#like this mans entire personality on the show is an act! its all a trauma response! and people are out here acting like they know who he

[rigginsstreet]

the fact that billy went from this

to this

and this

is WILD to me as a person who experiences one minor inconvenience and makes it the entire worlds problem, let alone me being actively depressed.... i cannot fake an emotion to save my life. and hes out here putting on a whole ass show like he wasnt just crying in his room. king of compartmentalizing! (somebody please get him a therapist)

[sanjipussyindulgence]

what's your favorite thing about sanji? 💙🩵

okay as a funny answer i'd say its because hes so loser-coded. like hes a pathetic sopping wet purse dog of a man.

but as a genuine answer it's because of how layered he is. for as over the top and anime tropey his personality is... he's very realistically done? somehow he feels grounded and human to me in a way that some of the other straw hats arent.

even though his defining trait is kindness, he refuses to show ANY emotional vulnerability due to his trauma. instead he'll play a dramatized caricature of himself to distance any of the genuine emotion involved. he'll hide any kindness under a layer of either grouchiness when it comes to men, or infatuation when it comes to women.

sanji almost never lets his walls down, even when hes with the straw hats, so we dont get to see/understand him fully until he's at his worst emotionally (whole cake island).

its at times like that when we see who sanji truly is - a deeply insecure yet kind man with a severe guilt complex. the reason why sanji acts the way he does is because he HATES himself, even to the point where he doesn't want to be himself.

which is why he puts on the act of a tough guy womanizer because, in his mind, thats better than the soft-hearted little boy he still is at his core... but its that part of him that i love the most! i love whenever he gets to be honestly sweet!

obviously his pervert gag has its moments where it shoots sanji's characterization in the foot but i dont HATE his attitude towards women and i feel the people who want him to change entirely miss the point.

his strict binary for the genders stems from his early childhood where all the men in his life were monsters and only women were kind to him. even once he got picked up by zeff it was a tough love situation and sanji adopted that.

he views men as inherently worse than women, and its a character flaw that defines his personality. its important for a well written character to have a flaw like that. it fleshes him out.

i could go into a whole different conversation about his unintentional queer-coding... but this post is already long enough so i wont.

[ineffable-suffering]

Trauma-Dumping on your plants: The Anthony J. Crowley Chronicles

This has been living in my silly head rent free for so long, I finally decided to slap it on here in hopes of thinking about it a little less (than three times a day. It's been years. I need to get over it.)

Also, I'm absolutely certain I'm not even remotely the first person to realize or post about this, since it's not the hardest of parallels to figure out. Alas, I still shall, because out of mind, out of sight and all that. So:

Let's talk about how Crowley is using his houseplants to work through his own Trauma of the Fall. Or, well, maybe not work through it per se, but more so roleplay it to give it somewhat of an an outlet because he never got over it. Lol.

It's not rocket science to figure it out and God Herself actually gives us a pretty spot-on explanation of it in her own narration.

Crowley's plants are perfect. They're, as God Herself tells us, the most luxurious and beautiful in all of London. He takes great care of them, waters them, mists them. Does any and everything to give them the perfect conditions so they won't have a worry in the world.

And yet, we're immediately shown that despite the seemingly perfect conditions they're living in, Crowley's plants still get *gasps quietly* spots. And we all know how Crowley feels about that:

It seems like such an unnecessary tiny thing to get upset about, right? Like, plants get spots all the time. They're not perfect, they're part of nature and nothing is ever perfect in nature. Crowley would know that by now. Imperfection is the whole point of nature. If everything had stayed exactly the way it always was, nothing would have ever changed or evolved.

Besides, Crowley is a demon. If it were merely about aesthetics to him, he could easily miracle away any spot with a blink of his serpent eyes. But he gets so angry about it, it's almost comical. At first we think it's just to show us, the audience, that, in contrast to Aziraphale, who cares very dearly and lovingly for his books, Crowley is a mean, mean demon who, instead of being outwardly nice to the things he loves (like Aziraphale does), yells at his plants because he's a mean meanie.

But! If you look at the whole scene and what God says, it's pretty obvious what he's actually doing is something else entirely: "What Crowley does is he puts the fear of God in them. Or, the fear of Crowley. The plants are the most luxurious and beautiful in London. Also the most scared."

Folks, this man dude serpent is literally roleplaying the concept of God/Heaven threatening angels with their Fall in order to keep them obedient ... with his houseplants.

Have I mentioned yet that I am absolutely obsessed with him and also desperately wanna get him a therapy voucher?

Because what does he do once he sees a plant disobeying his rules of perfection and acting out? The same thing God did to her questioning, equally disobedient angels (including Crowley): Parade it in front of the very scared rest, making an example of it ...

... only to then, well ...

... quite literally chuck it out.

To anyone else, this seems like a completely ridiculous thing to do over a tiny, minuscule spot. There would have been a bunch of other ways to go about fixing that spot.

Figuring out what it was the plant needed that might not have been given to it yet.

Taking care of it in a different, individual way so it would have been able to thrive again.

Listening to the plant and letting it tell you why its spot appeared in the first place.

Telling the plant, that loves and relies on you entirely, you love it too, despite it not being without fault, despite of it not fully living up to your unreachable standards of perfection.

Caring for the plant not because you want it to be perfect, but because you're okay with it being imperfect.

(We're no longer talking about plants here, as you are probably aware.)

Alas, this isn't what Crowley does. Because it wasn't what God did, either. We still know very little about Crowley's actual Fall and the Fall of Lucifer and the rest. But we do know that Crowley was never like or even with them.

All he did was ask some questions. A tiny spot. A seemingly insignificant blemish in the luxurious, beautiful flora of Heaven.

And yet, before he knew it, he did a "million lightyear freestyle dive into a boiling pool of sulfur". Cast out, chucked away, just like his little spotty plant. And for what? Well ...

... to keep the others angels plants check, for the rest of time.

***

(Addendum from the comments: If we go by what the book tells us, Crowley doesn’t actually end up violently throwing out the ‚bad‘ plants. He just finds a different place for them and makes sure they‘re looked after. So much to him being a big, bad, meanie-mean demon.)

[astrogre]

The Planet that is Pluto

Words: power, control, obsession, the underworld, intensity, intense emotions, intense everything, domination, taboo, depth, sex, repressed emotions, shadow self, the survivor, detective, alchemy, dark arts, superiority, fear, bravery

Astrological placements associated with Pluto: Scorpio, 8th house, Aries

Character I associate with Pluto: Femto-Berserk

The way Griffith sacrifices the souls of his people to transform into Femto and have dominance over others. What he does to Casca as well. He is the epitome of an extreme Plutonic character.

Honourable mentions: Homelander- The Boys, Laurie- Euphoria, Makima- Chainsaw man, Erik- Phantom of the Opera, Gaara-Naruto

Places: hades underworld realm, chess tournament’s, hell, anywhere with hierarchy aka corporate workplace, government institutions (because of power play/dynamics), caves, underground tunnel, escape rooms, secret society hidden meetings, nightmares,

Random somewhat astrologically influenced things that personally remind me of Pluto: Rigger, black grapes, death by strangulation, wine, babushka dolls, long nails, snakes, a public executor in the medieval ages, chess, cults, BDSM, the colour black, power play

Song I associate with Pluto:

Listen to this while you read it to immerse yourself in Pluto energy and surroundings, also read the lyrics too it’s very much Pluto energy

For you Pluto dominants:

(Pluto 1st house, Pluto 8th house, Pluto conjunct asc, Pluto conjunct Sun, many strong aspects to Pluto & Honourable mentions: 8th house stellium, Scorpio Stellium.)

This is entire post is dedicated to you

Plutos Traits:

Regenerative and transformative

Think of a snake shedding skin to become anew or when you’ve overcome and left abusive relationships and you’re back in your self confidence. Pluto is a phoenix bird it has a DEEP urge for regeneration and can transform itself from its own ashes into a diamond, Pluto itself is the pressurising machine. Say ashes represent the shittiest moments of our life e.g abuse, relationships, trauma, Pluto has the ability as an alchemist to use this horrible event to make something of more value, it transmutes basic base metal to gold. Transmutes pain and death to renewal. Pluto sees trauma as fuel. Without ashes (intense emotions or experiences) Pluto cannot show up and do it’s thing. Check where you have Pluto in the houses, this may be where you can get hurt most but it’s purposefully for a reason you’re supposed to use those intense emotions and make something beautiful of them

Eg. Pluto in 11th houser may have intense traumatic social circles or communities that ostracise, diminish, use or control them. As a Pluto 11th houser YOU have dominion here, you guys are social climbers the real life underdogs to Royalty stories. Use their exploitation of you as fuel, motivation and a resources to your success.

(Kylie and Kris Jenner have this placement and we all know how they absorb the drama, publicity and negativity from others like a champ, embody it, all to gain constant relevancy, power, influence and fame in their careers. Scandals make their profits go up like the whole Jordan woods drama and using it as marketing to do a sale on Kylie Jenner lip kit, Kris having their children’s private lives scrutinised and publicly available all so her family can gain relevance and wider opportunities)

Dominance and control

The reason why Pluto is known for obsession is because it urges to have the upper hand, Pluto won’t argue when defied he simply acts unbothered but exacts revenge in a cold manner, it wants to dominate and will go to extreme lengths to do that, it will go at all costs, the obsession manifests in an illogical, ego based way think of Gabriel Agreste from miraculous ladybug- how he prioritises triumphing ladybug over saving his wife, that kind of obsession. In my personal opinion I see Pluto as the second ego after Sun. It’s better if I explain by comparison… Think of powerful and dominating planets like Saturn and Mars, imagine if you owed each of these planets money and were in deep debt with them this is how they would respond:

Saturn: would employ you to do gruelling long hard work for many years, no retirement so that you’d die working on their behalf. If you refuse or die before debts are paid they would simply pass your debt onto your children make them do it to repay the money you owe. (If you’ve seen Chainsaw man, Saturn would work/treat the debtors children kind of like the way Denji was treated he had to pay off his fathers debts; in burdensome conditions where his health was being compromised for repayment.)

