.

Now the Bendy team has managed to make the discussion of this book centering around their bigotry which is ironic in a way I almost find funny... Though this entire thing is just a bit too hurtful and upsetting to find any humor in, at least for me...

But another thing is representation can bring people such joy when it's done with care. It really shouldn't be understated how far it can go to make people feel more comfortable in their own sense of self to have a franchise choose to represent them and their experiences. I know this from personal experience.

Now if you've been following me for a while, you know I'm a big fan of Transformers. I no longer engage with it much due to baggage from the fandom's awful treatment of me, but before I left I remember being able to witness the release of Transformers: Earthspark first few episodes.

These introduced the Maltos the family who meets the Transformers and serve as our protagonists and guess what?

It's a family of Filipinos!

Now look I'm not Filipino, but I am half Mexican and I have a lot of love for that part of me. So seeing the representation of any Spanish culture in this franchise I loved made me so happy! I remember just watching the first episode I was happily telling my partner how fun it was to see people like me and my family in a world I love!!

But it didn't end with the Maltos in fact... There was another character who spoke to me, their name was Nightshade. Their pronouns are They/Them and they spoke about it on the show! Not just mentioning it and moving on but actually sitting down to speak about their experiences...

This clip in particular really turned them into an absolute favorite among fans and well... I'll let you see it for yourself.

This scene... Fills me with a joy I cannot describe. It is the creators of a franchise I love telling me they see people like me and find the stories of people like me important enough to include in this series. There really is nothing like being able to say there are Non-Binary characters in a franchise I have so much love for. I was far from the only one too.

This is amazing, this is wonderful, this clip and character were moving to so so many people and...

This is a joy the Bendy creators have no interest in giving their audience. They don't care how you feel as a queer and/or black person, which... Hurts...

I... Discovered I was trans while in the Bendy community... It was where I learned the word Non-Binary and started using it for myself. To me Bendy will always have that connection... But the devs themselves seem to hate the idea of being forced to actually represent that in their games... And I still haven't really gotten over that pain or betrayal if I'm being honest.

So...

With Norman now being portrayed as white here, we are down to two black characters. Thomas [who Meatly has claimed is white in the past] based on a vague conversation with Sammy in DCTL they could easily ignore... And Jacob.... A book exclusive character which according to Mike means he is non-canon.

If we don't count Thomas' vague talk with Sammy about disrespect as confirmation he's black [which the devs don't seem to think so] then we have one black character in all of Bendy... And he recently got retconned into non-existence. Great.

Look... The Bendy fanbase has always been full of wonderfully diverse designs for the staff and even more diverse people creating them. Bendy's fandom was built with the work of queer people from all kinds of places.

If the Bendy team continues to show how little they care for anyone who isn't straight or white... I wonder who they are counting on to buy this book or in general financially support their franchise?

I know right now, I am furious, I am hurt and I most certainly don't feel like buying a book that's currently just a massive fuck you to the fans and I hope I've expressed why I feel this way in an easy-to-understand way here...

Either way, I will not be forgetting this anytime soon and I hope the fanbase does the same. Maybe just maybe, if there's enough backlash to this series of horrible decisions they'll learn better.

Right now, it's kinda of our only hope for a better future, and if you know any poc who are into Bendy right now... Maybe consider making sure they're feeling okay.

I know from experience how much this sort of thing hurts, to have the creators of a world you love straight up tell you they don't intend to fix the fact no one in their stories represents your identity or life...

What I'm trying to say is...

This is a really low point for Bendy and its fans... Even more for the poc who have to witness such ignorant and careless attitudes from Mike and Meatly towards their feelings.

Please don't forget them when you discuss these tweets or this situation. That's exactly what Mike and Meatly want right now.

For them to be unrepresented and therefore... Unheard.

[emosyzoth]

tumblr user magowolor posts magolor art (CHEERING AND CLAPPIN) yup yuup mhm thats right

[smile-files]

some great bluish bakeoff stuff!

nickel later apologizes this episode; it's prompted by balloon's confrontation, but clearly nickel was in the mindset to apologize. the fact that he didn't raise the issue himself shows how he's still really afraid of how balloon would react. at the same time, though, he's acknowledging that "standing up for what [is] right" is important and good, even if it doesn't necessarily have the most beneficial outcome; notice how this not only shows how he accepts and understands balloon's anger towards him over the past few episodes (which had the consequence of losing them the challenge and getting bot eliminated), but also suitcase's anger towards him in the latter half of ii2 (which had the consequence of destroying their alliance).

in this episode, blueberry is assuming a role that has previously been taken by nickel and, more recently, silver spoon: he has placed himself at the top of the pecking order, calling all the shots, forcing everyone to roll with his punches. now everyone's in the same position balloon has been for a lot of his time in ii. silver, in throwing the chariot (:nerd emoji: actually a litter, they use the wrong word) at blueberry, is taking a stand against him -- announcing his frustration from being treated poorly.

for the longest time, balloon had "stay[ed] away from the thorns": beating around the bush, not bringing up the hard stuff, so he could maintain his positive relationship with nickel (and by extension his sense of having actually changed, which is linked with that that relationship represents) and not face his inevitable aggressive snap-back. but, though these proverbial thorns are painful, touching them helps him actually move ahead of all of that discomfort. balloon took a stand against nickel recently, which he was justified in doing, expressing his anger at nickel for both what he did and his denial of doing it -- and nickel harshly bit back about what balloon had done a while ago. balloon touched the thorn, and got the pain.