Mars: if you owed money to mars and were not able to pay it back, mars would most probably threaten you, beat you up, do a drive by shooting, physically destroy your assets like keying cars, graffiti and bulldozing your house, may be very aggressive think of loan sharks and mafia

Pluto: Now if you owe Pluto money.. Pluto is the kind to go further than mars, he would make you pay for it personally, in a way that can be grotesque/dark think of maybe rue from euphoria. When she owed money she just randomly woke up in a strangers bed and the house being filled with men implying she had been sex trafficked. Pluto is very wicked, obsessive and can be unsympathetic. It would not care if you feel pain and regret for inconveniencing them, it does this to put you in your place and prefers you repay the money with your suffering. Pluto may not even want the money anymore but rather the control and prioritises the debtors torture or will get the losses at your expense. eg. Sex trafficking you, have you wake up on the road after being unconscious and notice your kidneys are missing, hold you hostage, torture you, sell your body parts at an elite auction house, make detestable arrangements behind your back like forced marriage etc. This is how Pluto exacts its power and control.

Power obsessed

Pluto gets what it wants and exerts control over others while it does. That’s why it’s described as “scary” and associated with fear, a combination of ego and revenge. This is why wherever Pluto is in your houses it can show where you are intimidating, relentless and powerful and what you have constantly been resiliently obsessing over for years.

E.g Pluto 1st housers feel the desperate need to be in control and that they are seen to be dominant. They’re kind to get insulted if you call them “cute” or make jokes about their authority. (Leonardo DiCaprio, Beyoncé, Britney Spears and Justin Beiber all have this placement and came out of being typecasted or known as the “sweet good girl/boy” stereotype to powerful and to be taken with caution.

Taboo

Pluto is labelled taboo because it inserts itself into light AND darkness. It doesn’t mind and in fact rather enjoys exploring sex, defiance, repressed emotions, any subject that the general public refuse to speak of, Pluto relishes in that. I remember as a child there was a myth that I was told. It was that if you say “Bloody Mary” three times in the mirror you’ll get haunted and a ghost will appear to attack you, while other children may scream and dread in fear to even think of doing such an act, Pluto ruled natives may be the kind when alone to quickly run into the bathroom turn off the lights and try it out alone. That’s why they’re known to participate in dark arts, have interest in disturbing topics, they are fearless, like the challenge and find the minuscule information available on it a challenge. It’s not that Pluto ONLY has interest in taboo topics it’s just that it doesn’t hold as much fear of it as everyone else, talking about sex or death to Pluto is like talking about the weather, it’s no different, after all it’s just another subject.

The reason why they’re so fascinated by such topics and affiliated with them is because they see wasted energy and potential in these dark topics, abandoned resources that nobody wants meaning there’s more for them, and that’s why Pluto wants to explore it. Pluto isn’t wasteful. If Pluto were to kill a cow it would use its meat for food, bones for medicine, skin for rugs and teeth for necklaces, not a part of it would go unused. It gets excited when someone hits them because it means they can hit back.

Hidden self

Pluto is the hidden shadow part of yourself self you may want to hide and refuse to acknowledge. This is because as mentioned before Pluto loves the darkness and inside the subconscious there’s the good stuff and the bad stuff, our subconscious holds our fears, our beliefs, our desires and Pluto brings out all that stuff as conversation starters and wants to explore it and use it as fuel. This is why Pluto is known to be triggering because to be honest who wants to remember the fact they are afraid of touch and their abuser that caused that? But Pluto does. Pluto wants to remember them, Pluto wants to bring it up, Pluto wants to know who they are, Pluto wants to get revenge on them and put them in their place. Wherever Pluto is in your houses can also show how you can exact revenge so that it hits hard on others.

E.g. Pluto 4th house can suggest native can use powerful resources in their family, or their family has status, control, authority over others and can utilise it against others to contribute to their downfall.

(Megan Markle has this placement and she certainly lives up to it. She’s able to use the traumatic experiences she endured as a royal as fuel against them and is slowly contributing to the downfall of the monarchy by using her name and her affiliation to the royal family).

How to activate Pluto

Pluto can only transform and use its powers of Alchemy, transformation, control and power if you tap into its energy otherwise Plutos potential will be ignored. The same with any placement really. If you have a Venus 1st house, you want to be a beauty influencer but don’t put yourself out there, it’s energy will never manifest and remain as wasted potential.

The way you’re supposed to use Pluto is by confronting your fears. When you are most afraid, do it anyway.

E.g. Pluto 7th housers when you’re laying in bed and you’re thinking of that traumatic experience in your relationships instead of suppressing it, allow Pluto to remember it and allow that level of disrespect you feel to take action in the way of your Pluto sign.

(Shakira, Cardi B and Megan Thee stallion all have this placement and exacted revenge on their partners in different ways, Shakira and Cardi did it by artistically exposing them in music and making money form it, Megan did it the same way and also by lawsuits, doing public interviews on torey Lanes and pressing charges)

Anything Pluto touches is where you hold the most power in your birth chart. Usually people say how come i’m not good in that area?? It’s because you’ve not utilised Pluto. It’s because you won’t let Pluto explore it and turn your tribulations into gold.

What can Pluto tell us:

The best way of how you can exact revenge for it to successfully hit hard on others.

Where your wasted potential is. Basically where you allow your fears, desires, trauma to lay dormant instead of using that intense energy for Pluto transformation

Where we get excited when someone hits us because it means we can hit back. (Applies only if native is used to Plutos energy, otherwise you won’t be able to hit back. You’ll know if it’s active if when you have challenges under the themes of the house Plutos in you trust you can fight back like you have in the past)

Where you hold the most power

What you obsess over

How you deal with fears, death, change and trauma

Which part of your life you experience extreme transformation and changes

What you like to fight for

I will most likely be making a series that incorporates all of this for each house. However due to the fact that I am unfortunately very detail oriented this may take a while for me to commit to.

Pluto Series:

Pluto in 1st House

[faramirsonofgondor]

Insane how many TV show characters have incredibly traumatic backstories or go through a shit load of trauma only for the writers to be like “yea and then they became an asshole and ruined all their relationship for no reason whatsoever.” and then they’ll be like “what do you mean that’s so out of character? no it’s not i literally wrote the character.” LIKE YES BITCH and they used to be a GOOD person and friend??? they would do anything for their friends and family??? ANYTHING. they spent eons trying to fit in and they dedicated so much time making sure their family was safe. and now you’re saying that they’re just selfish out of nowhere???

OR EVEN WORSE. when they fucking forgive their abuser for no reason or because their abuser was on drugs or addicted to alcohol. and then they get sober and magically become a better person??? what??? you mean the person who neglected their child??? the person who abused their child??? AND THE SAME CHILD GETS HATED ON FOR BEING RUDE OR EMOTIONALLY UNAVAILABLE AND PEOPLE STILL DON’T TRUST THEM OR LIKE THEM EVEN AFTER THEY MADE CONSIDERABLE EFFORTS TO UNLEARN THE HABITS THEY DEVELOPED TO SURVIVE THE ABUSE THEY WENT THROUGH??? IM SO TIRED OF SEEING THIS HAPPEN IN SO MANY TV SHOWS. LIKE IF IT WAS ONCE OR TWICE I WOULD BE ANNOYED BUT ITS FUCKING EVERYWHERE.

Just to be clear I’m not talking about shows that have established characters perpetuating the cycle of abuse from the beginning, or progressively getting worse over time, because while I don’t necessarily like those plot lines, they can make sense when they’re done right. But I fucking hate it when it comes out of nowhere and ruins all the backstory the character had and goes against all their earlier motivations.

And while I don’t particularly like it in TV shows when a character forgives their abuser, I can understand it when the abuser actually realizes the weight of their actions, doesn’t try to excuse them, and makes efforts to do better. But almost all TV shows where the character forgives their abusers ends up with the one who was abused being labeled as a problem child or too much to handle/too difficult and the abuser gets to be forgiven without any real development or apology or effort.

Like there’s so many different examples of this happening - Jamie & James Sr. from Ted Lasso, Jess & Liz from Gilmore Girls, Buck & his parents from 9-1-1, Shawn & Henry from Psych (I said what I said), like half of the entire MCU, and multitude of other characters. Like all of the kids were emotionally neglected and abused (and sometimes physically as well) and then they “acted out” (they insulted people, were maybe a little bitchy, and acted immaturely) and then somehow them acting out and being immature or eccentric becomes a central point of their character, and other characters are often annoyed or upset with this part of the character. But then the adult who yk, abused their fucking child, is viewed sympathetically by the other characters because they “were having such a hard time” and “were really struggling” while they were abusing their child. And now that their kid is all grown up they “don’t want to have a bad relationship” and “only ever wanted what was best for them, they just didn’t know to how give it to them”. LIKE GIVE ME A FUCKING BREAK MAN.

How is it the kids fault they were a bit immature or a bit of an asshole after being abused for their whole life but it’s not their abusers fault for abusing them???? like what the fuck??? Like it makes me sick to my stomach when other characters are like “wow it must have been so hard to raise them” when they literally DIDN’T raise them, they fucking abused them. Don’t even get me started on when they give the abused kid an actual parental figure and the abused kid opens up to them about how hard their life was and the parental figure does their best to support the kid only to turn around and encourage the kid to forgive their fucking abuser. Like what are these writers even on????

Anyways fuck forgiveness for the sake of forgiveness. You don’t need to forgive shit just because your abuser had a sad backstory. Womp Womp for them. Addiction doesn’t excuse abuse. Grief doesn’t excuse abuse. Divorce doesn’t excuse abuse. “Wanting what’s best for you” “being raised in a different time” or being “misguided”isn’t an excuse for abuse. Them having abusive parents isn’t an excuse for abuse. There isn’t an excuse for abuse. You don’t need to (and IMO shouldn’t) forgive an abuser just because they’re at a better or more stable point in their life than they were when they abused you or because they suddenly got FOMO and realized they’re gonna die soon and they don’t want a shitty relationship with you. And if they and other people are pressuring you to forgive them, then they clearly don’t realize the weight of their actions or how serious they were.

[narriose]

Thoughts on Veilguard so far:

Preface: I’m ~50 hours in with a handful of endgame spoilers.

My general values are: Story > Characters > Gameplay > Romance > Rep > Visuals.

My rating of the previous games: DA2 > DAO > DAI

Spoilers under Cut:

What I expected: Having to deal with an unappealing art style and clunky gameplay with leftover multiplayer and live service era elements that they couldn’t get rid of for the sake of the story and characters.

What I got: Well…

Let’s Start with the negatives:

-Dialogue: I want to know what happened there. Ik for a fact they had veteran BioWare writers on the team and it feels like there was a decision to dumb everything down to the point of me immediately having a line in my head that would sound better in universe every time someone spoke. It proved especially grating once I heard Morrigan speak. And when people compare the writing to MCU I cannot really protest. “Dragon Age has always been unserious” yes but like. Not every other line was a joke or relatable™️ millennial awkwardness . When jokes did happen they became memorable moments for the fandom. It’s often very difficult to listen to. Especially when Rook talks. It is getting marginally better though.

-Tone: Dragon Age has been compelling to me because it wrote conflict and trauma and corruption in a way that felt developed enough to feel grounded and believably horrific. Even with all its faults. DATV mellowed out the horrors and seems to gloss over a lot of sociopolitical dynamics and lore. Stuff like portraying crows as vigilantes and not showing the evils of Tevinter slavery. The tone itself just feels like theyre trying to make an easily marketable sanitized IP out of it to cater to a wider audience.

-Character Writing: A lot of characterization has been “Tell not show” because I’m disappointed in Lucanis and Neve. The story says one is a serious killer and the other is a cynic but both have only been friendly soft and positive which is like??? I feel like a lot of their intro has been cut out or something where they establish those traits on screen. Another thing is: there don’t appear to be actually detestable and controversial traits in characters or even internal conflict they need to overcome. They’re just dealing with some kind of external thing thrust onto them and that is very shallow to me personally.

-Intro: I know we’re not getting Origins style personalized intros again but it felt like too much is handwaived into people making their own OCs and forming headcanons when the game doesn’t let us RP much at all outside identity stuff anyway. Like how do we know Varric? Why should any of the pep talks he gives us mean anything when we haven’t experienced anything to warrant the complements he gives us?

-Villains: possibly the worst part of the story: they lit act like theyre in a preschool cartoon down to body language. No nuance no controversy no actual horror to them when in previous games the evil felt so much more pronounced because some of the villains felt human enough to be a shitty person irl.

-Rep: Sigh. Even as a transmasc I might be a little too internally transphobic for the rep in the game. It feels like so many steps ahead of what the story should be handling. Like fix the slavery problem in a meaningful way then start philosophical gender discussions about what a gender binary even is. And it’s very cringe to me when it’s spoken about in game. Like yeah I love that there’s no way to dispute what the characters are but it also feels so entirely uncreative using modern day terminology for this stuff. And I don’t mean “replace it with ambiguous sad baby talk” but something more. Like is it terrible to want that? Even if you were planning on using the word nonbinary, at least tell us what a binary even is and how it was instituted as an idea into this world. Like I do adore Taash, I just wish the gender stuff wasn’t so clumsy.

-Visuals: It’s hard man. As an artist who sees human bodies as proportion reference points, the bodies still look off to me. Like it was worse and I’m getting used to it but it’s still painful. And I’m all for trying to stylize but this particular heroforge direction was not something I would have picked.

-OST: At first I couldn’t tell Zimmer/Balfe’s stuff apart from Morris’s but yeah, the new stuff is more boring(Sans the Rivain part)

-The 3 choice thing: yeah not a fan of that. I feel like perhaps it was a part of the multiplayer era where they would not be able to import much if everyone had a massively different world state so they limited it to the tiny MC choices. Still sad that the romance thing only really matters if you romanced Solas because the Dorian cameo wasn’t anything to write home about. Kinda feels like they added him in last minute because someone pointed out how much Solas-skewed the choices were. Idk. I so expected Josie in Antiva but alas.

Now Onto the Positives:

-Codices: The very way-too modern simplified conversational dialogue style carries over to the codices. And while I despise that as a creative, I do find myself actually reading them as they come because they are so easy to absorb. I feel like a lot of people would benefit from not skipping them because there are some references and plot reveals worth checking out.

-Story: If you deafen the dialogue style, the story itself is top. Gets way better as you play and from the spoilers I’ve heard, yeah. It’s good. Can’t wait to find out more.

-Gameplay: Listen I have a massive preference for DA style combat even if most ppl call it a slog. The turn based element, the pause button, the hoarding skills I never use. It’s like coming home to me. I hated DAI combat for the amount of anxiety it induced and I usually hate fast-paced action combat in most other games. DATV made me eat my boots. Its combat is insanely fun and engaging and often times I’m looking forward to fights more than quests themselves. Very colorful, very flashy, and very effective. The pause button gives less freedom but it’s there. The combos are fun. It is like Mass Effect except I did not find commanding the companions in Mass Effect as intuitive. Tho I wish non mages had less magicey feeling attacks.

-The CC: Yeah it wowed me with the options. I like how much can be done with the facial sliders and how good the hair looks.

-Puzzles: Listen the puzzles are extremely stupid in this game. But I also am very stupid and lazy when it comes to solving them. I have looked up the vast majority of puzzle solutions for DA games. No more DA2 Fade Barrels and no more trying to circumnavigate the ad infested Fandom Wiki to get to the Kitty’s prison solution. Crafted specifically for me.

-Mechanical Things: The game is optimized insanely well. Both when It comes to your PC and the gameplay. I’m amazed how well it runs on my PC when games like BG3 and Cyberpunk make my CPU scream. Love that. As far as gameplay goes: everything is super streamlined and designed to be as un-annoying as possible. No carry weight, no collectibles as annoying and unrewarding as the shards and mosaics. The maps are easy to parse. The game does not bombard you with useless NPCs, banter can’t be interrupted and characters catch up on banter at the Lighthouse if you’ve been avoiding certain party comps by accident. The quest locator is actually helpful. Skill points can be refunded. Looting is easy and finding shit feels rewarding.

-Characters: Honestly they do have some interesting things going on and while most characters feel a little hollow so far, I was pleasantly surprised by Davrin and Bellara. Davrin is the one I’m romancing and while the actual romance isn’t groundbreaking I’m glad I chose him. Yes, his character has a lot to do with Assan and his arc, but he does have stuff going on of his own. He’s very refreshing because some of the things he says low key both makes you think and also worry about him. He’s also not your usual preppy jock type. He can be a little mean sometimes. He’s artistic and principled. He has some remnants of “opinions I don’t agree with” that I love early DA for. When it comes to Bellara, she absolutely breaks the sort of Manic Pixie/Quirky Awkward young coded girl mold. It is the fact that there is self awareness and hints of history of failure and isolation in her words. There is also masking and over-clarification that I can relate to personally. I hope there is stuff like that to other companions when I get to know them better.

Visuals: the UI and Locations are stunning. The outfits the best the game has had so far(tho wish the overall look was less stylized) The blighted stuff(sans the ogres) and the Crossroads. Beautiful.

-Dwarf Lore: started out as fucking cheesy but I just finished meeting Valta and I’m seated.

-Solas Stuff: Hated the man for a while. Caved and made a solavellan to import to get more story stuff. NGL he is actually tolerable/interesting to me in this game.

Overall: A sickly sweet combo of Disappointed and Impressed. And I’m still gonna be playing. I am used to not liking something about every DA game. That’s part of the fun for me. But damn is this one testing me. Am I having a lot of fun playing it? Absolutely. Am I finding it difficult to get through a concerning amount of dialogue…yeah. It does still feel like a DA game but also like if someone made a pg-13 live action of Inquisition and then made a supplementary game based off that. If I forget that it’s supposed to be a sequel and just treat it like an action game with plot then it’s easier. And like I’m sure at least half of what I listed as a negative can be attributed to EA meddling or prev iterations of the game being inseparable. Anyway. Can’t wait to see the ending and I will add more thoughts when I’m done.

[trekmupf]

Shakespeare & Eugenics in Space

Pro

Kirk backstory, and Kirks way of dealing with his trauma (immediate denial in front of others and putting up a wall, then researching and dealing in private – and later on with Spock and McCoy). Opposed to how both Riley and Leighton react

Kirk seducing a woman not for pleasure but for a secret cause / using his charm and sexuality to manipulate someone.

Unlike in the other cases of this happening he's the one being played by Lenore who is pretending to fall for him to murder him, which is a twist great

Spock immediately noticing something is up with Kirk

Spock then going to McCoy for help and support, twice! Great further development of all sides of the trio in this episode

McCoy's beautiful eyeliner is giving me happy chemicals

So many Spock and McCoy interactions

“And Please, Mr. Spock, if you won't join me, don't disapprove of me”is a line straight from fanficition

Spock correctly predicting how Riley will feel about being demoted for no reason - trying to look out for the crew and always questioning Kirk

Uhura playing for Riley who is lonely → further crew dynamics

The entire confrontation scene between Kirk, Spock and McCoy is great – it starts on a professional basis, Kirk being angry and defensive, and even though McCoy doesn't share Spock's suspicions to that degree he backs him up. Spock then turning the conversation on a personal level – it's not just about ships business, it's about Kirk possibly dying. Kirk then relenting and talking with his two friends about his feelings and the situation. Spock being Kirk's logic and information and McCoy ethics and morals

Great character work for Kirk who is aware of his responsibility, the small line separating vengeance and justice and his own morals

Kirk trying to wait to confirm his suspicions but then throwing caution to the wind and approaching Kodos when he realizes it's not just his life on the line after the murder attempt that would've cost many lives

Lenore rightly calling out Kirk at the end for using people as tools

The Kirk / Kodos confrontation is one of the best character scenes in TOS. The acting is perfect, the dialogue and emotion heavy and direct. The conflicting emotions of a mass murderer and Kirk having to deal with the emotions of confronting the man who directly traumatized him.