now, when nickel is yet again dancing around the problem, balloon's frustration returns. and, as silver took a stand against blueberry (which nickel supported), balloon channels his frustration and takes his own stand: technically also against blueberry, in trying to get himself and the others to the challenge before blueberry (thereby denying the domination he has imposed), but the drive itself came from nickel. he knows touching the thorns is painful, but that it's important and good. he should stand up for himself, and he does. he literally pokes himself with a thorn, and that literally sends him and the others ahead.

for the sake of this analogy/symbolic framework, it's worth noting how they are pushed forward because of the thorn, but there's still baggage: they fly through the desert only to crash, losing all of their ingredients. at this point, though, balloon's not going to let the pain of the thorn prevent him from touching it. balloon will keep standing up for himself, even if he keeps facing setbacks and pushbacks, because he knows what he deserves.

you can imagine that when balloon confronted nickel in this episode, he was expecting the same old same old: he'd say what he's mad about, and nickel would shut him down. but he doesn't. nickel listens to him. nickel lets balloon be angry at him, lets himself face the guilt he needs to feel. balloon is able to be mad at nickel without their relationship automatically going up in flames like before. and balloon is shocked! but will he forgive nickel? what'll he say? ...well, they're taken by tyler bombard before balloon could say anything...

for all this talk of the thorn, where's the blossom? well, here it is. thematic parallels indeed! recall how balloon misunderstanding "flour" as "flower" contributed to the grand slams losing the cooking challenge in ii2, which likely added fuel to the fire of nickel's hatred towards him -- now that same flower and that same misunderstanding is a representation of their friendship: it is what remains after the pain of the thorn. balloon finding value in this meager flower and presenting it to mephone at all (thereby insisting that it has value) is what wins them all the challenge. the flower and its beauty are not just a reward for the pain of the thorn, but a product of that pain.

balloon still hasn't responded to nickel's apology, because he hasn't had the chance to... but in disputing tyler's happiness about blueberry's death, balloon both recognizes his own attempt to change as well as nickel's: attempting that change is also a thorn, a very painful one (it literally killed blueberry), and both nickel and balloon have recognized the changes the other has tried to make and has succeeded in making. nickel is very reassured by this.

and as a final flower, a final reward for balloon's persistence in standing up for himself and what he believes in, balloon is chosen as the sole recipient of the immunity cookie -- silver spoon, someone with both a history of selfishness and a history of putting others below him, is the one to make this decision. balloon is finally being recognized, genuinely, for the changes he's made.

notably, balloon never accepts nickel's apology: no, he accepts that nickel is trying to make up for what he did. and, knowing from personal experience how hard it is to make that change and be acknowledged for making it, balloon is there to support him through it, and help him realize that he can be better -- and balloon is still on that "trek" himself, as we know balloon still has a lot of flaws to work through. they both know they have to touch the thorn, but they're all the more motivated to do so because they have a beautiful flower as well:

their genuine friendship.

...

balloon continues to be very charitable with blueberry, even as blueberry is critical of himself. nickel is also charitable -- telling blueberry to "just be nicer to people" implies that he believes that such a change is possible -- though of course he expresses this in his typical snarky way.

blueberry, though, doesn't believe that he can change, just like nickel used to. no matter how much balloon and nickel believe in him, he himself has to realize he has the capacity to improve before he can actually do it.

[yellowhollyhock]

nah but it's so wild because like. It's almost a normal 'sibling growing up' story, where you understand why the younger ones feel betrayed and abandoned, but it hurts to see their anger or closing off directed at the older sibling who literally just went through a normal developmental stage. But then they both grow a little and it all smooths out even better than it was until a few years down the road you got the second half, where the older sibling feels betrayed by the person they've always seen as a kid becoming their peer and standing more on their own. And it's all understandable and it all hurts and it all smooths over.

Except with tmnt 2007 they're all adults together and Splinter really said 'It's time for Leo to go on a journey of self-discovery, he needs opportunities for further growth and he shouldn't be relying on us anymore. The rest of you should go outside less but I guess you can have jobs if you want.'

like bro they would've been on that journey together, the 'growing up without me' angst was literally unnecessary because they were all growing up. At the same time. Together.

Being the most skilled and obedient student was the only mark of maturity Splinter was willing to recognize when his sons were all becoming adults in front of him and he manufactured a divide that literally did not need to exist

[lemongogo]

why do i love the conflict more than anything else . the misery . the incompatibility that spreads like oil slick . wanting so desperately for resolution that never comes . hmmm

[greenerteacups]

Are there any other wizarding families that are underexplored in canon and pique your interest in a similar way to the Blacks?

This is a unique function of what food my brain worms like to eat, but no one's doing it like the Blacks. The drama? The intrigue? The Gothic horror? The prodigal sons and lost daughters and killers and sinners and martyrs and saints? The wizard Catholicism of it all? The story of the House of Black is the best book never written.

[dreamsicle262]

if the reading comprehension of some people who do make dead plate text posts is so bad (as i've had at least two people tell me in the tags) then maybe i SHOULD start analyzing every little detail in the game.