Kirk being able to talk down Riley with words instead of force

Kodos realizing what is daughter did making his character even better

set and costume design , fitting music

the whole play within the show thing with its stage & acting

the way the audience gets Kirk's backstory over the course of the episode along with Spock and can gather further understanding of Kirks reactions

the plot mirroring a classic Shakespeare play itself

differs from the other episodes in a nice way- very human and story driven; also murder mystery vibes and film techniques

the tension still holds up despite no real action scenes – first though the mystery of how this man is connected to Kirks past, then the ongoing mystery as well as the threat to Kirks life

Con

McCoy being careless about Riley overhearing him

Although I did like her acting, I think they should've commited to making her insane persona come out gradually / less extreme before the death of her father or play it straight and have her go insane after the death; this felt a bit rushed / sudden

Counter: Kirk fake womanizer

Quote

"Captain Kirk, who are you to say no harm was done?" - Lenore "Who do i have to be?" - Kirk

"What if you decide that he is Kodos? What then? Do you play God, carry his head through the corridors in triumph? That won't bring back the dead, Jim" - McCoy "No. But they may rest easier" - Kirk

Moment: Confrontation Kirk and Kodos - tense, well written and played

Summary: Underrated episode that even though it lacks classical sci-fi elements and action scenes introduces important backstory information for Kirk and gives further insight into his character and morals as well as his relationships with Spock and McCoy while also giving further development between those two. The acting is brilliant, especially Shatner and Arnold Moss, and the tension of the story holds up from the beginning until the end. Previous Episode - Next Episode - All TOS Reviews

[legobiwan]

Another story idea:

One of the - and I hesitate to call them "issues" as I think the series is pretty complete on its own - but one of the loose threads from the end of Gravity Falls Season 2 I'd like to tug at is the ease with which Ford finds redemption after his return to his dimension.

On the surface, it seems like the only person he needs to work to reconcile with is his brother, with whom he can barely share a civilized conversation with until after the zodiac is broken and the elder Pines twins are left seemingly helpless in Bill's improvised prison.

And yes, Ford gets the kick in the ass he needs after his brother's memory is erased (at his own hand), as he realizes at that juncture just how much his hubris has cost him (even if he hadn't consciously valued the relationship with his brother before, there have been steady hints throughout the series and books that Ford values Stan in some way, even if he's shit at showing it).

But it's all...rather easy.

McGucket asserts that he's done forgetting and ready to forgive, even though he was probably the biggest victim to Ford's actions and ego throughout the entire series. (There was another post I saw around here about "hurt people hurt people." Bill may have been awful to Ford, but Ford was almost equally as awful to Fiddleford).

Give me a story where McGucket starts to gain back those memories - of his anxiety and panic and near-slavish devotion to a man who barely gave him the time of day. Give me a Fiddleford who won't take Ford back after this all comes back to light, who finally grows a spine and cuts ties with someone who mistreated him for years.

Give me a story where Mabel is outwardly enthusiastic towards Ford, but also afraid. Afraid that she's not enough for him, that she can't be her brother, that Ford will look down on her. Give me Mabel acting out in her most-Mabelest ways to try to both win over Ford and smooth out the relationship between him and Stan (and knowing she's a child coming from an unsettled home life, this hits all the worse).

Give me a story where Dipper realizes the truth of the old quote, "never meet your heroes." Where he finally come to terms with the fact that Ford is just a person - and a very flawed person, at that. A person who nearly sold the world for his ego and worse yet, held his grunkle and sister with little regard, held Dipper's own future with little regard except how it would benefit Ford.

And yes, finally, give me a story where Stan and Ford have the seriously hash things out. Where they ned to come to terms with their trauma from their youth (and the one thing I can't blame Ford for is what happened with the science fair project. Stan shouldn't have been there and he knew better. Stan also knew he was less than second banana to his brother his entire life, and his father made no bones about showing it. Say what you will, but an almost-18-year-old Ford was never going to react well to that situation, nor would he totally understand the consequences of Filbrick kicking Stan out at that age. Stan was also horrifically co-dependent on his brother, something his parents should have helped to sort out way earlier). Stan needs to sort his issues with both his (now-assumedly-dead) parents, as does Ford. Ford needs to come clean as to the who, what, where and why of Oregon. And Stan needs a reason to live for himself, and not for others - especially not his brother, from whom he has an almost desperate need for affection. (And you have to wonder, after 30 years...now that he's gotten Ford back, is there some kind of pit that's opened up in Stan, some raison d'être that's vanished leaving him uncertain as to everything in life, even with Ford vowing change and ships and adventures from his end. That's got to be one hell of a whiplash).

Anyway, what I'm saying is I love Ford but there's a ton he has to reckon with, and worst off, he has to reckon with other people if he truly wants to change. (And oh no, can I think of another two-dimensional being who may be going through the same thing in a time-warped psychiatric institution, hmmm, I wonder...)

[weebsinstash]

Babe! A new Helluva Boss episode just dropped! And Ozzie and Fizz are just so goddamn cute! 😍😭 and Ozzie is such a sweetheart! (I hope he’s genuinely such a softie and not playing an act, we need more softie demons).

Can we please talk about Yandere! Ozzie again? Pretty please with a shit ton of sprinkles on top? 🥺

Bestie thank youuuu I watched that shit immediately and I have so many thoughts

This episode actually shows a big reason why I haven't really published a lot for like, Ozzie or Valentino in terms of actual fics because, my take on Ozzie's personality based purely off his debut appearance would've been a lot more different and now we see that, bro he's, suave yeah, but also, a huge green flag lovable cinnamon roll dork??? Valentino, we only have seen so much of. To be honest the way he's been presented seems to sway from "scary as fuck during gangster business stuff" to "he's kind of a ratchet ho, actually" and I'm not, entirely super confident writing stuff for him because like, I'm more of, assuming? I can't, analyze his character like I can for other characters with more material out for them.

For real though, my current stance on this matter is: Asmodeus, you could go to him and ask for his knowledge and advice on like genuine issues or things you're curious or concerned about like, legit you could sit down and have STD talks with this man ("h-hey Ozzie is it normal to have xyz on my you know what" "oh honey yes that's just like a blood blister from friction you're fine" "oh my god ok good because I was worried it was cancer" "HONEY NO 😩") meanwhile fucking Valentino over here would be like "bitch why you got cellulite" and like make backhanded comments like, oh maybe he could reward you with a boob job instead of your next paycheck (as in like, cosmetic surgery 💀 you know I've thought about that? Yan Valentino who's crazy for ya but, not crazy enough to not make certain, tweaks to your actual body. Maybe he dyes your hair or has it styled a specific way and basically refuses to let you do whatever you want with it. Gets your boobs or ass done. Makes you get fillers/botox for any wrinkles/static lines. Controlling your wardrobe is a must. You're like his little.... pursedog)

(That being said though. I'd still let him hit 😩 reader who gets drunk and fucks around and finds out--)

Anyways though, over here in our corner we believe in unapologetic self indulgence and I still believe a Reader who has magical abilities or powers and whatnot and can travel the rings through whatever convoluted means is a fun time. So. We're gonna do that! I mean. Asmodeus honestly seems chill enough that even if you like, somehow crashed into his club, as long as you were polite and respectful, he'd be chill with letting your hang around, maybe even getting a kick out of teasing you (but never pushing anything too far unless you show interest, and if you show any discomfort or trauma he backs off to re-strategize). I imagine his club would actually be pretty fun? Drinks, live music, although, kind of makes me wonder, how openly horny is this place? Probably not like "coochie in your face" like working for Valentino, so, Reader could even be all "honestly this is such a much more safe welcoming environment to engage in like sexuality" and Ozzie hears this and its like, dude. You might as well have just struck him through the heart with cupids own arrow, but, also, he's curious, what other places have you been?

I'm kind of convinced that if a little imp cunt like Crimson thinks he has the balls to stand up against Ozzie, hostage or not, I kinda feel like. Valentino would probably openly treat Asmodeus like shit. He'd probably be a catty fucking bitch to him. He probably looks at Ozzie as like, a diet coke version of himself, a version who has so much power but doesn't go far enough, and probably scoffs at Asmodeus' romantic attachment (even though Val has some weird on-off thing with Vox himself). Valentino doesn't give two fucks about consent and would probably openly mock Ozzie'e values

Or. They could be big business partners because, maybe there's some sort of inter-Ring porn trafficking pipeline or something, smuggling the good shit up from Lust and trading it with stuff from Sinners, who have more visual variety besides other perks etc

But just picture, Asmodeus and Fizz are, minding their own biz, at the club, chilling, listening to music, eating food vaguely shaped like clocks, and Ozzie's cell rings, and they're both like "aw I bet Reader's calling to say they're having fun at that party or whatever" but they answer it and you're like, hiding in the bathroom or a closet or something, crying, whispering under your breath "d-do you still have a place for me to stay like you said before 🥺 Valentino is really, REALLY drunk tonight and he's really scaring me, he grabbed me and--"

They're both at your exact location in like less than 5 minutes and maybe have to play it off, Ozzie distracting Val while Fizz steals you away, or, juicier, like. Imagine Val snatching your phone from your hand, going through your messages, "who the fuck have you been talking to?" And he pulls like the classic abusive boyfriend move and when he sees you're in frequent contact with someone named "Ozzie" he calls him from your phone and as soon as a male voice picks up, they're both going at it "bitch who the fuck are you?" "Bitch who the fuck are YOU?" "Why you got my baby's number?" "Why do YOU have MY baby's PHONE???" "I'm about to HAVE my foot up your ass, you--" like, you know what I mean? Asmodeus is rolling up and these two are all but butting heads with each other as you have to awkwardly explain how you know both of them and of course, suddenly there's a not quite comfortable conversation about which one of them you... "belong to", neither of them wanting to leave you with the other (although I imagine in a physical fight Asmodeus would win but Valentino would have homefield advantage involving his security dudes)

Either way like.... oh my god watching them lounge in that nice big bed together. Fizz being on Ozzie's chest, like. Give me that 😩😩😩 "oh Reader, baby, so glad you took up our offer for a place to crash, but, since it was so short notice it'll have to be with us tonight" type shit and like you're fine with that but then bedtime comes and. There's Literally Only One Bed. And you're like ok you know what I'm not really in a position to be ungrateful, Valentino could have actually fucking hurt me or trafficked me or whatever, but, you're still small enough that Asmodeus could hypotheticallyyyy just, reach an arm over and scoop up you into his chest for a cuddle, or just have you in the crook of his arm like a cat or a teddy bear. Ozzie definitely sees an immediate perk on Fizz not being so much of a troll as to give you the airhorn treatment your first morning there, so, obviously, they have, multiple motivations to, keep urging you to stay 👀 after all, Val is going to be looking for you in the Pride Ring, and you don't have any other friends, so, you're kind of stuck with their whims aren't you? Unless you try to run off on your own, and I mean. Really. They can just hire someone to bring you back lmao. Or get you themselves. Could you imagine feeling way you uncomfortable around them and slipping away and suddenly you find a little white demon dog on wheels happily rolling up to you out of nowhere and it's. Fucking tracking you for Fizzarolli and Asmodeus, like. Damn, can't even trust the dogs in Hell. Demon dogs in Ohio be like

Anyways idk I just like the idea of like. Combining several ideas, you do the whole "accidentally did the whole Death Fall From The Sky and crash into Vals sunroof, he keeps you in servitude because you have to repay him, eventually you Fall into Lust and you start basically doing double jobs at both clubs and prefer Ozzie and he eventually has to rescue you". Also like Valentino "canonically" humiliates his partners on social media so I can imagine he's just publicly belittling and negging you all the time. One second you're happy at Ozzie's listening to music and eating unholy amounts of onion rings with your quirky well intentioned clown friend, the next week Asmodeus sees a Sinstagram post where Valentino is just like "cutie was whining she couldn't get any tips so I helped her out 😜🤭🍈🍈" and its just. A photo of you in your work uniform where he clearly just reached forward and tore open the front of your blouse and he is just. Full on deadass without any hint of irony making you basically work in your bra and he's just without any remorse posting photos of your running mascara and you're clearly crying but what can you do?

Val posting a photo of him literally shoving a tip INTO your bra, his FINGERS in there, and other like little clips and snippets of him demeaning you while you're like actually fucking blubbering "and make sure to get me extra ice!" "*sobbing noises*" "I didn't hear a REPLY! Do I need to take some of those nice tips I'm helping you make?" "N n noOo I'm sorry" "sorry WHAT?" "M sorry mister Valentino, I'm sorry, I'll get your drink right away mister Valentino" and Val is just slapping your ass HARD as you turn to leave like and just laughing like this is the most fun he's ever had

like I feel like Asmodeus realistically would only be able to do so much IN Pride itself (because would You show up in your boss' turf doing your own shit? Big risk) BUT, I mean. You go down to Lust and you're basically fair game. You show up to your next shift after The Boob Incident and Ozzie's like "giiiiiiiirl imma keep it real with you, I know you wanna try and be independent but I got some concerns--" and he's barely even halfway through it before you're just, TEAR EXPLOSION, "i hate working for him, I HATE IT, I wanna work HERE full time, but I don't have a place to staAaaAaay" and just. Some UGLY crying because you're at wits end

Zero hesitation here's Asmodeus "Sweetie what kind of apartment do you want??? You want a penthouse? I can get you a penthouse?? You want some shopping money?? Tell Big O whatever you need." and the next thing you know Valentino is scrolling through Sinastagram and has to do a double take as your account starts posting all kinds of photos of you looking cute and having fun and, poolside in a bathing suit and you're becoming more comfortable with your body and your sexuality and, he's thirsty absolutely, goes to try and tease you or make fun of you and you're just like "you wanna fuck me so bad it makes you look stupid" and just ignore him as Val is forced to watch you pal around with Asmodeus (either as just friends or total fuck buddies like, deadass catch me out here "hey so, there's this position I've always wanted to try--")

[pleasantspark]

Jeffy's 20th Birthday vs Masquerade: How one message failed and another one fixed it.

Cw // CSA, SA, ABUSE, Child Abuse

Note: I am aware that SML has in the past did tasteless shit, but in this entire video, it has handled it properly. SML is capable of handling serious topics in which Hazbin failed to do.

SuperMarioLogan is a puppet indie tv webseries where Logan Thirtyacre and a bunch of his friends record videos that were originally for adults but has somehow catered to kids.

These videos are true edgy, and inapproperiate and somewhat even NSFW. Today we'll be talking about Jeffy's Birthday. Which was uploaded 10 days after my 20th birthday.

Jeffy's 20th Birthday comprised heavily of flashbacks abour Jeffy's childhood, and compared to Masquerade was handled better than what the message was about, it didn't have the main villain act all goofy and menacing and it showed that the person being abused did not like it.

In J2B, Feebee was sexually assaulted by CJ, and we see the mental toll it took on both her and Jeffy. Jeffy was obviously traumatized due to his guilt of not protecting his sister. Even mentions of the guy flies Feebee into fear.

Fear.

In which Val lacks to put into Angel Dust, to me, Angel Dust seems like he wants the poison. I know some victims go back to their abusers, but Angel Dust only did because it was for plot reasons and a major disagreement with Husk. It seems forced and almost for the sake of people wanting HuskerDust.

Angel compared to Feebee feels no genuine fear, other than having a panic attack at the end of Poison, he for the most part spends his time listening to Val's abuse. If anything, it seems like Angel tolerates being yelled. Which is a form of abuse.

Feebee reacting negatively to being SA by CJ coupled with the fact of Jeffy bearing witness to his sister's abuse caused him to hurt CJ, what has Husk done in order to stop Val?

Nothing.

He has done nothing to stop Val, other than to babysit Angel Dust at the "consent" club, Husk is NOT suitable to be Angel Dust's partner, he's just babysitting a grown man who Made his choices and every now and then he's living like there's no tommorrow.

Angel Dust's poor characterization and sudden switchup seems forced, and unlike Feebee was "able" to stick up to his abuser, Feebee never had the chance to do so.

She died after getting hit by a truck (more precisely Woody's truck.), by the end of the video, Jeffy advenges his sister and kills CJ.

So in conclusion, Jeffy's 20th Birthday showcases actual trauma and reactions by a victim of abuse. Rather than Angel Dust, who we see is being babysat by Husk in Episode 6. It's ridiculous to think he's supposed to represent a victim of abuse when its giving me mixed signals.

[sepko1]

The Known Timeline of the Freeman Immortal

The end will always be Someone Else, but I like fleshing out the story of how the Gordon Geeman got there.

Once Upon a Disparate Timeline...

He was dying. Neither the Vortigaunts or the G-Man could save him from this fate. So a deal was made. Alyx ultimately gave the go-ahead, a decision she wouldn't take lightly, but one she and all of creation would ultimately pay dearly for.

The First Days

The Employers are skeptical but are convinced by the G-Man that bringing the one and only Gordon Freeman into the fold would ensure incredible returns. Gordon, a hopeful glint in his eye, hopes to change things now that he has this power given to him. It’s a long road ahead.

Sacrifices

The Job is not without its drawbacks. You leave everything behind; who you were, who you knew, all that you fought for. But how do you leave behind the horrors and trauma that you’ve both created and defeated? How do you leave all that without seeing it to the end? These doubts begin to burrow in Freeman’s mind. He keeps a single token of the man he once was, a tool to be used, not unlike himself under the employ of the Syndicate.

A Final Word

The G-Man has taught Freeman all he knows, all Gordon can do now is go before their employers and impress upon them his value to the Syndicate. Something, however, isn’t right. The G-Man can sense it. There is no turning back, however, Gordon Freeman’s existence now rests in the hands of those even the G-Man dare not cross.

Seeing the End

The Employers are satisfied, but Freeman can’t ignore his doubts any longer. He needs to see how it ends. And so he goes, off the books, timeline after timeline. Win, lose, or stalemate, the end is always the same for him: Lying dead in a world that has long forgotten him. Something clicks, or maybe snaps, here.

All Forgiven Now

He stares down at the corpses of the ones who made him, and of the one who brought him into the Fold; their hope and confidence that he could be anything but what he was became their undoing, but he forgave them all the same. Alas, there was only one person he couldn't forgive, and the Freeman Immortal will make sure he'll never make that mistake again. The Purge begins.

The Downfall

The G-Man is dead. Freeman has stolen the power he needs to make more than just nudges to his destiny. His newfound power is overwhelming, and changes far more than just his fate. He massacres entire timelines trying to make things right, and neither the Employers nor the Vortigaunts know how to stop him. His mind faltering, fragmenting, he imprisons Alyx, controlling her Vortal Bond, the final piece for his attainment of ultimate power. The Vortigaunts finally find Gordon and invite him to talk in an attempt to dissuade him from this path. They tell him the power he’s accrued will eventually be the end of him, another prophesied death. He refuses. He is the Freeman Immortal.

Extinction

The Employers now try to bargain, Freeman refuses, and severs all links to their plane of existence. Seemingly out of options, the Vortigaunts wage war on the Freeman Immortal. His power growing, Gordon slaughters almost all of them. He begins to rebuild his universe anew, the man he once was now a distant thought. He shuts down timelines that might be a threat to him, ending countless lives. In a rare show of lucidity, he visits Alyx one last time, who manages to make him let his guard down just long enough for the Surviving Vortigaunts and an undead G-Man to find him. Freeman fends off G-Man but can’t stop the Vortigaunts from taking Alyx. Furious, the Freeman Immortal destroys it all, enveloping all of existence in a shattered white void. The Suriving Vortigaunts take advantage of this, trapping Freeman and reversing as much of the damage he’s done as they can. The Undead G-Man, the final act of the Employers, corners Freeman. The last thing he sees is Alyx turning her back on him. The last thing he feels is rage.

Epilogue

The Freeman isn’t dead, but he’ll never live again. Such is the contradiction of a man like him. His final resting place is somewhere far out of reach from his previous Employers, known only to Alyx and the Vortigaunts. There he will stay, forever in the darkness of the world he destroyed. 

[melodicaprils]

alright everyone. its time for the long awaited mikesys headcanons!!

(no applause)

uh anyway (warning spoilers for my fic that i have not posted) (also most hc r based off of real evidence!!)

chester:

introject of dead father

he acts like what a 5 year olds perspective of what an old man is bc young mike never rlly knew his father

formed first

can b as secretive as mike for some topics

loves rlly old books n cares for them like theyre babies

does care abt the system a lot, he just doesnt show it easily

is actually rlly good at masking

is "too old for love"

color i chose for him is gray

svetlana:

trans n lesbian!!!!!!

physical protector

formed 3rd, around the same time as manitoba

showed up bc the sys' not mentally stable mom was pushing them too much into their gymnastics (also she prob wanted a girl)

has trouble w/ taking breaks from practice

loves "girly" stuff like dressing up n makeup

trash at masking

color i chose for her is pink

vito:

trauma holder, but calls himself the "social protector"

remembers all the physical trauma

has dysthymia (which im pretty sure is like major depression, but its less severe n lasts way longer)

last to form

beats himself up abt anne marias whole "left u for a rock" thing

wears a mask w/ a smile for hours at a time

actually rlly sweet n caring

hates his physical appearance

writes poems (this isnt shown in the show i just think it would b funky)

decent at masking

showed up cuz mike got rejected by the only person who cared abt him

color i chose for him is red

manitoba:

internal self helper

not a fictive, hes just like that

based his whole personality on old australian sexist movies

secretly thinks its funny when ppl dont understand his australian slang

least traumatized

color is light brown

mal:

persecutor + trauma holder (but then bc of a real redemption arc that really occured hes now just a protector + trauma holder)

remembers all the mental trauma

reset button? what reset button? systems cant just reset their brain, silly

trash at cooking, like anything can be burnt to a crisp

listens to breakcore (specifically breakcore covers of classical songs)

was y the system went to juvie

main host for the entire time there

hated it after a while

like many former persecutors, he thought what he was doing was best for the body

doesnt actually hate the system (except for mike i mean what)

secretly enjoyed it when zoey treated him lovingly cuz she thought he was mike

color is dark blue

[inhonoredglory]

i dont know if you partake in any of the doctor who comics at all - i certainly dont. i like keeping my sanity safe (its a mess of strange stories and paradoxes from what ive been able to tell. as are most comic series). but recently there was one that elaborated a bit on rose and the metacrisis’s life post journeys end, and its one of the few pieces of media we have for them. i didnt care enough to read the whole thing, the only interesting part to me was apparently they had a little girl named mia, and ive been thinking abt that dynamic nonstop since. cant decide how realistic it is for them, but on the otherside augh its so sweet. anyway, i just wanted to ask how you feel about rose and the metacrisis in general, and whatever that entails. curious abt ur thoughts on them!

- armin anon/lesbian anon/whatever you feel like calling me lol

OMGG my anon (of many names lol)! OK first off, I drafted some of this way back but forgot to add on and post, so in the words of our beloved Doctor,

🌹 But onto the DW comics and Meta-Crisis/Rose!!

I only recently started reading the comics, starting with the ones about Gabby Gonzalez by Nick Abadzis, and I have to admit:

They make me yearn pretty fucking hard to run away and travel with the Doctor. There's some killer art by Elena Casagrande that feels so much like the Doctor we know and love (that kindness, that earnest love.... god!! my heart and soul!!).

But I warn ye (any readers of this post), DO NOT TOUCH Volume 2 by Robbie Morrison. He takes Ten blatantly out of character, making him out to be an arrogant bastard who belittles his companion and is flippant in the face of suffering. (Morrison watched too much Eleven, methinks 🙈)

I haven't read the Rose/Meta-Crisis comic yet (part of the Empire of the Wolf series), but I did see the important panel from that series, showing Rose's daughter Mia:

I think the Meta-Crisis settling down to have a family with Rose is pretty in-character and very much what the Tenth Doctor would have wanted, as much as it hurt him.

Because Ten fundamentally felt unworthy of Rose.

💔 The Doctor's Trauma

Rose was strong and compassionate and amazing, and Ten had done so much, seen so much, experienced so much tragedy and guilt. He's a man wrecked by PTSD, depression, shame, and self-blame. He felt like it wasn't fair to her that she'd sacrifice her life to someone who would go on living and changing and becoming a different person, while she grew old and died in a world without a home and away from everyone she knew.

He didn't want her to become like him, homeless and without the love of friends and family, because to be him is to be alone. And he didn't want that for her. Because he wanted her to be happy, not just momentarily, but for the rest of her life.

Ten is a man who loathes taking life, and it weighs on him every time someone sacrifices who they are because they love him.

It's no surprise Ten's entire decision about the Meta-Crisis took place after Davros massively guilt-tripped him into thinking it was his fault that all those people died. (It wasn't.) But Davros played on Ten's depression and trauma, manipulating Ten into thinking he had done unforgivable things to the people he loved. (when in fact those people died because they were inspired to be selfless like him, or were killed someplace beyond the Doctor's reach)

I've actually been doing a lot of research on Ten's trauma (including invaluable insight from Judith Lewis Herman's famous book Trauma and Recovery). This journal article about Major Depressive Disorder speaks so deeply to Ten's character, especially post-Time War and post-Davros:

"Guilt promotes altruistic behavior via acting out reparative tendencies, whereas shame reduces altruism by means of increasing social and interpersonal distance."

This explains so much about Ten's choice to sacrifice his own happiness and ask Rose to take his Meta-Crisis as her life partner. He's pushing her away, isolating himself. He's rejecting the people he loves the most because he's in a very, very dark place.

🖤🤍💜 An Asexual (Meta) Reading

There's so many reasons that Ten felt he couldn't give Rose the life she wanted (his trauma, his values). There's one angle I've been sifting around in my head in the past couple years, and it's more of a headcanon than anything: For me, because of the way the Doctor's character has been established since 1963, the Doctor's own asexuality is an almost meta-conceptual reason why the Doctor in general can't have a "normative," family life.

He couldn't say "I love you"—not because he didn't love her. (He loved her more than he ever loved himself.) But also because he knew what saying those words would mean: the expectations, the responsibility, the behaviors he felt she deserved to have from him because those words carry so much weight in human culture. All those things he could not give her.

But the Meta-Crisis could. I personally headcanon that the Meta-Crisis is not asexual like the Doctor. (Just like John Smith may not have been asexual either.) The point of both John Smith and the Meta-Crisis is showing how much they differ from the Doctor—and I think sexuality is one of those differences. It's why it was so easy for John Smith to imagine a traditional life, why it was so easy for the Meta-Crisis to promise his entire world and his entire self to Rose on that beach.

🌹 The Meta-Crisis and Rose Tyler

Which brings me back to the Tentoo himself. He was born in battle and he can die, but what does that exactly mean for his life with Rose? It's fascinating because to imagine the Doctor feeling mortality and knowing he cannot cheat death anymore—that's a horrific, terrifying thing.

There are actually two Big Finish Audios that explore this traumatic realization for the Doctor, and what that does to him. (They're both one-shots from Jackie's POV and narration, and you can listen to them here: Part 1, Part 2).

It makes Tentoo lean into his Ninth-era darkness, a ruthlessness to villains driven by the fear that he cannot protect Rose because he is not indestructible. But luckily for him, there are people he loves around him (Jackie and Rose) who keep him from that darkness.

Additionally, the Big Finish stories lean into the fact that Tentoo and Rose aren't sitting idly by. Both of them work for Torchwood and are growing their own TARDIS to continue to defend the Earth.

They don't settle down into a domestic life, at least not right away, and I think that suits them both. We know how much Rose didn't want the life of eating chips and watching telly. But listen to what RTD's Doctor Who has always tried to say: How deeply important the everyday things are, how much the Doctor, for how amazing they are, craves for a life of simplicity and the stupid little things that define humanity.

Because here's the key: It wasn't the everyday things that bothered Rose. Like she told Mickey in "Parting of the Ways":

ROSE: But what do I do every day, mum? What do I do? Get up, catch the bus, go to work, come back home, eat chips and go to bed? Is that it? MICKEY: It's what the rest of us do. ROSE: But I can't! MICKEY: Why, because you're better than us? ROSE: No, I didn't mean that. But it was. It was a better life. And I don't mean all the travelling and seeing aliens and spaceships and things. That don't matter. The Doctor showed me a better way of living your life. You know he showed you too. That you don't just give up. You don't just let things happen. You make a stand. You say no. You have the guts to do what's right when everyone else just runs away

Rose didn't hate the domestic, everyday life. She hated how life had no meaning.

She hated how people let things happen to them, without challenging anything or standing up for anything. She didn't want to travel as much as she wanted to live, to be something and do something with her life.

And that's the magic of Doctor Who, particularly RTD's era. Because you can be amazing and you can have meaning even without the Doctor, but the Doctor shows you how.

You stand up for what you believe is right and you choose to give meaning to what you do in life. You don't need to travel the stars to do that. You can make choices that give your life meaning right here and now. You can believe in something. You can find meaning in your place in the universe. You can give your enthusiasm and time to something that is important. Meaning and purpose comes from how we see the world, and that change in perspective is what Rose finds with the Doctor.

If Rose is with someone who can fill her life with meaning, who inspires her to see life as a beautiful adventure, then it really doesn't matter what she's doing with them. In The Impossible Planet, Rose was completely willing to settle down with Ten to "find a planet, get a job, live a life, same as the rest of the universe." Why? Because she'd be with him.

ROSE: This lot said they'd give us a lift. DOCTOR: And then what? ROSE: I don't know. Find a planet, get a job, live a life, same as the rest of the universe.

If I imagine Tentoo as a dad, I can't help but imagine him like Tennant himself. Kind, giving, selfless, and loving. I think Tentoo would be so afraid of letting someone hurt his child, because he hasn't had a family in so long, and he isn't the same man he was in those ancient days when, as a completely different man, he had a family.

He's a man still afraid of himself, still keenly aware of the inhuman things he's capable of. I think this fear would drive Rose and him closer together, like it did when he was Nine. But Tentoo is more self-aware now, more willing to grow and change and be different. Because he's the Doctor who was given a second chance, to live the life he thought he'd never have with the person he loves. He wants to be different to make this work.

I also think Tentoo would be the Doctor who passes on his title after he's gone. Not that I like to think about Tentoo dying one day, but let's be real: Where would his TARDIS go? As a half-human, I think Tentoo could imagine Mia taking on the role of Defender of the Earth when he and Rose have passed on. She would have been there to see it grow, and she would have been there when Tentoo and Rose first stepped out into the stars with this brand-new TARDIS. Because of his mortality, I think it would make Tentoo more open to sharing the secret, sacred things of his Gallifreyan people with the family he chose to start. He's not alone anymore, he has someone to share it with, someone who will pass it on after him and keep the world safe in his stead.

Which is all to say, I think it's a gift that Rose has the Meta-Crisis. Because when Ten regenerated and became, as he said, a completely different man, she was able to stay with the person she fell in love with and explore what that life was like, to have him with her for all of her life, and all of his.

[do-i-look-like-a-doctor]

okay but the Naruto universe is so fucking weird yet funny if you explain it and question it.

first, you have this lil orphan broke kid ninja boy named after a fishroll. then, you have an emo kid who acts like he got parents and a good way in life despite the fact he’s equally as much of an orphan as Mr. Broke-Blonde-Bitch. THEN you have this normal chick with pink hair who signed up for absolutely none of this nonsense yet got dragged into it. tell me why it’s these three against the world yet none of them can function together? it’s like watching ferrets hyped up on PCP fight over raw spaghetti noodles. dont even get me started when they were in school together, i can bet every person here 6 cents that at some point Sakura aka Ms. Fuckall got tired of Naruto and Sasuke’s bullshit and just tried to abandon them at an animal shelter.

speaking of school and general tomfoolery, why was the dude in charge of these three young squishy brained freaks the most depressed 20 something year old creature on the planet? i will admit, Kakashi is attractive and a great dude. he is so iconic, he misses his old team, and it’s clear he wanted best for his Group of Weird Children but he also reads porn all day and his mask probs smells like cheap aftershave.

if i was a 13 year old ninja child and i saw my sensai (who’s name sounds like cashew) doing all that i’d assume im either about to learn a sick ass skill (how to not cope with emotional trauma properly) or im about to get my ass handed to me. or im about to dropout.

back on track. so you’ve got orphan #1, orphan #2, Ms. Get-Me-Out-Of-Here, and Emotionally Repressed Man in one team. what do the kids do? beef for like 3048384 episodes. what does Kakashi do? try to teach them the power of friendship the entire damn series. oh, and let’s not forget that Naruto apparently has a demon fox inside him because of course he does.

anyways, once the team gets good at teaming they haul off to take their lil ninja exams. who do they meet? some kid named Gaara with smudged eyeliner and shaved brows. he’s a red-head, that’s cute. oh and he can control sand and tries to kill every child in the exams because his dad is a piece of shit hipster. who else do they meet? a kid named Rock Lee who can kick really hard, a girl named Tenten who wishes for all of us to stfu, and poor Neji who can’t keep doing this. there’s also some guy named Guy. yeah, the chunin exams nearly flop because Gaara doesn’t know how to act right.

all this is happening but the pivotal of it all? Sasuke decides to be extra emo and FUCKS OFF TO KILL HIS HALF BLIND SICKLY OLDER TWINK BROTHER.

then, Naruto decides he wants to harness his powers and FUCKS OFF WITH AN OLD ASS BUSHY HAIRED MAN WHO WRITES PORN. Jiraiya needs to be studied on a microscopic spiritual level. he is why SCP’s exist.

who let these kids out? i told you all not to feed the animals and look what happened. now theres beef between a group of kids and the akatsuki.

oh and the akatsuki?? don’t get me started. wtf is that. why is this group of fucked up people with weird powers who are being led by a ginger hive mind of corpses just wandering around? and why is Weasel, aka Itachi, in the middle of it with his goofy explosive hypnotic eyeballs? i want them all put down.

so you’ve got the evil eldirch horrors in the streets. thats fine. Naruto gets put into a new gang cuz Kakashi has to hospitalized. cool, whatever. Naruto decides to start hutning down his rogue boyfriend alongside Sakura, who became a sickass ninja doctor, along with his new sensei Yamato. wonderful… THEN SOME BITCH NAMED SAI SHOWS UP.

DO NOT GET ME STARTED.

what is that? why is it emo? why is its tongue tattooed? put it back outside bro i stg. i love him so much.

everything is just everywhere in this anime bro I can’t. Sasuke is no where to be seen, Naruto is doing fuckall across the world with his groupie, Kakashi is lowkey sad again cuz his kids are gone, and Sakura can barely breathe without issues occurring.

not just that but the twink brother named Weasel is being stupid and enables his own murder. yeah he basically wants Sasuke to come for his ass. meanwhile, Naruto comes home bigger, better, older but still broke and full of fox demon. still, not a single soul except his friends and teachers like him. shit gets even more wild, it becomes knock-off Cheetah Girls vs. The World.

girl i gotta go before i hurt someone. see yall in part 2.

(all of this is heavily unedited, apologies for mistakes)

[animentality]

(Leaps in askbox now its clear) Howdy! I'm curious about your opinions on the companions, like initial thoughts and now that you've clocked in an unhealthy (affectionate) amount of hours? We know what you'd change but how about everyone as is? Thanks!

Alrighty, I can finally answer this one...

Ok.

Man. This is gonna be a long one.

We're gonna start with the shorter opinions first.

Minthara:

I have not done a run where Minthara was alive in Act 2. I literally know almost nothing about her.

I think she's hot and has the sexiest voice of all the female characters, but I know nothing about her story, other than she was a lesbian with Orin. I do wanna try and romance her, but.

Who knows if I'll ever get around to it.

Minsc:

I get that he's a fan favorite from the old games, but I kind of hate him. He feels like fanservice, and I didn't get a nostalgia boner for him, so he does nothing for me as a character.

I honestly kill him. Not out of malice, just more out of, why even have him be here?

Plus I tend to go through the entire game without swapping my party members, because I'm pretending it's a real dnd campaign.

And I ain't changing my team comp for this weirdo who only shows up at the very end.

Sorry to his hamster when I kill him, though.

Jaheira:

She's ok. I don't hate her, but she doesn't do it for me. I don't get why she's Russian. And apparently the only Russian in the whole game.

She also feels like fanservice.

Plus she fucking drops ice storms on everyone's goddamn HEADS when they're already in Hunger of Hadar, and honestly?

We have beef. I let her die sometimes, for that crime specifically. I also skip her house, because it doesn't have good loot, besides the scimitars, and I don't play races or classes that use scimitars. like ever.

Halsin:

I like Halsin generally, he's inoffensive to me, but his "romance" is so bad. It's shallow, it feels tacked on, which it was, and everyone knows how much I HATE how little his sexual trauma is focused on.

I romanced him twice, and both times, I was underwhelmed and kind of shrugged him off.

He should just be a fling option like Mizora. He shouldn't have become a "romance" option. It's fine for him to be a big buff bear hippie that you can fuck, but a companion?

He's got nothing to do with Act 3. It's a detriment to his character and the game, tbh.

Ok, that's the smaller ones out of the way. Now mains:

Astarion:

I got into BG3 for Astarion.

I fully admit it. I saw a scene of him screaming at Tav for blasting him with the sun beam from the githyanki creche, and it was funny as fuck.

Neil Newbon is highly charismatic, and truly elevates a character I don't find that physically attractive. His personality and enthusiasm shine through, and his voice acting is superb. And I am a sucker for angst and redemption and themes of abuse and breaking free of toxic relationships. And darkly, I admit. I do like the more twisted nature of his backstory, the way he had to use his body to survive, has a bad relationship with sex, and was tortured repeatedly. As anyone who reads my writing knows...I am a disgusting sadistic pervert.

That being said.

I no longer like Astarion. Well. No. I like Astarion.

I don't like his fans, or his rhetoric. Astarion has the better writing of BG3, but the lack of nuance from his fans annoys the shit out of me, and overexposure to him as a character, since Tumblr and TikTok are obsessed with him?

No me gusta. I don't hate him as a character, but I can't stand to see Astarion is so perfect posts. He's not, and that's the whole point. He's awful, but you people don't appreciate that. I don't want to see Astarion x Tav headcanons. And I especially do not care about the BookTok crowd being obsessed with him because they just like a dommy vampire, and disrespect his narrative with absolutely no self awareness.

BookTok Astarion is SO GODDAMN BORING. They really just reduce him to a hot dommy vampire daddy, and that's why I never take BookTok recs. Pure garbage.

So. TL;DR - I got BG3 for him, but overexposure to his fans made me be significantly less interested in him. It's a good thing. If I was obsessed with Astarion, I'd be forced to interact with his fans. Thank god for Gortash... I'm free of that prison.

Lae'zel:

I loved Lae'zel the minute she was mean to me.

She's hot as fuck, like seriously, so hot, her neck makes me sweat something fierce, and her voice is sultry and raspy and hostile. just how i like my women.

But I admit...she's too fucking meta. gameplay wise, she's probably the strongest companion you can have for DPS...so I admit...I've had her on my teams so much, that I am sick of her.

And again! It's not because she's badly written. I actually think her character is really strong, and really awesome. I also think her arc is amazing, going from this devoted cult member to basically saying I'm going to fucking kill a god.

I actually teared up a little at the creche this one time, when I had to beg her to stay, and she was like, you knew I had no other path to follow, but this one, or something like that.

But.

But I have beaten the game with her in my party like three times. I've had her in my party on Honor mode like...a million times.

So, tl;dr - I love her to death, but gameplay wise, she's so strong that I can't play her anymore.

Shadowheart:

Ok...I admit it.

I don't like Shadowheart. I find her boring visually, because she's just this generically hot white girl. She was designed to be the companion that all straight cis white men would want to see naked, and that's fine but uh.

Does absolutely nothing for me.

I don't care for her personality either. I don't like her lines, all coy and vaguely condescending. I don't really like how mean she is to you, and it's different from Lae'zel, because at least Lae'zel came from a warrior culture that doesn't put much value on flowery language. Lae'zel makes sense.

Shadowheart is an amnesiac who's just mean to you because.

I also don't care for her story, at all.

Don't care about Shar's Gauntlet or her kidnapped backstory. Don't give a shit about her parents. Don't care that she's scared of wolves or that her hand hurts.

I like the overarching thematic bridge that her character exists on, specifically that the gods will demand everything of you, and will hurt you for their own amusement.

But as a companion...no.

I have never been interested in romancing her. I never have her on the party, except to get that achievement.

I also don't like clerics. I think they're kind of weak, tbh. They're heal bots. They're really only good for spirit guardians, glyph of warding, and removing status effects. Just don't care for that. I'm an all dps team, we have no room for healers.

TL;DR: I don't think Shadowheart is interesting design wise, story wise, or gameplay wise.

Karlach:

I loved Karlach the moment I saw her, I fell deeper in love with her the second I heard her voice, and I knew I would die and kill for her, when I saw her excited "I love you" confession scene.

Seriously.

I have said this before, and I will say it again.

Out of all of these characters, romanceable or not...

I would only marry Karlach in REAL LIFE. I'd never date a man like Gortash or Astarion. I might be friends with Gale, but he's too smart to be my boyfriend.

But Karlach. She brings the wife energy. She could throw me over her shoulder and bash me against the concrete, and I would say thank you, ma'am.

she's also so fucking fun to play. barbarian options in bg3 are so goddamn funny. you can intimidate everyone and just break shit. it's great. you can also constantly throw people AT PEOPLE. And it's great. She's way more fun than Lae'zel because of it.

No notes. Top tier character design. My wife.

But also FUCK the developers for only giving her two fucking quests, one of which is a FETCH IT quest and the other is just a lame boss fight.

And FUCK THEM for only originally giving her an ending where she either dies or becomes a mindflayer. WHY.

And the Avernus ending still annoys me, because the ENTIRE PARTY should be there too.

FUCK YOU LARIAN. Why do you hate Karlach???? You're monsters. She's never done anything wrong, and yet all you do, is wrong her.

Bullshit.

Wyll:

Ok.

Hard truth time.

Wyll is the hottest male companion.

Like.

No cap. Everyone who says Gale, or Astarion, or Halsin-

Incorrect. It's Wyll. He is literally so hot, with the white eye and those sexy throat scars. Hrrrrrrr.

Also, controversial opinion. I actually like his devil form.

I think it makes him even hotter. I do wish he had wilder hair, though.

That being said...

He's horribly underwritten.

I went in, thinking, he's so kind and nice and hot...and then I was disappointed by how little they gave him.

He, like Karlach, got hit with the cut content curse.

And it's so ugly.

And gross.

And honestly, I suspect it's racist.

But yeah.

I think he's really sweet and I like romancing him and all. But they didn't dedicate any time or effort to his romance, and I hate that. But not him. Never him.

TL;DR - my first impression of Wyll was wow, he's hot, I wanna know more about him, and my last impression is, wow, he's so hot, I hate that he has nothing going on because Larian simply didn't bother to give him shit to do.

Gale

Alright, I left Gale for last, because he has the MOST complicated relationship with me.

So I initially missed Gale, because my friend failed the strength check to get him out of the portal.

So for a while, I didn't even know he existed.

Then I started to see more of him on Tiktok and Tumblr, and I was like oh...ok. So...we missed him. Damn.

So I decided to try romancing him fairly early on....only to find out...

I absolutely despised that when he dies, he killed me with necrotic damage.

That pissed me off. In the early days, when I was new to the game, I think I once had a whole team wipe, because Gale and Lae'zel went down, and then Karlach went rampaging, set me on fire, and then died to Gale's necrotic...which is funny in hindsight, but it was annoying at the time.

The eating magical items thing was mildly annoying, but that was far worse.

I pretty much never ran Gale for a long period of time.

As the Dark Urge, I'd often kill him, in fact, just so I wouldn't have to deal with his Arcane Hunger.

And honestly, initially, I kind of disliked his personality too.

I think the first scene I ever saw of him was when you tell him he's ok in bed, and his response is like, I guess I'll go kill myself.

And honestly, I thought he had incel vibes because of it. Then add to the fact that he's rude to you, no matter what, when he needs his third item...and also add that to the annoying gameplay, PLUS the fact.

That I was rocking Sorceror and Warlock for most of my early runs, so didn't need a wizard...I said, no. No Gale.

I don't like Gale.

BUT.

Here's the thing, right?

I got into Gortash... and then I stepped away from Astarion. Started being obsessed with the Dark Urge...

And then I noticed that all of my Durgetash friends were super into Gale, and I didn't get why...

But then weavewithshadow specifically alerted me to the fact that... there are Gale and Gortash parallels...specifically, that they're both brilliant, scruffy, are blinded by ambition, can't appreciate the things they have, and keep chasing after things they can't quite reach.

And then I was like...ok, maybe I've been harsh on him...

So I did his romance...and I felt bad.

Because he's actually very sweet.

And his voice is reallllly lovely when it's soft and fond.

He's a poet...and then I felt bad for all the times I had chewed off his arm.

And honestly, with experience...I now know what to feed him. Mostly garbage magic items like Komira's dumb locket or the ring of color spray from the harpies' nest, or those dumb boots that electrify the water you stand in.

Plus, I'm smart enough to know how to keep Gale alive now, so the necrotic thing isn't an issue.

So.

So. TL;DR I had a very complicated relationship with Gale, first with his mechanics, then with this random out of context scene where he's kind of nasty to you. But I came around, and honestly...right now...I like him more than Astarion.

All he wants to do is...live.

And I relate to that.

And his romance scenes are nice, and he has more of an arc than most of the other companions, Astarion aside.

So there you go, anon.

This took forever to write.

Thanks for the ask, though.

[super-paper]

This might sound weird. In my viewpoint AFO feels like a child trapped in a grown man's body with his attitude and mindset. A man-child if you will. He's trying to enact childish fantasies onto the world, this obsession may stem from an event he experienced in his youth. He feels like a kid, felt it again when he blamed Kudou this chapter. In a better world AFO would've gone into the age regression community to get his chance to act out his childish impulses in a safe environment to process whatever trauma he endured instead of taking it out on the world.

YEAH I'M LOVING IT BC

Hori typically uses child imagery to like, show characters at their most vulnerable and honest and represent like the "naked essence" of who they really are. AFO rewinding into a literal child plays with those expectations, in a way-- but in this case, AFO "at his most honest/vulnerable" is almost monstrous in its depiction:

Like, AFO's got some pretty heavily implied hang ups about feeling powerless/being powerless and he uses escapism + the constant degradation of others to distance himself as far as he can from those hang ups. I wouldn't be surprised if his backstory ends up depicting some horrible violation of his own autonomy where he was treated as subhuman/toyed with-- and he's now attempting to inflict that same feeling of powerlessness on everyone else. Instead of healing from whatever trauma he experienced, he's become a slave to it. Of course, there's always a chance I'm reading into this too much-- But Hori's been pretty consistent in his depiction of abuse as a cycle (esp. with the Kotaro-Tenko and Endeavor-Touya plots), so tbh, it would strike me as an odd writing choice if he decided "yeah, AFO just woke up one day and decided to Be Like That."

And I've said this before on twitter, but like-- AFO is SUCH an Umineko/"Witch" coded character. It's one of the reasons I find him so fascinating, bc I've always loved the way umineko depicts coping mechanisms in severely traumatized/abused individuals and how it depicts abuse as a vicious cycle:

In Umineko, "a witch" is typically a manifestation that's born from a person's horrible trauma (or from a person's "will" to overcome that trauma and escape from an otherwise inescapable fate). They're born from humans who have been violated in some terrible way and who are desperate to redefine themselves as something powerful-- something that transcends that pain, something that pain can no longer "touch." They reclaim a sense of agency over their trauma/abuse/etc by adopting powerful alter egos who blend fiction and reality-- but ultimately, it's all still a form of escapism.

It's hard not to see the similarities between how umineko defines "witches" and how mha defines "villains"-- especially with characters like AFO, Tomura, and Dabi who have all adopted trauma-based alter egos-slash-identities and who attempt to reclaim "agency" over their trauma in intensely destructive ways.

Like.... so much of heroaca is just "my trauma takes the form of a powerless child because that's how it made me feel, and that's how it still makes me feel even though I'm not a child anymore-- but what if you could see that?" and then AFO won't even allow that much bc he's throwing his whole afoussy into rejecting MHA's usual tactics for humanization and instead going "OH??? YOU LIKE CUTE KIDS???? YOU LIKE CUTE INNOCENT WEEPY KIDS?? I'LL SHOW YA'LL CUTE *rips his entire face open*". We gotta respect his commitment to the bit, I guess, but at the same time jesus fuckin' christ dude.😬